DOCSLIB.ORG

Victorian Architecture Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Victorian Architecture Free FREE VICTORIAN ARCHITECTURE PDF Roger Dixon,Stefan Muthesius | 288 pages | 01 Feb 1985 | Thames & Hudson Ltd | 9780500201602 | English | London, United Kingdom Architectural Style : Victorian When people hear the word Victorian, the only thing that comes to their mind is the architecture. However, it is in the reign of Queen Victoria that radical changes in architecture took place, each having their own distinct characteristics. The buildings that depicted the Victorian architecture are- Victorian Gothic buildings having arches, pointed windows; Victorian Italianate architecture that rebelled against the classical architecture, gaining Victorian Architecture in the United States. Second empire or Victorian Architecture style with boxy roofs inspired architecture in Paris in the reign of Napoleon; Victorian stick architecture; folk Victorian; Romanesque architecture; the Queen Anne architecture; Painted ladies is a term used for houses and buildings in 3 or more colors that give details Victorian Architecture its architecture. The popular style of architecture before the Victorian Architecture era was the Greek style. It was used for public buildings but, the popularity diminished during the Victorian times. Most of the houses in early times were made of Gothic stones but were gradually replaced by wood. The Victorian architectural period stretches from and inspirations were drawn from history, nature, geometry, personal life to make new designs. The buildings prior to the Civil War were very simple as compared to the post-war structures. The Victorian architecture is a mixture of many styles Victorian Architecture the Italianate, stick east-lake, Queen Anne. The Victorian architecture was heavily Victorian Architecture by the contemporary critics. The later stage of the 19th century brought changes in the house color schemes, in the architects and the architecture. Initially only white, grey or beige were used as colors but byVictorian Architecture started using light and bright colors. Vibrant colors are the essential feature of the Victorian era. Victorian Architecture were changes in the architects as regards to the art and design and in architecture, in terms of money and power. Interiors of the house reflected the personality of the owners or the builders and the exteriors were inspired from Italianate or Renaissance style. Fromthe middle class had changed its taste of Victorian Architecture Victorian houses to more simple looking houses. Natural wood replaced the artificial multi-layered typical houses of the Victorian time. Victorian architecture - Wikipedia The term Victorian Architecture architecture Victorian Architecture not to a particular style but to an era—the reign of Queen Victoria over the United Kingdom of Great Britain from to Victorian-era architecture spanned more than 60 years and it encompasses a jumble of overlapping styles that include early Gothic Revival, Folk Victorian, Greek RevivalItalianateSecond Empire, Stick, Romanesque Revival, Shingle, Colonial Revival, and the popular Queen Anne style at the tail end of the era. Victorian architecture originated Victorian Architecture England and still largely defines the architecture of its cities and towns. But several styles of Victorian-era architecture also spread internationally to Victorian Architecture like North AmericaAustralia, and New Zealand, where various countries and regions adapted it to fit local tastes, lifestyles, and building materials. Victorian-era architecture followed the Georgian — and late Georgian period —which was characterized by generously proportioned rooms in typically three-story residences where families lived on the first two floors and servants occupied the smaller third story. The Victorian era was a Victorian Architecture of increasing wealth, an expanding middle class, and a Victorian Architecture in mass production facilitated by the Industrial Revolution. Victorian-era housing was built to accommodate people from all walks of society and income levels. Innovations in building techniques and mass-produced building materials that could be transported by rail—such as newly machine-made bricks, gray roofing slate from Wales, or Victorian Architecture arrival of plate glass in the s that increased window size from previous periods—saved builders time and helped lead to a housing boom during the s and s that saw millions of Victorians constructed. Victorian-era architecture is marked by its unapologetic devotion to ornament and flourish and its ornate maximalist interior design. While there are many different styles encompassed in Victorian-era architecture, some common features that will help you spot a Victorian from the outside include:. Interior Victorian Architecture in the Victorian period was layered, cluttered, ornate, and eccentric. Interiors of Victorian-era houses often included:. Similar to Victorian architecture is Victorian Architecture Edwardian style of architecture, which began upon the death of Queen Victoria and subsequent reign of King Edward VII —although everything up through is considered part of the Victorian Architecture. Edwardian style was less ornate than Victorian, its interiors featuring simpler decor and less clutter. It coincides with the Arts and Crafts movement, which began in as artists and architects reacted against the technical advances and mass-production ushered in by the Victorian age and sought to produce goods that celebrated human craftsmanship. Read More. The Spruce uses cookies to provide you with a great user experience. By using The Spruce, you accept our. Victorian Era Architecture Style Features Victorian architecturebuilding style Victorian Architecture the Gothic Revival that marks the movement from