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Tuesday 3 November 2015 Tuesday London Knightsbridge, Explora And Travel

Travel And Exploration | Knightsbridge, London | Tuesday 3 November 2015 22811

Travel And Exploration Tuesday 3 November 2015 at 1pm Knightsbridge, London

Bonhams Sale Number Press Enquiries Illustrations Montpelier Street 22811 [email protected] Front cover: Lot 126 Knightsbridge Back cover: Lot 18 London SW7 1HH Catalogue Customer Services Inside front cover: Lot 16 www.bonhams.com £15 Monday to Friday 8.30am – 6pm Inside back cover: Lot 130 Opposite page: Lot 34 Viewing Enquiries +44 (0) 20 7447 7447 Saturday 31 October Pictures Before end paper: Lot 71 11am – 3pm Rhyanon Demery Live online bidding is Contents: Lot 90 available for this sale Sunday 1 November +44 (0) 20 7393 3865 Index: Lot 15 [email protected] Please email [email protected] 11am – 3pm with “Live bidding” in the subject Monday 2 November Veronique Scorer line 48 hours before the auction 9am – 4.30pm +44 (0) 20 7393 3962 to register for this service. Tuesday 3 November [email protected] 9am – 11am Please see page 2 for bidder Administrator information including after-sale Bids Christopher King collection and shipment +44 (0) 20 7447 7447 +44 (0)20 7393 3866 +44 (0) 20 7447 7401 fax [email protected] Please see back of catalogue To bid via the internet for important notice to bidders please visit www.bonhams.com Books & Photographs Matthew Haley Please note that bids should be Luke Batterham submitted no later than 4pm Simon Roberts on the day prior to the auction. Jennifer Ebrey New bidders must also provide Sarah Lindberg proof of identity when submitting +44 (0)20 7393 3828 bids. Failure to do this may result +44 (0)20 7393 3879 (fax) in your bids not being processed. [email protected]

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Coronation Road W Bonhams,

e d s P t Park Royal a e a rn r o A k R v e R e s A4 o 0 a y Park a h l C

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General Travel 1-5 Pacific and Australia 6-17 Japan and China 18-39 South-East Asia 40-48 India 49-66 Central Asia and Russia 67-70 Turkey and The Middle East 71-87 Egypt and North Africa 88-103 Sub-Saharan and South Africa 104-110 Malta 111-118 Greece 119-125 Caribbean and South America 126-133 North America 134-139 Arctic and Antarctic 140-148 GENERAL TRAVEL

1 Attributed to Armand de Gasmond (French, 19th Century) A naval officer’s sketchbook containing 42 pages of drawings and watercolours depicting figure studies from various countries including Algiers, Africa, and the Caribbean, as well as several studies of military and naval officers and some ship portraits inscribed throughout and dated on the title page ‘1836-1840’ pencil, pen and ink and watercolour album size 20.5 x 27cm (8 x 10 5/8in).

£5,000 - 7,000 €6,800 - 9,500

2 • LOGBOOKS Logs kept by Midshipman R. Wrey of voyages made on board HMS Wellington, Captain G. Hancock, Inconstant, Captain C.L.D. Waddilove, and Doris, Captain W.H. Edye; serving briefly (July to August 1870) on HMS Wellington (then a training ship at Portsmouth Harbour); from 11 December 1871 on HMS Inconstant, sailing from Madeira to Rio, then to the Cape, Simon’s Bay, Bombay, Mauritius, 1 Simon’s Bay, St Helena, Ascension Island, Fayal, returning to Portsmouth on 11 October 1872; the remaining sequence of logs recording service on HMS Doris between 16 October 1872 and 17 January 1876, cruising off the coast of Spain, from Funchal to Barbados, in the West Indies, from Halifax to Gibraltar and Gibraltar to Halifax, off the Cape de Gatte, in the Mediterranean, from Malta to Corfu, Navarino to Salamis, St Vincent to Monte Video via Stanley and back via the Falklands and the Cape, from Gibraltar to the Cape, and from there to India; illustrated throughout with inserted plans in watercolour, decorative title-pages, pen-and-ink charts, etc., c.500 pages bound in one volume, some leaves loose or missing, usual dust- staining and signs of wear, bookplate of Juha Nurminen, contemporary half calf, marbled boards, folio, [1870-76]

£600 - 800 €810 - 1,100

An attractive series of midshipman logs recording life at sea in the Victorian navy. The first of Wrey’s ships, HMS Wellington, was a massive 131 gun wooden three-decker launched on the day of the Duke’s death, and is seen as the ultimate development of the ship- of-the-line; although by the time he served on her she was a training ship. HMS Inconstant, launched in 1868, was an iron screw frigate; while HMS Doris, launched in 1857, was a wooden screw frigate which under Captain Edye formed part of the Flying (or Detached) Squadron of 1872-4, making world-wide cruises.

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3 • 4 LOGBOOKS GEOGRAPHICAL AND ASTRONOMICAL CARD GAME “Log of HMS Minotaur. Commanded by Capt HH Rawson Kept by “Court Game of Astrophilogeon”, 60 engraved cards (the latitude and V Ch de Crespigny”, beginning on 1 January 1879; bound with de declinations hand-coloured), together with the 72-page instructions Crespigny’s logs of HMS Northampton, Dido, Lord Warden, and booklet “A Short Treatise on Astronomy” (as issued in limp cloth, spine Agincourt, cruising in the Mediterranean, West Indies, and the Atlantic, torn), together in publisher’s blindstamped red morocco case with flap, with calls at Charleston, Bermuda, Halifax, Malta and elsewhere, and title gilt lettered on upper cover, approximately 91 x 61mm., [W. Davy concluding on 20 October 1883; illustrated throughout with watercolour for Charles Hodges, c.1828] views, pen-and-ink maps, technical drawings, decorative title-pages (partly engraved) and the like, c. 400 pages in one volume, bookplate of £800 - 1,200 Juha Nurminen, contemporary half morocco, rubbed, folio, 1879-83 €1,100 - 1,600

£1,000 - 1,500 SCARCE GEOGRAPHICAL CARD GAME, with the full compliment of €1,400 - 2,000 60 cards (30 constellations and 30 maps), and the accompanying rule book. “The declination or latitude of each [card] is indicated by N. or S HMS Minotaur, launched in 1863 was an armoured frigate and, with at the corner of the card, with the degree of latitude and declinations, her class, the longest single-screw warship ever built, and until 1873 in whole degrees... of the chief star or city”. The aim of the game was had served as flagship of the Channel Fleet; HMS Northampton a to obtain pairs of map and constellation cards from similar parts of the Nelson-class armoured cruiser launched in 1876 was flagship of the terrestrial and celestial globes. The geographical cards include United American and West Indies Station; HMS Dido, launched in 1869, was States, China, Brazil, Arabia, Persia, the booklet providing a succinct an Eclipse-class screw corvette; HMS Lord Warden, launched in 1865, summary of their principal qualities. was a wooden-hulled Lord Clyde class of armoured frigates; while HMS Agincourt, launched in 1865, was a Minotaur-class armoured frigate.

Travel And Exploration | 7 5 A rare 18 1/2-inch Vincenzo Coronelli terrestrial Vincenzo Coronelli (1650-1718) considered by many to be the pre- globe, Italian, gores published 1696, stand later, eminent globe maker of the period, at the age of 15 became a novice cartouche printed with dedication GLOBUM huiusmodi TERRAQUEUM in the Franciscan Order and also trained as a wood engraver. He GULIELMO III. Invictissimo ac Potentissimo Magnae Britanniae, eventually became the official cosmographer of the Republic of Venice etc. REG Dicat, Vovet, Consecrat Pater Magister Vincentius and wrote more than one hundred works of terrestrial and celestial Coronelli Min:Conv:S.Francisci Serenissimae Venetorum Reipublicae cosmography in Latin, French and Italian. Cosmographus MDCLXXXXVI Londini, the sphere with two sets of twelve copper engraved half gores mounted in brass meridian with In his work “Atlante Veneto” he provided the first complete description graduated scales, later octagonal horizon ring and base with three of the whole world and in 1678 he constructed a pair of terrestrial and turned columns, the gores with Tropic of Capricorn labelled Circulo del celestial globes for the Duke of Palma. His international reputation in Tropico Hiemale o del Capricorno o Australe e dell’Antartico, along the globe construction was made when commissioned by Louis XIV to Antartic Circle is a label TIERRA D AUSTRE LA TERRA MAGELLANICA produce a massive pair of globes of 3.85 metres in diameter known AUSTRALE O MERIDIONALE INCOGNITA, a cartouche printed with as the “Marley Globes” they were widely admired by the court at notes on Magellan’s voyage Fernando Magaglianes poco contento Versailles. del Re di/ Portogallo suo Signore, ottenute 237. Persone da/ Carlo V parti da Siuiglia con 5 Naui nei di 10 Ag. 1519/ per stabilire uerso le In 1684 Vincenzo founded the Academy of Argonauts which was Molucche strada piu breue, che/ per il C di Buona Speranza. Scoperto located in the friary of Frari in Venice and focused on the study of lo Stretta a 31/ Marzo 1520, e nominato lo di Magaglianes, entro nel/ navigation and globe making. Vincenzo continued his experiments Mare del Sud, e doppo hauer girata tutta la Terra/ in 3 anni, e 28 giorni, in hydraulics including a system for pumping water for fire fighting e fatte 14460 leghe, ritorno/ a Siuiglia con una sola Maue detta poi and in 1699 Pope Innocent XII commissioned him to help with the Vittoria/ net 1522 7 dibre da lui numerato 6/ per la nauigatione uerso/ construction of a new port at Anzio. In 1717 he was invited by Emperor L’Occaso., California is printed as an island, Australia lacks Eastern Charles VI to study the problems of the flooding of the Danube and his seaboard definition and printed Het Landt van Endracht Scopetra nel system of canals and locks was so successful that his designs were 1618, Terra di Lewin Scoperta nel 1622, Terra di Pietro Nuyts Scoperta used to control flooding in other areas of the Austrian Empire. li 26 Gen: nel 1627 New Zealand with printing HET NIEW ZELANDT Scperta dagli Medesimi l’anno 1654, overll height 28in (71cm)

£30,000 - 50,000 €41,000 - 68,000

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Travel And Exploration | 9 PACIFIC AND AUSTRALIA 6 6 English School, 19th Century A view in the South Pacific watercolour 21 x 33cm (8 1/4 x 13in).

£600 - 800 €810 - 1,100

7 Charles Meere (Australian, 1890- 1961) Late Afternoon on the Tumut Plains, Southern New South Wales signed ‘Charles Meere’ (lower right) oil on canvasboard 31 x 37.5cm (12 3/16 x 14 3/4in).

£800 - 1,200 €1,100 - 1,600

8 Lawrence M. Daws (Australian, born 1927) 7 Mandala signed and dated ‘DAWS ‘52’ (lower right) gouache 61 x 76.5cm (24 x 30 1/8in).

£800 - 1,200 €1,100 - 1,600

Provenance Purchased from the artist by the current owners in the late 1960s.

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10 | Bonhams 9 Donald Friend (Australian, 1915- 1989) Portrait of a young Balinese man signed, inscribed and dated ‘Budal/Donald Friend/Bali, ‘77’ (lower right) ink and wash 65 x 43cm (25 9/16 x 16 15/16in).

£1,500 - 2,000 €2,000 - 2,700

10 George Rossi Ashton (British/ Australian, 1857-died after 1895) 9 The waiter signed ‘ROSSI ASHTON’ (upper right) black chalk 37 x 24cm (14 9/16 x 9 7/16in).

£600 - 800 €810 - 1,100

George Rossi Ashton was an accomplished illustrator and brother to the more well known Julian Rossi Ashton.

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Travel And Exploration | 11 11 Sir William Dobell (Australian, 1899-1970) The Customers signed and dated ‘Dobell.44’ (lower left) oil on board 25.5 x 20.5cm (10 1/16 x 8 1/16in).

£3,000 - 5,000 €4,100 - 6,800

Provenance Purchased from David Jones Art Gallery and thence by descent to the present owner, private collection, UK.

Exhibited Possibly ‘William Dobell’, David Jones Art Gallery, Sydney, 1-26 August 1944.

The sketch for this painting is thought to have been executed at the 11 Victoria & Albert Museum whilst Dobell was in London.

12 Richard Read Jnr (Australian, 1796-1862) Portrait of Lieutenant-Colonel Joseph Anderson (1790-1877) watercolour and bodycolour 29 x 24cm (11 7/16 x 9 7/16in).

£600 - 800 €810 - 1,100

Joseph Anderson joined the army at the age of fifteen. After seeing action in the Napoleonic Wars he was appointed Major in the 50th Regiment in 1826, and sent to Sydney, New South Wales in 1834. He was appointed penal administrator of the second convict settlement at Norfolk Island between 1834-1839 and oversaw a harsh regime. He did however, establish a school on the colony to teach the convicts to read. After serving in India he returned to Australia and settled in South Yarra, where he died in 1877.

The present portrait appears to be a version of a work by Read of the same sitter, currently in the collection of the State Library of Victoria.

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13 MURRAY-DARLING RIVER EXPEDITION, 1850 for the river; the true sea mouth of which is impractiable [sic]”. The HUTTON (FRANCIS FREDERICK) Sketch book recording an expedition enthusiasm for Port Elliot proved to be misguided, as the bay was along the Murray-Darling river basin in 1850, including landscape deceptively treacherous, resulting in several shipwrecks before the scenes, encampments and Aborigines, 25 full-page pencil sketches anchorage was moved to Granite Island in 1864. (2 heightened in white and pasted in), on recto only, all captioned in pencil or ink, numbered 1-25 in ink in upper margin, some light Hutton’s sketches include a full-length portrait of an aboriginal man, spotting, an albumen print of a bay (in Australia?) loosely inserted (165 captioned “Nadbuck - accompanied Sturt on his expedition in 1828”. x 225mm.), contemporary half roan with some loss to spine, oblong A highly respected elder among the indigenous population, Nadbuck 4to (275 x 220mm.), [1850] had acted as both a guide and interpreter for Sturt’s expedition in 1844 (not 1828), and would feature prominently in Sturt’s memoir of that £4,000 - 6,000 expedition, eliciting various anecdotes about his roguish behaviour and €5,400 - 8,100 puckish personality: “... I shall frequently have to speak of this our old friend Nadbuck. He had somewhat sedate habits, was restless, and THE SKETCH BOOK OF FRANCIS FREDERICK HUTTON (1826-1859), exceedingly fond of the fair sex. He was a perfect politician in his way, THE ARTIST ACCOMPANYING THE EXPEDITION LED BY SIR HENRY and of essential service to us...” (Charles Sturt, Expedition into Central FOX YOUNG (1803-1870), GOVERNOR OF SOUTH AUSTRALIA, Australia, 1849). ALONG THE MURRAY-DARLING RIVER BASIN IN 1850. Views include: the first day’s encampment beyond Gawler Town; the Governor Young and his crew embarked from the port of Goolwa police station at Moorundie; four miles north of Mt. Hancock; the in September 1850 with the intention of navigating the length of the junction of the Rufus-Murray rivers; near the Darling; the junction Murray river to assess its suitability for the passage of steamships from between the Murray and Darling rivers; encampment on the Darling; the seaports to the hitherto inaccessible regions of central Australia. public house on the Darling; native encampment; ?Crosico’s Run, Port Hutton was invited to accompany the party as the expedition artist. Philip; special survey; ?Telikki on the Murray; encampment between Although an amateur, he would later establish himself in Tasmania, Wellington and Moorundie; Telonga, on the Murray; scene on the presenting several pieces at the Art-Treasures Exhibition of 1862. An oil Murray; view from a hill two days journey from Moorundie; native portrait by him is on permanent display in the Allport Library in Hobart. grave at Wellington; night encampment by Lake Alexandrina; the inn at Wellington; the Goolwa Reach and Port Elliot in Encounter Bay. The experience of the expedition convinced Young that the river was Portraits include ?Tipproarnie; William; ?Jompal; Nasamma; Nadbuck; the ideal solution, and he pledged a £2,000 reward to the first crew Moorundie Jimmy; Moapoak and Lubia with a child. who could successfully navigate a paddle steamer along the Murray to its junction with the Darling. The challenge was completed by two The State Library of New South Wales holds a collection of Governor rival teams, the future “River Murray Navigation Company” and “Murray Young’s papers including those relating to the navigation of the River River Company”. Murray.

Beside an illustration of the Goolwa Reach, Hutton notes “The shipping Provenance place at the Goolwa in the river Murray is to be connected by tramway “F.F. Hutton, Sept. 10 1850”, ownership inscription on front paste- with Port Elliot, in Encounter Bay; then making it the port of export down; nineteenth century armorial bookplate, possibly of the Acraman family; Pamela M. Loade, Hassocks, ownership label pasted-in on front paste-down.

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14 • 15 • AUSTRALIA - NAVAL SPILBERGEN (JORIS VAN) “The First and Last Voyage of the Sea Cadet: A Simple Nautical Miroir Oost & West-Indical, Auquel sont descriptes les deux dernieres Narrative. F. E.”; a verse narrative of some 1,500 lines, opening: Navigations, faictes en Années 1614. 1615. 1617. & 1618, 25 “With the Summer’s breeze, he hastens away/ From the scenes of his numbered plates (including 2 folding maps, one double-page plate, childhood’s happy hours...”; illustrated throughout in watercolour and 4 folding plates), a few light spots and smudges, a few repairs or wash with landscape and seascape views plus vignette studies of flora reinforcements on verso of maps without loss, contemporary calf, and fauna; together with a prose preface, in which the author explains rebacked preserving much of original spine, corners restored [Borba how the poem was inspired by the memory of his son, and explanatory de Moraes II.826; Sabin 2288; Shirley, World 304], oblong 8vo, notes at the end (Note 4 suggesting a date of composition of 1844); Amsterdam, Jan Jansson, 1621 plus a later note of provenance: “This Book Was Written by My Friend Leeut [sic] Evans/ CTJ”, c.120 pages, some leaves coming loose and £15,000 - 20,000 some thumbing, etc., but overall in attractive condition, contemporary €20,000 - 27,000 black morocco gilt, spine torn, some scuffing, 8vo, [c.1844] The rare French edition of both Spilbergen’s voyages of 1614-16, and £2,000 - 4,000 Le Maire’s voyages 1615-17, and including a folding map showing €2,700 - 5,400 their courses. The first edition appeared in 1619; “this French edition is much sought after. The text of Le Maire’s journal is much more The illustrations, nearly ninety in number, include three views of Sydney complete than that in the Latin edition of 1619” (Borba de Moraes). (the North Head, the Cove and Port Jackson, and Anchorage). They are executed in a meticulous, charmingly naïve style, with touches of During his circumnavigation, Spilbergen sailed through the Straits of gum arabic or similar added to lend extra brightness and depth. Magellan, up the coast of Peru, further north reaching the coast of California where he raided Spanish settlements, and thence to the Molucca Islands and Java.

Provenance N. du Rien, early ownership inscription on front free endpaper.

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16 HAWAII, MARQUESAS ISLANDS and PITCAIRN (vi) ‘The Tattauing on the leg of Tahitianain [sic] wife to the King of An important album of sketches including the second known (and Santa Christina Marquesas’, 170 x 230mm. first detailed) panorama of Honolulu, and the earliest known view of Kealakekua Bay taken from Ka’awaloa, comprising: (vii) ‘Head of a Marquesian of Resolution Bay’, 230 x 170mm.

(i) ‘View of the Town Harbour of Honolulu, Woahou, Sandwich Islands’, (viii) ‘Head of a Marquesian Boy of Resolution Bay’, 230 x 170mm.; all depicting from left to right the prominent ‘foreign’ buildings including the above by the same hand, in black ink, captioned below in brown Pearce and Brewer’s trading house with American flag, the British ink, the last three with blue and yellow wash Consulate, Seamen’s Bethel Church, Robinson’s shipyard, Honolulu Fort, Oahu Charity School, 2 sketches on facing pages, 170 x 540mm. (ix) View of a ruined church probably in Latin-America, possibly by the same hand as the above, black ink (ii) ‘View of Karakakoa Bay, Hawaii, where Cook was killed’, showing the thatched houses of Chiefess Kapiolani, and the coconut tree (x) 5 comic sketches of Peruvians, signed or initialled ‘F. Carmichael’ or stump upon which Captain Bruce of the Imogene affixed a copper ‘FC’, pencil and watercolour, some captioned below in brown ink and plaque in memory of Cook on 17 October 1837, 130 x 260mm. dated at Callao, 1838 and 1839

(iii) ‘View of the Volcano of Kiruea [i.e. Kilauea], Island of Hawaii’, 150 x (xi) 6 sketches of military and naval subject matter in Valparaiso and 210mm. elsewhere, Chile, signed or initialled by Lt. Col. C.C. Wood, pencil, charcoal, and ink (iv) ‘New Burial Ground under Banyan tree, school house and flagstaff, Pitcairn’s Island, 1837’, 160 x 250mm. Several leaves watermarked ‘J. Whatman / Turkey Mill / 1837’, contemporary quarter roan, ticket of Ackermann’s Repository, (v) ‘Pitcairn’s Island, 1837’, being a general view from offshore, 140 x defective, oblong 4to (230 x 290mm.), [Hawaii, Pitcairn, Marquesas 280mm. Islands, Peru and Chile, 1837-1840]

£40,000 - 60,000 €54,000 - 81,000

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THE SECOND EARLIEST PANORAMIC DRAWING OF HONOLULU The album bears the ownership inscription of a Jane Ross on board - a new discovery in an album of Hawaiian views. The first known HMS President. Commanded by Admiral Ross (not apparently the panorama is in the Bishop Museum - an ink and wash view dated husband or father of Jane, but likely to be a close relation), the 1834. Of smaller scale and from further out at sea, it gives only a President certainly came into contact with the Imogene in the summer general impression of the shore and lacks the building-by-building of 1838 when both ships were docked in South America. This is detail of the present image (see Forbes, Encounters with Paradise, presumably how the drawings came into the possession of Jane Ross. plate 48). Two similar panoramas were printed or executed in 1840, The six Chilean sketches can be attributed to Charles C. Wood (1792- and one appears in Edward Belcher’s 1843 narrative of the voyage of 1856), who lived and worked in Chile from 1819 until the final year of HMS Sulphur in 1836-42. It was also at this time that the Lahainaluna his life. Seminary Press began to publish engravings, including in 1838 a depiction of Honolulu from inland, after a drawing done by Edward We are grateful to David W. Forbes, author of Encounters with Bailey at the foot of Punchbowl Hill (Forbes, Engraved at Lahainaluna, Paradise: Views of Hawaii and its People, 1778-1941 (1992) and plate 27). Engraved at Lahainaluna: a History of Printmaking by Hawaiians at the Lahainaluna Seminary, 1834 to 1844 (2012), for his help in cataloguing While the Pacific sketches are unsigned, there is good reason to think this lot. the artist was on board HMS Imogene. The Imogene visited Honolulu, the Marquesas Islands, Pitcairn, Valparaiso and Callao between Provenance October 1837 and June 1838. In October 1837, Captain Bruce and “Jane Ross, H.M.S. President, Valparaiso May 7th 1838”, inscription the crew of the Imogene were at Kealakekua Bay, where they fastened on front pastedown. a memorial plaque to the stump of a coconut tree near the site of Cook’s death. The view of the Bay in the present album - the earliest known drawing of the Bay from the Ka’awaloa side - clearly shows the stump in question.

