Newsletter Number Twentytwo - Autumn 2011
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River Glaven State of the Environment Report
The River Glaven A State of the Environment Report ©Ashley Dace and licensed for reuse under this Creative ©Evelyn Simak and licensed for reuse under this Creative Commons Licence Commons Licence © Ashley Dace and licensed for reuse under this C reative ©Oliver Dixon and licensed for reuse under this Creative Commons Licence Commons Licence Produced by Norfolk Biodiversity Information Service Spring 201 4 i Norfolk Biodiversity Information Service (NBIS) is a Local Record Centre holding information on species, GEODIVERSITY , habitats and protected sites for the county of Norfolk. For more information see our website: www.nbis.org.uk This report is available for download from the NBIS website www.nbis.org.uk Report written by Lizzy Oddy, March 2014. Acknowledgements: The author would like to thank the following people for their help and input into this report: Mark Andrews (Environment Agency); Anj Beckham (Norfolk County Council Historic Environment Service); Andrew Cannon (Natural Surroundings); Claire Humphries (Environment Agency); Tim Jacklin (Wild Trout Trust); Kelly Powell (Norfolk County Council Historic Environment Service); Carl Sayer (University College London); Ian Shepherd (River Glaven Conservation Group); Mike Sutton-Croft (Norfolk Non-native Species Initiative); Jonah Tosney (Norfolk Rivers Trust) Cover Photos Clockwise from top left: Wiveton Bridge (©Evelyn Simak and licensed for reuse under this Creative Commons Licence); Glandford Ford (©Ashley Dace and licensed for reuse under this Creative Commons Licence); River Glaven above Glandford (©Oliver Dixon and licensed for reuse under this Creative Commons Licence); Swan at Glandford Ford (© Ashley Dace and licensed for reuse under this Creative Commons Licence). ii CONTENTS Foreword – Gemma Clark, 9 Chalk Rivers Project Community Involvement Officer. -
On Top of the World, 1830 to 1914 Transcript
On Top of the World, 1830 to 1914 Transcript Date: Wednesday, 7 March 2012 - 6:00PM Location: Museum of London 7 March 2012 On Top of the World 1830 - 1914 Professor Simon Thurley Tonight we turn to the nineteenth century. What a vast subject, what a broad canvass, how to make sense of an age when so much was built and so much architectural diversity created. Well, somehow I will have to, and that’s why, of course, I’m standing here. However Gresham College have made my job quite a lot easier as, since my last lecture, I have been invited to continue my visiting professorship for another year. So this allows me a bit of headroom. Despite its advertised title I have decided to make tonight’s lecture, which deals with the period 1830 to 1914, part one of two. In October I will deliver 1830 to 1914 part II which will deal with Victorian cities and their infrastructure. Tonight I’m going to address the issue of architectural style in Victorian England. The complexity of explaining and understanding English architecture after 1760 derives essentially from three things. These are not in any order or causal juxtaposition: the first is, changing demands - new types of building for new types of activity: railway stations, post offices, law courts, factories, warehouses, pumping stations for example. The second is rapidly developing technology in materials and techniques: iron, steel, glass, terracotta etc. The third is historicism, the fact that there were many styles to choose from, everything from Egyptian and Hindu to Ottoman and Elizabethan. -
River Glaven State of the Environment Report
The River Glaven A State of the Environment Report ©Ashley Dace and licensed for reuse under this Creative ©Evelyn Simak and licensed for reuse under this Creative Commons Licence Commons Licence © Ashley Dace and licensed for reuse under this Creative ©Oliver Dixon and licensed for reuse under this Creative Commons Licence Commons Licence Produced by Norfolk Biodiversity Information Service Spring 2014 i Norfolk Biodiversity Information Service (NBIS) is a Local Record Centre holding information on species, GEODIVERSITY, habitats and protected sites for the county of Norfolk. For more information see our website: www.nbis.org.uk This report is available for download from the NBIS website www.nbis.org.uk Report written by Lizzy Oddy, March 2014. Acknowledgements: The author would like to thank the following people for their help and input into this report: Mark Andrews (Environment Agency); Anj Beckham (Norfolk County Council Historic Environment Service); Andrew Cannon (Natural Surroundings); Claire Humphries (Environment Agency); Tim Jacklin (Wild Trout Trust); Kelly Powell (Norfolk County Council Historic Environment Service); Carl Sayer (University College London); Ian Shepherd (River Glaven Conservation Group); Mike Sutton-Croft (Norfolk Non-native Species Initiative); Jonah Tosney (Norfolk Rivers Trust) Cover Photos Clockwise from top left: Wiveton Bridge (©Evelyn Simak and licensed for reuse under this Creative Commons Licence); Glandford Ford (©Ashley Dace and licensed for reuse under this Creative Commons Licence); River Glaven above Glandford (©Oliver Dixon and licensed for reuse under this Creative Commons Licence); Swan at Glandford Ford (© Ashley Dace and licensed for reuse under this Creative Commons Licence). ii CONTENTS Foreword – Gemma Clark, 9 Chalk Rivers Project Community Involvement Officer.….…………………… v Welcome ……………………………………………………………………………………………………………………………………… 1 Landscape History & GEODIVERSITY ………………………..…………………………………………………………………. -