a sentimental phase to one of greater exactitude. Its principles, especially honesty of expression, were first laid down in The True Principles of Pointed or Christian Architecture by Augustus Pugin — Much Victorian design consisted of adapting the decorative details and rich colour combinations of Italian, and especially Venetian, Gothic. Though ornamentation could be Victorian Architecture, it was usually not superficially applied but grew rationally out of the form and material used. Victorian architecture Article Media Additional Info. Home Visual Arts Architecture. Print Cite. Facebook Twitter. Give Feedback External Websites. Let us know if Victorian Architecture have suggestions to improve this article requires login. External Websites. The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree See Article History. Britannica Quiz. This or That? Painter vs. Learn More in these related Britannica articles:. Western architecture: From the 19th to the early 20th century. By the middle of the s, Gothic had become the established mode for church architecture in Great Britain, but it was also considered Victorian Architecture to Victorian Architecture other types of architecture. In the prodigiously productive decades that followed, the style was applied by a host of industrious and competent architects to…. Gothic Revivalarchitectural style that drew its inspiration from medieval architecture and competed with the Neoclassical Victorian Architecture in the United States and Great Britain. Only isolated examples of the style are to be found on the Continent. Victorian ArchitectureEnglish architect, designer, author, theorist, and leading figure in the English Roman Catholic and Gothic revivals. Pugin was the son of the architect Augustus Charles Pugin, who gave him his architectural and draftsmanship…. History at your fingertips. Sign up here to see what happened On This Dayevery day in your inbox! Email address. By signing up, Victorian Architecture agree to our Privacy Notice. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox..
Load more

Recommended publications
  • On Top of the World, 1830 to 1914 Transcript
    On Top of the World, 1830 to 1914 Transcript Date: Wednesday, 7 March 2012 - 6:00PM Location: Museum of London 7 March 2012 On Top of the World 1830 - 1914 Professor Simon Thurley Tonight we turn to the nineteenth century. What a vast subject, what a broad canvass, how to make sense of an age when so much was built and so much architectural diversity created. Well, somehow I will have to, and that’s why, of course, I’m standing here. However Gresham College have made my job quite a lot easier as, since my last lecture, I have been invited to continue my visiting professorship for another year. So this allows me a bit of headroom. Despite its advertised title I have decided to make tonight’s lecture, which deals with the period 1830 to 1914, part one of two. In October I will deliver 1830 to 1914 part II which will deal with Victorian cities and their infrastructure. Tonight I’m going to address the issue of architectural style in Victorian England. The complexity of explaining and understanding English architecture after 1760 derives essentially from three things. These are not in any order or causal juxtaposition: the first is, changing demands - new types of building for new types of activity: railway stations, post offices, law courts, factories, warehouses, pumping stations for example. The second is rapidly developing technology in materials and techniques: iron, steel, glass, terracotta etc. The third is historicism, the fact that there were many styles to choose from, everything from Egyptian and Hindu to Ottoman and Elizabethan.
    [Show full text]
  • Toronto Arch.CDR
    The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences.
    [Show full text]
  • Disappearing Walls: Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon a Dissertation Submitted in Partia
    Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers.
    [Show full text]
  • ARCHITECTURE, POWER, and POVERTY Emergence of the Union
    ARCHITECTURE, POWER, AND POVERTY Emergence of the Union Workhouse Apparatus in the Early Nineteenth-Century England A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Gökhan Kodalak January 2015 2015, Gökhan Kodalak ABSTRACT This essay is about the interaction of architecture, power, and poverty. It is about the formative process of the union workhouse apparatus in the early nineteenth-century England, which is defined as a tripartite combination of institutional, architectural, and everyday mechanisms consisting of: legislators, official Poor Law discourse, and administrative networks; architects, workhouse buildings, and their reception in professional journals and popular media; and paupers, their everyday interactions, and ways of self-expression such as workhouse ward graffiti. A cross-scalar research is utilized throughout the essay to explore how the union workhouse apparatus came to be, how it disseminated in such a dramatic speed throughout the entire nation, how it shaped the treatment of pauperism as an experiment for the modern body-politic through the peculiar machinery of architecture, and how it functioned in local instances following the case study of Andover union workhouse. BIOGRAPHICAL SKETCH Gökhan Kodalak is a PhD candidate in the program of History of Architecture and Urbanism at Cornell University. He received his bachelor’s degree in architectural design in 2007, and his master’s degree in architectural theory and history in 2011, both from Yıldız Technical University, Istanbul. He is a co-founding partner of ABOUTBLANK, an inter-disciplinary architecture office located in Istanbul, and has designed a number of award-winning architectural and urban design projects in national and international platforms.