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17 • COOK (JAMES) A complete set of the official accounts of Cook’s voyages, including HAWKESWORTH (JOHN) An Account of the Voyages Undertaken... the Atlas and the ‘Death of Cook’ plate. During the three landmark for Making Discoveries in the Southern Hemisphere, and successively voyages, the explorer observed the transit of Venus at Tahiti, spent six performed by Commodore Byron, Captain Wallis, Captain Carteret, months on the coast of New Zealand (which was circumnavigated and and Captain Cook, in the Dolphin, the Swallow, and the Endeavour, charted for the first time), charted the east coast of Australia, named 3 vol., FIRST EDITION, 51 maps and plates (without the chart of the New South Wales and Botany Bay, disproved the existence of a further straits of Magellan, which is sometimes present), occasional light southern continent, and made numerous further discoveries in the offsetting to plates, 1773--COOK (JAMES) A Voyage towards the New Hebrides, New Caledonia and South Georgia. The final voyage South Pole, and Round the World. Performed in His Majesty’s Ships was directed principally towards the search for a Northwest Passage the Resolution and Adventure in the Years 1772, 1773, 1774, and from the Pacific, culminating in Cook’s death in the Hawaiian Islands. 1775, 2 vol., third edition, engraved portrait frontispiece by J. Basire after W. Hodges, 63 engraved charts, maps and plates, light browning Provenance to plates, the New Hebrides double-page plates slightly trimmed, James Coutts Crawford (1817-1899, settler and politician in New Southern Hemisphere chart with small split near centre without Zealand), bookplate; later family ownership inscriptions. loss, 1779--COOK (JAMES) and JAMES KING. A Voyage to the Pacific Ocean. Undertaken... for Making Discoveries in the Northern Hemisphere. Performed under Direction of Captains Cook, Clerke, and Gore, in His Majesty’s Ships the Resolution and Discovery; in the Years 1776, 1777, 1778, 1779, and 1780, 4 vol. including Atlas, text volumes with 24 charts and plates, atlas with 2 folding maps and 63 plates (EXTRA-ILLUSTRATED with the ‘Death of Captain Cook’ plate and an additional portrait of Omai), large map with split at platemark and associated tear, both neatly repaired without loss, Death of Cook plate trimmed to imprint and inlaid, 1785; together 3 works in 9 vol., near-uniform early twentieth century half morocco gilt, t.e.g., light rubbing [Beddie 648, 1216, 1543; Forbes 62; Hill 782, 358, 361; Lada-Morcarski 37; Sabin 30934, 16245, 16250], 4to (295 x 230mm.) and folio (570 x 420mm.), W. Strahan, and T. Cadell (9)

£12,000 - 18,000 €16,000 - 24,000

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JAPAN AND CHINA

18 KUSAKABE STUDIO Album containing 50 views of Japan, hand-coloured albumen prints, mounted, pasted-on printed captions below, contemporary black lacquer covers, morocco spine gilt lettered ‘Japan’, contemporary padded box, box split at joints, oblong folio (images 210 x 270mm.), [1880s]

£1,500 - 2,500 €2,000 - 3,400

Unusually strong tonal range and fine hand-colouring. The labels, binding and box are similar to those of another album with images by Kusakabe. Locations include: Nikko (12); Kyoto (5); Yenoshima (5, one illustrated); Yokohama (4).

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19 Eizo Kato (Japanese, 1906-1972) A view of Hong Kong and Victoria Harbour by moonlight signed ‘E.Kato’ (lower right) watercolour heightened with bodycolour 23.5 x 65.5cm (9 1/4 x 25 3/4in).

£1,500 - 2,000 €2,000 - 2,700

20 AR Elizabeth Brunner (Hungarian, 1910-2001) ‘Japanese Lady’ signed ‘ELIZABETH/BRUNNER’ (lower right), signed dated and inscribed ‘Japanese lady/Japan, 1936/E.B.’ oil on canvas 77 x 62cm (30 5/16 x 24 7/16in).

£800 - 1,200 €1,100 - 1,600

Elizabeth Brunner was born in Nagykanizsa, Hungary. Disillusioned after the First World War and in search of a more spiritual way of life she left the country of her birth in 1929 with her mother, also an artist, and journeyed to India. They arrived in 1931 and immersed themselves in the beauty and mysticism of the country. In 1935 Elizabeth’s mother became ill with ‘Bombay fever’ and the Brunners were advised to leave India immediately. They booked themselves onto a ship to Japan which they found they adored and stayed until 1937. Elizabeth painted portraits of many political leaders, intellectuals and also the local people that she met on her extensive travels, including Mahatma Ghandi, Nehru and the poet Rabindra Nath Tagore.

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21 AR Sir Gerald Festus Kelly, RA (British, 1879-1972) ‘The Great Wall of China’ oil on board 32.5 x 42cm (12 13/16 x 16 9/16in).

£1,500 - 2,000 €2,000 - 2,700

Provenance Arthur Fuller by 1957. Gifted to Leslie Day by Mrs Arthur Fuller in 1985. Thence by descent.

Exhibited Royal Hibernian Academy, 1938, no.45. Royal Academy, Exhibition of Works by Sir Gerald Kelly, 1957, no.231.

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22 * Chinese School, 19th Century A view of Hong Kong reverse painting on glass 22 x 33cm (8 5/8 x 13in).

£1,200 - 1,800 €1,600 - 2,400

23 Chinese School, 19th Century Whampoa anchorage with British and American shipping oil on canvas 40.6 x 56.5cm (16 x 22 1/4in).

£1,000 - 1,500 €1,400 - 2,000

24 23 Chinese School, 19th Century A French concession on a bund, believed to be Chandernagore in India oil on canvas 38.5 x 52.5cm (15 3/16 x 20 11/16in).

£1,000 - 1,500 €1,400 - 2,000

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25 Chinese School, 19th Century Figures in a landscape, a pair gouache each 42 x 57.5cm (16 9/16 x 22 5/8in). (2)

£1,500 - 2,500 €2,000 - 3,400

26 Chinese School, 19th Century Figures by a river oil on canvas 45.5 x 60.5cm (17 15/16 x 23 13/16in).

£1,000 - 1,500 €1,400 - 2,000

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27 Chinese School, early 19th Century Figure studies of courtiers, a pair gouache each 30 x 22.5cm (11 13/16 x 8 7/8in). (2)

£800 - 1,200 €1,100 - 1,600

28 Chinese School, late 19th Century Chinese figure studies, a set of seven each bears an inscription (verso) pen and ink and watercolour four: 21 x 16.5cm (8 1/4 x 6.5in); three: 16.5 x 21cm (6 1/2 x 8 1/4 in), all unframed. (7)

£1,000 - 1,500 €1,400 - 2,000

29 Chinese School, 19th Century A pair of bird studies gouache each 30 x 30cm (11 13/16 x 11 13/16in).(2)

£600 - 800 €810 - 1,100

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31

30 31 Chinese School, 19th Century Follower of Tingqua (Guan Lianchang) (Chinese, Bird studies, a set of four circa 1809-1870) each inscribed (lower right) Still life of flowers, a set of three gouache gouache each 36 x 42cm (14 3/16 x 16 9/16in).(4) each approximately 17.5 x 28cm (6 7/8 x 11in). (3)

£1,000 - 1,500 £800 - 1,200 €1,400 - 2,000 €1,100 - 1,600

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32 Shen Ming Cun (Chinese, born 1956) Farmers resting from the midday sun signed and dated ‘Shen Ming Cun/2003’ (lower right) oil on canvas 99 x 99cm (39 x 39in).

£2,000 - 3,000 €2,700 - 4,100

Provenance With the Clifton Gallery, Bristol Purchased from the above by the current owner circa 2004

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33 W Shen Ming Cun (Chinese, born 1956) Two sisters brewing rice wine signed and dated ‘Shen Ming Cun/1999’ (lower right) oil on canvas 170 x 181cm (67 x 71 1/4in).

£3,000 - 5,000 €4,100 - 6,800

Provenance With the Clifton Gallery, Bristol Purchased from the above by the current owner circa 2004

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34 • 35 * IMPERIAL PALACE, PEKING KUNG TAI KAZUMASA OGAWA. Photographs of Palace Buildings of Peking ‘Shanghai Bund. Kung Tai. Photographer’, 12-part albumen print Compiled by The Imperial Museum of Tokyo... Collotyped from the panorama (image 190 x 3360mm.), mounted on card leaves folding Negatives Taken by K. Ogawa... with Explanatory Notes, 3 vol., concertina-style, publisher’s half roan, gilt lettered label on upper cover, NUMBER 245 OF 500 COPIES, 172 collotype plates from photographs oblong 4to, [1881] by Ogawa (including 3 folding panoramas on 3 sheets joined); Decoration of Palace Buildings of Peking with Eighty Plates, NUMBER £3,000 - 5,000 189 OF 1000 COPIES, 81 plates (including 20 hand-coloured plates €4,100 - 6,800 tipped onto black card as issued, 2 folding maps printed in colours, and some others printed in colours, one plate unnumbered), together 3 “A speciality of Kung Tai’s was the production of multi-part panoramas vol., FIRST EDITIONS, text in English and Japanese (with photograph of Shanghai’s Bund, and at least every two or three years, the studio captions also in Chinese), titles printed in red and black, light spotting produced a series of similar panoramic views of its rapidly changing to a few plates but mostly very clean, original tissue guards, loose as architecture” (Bennett, Chinese Photographers 1844-1879, p.137). issued in publisher’s portfolio, the upper covers in watered silk over We have traced examples of the panoramas in six-, eight- and twelve- boards with the title against a decorative Chinese background design, part formats — the present example being the largest version. The ties, preserved in original wooden boxes (worn), oblong folio (365 x Moonchu copy of this exposure is illustrated by Bennett as figs. 8.13a- 465mm.), Tokyo, K. Ogawa (3) b and 8.14, with their binding varying very slightly from ours.

£8,000 - 12,000 In this image, the River Huangpu is busy with various vessels such as €11,000 - 16,000 the paddle steamers Shanghai (1873-1890) and Ichang (1873-1891), and the steam ship Tai-Wo (1881-1895) — many with arrays of clothes RARE COMPLETE SET OF A MAGNIFICENT RECORD OF THE hung out to dry on their rigging. IMPERIAL PALACE IN PEKING. In the aftermath of the Boxer Rebellion the Imperial University of Tokyo commissioned a detailed study of the 36 • “arrangement, construction and decoration of the Palace Buildings of THOMSON (JOHN) the ‘Forbidden City’ and other palace grounds”. The fine series of 172 Illustrations of China and its People. A Series of Two Hundred large photographs by Kazumasa Ogawa (1860-1929, a pioneering Photographs, With Letterpress Description of the Places and People Japanese photographer) were a particular revelation as the complex Represented, vol. 3 only (of 4), FIRST EDITION, 51 photographic has previously been “jealously kept from public sight”. illustrations on 24 plates, publisher’s pictorial cloth gilt, g.e., slightly

rubbed at corners, but generally very clean, folio (472 x 350mm.), Provenance Sampson, Low, 1874 Fred Rowntree FRIBA (1860-1927), the architect who in 1912 won the competition to design the West China Union University at Chengtu, £1,000 - 2,000 Szechuan; thence by descent to the present owner. €1,400 - 2,700

Between 1870 and 1872 Thomson undertook four journeys to different regions of China. “The photographs taken on these journeys form one of the most extensive photographic surveys of any region taken in the nineteenth century. The range and depth of his photographic vision mark Thomson out as one of the most important travel photographers” (ODNB).

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Travel And Exploration | 29 37 THOMSON (JOHN) Group of twenty-three fine views of Hong Kong, later gelatin silver prints from original negatives, loose mounted, sheet size 295 x 364, the stereo views 140 x 255mm., [1868-1872, printed 1960s] (23)

£600 - 800 €810 - 1,100

Images include: two-part panorama looking eastwards towards the harbour from Mr. Jardine’s house at East Point; the waterfront; Queens Road with the clock tower; Pedder Street looking towards the Peak; Queens Road with Victoria Exchange; Queens Road East; Queens Road Central, with decorations for the Duke of Edinburgh’s visit, 1869; Western district street with puppet show; D’Aguilar Street, looking towards the Peak; Mr. Jardine’s house; view of the town towards the waterfront with City Hall under construction; City Hall; harbour, with H.M.S. Galatea on Duke of Edinburgh’s arrival; view from near the Botanic Gardens; study of exotic plant; the cemetery at Causeway Bay; [stereo views] Kwai Yin Temple on Hollywood Road; City Hall from 37 the Praya; Queens Road Central; three studies of a local family, on the balcony and at the meal table.

Provenance John Warner, Curator of the Hong Kong Museum of Art from 1962 to 1976, and author of Fragrant Harbour. Early Photographs of Hong Kong (1976). Warner commissioned the prints in preparation of a proposed exhibition in Hong Kong.

38 TIANJIN, SHANDONG AND THE NORTH Views, native types and British life in Tianjin, Shandong and Shanxi provinces, approximately 110 gelatin silver and albumen prints (70 loose or loose mounted, others pasted onto album sheets, some cut down), a few captioned on mount, various sizes (largest 150 x 105mm.), in 2 albums (one defective), 4to, [c.1900-1910] (2)

£600 - 800 €810 - 1,100

Includes an album of approximately 45 views of a large mining or factory complex (buildings, workers, railway, and surrounds - a few showing a European interior, a woman with locals in hills, and the church at ‘Tientsin’). The second album, seemingly compiled by a missionary based in Tianjin or Pei-tai-Ho, includes private photographs of views (temples and pagodas), “Shan-tung types”, Shandong street scenes and buildings, “Women on the threshing floor... Ping Tan”, a group of Chinese women, ceremonial figures at a funeral, and “Bridge at Ho-ti near Tse-Choo, Shansi”.

38 39 • WRIGHT (GEORGE NEWENHAM) China, in a Series of Views, Displaying the Scenery, Architecture, and Social Habits, of that Ancient Empire, 4 vol. in 2, FIRST EDITION, 4 additional engraved titles and 124 plates after Thomas Allom, some foxing (heavy on first engraved title and one other plate), contemporary red morocco gilt, g.e., rubbed, hinges reinforced [Cordier Sinica 80-81; Lowendhahl 986; Lust 363], 4to, Fisher, [1843]; idem, another copy, 4 vol. in 2, 4 additional engraved titles and 124 plates, dampstaining and foxing, contemporary half morocco, worn, one upper hinge broken, Fisher, [1843], small shelf labels on spines (4)

£1,000 - 1,500 €1,400 - 2,000

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30 | Bonhams SOUTH-EAST ASIA

40 INDO-CHINA - VIETNAM Album of views and groups in French Colonial Vietnam, including Hanoi (6), Hué (14) and Nam Dinh (4), albumen prints (approximately 205 x 270mm.) mounted 1 per page recto only, captioned in ink on mount in French, contemporary half morocco, lettered “A.R.” on upper cover, worn, hinges cracked, oblong 4to, [c.1890-1900]

£800 - 1,200 €1,100 - 1,600

Images include: “Mr. Ringeval, V. Resident” and his staff (one with “une baguette à la main”); “Groupe annamite”; “Joseph Sanh et sa famille ex-lieutenant aux Pavillons jaune”, “Arsenal d’Haiphon”; Nam Dinh (“Le Rocher de Ningh Binh”; Infantry barracks for “Tirailleurs tonkinois”, [Tonkinese Rifles], showing troops and French staff outside Pagoda accomomdation (2); Main gate and street view); Hanoi (views on the lake (2); “Cannoniere [small military boat] de rivière”; military encampment showing local carts and oxen; “avenue de la concession 40 francaise”; French Resident’s house); Hué (Royal Palace (6); Summer Palace; City walls; “Tour de Confucius”; view of the Legation; portrait of “Bohau-Chin-That-Ba (Gouverneur de Hué)”; “Femme du Gouverneur de la Citadelle de Hué”; Thuan-an view; Quin-han tombs).

Provenance Probably compiled by the late nineteenth century French Colonial administrator Mr. A. Ringeval, pictured with his staff at Tourane, with his initials “A.R.” on binding.

41 LAMBERT (GUSTAVE RICHARD) Group of 8 views in and around Bangkok, albumen prints, mounted, all but one with discreet oval blindstamp of G. R. Lambert & Co. Singapore on images, captioned in pencil below, images 210 x 270mm., [1880s]

£1,000 - 1,500 €1,400 - 2,000

Comprising: 2 studies of temples in the Royal Palace; the Botanical Gardens; ‘Ancient Pagoda, Bankok’; the Meinam River; the Arun Wat Temple from the river; a distant view of temples with gardens in the foreground; and a canal scene with house-boats. 41

42 • PHILIPPINES SERRANO (ANDRÉS) Los siete principes de los Angeles, Validos del Rey del Cielo misioneres, protectores de la tierra, con la practica de su devocion... secunda impression, title within typographical border, engraved frontispiece by Gregorio Fosman y Medina, engraved portrait of Philip V, double-page engraved map of the Philippines, small paper flaw in N1 with loss of one letter in running title, final gathering browned, later blue calf, gilt roll-tool border on sides, spine elaborately tooled within raised bands [Palau 310256; Peeters-Fontainas 1189], small 4to (195 x 140mm.), Brussels [but probably Madrid], Francisco Foppens, 1707

£1,500 - 3,000 €2,000 - 4,100

SCARCE enlarged second edition of a work describing Jesuit encounters with the natives of the Palau islands in the southeast of the Philippines (where Serrano worked). The first edition, published in Mexico in 1699, had only fifteen leaves, but the present edition was expanded to some 250 leaves, much of it relating to his theories on the seven archangels, and is the first to include the map of the islands, entitled “Carta delas Nuevas Philipinas”.

Provenance J. Peeters-Fontainas, booklabel with number 1302. 42

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43 AR Gerard Laenen (Belgian, 1899-1980) Yangon River, Burma signed ‘G LAENEN’ (lower left) oil on canvas 50.5 x 60cm (19 7/8 x 23 5/8in).

£1,200 - 1,800 €1,600 - 2,400

44 Chuah Siew Teng (Malaysian, born 1944) Ladies in a Kampong Scene signed ‘S.Teng’ (lower left) batik 88.9 x 42.5cm (35 x 16 3/4in).

£1,000 - 1,500 €1,400 - 2,000

Provenance With Yahong Art Gallery Sdn. Bhd., Penang. Private collection, UK (acquired from the above on 10 February 1989).

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45 AR Sir Gerald Festus Kelly, RA (British, 1879-1972) Provenance The Well Beloved Major Sir Owen Morshead GCVO KCB DSO MC (1893-1977) signed, inscribed with title and numbered ‘b.f.59’ on reverse and on Thence by descent canvas overlap oil on canvas laid down on board Sir Owen Morshead was Royal Librarian at Windsor from 1926 to 60.5 x 46cm (23 13/16 x 18 1/8in). 1958. He would have got to know Kelly when the latter resided at Windsor while painting the State Portraits of King George VI and £6,000 - 8,000 Queen Elizabeth. €8,100 - 11,000 Exhibited Dublin, Royal Hibernian Academy, 1938, no.49 London, Art Exhibitions Bureau, Theatre and Circus, Albemarle Street, 1955

Travel And Exploration | 33 46 Lewis Physioc (American, 1879-1972) A kampong 46 signed ‘LEWIS PHYSIOC’ (lower right) oil on board 57.5 x 75.5cm (22 5/8 x 29 3/4in).

£1,000 - 1,500 €1,400 - 2,000

A kampong (or kampung) is an Indonesian and Malaysian word for a hamlet or village. The term applies to traditional villages, especially of indigenous peoples.

47 Ong Kim Seng (Singaporean, born 1945) North Canal Road, Singapore signed and dated ‘78’ (lower right) watercolour 36.2 x 52cm (14 1/4 x 20 1/2in).

£800 - 1,200 €1,100 - 1,600

48 47 Bui Xuan Phai (Vietnamese, 1920- 1988) Musicians signed ‘Phai’ (lower right) oil on board 18 x 26cm (7 1/8 x 10 1/4in).

£600 - 800 €810 - 1,100

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INDIA

49 Edward Lear (British, 1812-1888) Tughlaqabad Fort, Delhi signed ‘E.Le’ (lower right) and inscribed and dated ‘Tuglukubad.Delhi/March 12 1874’ (lower left) watercolour over traces of pencil 11 x 22cm (4 5/16 x 8 11/16in).

£4,000 - 6,000 €5,400 - 8,100

Provenance with Spink-Leger, London. Private collection, UK.

Lear went on a sketching trip to India in 1873-74 at the invitation of his friend, Lord Northbrook, then Viceroy. Lear stayed for 10 days in Delhi and described how he passed his time ‘..making Delhineations of the Dehlicate architecture as is all impressed on my mind as inDehlibly as the Dehliterious quality of the water of that city’ (The Later Letters of Edward Lear, ed. Lady Strachey, London, 1911, p. 171).

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50 George Chinnery RHA (Tipperary 1774-1852 Macau) Margaret Elizabeth Wood (1789-1879) was born in India and has an Portraits of Mrs Margaret Elizabeth Wood (nee Templeton) and Henry interesting family history, but not one that was uncommon for the Wood, a pair time. Her parents were Thomas Templeton (1767-1816), a gentleman oil on canvas who served in the East India Company, and Margaret Skinner (1774- each approximately 28 x 20.5cm (11 x 8in). 1802), a first generation Anglo-Indian. Margaret Wood’s maternal (2) grandparents were Hercules Skinner of Montrose, an officer in the East India Company Army of Scottish descent, and ‘Jeany’, a Rajput £6,000 - 8,000 princess and daughter of a zamindar. ‘Jeany’ was taken prisoner €8,100 - 11,000 at the age of fourteen and came under the care of Skinner, then an ensign, who treated her with great regard. They subsequently had Provenance seven children together, two girls and five boys, including Margaret (the By descent through the sitters’ family. sitter’s mother) and James Skinner (also known as Sikander Sahib), a noted figure who founded Skinner’s Horse, an irregular cavalry regiment in the British Indian Army that still exists today as part of the Indian Army.

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Henry Wood (1782-1871) was born in England and attended Cheam By the beginning of the 19th Century George Chinnery was Calcutta’s School and then Eton before joining the Royal Military Academy most fashionable portrait painter. His portraits from 1812-25 depict at Woolwhich in 1797 as a cadet, where he studied the arts of not only the pre-eminent figures of the time but also a variety of engineering and artillery. As a younger son he was sent out into the middle-ranking civil servants and professional men, together with their world without an allowance, sailing from Portsmouth in March 1798 wives and families. The majority of Chinnery’s sitters were European, in the East India Company ship Good Hope. On arrival in India he indeed British. It was a sign of the times that Chinnery’s subjects were became an Ensign of Engineers in the Honourable United East India predominantly British and also that they were dressed as Englishmen Company service. It is likely that he prospered in Calcutta but little in every detail – unlike their fathers and grandfathers in the East who is known of the exact details of his career. He and his wife Margaret had sometimes had themselves and their families portrayed in oriental Elizabeth had two daughters who were sent to England in 1820, but clothing. In most of Chinnery’s portraits there is no notion of relating he stayed on with his wife until he retired. They sailed home in January the European sitters either to the Indian environment or to the Indians 1829 on the Lady Flora to Falmouth and returned to live at Littleton with whose lives they were closely involved. Also worth noting, many in Middlesex. He had a generous pension of £1000 a year which was prominent men of Chinnery’s time had an Indian wife or mistress (like maintained until his death. Margaret Elizabeth Wood’s grandfather) however a shift in attitude meant that such an arrangement now excited sufficient disapproval to prevent it being openly acknowledged in a portrait. Chinnery almost certainly painted the portraits of Indian mistresses and their Eurasian offspring, however they were likely to have been subsequently discarded by disapproving grandchildren.