Understanding European Eel (Anguilla Anguilla) Ecology Within a Norfolk River Catchment to Inform Eel Management
Understanding European eel (Anguilla anguilla) ecology within a Norfolk river catchment to inform eel management An EMFF / MMO Funded project Authors Dr Andrew Harwood Project number: ENG2083 Richard Berridge Date: 10 August 2020 Dr Martin Perrow Dr Adam Piper Dr Carl Sayer David Bunt This Executive Summary is based on the final report in fulfilment of the terms of the grant funding by the Marine Management Organisation and European Maritime Fisheries Fund, for project number ENG2083. Sampling the River Glaven at Bayfield © Dr Martin Perrow ECON Ecological Consultancy Limited Unit 7, The Octagon Business Park, Little Plumstead, Norwich, Norfolk NR13 5FH Registered in England & Wales Company No. 6457758. Director: Dr Martin Perrow BSc, PhD, MIEEM, MIFM, CEnv C0mpany Secretary: Eleanor Skeate BSc Understanding European eel (Anguilla anguilla) ecology within a Norfolk river catchment to inform eel management ENG2083 Executive Summary August 2020 Prepared by: Dr Andrew Harwood1 Richard Berridge1 1 Dr Martin Perrow Dr Adam Piper2 Dr Carl Sayer3 David Bunt4 1ECON, Ecological Consultancy limited Unit 7, The Octagon Business Park Little Plumstead, Norwich, NR13 5FH 2Institute of Zoology, Zoological Society of London, Regents Park, London, NW1 4RY 3Pond Restoration Research Group, Environmental Change Research centre, Department of Geography, University College London, London, WC1E 6BT 4Sustainable Eel Group, Poplar Gate Lodge, Stanley Downton, Stonehouse, Gloucestershire, GL10 3QX Prepared for: Sustainable Eel Group Sustainable Eel Development Ltd. Poplar Gate Lodge Stanley Downton Stonehouse Gloucestershire GL10 3QX Understanding eel ecology of a whole Norfolk river catchment to inform management plans Executive Summary Executive Summary This study was commissioned by the Sustainable Eel Group and funded through a European Maritime and Fisheries Fund (EMFF) grant, administered by the Marine Management Organisation (MMO). -
Toronto Arch.CDR
The Architectural Fashion of Toronto Residential Neighbourhoods Compiled By: RASEK ARCHITECTS LTD RASE K a r c h i t e c t s www.rasekarchitects.com f in 02 | The Architectural Fashion of Toronto Residential Neighbourhoods RASEK ARCHITECTS LTD Introduction Toronto Architectural Styles The majority of styled houses in the United States and Canada are The architecture of residential houses in Toronto is mainly influenced by its history and its culture. modeled on one of four principal architectural traditions: Ancient Classical, Renaissance Classical, Medieval or Modern. The majority of Toronto's older buildings are loosely modeled on architectural traditions of the British Empire, such as Georgian, Victorian, and Edwardian architecture. Toronto was traditionally a peripheral city in the The earliest, the Ancient Classical Tradition, is based upon the monuments architectural world, embracing styles and ideas developed in Europe and the United States with only limited of early Greece and Rome. local variation. A few unique styles of architecture have emerged in Toronto, such as the bay and gable style house and the Annex style house. The closely related Renaissance Classical Tradition stems from a revival of interest in classicism during the Renaissance, which began in Italy in the The late nineteenth century Torontonians embraced Victorian architecture and all of its diverse revival styles. 15th century. The two classical traditions, Ancient and Renaissance, share Victorian refers to the reign of Queen Victoria (1837-1901), called the Victorian era, during which period the many of the same architectural details. styles known as Victorian were used in construction. The styles often included interpretations and eclectic revivals of historic styles mixed with the introduction of Middle Eastern and Asian influences. -
Disappearing Walls: Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon a Dissertation Submitted in Partia
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
ARCHITECTURE, POWER, and POVERTY Emergence of the Union
