Bonhams New House 150 Christleton Road Chester CH3 5TD +44 (0) 1244 313936
+44 (0) 1244 340028 fax 21120 Fine Art & Interiors, including Welsh Pictures, 5, 6, 7 March 2013, Chester
Fine Art & Interiors including Welsh Pictures Tuesday 5 March 2013 at 11am Wednesday 6 March 2013 at 11am Thursday 7 March 2013 at 11am Chester
Fine Art & Interiors, including Pictures by Welsh Artists Antique & Modern Silver Tuesday 5 March 2013 at 11am Pictures featuring works by Welsh artists Wednesday 6 March 2013 at 11am Furniture, Clocks & Works of Art Thursday 7 March 2013 at 11am
Bonhams Enquiries Sale Number: 21120 Physical Condition of Lots New House Silver in this Auction 150 Christleton Road Andrew Spicer Catalogue: £12 (£15 by post) Chester CH3 5TD +44 (0) 1244 353 112 PLEASE NOTE THAT THERE IS NO www.bonhams.com [email protected] Customer Services REFERENCE IN THIS CATALOGUE Monday to Friday 8.30am to 6pm TO THE PHYSICAL CONDITION OF Viewing Susannah Davies-Lloyd +44 (0) 20 7447 7447 ANY LOT. INTENDING BIDDERS Friday 1 March 10am to 4pm +44 (0) 1244 353 131 MUST SATISFY THEMSELVES AS TO [email protected] THE CONDITION OF ANY LOT AS Sunday 3 March 10am to 1pm Please see back of catalogue SPECIFIED IN CLAUSE 15 OF THE Monday 4 March 10am to 4pm for important notice to bidders Francesca Garvey NOTICE TO BIDDERS CONTAINED Tuesday 5 March 10am to 4pm +44 (0) 1244 313 936 AT THE END OF THIS CATALOGUE. Wednesday 6 March 10am to 4pm [email protected] Illustrations Thursday 7 March 9am to 10.45am Front cover lot: 246 As a courtesy to intending Pictures Back cover: lots 486, 61, 387, bidders, Bonhams will provide a Bids Richard Hopkinson 602, 582 written Indication of the physical +44 (0) 20 7447 7448 +44 (0) 1244 353 132 Inside front: lot 236 condition of lots in this sale if a +44 (0) 20 7447 7401 fax [email protected] Inside back: lot 236 request is received up to 24 hours To bid via the internet please visit before the auction starts. This www.bonhams.com Zoë Sinton written Indication is issued subject +44 (0) 1244 353 132 to Clause 1.6 of the Notice Please note that bids should be [email protected] to Bidders. submitted no later than 24 hours before the sale. Clocks & Barometers New bidders must also provide Christopher Jarrey proof of identity when submitting +44 (0) 1244 353 126 [email protected] bids. Failure to do this may result in your bids not being processed. Furniture & Works of Art Adam Johns Live online bidding is [email protected] available for this sale +44 (0) 1244 353 129 Please email [email protected] with “Live bidding” in the subject line 48 hours before the auction to register for this service.
Bonhams 1793 Limited Bonhams 1793 Ltd Directors Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Chairman, Colin Sheaf Deputy Chairman, Colin Sheaf Chairman, Jonathan Baddeley, Antony Bennett, Iain Rushbrook, John Sandon, Tim Schofield, Registered Office: Montpelier Galleries Malcolm Barber Group Managing Director, Matthew Bradbury, Harvey Cammell, Simon Cottle, Veronique Scorer, James Stratton, Roger Tappin, Matthew Girling CEO UK and Europe, Andrew Currie, David Dallas, Paul Davidson, Jean Ghika, Shahin Virani, David Williams, Michael Wynell-Mayow. Montpelier Street, Geoffrey Davies, Jonathan Horwich, James Knight, Charles Graham-Campbell, Miranda Grant, Robin Hereford, London SW7 1HH Patrick Meade, Caroline Oliphant, Hugh Watchorn. Asaph Hyman, Charles Lanning, Camilla Lombardi, +44 (0) 20 7393 3900 Fergus Lyons, Paul Maudsley, Gordon McFarlan, +44 (0) 20 7393 3905 fax Andrew McKenzie, Simon Mitchell, Jeff Muse, Mike Neill, Charlie O’Brien, Giles Peppiatt, Peter Rees, Julian Roup, Sale Information
Manchester A56 M53
A41
A55
A56
A41
Hoole Road
Chester City Centre
Vicars Cross Road
Tarvin Road
Christleton A41 Pearl Lane By Rail: Manchester andRoad Crewe
River Dee A55 (with connections to Chester) Whitchurch road By Air: Manchester International Airport A55
Bids Shipping Saleroom Valuation Enquiries +44 (0) 20 7447 7448 C.W.Removals New House, Joanna Thomas +44 (0) 20 7447 7401 fax +44 (0)1798 721 221 150 Christleton Road, To bid via the internet [email protected] Chester CH3 5TD Antique Furniture please visit www.bonhams.com T: 01244 313 936 Antony C. Bennett Lumisi Solutions4business F: 01244 340 028 fax Adam Johns +44 (0) 1244 503 977 Payments Oak, Vernacular Furniture Buyers [email protected] Offices Manchester & Pewter +44 (0) 20 7447 7447 David Houlston Alban Shipping Lynda Worthington +44 (0) 1582 493 099 The Stables, 213 Ashley Road, Megan Wheeler Sellers +44 (0) 0582 490 147 fax Hale WA15 9TB Payment of sale proceeds [email protected] T: 0161 927 3822 Furniture & Works of Art Adam Johns +44 (0) 20 7447 7447 F: 0161 927 3824 fax +44 (0) 20 7447 7401 fax For larger items (i.e. Furniture) Southport Oil Paintings, Watercolours Lowes of Chester & Prints +44 (0) 1244 373 286 Janet Major Valuations, taxation 3 Botanic Road, Richard J. Hopkinson +44 (0) 01244 382 575 fax Zoe Sinton & heritage [email protected] Churchtown, Southport, +44 (0) 20 7468 8340 Merseyside PR9 7NE +44 (0) 20 7468 5860 fax T: 01704 507 875 Silver & Jewellery Exquisite Carriage Limited [email protected] F: 01704 507 877 fax Andrew Spicer +44 (0) 1244 567 600 Susannah Davies-Lloyd FGA DGA [email protected] Catalogue subscriptions Carlisle Francesca Garvey To obtain any Bonhams catalogue Rosalind Goldie or to take out an annual 48 Cecil Street, Carlisle, Ceramics, Glass & Asian Art subscription: Cumbria CA1 1NT Alexander Clement Subscriptions Department T: 01228 542 422 Rachel Holland +44 (0) 1666 502200 F: 01228 590 106 fax +44 (0) 1666 505107 fax Sporting [email protected] Deputy Chairman Chris Hayes Antony C. Bennett Dan Davies
Saleroom Director Golf Alexander Clement Kevin McGimpsey Clocks & Barometers Chris Jarrey
Ffordd Fawr Ffordd Main Road Main Olivet Gardens
A483 Exquisite Carriage The Sidings New Road
Ty Gwyn Lane
Mountain View
Stansty Chain Road
B5425
A483
The Poplar
Ivy Close
Storage of Bought Lots at Chester All Furniture lots will be removed from the Chester saleroom ten working days following each auction and placed in an external storage at the buyer’s expense. The location of the storage unit is:
Exquisite Carriage Limited Unit 13, Clwyd Court Rhosddu Industrial Estate Wrexham LL11 4YL T. 01244 567 600 E. [email protected]
The fees, payable to the storage contractor, will be:
£10.00 handling fee per lot, plus £1.00 per day, per lot plus VAT at the current rate
Cleared funds must have been received by the storage contractor before lots can be released.