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52

51 * 52 * After Henry Singleton After Henry Singleton Tippoo Sultaun delivering to Gullum Alli Beg his Vakeel his two sons The last effort and fall of Tippoo Sultaun Mezzotint with hand colouring, 1793, on wove, published by J Grozer, Stipple engraving, 1802, on wove, published by Schiavonetti, London, London, with margins, 590 x 670mm (23 1/4 x 26 1/4in)(SH) with margins, 590 x 700mm (23 1/4 x 27 5/8in)(PL)

£2,500 - 3,500 £800 - 1,200 €3,400 - 4,700 €1,100 - 1,600

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54

53 * 54 * After Henry Singleton After Robert Ker Porter The Right Hon Charles Marquis Cornwallis is receiving the two sons of The body of Tippoo Sultaun recognised by his family Tippoo Sultaun Stipple engraving with hand colouring, 1801, on wove, published by Mezzotint with hand colouring, 1793, on wove, published by J Grozer, Schiavonetti, London, with margins, 598 x 700mm (23 1/2 x 27 5/8in) London, with margins, 565 x 680mm (22 1/4 x 26 3/4in)(SH) (SH)

£2,000 - 3,000 £1,200 - 1,800 €2,700 - 4,100 €1,600 - 2,400

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56

55 56 P.H. Staines (British, 19th Century) Various Artists Elephants watering A collection signed and dated ‘P H Staines del/1863.’ (lower right) Thomas Daniell, ‘Mausoleum of Sultan Chusero, near Allahbad’, 1796, watercolour and bodycolour Aquatint with hand colouring, on wove, published by R. Bowyer, 42 x 58cm (16 9/16 x 22 13/16in). London, 430 x 600mm (16 7/8 x 23 5/8in)(I); together with another by the same artist ‘Part of the palace in the fort of Allahabad’, 1795, £1,500 - 2,000 Aquatint with hand colouring, published by R. Bowyer, London, €2,000 - 2,700 430 x 600mm (16 7/8 x 23 5/8in)(I); and After Henry Salt, ‘Ancient Excavations at Carli’, 1809, aquatint with hand colouring, published by W. Miller, London, 445 x 600mm (17 1/2 x 23 5/8in)(I) (3)

£600 - 800 €810 - 1,100

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57 58 AFGHANISTAN ALBUMS - CHARLES D’OYLY AND OTHERS BURKE (JOHN) and others. Album of views in Afghanistan (21, Nineteenth century album, including many views of India, including a 2-part panorama and a 3-part panorama of Kabul), India approximately 75 watercolours (c.30 of India), 15 ink or pencil studies (14), Port Said and Suez (8), albumen prints, mounted one per page of Indian scenes or portraits, 7 lithographs by D’Oyly and others on recto only, the Burke images signed and numbered in the negative, printed at the Behar Lithographic Press, 3 or 4 lithographs by D’Oyly most captioned in pencil by the early owner, some toning and spotting, after George Chinnery (one seemingly signed by both artists), 5 colour- images approximately 190 x 305mm., contemporary morocco, g.e., printed images on rice paper, and several other engravings, manuscript one corner defective, oblong folio, [c.1880] poems etc., contemporary gilt- and blindstamped morocco, worn, upper hinge cracked, 4to, [c.1830]; and another album, compiled £1,000 - 1,500 by Miss Jennifer Morgan, including 13 original watercolours (mostly €1,400 - 2,000 botanical, but one of Australian interest), 20 pencil studies, several studies on leaves or rice paper, [c.1830], 4to (2) A good album of John Burke photographs of Afghanistan, including 2 panoramas of Kabul. Burke images comprise: Bala Hissar, Kabul (2- £600 - 800 part panorama); Kabul (3-part panorama); Ali Musjid; Gorge below Ali €810 - 1,100 Musjid; Landi Kotal; Locals in a lanscape, a castle in the background; Dhakka; Bassaule at Kabul river; Jellabad; Garden in Jellabad; Safaid Two good albums, one of which has many watercolours, ink or pencil Sang; Entrance to Judgullock Pass; Midway in Jugdullock; Bala Hissar sketches and prints relating to India. There are, in addition to several Gate, Kabul; Upper Bala Hissar from West; Sahibi Palace, Kabul. Behar Lithograph Press prints by Charles D’Oyly, numerous watercolour Others of Afghanistan are Attock and Peshawar. The views of India, views signed D’Oyly. Notable scenes include an ink sketch “Calcutta from including 2 signed by Saché, include the Taj and Red Fort at Agra, Garden Road, 11 January 1823”, a watercolour of a European couple Fatepur Sikri, and the Qutub Minar, Delhi. and servants outside their bungalow (and similar by ?the Ganges), two lively sketches of elephants (one during a pig-sticking hunt), and an unidentified fortress with a distant river scene in the background. The other album includes a fine watercolour captioned “Monument at Botany Bay to the Memory of La Perouse” (185 x 145mm.), closely derived from a lithograph issued by John Austin in the early 1830s; and a series of five pencil views of Tristan da Cunha, icebergs etc., seemingly based on scenes from James Fenimore Cooper’s sea adventure The Red Rover.

Travel And Exploration | 41 59 ALLAHABAD, DARJEELING, AND FAKIRS Album containing 31 photographs, platinum, gelatin silver and albumen prints, captioned below in ink and some credited in negative, images approximately 200 x 290mm., contemporary cloth, oblong 4to, [c.1900]; and 3 other albums (4)

£600 - 800 €810 - 1,100

The album relates to Harrison Falkner Blair, Judge of the High Court of Allahabad. Images include: “Divinity Dance by Lamas”, “Buddhist Magicians” and a hot air balloon on fire, by T. Parr of Darjeeling; studies of fakirs including one sat on a bed of nails, by T.A. Rust (5); Ceylon (8); the 1903 Delhi Durbar (5); groups including the Judges of the High 59 Court (5). Justice Blair married Cornelia Sorabji, pioneering Indian lawyer and social reformer.

60 BOURNE (SAMUEL) and WILLIAM HOWARD ‘Howard & Bourne’s Photographs of India’, album containing 68 photographs, albumen prints (various sizes, 32 being 240 x 290mm., 18 100 x 180mm., and 18 85 x 100mm.), mounted, mostly signed in negative with Bourne numbers, good tonal range, contemporary half morocco, upper cover with gilt-lettered title label, rubbed, oblong folio, [c.1864]

£1,000 - 1,500 €1,400 - 2,000

RARE ALBUM FROM THE STUDIO OF HOWARD AND BOURNE. Bourne arrived in India at the start of 1863, and went into a short-lived partnership with the Simla photographer William Howard in early 1864. In 1866, Howard left the company, which then became the more familiar Bourne & Shepherd.

The album opens with views in Simla and then follows Bourne’s expeditions up the Sutlej River, including the Bridge over the Sutlej at Wangtu (Bourne 258), the Taree 60 Pass (275), the Wangu Valley (273), the Balayn Pass into Valley of the Ravee (534), monuments at the Kangra Valley (511), view on the Khoolee (537), bridge in the Chumba Valley (549), a bridge on the Marqual Canal, and the Dhul Canal, both in Srinagar. Other images include the Taj Mahal, Kutub Minar, Golden Temple at Amritsar (407), and Jehangir’s Tomb near Lahore (424).

61 BOURNE (SAMUEL) A group of 53 views of India, albumen prints, mounted on card, recto only, all but 6 signed and numbered by Bourne in the negative, images typically approximately 200 x 320mm., [1880s]

£1,500 - 2,000 €2,000 - 2,700

Includes: Trichinopoly (2); Agra and Fatehpur Sikri (21); Bombay (7, of which 5 not Bourne); Delhi (11, of which one not by Bourne); Benares (2); Bindrabund (1); Madras (1); Lucknow (8).

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62 • [JOHNSON (WILLIAM J.) AND WILLIAM HENDERSON] Subscribers received three albumen prints and a leaf of description Indian Amateur’s Photographic Album, nos. 1-31 (no. 5 being an each month, although the publication seems to have been slightly ‘Appendix’, see below) bound in 3 vol., FIRST EDITION, letterpress erratic. It appears that Number 5 (March 1857) was never issued, parts titles with descriptive text, 92 albumen prints, re-mounted on an ‘Appendix to No. 5’, with one print rather than three, taking its card, all on stubs, red half morocco by the Temple Bindery, folio (415 x place. In addition, certain contributors were better than others at 310mm.), [Bombay, William Henderson, November 1856-May 1859] supplying copy: ‘A.N.S.’ (Alan Newton Scott?) seems to have been particularly unreliable, and the editors eventually gave up trying to £25,000 - 35,000 supply descriptions for his images. The majority of the photographs are €34,000 - 47,000 attributed to Johnson and Henderson, while others are merely by “An Amateur”. Other photogrpahers include H.H. Hinton Esq. of Hornby William Johnson, a civil servant by training, established a studio in Row Academy, A.A. Jacob, Archibald Robertson, A.N.S. and H.D. Rae. Grant’s Road, Bombay, and began taking daguerreotypes as early as 1852, graduating quickly to wet collodion negatives by the middle of The subject matter ranges from ‘Costumes and Characters of Western that decade. At around the same time he and Henderson founded India’, an ethnographical series by Johnson and Henderson later the Bombay Photographic Society, under whose patronage the Indian reprinted in Johnson’s The Oriental Races and Tribes, Residents and Amateur’s Photographic Album was published. Visitors of Bombay in 1863, to architectural studies in Bombay, Surat, Elephanta, and the surrounding areas.

Travel And Exploration | 43 64

63 • 64 INDIAN IMPRINTS NEPAL - SHIKARI THOMAS (EDWARD C.G., Judge of Vizagapatam) Famine and Other HERZOG & HIGGINS, Photographers. A presentation album, entitled Indian Topics, albumen print frontispiece of Vizagapatam, binder’s “H.I.M. The King Emperor of India’s Shooting in the Nepalese Terai. label inside lower cover, Madras, Addison & Co., [?1878]--[LAWSON December 1911”, 179 gelatin silver prints by Herzog & Higgins of (CHARLES ALLEN)] Royal Mail Letters, and a Narrative of the Visit to Mhow, Central India (20 full-page images, 265 x 360mm., others Madras of H.R.H. The Duke of Edinburgh, small tear to spine, Madras, c.110 x 145mm.), mounted between 4 and 6 per page on stiff card, Higginbotham, 1870--FOSTER (J.F.) Three Months of My Life [in publisher’s half morocco, titled in gilt on upper cover, g.e., slightly Kashmir], edited by Lizzie A. Freeth, Guernsey, Le Lievre, 1873--History rubbed at extremities but generally good condition, oblong folio (357 x of the Fortress of Gwalior, [translated from an anonymous Persian 470mm.), [December 1911] manuscript] by Shrimant Balwant Row Bhayasaheb, Scindia, folding lithographed frontispiece map of the fortress, Bombay, Education £1,000 - 2,000 Society’s Steam Press, 1892, publisher’s cloth--Tables for the €1,400 - 2,700 Reciprocal Conversion of Different Thermometrical Scales, Umballa, at the Hon’ble E.I.C. Simla Magnetic Observatory Press, 1850--The FINE PHOTOGRAPHIC RECORD OF KING GEORGE V’S TIGER History of His Royal Highness, the Duke of Edinburgh’s Visit to Madras, HUNTING EXPEDITION IN NEPAL, PRESENTED TO ADMIRAL as Related in the Athenaeum and Daily News, Madras, C. D’Cruiz KEPPEL BY THE MAHARAJA OF NEPAL. Images include: portraits of at the M.A. and P.Co., 1870, publisher’s printed wrappers--The Port King George, and the Maharaja of Nepal, the ceremonial welcoming of Calcutta and ‘The Port of Mutlah,’ Considered in Connection by gate decorated with tiger skins, 3 group shots of the King and a Railway or a Ship Canal. By a Member of the Mutlah Association, entourage (pith on, and pith off); camp scenes, and extensive coverage Calcutta, later boards, P.M. Cranenburgh, Military Orphan Press, of the hunts, mostly on elephants for tigers, rhino, bears (in one image 1858--CHARI (V.T. SESHADRIA) Exercises in Algebra... for the Use a servant stands beside a “bag” of seven tigers, two rhino, and two of Students Preparing for the Matriculation Examination, second bears). edition, contemporary morocco gilt, title in gilt on spine, Madras, C. Foster, 1875--The Malayalam Anthology, or a Collection of Proverbs, Provenance Poems, &c. for the Use of Schools, contemporary cloth-backed Admiral Sir Colin Keppel (1862-1947), bookplate and pasted-in letter boards, original printed label on upper cover, binder’s label “Bound to him signed by Chandra Shamsher Jang Bahadur Rana, Maharaja at the Adelphi Press, Madras” on front paste-down, Madras, Public of Nepal, presenting the album “as a memento of the happy days Instruction Press, 1860, 8vo; and 5 others, all India printed, bound in when I had the pleasure of meeting you in the Terai”. Keppel was Extra 4 (12) Equerry to King George V, leading RMS Medina on the King’s voyage to India and Nepal, for which he was subsequently invested a Knight £600 - 800 Commander of the Order of the Indian Empire; by descent to present €810 - 1,100 owner.

44 | Bonhams 65 SRI LANKA AND INDIA Album of photographic views of Sri Lanka, India, Burma, and Egypt, compiled by George Harris, a passenger on the S.S. Staffordshire, approximately 95 albumen prints (c.25 full- page), and 11 original watercolours mounted on 32 sheets recto and verso, approximately 30 pages additionally decorated in the border with fine original watercolour or pen and ink decorations, contemporary half morocco, worn, upper cover detached, oblong folio (305 x 413mm.), [1894-1895]--Album of views in Sri Lanka and India, 49 albumen prints including 13 large of Sri Lanka (8 large including 3 by Skeen & Co., 2 by Scowen & Co.; 5 smaller street scenes), 33 of India (including fine “Group of Bhooteas” signed by Bourne in the negative), half morocco, defective, oblong 4to, [1890s] (2)

£800 - 1,200 €1,100 - 1,600

The first album includes albumen prints of Sri Lanka (31 smaller views and local portraits; 17 large, including 8 by Scowen & Co. of 65 temples; Jetawanarama Dagoba, Samadhi Buddha stone, Moonstone guard, Thuparama Dagoba at Anuradhapurna), Burma (6 small), India (9, including Simla), Egypt (7 large, 3 signed by Lekegian), several of elephants (including 2 large, one being hoisted onto a ship). The album is unusually well decorated with the addition of watercolour views and embellishments on the borders, including scenes of Sri Lankan inhabitants, plants and animals (monkeys, parrots), Cairo types (veiled woman, man at prayer, drink seller, a border of boys swimming, street scene with donkeys), two large watercolours of elephants, etc.

66 • WADDELL (CLYDE) A Yank’s Memories of Calcutta, printed introduction by M. Charles Preston, 60 gelatin silver prints corner-mounted (images 200 x 250mm.), printed captions beneath each image, original cloth, oblong folio (255 x 305mm.), [no publisher, 1946]

£600 - 800 €810 - 1,100

Clyde Waddell was with the Allies in Calcutta, working as photographer on the Phoenix Magazine, an army picture weekly, from 1943 to 1945. Includes fine views of the city 66 (Chowinghee Street, panoramas taken from the top of Hooghly Bridge, the Hindustan Building, the Burra Bazar on Harrison Street, Juma Masjid mosque, Nimtolla burning ghat), bustling street scenes (buffalo herds, beggars, snake charmers, “a native madman... accosting cars”, a Sikh taxi-driver), the poor of the slums, American servicemen interacting with the locals (street vendors, bookstall holders “specialising in lurid novels, sex treatises...”, brothel keepers).

Travel And Exploration | 45 CENTRAL ASIA AND RUSSIA

67 • GORDON (THOMAS EDWARD) The Roof of the World Being the Narrative of a Journey Over the High Plateau of Tibet to the Russian Frontier and the Oxus Sources of Pamir, FIRST EDITION, 24 lithographed plates (4 printed in colours, one folding), one folding map, illustrations in the text, publisher’s green decorative cloth gilt, worn [Yakushi G8], 4to, Edinburgh, Edmonston and Douglas, 1876

£600 - 800 67 €810 - 1,100

68 • IACOVLEFF (ALEXANDRE) Dessins et peintures d’Asie. Exécutés au cours de l’Expedition Citroen Centre-Asie. Troisième mission G.-M. Haarrdt, NUMBER 176 OF 500 COPIES from an overall edition of 720, 50 chromolithographed plates, uncoloured illustrations in the text, text stitched within original printed wrappers, and held with loose plates in publisher’s printed portfolio boards, ties, folio, Paris, Jules Meynel, [1934]

£2,000 - 3,000 €2,700 - 4,100

During 1931-1932 the Russian artist Alexandre Iacovleff (1887-1938) accompanied the Citroën Trans-Asia expedition (led by Georges Marie Haardt and Louis Audouin-Dubreuil). He recorded the scenes en route and, most notably, a series of portraits of the inhabitants of the countries through which he traveled, including Syria, Iran, Afghanistan, Mongolia and China.

69 SIBERIA - GOLD MINING Two albums containing 80 photographs, platinum and gelatin silver prints (images 120 x 165mm.), mounted, captioned below in Russian in ink, and Swedish in later pencil, contemporary cloth, one upper cover with onlaid gilt wire lettering surmounted by crossed pick and shovel with gold nugget, g.e., light rubbing, oblong 8vo, 1913

£3,000 - 5,000 €4,100 - 6,800

Keeping up appearances, in the aftermath of Lena goldfields 68 massacre: two albums giving a positive impression of the activities of the Lena Gold-Mining Company, where only a year before the Russian army had stepped in to quell a miners’ rebellion, killing 270 people in the process. The massacre drew attention to poor labour conditions in Siberia and beyond, dramatically damaged state-society relations, and ultimately proved a stepping stone in the path towards the Bolshevik revolution.

Images include: prospectors and children panning, embossing serial numbers on gold bars, workers’ meeting, the River Lena, laboratory, smithy, school, hospital, workers’ tearoom and dining room, other workshops and buildings (mostly of log-cabin type construction), lumberjacks’ houses, Yakut people with their reindeer, various stations on the train line, Bodaybo (with photographer’s shadow). With their inscription on the cover, two “amateur photographers” - one identifiable as A. Vlasov of the Nadezhdensky Mines, the other with unclear signature - present the album to Elena Andreevna Perre in commemoration of work in the Lena goldfields, on 6 December 1913.

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70 • SPAFARIEFF (LEONTY) Atlas Finskago zaliva [in Russian]... Atlas of the Gulf of Finland, containing the South Coast with the Islands belonging to it from cape Luserort to Cronstadt, engraved title in Russian and English, letterpress dedication in Russian, German, French and English, one engraved plate of a lighthouse, 13 charts (12 double-page), a few tears neatly repaired, contemporary half calf, rebacked [Phillips 3120 (1821 edition)], folio (660 x 500mm.), St. Petersburg, Naval Printing Office, 1817

£6,000 - 8,000 €8,100 - 11,000

The charts extend from Cronstadt as far west as Stockholm and also include Riga and Tallinn. Major-General Spafarieff was Director of Lighthouses for the Russian Empire.

Travel And Exploration | 47 71

TURKEY AND THE MIDDLE EAST

71 Halil Pacha (Turkish, 1857-died circa 1939) Views of Constantinople from the Bosphorus, a pair both signed ‘HALIL’ (lower left) oil on board each 20.3 x 30.5cm (8 x 12in).(2)

£10,000 - 15,000 €14,000 - 20,000

48 | Bonhams 71

Travel And Exploration | 49 72

72 Italian School, 20th Century A view of Constantinople inscribed ‘Constantinopoli’ (to mount lower centre) gouache 37.1 x 54.3cm (14 5/8 x 21 3/8in).

£800 - 1,200 €1,100 - 1,600

73 Wladimir Petroff (Russian, 1880-1935) Interior views of Hagia Sophia, a pair each signed and numbered ‘W. Petroff. 929’ (lower left) oil on canvas laid to card each 46 x 28.5cm (18 1/8 x 11 1/4in). (2)

£1,200 - 1,500 €1,600 - 2,000

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74 • [DALVIMART (OCTAVIEN)] The Costume of Turkey... With Descriptions in English and French, first edition, text in English and French, large hand-coloured aquatint vignette on title, 60 hand- coloured engraved costume plates (some watermarked “J. Whatman 1817”), some offsetting from plate to text but plates clean, contemporary blue straight-grain morocco gilt, covers with 3-line fillet border enclosing roll-tool border, flat spine elaborately tooled and lettered “Costume of Turkey”, g.e., horizontal scratch on upper cover [Abbey Scenery 370; Atabey 312; Colas 782], folio (360 x 255mm.), William Miller, 1802

£800 - 1,200 €1,100 - 1,600

Provenance Philip Davies Cooke, of Owston, nineteenth century armorial bookplate.

75 GULMEZ FRERES Three panoramic photographs of Istanbul, printing-out paper, two 8-part and one 6-part, buildings captioned and credits in negatives, 2120 x 186mm., 2064 x 190mm., 1560 x 200mm., [c.1890]

£2,000 - 3,000 €2,700 - 4,100

The Gülmez Frères were three brothers, of Armenian origin, who operated a photography studio in Istanbul, Turkey. Attractive, dark prints.

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Travel And Exploration | 51 76 IRAQ Two albums of photographic views, portraits and groups in Iraq, including numerous of Baghdad, the R.A.F. base at nearby Hinaidi, Mosul, Kurkuk, and other areas visited during “leave up North”, taken or compiled by William Reynish of the Royal Air Force, approximately 250 mostly gelatin silver prints (mostly in corner mounts, some pasted-in, between one and 5 images per page), images between 60 x 90mm., and 160 x 215mm.), contemporary cloth, rubbed, one hinge cracked, oblong 4to, [c.1928- 1933]

£500 - 800 €680 - 1,100

Includes: upwards of 50 images of Baghdad (St. George’s Church, River Tigris, “High Street” by day and night, Ur Junction railway, Lancaster and Maude bridges, Hindiyah Barrage, aerial views, etc.); a series of “snap shots” of a tour “up north” including visits to Mosul, Rowandusy Gorge, Kaniquin oil fields, Kurdarrah, and Basrah (several of the Bas-relief sculptures); 10 images of Sheikh Mahumd “surrender” to Major A.T. Wilson; local inhabitants including barber, butcher, “Hubble Bubble smoker”, a falconer; a good series of the buildings at the Royal Airforce base at Hinaidi, and the activities of the staff (the parachute workshop, playing hockey and athletics, “fishing” in a ditch, cross-dressed costumes for Christmas performances in 1928 and 1931, eating water melon; “first week with the car”); approximately 25 showing aircraft in flight or grounded, including “Parachute machine J7872”, “Major Stack’s record machine (force landed at Hinaidi”), “Myself & Fl. McEvoy Whappitt”, and crashed planes at Hinaidi and banks of the Tigris. 76 Provenance Probably compiled by William Reynish, Royal Air Force, with a loosely inserted certificate issued to him whilst stationed at Malta in 1933, and a photograph of him in Arab headdress with knife, captioned “Bill, Hinaidi, Iraq, Jan. 9, 1931”.

77 • [WOOD (ROBERT)] Les ruines de Palmyre, autrement dite Tedmor, au desert, first French edition, 3 full-page engraved illustrations of inscriptions, 57 engraved plates including folding panorama, occasional light spotting, a few plates with small waterstain at foot, modern quarter calf [Blackmer 1834], folio (535 x 335mm.), A. Millar, 1753

£800 - 1,200 €1,100 - 1,600

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78 • MORITZ (BERNHARD) Rare photobook covering the major sites and geographic features in Bilder aus Palästina, Nord-Arabien und dem Sinai, 106 plates after Saudi Arabia, Jordan, Syria, Egypt and Palestine. The images - taken photographs tipped onto 50 card mounts with printed captions, for the most part by Moritz but some by Turkish friends in areas where numbered 1-100, 10 leaves of accompanying text, plate 51/52 he was prohibited from going - depict pilgrims on the Hajj to Mecca, creased at blank lower left corner, loose as issued, in later portfolio, Bedouins, the building of the Hejaz railway between Damascus and the oblong folio (290 x 390mm.), Berlin, Dietrich Riemer, 1916 holy cities of Mecca and Medina, Jiddah, Petra, and Mt. Sinai. Moritz was an Arabist and archaeologist who from 1896 to 1911 headed the £10,000 - 15,000 Khedival Library and Archive in Cairo. It was from there that he made €14,000 - 20,000 numerous research trips to the Sinai and Hejaz, taking the present photographs between 1905 and 1915.

Provenance Toni Stadler (1888-1982, German sculptor), bookplate designed by Julius Diez c.1914 on verso of title; A. Toluboff (probably the Russian-born Hollywood art director, 1882-1940), blindstamped label on recto of title.