ARCHITECTURE, POWER, AND POVERTY Emergence of the Union Workhouse Apparatus in the Early Nineteenth-Century England A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Arts by Gökhan Kodalak January 2015 2015, Gökhan Kodalak ABSTRACT This essay is about the interaction of architecture, power, and poverty. It is about the formative process of the union workhouse apparatus in the early nineteenth-century England, which is defined as a tripartite combination of institutional, architectural, and everyday mechanisms consisting of: legislators, official Poor Law discourse, and administrative networks; architects, workhouse buildings, and their reception in professional journals and popular media; and paupers, their everyday interactions, and ways of self-expression such as workhouse ward graffiti. A cross-scalar research is utilized throughout the essay to explore how the union workhouse apparatus came to be, how it disseminated in such a dramatic speed throughout the entire nation, how it shaped the treatment of pauperism as an experiment for the modern body-politic through the peculiar machinery of architecture, and how it functioned in local instances following the case study of Andover union workhouse. BIOGRAPHICAL SKETCH Gökhan Kodalak is a PhD candidate in the program of History of Architecture and Urbanism at Cornell University. He received his bachelor’s degree in architectural design in 2007, and his master’s degree in architectural theory and history in 2011, both from Yıldız Technical University, Istanbul. He is a co-founding partner of ABOUTBLANK, an inter-disciplinary architecture office located in Istanbul, and has designed a number of award-winning architectural and urban design projects in national and international platforms. -
Images of New England: Documenting the Built Environment
474 American Archivist / Vol. 50 / Fall 1987 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/50/4/474/2747585/aarc_50_4_k61r617u31jx5704.pdf by guest on 23 September 2021 Images of New England: Documenting the Built Environment NANCY CARLSON SCHROCK Abstract: The 1980s find the New England states in a period of economic expansion and development that has an impact upon its landscape and built environment. Older structures are being renovated or destroyed, while extensive new building is simultaneously under way. Documenting these changes involves identifying and preserving the records of build- ings that are disappearing as well as those of new construction. The author reviews briefly the history of architecture in New England, focusing on its relationship to the evolution of types of documentation in the nineteenth and twentieth centuries: original design records, publications and stock plans, and visual records of completed buildings and their changes over time. The differing approaches of the six states to preserving these records are profiled, and their efforts linked with the growth of an active historic preservation movement. Aspects of the built environment remain less well documented: current development, commercial architecture, landscape design, builders' records, and owner-initiated projects. The author concludes by proposing regional efforts to deal with these issues, capitalizing upon the expertise and experience of the curators, archivists, and conservators of New England's architectural collections. About the author: Nancy Carlson Schrock is self-employed as a book conservator and consultant on library preservation in Winchester, Massachusetts. During 1979-82, she served as project di- rector for NHPRC- and NEH-sponsored surveys of architectural records, which culminated in publication of Mass COPAR's Architectural Records in Boston. -
THE GLAVEN RIVER CATCHMENT Links Between Geodiversity and Landscape
THE GLAVEN RIVER CATCHMENT Links between geodiversity and landscape - A resource for educational and outreach work - Tim Holt-Wilson Norfolk Geodiversity Partnership CONTENTS 1.0 Introduction 2.0 Landscape Portrait 3.0 Features to visit 4.0 Local Details 5.0 Resources 1.0 INTRODUCTION The River Glaven is partly a chalk river, of which there are more in England than any other country in the world. Chalk rivers are fed from groundwater sources in chalk bedrock, producing clear waters. Many of them have ‘winterbourne’ stretches in their headwaters, with intermittent or absent flow in summer. They have characteristic plant communities, and their gravelly beds, clear waters and rich invertebrate life support important populations of brown trout, salmon and other fish. The Stiffkey is a notable example of a chalk river in north Norfolk, and is classified as one between Edgefield Bridge (TG085363) and Glandford Bridge (TG045415). This report explains the links between geodiversity and the biological and cultural character of the river catchment. It provides a digest of information for education and interpretive outreach about this precious natural resource. Some specialist words are marked in blue and appear in the Glossary (section 5). 2.0 LANDSCAPE PORTRAIT 2.1 Topography and geology The River Glaven is a river in north Norfolk with a length of 17 km (11 miles). Its catchment drains an area of some 115 sq km, with its headwaters in the uplands of the Cromer Ridge. It is fed by several tributaries, including the Thornage Beck and Water Lane Beck, among other spring-fed sources; there are no tributaries in the lower reaches where it flows directly over chalk bedrock. -
Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History