Fine Art & Interiors | 3 Antique & Modern Silver Tuesday 5 March 2013 at 11am Lots 1 - 180 4 5A 6
Old Sheffield Plate 3 5 Of Horse Racing Interest; A pair of Wurttmbergische Metallwaren Fabrik: 1 presentation electro-plated wine coolers An Art Nouveau electroplated and glass A George III Old Sheffield plate chamber by Barker Ellis, circa 1990 decanter stick, Of campana form with gadrooned borders and model 418/6, B, pre 1909 makers mark, 1/0, as by Matthew Boulton, circa 1800, double twin leaf handles, raised on mahogany plinths The mount of sinuous form with a tapering sunburst mark with presentation panels, height of the wine wheel cut engraved glass body, height 39cm. With a circular lobed base, detachable drip coolers 22.5 cm. £200 - 300 pan, extinguisher, crested, diameter 15cm, a £200 - 300 George IV Old Sheffield plate and silver butter 5A dish by Henry Wilkinson & Co., Sheffield circa The bases inscribed “The Bic Razor Lanzarotte An Italian electroplated seven light 1830, in the form of a butter barrel with a Hurdle, Kempton Park, 1994” candelabra silver cow finial, clear glass liner, diameter by Guggenheim, Venice circa 1880, possibly 15cm, initialled, and a Victorian Aesthetic The 14.45 on the 22nd January 1994 was designed by Giuseppe Michieli, stamped Movement inkstand by Elkington & Co., date won by Nijmegan, a bay gelding, at 5/1 with Fabbrica, Guggenheim, Venezia code 1881, with embossed fan and bamboo J.Osbone as jockey. The central winged cherub supporting a decoration, diameter 19.5cm. (3) sconce, the baluster pillar with three branches £250 - 300 4 with butterfly winged cherubs, raised on three Of Aviation Interest: An electroplated scrolling mask branches terminating in winged novelty four vase epergne cherubs upon griffins, height 46.5cm. Electroplate by AEP Co., circa 1919, registration number £400 - 600 666504 2Y In the form a World War I two seated bi-plane, 6 A Victorian electroplated four piece tea with four blade propeller, twin rear wheels and A Victorian electroplated five light, four and coffee service articulated tail wing, wing span 21.5cm, height branch candelabra by Hukin & Heath, circa 1880 26cm. unmarked, circa 1890 Of can shape with engraved Chinoiserie £300 - 400 The pierced acanthus leaf capitals with decoration of pagodas and love birds, with a removable gadrooned bordered sconces China-man finial, ivory handles, comprising; and drip pans, to leaf capped, reeded scroll tea pot, coffee pot, sugar bowl and milk jug, branches, supported on an acanthus capped height of coffee pot 21cm. fluted column, to a stepped square base with £100 - 150 swags and leaf capped corners, height 61cm. £600 - 800
Fine Art & Interiors | 5 7, 8, 9 12, 13, 14, 15
Modern Silver, post 1913 12Ω 17 An oval silver two-handled tray A silver two handled entree dish 7 by Walker & Hall, Sheffield 1915 by Adie Bros., Birmingham 1935 A silver pair of oval pierced tazza With wavy border and internal handles, 62 x Of rectangular form with applied Celtic border by Viners, Sheffield 1940 43cm, weight 77oz. and handles, 27.5 x 20.5cm, weight 46oz. With applied cast grape and vine rim to a £900 - 1,100 £600 - 800 pierced and engraved grape and vine border, raised on a spreading foot, height 8cm, length 13 18 21.5cm, weight 21.5oz. A silver set of six bright-cut goblets An Art Deco silver two-handled bowl £300 - 500 by C.J.Vander, London 1969 by Charles Green & Co., Birmingham 1936 Of vase shape with beaded knop and foot, Of circular form with reeded border and 8 vacant cartouche, gilt interior, cased, height double fan handles, raised on a spreading foot, A silver pair of square dishes 13.5cm, weight combined 34oz. diameter 23cm, weight 18.5oz. by L & W, Sheffield 1946 £600 - 800 £250 - 300 The foliate pierced border with an applied grape and vine rim, raised on a rim foot, 21 x 14 19 21cm, weight 30oz. Of West Middlesex Golf Club Interest: A A silver circular salver £400 - 500 silver presentation beaker by Walker & hall, Sheffield 1929 by Charles Boyton, London 1937, signed With a wavy bead border, raised on three ball 9Ω Of hammered tapering form, height 11.5cm, and claw feet, diameter 36cm, weight 48.5oz. A silver pair of pierced pedestal dishes weight 4oz. £700 - 900 by S&W, Sheffield 1937 £300 - 400 With applied cast grape and vine borders, 20 the bowl pierced and engraved with similar Inscribed “2nd Prize Seniors, Oct 2nd 1937” A silver and china set of six game bird decoration, raised on a spreading foot, height coasters 5cm, diameter 20.5cm, weight combined 31oz. 15Y London 2000 £400 - 500 A silver and ivory handled coffee au lait Each set with a china panel depicting different service game birds after Dennis Puleston, including 10Ω by Mappin & Webb, London 1928 pheasant, green wing teal and a ruffed grouse, A silver pair of gravy boats, Of tapering octagonal form, with reeded plain silver mount with a bead border, diameter by I.F.& Son (untraced), London 1937 border, S scroll ivory handle, the domed covers 11cm. With gadrooned borders, double scroll handles, with vase shaped finials, height 22.5cm, £200 - 300 raised on three shell capped, shell feet, length weight 40oz. 21cm, weight 25oz. £600 - 700 £400 - 500 16 11 A silver two-handled bottle coaster A silver swing handle basket by Viners, Sheffield 1964 by B.G.&Co., Sheffield 1920 With an applied grape and vine rim to the With a wavy bead border, engraved floral pierced border, raised on a spreading foot, garland decoration, wavy handle, raised on height 15cm, weight 19oz. a spreading foot, height with handle raised £250 - 300 20cm, weight 24.5oz. £400 - 500
6 | Bonhams 21 A silver novelty trophy by Antony Gordon Elson, London 1989 In the form of a Knight in armour, with lance and enamelled shield, seated on a rearing stallion, mounted on an oak pedestal with presentation plaque, height overall 41cm. £1,000 - 1,500
Inscribed “ Presented to, Bill Hancock, on his retirement as Chief Executive, of the Anglian Group, September 1994, Great Career - Great Man”
Anglian Windows began in 1966 and are one of the UK’s largest window companies.
In 1989 the company sponsored the British Snooker Open competition in the Assembly Rooms, Derby. The event was won by Tony Meo, 13-6 against Dean Reynolds, after starting as a 200-1 outsider.