Travel And Exploration | 53 79

79 William Henry Bartlett (British, 1809-1854) Seven views of the Middle East comprising: ‘Petra’, two views of ‘Fair at Khanet Tujjar, near Mount Tabor’, ‘Mount Zion, Jerusalem’, ‘View from Tabor’, ‘Cave of Kureitum’, and ‘Descent from Gibeah to Michmash’ each inscribed with title and signed ‘original sketch by W.H Bartlett’ sepia watercolour the largest 25.5 x 36cm (10 1/16 x 14 3/16in) (7)

£1,200 - 1,800 €1,600 - 2,400

80 English School, 19th century Arab and stallion indistinctly signed and dated ‘L.E.Hall (?)/1864’ (lower right) black and white chalk, framed with arched top 62 x 50cm (24 7/16 x 19 11/16in).

£600 - 800 €810 - 1,100

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81 82

81 82 Edwin Long (British, 1829-1891) Edwin Long (British, 1829-1891) Middle Eastern head studies, a pair Head studies of Egyptian men, a pair both signed with monogram (one lower left, one centre right), one one signed with monogram (centre left), both dated and inscribed in dated and inscribed in pencil ‘Damascus 1874’ (lower right) and one pencil ‘Cairo 75’ (one lower left, one lower right) inscribed in pencil ‘Tamgiers’ (lower left) oil on canvas oil on canvas each 43 x 32.5cm (16 15/16 x 12 13/16in). (2) each 43 x 32.5cm (16 15/16 x 12 13/16in.) (2) £1,200 - 1,800 £1,200 - 1,800 €1,600 - 2,400 €1,600 - 2,400 Exhibited Exhibited Bristol Art Gallery, A selection of pictures by Modern Artists, especially Bristol Art Gallery, A selection of pictures by Modern Artists, especially works by the late Edwin Long, R.A., 1907, lent by The Trustees of the works by the late Edwin Long, R.A., 1907, lent by The Trustees of the late Mrs E. Long. late Mrs E. Long.

Travel And Exploration | 55 83

83 Tristram Ellis (British, 1844-1922) Jerusalem signed and inscribed ‘Tristram Ellis/Jerusalem’ (lower left) watercolour 25 x 53cm (9 13/16 x 20 7/8in).

£1,000 - 1,500 €1,400 - 2,000

84 Tristram Ellis (British, 1844-1922) Jerusalem signed, inscribed and dated ‘Tristram Ellis Jerusalem 1902’ (lower left) watercolour with traces of pencil 84 17 x 47cm (6 11/16 x 18 1/2in).

£500 - 800 €680 - 1,100

85 AR Georges Albert Cyr (French, 1880- 1964) Racetrack in Beirut, Lebanon signed, inscribed and dated ‘Georges Cyr/ Beyrouth/1938’ (lower left) watercolour and pencil 44.5 x 67cm (17 1/2 x 26 3/8in).

£800 - 1,200 €1,100 - 1,600

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86 AR Hilda Mary Sides (British, born 1871) Temple of Bacchus, Baalbeck, Bekka Valley, Lebanon signed and dated ‘H.M.SIDES /1923’ (lower left) watercolour 42 x 31cm (16 9/16 x 12 3/16in).

£800 - 1,200 €1,100 - 1,600

87 Walter Frederick Roofe Tyndale, R.I. (British, 1856- 1943) Arab street scenes, a set of two both signed ‘W.Tyndale’ (lower left) watercolour and traces of pencil one 24.5 x 17cm (9 5/8 x 6 11/16in), the other 25.5 x 16.5cm (10 1/16 x 6 1/2in). (2)

£1,000 - 1,500 €1,400 - 2,000

EGYPT AND NORTH AFRICA

88 AR Alexander Graham Munro, RSW (British, 1903-1985) A collection of watercolour sketches depicting views in Morocco, Tunisia and Algeria watercolour, pen and ink and traces of pencil 36 x 27cm (14 1/8 x 10 5/8in) and smaller, all unframed. (34)

£1,000 - 1,500 88 €1,400 - 2,000

Travel And Exploration | 57 89

89 Howard Carter (British, 1873-1939) Now known to contain sixty-three tombs and chambers, the Valley The Valley of the Kings, Egypt of the Kings is the principal burial place of the major royal figures and signed and dated ‘Howard Carter 1914’ (lower left) powerful nobles of the New Kingdom. Standing on the west bank of watercolour the Nile within the heart of the Theban Necropolis, the Wadi consists of 50 x 76cm (19 11/16 x 29 15/16in). two valleys, the East valley, where the majority of the royal tombs are situated and the West valley. £3,000 - 5,000 €4,100 - 6,800 The area has been a principal site for archaeological and Egyptological exploration since the end of the 18 century. However it is largely due to Howard Carter first visited Egypt in 1891, at the age of seventeen, the discovery of Tutankhamun’s tomb, and the accompanying rumours and the following year was invited to join Flinders Petrie during his of the Curse of the Pharaohs, which made it one of the most famous excavations at El-Amarna. In 1900, Carter was appointed Chief archaeological sites in the world. Inspector of Antiquities to the Egyptian Government, but was later forced to resign in 1905, following a labour relation dispute. In 1979, the Valley of the Kings became a World Heritage Site, with exploration, excavation and conservation still continuing into the In 1909, Carter began work with the Earl of Carnarvon who had present day. decided to finance some archaeological work in Egypt. In 1914, Carnarvon managed to secure a fifteen year concession to excavate in the Valley of the Kings. Initially the results were disappointing but on 4 November 1922 the first steps leading to the tomb of Tutankhamun were discovered.

58 | Bonhams 90

90 Augustus Osborne Lamplough, A.R.A., R.W.S (British, 1877-1930) The Colossi of Memnon signed ‘A.Lamplough’ (lower left) watercolour 63 x 95.5cm (24 3/4 x 37 5/8in).

£3,000 - 5,000 €4,100 - 6,800

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92

91 92 Augustus Osborne Lamplough, A.R.A., R.W.S (British, Augustus Osborne Lamplough, A.R.A., R.W.S (British, 1877-1930) 1877-1930) Pyramids Camel rider in a Storm signed and dated ‘A.Lamplough A.R.A./’1911’ (lower left) signed and dated ‘A. Lamplough A.R.A./1913’ (lower left) watercolour watercolour with scratching out 51 x 70.5cm (20 x 27 3/4in). 50.5 x 79cm (19 7/8 x 31 1/8in).

£2,000 - 3,000 £1,500 - 2,000 €2,700 - 4,100 €2,000 - 2,700

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93 94 Augustus Osborne Lamplough, A.R.A., R.W.S (British, Augustus Osborne Lamplough, A.R.A., R.W.S (British, 1877-1930) 1877-1930) Valley of the Kings Camel rider signed ‘A.Lamplough.A.R.A.’ (lower left) signed ‘A. Lamplough A.R.A.’ (lower left) watercolour with scratching out watercolour 48 x 74cm (18 7/8 x 29 1/8in). 63 x 96.5cm (24 13/16 x 38in).

£1,500 - 2,000 £1,500 - 2,000 €2,000 - 2,700 €2,000 - 2,700

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96

95 96 Augustus Osborne Lamplough, A.R.A., R.W.S (British, Augustus Osborne Lamplough, A.R.A., R.W.S (British, 1877-1930) 1877-1930) The camel trail Desert scene signed ‘A. Lamplough A.R.A.’ (lower left) signed and dated ‘A.Lamplough A.R.A./1911’ (lower left) watercolour with scratching out watercolour 63 x 96cm (24 13/16 x 37 13/16in). 49 x 73cm (19 1/4 x 28 3/4in).

£1,500 - 2,000 £800 - 1,200 €2,000 - 2,700 €1,100 - 1,600

62 | Bonhams 97

98

97 98 After David Roberts (British, 1796-1864) ARNOUX (H.), A. BEATO, ZANGAKI, and OTHERS A collection Two good nineteenth century photograph albums of views of modern ‘Approach of the Simoon - Desert of Gizeh’, lithograph with later hand and ancient Egypt, with some figure studies, 165 (mostly) albumen colouring, from the standard edition with printed title, 1849, on thick prints, neatly tipped-in at one margin only, one image per page recto wove, with margins, 325 x 482mm (12 3/4 x 18 3/4in); together with only (except group of 15 character studies 2 to 3 per page), most three others by the same hand, ‘View of Jerusalem from the South’, images approximately 210 x 270mm., uniform half morocco, lacks ‘The Great Temple of Abu Simbel’ and Nile in the Vicinity of Gebel spines, oblong 4to, [1880/90s] (2) Silsila’, lithographs with later hand colouring, on wove, each with margins, 323 x 487mm (12 3/4 x 19 1/4in)(and smaller)(I)(4) £1,000 - 2,000 €1,400 - 2,700 £1,000 - 1,500 €1,400 - 2,000 Includes street scenes, mosques, and views of “modern” Cairo (c.40), the river and environs of Cairo (c.10), Pyramids (9), ancient monuments in Cairo, Carnac, etc. (c.45), museum antiquities (12), and “native” portraits or groups (c.37).

Photographers include H. Arnoux (52), A. Beato (26, 11 black signature, others white), Zangaki (17), G.L. Lekegian & Co. (3), Abdullah frères (7), and Fiarillo (13, smaller figure studies).

Travel And Exploration | 63 99 BONFILS (F.), A. BEATO, and OTHERS Collection of approximately 100 photographs by Bonfils, Antonio Beato, Zangaki, and Sebah and Joaillier, albumen 99 prints (approximately 210 x 280mm.), mounted on album leaves, mostly signed and captioned in negative, [1880s] (quantity)

£1,000 - 2,000 €1,400 - 2,700

Images include: shop in the bazaar; busy scene on the Bridge of Kasr-el-Nil; Tomb of the Mamluks; general view from the Citadel; young men sitting in the Al-Azhar Mosque, all in Cairo; statue of Ramses at Memphis; Pyramids and Sphinx; ruins and hieroglyphics (several); Damascus (4, including the Bazaar); “Café turc près de la porte de Jaffa”; Ephesus; Tomb of Lazarus; Fountain of the Virgin.

100 • BELZONI (GIOVANNI BATTISTA) Plates Illustrative of the Researches and Operations... in Egypt and Nubia, Atlas vol. only, 22 hand-coloured engraved or lithographed sheets only (of 34, some showing 2 scenes, one folding, a few cropped), title and list of plates, loose with some edge tears and creases [cf. Abbey Travel 268; cf. Blackmer 117], folio, John Murray, 100 1821, sold as a collection of plates not subject to return

£400 - 600 €540 - 810

101 • JUNGHAENDEL (R.M.) Egypt: Heliogravures after Original Views, 26 photogravure plates after L.C. Mueller and R.M. Junghaendel, edges bumped, loose in original cloth portfolio, defective, folio (440 x 550mm.), Berlin, Cosmos, [1893], sold as a collection of plates

£600 - 800 €810 - 1,100

101

64 | Bonhams 102

102 • LE PÈRE (JACQUES-MARIE)] MAGNIFICENTLY BOUND IN CONTEMPORARY FRENCH RED Mémoire sur la communication de la mer des Indes à la Méditerranée, MOROCCO. In 1798 Jacques-Marie Le Père, chief engineer of the par la mer Rouge et l’isthme de Soueys; Égypte. Atlas annexé au Ponts et Chaussées, was commissioned by Napoleon to investigate mémoire sur la communication de la mer Rouge à la Méditerranée. the possibility of building a canal between the Mediterranean and the 1802, 2 vol., atlas with 5 folding or double-page engraved maps, Red Sea. His findings were presented to Napoleon in 1803 and, whilst plans and diagrams, watermarked “Egypte ancienne et moderne”, mistakenly concluding that the sea level between the Red Sea and the one plate with several tears repaired without loss, light dampstain Mediterranean were different, the report was an important basis for to a few margins, UNIFORM CONTEMPORARY FRENCH RED Ferdinand de Lesseps’ successful plans for the Suez Canal. STRAIGHT-GRAINED MOROCCO GILT, sides with roll-tooled gilt borders incorporating classical urns, torch-bearing female classical figures and foliate sprays within double gilt fillets, enclosing interlocking floral sprays and large central crescent motif surmounted by a laurel crown flanked by an oak and olive branch, crescent motifs at corners, spine gilt, crescent motifs in compartments, g.e., blue watered silk endpapers, upper cover of text volume detached, folio (text 407 x 208mm.; atlas 510 x 355mm.), [n.p., 1802; atlas: Paris, par les soins de J.J. Marcel, directeur général de l’Imprimerie impériale, 1815]

£8,000 - 12,000 €11,000 - 16,000

Travel And Exploration | 65 103

104

103 • SUB-SAHARAN AND SOUTH AFRICA NORDEN (FREDERICK LEWIS) Travels in Egypt and Nubia, 2 vol., first edition in English, half-titles, 104 engraved frontispieces, 162 plates, maps and plans, contemporary NAMAQUALAND calf, heavily rubbed with joints cracked, one cover detached, spines Survey of the coastal region of Damara and Great Namaqualand, in lacquered [Blackmer 1211; Gay 2169; Ibrahim Hilmy II, p.74; Weber II, Namibia, with the northern coast of Little Namaqualand, in South 520], folio (475 x 275mm.), L. Davis and C. Reymers, 1757 Africa, including rivers and other features; annotated with observations such as “Abounds with Elephants”, “Sandy & very little Water/ £1,500 - 2,500 Bushmen” and “Bushman Kraal (where Mr Threlfall was murdered” [in €2,000 - 3,400 1826], marked up with longitude and latitude, and inscribed below: “NB. This Plan is formed by Mr. Melville, according to informations The first detailed survey of Egypt by a European and the most given by Missionaries, who Travelled in that County – The coast, important prior to the Description de l’Egypte. and Latitude and Longitude taken from Capt. Owens’ chart – WFred Herzog/ 1 July 1829”, light overall time-staining with some slight fox- Provenance marks, originally folded in four, 210 x 340mm., 1 July 1829 Richard Smith of Jesus College, Cambridge; Montague George Knight of Chawton, bookplates. £800 - 1,200 €1,100 - 1,600

‘ABOUNDS WITH ELEPHANTS’ – an early sketch map of the Namibian coast. The principal author, John Melville, was a member of the London Missionary Society, and had accompanied Livingstone’s father- in-law Robert Moffat on his travels in Namaqualand. Captain William Fitzwilliam Owen, who provided details of the coast, commanded HMS Leven on her epic survey of some 30,000 nautical miles of African coast between 1823 and 1826. The inscription below, which is in a different hand from that of the main map (and is evidently autograph) is by Frederick Herzog FRGS, who served as Assistant Surveyor-General at the Cape of Good Hope from 1828 to 1846.

66 | Bonhams 105

105 • BURTON (RICHARD FRANCIS) The caption for “Appendix IV” (p.591, p.592 blank) is followed by 2 First Footsteps in East Africa; or, an Exploration of Harar, FIRST pages of text (pp.593/4) titled in English ‘A Brief Description of Certain EDITION, WITH “APPENDIX IV”, 4 chromolithographed plates, 2 Peculiar Customs’, above a text printed in Latin. Appendix IV was engraved maps, with 4-page Appendix IV, p.593/4 snipped at lower withdrawn by the publisher at the last moment and replaced by the margin (see below), without half-title, “prize” binding of decorative wording “It has been found necessary to omit this Appendix”. Our gilt-stamped green cloth, g.e., ?later yellow endpapers, refurbished copy has the leaf of Appendix snipped at foot, as do other copies. [Penzer, pp.60-63; Spink 16], 8vo, Longman, Green, 1856 Those copies with the Appendix we have traced are, in common with ours, in later issue “prize” bindings. It seems probable that instead of £2,000 - 3,000 being “for Burton’s use” (as has previously been suggested, despite €2,700 - 4,100 the fact that Burton’s own surviving copy does not have the Appendix), copies with the Appendix were discarded by the binder at the time of FIRST EDITION OF THE AUTHOR’S ACCOUNT OF HIS FIRST issue, and incongruously bound up as school prize copies at a later AFRICAN EXPEDITION, WITH THE VERY RARE SUPPRESSED date, when the furore surrounding the Appendix had died down. APPENDIX IV ON FEMALE CIRCUMCISION. “On his expedition to Harar, Burton discovered that infibulation prevailed among the Somalis, and, following his usual thorough methods, wrote a short account on the subject [for inclusion in First Footsteps]” (Penzer).

Travel And Exploration | 67 106

107

106 107 Henry Bailey (British, 1848-1933) Fritz Klingelhöfer (German, 1832-1903) Elephant shooting at the swamps of Stanley Pool (Malebo Pool), Fishermen on the shore Congo signed ‘F Klingelhofer’ (lower right) signed and inscribed ‘H.P. Bailey/Elephant Shooting in the M’Pela oil on board Swamps, Stanley Pool. Central Africa.’ (on stretcher verso) 25.5 x 57cm (10 1/16 x 22 7/16in). oil on canvas Together with four further works by the same hand depicting village 33 x 48.5cm (13 x 19 1/8in). settlements, probably in Africa. (5) unframed £1,500 - 2,000 £800 - 1,200 €2,000 - 2,700 €1,100 - 1,600

Henry Bailey was an obscure painter and big game hunter. He wrote and illustrated the book Travel and Adventure in the Congo Free State and its Big Game Shooting, which was published in 1894. He was given the name Bula N’Zau by the natives which translates as ‘elephant smasher’. Nine of Bailey’s paintings depicting views in Central Africa from the same period as the present lot (1884-1888) can be found in the Government Art Collection.

68 | Bonhams 108

108

108 Charles Joseph Staniland (British, 1838-1916) Literature A white man’s passport for Benin, the “Feet-Washing” ceremony; The The Graphic, 20 March 1897, illustrated (Feet-washing). punitive expedition to Benin, typical scenes in the district The Graphic, 30 Jan 1897, illustrated (Punitive expedition to Benin). two framed as one, both signed ‘C.J.STANILAND’ (lower left) en grisaille The Benin Expedition in 1897 was undertaken by Admiral Sir Harry each 12.5 x 22cm (4 15/16 x 8 11/16in). Rawson with the objective of capturing the Benin king and destroying Together with two works attributed to Staniland depicting the Battle of Benin City. The operation was named the Benin Punitive Expedition. Mataloni and another river battle scene. (3)

£1,000 - 1,500 €1,400 - 2,000

Travel And Exploration | 69 109

110

70 | Bonhams 111

109 AR 110 MALTA Felix Kelly (British, 1917-1994) English School, 19th Century West African mines A topographical view of the South African 111 six framed as one, all oil on card coast, 1851 Andrew Nicholl, RHA (British, 1804- largest 14 x 19cm (5 1/2 x 7 1/2in). watercolour 1886) 18.5 x 23cm (7 5/16 x 9 1/16in). Valetta Harbour, Malta mounted, unframed £2,000 - 3,000 signed ‘A. Nicholl’ (lower left) to be sold with seven other watercolours €2,700 - 4,100 watercolour including a view of the South African coast 53 x 74cm (20 7/8 x 29 1/8in). with detailed map of the Cape Town coast on Provenance reverse; Galita Islands Tunisia, 1885; Cape With Partridge, London £3,000 - 5,000 Bonn Tunisia, 1885; Cape Point, 1857; Cove €4,100 - 6,800 Rock; Cape Hangklip, 1857; Cape Hangklip, all mounted and unframed. (8)

£500 - 700 €680 - 950

Provenance Sale, Phillips, sale no. 431, lot 288 Private collection, UK

Travel And Exploration | 71 112

112 Nicola F. Crescimanno (Italian, active late 19th Century) HMS Serapis in Malta signed and dated ‘Crino_1876.’ (lower left) oil on panel 27.5 x 44cm (10 3/4 x 17 1/4in).

£4,000 - 6,000 €5,400 - 8,100

In September 1875 HMS Serapis transported the Prince and Princess of Wales and their retinue to India to celebrate Queen Victoria’s appointment as Empress of India. They stopped in Malta twice, once on route to India from the 7-12 October 1875 and again on the return journey from 6-11 April 1876. Given the date of the work it is likely that the painting depicts Serapis on its second visit to Malta.

72 | Bonhams 113

113

113 Luigi Maria Galea (Maltese, 1847-1917) Marsamxett Harbour at dusk; The Grand Harbour, Valletta signed ‘LM Galea’ (one lower left, one lower right) oil on board each 21.5 x 53cm (8 7/16 x 20 7/8in). (2)

£3,000 - 5,000 €4,100 - 6,800

Travel And Exploration | 73 114

115

114 115 Luigi Maria Galea (Maltese, 1847-1917) D’Esposito (Maltese, active circa 1900) A view of The Grand Harbour, Valetta, from the Upper Barrakka Valetta, Malta Gardens signed ‘V. D’Esposito’ (lower left) signed ‘L.M.Galea’ (lower left) watercolour heightened with white gouache 16 x 30cm (6 1/4 x 11 3/4in). 26 x 38cm (10 1/4 x 14 15/16in). Together with a watercolour of Malta by Carmelo Bonello, signed with initials, 8 x 16.5cm (3 1/8 x 6 1/2in); and three small watercolours by a £800 - 1,200 different hand depicting views of Malta, framed as one, various sizes. (3) €1,100 - 1,600 £600 - 800 €810 - 1,100

74 | Bonhams 116

116

116 Luigi Maria Galea (Maltese, 1847-1917) Panoramic views of Mdina and Valletta, Malta, a pair both signed ‘L.M.Galea’ (lower right) gouache each 16.5 x 41cm (6 1/2 x 16 1/8in).(2)

£1,000 - 1,800 €1,400 - 2,400

Travel And Exploration | 75 117

117 Giuseppe Cali (Maltese, 1846-1930) The Bengal Lancers were sent to Malta in 1878. It was the first time Portrait of an officer’s grey charger, almost certainly of the 10th (Duke that Indian troops had been deployed in Europe and a number of of Cambridge’s Own) (Bengal) Lancers, Malta, 1878 paintings of the subject are in existence. The regiment arrived in Malta signed ‘G.Cali’ (lower right) on 6th June and pitched camp at San Antonio. As with the present oil on canvas horse portrait, Cali was presumably commissioned to paint the officer 68 x 85.5cm (26 3/4 x 33 11/16in). in the painting sold at Christie’s South Kensington, 3 May 2003, Lot 175 as “Portrait of a Native Officer of the 13th Bengal Lancers £10,000 - 15,000 whilst stationed in Malta”. Two works by G. Gianni are also in public €14,000 - 20,000 collections; “10th (Duke of Cambridge’s Own) (Bengal) Lancers, Malta, 1878” in the National Army Museum Collection and “The Artillery and One of Malta’s greatest artists, Giuseppi Calì was born in Valetta to Cavalry Camp at San Antonio, Malta” in the Crown Estate Collection. Neapolitan parents. He studied in Naples under Giuseppe Mancinelli (1812-1875) and returned to Malta to ply his trade. So prolific was he that almost every church in Malta has a work by him and he was known and as “The Devil with the brush”. In addition to his religious works he also painted genre subjects and portraits. Calì was so revered in Malta that he was commemorated with a series of postage stamps in 1996 and a coin in 2004. There is a statue of the artist at the Upper Barrakka Gardens, Valetta.

76 | Bonhams 118

118

118 Girolamo Gianni (Italian, 1837-1895) Valetta Harbour, Malta, a pair one signed and indistinctly dated ‘G.Gianni 18-7’ (lower right) oil on board, both unframed each 18 x 36cm (7 1/16 x 14 3/16in).(2)

£2,500 - 3,500 €3,400 - 4,700

Travel And Exploration | 77 119

120

GREECE

119 W 120 Harry John Johnson, RI (British, 1826-1884) Angelos Giallina (Greek, 1857-1939) The Acropolis of Athens, with Mount Hymettus and the Olive Groves of Temple of Olympian Zeus, Athens the Academy, as seen from the slopes of the Pass of Daphne, on the signed ‘Giallina’ (lower left) Eleusinian road – early morning watercolour oil on canvas 16 x 30.5cm (6 1/4 x 12in). 65 x 118cm (25 9/16 x 46 7/16in). Together with two further watercolours by the same hand: A view of Corfu; and A seascape with sailing boats. (3) £3,000 - 5,000 €4,100 - 6,800 £1,500 - 2,000 €2,000 - 2,700 Exhibited London, Royal Academy, 1862, no.658

78 | Bonhams 121 122

121 I. Carruthers (British, late 19th Century) Portrait of a man in the costume of a Greek fisherman signed and dated ‘I CARRUTHERS 98.’ (lower right) oil on canvas 51 x 40.5cm (20 1/16 x 15 15/16in).