Brooks 1 Carson Brooks Professor Spanagel ISP Architectural History 20 June 2018 Evolution of Victorian Architecture Intro: The nineteenth century in London is when industrialization occurred, thus, the way the city developed changed greatly. The changes came from what materials became available, the factories being built, and the demand for housing. The style of architecture during the nineteenth century is known as Victorian. Due to such a large number of migrants to London during the nineteenth century, the city is left with little choice but to expand rapidly, leading to the creation of flats instead of full houses. Population Rise and Influence: During the nineteenth century, London grew and expanded rapidly. Within a ten-year time period more than 330,000 migrants entered the capital, “representing a staggering 17 percent of the total population” (Porter 2001, 205). At the start of the nineteenth century London’s population was approximately one million, by the end of the century the population grew to four and a half million (Porter 205). London had limited choices of how to respond to the increasing population so the city began expanding. Once London began to expand, suburbs developed that separated social classes. During the Victorian era, houses are built for middle class people but within the century, the design of housing is altered. The middle class, otherwise known as the working class, became the target market. Over-crowding and “high market value of land in central London with the low market value of many forms of labor” causes housing issues Brooks 2 in London (Hennock 1979). -
NGA4 Harold Isherwood Kay Papers 1914-1946
NGA4 Harold Isherwood Kay Papers 1914-1946 GB 345 National Gallery Archive NGA4 NGA4 Harold Isherwood Kay Papers 1914-1946 5 boxes Harold Isherwood Kay Administrative history Harold Isherwood Kay was born on 19 November 1893, the son of Alfred Kay and Margaret Isherwood. He married Barbara Cox, daughter of Oswald Cox in 1927, there were no children. Kay fought in the First World War 1914-1919 and was a prisoner of war in Germany in 1918. He was employed by the National Gallery from 1919 until his death in 1938, holding the posts of Photographic Assistant from 1919-1921; Assistant from 1921-1934; and Keeper and Secretary from 1934-1938. Kay spent much of his time travelling around Britain and Europe looking at works of art held by museums, galleries, art dealers, and private individuals. Kay contributed to a variety of art magazines including The Burlington Magazine and The Connoisseur. Two of his most noted articles are 'John Sell Cotman's Letters from Normandy' in the Walpole Society Annual, 1926 and 1927, and 'A Survey of Spanish Painting' (Monograph) in The Burlington Magazine, 1927. From the late 1920s until his death in 1938 Kay was working on a book about the history of Spanish Painting which was to be published by The Medici Society. He completed a draft but the book was never published. HIK was a member of the Union and Burlington Fine Arts Clubs. He died on 10 August 1938 following an appendicitis operation, aged 44. Provenance and immediate source of acquisition The Harold Isherwood Kay papers were acquired by the National Gallery in 1991. -
Saffron Walden Buildings & Architects
SAFFRON WALDEN HISTORICAL JOURNAL The following article appears by permission and is the copyright of the Saffron Walden Historical Journal and the author. Fair dealing for the purposes of private study or non-commercial educational, archival or research purposes is freely allowed, but under no circumstances are articles or illustrations to be reprinted in any other publication, website or other media without permission. All rights reserved. It has not been possible to include all the original illustrations with the articles, but these can be seen in copies deposited at Saffron Walden Town Library. Enquiries re articles can be sent to [email protected] Some Saffron Walden Buildings and their Architects ©Bruce Munro Reprinted from: Saffron Walden Historical Journal No 5 Spring 2003 Saffron Walden’s many and remarkable old buildings include features of nearly every architectural period from Norman times until the present day. Unfortunately, we know little of the architects and builders who so skilfully created the early buildings, save perhaps for the parish church of St. Mary’s where John Wastell of Bury St. Edmunds, who died circa 1515, was master mason. The Church is interesting as being the work of one architect - carrying out an almost total rebuild - almost all other Essex churches, including Thaxted, evolved with different master masons Saffron Walden Buildings & Architects – Saffron Walden Historical Journal No 5 (2003) employed. Wastell it was who built the great fan vault of King’s College Chapel and who worked on Ely and Canterbury Cathedrals, Great St. Mary’s Church, Cambridge, amongst others. Much later Robert William Furze Brettingham (1750-1820) [grandson of Matthew Brettingham (1699-1769) who designed Shortgrove bridge] planned the great restoration of the parish church of 1790.