    [Show full text]
  • Images of New England: Documenting the Built Environment
    474 American Archivist / Vol. 50 / Fall 1987 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/50/4/474/2747585/aarc_50_4_k61r617u31jx5704.pdf by guest on 23 September 2021 Images of New England: Documenting the Built Environment NANCY CARLSON SCHROCK Abstract: The 1980s find the New England states in a period of economic expansion and development that has an impact upon its landscape and built environment. Older structures are being renovated or destroyed, while extensive new building is simultaneously under way. Documenting these changes involves identifying and preserving the records of build- ings that are disappearing as well as those of new construction. The author reviews briefly the history of architecture in New England, focusing on its relationship to the evolution of types of documentation in the nineteenth and twentieth centuries: original design records, publications and stock plans, and visual records of completed buildings and their changes over time. The differing approaches of the six states to preserving these records are profiled, and their efforts linked with the growth of an active historic preservation movement. Aspects of the built environment remain less well documented: current development, commercial architecture, landscape design, builders' records, and owner-initiated projects. The author concludes by proposing regional efforts to deal with these issues, capitalizing upon the expertise and experience of the curators, archivists, and conservators of New England's architectural collections. About the author: Nancy Carlson Schrock is self-employed as a book conservator and consultant on library preservation in Winchester, Massachusetts. During 1979-82, she served as project di- rector for NHPRC- and NEH-sponsored surveys of architectural records, which culminated in publication of Mass COPAR's Architectural Records in Boston.
    [Show full text]
  • Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History
    Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History 20 June 2018 Evolution of Victorian Architecture Intro: The nineteenth century in London is when industrialization occurred, thus, the way the city developed changed greatly. The changes came from what materials became available, the factories being built, and the demand for housing. The style of architecture during the nineteenth century is known as Victorian. Due to such a large number of migrants to London during the nineteenth century, the city is left with little choice but to expand rapidly, leading to the creation of flats instead of full houses. Population Rise and Influence: During the nineteenth century, London grew and expanded rapidly. Within a ten-year time period more than 330,000 migrants entered the capital, “representing a staggering 17 percent of the total population” (Porter 2001, 205). At the start of the nineteenth century London’s population was approximately one million, by the end of the century the population grew to four and a half million (Porter 205). London had limited choices of how to respond to the increasing population so the city began expanding. Once London began to expand, suburbs developed that separated social classes. During the Victorian era, houses are built for middle class people but within the century, the design of housing is altered. The middle class, otherwise known as the working class, became the target market. Over-crowding and “high market value of land in central London with the low market value of many forms of labor” causes housing issues Brooks 2 in London (Hennock 1979).
    [Show full text]
  • Saffron Walden Buildings & Architects
    SAFFRON WALDEN HISTORICAL JOURNAL The following article appears by permission and is the copyright of the Saffron Walden Historical Journal and the author. Fair dealing for the purposes of private study or non-commercial educational, archival or research purposes is freely allowed, but under no circumstances are articles or illustrations to be reprinted in any other publication, website or other media without permission. All rights reserved. It has not been possible to include all the original illustrations with the articles, but these can be seen in copies deposited at Saffron Walden Town Library. Enquiries re articles can be sent to [email protected] Some Saffron Walden Buildings and their Architects ©Bruce Munro Reprinted from: Saffron Walden Historical Journal No 5 Spring 2003 Saffron Walden’s many and remarkable old buildings include features of nearly every architectural period from Norman times until the present day. Unfortunately, we know little of the architects and builders who so skilfully created the early buildings, save perhaps for the parish church of St. Mary’s where John Wastell of Bury St. Edmunds, who died circa 1515, was master mason. The Church is interesting as being the work of one architect - carrying out an almost total rebuild - almost all other Essex churches, including Thaxted, evolved with different master masons Saffron Walden Buildings & Architects – Saffron Walden Historical Journal No 5 (2003) employed. Wastell it was who built the great fan vault of King’s College Chapel and who worked on Ely and Canterbury Cathedrals, Great St. Mary’s Church, Cambridge, amongst others. Much later Robert William Furze Brettingham (1750-1820) [grandson of Matthew Brettingham (1699-1769) who designed Shortgrove bridge] planned the great restoration of the parish church of 1790.