£800 - 1,200 €1,100 - 1,600

122 Pericles Tsirigotis (Greek, 1865-1924) At prayer signed ‘P. Tsirigotis’ (lower right) watercolour 47 x 31.2cm (18 1/2 x 12 5/16in).

£800 - 1,200 €1,100 - 1,600

123 Panos Aravantinos (Greek, 1886-1930) Military figures, a set of four two signed with initials (one lower left, one lower right) oil on board each 19.5 x 12cm (7 11/16 x 4 3/4in). (4)

£1,500 - 2,000 €2,000 - 2,700

123

Travel And Exploration | 79 124

124 • CHENAVARD (ANTOINE-MARIE) Presentation copy of Antoine-Marie Chenavard’s account of the voyage Voyage en Grece et dans le Levant fait en MDCCCXLII et MDCCCXLIV, he undertook with the painter Etienne Rey to Greece during 1843-44. FIRST EDITION, AUTHOR’S PRESENTATION COPY, inscribed on An architect and archaeologist, Chenevard (1787-1883) was particularly half-title to M. Orsel ainé (“hommage de reconnaissance offert par interested in the ancient buildings, the plates including views of Athens, l’auteur A. Chenavard”), 79 engraved plates, maps, plans and views Delphi and Ithaca. According to Brunet only 200 copies were printed. after Chenavard and Etienne Rey (as called for in the list of plates, but without 2 bis plates sometimes found), contemporary cloth-backed Provenance boards, upper hinge cracked, modern blue morocco-backed solander M. Orsel ainé, presentation inscription from the author; Sefik A. Atabey, box [Atabey 230; Blackmer 334; Brunet II, 1831; Weber I 379], folio bookplate. (492 x 310mm.), Lyon, Louis Perrin, 1858

£1,500 - 3,000 €2,000 - 4,100

80 | Bonhams 125

125 Attributed to Lady Sophia Dunbar (Scottish, 1814-1909) Gibraltar watercolour 40 x 57cm (15 3/4 x 22 7/16in).

£1,000 - 1,500 €1,400 - 2,000

For a similar composition see Bonhams, 23 May 2007, Lot 165.

Travel And Exploration | 81 CARIBBEAN AND SOUTH AMERICA

126 Michel Jean Cazabon (1813-1888) Trinidad became British in 1797 when the Spanish Governor, Don Jose Landscape with figures and horse by a bridge, Trinidad Maria Chacon, surrendered to the British naval force under Sir Ralph watercolour with scratching out and heightened with white Abercromby. Under the new British administration, the Naparimas 22 x 30.5cm (8 5/8 x 12in). remained socially independent and were treated with a great deal of suspicion and prejudice by the British Governors, in particular £7,000 - 9,000 Governor Sir Ralph Woodford. After a meeting between Lord Bathhurst €9,500 - 12,000 and Jean Baptiste Philippe in 1829, when he presented his Treatise, A Free Mulatto, the coloured community achieved equal rights. This painting is thought to be looking south toward the bridge over the Maraval River on Champs Elysées Estate at the entrance to the When he was thirteen, Cazabon was sent to England to attend St. Maraval Valley, near Port of Spain. The estate was owned by the de Edmund’s College in Ware. It is interesting that despite their French Boissiere family. background, his parents preferred to send him to an English school, perhaps to prepare him for life in an English colony. Later he went to The red immortelle trees were planted to protect the cocoa trees on Paris to study art and where he was a student of the marine painter, the estate and can still be seen today on the hills to the left, more than Jean-Antoine Theodore Gudin (1802-1880), the portraitist Michel- 150 years after this watercolour was painted. Martin Drolling (1789-1851), Antoine Leon Morel-Fatio (1810-1871) and, it is believed, Paul Delaroche (1797-1856). It is likely that Cazabon This watercolour reflects the intensity of the colours of the tropics, learnt his printing techniques from Morel-Fatio. Cazabon exhibited at familiar in so many of the paintings of Michel-Jean Cazabon. the Salon du Louvre in 1839 and every year from 1843 to 1847. He travelled extensively in France and painted in Italy. His school was that The year 2013 marked the two hundredth anniversary of the birth of of the French Landscape, his work showing a close affinity to that of Michel Jean Cazabon, Trinidad’s great nineteenth Century artist, who another pupil of Delaroche, Charles-Francois Daubigny (1817-1878). was born on the 20th September 1813 on Corinth Estate near San Fernando, Trinidad’s second port. Cazabon returned to Trinidad in 1848 and in 1851 produced a series of eighteen lithographs, Views of Trinidad. In 1857 he published a The Cazabon name originates in Basque country, which spans north- second series, Album of Trinidad, and in 1860 contributed to two eastern Spain and south-western France. Bordeau in France, the other series, Views of Demerara and Album Martiniquaise. Cazabon’s nearest large port to the region, was the point of departure for many œuvre is extensive; his work shows a wide knowledge of media – of the French immigrants to the West Indies and North America. It is oils, watercolours, gouache, gesso, etc. Although he was primarily a thought that the first Cazabons in the West Indies went to the French watercolourist and landscape artist, both his formal and informal portraits island of Martinique; records indicate that the family had settled there are highly valued, and his illustrations for the newspapers of the day, of as early as the 1730s. important historic significance. His sketches for the Illustrated London News give us an insight into life in Trinidad, showing the riots of 1845, the The artist’s mother, Rose Debonne, married Francois Cazabon in trial of the rioters, the great fire of Port of Spain of 1850 and, on a more Trinidad about 1797, bringing into the marriage the 270-acre Corinth social side, “Ball on board Her Majesty’s Ship Wellesley” in Port of Spain. Estate in North Naparima. Their families were part of the free coloured/ free black community from St. Pierre in Martinique, who settled in the In 1860, Cazabon moved to Martinique, where he lived and worked Naparimas under the Spanish Government’s Cedula of Population. The in Saint Pierre, but his success was limited and he returned to Decree was designed to encourage immigration into an undeveloped Trinidad about 1870. He taught art privately and at both Queen’s Trinidad at the end of the eighteenth Century. Royal College and St. Mary’s College and continued to paint from his studio on Edward Street, Port of Spain, for a diminishing clientele. The new immigrants soon established a thriving sugar industry. San He died in virtual poverty on 20th November 1888. He was buried Fernando, the port from which their produce was shipped, developed in the Lapeyrouse Cemetery. In 2010 his grave was restored by the rapidly under the leadership of Jean Baptiste Jaillet, an astute coloured conservation group, Citizens for Conservation. planter who gained wealth and power through his land dealings. He used his influence to encourage other coloured immigrants to settle in In Trinidad, Cazabon’s most important patron was Lord Harris, the the surrounding areas of the Naparimas. The community’s respect for English Governor from 1848 to 1854. The Harris Collection of 44 Jaillet is demonstrated by San Fernando Hill being, at the time, known paintings, now displayed at the family home at Belmont in Kent, colloquially as Morne Jaillet. From the community there emerged an England, is perhaps the most important collection of nineteenth Century ambitious and articulate group, from which came many of the leading visual references of Trinidad. Several other less extensive, but important professional and intellectual personalities of nineteenth Century Trinidad. collections were commissioned by William Burnley, the Scottish- American planter, John Lamont and the Earl of Dundonald among them.

We are grateful to Geoffrey MacLean for his assistance in cataloguing this lot.

82 | Bonhams Travel And Exploration | 83 127

127 Attributed to Fritz Siegfried George Melbye (Danish, 1826-1896) Figures by a fire in a moonlit cove, possibly Central or South America oil on panel 28 x 41cm (11 x 16 1/8in).

£2,000 - 3,000 €2,700 - 4,100

84 | Bonhams 128

129

128 129 AR Pablo (Poul) Schouboe (Danish, 1874-1941) Ramos Catalan (Chilean, born 1890) The Falls of Iguazu Chilean mountain scene signed and inscribed ‘Pablo Schouboe/Iguazu’ (lower left) signed ‘Ramos Catalan’ (lower right) oil on canvas oil on canvas 58 x 77.5cm (22 13/16 x 30 1/2in). 71.5 x 91.5cm (28 1/8 x 36in).

£1,000 - 1,500 £800 - 1,200 €1,400 - 2,000 €1,100 - 1,600

Travel And Exploration | 85 130 * Nicolau Antonio Facchinetti (Italian, 1824-1900) Serra dos Órgãos seen from Varzea in Teresópolis, Rio de Janeiro; and Barreira from Rio Soberbo, Brazil, a pair both signed and dated ‘N. Facchinetti/1882’ (lower right); the former inscribed and dated ‘Serra dos Orgãos, vista na Varzea em Theresopolis./Quadro pintado do natural em proximidade au Hotel Paiva, propriedade do Snr Domingos Moutinho, em No-/vembro do 1882./(nota do autor N. Facchinetti.)’ (on the reverse); the latter inscribed and dated ‘Barreira do rio Soberbo, vista da casa da extincta/Recebedoria. Quadro pintado fielmente de natu-/ral, em Outubro do 1882./(nota do autor N. Facchinetti.)’ (on the reverse) oil on panel each 21 x 46cm (8 1/4 x 18 1/8in). (2)

£15,000 - 20,000 €20,000 - 27,000

86 | Bonhams 130

130

Travel And Exploration | 87 131

132

131 * 132 French School, 19th Century Otto Michaele, 20th Century A naval artist’s sketchbook including a large panoramic view of Rio de View of Iquitos, Peru, from the Amazon Janeiro and a study of the French ship Diligente signed ‘Otto Michaele’ (lower left) inscriptions throughout gouache predominantly pencil with some watercolour 25.5 x 66cm (10 1/16 x 26in). album size 21.5 x 27.5cm (8 1/2 x 10 3/4in). £1,000 - 1,500 £2,000 - 3,000 €1,400 - 2,000 €2,700 - 4,100

This sketchbook was presumably kept by an officer aboard the Diligente on its voyage to Brazil and the South American coast from 1822 to 1826, after which it returned to Brest for refitting. It was known as one of the fastest ships in the French Navy and was the model for many following ship designs. It served in the French Revolutionary and Napoleonic Wars, as well as other campaigns until her eventual decommissioning in 1854.

88 | Bonhams 133

133 BRAZIL - SÃO PAULO Collection of 15 views of São Paulo, albumen prints, tipped onto album sheets, captioned on mount in English in white ink, 11 large images 220 x 275mm., 4 half sheet images 147 x 275mm., [c.1896]; with 3 albumen prints of Caverna do Monjolinho and Caverna de Santo Antonio, approximately 173 x 122mm., captioned and signed in the negative by R. Krone, 1896 (collection)

£2,000 - 3,000 €2,700 - 4,100

Scarce albumen print views of São Paulo in the 1890s. Images include: panoramic view across the city; main street, with tram; Government House; Thesouraria de Fazenda; Railway station “E.F.C.B. Estacào de Norte”; Viaducto do Cha; Public Gardens; Waterworks; and view of Tropic of Capricorn near São Paulo.

Travel And Exploration | 89 134

135

90 | Bonhams 136

NORTH AMERICA

134 135 Aaron Draper Shattuck (American, 1832-1928) Guy A. Wiggins (American, born 1920) Lake reflections - Clouds in blue sky ‘Fishing Boats, Stonington’ oil on canvas laid to board signed ‘GuyWiggins’ (lower left), also signed and inscribed on old 25.5 x 45cm (10 x 17 3/4in). selling exhibition label (attached to the reverse) oil on canvas laid to board £1,200 - 1,800 31 x 41cm (12 1/4 x 16 1/8in). €1,600 - 2,400 £700 - 900 Provenance €950 - 1,200 Helen Shattuck Stewart (artist’s daughter) Katherine Stewart Emigh (artist’s granddaughter) Provenance Private collection, UK Lyme Art Association selling exhibition, Connecticut.

Certificate of provenance signed by Katherine Stewart Emigh and a 136 notary public on the 8th October 1969 in New Britain Connecticut, Warren W. Sheppard (American, 1858-1937) attached to the board on the reverse. Sunrise over a tranquil beach signed ‘WARREN SHEPPARD’ (lower right) oil on canvas 56 x 92cm (22 x 36 1/4in).

£1,200 - 1,800 €1,600 - 2,400

Travel And Exploration | 91 137

137 W Attributed to William Valentine (Whitehaven 1798- Samuel George William Archibald (1777 -1846) was a lawyer, judge 1849 Halifax) and leading political figure in Nova Scotia. Indeed, his family hold Portrait of Samuel George William Archibald of Nova Scotia in court a significant place in Nova Scotian history. His grandfather David dress Archibald, along with his four brothers, helped to found Truro, N.S., oil on canvas in 1762. Since his grandfather and father had been assemblymen 143 x 112cm (56 5/16 x 44 1/8in). and his eldest son, Charles Dickson, was to be one, four generations of the family in lineal descent served as members. Samuel George £800 - 1,200 William Archibald represented Halifax County from 1806 to 1836 and €1,100 - 1,600 Colchester County from 1836 to 1841 in the Nova Scotia House of Assembly and was Speaker from 1824 to 1841. He was named King’s Provenance Counsel in 1817, Solicitor General for Nova Scotia in 1826 and acting By descent through the sitter’s family. Attorney General in 1830. In 1841, he was named Master of the Rolls and resigned his seat in the assembly.

After Henry Field, William Valentine was the most important portrait painter in early 19th century Nova Scotia. Born in England, Valentine immigrated to Halifax in 1818. His early career as a portrait and landscape painter was not particularly successful. However, after travelling to England in 1836 where he studied the well-known painters of the day such as Sir Thomas Lawrence, his paintings greatly improved both in tone and colour. When Valentine returned to Halifax he enjoyed a period of great success between 1837 to 1844 painting well over 100 portraits of eminent Nova Scotians including Samuel George William Archibald.

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138 139 Attributed to William Valentine (Whitehaven 1798- English School, 19th Century 1849 Halifax) Portrait of a gentleman believed to be Charles Dickson Archibald Portrait of Samuel George William Archibald of Nova Scotia, Canada oil on canvas oil on canvas 92 x 72cm (36 1/4 x 28 3/8in). 86 x 63.5cm (33 7/8 x 25in). £600 - 800 £800 - 1,200 €810 - 1,100 €1,100 - 1,600 Provenance Provenance By descent through the sitter’s family. By descent through the sitter’s family. Charles Dickson Archibald (1802-1868), born in Truro, N.S., was the eldest son of Samuel George William Archibald. Like his father he studied law and began a career in politics. He was elected to the Nova Scotia House of Assembly representing Truro Township in 1826 at the age of 24. However, he grew tired of political life and by 1830 he accepted an appointment as chief clerk and registrar of the Supreme Court of Newfoundland only to resign a year later. In 1832 he married Bridget Walker, an heiress to the Rusland estate in Lancashire, England, and spent the remainder of his life there. In 1840, Archibald became a fellow of the Royal Society of London, the first Nova Scotian to be accepted the honour. Despite being settled in England, he did retain an interest in Nova Scotia and during the 1840s and 50s he spent considerable time there and was active in supporting the emergent ironworks and railroad industries.

A portrait of Charles Dickson Archibald presently hangs in the National Assembly of Nova Scotia, albeit probably painted 20 years earlier than the present portrait.

Travel And Exploration | 93 ARCTIC AND ANTARCTIC

140 Admiral Crawford Conybeare (British, 1854- 1937) Five watercolours sketched during the British Arctic Expedition from 1875-1876 comprising: 1) Team pulling a sledge 2) ‘H.M.S. Discovery. Winter Quarters’ 3) A Sledging Scene 4) Arctic landscape 5) H.M.S. Discovery three variously signed and one dated and inscribed ‘H.M.S. Discovery/Winter Quarters/1875-6’ all watercolour 19.5 x 25.5cm (7 3/4 x 10in) and smaller. (5)

£3,000 - 5,000 140 €4,100 - 6,800

The British Arctic Expedition was jointly sponsored by the Royal Navy and the Royal Geographical Society and was the last of the great British expeditions to the Arctic. It was commanded by Sir George Nares in the Discovery, with Albert Markham in the Alert as his second in command; it being Markham who led the sledge party that attempted to reach the North Pole, and established the record of the Farthest North, Latitude 83°20’26” N, a record that was to stand for two decades until broken by Nansen in 1895. The expedition was also of importance in that it helped lay to rest the theory of an Open Polar Sea around the North Pole.

For a modern perspective of the British Arctic Expedition, see Andrew Gordon: ‘The project was a heroic, hopeless attempt on the North Pole, sponsored jointly by the Royal Geographical Society, of which Clements Markham was now secretary, and by the Admiralty. The expedition “epitomized both the best features of British exploration and the worst”. It nearly became a classic British disaster from a failure to learn the dietary lessons of previous 140 expeditions, and from the early escape or death, due to incompetence, of the dogs that were to have pulled the sledges. Undaunted, Albert Markham, gave it his best shot; and his men stolidly hauled their heavy loads northwards and progressively fell victim to scurvy. They were away for ten weeks. Their provisions were medieval, and although there was ample lime juice onboard the ships, the labour and fuel involved in thawing it out every day had persuaded Markham to leave it behind. When they got within 400 miles of the Pole (a record which stood for twenty years) he planted the flag in the snow, sang The Union Jack of Old England, and started the long stumbling journey back. They endured appalling privations, were reduced to crawling on hands and knees, and were lucky only one of their number died... The expedition left two dangerous legacies for future British polar endeavour: a distrust of dogs; and a romanticization of the camaraderie, as Clements Markham saw it, of muscle-power’ (The Rules of the Game: Jutland and British Naval Command, 2013, p. 209).

Admiral Crawford Conybeare served in the Royal Navy from 1868-1891 and was a midshipman during the expedition.

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Travel And Exploration | 95 141

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141 142 William Frederick Mitchell (British, 1845-1914) FRANKLIN (JOHN) H.M.S. Discovery and Alert on the Arctic Expedition 1865-1866 An Armorial Copeland & Garrett dessert plate, moulded with scrollwork signed ‘WFMitchell’ (lower right), bears inscription ‘Discovery & Alert’ divided by flower sprays and exotic birds enclosing the arms of Sir (on the reverse) John and Lady Jane Franklin, surmounted by the Franklin crest, a watercolour heightened with white conger eel’s head between two branches, gilt slightly rubbed, two old 14.5 x 22cm (5 3/4 x 8 5/8in). stapled repairs, [c.1840-45] Together with two watercolours by the same hand, both signed and dated, one bears inscription Inconstant (verso). (3) £400 - 600 €540 - 810 £800 - 1,200 €1,100 - 1,600 This plate formed part of a set ordered whilst John Franklin was serving as Lieutenant-Governor of Van Dieman’s Land from 1836 to 1843. He embarked on his ill-fated expedition to discover the North West Passage two years later.

Provenance Eleanor Isabella Gell (nee Franklin) of Hopton Hall; Sotheby’s, Hopton Hall, 5 and 6 September 1989.

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143 144 ARCTIC MEDAL BRITISH NATIONAL ANTARCTIC EXPEDITION - “DISCOVERY” Silver medal awarded by Queen Victoria, the reverse showing a three- A Doulton Burslem jug, with the expedition emblem “Discovery masted ship amidst icebergs with a sledging party in the foreground, Antarctic Expedition 1901” in a band surrounding the image of an the words ‘For Arctic Discoveries’ above and ‘1818-1855’ below, the Emperor penguin on the ice, transfer-printed on the side, dark blue and obverse with a bust of Queen Victoria to left, wearing a tiara, beaded gilt band at rim, maker’s mark on base, approximately 150mm. high, borders on each side, edges plain as issued, edge wear and score- [1901] marks, octagonal form, height 65mm., surmounted by official star and swivel loop attachment with riband £1,000 - 1,500 €1,400 - 2,000 £500 - 700 €680 - 950

The Arctic medal, designed by Leonard Charles Wyon, with its evocative reverse scene, was authorized in 1857 and awarded by the Admiralty, unnamed, to all those who had been engaged in discovery or search expeditions between the years 1818 and 1855. The medal has been issued to members of several expeditions, including the expedition to discover the fate of Sir John Franklin and his crew who were lost while looking for the Northwest Passage in 1847.

Travel And Exploration | 97 145

145 BRITISH ANTARCTIC EXPEDITION 1910-1913 SCOTT’S ‘CAMERA ARTIST’S’ COMMAND PERFORMANCE A collection of ephemera relating to Herbert George Ponting, comprising: Peter Henry Emerson ‘Silver’ medal by J. Havard Thomas, Ponting was the first professional photographer and film-maker to showing Emerson in profile, with coat of arms and inscription ‘Ad accompany an expedition to the Antarctic. On his return he lectured Arpes Excolendas’ on reverse, in fitted case; a pair of silver-mounted extensively in London on the ill-fated Scott expedition and wrote oval hair-brushes, Mappin & Webb, London, 1913, monogrammed reluctantly that “the outbreak of the Great War ended what had been ‘HGP’, 132mm. long; a silver ovoid hip flask with screw cap a highly successful beginning to a novel feature in the entertainment and detachable parcel-gilt cup, flask bearing makers mark ‘J.L’, world”. In his account of the ill-fated Scott expedition The Great White Birmingham, 1875 and monogram ‘A.W.’, cup maker’s mark ‘L.G.’, South, published in 1921, he writes “I had the honour to receive the Birmingham, date indistinct, 150mm. high; and a collection of some Royal Command to show my kinematograph record, and tell the story fifty items of correspondence to and from various members of the of the Scott Expedition at Buckingham Palace, before Their Majesties Royal Household, and some printed ephemera, including file-copies the King and Queen, the Royal Family, the King and Queen of of Ponting’s typed letters and letters sent on behalf of the Royal family, Denmark, and several hundred guests”. The present correspondence mostly thanks and acknowledgements, others making arrangements to reveals that Ponting was presented with a scarf pin by the King in give lectures, including a 3-page programme from Buckingham Palace thanks and in return Ponting presented the King with a portfolio of entitled ‘With Captain Scott in the Antarctic/Mr. Herbert G. Ponting/will photographic prints and subsequently copies of his books, although it present his/animated photographic record/of/Captain Scott’s South was noted that “His Majesty prefers to receive books in the same form Pole Expedition/and relate the story of the pictures/Tuesday/May 12th in which they are issued to the public and not specially bound” and 1914’, c.1910-1929 that he shouldn’t send films to Balmoral as, contrary to rumour, they don’t have the equipment to play them. £1,000 - 1,500 €1,400 - 2,000 Ponting’s Emerson Medal is one of only 57 awarded to photographers who had gained the admiration of P. H. Emerson, the well-known photographer of the life and landscape of the Norfolk Broads. He began awarding these in 1925 and Ponting thereby joined the illustrious ranks of Julia Margaret Cameron, Hippolyte Bayard, Alfred Stieglitz and Nadar.

Provenance Thomas Baker McLeroth, Ponting’s executor, and by descent.

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146 AR C. A. Dunn (late 19th/early 20th Century) A view of the Terra Nova returning to Lyttelton with ensign at half mast signed and dated ‘C.A.DUNN/1913’ (lower left) watercolour 24 x 38cm (9 1/2 x 15in).