The trophy was subsequently returned to the company and then presented to Mr. Hancock on his retirement.
21 24 A silver pedestal basket by Lanson Ltd., Birmingham 1935 Of oval form with an applied wavy rim to the hand pierced floral and scroll border, height 12.5cm, length 27cm, weight 20oz. £400 - 500
25 A silver pedestal dish by Roberts & Belk, Sheffield 1918 The detachable bowl with an applied shaped rim and palmette waist band, mounted on an octagonal baluster stem to a spreading foot, raised on four paw feet, height 24cm, weight 19oz. £400 - 500
26 An Art Deco silver and resin handled dish by Viners, Sheffield 1935, Coronation Mark Of rectangular with cut corner faceted shape with plain applied resin handles, cased, length 23, 24, 25 31.5cm, weight 10.5oz. £250 - 300
27 A silver tea caddy by Wilson and Sharp, Sheffield 1914 Of square baluster form, with stylised foliate finial, on four scroll feet, height 13cm, an Art Nouveau tea caddy, by William Hutton and Sons Ltd, London 1904, with stylised foliate feet, an Edwardian tea caddy, Birmingham 1908, of urn form, and an Edwardian oval trinket box, by Goldsmith & Silversmiths Co. Ltd., London London 1909, weight of weighable silver 24oz. (4) £400 - 500
28Ω A pair of silver candlesticks, makers mark worn Birmingham 1932, The tapering square capital with removable sconce to a tapering column, raised on a stepped base with applied lion masks, bead border, loaded, height 27cm. £500 - 700 28, 128, 29 29 Ω 22 23 A silver four piece coffee service A silver rectangular entree dish A silver pair of vases and bowl en suite by Walker & Hall, Sheffield 1926 by D.&J. Wellby, London 1937 by Walker & hall, Sheffield 1929/31 Of tapering conical form, raised on a spreading With gadrooned border, the twist action The flared vase with a fan and reeded border, foot, woven cane handles and ebonised finials, handle with cast shell and scroll decoration, 29 to a knopped circular base with matching comprising; coffee pot, hot water pot, sugar x 21cm, weight 58.5oz. border, height 25cm, together with a matching bowl and cream jug, length of coffee pot £700 - 900 bowl, diameter 23cm. 20cm, weight 49oz. £500 - 700 £700 - 900
8 | Bonhams Foreign Silver
30 Cartier; An American silver liquor service by Cartier, Sterling Silver, 1980 The baluster flask raised on a spreading foot, initialled, with a circular tray and eight fluted goblets, cased, height of flask 29cm, weight combined 22oz. £1,000 - 1,500
31 Cartier; An American salt and pepper grinder set by Cartier, Sterling Silver Of baluster form, height of pepper grinder 6.5cm. £150 - 200
32 A Peruvian silver vase by Camusso, Lima circa 1960 stamped Sterling, 925, flag motif, Camusso, made in Peru Of flared form embossed and chased with Aztec motifs, height 19.5cm, weight 13oz. £400 - 500 30, 31 33 A Peruvian silver lidded tankard by Camusso, Lima circa 1960, stamped Sterling, 925, flag motif, Camusso, made in Peru In the form of a German stein, floral and mask embossed and chased bands with ropetwist dividing bands, the hinged cover with a vase finial, double scroll handle, height 26cm, weight 23.5oz. £600 - 800
34 A Peruvian silver presentation alter-piece unmarked The knopped goblet inset with a circular disc, engraved one one side with The Cross and three nails, the other with a figure holding an orb, mounted on a circular dish, height 24cm, diameter 18.5cm, weight 20.5gms. £600 - 800
The underside inscribed “ Sorensolopes, En elmes de Nov.bre Ceconpuso el Plato Ciendo 32, 33, 34 mayordorno mayor Pascual Grados en elanode 1843” 35 36 A Mexican silver covered bowl An Indian silver double spirit measure maker untraced, stamped AOM TANE, 925, unmarked, probably Kasmir, circa 1900 sterling Mexico, mid 20th century With all-over floral chased and engraved Of circular lobed form with branch handles, the decoration, gilt interiors, height 11.5cm, pull-off cover with a cast fruit finial, a Mexican weight 6oz. silver lidded container, by the same maker, in £200 - 300 the form of a gourd and a Mexican silver single handled bowl, by the same maker, with cast circular decoration to the handle and foot, weight combined 53oz. £500 - 600
Fine Art & Interiors | 9 39Y A Chinese silver five piece tea and coffee service by Luen Wo, Shanghai, circa 1910 Of circular form, embossed with dragons, with simulated bamboo borders, handles and finials, comprising; tea pot, coffee pot, hot water pot, sugar bowl, milk jug, and sugar tongs, weight 56.5oz. (5) £800 - 1,200
40 A Burmese silver presentation bowl unmarked, circa 1915 Ornately embossed with figural groups amongst trees, scrolling above and below, height 10.5cm, diameter 19cm, weight 19.5oz. £600 - 800
Inscribed “Presented to, R.W.L. Stephenson Esq., general manager, as a token of respect & regard, from, the showroom assistants, Mssrs., Coombes Company Ltd., Rangoon, Xmas 1917.” With six signatures.