    [Show full text]
  • Architectural Review 2008 – January Articles LIVERPOOL: WORK IN
    Architectural Review Tạp chí Kiến trúc 2008 – January 2008 – Tháng Một Articles Các bài viết LIVERPOOL: WORK IN PROGRESS LIVERPOOL: VIỆC ĐANG THỰC HIỆN VIEW ĐÁNH GIÁ 17 Asplund library extension 17 Đầu vào cạnh tranh giành quyền mở rộng competition-winning entry; Tile of Spain thư viện Asplund; Ngói của các giải thưởng Awards Tây Ban Nha COMMENT BÌNH LUẬN 22 Brian Hatton asks, why Liverpool, 22 Brian Hatton hỏi, tại sao Liverpool, và tại and why now? sao vào lúc này? LIVERPOOL: WORK IN PROGRESS LIVERPOOL: VIỆC ĐANG THỰC HIỆN 24 Sean Griffiths reflects on how 24 Sean Griffiths phản ánh cách Liverpool Liverpool marks its inhabitants đánh dấu những công dân của mình 26 Mapping Liverpool: how the city’s 26 Vẽ bản đồ Liverpool: Sự tiến triển rối rắm turbulent evolution can be read in its của thành phố này có thể hiểu như thế nào cartography trong thuật vẽ bản đồ của nó 35 Những nhãn quan tương lai: chúng ta nhìn 35 Future Visions: we take a look at the vào hình dáng của các thứ sắp được xây dựng shape of things to come 39 Shifted Tideways: Brian Hatton 39 Các luồng thủy triều được thay đổi: Brian considers the history of Liverpool’s Hatton xem xét lịch sử của những vận đang changing fortunes thay đổi của Liverpool 52 The Bluecoat: Joseph Sharples looks 52 Áo choàng xanht: Joseph Sharples nhìn vào at the evolution of the building sự tiến triển của tòa nhà 54 Bluecoat arts centre BIQ 54 Trung tâm Nghệ thuật Áo choàng xanh ARCHITECTEN BIQ ARCHITECTEN 58 Arena and convention centre, King’s 58 Lĩnh vực và Trung tâm Hội nghị, bến cảng Waterfront
    [Show full text]
  • Euclid Avenue Historic District
    EUCLID AVENUE HISTORIC DISTRICT AERIAL & MAP OF The Euclid Avenue Historic District contains the portion of the Avenue which is north of G and south of the I-10. All properties which front Euclid Avenue in this portion have been included within the Historic District boundaries. HISTORY Euclid Avenue was designed and laid out in 1882 by EUCLID AVENUE MEDIAN IS LISTED ON THE George & William Chaffey to be the backbone and NATIONAL REGISTER OF HISTORIC PLACES centerpiece for the “Model Irrigation Colony”. The brothers designed the avenue to be a thing of functionality and lasting beauty. Euclid Avenue had provisions for an electric railway, water rights for each landowner, electric lights, and long distance telephone lines, and a local educational institution. All of these components were integral to the growth and development that occurred along the avenue. The avenue was designed to run from San Antonio Heights at the base of the San Gabriel Mountains at the north end of the colony to the southern edge of the colony at the Southern Pacific Railroad tracks. Construction of the avenue began that same year under the Chaffey brother’s direct supervision and, by 1884, four miles of the avenue had been graded. The median was landscaped with Palm trees and faster growing Pepper trees. The curbs and streets were made of granite cobblestone. The cobblestone streets have been paved over with asphalt several times over the years and are no longer visible. In 1886, the Chaffey’s sold their interest in Ontario to Charles Frankish who then formed the Ontario Land and Improvement Company.