£1,000 - 1,500 €1,400 - 2,000

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147 148 POLAR BYRD ANTARCTIC EXPEDITION 1928 WILSON (EDWARD ADRIAN) Fine original pen, ink and watercolour Glass bottle with embossed aeroplane design on face above the study of a brittle star (Echinodermata, Ophiuroidea), and ?another inscription ‘Byrd Antarctic 1928-1929 Expedition’ and ‘3iv’ on reverse, echinoderm (possibly a “spaganoid”), 2 images on one sheet, sheet manufactured by Owens Bottle Co., Toledo, 4oz prescription bottle, 266 x 212mm., signed and dated in pencil “E.A. Wilson, august 145mm. high, 1928; with an autograph cheque signed (“R.E. Byrd”) 17. 1911”--SHACKLETON (ERNEST H.) A cut signature “Ernest H. and dated 26 May 1932 and a press photograph of Byrd receiving the Shackleton/Oct. 1909” on a sheet of paper with printed heading Elisha Kent Kane medal for his controversial flight to the North Pole in “British Antarctic Expedition 1907...”, laid on card, paper size 95 x 1926 107mm., [1909]--Sheet of official headed paper for the “Discovery Antarctic Expedition 1901” and “ Imperial Trans-Antarctic Expedition, £400 - 600 [1912]--SHIPLEY (A.E.) Edward Adrian Wilson, frontispiece portrait, €540 - 810 publisher’s wrappers, 8vo, [1913]--SMITH (DAVID MURRAY) Arctic Expeditions from British and Foreign Shores from the Earliest Times ADMIRAL RICHARD BYRD’S ‘SILENT MESSENGERS OF SCIENCE’. to the Expedition of 1875-76, FIRST EDITION, 2 chromolithographed Byrd ordered 500 of these specially embossed bottles from the Owens plates, 22 tinted lithographed plates, 2 folding maps, without half-title, Bottle Company in Toledo, specifically for his 1928-30 expedition to publisher’s morocco gilt, rebacked preserving most of original spine the Antarctic, less than a week before the expedition sailed from New [Sabin 82419], 4to, Edinburgh, Thomas C. Jack, 1877 (collection) York. Within four days the design was executed by Owens’ advertising manager T.K. Almroth and the finished bottles expressed to the £800 - 1,200 expedition headquarters. €1,100 - 1,600 From his base camp on the Ross Shelf, so-called ‘Little America’, Includes two fine pen and watercolour studies of echinoderms by E.A. Byrd and his men embarked on a series of scientific expeditions Wilson, executed in his capacity as the head of the scientific staff of and geographical surveys by ship, on foot and by air. These bottles the British Antarctic (Terra Nova) expedition, just months before his containing scientific data and details of the expeditions’ progress and death alongside Scott on the march for the Pole. position were cast into the sea at various points and once recovered would give invaluable information concerning the intensity and direction Provenance of various currents in the southern waters. Not surprisingly very few of Peter Cawson, member of the British Antarctic Survey, 1967; by family these bottles have survived. descent to present owner. End of Sale

100 | Bonhams INDEX

Artist/Author Lot No Anglo-Chinese School 22 Johnson, W.J. 62 Aravantinos, P. 123 Junghaendel, R.M. 101 Ashton, G.R. 10 Kato, E. 19 Bailey, H. 106 Kelly, F. 109 Bartlett, W.H. 79 Kelly, G. F. 21, 45 Beato, A. 98 Klingelhöfer, F. 107 Belzoni, G.B. 100 Kung Tai 35 Bourne, S. 60, 61 Kusakabe, K. 18 Brunner, E. 20 Laenen, G. 43 Bui Xuan Phai 48 Lambert, G.R. 41 Burke, J. 57 Lamplough, A.O. 90-96 Burton, R.F. 105 Le Père, J-M. 102 Byrd, R. 148 Lear, E. 49 Cali, G. 117 Long, E. 81, 82 Carruthers, I. 121 Meere, C. 7 Carter, H. 89 Melbye, F.S.G. 127 Catalan, R. 129 Michaele, O. 132 Cazabon, M.J. 126 Mitchell, W.F. 141 Chenavard, A-M. 124 Moritz, B. 78 Chinese School 23-30 Munro, A.G. 88 Chinnery, G. 50 Nicholl, A. 111 Chuah Siew Teng 44 Norden, F.L. 103 Conybeare, C. 140 Ogawa, K. 34 Cook, C. 17 Ong Kim Seng 47 Cook, J. 16 Pacha, H. 71 Crescimanno, N. F. 112 Petroff, W. 73 Cyr, G.A. 85 Physioc, L. 46 D’Esposito 115 Ponting, H.G. 145 Dalvimart, O. 74 Read, R. 12 Daws, L.M. 8 Roberts, D. 97 Dobell, W. 11 Schouboe, P. 128 Dunbar, S. 125 Serrano, A. 42 Dunn, C. A. 146 Shattuck, A.D. 134 Ellis, T. 83, 84 Shen Ming Cun 32, 33 English School 6, 80, 110 Sheppard, W.W. 136 Facchinetti, N.A. 130 Sides, H.M. 86 Franklin, J. 142 Spafarieff, L. 70 French School 131 Spilbergen, J. van 15 Friend, D. 9 Staines, P.H. 55 Galea, L.M. 113, 114, 116 Staniland, C. J. 108 Giallina, A. 120 Thomson, J. 36, 37 Gianni, G. 118 Tingqua (Guan Lianchang) 31 Gordon, T.E. 67 Tsirigotis, P. 122 Gulmez Frères 75 Tyndale, W.F.R. 87 Hutton, F.F. 13 Valentine, W. 137, 138 Iacovleff, A. 68 Wiggins, G.A. 135 Italian School 72 Wilson, E.A. 147 Johnson, H.J. 119 Wood, R. 77 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who doing so. Such items which are unsuitable for connection or as to the anticipated or likely selling price of any Lot. No may be interested in a Lot, including Bidders and potential are sold as items of interest for display purposes only. If you statement or representation by Bonhams or on its behalf in any Bidders (including any eventual Buyer of the Lot). For ease of yourself do not have expertise regarding a Lot, you should way descriptive of any Lot or any Estimate is incorporated into reference we refer to such persons as “Bidders” or “you”. Our consult someone who does to advise you. We can assist in our Buyer’s Agreement. List of Definitions and Glossary is incorporated into this Notice arranging facilities for you to carry out or have carried out more to Bidders. It is at Appendix 3 at the back of the Catalogue. detailed inspections and tests. Please ask our staff for details. Alterations Where words and phrases are used in this notice which are in Descriptions and Estimates may be amended at Bonhams’ the List of Definitions, they are printed in italics. 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NTB/MAIN/09.15 Bidding in person require proof of the agent’s client’s identity and residence in G Gold bullion exempt from VAT on the Hammer Price You should come to our Bidder registration desk at the Sale advance of any bids made by the agent on his behalf. Please and subject to VAT at the prevailing rate on the Buyer’s venue and fill out a Bidder Registration Form on (or, if possible, refer to our Conditions of Business and contact our Customer Premium before) the day of the Sale. The bidding number system is Services Department for further details. • Zero rated for VAT, no VAT will be added to the Hammer sometimes referred to as “paddle bidding”. You will be issued Price or the Buyer’s Premium with a large card (a “paddle”) with a printed number on it. This 6. CONTRACTS BETWEEN THE BUYER AND a Buyers from within the EU: VAT is payable at the will be attributed to you for the purposes of the Sale. Should SELLER AND THE BUYER AND BONHAMS prevailing rate on just the Buyer’s Premium (NOT the you be a successful Bidder you will need to ensure that your Hammer Price). Buyers from outside the EU: VAT is number can be clearly seen by the Auctioneer and that it is On the Lot being knocked down to the Buyer, a Contract for payable at the prevailing rate on both Hammer Price and your number which is identified as the Buyer’s. You should not Sale of the Lot will be entered into between the Seller and the Buyer’s Premium. If a Buyer, having registered under let anyone else use your paddle as all Lots will be invoiced to Buyer on the terms of the Contract for Sale set out in Appendix a non-EU address, decides that the item is not to be the name and address given on your Bidder Registration Form. 1 at the back of the Catalogue. You will be liable to pay the exported from the EU, then he should advise Bonhams Once an invoice is issued it will not be changed. If there is Purchase Price, which is the Hammer Price plus any applicable immediately. any doubt as to the Hammer Price of, or whether you are the VAT. At the same time, a separate contract is also entered into successful Bidder of, a particular Lot, you must draw this to between us as Auctioneers and the Buyer. This is our Buyer’s In all other instances no VAT will be charged on the Hammer the attention of the Auctioneer before the next Lot is offered for Agreement, the terms of which are set out in Appendix 2 at the Price, but VAT at the prevailing rate will be added to Buyer’s Sale. At the end of the Sale, or when you have finished bidding back of the Catalogue. Please read the terms of the Contract Premium which will be invoiced on a VAT inclusive basis. please return your paddle to the Bidder registration desk. for Sale and our Buyer’s Agreement contained in the Catalogue in case you are the successful Bidder. We may change the 9. PAYMENT Bidding by telephone terms of either or both of these agreements in advance of If you wish to bid at the Sale by telephone, please complete a their being entered into, by setting out different terms in the It is of critical importance that you ensure that you have readily Telephone Bidding Form, which is available from our offices or Catalogue and/or by placing an insert in the Catalogue and/ available funds to pay the Purchase Price and the Buyer’s in the Catalogue. Please then return it to the office responsible or by notices at the Sale venue and/or by oral announcements Premium (plus VAT and any other charges and Expenses to us) for the Sale at least 24 hours in advance of the Sale. It is before and during the Sale. You should be alert to this in full before making a bid for the Lot. If you are a successful your responsibility to check with our Bids Office that your possibility of changes and ask if there have been any. Bidder, payment will be due to us by 4.30 pm on the second bid has been received. Telephone calls will be recorded. The working day after the Sale so that all sums are cleared by telephone bidding facility is a discretionary service and may not 7. BUYER’S PREMIUM AND OTHER CHARGES the eighth working day after the Sale. Unless agreed by us in be available in relation to all Lots. We will not be responsible PAYABLE BY THE BUYER advance payments made by anyone other than the registered for bidding on your behalf if you are unavailable at the time of Buyer will not be accepted. Payment will have to be by one of the Sale or if the telephone connection is interrupted during Under the Buyer’s Agreement, a premium (the Buyer’s the following methods (all cheques should be made payable to bidding. Please contact us for further details. Premium) is payable to us by the Buyer in accordance with the Bonhams 1793 Limited). Bonhams reserves the right to vary terms of the Buyer’s Agreement and at rates set out below, the terms of payment at any time. Bidding by post or fax calculated by reference to the Hammer Price and payable in Absentee Bidding Forms can be found in the back of this addition to it. Storage charges and Expenses are also payable Sterling personal cheque drawn on a UK branch of a bank or Catalogue and should be completed and sent to the office by the Buyer as set out in the Buyer’s Agreement. All the sums building society: all cheques must be cleared before you can responsible for the Sale. It is in your interests to return your payable to us by the Buyer are subject to VAT. For this Sale the collect your purchases; form as soon as possible, as if two or more Bidders submit following rates of Buyer’s Premium will be payable by Buyers identical bids for a Lot, the first bid received takes preference. of Lots: Cash: you may pay for Lots purchased by you at this Sale In any event, all bids should be received at least 24 hours with notes, coins or travellers cheques in the currency in which 25% up to £50,000 of the Hammer Price before the start of the Sale. Please check your Absentee the Sale is conducted (but not any other currency) provided 20% from £50,001 to £1,000,000 of the Hammer Price Bidding Form carefully before returning it to us, fully completed that the total amount payable by you in respect of all Lots 12% from £1,000,001 of the Hammer Price and signed by you. It is your responsibility to check with our purchased by you at the Sale does not exceed £3,000, or Bids Office that your bid has been received. This additional the equivalent in the currency in which the Sale is conducted, The Buyer’s premium is payable for the services to be provided service is complimentary and is confidential. Such bids are at the time when payment is made. If the amount payable by Bonhams in the Buyer’s Agreement which is contained in made at your own risk and we cannot accept liability for our by you for Lots exceeds that sum, the balance must be paid the Catalogue for this Sale and for the opportunity to bid for failure to receive and/or place any such bids. All bids made otherwise than in coins, notes or travellers cheques; the Lot at the Sale. on your behalf will be made at the lowest level possible subject to Reserves and other bids made for the Lot. Where you may electronically transfer funds to our On certain Lots, which will be marked “AR” in the Catalogue Bank transfer: appropriate your bids will be rounded down to the nearest Trust Account. If you do so, please quote your paddle number and which are sold for a Hammer Price of €1,000 or greater amount consistent with the Auctioneer’s bidding increments. and invoice number as the reference. Our Trust Account details (converted into the currency of the Sale using the European New Bidders must also provide proof of identity and address are as follows: Central Bank Reference rate prevailing on the date of the Sale), when submitting bids. Failure to do this will result in your bid the Additional Premium will be payable to us by the Buyer to Bank: National Westminster Bank Plc not being placed. cover our Expenses relating to the payment of royalties under Address: PO Box 4RY the Artists Resale Right Regulations 2006. The Additional 250 Regent Street Bidding via the internet Premium will be a percentage of the amount of the Hammer London W1A 4RY Please visit our Website at http://www.bonhams.com for Price calculated in accordance with the table below, and shall Account Name: Bonhams 1793 Limited Trust Account details of how to bid via the internet. not exceed €12,500 (converted into the currency of the Sale Account Number: 25563009 using the European Central Bank Reference rate prevailing on Sort Code: 56-00-27 Bidding through an agent the date of the Sale). IBAN Number: GB 33 NWBK 560027 25563009 Bids will be accepted as placed on behalf of the person named as the principal on the Bidding Form although we may refuse Hammer Price Percentage amount If paying by bank transfer, the amount received after the to accept bids from an agent on behalf of a principal and From €0 to €50,000 4% deduction of any bank fees and/or conversion of the currency will require written confirmation from the principal confirming From €50,000.01 to €200,000 3% of payment to pounds sterling must not be less than the the agent’s authority to bid. Nevertheless, as the Bidding From €200,000.01 to €350,000 1% sterling amount payable, as set out on the invoice. Form explains, any person placing a bid as agent on behalf From €350,000.01 to €500,000 0.5% of another (whether or not he has disclosed that fact or the Exceeding €500,000 0.25% Debit cards: there is no additional charge for purchases made identity of his principal) will be jointly and severally liable with with personal debit cards, issued by a UK bank. Debit cards the principal to the Seller and to Bonhams under any contract 8. VAT issued by an overseas bank, deferred and company debit resulting from the acceptance of a bid. Subject to the above, cards and all credit cards will be subject to a 2% surcharge; please let us know if you are acting on behalf of another The prevailing rate of VAT at the time of going to press is 20%, person when bidding for Lots at the Sale. but this is subject to government change and the rate payable Visa and Mastercard only. Please note there is will be the rate in force on the date of the Sale. Credit cards: a 2% surcharge on the total invoice value when payments are Equally, please let us know if you intend to nominate another made using credit cards. It may be advisable to notify your person to bid on your behalf at the Sale unless this is to be The following symbols are used to denote that VAT is due on card provider of your intended purchase in advance to reduce carried out by us pursuant to a Telephone or Absentee Bidding the Hammer Price and Buyer’s Premium: delays caused by us having to seek authority when you come Form that you have completed. If we do not approve the † VAT at the prevailing rate on Hammer Price and Buyer’s to pay. If you have any questions with regard to payment, agency arrangements in writing before the Sale, we are entitled Premium please contact our Customer Services Department. to assume that the person bidding at the Sale is bidding on Ω VAT on imported items at the prevailing rate on Hammer his own behalf. Accordingly, the person bidding at the Sale will Price and Buyer’s Premium China UnionPay (CUP) debit cards: No surcharge for using be the Buyer and will be liable to pay the Hammer Price and * VAT on imported items at a preferential rate of 5% CUP debit cards will apply on the first £100,000 invoiced Buyer’s Premium and associated charges. If we approve the on Hammer Price and the prevailing rate on Buyer’s to a Buyer in any Sale; a 2% surcharge will be made on the identity of your client in advance, we will be in a position to Premium balance over £100,000. address the invoice to your principal rather than you. We will