38, 39 41 A Spanish silver two-handled bowl and cover pentagram and spider marks, circa 1960 The lobed oval bowl with sweeping handles, raised on a support in the form of three stags, the pull-off cover with a stag finial, height 33cm, weight 45oz. £800 - 1,200
42 A French Louis XVI silver condiment stand by Jaques Favre, Paris 1784, also later .950 standard Minerva’s head, imported London Assay Office, 1945 Of oval lobed form with a bead border, supporting two urn and swag bottle frames, raised on four leaf capped scroll feet, height 31cm, weight 22.5oz. £600 - 800
43 A French silver dish probably by Joseph Martel, Paris c 1910, .950 Minerva’s head, London import 1913 by Boucheron, Radius & Co.(Boucheron) Of double bowl form with central stylised wolf motif handle, length 17.5cm, weight 8.5oz. £200 - 250
40, 41, 42, 43, 44 44 A Russian silver trompe l’oeil basket 37 38 makers mark poorly struck, assay master A German silver and glass tankard A Chinese silver cigar case A.T.Sheviakov, St.Petersburg 1893 by ??TTMER & Co., crescent and moon mark, by Luen Wo, Shanghai circa 1900 In the form of a square basket with rope- circa 1920 The cover embossed with figures in houses and twist handle, diameter 10cm, a similar The cut and acid etched glass body with a trees, the reverse with birds amongst bamboo, smaller basket, maker untraced, assay master silver mount, the hinged cover with lobed initialled, 12 x 8 x 3cm, weight 6oz. Y.Lyapimov, St.Petersburg 1896-1908, diameter decoration, height 17cm. £150 - 200 4.5cm a set of three silver lemon tea spoons, £200 - 300 St.Petersburg 1893, with basket weave decoration, two matching spoons, Moscow 1892 and a plain spoon, 1896-1908, cased. £300 - 400
10 | Bonhams 45 A Russian white gold and gem set miniature egg pendant stamped 56 The pierced body set with rose cut diamonds and calibre rubies, a Russian gold and enamel miniature egg pendant, stamped 56, with blue enamel linear decoration, a Russian silver and enamel miniature egg pendant, 1908-1926 control mark, nine various Russian silver and enamel miniature egg pendants, and six other Russian miniature egg pendants, together with a Russian silver commemorative medal . (19) £600 - 800
46 A Russian silver and enamel cigarette case by KC, untraced, Moscow 1908-1926 With floral and geometric polychrome enamel decoration, green glass thumb-piece, 11 x 8 x 1.5cm, weight 7oz. £400 - 500
47 A Russian silver mounted icon by Ivan Bedijakov, assay master either A. Miton or A. Mor, St.Petersburg 1856 Depicting Jesus Christ, his right hand raised in a blessing, his left on a globe, the oklad with embossed and chased decoration, silver-gilt halo, 22.5 x 18cm. 45, 46 £600 - 800
48 A Russian silver mounted icon marks poorly struck, circa 1880 Depicting Jesus Christ, his right hand raised in a blessing, his left on a globe, the oklad with engraved decoration, inscribed, 13.5 x 11cm. £100 - 150
49 A Russian silver cigarette case post 1958 .875 control marks The cover engraved with a horses head inside a horseshoe, 10.5 x 8 x 2cm, weight 5oz. £100 - 150
47, 48
Fine Art & Interiors | 11 57 A George I silver oval snuff box unmarked, circa 1725 The hinged cover inset with an oval shell panel, opening to reveal a portrait miniature; Circle of Christian Richter (Swedish, 1678-1732). A Lady, standing before a landscape and drapery, wearing olive green robe edged with gold and red embroidery, a red mantle draped over her right shoulder, her hair partially upswept and dressed with a floral spray, she holds a portrait miniature of a Gentleman in her right hand, 8 x 4.5 x 2cm, together with a Victorian silver combination snuff/vesta box, by G.W.Co., untraced Birmingham 1864, with all-over engine turned decoration, 6 x 3.5 x 1cm. (2) £500 - 600
58Y A William IV silver rectangular snuff box by Thomas Shaw, Birmingham 1830 The hinged cover with engine turned decoration, vacant cartouche, applied foliate thumb-piece, 7.5 x 4.5 x 2cm, a William IV silver snuff box, by Thomas Shaw, Birmingham 53, 54, 55, 56, 57 1836, with chased foliate sides, initialled, 6 x 4 x 1cm and an early 19th century tortoiseshell Boxes & Miscellaneous 54 and gold arched snuff box, unmarked, with a A 9ct gold cigarette box basket-weave cover, 5 x 3 x 2cm. 50Y by Goldsmiths & Silversmiths Co. Ltd., London £250 - 300 A silver and tortoiseshell trinket box 1929 by Walker & Hall, Birmingham 1929 The engine turned cover with an applied EV 59 Of square form with cut corners, raised on four monogram, with cedar wood liner, 10 x 9.5 x An early 20th century enamelled pad feet, opening to reveal a cedar wood liner, 6cm. rectangular panel 11 x 11 x 6cm. £1,200 - 1,500 unsigned, circa 1910 £150 - 200 Depicting a classical lady beside a water trough 55 with two winged cherubs, 7 x 6cm, an Art 51 A Dutch silver circular box Nouveau silver and enamel cover, unmarked, Of Hunting Interest; A silver novelty set of imported by David Bridge, London 1896 circa 1910, decorated with a ladies bust, four silver menu card holders The hinged cover embossed and chased with diameter 5cm, a similar cover, unmarked, circa by William Base & Sons, Birmingham 1928 musical cherubs and birds, the sides embossed 1910, decorated with a pink rose, four various Each pierced and engraved with a different with flowers, diameter 13.5cm, weight 9.5oz. enamelled circular panels, four enamelled hunting dog, raised on a circular base, cased, £300 - 400 brooches and four enamalled buttons. (1) height 2.5cm, weight combined 2.5oz. £250 - 300 £150 - 200 56 Of Rochdale Theatre interest; A George III 60 52 silver theatre ticket A George II silver circular box An Edwardian silver and glass capstan unmarked, circa 1794 by ID, untraced, see Grimwade 3632, circa inkwell Inscribed “Theatre Rochdale No.2” with a 1735 by A.S.Cox, London 1907 bright-cut border, the reverse engraved “Mr With a reeded border, the pull-off cover The circular glass base with star cut base, the Hamer” with oak leaves, 5 x 3.5cm. monogrammed “WH and Llwyn”, height 4cm, silver mount with a hinged cover with bead £150 - 200 diameter 6.5cm, weight 3oz. border , height 9.5cm, diameter 13cm. £250 - 300 £200 - 300 The Rochdale Theatre on Toad Lane was granted a two year lease on the 1st November 53 1794 with 11 subscribers, John Hamer An Edwardian silver boudoir clock being the second on the list. It was a vacant by Joseph Minden, London 1902 Wesleyan chapel and was demolished in 1865. Of hammered finish, with a scroll handle, raised on four ball feet, the white enamel dial Mr. John Hamer Esq., d. 1806, was an attorney with black Roman numerals, 7 x 5 x 4.5cm. in Rochdale, he lived in a property called the £200 - 300 Wood that was eventually pulled down and is now the site of the Town Hall.