    [Show full text]
  • Recorder-Issue 87
    Worcestershire Recorder Spring 2013, Edition 87 ISSN 1474-2691 Newsletter of the WORCESTERSHIRE ARCHAEOLOGICAL SOCIETY Charity No 517092 Free to Members Membership Secretary Tel: 01684 578142 CONTENTS Page Chairman’s Letter … … … … … … … … … … … 3 Constitutional Changes … … … … … … … … … … … 3 WAS Committee Structure 2013-14 … … … … … … … … … 4 Welcome to new Committee members … … … … … … … … … 5 Brian Ferris, Honorary Member … … … … … … … … … … 5 News from the County: New evidence for the production of floor tile inWorcester … … 5 From Museums Worcestershire: Bredon Hill Roman Coin Hoard: a thank you … … 8 Secret Egypt: Unravelling Truth from Myth … … … 9 News from the City … … … … … … … … … … … 9 Surveying buildings at risk in Worcester … … … … … … … … 10 History West Midlands … … … … … … … … … … … 10 David Whitehouse 1941-2013 … … … … … … … … … … 10 Recent Publications: The Battle of Worcester 1651 … … … … … … … 11 Corpus of Anglo-Saxon Stone Sculpture. X. The Western Midlands 15 Monastic Charity & the office of Almoner at Worcester … … … 18 Ariconium, Herefordshire … … … … … … … 20 Wellington Quarry, Herefordshire … … … … … … 20 The Medieval Monastery … … … … … … … 20 Malvern Women of Note … … … … … … … … 20 The Pubs of Malvern, Upton and neighbouring villages … … … 21 Having a Drink round Feckenham, Inkberrow and Astwood Bank … 21 Mystery Corner: Worcester Cathedral Altar Rails … … … … … … … 21 Postscript to Chartist notes in Recorder 86 … … … … … … … … 21 Hellens, Much Marcle … … … … … … … … … … … 21 The Feckenham Forester … … …
    [Show full text]
  • The Goodriches Name /L1429/L1429 FM 06/27/01 07:20AM Plate # 0-Composite Pg 2 # 2
    Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 1 # 1 The Goodriches Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 2 # 2 James P. Goodrich Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 3 # 3 Pierre F. Goodrich Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 4 # 4 Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 5 # 5 The Goodriches An American Family By Dane Starbuck LIBERTY FUND Indianapolis Name /L1429/L1429_FM 06/27/01 07:20AM Plate # 0-Composite pg 6 # 6 This book is published by Liberty Fund, Inc., a foundation established to encourage study of the ideal of a society of free and responsible individuals. The cuneiform inscription that serves as our logo and as the design motif for our endpapers is the earliest-known written appearance of the word ‘‘freedom’’ (amagi), or ‘‘liberty.’’ It is taken from a clay document written about 2300 b.c. in the Sumerian city-state of Lagash. ᭧ 2001 by Liberty Fund, Inc. All rights reserved Printed in the United States of America 05 04 03 02 01 c 54321 05 04 03 02 01 p 54321 Library of Congress Cataloging-in-Publication Data Starbuck, Dane, 1956– . The Goodriches: an American family/Dane Starbuck. p. cm. Includes bibliographical references and index. isbn 0-86597-184-6 (cloth: alk. paper).— isbn 0-86597-185-4 (pbk.: alk. paper) 1. Goodrich, James P. (James Putnam), 1864 –1940. 2. Governors—Indiana—Biography. 3. Goodrich, Pierre F.
    [Show full text]
  • 'Philadelphia's ^Victorian ^Architecture
    'Philadelphia's ^Victorian ^Architecture 1860-1890 E ARE in the habit of thinking of American architecture of the period just after the Civil War as being ugly—one Wauthor relates it to "the lowest period of taste." And of the various parts of our country, Philadelphia had a particularly bad reputation with the art critics. The ^Architectural T{ecord—a journal which first appeared in 1891 with the avowed mission of improving American architecture—had this to say in its prolegomena: In no country, and at no other time, has mere existence been so full, so abun- dantly provided for as in this country at the present moment. On the other hand, is there a civilization on the face of the earth as uninteresting as ours, as completely material, as lacking in dignity and distinction, as vulgar, commonplace and shabby ? Our self-complaisance is fat and well-fed .... There is no deficiency of intelli- gence among our people. It is right feeling that is lacking. It is to Art we must turn—only in that direction does hope for us lie. Art is 'the fruitful voice of God'; and architecture is the most practical of the arts. One of the Record's methods for improving this art was to publish biting criticisms of what it called "Architectural Aberrations"; in each number a building was pilloried. Some of these were Philadel- phia structures. But even when speaking of buildings in other places, our city was used as the absolute zero in discussions of taste. It is needless to add that the critic preferred the safety of anonymity.
    [Show full text]