NTB/MAIN/09.15 10. COLLECTION AND STORAGE indirectly) our liability or excluding or restricting any person’s Original Gun Specifications Derived from Gemstones 21. PICTURES It is not our policy to inspect every unopened case. In the case rights or remedies in respect of (i) fraud, or (ii) death or Gunmakers Historically many gemstones have been subjected to a variety of wines older than 20 years the boxes will usually have been The Buyer of a Lot will not be allowed to collect it until payment personal injury caused by our negligence (or by the negligence The Sporting Gun Department endeavours to confirm a gun’s of treatments to enhance their appearance. Sapphires and Explanation of Catalogue Terms opened and levels and appearance noted in the Catalogue The following terms used in the Catalogue have the following in full and in cleared funds has been made (unless we have of any person under our control or for whom we are legally original specification and date of manufacture with makers who rubies are routinely heat treated to improve their colour and where necessary. You should make proper allowance for meanings but are subject to the general provisions relating to made a special arrangement with the Buyer). For collection and responsible), or (iii) acts or omissions for which we are liable hold their original records. clarity, similarly emeralds are frequently treated with oils variations in ullage levels and conditions of corks, capsules Descriptions contained in the Contract for Sale: removal of purchased Lots, please refer to Sale Information at under the Occupiers Liability Act 1957, or (iv) any other liability or resin for the same purpose. Other treatments such as and labels. • “Jacopo Bassano”: in our opinion a work by the artist. the front of the Catalogue Our offices are open 9.00am – 5pm to the extent the same may not be excluded or restricted as staining, irradiation or coating may have been used on other . Licensing Requirements When the artist’s forename(s) is not known, a series of Monday to Friday. Details relating to the collection of a Lot, the a matter of law or (v) our undertakings under paragraphs 9 (in gemstones. These treatments may be permanent, whilst Corks and Ullages Firearms Act 1968 as amended asterisks, followed by the surname of the artist, whether storage of a Lot and our Storage Contractor after the Sale are relation to specialist Stamp or Book Sales only) and 10 of the Bonhams is constantly reviewing its procedures and would others may need special care or re-treatment over the years Ullage refers to the space between the base of the cork preceded by an initial or not, indicates that in our opinion set out in the Catalogue. Buyer’s Agreement. The same applies in respect of the Seller, remind you that, in the case of firearms or shotguns subject to to retain their appearance. Bidders should be aware that and the wine. Ullage levels for Bordeaux shaped bottles are the work is by the artist named; as if references to us in this paragraph were substituted with certification, to conform with current legislation, Bonhams is Estimates assume that gemstones may have been subjected only normally noted when below the neck and for Burgundy, • “Attributed to Jacopo Bassano”: in our opinion probably references to the Seller. required to see, as appropriate, your original registered firearms to such treatments. A number of laboratories issue certificates Alsace, German and Cognac shaped bottles when greater 11. SHIPPING a work by the artist but less certainty as to authorship is dealer’s certificate / shot gun certificate / firearm certificate / that give more detailed Descriptions of gemstones. However than 4 centimetres (cm). Acceptable ullage levels increase with expressed than in the preceding category; Please refer all enquiries to our shipping department on: 15. BOOKS museum firearms licence / Section 5 authority or import licence there may not be consensus between different laboratories on age; generally acceptable levels are as follows: • “Studio/Workshop of Jacopo Bassano”: in our opinion a Tel: +44 (0)20 8963 2850/2852 Fax: +44 (0)20 8963 2805 (or details of any exemption from which you may benefit, for the degrees, or types of treatment for any particular gemstone. work by an unknown hand in a studio of the artist which Under 15 years old – into neck or less than 4cm Email: [email protected] As stated above, all Lots are sold on an “as is” basis, subject instance Crown servant status) for the firearm(s) you have In the event that Bonhams has been given or has obtained may or may not have been executed under the artist’s 15 to 30 years old – top shoulder (ts) or up to 5cm to all faults, imperfections and errors of Description save as purchased prior to taking full payment of the amount shown certificates for any Lot in the Sale these certificates will be direction; Over 30 years old – high shoulder (hs) or up to 6cm set out below. However, you will be entitled to reject a Book on your invoice. Should you not already be in possession of disclosed in the Catalogue. Although, as a matter of policy, 12. EXPORT/TRADE RESTRICTIONS • “Circle of Jacopo Bassano”: in our opinion a work by in the circumstances set out in paragraph 11 of the Buyers such an authority or exemption, you are required to initially Bonhams endeavours to provide certificates from recognised a hand closely associated with a named artist but not It should be noted that ullages may change between It is your sole responsibility to comply with all export and Agreement. Please note that Lots comprising printed Books, pay a deposit of 95% of the total invoice with the balance of laboratories for certain gemstones, it is not feasible to obtain necessarily his pupil; publication of the Catalogue and the Sale and that corks may import regulations relating to your purchases and also to unframed maps and bound manuscripts are not liable to VAT 5% payable on presentation of your valid certificate or licence certificates for each Lot. In the event that no certificate is • “Follower of Jacopo Bassano”: in our opinion a work by a fail as a result of transporting the wine. We will only accept obtain any relevant export and/or import licence(s). Export on the Buyer’s Premium. showing your authority to hold the firearm(s) concerned. published in the Catalogue, Bidders should assume that the painter working in the artist’s style, contemporary or nearly responsibility for Descriptions of condition at the time of licences are issued by Arts Council England and application gemstones may have been treated. Neither Bonhams nor contemporary, but not necessarily his pupil; publication of the Catalogue and cannot accept responsibility forms can be obtained from its Export Licensing Unit. The 16. CLOCKS AND WATCHES Please be advised that if a successful Bidder is then unable the Seller accepts any liability for contradictions or differing • “Manner of Jacopo Bassano”: in our opinion a work in the for any loss resulting from failure of corks either before or after detailed provisions of the export licencing arrangements can to produce the correct paperwork, the Lot(s) will be reoffered certificates obtained by Buyers on any Lots subsequent to style of the artist and of a later date; this point. be found on the ACE website http://www.artscouncil.org.uk/ All Lots are sold “as is”, and the absence of any reference to by Bonhams in the next appropriate Sale, on standard terms the Sale. • “After Jacopo Bassano”: in our opinion, a copy of a known what-we-do/supporting-museums/cultural-property/export- the condition of a clock or watch does not imply that the Lot is for Sellers, and you will be responsible for any loss incurred by work of the artist; Options to buy parcels controls/export-licensing/ or by phoning ACE on +44 (0)20 in good condition and without defects, repairs or restorations. Bonhams on the original Sale to you. Estimated Weights • “Signed and/or dated and/or inscribed”: in our opinion the A parcel is a number of Lots of identical size of the same wine, 7973 5188. The need for import licences varies from country Most clocks and watches have been repaired in the course of If a stone(s) weight appears within the body of the Description signature and/or date and/or inscription are from the hand bottle size and Description. The Buyer of any of these Lots has to country and you should acquaint yourself with all relevant their normal lifetime and may now incorporate parts not original In the case of RFD certificates and Section 5 authorities, we in capital letters, the stone(s) has been unmounted and of the artist; the option to accept some or all of the remaining Lots in the local requirements and provisions. The refusal of any import or to them. Furthermore, Bonhams makes no representation or wish to keep an up-to-date copy on file. Please supply us with weighed by Bonhams. If the weight of the stone(s) is stated • “Bears a signature and/or date and/or inscription”: in our parcel at the same price, although such options will be at the export licence(s) or warranty that any clock or watch is in working order. As clocks a Fax or photocopy. It would be helpful if you could send us an to be approximate and does not appear in capital letters, the opinion the signature and/or date and/or inscription have Auctioneer’s sole discretion. Absentee Bidders are, therefore, any delay in obtaining such licence(s) shall not permit the and watches often contain fine and complex mechanisms, updated copy whenever your certificate or authority is renewed stone(s) has been assessed by us within its/their settings, been added by another hand. advised to bid on the first Lot in a parcel. rescission of any Sale nor allow any delay in making full Bidders should be aware that a general service, change of or changed. and the stated weight is a statement of our opinion only. This payment for the Lot. Generally, please contact our shipping battery or further repair work, for which the Buyer is solely information is given as a guide and Bidders should satisfy Wines in Bond department before the Sale if you require assistance in responsible, may be necessary. Bidders should be aware Lots marked ‘S1´ and bearing red labels are Section 1 firearms themselves with regard to this information as to its accuracy. 22. PORCELAIN AND GLASS Wines lying in Bond are marked Δ and VAT is payable by the relation to export regulations. that the importation of watches such as Rolex, Frank Muller and require a valid British Firearms certificate, RFD Licence or purchaser, at the standard rate, on the Hammer Price, unless and Corum into the United States is highly restricted. These import licence. Damage and Restoration Signatures For your guidance, in our Catalogues we detail, as far as the wines are to remain under Bond. Buyers requiring their watches may not be shipped to the USA and can only be 13. CITES REGULATIONS 1. A diamond brooch, by Kutchinsky practicable, recorded all significant defects, cracks and wine to remain in Bond must notify Bonhams at the time of imported personally. Lots marked ‘S2’ and bearing blue labels are Section 2 When the maker’s name appears in the title, in Bonhams’ restoration. Such practicable Descriptions of damage cannot the Sale. The Buyer is then himself responsible for all duty, Please be aware that all Lots marked with the symbol Y are firearms and require a valid British Shotgun certificate, RFD opinion the piece is by that maker. be definitive, and in providing Condition Reports, we cannot clearance VAT and other charges that may be payable thereon. subject to CITES regulations when exporting these items 17. FIREARMS – PROOF, CONDITION AND licence or import licence. Guarantee that there are no other defects present which have All such Lots must be transferred or collected within two outside the EU. These regulations may be found at CERTIFICATION 2. A diamond brooch, signed Kutchinsky not been mentioned. Bidders should satisfy themselves by weeks of the Sale. http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Lots marked ‘S5´ and bearing specially marked red labels are Has a signature that, in Bonhams’ opinion, is authentic but inspection, as to the condition of each Lot. Please see the may be requested from: Proof of Firearms Section 5 prohibited firearms and require a valid Section 5 may contain gemstones that are not original, or the piece may Contract for Sale printed in this Catalogue. Because of the Buyers outside the UK must be aware that any forwarding The term “proof exemption” indicates that a firearm has been Authority or import licence. have been altered. Animal Health and Veterinary Laboratories Agency (AHVLA) difficulty in determining whether an item of glass has been agent appointed to export their purchases must have a examined at a Proof House, but not proved, as either (a) it was Wildlife Licencing repolished, in our Catalogues reference is only made to visible movement certificate for Lots to be released under Bond. deemed of interest and not intended for use, or (b) ammunition Lots marked with a ‘S58´ and bearing yellow labels are for Floor 1, Zone 17, Temple Quay House 3. A diamond brooch, mounted by Kutchinsky chips and cracks. No mention is made of repolishing, severe was not available. In either case, the firearm must be regarded obsolete calibres and no licence is required unless ammunition Has been created by the jeweller, in Bonhams’ opinion, but 2 The Square, Temple Quay or otherwise. Bottling Details and Case Terms as unsafe to fire unless subsequently proved. Firearms is held. using stones or designs supplied by the client. BRISTOL BS1 6EB The following terms used in the Catalogue have the following proved for Black Powder should not be used with smokeless Tel: +44 (0) 117 372 8774 meanings: ammunition. Unmarked Lots require no licence. 23. VEHICLES 20. PHOTOGRAPHS CB – Château bottled DB – Domaine bottled 14. THE SELLERS AND/OR BONHAMS’ LIABILITY The term “Certificate of Unprovability” indicates that a firearm Please do not hesitate to contact the Modern Sporting Gun Explanation of Catalogue Terms The Veteran Car Club of Great Britain • “Bill Brandt”: in our opinion a work by the artist. EstB – Estate bottled has been examined at a Proof House and is deemed both Department should you have any queries. Other than any liability of the Seller to the Buyer of a Lot • “Attributed to Bill Brandt”: in our opinion probably a work by BB – Bordeaux bottled unsuitable for proof and use. Reproof is required before any Dating Plates and Certificates under the Contract for Sale, neither we nor the Seller are the artist, but less certainty to authorship is expressed than When mention is made of a Veteran Car Club Dating Plate or BE – Belgian bottled such firearm is to be used. liable (whether in negligence or otherwise) for any error or Taxidermy and Related Items in the preceding category. Dating Certificate in this Catalogue, it should be borne in mind FB – French bottled As a Seller of these articles, Bonhams undertakes to comply misdescription or omission in any Description of a Lot or any • “Signed and/or titled and/or dated and/or inscribed”: in that the Veteran Car Club of Great Britain using the services of GB – German bottled Guns Sold as Parts fully with Cites and DEFRA regulations. Buyers are advised to Estimate in respect of it, whether contained in the Catalogue or our opinion the signature and/or title and/or date and/or Veteran Car Company Ltd, does from time to time, review cars OB – Oporto bottled Barrels of guns sold as parts will only be made available for inform themselves of all such regulations and should expect otherwise, whether given orally or in writing and whether given inscription are in the artist’s hand. already dated and, in some instances, where fresh evidence UK – United Kingdom bottled sleeving and measurements once rendered unserviceable the exportation of items to take some time to arrange. before or during the Sale. Neither we nor the Seller will be • “Signed and/or titled and/or dated and/or inscribed in becomes available, the review can result in an alteration of owc – original wooden case according to the Gun Barrel Proof Act of 1968 to 1978 and the liable for any loss of Business, profits, revenue or income, or another hand”: in our opinion the signature and/or title and/ date. Whilst the Club and Veteran Car Company Ltd make iwc – individual wooden case Rules of Proof. for loss of reputation, or for disruption to Business or wasted 18. FURNITURE or date and/or inscription have been added by every effort to ensure accuracy, the date shown on the Dating oc – original carton time on the part of management or staff, or for indirect losses another hand. Plate or Dating Certificate cannot be guaranteed as correct and Condition of Firearms or consequential damages of any kind, irrespective in any Upholstered Furniture • The date given is that of the image (negative). Where no intending purchasers should make their own enquiries as to the Comment in this Catalogue is restricted, in general, to Whilst we take every care in cataloguing furniture which has case of the nature, volume or source of the loss or damage further date is given, this indicates that the photographic date of the car. exceptional condition and to those defects that might been upholstered we offer no Guarantee as to the originality alleged to be suffered, and irrespective of whether the said print is vintage (the term “vintage” may also be included in affect the immediate safety of a firearm in normal use. An of the wood covered by fabric or upholstery. loss or damage is caused by or claimed in respect of any the Lot Description). A vintage photograph is one which intending Bidder unable to make technical examinations 24. WINE negligence, other tort, breach of contract (if any) or statutory was made within approximately 5-10 years of the negative. and assessments is recommended to seek advice from a duty, restitutionary claim or otherwise. In any circumstances 19. JEWELLERY Where a second, later date appears, this refers to the date Lots which are lying under Bond and those liable to VAT may gunmaker or from a modern firearms specialist. All prospective where we and/or the Seller are liable in relation to any Lot or of printing. Where the exact printing date is not known, but not be available for immediate collection. Bidders are advised to consult the ˚ of bore and wall-thickness Ruby and Jadeite any Description or Estimate made of any Lot, or the conduct Ruby ͌ and jadeite gemstones of Burmese (Myanmar) origin understood to be later, “printed later” will appear in the Lot measurements posted in the saleroom and available from the of any Sale in relation to any Lot, whether in damages, for may not be imported into the US. Rubies and jadeite of Description. department. Bidders should note that guns are stripped only Examining the wines an indemnity or contribution, or for a restitutionary remedy or non–Burmese origin require certification before import • Unless otherwise specified, dimensions given are those of It is occasionally possible to provide a pre-Sale tasting for where there otherwise, our and/or the Seller’s liability (combined, if both into the US and it is the Buyer’s responsibility to obtain all the piece of paper on which the image is printed, including larger parcels (as defined below). This is generally limited to is a strong indication of a mechanical malfunction. Stripping we and the Seller are liable) will be limited to payment of a sum relevant and required export/import licences, certificates any margins. Some photographs may appear in the more recent and everyday drinking wines. Please contact the is not, otherwise, undertaken. Guns intended for use should which will not exceed by way of maximum the amount of the and documentation before shipping. Failure by the Buyer to Catalogue without margins illustrated. department for details. be stripped and cleaned beforehand. Hammer guns should Purchase Price of the Lot irrespective in any case of the nature, successfully import goods into the US does not constitute • All photographs are sold unframed unless stated in the Lot have their rebound mechanisms checked before use. The volume or source of any loss or damage alleged to be suffered grounds for non payment or cancellation of Sale. Bonhams Description. safety mechanisms of all guns must be tested before use. or sum claimed as due, and irrespective of whether the liability will not be responsible for any additional costs in this regard All measurements are approximate. arises from any negligence, other tort, breach of contract (if howsoever incurred. any) or statutory duty or otherwise. Nothing set out above will be construed as excluding or restricting (whether directly or

NTB/MAIN/09.15 NTB/MAIN/09.15 Gemstones 21. PICTURES It is not our policy to inspect every unopened case. In the case Historically many gemstones have been subjected to a variety of wines older than 20 years the boxes will usually have been of treatments to enhance their appearance. Sapphires and Explanation of Catalogue Terms opened and levels and appearance noted in the Catalogue The following terms used in the Catalogue have the following rubies are routinely heat treated to improve their colour and where necessary. You should make proper allowance for meanings but are subject to the general provisions relating to clarity, similarly emeralds are frequently treated with oils variations in ullage levels and conditions of corks, capsules Descriptions contained in the Contract for Sale: or resin for the same purpose. Other treatments such as and labels. • “Jacopo Bassano”: in our opinion a work by the artist. staining, irradiation or coating may have been used on other When the artist’s forename(s) is not known, a series of gemstones. These treatments may be permanent, whilst Corks and Ullages asterisks, followed by the surname of the artist, whether others may need special care or re-treatment over the years Ullage refers to the space between the base of the cork preceded by an initial or not, indicates that in our opinion to retain their appearance. Bidders should be aware that and the wine. Ullage levels for Bordeaux shaped bottles are the work is by the artist named; Estimates assume that gemstones may have been subjected only normally noted when below the neck and for Burgundy, • “Attributed to Jacopo Bassano”: in our opinion probably to such treatments. A number of laboratories issue certificates Alsace, German and Cognac shaped bottles when greater a work by the artist but less certainty as to authorship is that give more detailed Descriptions of gemstones. However than 4 centimetres (cm). Acceptable ullage levels increase with expressed than in the preceding category; there may not be consensus between different laboratories on age; generally acceptable levels are as follows: • “Studio/Workshop of Jacopo Bassano”: in our opinion a the degrees, or types of treatment for any particular gemstone. work by an unknown hand in a studio of the artist which Under 15 years old – into neck or less than 4cm In the event that Bonhams has been given or has obtained may or may not have been executed under the artist’s 15 to 30 years old – top shoulder (ts) or up to 5cm certificates for any Lot in the Sale these certificates will be direction; Over 30 years old – high shoulder (hs) or up to 6cm disclosed in the Catalogue. Although, as a matter of policy, • “Circle of Jacopo Bassano”: in our opinion a work by Bonhams endeavours to provide certificates from recognised a hand closely associated with a named artist but not It should be noted that ullages may change between laboratories for certain gemstones, it is not feasible to obtain necessarily his pupil; publication of the Catalogue and the Sale and that corks may certificates for each Lot. In the event that no certificate is • “Follower of Jacopo Bassano”: in our opinion a work by a fail as a result of transporting the wine. We will only accept published in the Catalogue, Bidders should assume that the painter working in the artist’s style, contemporary or nearly responsibility for Descriptions of condition at the time of gemstones may have been treated. Neither Bonhams nor contemporary, but not necessarily his pupil; publication of the Catalogue and cannot accept responsibility the Seller accepts any liability for contradictions or differing • “Manner of Jacopo Bassano”: in our opinion a work in the for any loss resulting from failure of corks either before or after certificates obtained by Buyers on any Lots subsequent to style of the artist and of a later date; this point. the Sale. • “After Jacopo Bassano”: in our opinion, a copy of a known work of the artist; Options to buy parcels Estimated Weights • “Signed and/or dated and/or inscribed”: in our opinion the A parcel is a number of Lots of identical size of the same wine, If a stone(s) weight appears within the body of the Description signature and/or date and/or inscription are from the hand bottle size and Description. The Buyer of any of these Lots has in capital letters, the stone(s) has been unmounted and of the artist; the option to accept some or all of the remaining Lots in the weighed by Bonhams. If the weight of the stone(s) is stated • “Bears a signature and/or date and/or inscription”: in our parcel at the same price, although such options will be at the to be approximate and does not appear in capital letters, the opinion the signature and/or date and/or inscription have Auctioneer’s sole discretion. Absentee Bidders are, therefore, stone(s) has been assessed by us within its/their settings, been added by another hand. advised to bid on the first Lot in a parcel. and the stated weight is a statement of our opinion only. This information is given as a guide and Bidders should satisfy Wines in Bond themselves with regard to this information as to its accuracy. 22. PORCELAIN AND GLASS Wines lying in Bond are marked Δ and VAT is payable by the Damage and Restoration purchaser, at the standard rate, on the Hammer Price, unless Signatures For your guidance, in our Catalogues we detail, as far as the wines are to remain under Bond. Buyers requiring their

1. A diamond brooch, by Kutchinsky practicable, recorded all significant defects, cracks and wine to remain in Bond must notify Bonhams at the time of When the maker’s name appears in the title, in Bonhams’ restoration. Such practicable Descriptions of damage cannot the Sale. The Buyer is then himself responsible for all duty, opinion the piece is by that maker. be definitive, and in providing Condition Reports, we cannot clearance VAT and other charges that may be payable thereon. Guarantee that there are no other defects present which have All such Lots must be transferred or collected within two

2. A diamond brooch, signed Kutchinsky not been mentioned. Bidders should satisfy themselves by weeks of the Sale. Has a signature that, in Bonhams’ opinion, is authentic but inspection, as to the condition of each Lot. Please see the may contain gemstones that are not original, or the piece may Contract for Sale printed in this Catalogue. Because of the Buyers outside the UK must be aware that any forwarding have been altered. difficulty in determining whether an item of glass has been agent appointed to export their purchases must have a repolished, in our Catalogues reference is only made to visible movement certificate for Lots to be released under Bond.

3. A diamond brooch, mounted by Kutchinsky chips and cracks. No mention is made of repolishing, severe Has been created by the jeweller, in Bonhams’ opinion, but or otherwise. Bottling Details and Case Terms using stones or designs supplied by the client. The following terms used in the Catalogue have the following 23. VEHICLES meanings: 20. PHOTOGRAPHS CB – Château bottled Explanation of Catalogue Terms The Veteran Car Club of Great Britain DB – Domaine bottled • “Bill Brandt”: in our opinion a work by the artist. EstB – Estate bottled • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Plates and Certificates BB – Bordeaux bottled the artist, but less certainty to authorship is expressed than When mention is made of a Veteran Car Club Dating Plate or BE – Belgian bottled in the preceding category. Dating Certificate in this Catalogue, it should be borne in mind FB – French bottled • “Signed and/or titled and/or dated and/or inscribed”: in that the Veteran Car Club of Great Britain using the services of GB – German bottled our opinion the signature and/or title and/or date and/or Veteran Car Company Ltd, does from time to time, review cars OB – Oporto bottled inscription are in the artist’s hand. already dated and, in some instances, where fresh evidence UK – United Kingdom bottled • “Signed and/or titled and/or dated and/or inscribed in becomes available, the review can result in an alteration of owc – original wooden case another hand”: in our opinion the signature and/or title and/ date. Whilst the Club and Veteran Car Company Ltd make iwc – individual wooden case or date and/or inscription have been added by every effort to ensure accuracy, the date shown on the Dating oc – original carton another hand. Plate or Dating Certificate cannot be guaranteed as correct and • The date given is that of the image (negative). Where no intending purchasers should make their own enquiries as to the further date is given, this indicates that the photographic date of the car. print is vintage (the term “vintage” may also be included in the Lot Description). A vintage photograph is one which 24. WINE was made within approximately 5-10 years of the negative. Where a second, later date appears, this refers to the date Lots which are lying under Bond and those liable to VAT may of printing. Where the exact printing date is not known, but not be available for immediate collection. understood to be later, “printed later” will appear in the Lot Description. Examining the wines • Unless otherwise specified, dimensions given are those of It is occasionally possible to provide a pre-Sale tasting for the piece of paper on which the image is printed, including larger parcels (as defined below). This is generally limited to any margins. Some photographs may appear in the more recent and everyday drinking wines. Please contact the Catalogue without margins illustrated. department for details. • All photographs are sold unframed unless stated in the Lot Description.

NTB/MAIN/09.15 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances DENOTE of the Lot or its fitness for any purpose. Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its 2.1.1 the Seller is the owner of the Lot or is duly authorised Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances Y Subject to CITES regulations when exporting these items to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial outside the EU, see clause 13. you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such W Objects displayed with a w will be located in the 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such Bonhams Warehouse and will only be available for Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the collection from this location. guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. ≈ Please note that as a result of recent legislation ruby and liquidator, receiver or administrator, with whatever not be responsible thereafter for the Lot prior to Lot for your breach of contract; applied to it by or on behalf of the Seller, whether jadeite gem stones of Burmese (Myanmar) origin may right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given not be imported into the US. Rubies and jadeite of non- Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and Burmese origin require certification before import into the 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class US. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, Δ Wines lying in Bond. legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in addressed c/o Bonhams at its address or fax AR An Additional Premium will be payable to us by the Buyer of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of to cover our Expenses relating to payment of royalties and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until you other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address under the Artists Resale Right Regulations 2006. See the terms implied by the Sale of Goods Act 1979, obtain full title to it. 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form clause 7 for details. Sections 12(1) and 12(2) (see the Definitions and or in any other way) for any lack of conformity with, (unless notice of any change of address is given in ○ The Seller has been guaranteed a minimum price for the Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the Lot, either by Bonhams or a third party. This may take the Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received form of an irrevocable bid by a third party, who may make 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. a financial gain on a successful Sale or a financial loss if otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared (whether made in writing, including in the Catalogue, unsuccessful. and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract ▲ Bonhams owns the Lot either wholly or partially or may import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, otherwise have an economic interest. in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the This lot contains or is made of ivory. The United States Ф been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or Government has banned the import of ivory into parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. the USA. the past; when the Lot is knocked down to you on the fall of such monies become payable until the date of actual Business profits or revenue or income or for loss of the Auctioneer’s hammer in respect of the Lot. payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, Ω a •, †, *, G, , see clause 8, VAT, for details. 2.1.5 subject to any alterations expressly identified as such time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment of 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. DATA PROTECTION – USE OF YOUR INFORMATION or by the Notice to Bidders or by an insert in the the Purchase Price and all other sums payable by not become your property, and for this purpose consequential damages of any kind, irrespective in Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for Where we obtain any personal information about you, we Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. shall only use it in accordance with the terms of our Privacy about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by Policy (subject to any additional specific consent(s) you may letters and (except for colour) with any photograph of all such sums must be paid to Bonhams by you himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, have given at the time your information was disclosed). A the Lot in the Catalogue and the contents of in the currency in which the Sale was conducted all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. copy of our Privacy Policy can be found on our Website www. any Condition Report which has been provided to by not later than 4.30pm on the second working during normal Business hours to take possession of or otherwise; bonhams.com or requested by post from Customer Services the Buyer. day following the Sale and you must ensure that the Lot or part thereof; 10.9 References to the singular will include reference to Department, 101 New Bond Street, London, W1S 1SR or by the funds are cleared by the seventh working day 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one email from [email protected] 3 DESCRIPTIONS OF THE LOT after the Sale. Payment must be made to Bonhams 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. by one of the methods stated in the Notice to you by the Seller at the Sale or any other auction statement, or representation in respect of it, or APPENDIX 1 3.1 Paragraph 2.1.5 sets out what is the Contractual Bidders unless otherwise agreed with you in writing or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a Description of the Lot. In particular, the Lot is not by Bonhams. If you do not pay any sums due in Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. CONTRACT FOR SALE sold as corresponding with that part of the Entry in accordance with this paragraph, the Seller will have cleared funds; a restitutionary remedy or in any way whatsoever, the Catalogue which is not printed in bold letters, the rights set out in paragraph 8 below. the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 These terms may be changed in advance of IMPORTANT: which merely sets out (on the Seller’s behalf) 8.1.9 to retain possession of, and on three months’ written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports the Sale of the Lot to you, by the setting out of different terms Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the in the Catalogue for the Sale and/or by placing an insert in the part of the Contractual Description upon which the property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the Catalogue and/or by notices at the Sale venue and/or by oral Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. announcements before and during the Sale at the Sale venue. than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your (including, without limitation, other goods sold to claimed as due, and irrespective of whether the You should be alert to this possibility of changes and ask in 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity advance of bidding if there have been any. as referred to in paragraph 2.1.5), including any funds to the amount of the full Purchase Price and of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the Description or Estimate, whether made orally or in all other sums owed by you to the Seller and to amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also Under this contract the Seller’s liability in respect of the quality writing, including in the Catalogue or on Bonhams’ Bonhams. operate in favour and for the benefit ofBonhams, of the Lot, it’s fitness for any purpose and its conformity with Website, or by conduct, or otherwise, and whether 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries any Description is limited. You are strongly advised to examine by or on behalf of the Seller or Bonhams and 7.2 The Seller is entitled to withhold possession from you of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and the Lot for yourself and/or obtain an independent examination whether made prior to or during the Sale, is not part of any other Lot he has sold to you at the same or the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of of it before you buy it. of the Contractual Description upon which the Lot is at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and sold. possession or not until payment in full and in cleared or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to 1 THE CONTRACT funds of the Purchase Price and all other sums due from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or 3.2 Except as provided in paragraph 2.1.5, the Seller to the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts 1.1 These terms govern the Contract for Sale of the Lot does not make or give and does not agree to Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the by the Seller to the Buyer. make or give any contractual promise, undertaking, 7.3 You will collect and remove the Lot at your own the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who obligation, guarantee, warranty, or representation expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. 1.2 The Definitions and Glossary contained in Appendix of fact, or undertake any duty of care, in relation to from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. 3 in the Catalogue are incorporated into this Contract any Description of the Lot or any Estimate in relation with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable 11 GOVERNING LAW for Sale and a separate copy can also be provided to it, nor of the accuracy or completeness of any to Bonhams in order to obtain the release of the by Bonhams on request. Where words and phrases 10 MISCELLANEOUS Description or Estimate which may have been made 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale are used which are in the List of Definitions, they are by or on behalf of the Seller including by Bonhams. and transport of the Lot on collection and for proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed printed in italics. No such Description or Estimate is incorporated into complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of this Contract for Sale. connection with the Lot. a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale 1.3 The Seller sells the Lot as the principal to the (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to Contract for Sale, such contract being made 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part between the Seller and you through Bonhams which 4 FITNESS FOR PURPOSE AND storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may acts in the sole capacity as the Seller’s agent and not SATISFACTORY QUALITY by the Seller if you do not remove the Lot in payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of as an additional principal. However, if the Catalogue 4.1 The Seller does not make and does not agree accordance with this paragraph 7 and will waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by states that Bonhams sells the Lot as principal, or to make any contractual promise, undertaking, indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a such a statement is made by an announcement obligation, guarantee, warranty, or representation of including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. by the Auctioneer, or by a notice at the Sale, or an fact in relation to the satisfactory quality of the Lot or losses suffered by the Seller by reason of your remaining from any monies received by him or on insert in the Catalogue, then Bonhams is the Seller its fitness for any purpose. failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of for the purposes of this agreement. due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his 1.4 The contract is made on the fall of the Auctioneer’s behalf. hammer in respect of the Lot when it is knocked NTB/MAIN/09.15 NTB/MAIN/09.15 down to you. 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented from performing that party’s respective obligations 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances agreement of Bonhams but without further notice to give rise to a significantly increased financial you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. Lot for your breach of contract; applied to it by or on behalf of the Seller, whether implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, addressed c/o Bonhams at its address or fax 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form or in any other way) for any lack of conformity with, (unless notice of any change of address is given in 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. (whether made in writing, including in the Catalogue, 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. such monies become payable until the date of actual Business profits or revenue or income or for loss of payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. not become your property, and for this purpose consequential damages of any kind, irrespective in (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. during normal Business hours to take possession of or otherwise; the Lot or part thereof; 10.9 References to the singular will include reference to 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. you by the Seller at the Sale or any other auction statement, or representation in respect of it, or or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. cleared funds; a restitutionary remedy or in any way whatsoever, the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 8.1.9 to retain possession of, and on three months’ written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. (including, without limitation, other goods sold to claimed as due, and irrespective of whether the you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also operate in favour and for the benefit ofBonhams, 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. Expenses and costs (including any monies payable 11 GOVERNING LAW to Bonhams in order to obtain the release of the 10 MISCELLANEOUS Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. remaining from any monies received by him or on his behalf in respect of the Lot, after the payment of all sums due to the Seller and to Bonhams, within 28 days of receipt of such monies by him or on his behalf. NTB/MAIN/09.15 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: specified in the Notice to Bidders, you authorise us, AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. into this agreement and a separate copy can also contract; the subject of a claim by someone other than you be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the charges due under the Storage Contract. actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose reasonably expected by us to be raised in relation to hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; other order of any court, mediator, arbitrator or cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including government body; and/or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. you. or a Book or Books. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for Sale) 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other to Bidders or otherwise notified to you, store theLot removal of the Lot or until the time and date set out actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no (including other goods sold to you or with us for whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another of such Sale in payment or part payment of any 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have Forgery in accordance with the terms of this your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the us at any future Sale in which case we will be entitled may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. paragraph 7 on a full indemnity basis together with the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or set out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit SALE of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot. You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/09.15 NTB/MAIN/09.15 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: AND PART PAYMENTS payment shall be applied firstly to the Purchase Price of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or rights we may exercise on behalf of the Seller): 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was this paragraph 7 after the payment of all sums due to published or by means of a process which it was 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have all such sums paid to us. employed. 7.1.3 to remove, and/or store the Lot at your expense; 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. contract; the subject of a claim by someone other than you and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, Buyer’s Premium, VAT and Expenses paid by you in 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. not become your property, and for this purpose reasonably expected by us to be raised in relation to (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will thereof; other order of any court, mediator, arbitrator or cease. government body; and/or 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps you. or a Book or Books. 7.1.8 to retain possession of any of your other property in our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY limitation, other goods sold to you or with us for Sale) until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in respect of it, made by us or on our behalf or by 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and (including other goods sold to you or with us for whether made before or after this agreement or prior Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. of such Sale in payment or part payment of any amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or Forgery in accordance with the terms of this your property and in our custody and/or control is to 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: us at any future Sale in which case we will be entitled to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or

7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or paragraph 7 on a full indemnity basis together with interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot.