With thanks to the Local Studies Staff at the Rochdale Link4Life
12 | Bonhams 61
61 62 63 An Edwardian silver & enamel cigarette A Victorian silver and silver-gilt rectangular A Victorian 18ct gold rectangular case vinaigrette vinaigrette by Payton, Pepper & Son Ltd., Chester 1901 by Nathaniel Mills, Birmingham 1845 by Edward Smith, Birmingham 1855 Of rectangular arched form, enamelled with With gilt scroll surrounds to engine turned The shaped body with floral engraved a copy of “La Rixe (The Brawl)” by Jean Louis panels, opening to reveal a pierced and decoration, opening to reveal a floral pierced Ernest Meissonier, 9 x 6.5 x 1.5cm. engraved grill, vacant cartouche, 4 x 3 x 1cm, and engraved grill, later suspension loop, 2.5 x £400 - 500 a Victorian silver rectangular vinaigrette, by 2 x 05cm, weight 8gms. Edward Smith, Birmingham 1849, with scroll £300 - 400 engraved decoration, opening to reveal a pierced and engraved grill, vacant cartouche, 2.5 x 2 x 1cm, an Edwardian oval snuff box, Birmingham 1901, with scroll engraved decoration, 5 x 3 x 1cm and a Dutch silver box. (4) £250 - 300
Fine Art & Interiors | 13 64, 65 66
Flatware 67 69 A modern silver Old English pattern A silver matched canteen of community 64 matched canteen for twelve settings pattern cutlery A George I silver dog nose serving spoon Various makers and dates, predominately by Viners, Sheffield, various dates by William Scarlett, London 1714 London 1938 Comprising; six table spoons, 1963, five With plain rat tail, initialled C over RE, length Comprising; Twelve table spoons, six x 1938 soup spoons, four x 1962, one x plated, six 30cm. by Josiah Williams & Co., six x 1902 by George table forks, three x 1959, three x 1964, five £250 - 300 Jackson & David Fullerton, twelve dessert dessert forks, three x 1964, one x 1961, one spoons, twelve table forks, eleven dessert x 1960,two teaspoons, 1965, six steel bladed 65 forks, 1938 by Josiah Williams & Co., twelve table knives and five dessert knives together A Charles II silver fancy-back trefid spoon teaspoons, eleven x 1906 by George Jackson with a Kings pattern cutlery service for one, by PL (in monogram, untraced) London 1681 & David Fullerton, one x 1932 makers marks by Viners, Sheffield 1959, comprising; table maker, leopard’s head crowned, lion passant, rubbed, together with thirteen steel bladed spoon, soup spoon, table fork, dessert fork, tea date letter, d table knives and thirteen dessert knives, weight spoon, steel bladed table knife and a dessert The rat-tail bowl with scroll decoration, the of weighable silver 101oz. knife, weight of weighable silver 42.5oz. handle with scroll decoration and initialled I £1,500 - 1,800 £700 - 1,000 over RE., length 19cm, weight 1.5oz. £300 - 400 68 70 An American sterling silver set of Ionic A Victorian silver pair of grape scissors 66 pattern, 1860, spoons by Mappin & Webb, Sheffield 1891 Johan Rhode for Georg Jensen; A Danish by John Polhamus for Tiffany & Co., circa 1860 With hand-pierced and engraved floral handles, silver set of Acorn pattern spoons Comprising; six table spoons, five dessert length 18cm, weight 2.5oz. London import 1925 spoons and five tea spoons, intialled R, £150 - 200 Comprising; ten soup spoons, seven tea together with Mask pattern, 1859, forks by spoons, six coffee spoons, two salt spoons, a Henry Hebbard, for Tiffany & Co., circa 1859, mustard spoon, a pickle fork, together with a comprising; six table spoons and five dessert Catcus pattern paper knife, 1933-44 makers spoons, initialled L.R., weight combined 42oz. marks, weight of weighable silver 24.5oz. £700 - 900 £500 - 700
14 | Bonhams 70A 72, 75
70A 72 74 A Victorian silver Queens pattern, with A Victorian silver-gilt Canova pattern three A William IV silver meat skewer honeysuckle heel, canteen for twenty four piece christening set partial makers mark ?T, London 1831 place settings by George Adams, London 1879 The ring terminal in the form of a coiled snake, by George Adams, London 1841-63 Comprising; knife, fork and spoon, cased and length 31cm, and a William IV silver meat Comprising; 24 table spoons, 18 dessert a Victorian silver and mother-of pearl handled skewer, by Jonathan Hayes, London 1831, spoons, 18 tea spoons, 24 table forks, dessert knife and fork, by Martin, Hall & Co., Sheffield with plain ring handle, length 31cm, weight forks, 5 salt spoons, 1 butter knife, 1 sugar 1897, with fruit engraved blade and tines, combined 6.5oz. sifting spoon, crested, weight 254oz. carved handles, cased. £250 - 300 £4,000 - 4,500 £300 - 400 75 71Y 73 A George III silver pair of cast grape scissors A Victorian silver and ivory pair of A George III and later silver canteen of by Reily & Storer, London 1813 provincial fish servers bead edge pattern cutlery for six settings With grape and vine handles, length 19cm, by Josiah & James Williams, Exeter 1866 by George Smith III, London 1779 weight 4oz. The pierced and engraved blade decorated Comprising; table spoons, four dessert spoons, £200 - 250 with a heron catching a fish, the ivory handles seven tea spoons, four dessert forks, table forks carved with bull-rushes, initialled B, length of (London 1905), crested, weight 38oz. 76 knife 33cm. £600 - 800 A George III fish slice £250 - 300 by Peter, Anne and William Bateman, London 1804, the handle by another, Sheffield 1804 With a bright-cut blade, initialled, a George IV Queens pattern, with honeysuckle heel fish slice, by Charles Boyton, London 1829, with a pierced blade and a George III fiddle and thread pattern basting spoon, by Eley, Fern and Chawner, London 1812, crested. £400 - 500
Fine Art & Interiors | 15 A Private Collection of Mustard Pots
98 detail 77 An Edwardian silver mustard pot by Nathan & Hayes, Chester 1904 Of oval pierced bright-cut form, blue glass liner, a Victorian silver mustard pot, by Nathan & Hayes, Chester 1896, in the form of a Scandinavian peg tankard, the cover inset with a Queen Anne coin, blue glass liner, a Victorian silver mustard pot, by Stokes & Ireland, Chester 1896, with pierced and engraved border, blue glass liner and an Edwardian silver mustard 79 pot, by Haseler & Haseler, Chester 1906 of oval form with geometric pierced decoration, blue 80 glass liner, weight combined 11oz. (4) £400 - 500
78 A George III silver mustard pot 77 81 by E. Morley, London 1806 77 Of oval form, with reeded border, foot and 78 handle, pale green glass liner, length 11cm, 77 weight 3oz. £100 - 150
79 A George III Provincial silver mustard pot by George Murray, Newcastle circa 1805 Of oblong baluster form with gadrooned border, raised on four ball feet, crested, blue glass liner, height 9cm, weight 4.5oz. £300 - 400
80 A George III Scottish silver mustard pot by J.& W. Howden, Edinburgh 1817 Of oblong pedestal form with an applied floral and gadrooned border, shell thumb-piece, gilt 82 interior, height 6cm, weight 6oz. £180 - 220 83 84 81 85 A George III silver oblong mustard pot 77 by Danile Pontifex, London 1806 With applied basket-weave waist band, 86 gadrooned border, raised on four ball feet, crested, height 7.5cm, weight 5.5oz. £220 - 280 84 85 82 A Victorian silver mustard pot A George III Provincial silver mustard pot A German silver pedestal mustard pot by Charles Fox, London 1845 possibly John Crawford, Newcastle, circa 1790 by Karl Kurz, Kesselstadt, imported by Theodor Of circular form, with pierced scroll decoration, Of cylindrical form with a bead border, conical Hartmann, London 1901 blue glass liner and a George III silver mustard cover with a fan thumb-piece, height 8.5cm, With cast ribbon and swag pierced body, pot, by Burrage Davenport, London 1778, of weight 2.5oz. chased leaf cover, blue glass liner, height 14cm, barrel form, with applied bands to the upper £300 - 350 weight 4.5oz. and lower body, initialled, blue glass liner, £200 - 250 weight combined 8.5oz. (2) The underside engraved W*T. £400 - 500 83 86 A Victorian silver mustard pot Liberty & Co.; A silver mustard pot by CT & G Fox, London 1853 by Liberty & Co., Birmingham 1917, design Of circular form, with floral and eagle engraved number 492 decoration, scroll thumb-piece, shaped applied Of hammered bellied form, raised on a foot, height 8cm, weight 4.5oz. spreading foot, blue glass liner, height 6cm. £220 - 250 £120 - 150
Fine Art & Interiors | 17 89
97 87 96 95 92 84 88 94 91 90 93
94 A Victorian silver presentation mustard pot by Reily & Storer, London 1839 Of circular form with pierced scroll and leaf decoration, raised on four shell capped scroll feet, blue glass liner, diameter 7.5cm, weight 5.5oz. £350 - 400
Inscribed “Awarded by, the, English Agricultural, Society, to, Mr. James Maton, for a pen of Southdown breeding, ewes with their lambs at their, first annual meeting held, at Oxford July 17th 1839.”