NTB/MAIN/09.15 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. or staff or, if you are buying the Lot in the course of without limitation”. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. a Business, for any indirect losses or consequential it can be established that the Lot is a non- the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed the said loss or damage is caused by or claimed of a process which it was unreasonable in all the “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. claim or otherwise. the Lot comprises atlases, maps, autographs, Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to circumstances where we are liable to you in confer) on any person who is not a party to this with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the our Website. calculated according to the formula set out in the Conditions doer has a duty of care. limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also “Commission” the Commission payable by the Seller to of Business. by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any of the Seller. the Reserve applicable to the Lot. source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely Buyer’s Agreement and Definitions and Glossary. our Catalogues. the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell paid by you in respect of the Lot. benefit of a contract to be extended to a person who purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he You may wish to protect yourself against loss by is not a party to the contract, and generally at law. “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to obtaining insurance. The benefit of paragraph 10 is personal to, and applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. incapable of assignment by, you and if you sell or 13 GOVERNING LAW to be offered for Sale by Bonhams. by Bonhams. 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- person’s liability or excluding or restricting any and all connected matters will be governed by and “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or which is in bold letters, any photograph (except for the colour) “Seller” the person who offers theLot for Sale named on the time when the property is to pass, from any (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring “Description” any statement or representation in any person named on the Contract Form acts as an agent for a 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit conditions. under it except to the extent of any express waiver complaints procedure in place. origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or given to you in writing. Any such waiver will not affect Price). and “your”. known. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a under this agreement. Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered for Sale at a case of which there appears from the contract or is and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is and paragraph does not apply to the obligations imposed APPENDIX 3 advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. on you by paragraph 3. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies practicable after you have become aware that the 12.4 Any notice or other communication to be given charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context applicable. any government and/or put the public or any section of the namely: period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The “Forgery” an imitation intended by the maker or any other public into fear. non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; address or fax number of the relevant party given which have a specific legal meaning with which you may not authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend such longer period as we may agree in writing) you of address is given in writing). It is the responsibility value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; at the time of the Sale, accompanied by written ensure that it is received in a legible form within any an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is employees and agents. the Sale. out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/09.15 NTB/MAIN/09.15 “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would “Book” a printed Book offered for Sale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong our Website. calculated according to the formula set out in the Conditions doer has a duty of care. “Commission” the Commission payable by the Seller to of Business. Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: of the Seller. the Reserve applicable to the Lot. “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc Buyer’s Agreement and Definitions and Glossary. our Catalogues. “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered forSale pass. to be offered for Sale by Bonhams. by Bonhams. “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and “Description” any statement or representation in any person named on the Contract Form acts as an agent for a way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or Price). and “your”. known. “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered for Sale at a case of which there appears from the contract or is “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, applicable. any government and/or put the public or any section of the namely: “Forgery” an imitation intended by the maker or any other public into fear. person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/09.15 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments UK Porcelain & Pottery UK UK Jon Baddeley Charles O’ Brien UK Guy Savill Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Andrew Jones Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +1 415 503 3326 EUROPE Scottish Pictures 20th Century British Art Greek Art Philip Kantor Chris Brickley Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings +44 20 7468 8314 Scot Levitt Automobilia Silver & Gold Boxes Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 UK +44 131 240 2296 Adrian Pipiros U.S.A African, Oceanic [email protected] +44 8700 273621 Aileen Ward & Pre-Columbian Art U.S.A. Irish Art +1 800 223 5463 UK Hadji Rahimipour Penny Day Motorcycles Philip Keith +1 415 503 3392 +44 20 7468 8366 Ben Walker South African Art +44 2920 727 980 +44 8700 273616 Giles Peppiatt U.S.A Chinese & Asian Art Impressionist & +44 20 7468 8355 Fredric Backlar UK Modern Art Native American Art +1 323 436 5416 Asaph Hyman UK Jim Haas Sporting Guns +44 20 7468 5888 India Phillips +1 415 503 3294 Patrick Hawes American Paintings U.S.A +44 20 7468 8328 +44 20 7393 3815 Alan Fausel Dessa Goddard U.S.A Natural History +1 212 644 9039 +1 415 503 3333 Tanya Wells U.S.A Travel Pictures HONG KONG +1 917 206 1685 Claudia Florian Veronique Scorer Antiquities +852 3607 0010 +1 323 436 5437 +44 20 7393 3962 Madeleine Perridge AUSTRALIA Islamic & Indian Art +44 20 7468 8226 Yvett Klein Claire Penhallurick Old Master Pictures Urban Art +61 2 8412 2222 +44 20 7468 8249 UK Gareth Williams Antique Arms & Armour Andrew Mckenzie +44 20 7468 5879 UK Clocks Japanese Art +44 20 7468 8261 David Williams UK UK U.S.A Watches & +44 20 7393 3807 James Stratton Suzannah Yip Mark Fisher Wristwatches U.S.A +44 20 7468 8364 +44 20 7468 8368 +1 323 436 5488 UK Paul Carella U.S.A U.S.A Jonathan Darracott +1 415 503 3360 Jonathan Snellenburg Jeff Olson Orientalist Art +44 20 7447 7412 +1 212 461 6530 +1 212 461 6516 Charles O’Brien U.S.A. Art Collections, +44 20 7468 8360 Jonathan Snellenburg Estates & Valuations Coins & Medals Jewellery +1 212 461 6530 Harvey Cammell UK UK Photography HONG KONG +44 (0) 20 7468 8340 John Millensted Jean Ghika U.S.A Nicholas Biebuyck +44 20 7393 3914 +44 20 7468 8282 Judith Eurich +852 2918 4321 Art Nouveau & Decorative U.S.A U.S.A +1 415 503 3259 Art & Design Paul Song Susan Abeles Whisky UK +1 323 436 5455 +1 212 461 6525 Portrait Miniatures UK Mark Oliver AUSTRALIA UK Martin Green +44 20 7393 3856 Contemporary Art Anellie Manolas +44 20 7393 3986 +44 1292 520000 U.S.A UK +61 2 8412 2222 U.S.A Frank Maraschiello Ralph Taylor HONG KONG Prints and Multiples Joseph Hyman +1 212 644 9059 +44 20 7447 7403 Graeme Thompson UK +1 917 206 1661 U.S.A +852 3607 0006 Rupert Worrall HONG KONG Australian Art Jeremy Goldsmith +44 20 7468 8262 Daniel Lam Merryn Schriever +1 917 206 1656 Marine Art U.S.A +852 3607 0004 +61 2 8412 2222 UK Judith Eurich Alex Clark Entertainment Veronique Scorer +1 415 503 3259 Wine +61 3 8640 4088 Memorabilia +44 20 7393 3962 UK UK U.S.A Russian Art Richard Harvey Australian Colonial +44 20 7393 3844 Gregg Dietrich UK +44 (0) 20 7468 5811 Furniture and Australiana U.S.A +1 917 206 1697 Daria Chernenko U.S.A +1 415 861 7500 Catherine Williamson +44 20 7468 8334 Doug Davidson +1 323 436 5442 Mechanical Music U.S.A +1 415 503 3363 Books, Maps & Jon Baddeley Yelena Harbick HONG KONG Manuscripts +44 20 7393 3872 +1 212 644 9136 Daniel Lam UK +852 3607 0004 Matthew Haley Modern, Contemporary +44 20 7393 3817 & Latin American Art U.S.A U.S.A Christina Geiger Alexis Chompaisal +1 212 644 9094 +1 323 436 5469

British & European Glass Modern Design UK Gareth Williams Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343

SD30/9/15 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Representatives: Scotland The Netherlands Representatives: ASIA Dorset De Lairessestraat 154 Arizona London Bill Allan Edinburgh • 1075 HL Amsterdam Terri Adrian-Hardy Hong Kong • 19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments 101 New Bond Street • +44 1935 815 271 22 Queen Street +31 (0) 20 67 09 701 +1 (480) 994 5362 Suite 2001 UK Porcelain & Pottery UK UK Jon Baddeley London W1S 1SR Edinburgh [email protected] One Pacific Place Charles O’ Brien UK Guy Savill Tim Schofield +44 20 7393 3872 +44 20 7447 7447 East Anglia EH2 1JX California 88 Queensway +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. +44 20 7447 7400 fax +44 131 225 2266 Portugal Central Valley Admiralty U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Bury St. Edmunds +44 131 220 2547 fax Rua Bartolomeu Dias nº David Daniel Hong Kong 21 Churchgate Street 160. 1º +1 (916) 364 1645 +852 2918 4321 Madalina Lazen U.S.A Andrew Jones Mark Osborne +1 212 461 6530 Montpelier Street • London SW7 1HH Bury St Edmunds Glasgow Belem +852 2918 4320 fax +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +44 20 7393 3900 Suffolk IP33 1RG 176 St. Vincent Street, 1400-031 Lisbon Southern California [email protected] Christine Eisenberg +1 415 503 3326 EUROPE Scottish Pictures +44 20 7393 3905 fax +44 1284 716 190 Glasgow +351 218 293 291 20th Century British Art Greek Art Philip Kantor Chris Brickley +44 1284 755 844 fax G2 5SG [email protected] +1 (949) 646 6560 Beijing Hongyu Yu Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 South East +44 141 223 8866 Colorado Suite 511 England Norfolk +44 141 223 8868 fax Russia – Moscow Julie Segraves +44 20 7468 8295 American Paintings +44 20 7468 8314 Chang An Club The Market Place Anastasia Vinokurova +1 (720) 355 3737 Scot Levitt Automobilia Silver & Gold Boxes Reepham Representatives: +7 964 562 3845 10 East Chang An Avenue Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Brighton & Hove 19 Palmeira Square Norfolk NR10 4JJ Wine & Spirits [email protected] Florida Beijing 100006 Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft Hove, East Sussex +44 1603 871 443 Tom Gilbey Palm Beach +86(0) 10 6528 0922 +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 BN3 2JN +44 1603 872 973 fax +44 1382 330 256 Russia - St. Petersburg +1 (561) 651 7876 +86(0) 10 6528 0933 fax UK +44 131 240 2296 Adrian Pipiros U.S.A +44 1273 220 000 Marina Jacobson Miami [email protected] African, Oceanic [email protected] +44 8700 273621 Aileen Ward +44 1273 220 335 fax Midlands Wales +7 921 555 2302 +1 (305) 228 6600 [email protected] Ft. Lauderdale Japan & Pre-Columbian Art U.S.A. Irish Art +1 800 223 5463 Akiko Tsuchida Knowle Cardiff +1 (954) 566 1630 UK Hadji Rahimipour Penny Day Motorcycles Guildford Level 14 Hibiya Central Millmead, The Old House 7-8 Park Place, Spain - Barcelona Building Philip Keith +1 415 503 3392 +44 20 7468 8366 Ben Walker South African Art Guildford, Station Road Cardiff CF10 3DP Teresa Ybarra Georgia 1-2-9 Nishi-Shimbashi +44 2920 727 980 +44 8700 273616 Giles Peppiatt Surrey GU2 4BE Knowle, Solihull +44 2920 727 980 +34 930 087 876 Mary Moore Bethea Minato-ku U.S.A Chinese & Asian Art Impressionist & +44 20 7468 8355 +44 1483 504 030 West Midlands +44 2920 727 989 fax [email protected] +1 (404) 842 1500 Tokyo 105-0003 Fredric Backlar UK Modern Art Native American Art +44 1483 450 205 fax B93 0HT +44 1564 776 151 Illinois +81 (0) 3 5532 8636 +1 323 436 5416 Asaph Hyman UK Jim Haas Sporting Guns Spain - Madrid Ricki Blumberg Harris +44 1564 778 069 fax Nunez de Balboa no 4-1A +81 (0) 3 5532 8637 fax Isle of Wight EUROPE +1 (312) 475 3922 +44 20 7468 5888 India Phillips +1 415 503 3294 Patrick Hawes 28001 Madrid [email protected] +44 1273 220 000 +1 (773) 267 3300 American Paintings U.S.A +44 20 7468 8328 +44 20 7393 3815 Oxford • Austria +34 915 78 17 27 Alan Fausel Dessa Goddard U.S.A Natural History Representative: Banbury Road Tuchlauben 8 [email protected] Massachusetts Singapore +1 212 644 9039 +1 415 503 3333 Tanya Wells U.S.A Travel Pictures Kent Shipton on Cherwell 1010 Vienna Boston/New England Bernadette Rankine HONG KONG +1 917 206 1685 Claudia Florian Veronique Scorer George Dawes Kidlington OX5 1JH +43 (0) 1 403 0001 Spain - Marbella Amy Corcoran 11th Floor, Wisma Atria Antiquities +852 3607 0010 +1 323 436 5437 +44 20 7393 3962 +44 1483 504 030 +44 1865 853 640 [email protected] James Roberts +1 (617) 742 0909 435 Orchard Road +44 1865 372 722 fax +34 952 90 62 50 Singapore 238877 Madeleine Perridge AUSTRALIA Islamic & Indian Art [email protected] +65 (0) 6701 8038 +44 20 7468 8226 Yvett Klein Claire Penhallurick Old Master Pictures Urban Art West Sussex Belgium Nevada +44 (0) 1273 220 000 Yorkshire & North East Boulevard David Daniel +65 (0) 6701 8001 fax +61 2 8412 2222 +44 20 7468 8249 UK Gareth Williams England Saint-Michel 101 Switzerland +1 (775) 831 0330 bernadette.rankine@ Antique Arms & Armour Andrew Mckenzie +44 20 7468 5879 South West 1040 Brussels Rue Etienne-Dumont 10 bonhams.com UK Clocks Japanese Art +44 20 7468 8261 England Leeds +32 (0) 2 736 5076 1204 Geneva Oregon David Williams UK UK U.S.A Watches & 30 Park Square West [email protected] +41 (0) 22 300 3160 Sheryl Acheson Taiwan +1(503) 312 6023 Summer Fang +44 20 7393 3807 James Stratton Suzannah Yip Mark Fisher Wristwatches Bath Leeds LS1 2PF [email protected] +44 113 234 5755 37th Floor, Taipei 101 Tower U.S.A +44 20 7468 8364 +44 20 7468 8368 +1 323 436 5488 UK Queen Square House Denmark Charlotte Street +44 113 244 3910 fax Henning Thomsen Pennsylvania Nor 7 Xinyi Road, Section 5 Margaret Tierney Paul Carella U.S.A U.S.A Jonathan Darracott Bath BA1 2LL +45 4178 4799 Taipei, 100 MIDDLE EAST +1 (610) 644 1199 +1 415 503 3360 Jonathan Snellenburg Jeff Olson Orientalist Art +44 20 7447 7412 +44 1225 788 988 North West England [email protected] +886 2 8758 2898 +1 212 461 6530 +1 212 461 6516 Charles O’Brien U.S.A. +44 1225 446 675 fax Dubai +886 2 8757 2897 fax Deborah Najar Texas summer.fang@ Art Collections, +44 20 7468 8360 Jonathan Snellenburg Chester France Amy Lawch 2 St Johns Court, 4 rue de la Paix +971 (0)56 113 4146 bonhams.com Estates & Valuations Coins & Medals Jewellery +1 212 461 6530 Cornwall – Truro +1 (713) 621 5988 Photography 36 Lemon Street Vicars Lane, 75002 Paris [email protected] Harvey Cammell UK UK HONG KONG Chester, +33 (0) 1 42 61 10 10 +44 (0) 20 7468 8340 Truro Washington John Millensted Jean Ghika U.S.A Nicholas Biebuyck Cornwall Ch1 1QE [email protected] AUSTRALIA +44 20 7393 3914 +44 20 7468 8282 Judith Eurich +852 2918 4321 Israel Heather O’Mahony TR1 2NR +44 1244 313 936 Joslynne Halibard +1 (206) 218 5011 Art Nouveau & Decorative U.S.A U.S.A +1 415 503 3259 +44 1872 250 170 +44 1244 340 028 fax Germany - Cologne +972 (0)54 553 5337 Sydney Art & Design Paul Song Susan Abeles Whisky +44 1872 250 179 fax Albertusstrasse 26 joslynne.halibard@ Washington DC 97-99 Queen Street, UK +1 323 436 5455 +1 212 461 6525 Portrait Miniatures UK Manchester 50667 Cologne bonhams.com Mid-Atlantic Region Woollahra, NSW 2025 Mark Oliver AUSTRALIA UK Martin Green Exeter The Stables +49 (0) 221 2779 9650 Martin Gammon Australia 213 Ashley Road +61 (0) 2 8412 2222 +44 20 7393 3856 Contemporary Art Anellie Manolas +44 20 7393 3986 +44 1292 520000 The Lodge [email protected] +1 (202) 333 1696 Southernhay West Exeter, Hale WA15 9TB NORTH AMERICA +61 (0) 2 9475 4110 fax U.S.A UK +61 2 8412 2222 U.S.A Devon +44 161 927 3822 Germany - Munich [email protected] Frank Maraschiello Ralph Taylor HONG KONG Prints and Multiples Joseph Hyman EX1 1JG +44 161 927 3824 fax Maximilianstrasse 52 USA CANADA +1 212 644 9059 +44 20 7447 7403 Graeme Thompson UK +1 917 206 1661 +44 1392 425 264 80538 Munich Melbourne U.S.A +852 3607 0006 Rupert Worrall HONG KONG +44 1392 494 561 fax +49 (0) 89 2420 5812 San Francisco • Toronto, Ontario • Como House Channel Islands [email protected] 220 San Bruno Avenue Jack Kerr-Wilson Como Avenue Australian Art Jeremy Goldsmith +44 20 7468 8262 Daniel Lam San Francisco 20 Hazelton Avenue Merryn Schriever +1 917 206 1656 Marine Art U.S.A +852 3607 0004 Winchester South Yarra The Red House Jersey Greece CA 94103 Toronto, ONT Melbourne VIC 3141 +61 2 8412 2222 UK Judith Eurich Hyde Street La Chasse 7 Neofytou Vamva Street +1 (415) 861 7500 M5R 2E2 Australia Alex Clark Entertainment Veronique Scorer +1 415 503 3259 Wine Winchester La Rue de la Vallee Athens 10674 +1 (415) 861 8951 fax +1 (416) 462 9004 +61 (0) 3 8640 4088 +61 3 8640 4088 Memorabilia +44 20 7393 3962 UK St Mary +30 (0) 210 3636 404 [email protected] +61 (0) 2 9475 4110 fax Hants SO23 7DX • UK U.S.A Russian Art Richard Harvey +44 1962 862 515 Jersey JE3 3DL [email protected] Los Angeles [email protected] +44 1534 722 441 7601 W. Sunset Boulevard Montreal, Quebec Australian Colonial +44 20 7393 3844 Gregg Dietrich UK +44 (0) 20 7468 5811 +44 1962 865 166 fax David Kelsey +44 1534 759 354 fax Los Angeles Furniture and Australiana U.S.A +1 917 206 1697 Daria Chernenko U.S.A Ireland CA 90046 +1 (514) 341 9238 Tetbury 31 Molesworth Street [email protected] AFRICA +1 415 861 7500 Catherine Williamson +44 20 7468 8334 Doug Davidson Representative: Dublin 2 +1 (323) 850 7500 22a Long Street +1 (323) 850 6090 fax +1 323 436 5442 Mechanical Music U.S.A +1 415 503 3363 Tetbury Guernsey +353 (0) 1 602 0990 Nigeria Neil Coventry Books, Maps & Jon Baddeley Yelena Harbick HONG KONG Gloucestershire +44 1481 722 448 [email protected] SOUTH AMERICA +234 (0)7065 888 666 Manuscripts +44 20 7393 3872 +1 212 644 9136 Daniel Lam GL8 8AQ New York • 580 Madison Avenue [email protected] UK +852 3607 0004 +44 1666 502 200 Italy - Milan Argentina Via Boccaccio 22 New York, NY Matthew Haley Modern, Contemporary +44 1666 505 107 fax Daniel Claramunt South Africa - 20123 Milano 10022 +54 11 479 37600 Johannesburg +44 20 7393 3817 & Latin American Art +39 0 2 4953 9020 +1 (212) 644 9001 U.S.A U.S.A +1 (212) 644 9007 fax Penny Culverwell [email protected] Brazil +27 (0)71 342 2670 Christina Geiger Alexis Chompaisal +55 11 3031 4444 [email protected] +1 212 644 9094 +1 323 436 5469 Italy - Rome +55 11 3031 4444 fax Via Sicilia 50 British & European Glass Modern Design 00187 Roma UK Gareth Williams +39 0 6 48 5900 [email protected] Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343 G-NET8/9/15

SD30/9/15 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Travel and Exploration Sale date: 3 November 2015

Sale no. 22811 Sale venue: Knightsbridge Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Sale date:

Sale no. Sale venue: Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime

Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid* Absentee (T / A) Please indicate Telephone or Absentee (T & VAT) / A)

FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/06/14 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.

Bonhams Montpelier Street Knightsbridge London SW7 1HH

+44 (0) 20 7393 3900 +44 (0) 20 7393 3905 fax

International Auctioneers and Valuers – bonhams.com