The origins of the Ministry of Agriculture, Fisheries and Food may be traced to a chartered society, the Board of Agriculture. This 98 body was formed in 1793, dissolved in 1822, and then revived as the English Agricultural 87 91 Society in 1838 (renamed the Royal Agricultural A Victorian Scottish silver pedestal mustard A George III Scottish silver mustard pot Society of England in 1840). pot by James McKay, Edinburgh 1817 by J H and S, Edinburgh 1850 Of cauldron form with a pie-crust border, shell 95 The openwork cast and chased foliate body, thumb-piece and pomegranate finial, raised A Victorian silver mustard pot with domed cover and a fan-shaped thumb- on three lion mask paw feet, blue glass liner, by W.R. Sobey, Exeter 1842 piece with floral finial, red glass liner, height height 7cm, weight 4.5oz. Of circular form, with scroll pierced decoration, 7cm, weight 6.5oz. £150 - 200 fan handle, blue glass liner, height 7cm, weight £300 - 400 4oz. 92 £300 - 400 88 A George III silver mustard pot A Victorian silver mustard pot by John Emes, London 1807 96 by G.J. Richards, London 1854 Of circular form, with applied band decoration, A Victorian Provincial silver mustard pot Of octagonal form with floral and scroll raised on a pedestal foot, clear glass liner, by Henry Wilkinson & Co., Sheffield 1837 engraved panels, shell and scroll capped diameter 8cm, weight 5oz. The cylindrical body with pierced and handle, blue glass liner, monogrammed, height £300 - 400 embossed Gothic arch and leaf decoration, 7.5cm, weight 5oz. scroll thumb-piece, blue glass liner, crested , £300 - 400 93 height 7cm, weight 3.5oz. A George III silver pierced mustard pot £300 - 400 89 by WL, untraced, see 3893, Grimwade, London A William IV silver mustard pot 1765 97 A Victorian silver mustard pot by the Barnards, London 1833 The body with diaper-work decoration, by William Hunter, London 1845 In the form of a Warwick vase, with a fan shape thumb-piece, blue glass liner, Of circular form with scroll pierced decoration, gadrooned border, fluted lower body, leaf monogrammed, height 7cm, weight 3oz. applied floral border, raised on four cast leaf handles, blue glass liner, height 8cm, weight £200 - 250 feet, blue glass liner, together with a Georgian 8oz. Irish mustard spoon, height 9cm, weight 4.5oz. £300 - 350 £300 - 400
90 98 A George III Scottish silver mustard pot A Victorian silver chinoiserie cast mustard by James Mckay, Edinburgh 1826 pot Of cylindrical form with a gadrooned border by John Figg, London 1842 and shell thumb-piece, crested, blue glass liner, With pierced scroll decoration, applied height 6.5cm, weight 5.5oz. openwork border, raised on three cast £300 - 400 Chinaman mask and scroll feet, the pierced cover with bird finial, the handle Chinaman capped, height 8cm, weight 5.5oz. £350 - 400
18 | Bonhams 99
101, 102, 103
Irish Silver 101 103 A William IV silver sugar bowl A George III Irish silver bright-cut three 99 by Charles Marsh, Dublin 1830 piece tea Service A silver cock and hen pheasant table Of lobed baluster form with embossed and probably by James Barker, Dublin 1813 decoration chased floral decoration, rose border, raised Of rectangular bellied form with gadrooned by the Royal Irish Company, Dublin 1972/74 on four scroll and paw feet, diameter 17cm, borders, latticework and floral engraved Realistically modelled, with ruby glass eyes, weight 13oz. decoration, raised on four ball feet, comprising; length of cock pheasant 36cm, weight 49oz. £200 - 300 tea pot, sugar bowl and milk jug, crested, £800 - 1,200 length of tea pot 30cm, weight 40oz. 102 £1,000 - 1,500 100 A George III silver Irish sauce ladle A silver commemorative strawberry dish by Carden Terry, Cork c.1780 by the Royal Irish Silver Co., Dublin 1966 With bright-cut engraved decoration, crested, Inset with a silver coin to commemorative length 18.5cm, weight 1oz. the seige of the general post office in Dublin, £300 - 400 diameter 13cm, together with a matching smaller example, diameter 9cm, crested, weight combined 8.5oz. £150 - 200
Fine Art & Interiors | 19 105, 106, 107 109, 110, 111, 112, 113
Chester Silver 108 111 A silver twin handled tray An Edwardian silver novelty cream jug 104 by Barker Brothers, Chester 1923 no makers mark, Chester 1907, registered A Dutch silver figural casket Of oval form, with pie-crust border, on four number 500856 by B.Neresheimer & Sohne, Hanau, imported hoof feet, with up turned scroll handles, length Of naturalistic form featuring a model of a by Berhold Muller, Chester 1906 including handles 63cm, weight 94oz. chick emerging from its egg, length 9cm and The cover and sides embossed with villagers £1,200 - 1,800 an Edwardian silver novelty box, by Nathan revelling and dancing, the corners with cast & Hayes, Chester 1901, in the form of an minstrels, raised on four scroll feet, opening to 109 embossed egg, inscribed “EASTER 1902”, reveal a velvet lined interior, 25 x 15 x 11.5cm. A silver swing handle basket length 6.5cm, weight combined 2.5oz. £600 - 800 by Barker Bros., Chester 1922 £300 - 400 With two rows of linear pierced decoration, 105 reed border and handle, raised on a spreading 112 A silver chalice with cover foot, height with handle raised 22cm, length A silver tumbler cup by John & Joyce Lowe, Chester 1962 26cm, weight 15oz. by John & Joyce Lowe, Chester 1962 Of plain form with a knopped stem to a £200 - 300 Of typical form, height 4.5cm, weight 1.5oz. spreading foot, the pull-off cover with a cross £60 - 80 finial, height 25cm, weight 17oz. 110 £400 - 600 An Edwardian silver tea caddy Retailed by Lowe, Chester. by John Millward Banks, Chester 1903 106 Of rectangular bombe form, the cast panels The Chester Assay Office closed on the 24th A silver baluster mug decorated with chased cherub and floral August 1962. by John & Joyce Lowe, Chester 1962 decoration, raised on four scroll feet, 9.5 x 7 x Of plain form with a double scroll handle, 10cm, weight 11oz. height 12cm, weight 11.5oz. £250 - 300 £150 - 200
107 A silver set of three tumbler cups by John & Joyce Lowe, Chester 1962 Of typical plain form with flattened bases, height 4cm, diameter 5.5cm, weight combined 5.5oz. £200 - 250
20 | Bonhams 114, 115 116, 117
Sheffield Silver
113 A Victorian silver three piece tea service by James Dixon & Sons, Sheffield 1897 Of oval baluster form with embossed and chased floral decoration surrounding vacant cartouche, applied cast scroll border, raised on a spreading foot, comprising tea pot, sugar bowl and milk jug, length 26.5cm, weight 47.5oz. (3) £700 - 900
114 A Victorian silver swing handled basket by Walker and Hall, both JEB and W&H makers marks, Sheffield 1890 Of shaped oval form, with engraved and pierced foliate decoration, twist and bead 118, 119, 120 handle, raised on a spreading foot, height with handle raised 25cm, length 35cm, weight 116 118 24oz. An Edwardian silver presentation twin- A Victorian silver swing handle pedestal £400 - 500 handled trophy cup basket by Walker & Hall, Sheffield 1909 by Thomas Bradbury & Sons, Sheffield 1863 115 With applied waist band over an applied strap Of circular lobed form, with embossed fruit A Victorian silver spirit kettle on stand work lower body, leaf capped double scroll roundels and engraved scroll decoration, by Atkin Bros., Sheffield 1903 handles, raised on a spreading foot, height rope-twist handle, raised on a spreading foot, Of oval baluster form, with floral embossed 25cm, weight 71oz. diameter 31cm, weight 29oz. and chased upper body over a fluted lower £800 - 1,000 £500 - 700 body, reed scroll handle, raised on a matching stand with leaf capped cabriole legs, engraved Inscribed “ Retford Conservative Club, 119 armorial with motto, height 34cm, weight Competition Cup, Billiards & Snooker, A Victorian silver and cut glass ink stand 51.5oz. Presented by, Mrs. C. W. Kayser”. by Henry Wilkinson & Co. Sheffield 1848 £700 - 900 Of oval scalloped and lobed form with pierced Together with an ebonised plinth. and engraved decoration, with two pen The shield and crest of TURNER ensign with the wells, raised on four scroll feet, the central, open helm for a knight. 117 detachable, taper stick flanked by square cut Possibly for Sir Montagu Cornish Turner of An Edwardian silver two-handled bowl glass bottles with hinged silver covers, 25.5 x Havering-atte-Bower, Essex, by Henry Atkin, Sheffield 1907 16.5cm, weight of weighable silver 12.5oz. Member of the Port of London Authority, who The oval baluster body ornately embossed £300 - 350 was knighted in 1903. and chased with floral scrolls, two vacant cartouches, the handles of cast Griffin form, raised on four scroll feet, height 18cm, length 36cm, weight 35oz. £800 - 1,200
Fine Art & Interiors | 21 120 120 detail
121, 130, 131
120 The “American” was a 2474 ton steamship 121 A Victorian silver two handled presentation that broke her propeller shaft on route from A silver pair of Arts & Crafts candlesticks cup Southampton to Cape Town on the 23rd by James Dixon & Sons, Sheffield 1905 by Atkin Bros., Sheffield 1879 April 1880, causing her to take on water near Of square tapering design, raised on square The presentation cartouche bordered by floral Cape Palmas and eventually sank. Captain strapwork bases, loaded , height 22cm. scrolls and garlands, leaf capped handles, Waite was highly commended for his coolness £500 - 700 raised on a knopped stem to a spreading foot, and professionalism in saving the lives of cased, height 35cm, weight 42.5oz. the passengers and crew, including ordering 122 £800 - 1,000 breakfast for all before they took to the A William IV silver inkstand lifeboats. by T.& N. Creswick, Sheffield 1836 Inscribed “Presented to Captain A.Mc.Lean Of oblong shape with applied shaped scroll Wait, by members of the Cape Town Chamber Many of the passengers then boarded the border, the central floral chamber stick with of Commerce and others. In recognition of “Senegal” to continue their passage, she ran extinguisher, flanked by two silver mounted his able and gallant conduct on the occasion aground off Grand Canary with the loss of one cut glass ink bottles, raised on four scroll feet, of the foundering of the Union Royal Mail life. crested, 26 x 14.5cm, weight 17oz. Steamer, American. On the 23rd April 1880.” £500 - 600 Copies of the South Africa newspaper articles relating to the story, dated January 18th and Lacking one glass ink well. 25th 1913, are included with the cup.
22 | Bonhams 123
124
125
Newcastle Silver 125 Exeter Silver A George II lidded tankard 123 by Isaac Cookson, Newcastle 1747 126 A George III silver coffee pot With applied waist band, the domed cover to a A George IV silver teapot by John Langlands I and John Robertson I, scroll thumb-piece, the “S” scroll handle with by William Welch, Exeter 1823 Newcastle 1784 a heart-shape terminal, intialled W over I*E, Of oblong bellied form with gadrooned border, Of baluster form, with a beaded border and height 19cm, weight 24.5oz. floral thumb-piece and finial, raised on four spout, vase finial and fruit wood handle, floral £1,000 - 1,200 ball feet, length 31cm, weight 23.5oz. cartouche, height 31cm, weight 28oz. £400 - 500 £1,200 - 1,500 Together with a turned mahogany base.
124 A George II silver two-handled cup by John Langlands I, Newcastle, 1759 With applied waist band, “S” scroll handles, raised on a spreading foot, one handle initialled P over T*E, later initialled EM, height 16cm, weight 18oz. £800 - 1,200
Fine Art & Interiors | 23 130 An Arts and Crafts silver pedestal bowl by James Dixon & sons, Sheffield 1905 Of hammered finish with trefoil sinuous handles, raised on a spreading foot, height 18cm, weight 11.5oz. £300 - 400
131 An Arts & Crafts silver and enamel biscuit barrel by Guild of Handicrafts, London 1901 Of circular hammered form with an applied bead border, raised on a spreading foot, the pull-off cover with an enamelled panel, height 16.5cm, weight gross 21.5oz. £500 - 600
132 An Edwardian pair of silver candlesticks by William Hutton & Sons, London 1902 17, 127, 129, 138 The vase shape capitals with embossed ribbon and swag decoration, removable sconces with bead borders, raised on a tapering Ram’s head mask and garland column to a square base with urns and acanthus leaves, loaded, height 30.5cm. £700 - 900
133Y A Victorian silver mounted horn flask by L.G, Birmingham 1888 Of tapering form with bayonet cap, height 28cm and a silver mounted and horn mug, Edinburgh 1911, with a horn handle, applied shield shape cartouche, engraved with a Masonic crest, height 7cm. £400 - 600
134 An Edwardian silver twin-handled vase by William Hutton & Sons, Birmingham 1905 Of tapering baluster form, with sinuous handles, raised on a spreading foot, height 25cm, weight 15oz. £300 - 500
135 A Victorian silver melon teapot by the Barnards, London 1842 132, 133, 137 With a melon finial, raised on four scroll and leaf feet, height 15cm, weight 22oz. £350 - 400 Antique Silver, pre 1913 128 An Edwardian silver biscuit box 136 127* by Aspreys, London 1905 A Victorian silver pedestal bowl A silver salver Of shaped oval form, with a hinged cover, on by Sibray & Hall, London 1888 by Thomas Bradbury & Sons, London 1911 four scroll feet, length 19cm and a similar tea The shaped bowl embossed and chased With a gadrooned pie crust border with floral caddy, by Gibson and Langman, London 1898, with floral and scroll decoration, raised on and scroll engraved and chased decoration, length 10cm, weight combined 30oz. (2) a matching spreading foot, height 13cm, raised on four ball and claw feet, diameter £500 - 600 diameter 24cm, weight 15oz. 46cm, weight 80oz. £350 - 400 £1,200 - 1,500 129* An Edwardian silver pair of octagonal entree dishes by James Aitchinson, London 1902 With gadrooned borders, twist action reeded handles, 28 x 21cm, weight 82oz. £1,200 - 1,500
24 | Bonhams 137 A Victorian silver pedestal coffee pot by Wellby & Wellby, London 1895 Of Neo-classical form with embossed ribbon and swag decoration, fluted lower body, raised on a spreading foot, ebonised handle and finial, height 23cm, weight 29.5oz. £400 - 500
138 An Edwardian silver rectangular two handled entree dish, with liner, on stand by Harrods Stores Ltd., London 1907/09 The gadrooned border with shaped corners, reeded and scroll detachable handle, pull-out liner, raised on a reeded four leg stand with central burner, height 19cm, length 32cm, weight 80oz. £1,200 - 1,500
139 A Victorian silver pair of oval dishes 141 by Sibray & Hall, London 1888/89 With floral and scroll embossed and chased decoration, 27 x 21cm, weight combined 17.5oz. £400 - 500
140 A Victorian silver set of four Fern pots by Deakin & Francis, Birmingham 1891 Of flared form with vacant cartouches between embossed floral decoration, the lower body fluted, gilt interiors, height 7cm, weight combined 8oz. £200 - 250
141 A Victorian silver pair of rose bowls by Gibson & Langman, London 1894 With floral and scroll embossed and chased decoration, raised on a spreading foot, crested, height 12.5cm, diameter 18cm, weight combined 26.5oz. £500 - 700
142*Y A Victorian silver baluster tea and coffee 142 service by Robert Harper, London 1864/65 144 145 With floral and scroll engraved decoration, A Victorian silver-gilt bonbon dish A Victorian silver presentation mug scroll spouts and double scroll handles, by F.B.Thomas, London 1900, retailed by by Stephen Smith, London 1877 comprising tea pot, coffee pot, sugar bowl Asprey, London The tapering body engraved with two bands of and milk jug (by Beare Falcke, 1864), height of Of oval form with embossed swag and garland fruiting foliage with butterflies, plain C shape coffee pot 23cm, weight 68oz. decoration over a pierced body, bead and shell handle, height 15.5cm, weight 19oz. £800 - 1,000 border, length 18cm, weight 7oz. £300 - 400 £150 - 200 143 Inscribed “Presented to, David Smethurst, by A Victorian silver circular salver the, Rio de Janeiro Gas Company Limited, in by the Barnards, London 1898 recognition of his long and valuable services, With a gadrooned shaped border, floral 1879” engraved field, raised on four pad feet, diameter 26cm, weight 19oz. £200 - 300
Fine Art & Interiors | 25 149 A Victorian silver-gilt oval inkstand by George Fox, London 1868 The central urn pedestal mounted with a taperstick, flanked by two plain glass ink pots, mounted on a two pen well base with floral engraved decoration, raised on two paw feet, crested, 26 x 18cm, weight of weighable silver 24oz. £600 - 800
The crest is for Charles Henry Gordon-Lennox, 7th Duke of Richmond and Lennox KG, GCVO (27 December 1845 – 18 January 1928), 7th Duke of Aubigny, styled Lord Settrington until 1860 and Earl of March between 1860 and 1903, was a British politician and peer.
150 A Victorian silver baluster teapot by Robert Hennell II, London 1854 146, 147, 148, 149, 150 With all over rose and foliate engraved decoration, two vacant cartouches, leaf capped double scroll handle, height 17cm, weight 23oz. £400 - 500
151 A Victorian silver baluster coffee pot by Martin & Hall, London 1884 With floral and scroll embossed decoration, double scroll handle, raised on a spreading foot, crested, height 27cm, weight 27oz. £600 - 800
152 A Victorian silver baluster coffee pot by W.W.Williams, London 1864, retailed by Lambert, Coventry St., London The body engraved with floral garlands and scrolls, scroll spout and vase finial, raised on a spreading foot, height 23cm, weight 27oz. £400 - 500
153 A Victorian silver baluster coffee pot 152, 152, 153, 154 by Martin, Hall & Co., London 1881 With embossed and chased floral and scroll 146 147 decoration, leaf capped scroll handle, bearded Of Benjamin Disraeli interest; A Victorian A Victorian silver circular plate man mask spout, eagle finial, raised on four silver circular plate by Robert Garrard, London 1865, scroll feet, monogrammed, height 25cm, by George Lambert, London 1875 With an ogee border and a gadrooned border, weight 29oz. With applied wavy border, crested, diameter diameter 25cm, weight 18oz. £400 - 600 25cm, weight 18.5oz. £500 - 700 £300 - 400 154 148* A Victorian silver mounted and glass claret The crest is for Benjamin Disraeli, 1st Earl of A Victorian silver teapot jug Beaconsfield, KG, PC, FRS, (21 December by Robert Garrard, London 1871 by Reilly & Storer, London 1841 1804 – 19 April 1881). He was twice British Of baluster form, with engraved alternate The scroll engraved mount with an S scroll Prime Minister, a parliamentarian, Conservative latticework and scroll panels, ebonised handle handle to a turquoise glass globular body, statesman and literary figure. and finial, crested and a silver bullet shape height 24cm. bachelor teapot, by Parsons & Parsons, London £400 - 500 Stamped to the underside “LAMBERT, 1912, retailed by Asprey, with scroll engraved COVENTRY ST, LONDON.” decoration, fruit wood handle, weight combined 34oz. See lot 369, sale 4215, Christie’s 7th February £500 - 600 2012 for another plate from the same service.
26 | Bonhams 155 A Victorian silver four piece tea and coffee service by J. & A. Savory, London 1852 Of baluster panelled form with geometric scroll engraved decoration, scroll handles and spouts, raised on four scroll feet, comprising; tea pot, coffee pot, sugar bowl and milk jug, height of coffee pot 27cm, weight 75oz. £1,000 - 1,500
156 Of Eaton College Interest; A Victorian silver presentation goblet by George Adams, London 1878 Engraved with ferns, one panel inscribed, the other with the Eaton coat of arms and motto, height 17.5cm, weight 6.5oz. £200 - 250
Inscribed “E.A.Ranner, winner of the, walking race, 1879” 155
157* A Victorian silver pierced basket by Charles Stuart Harris, London 1886 With all-over pierced, embossed and chased floral decoration, 27 x 21cm, weight 9.5oz, together with a George III berry spoon, cased. £200 - 300
158 A Victorian silver circular salver by William Barnard, London 1878 With scroll and floral applied wavy border, scroll and floral engraved and chased field, raised on three floral feet, monogrammed, diameter 24cm, weight 14.5oz. £250 - 350
159 A Victorian silver rose bowl by Brook and Son, Edinburgh 1896 With applied reeded girdle, vacant shield shaped cartouche, with leaf-capped flying scroll handles and detachable wire-work frame, diameter 24.5cm, weight 40oz. £600 - 800
160 A Victorian five piece tea and coffee service by John Figg, London 1880 After a design by Edward Farrell, of squat baluster form, each piece profusely embossed with 17th century Dutch scenes of village revelry, the finals with a man drinking seated on a barrel, the feet with a man holding food; 160 comprising kettle on stand, lacking the wick holder to the burner, bachelor tea pot, coffee 161 pot, sugar bowl and milk jug, height of tea A Victorian silver three piece tea service kettle 32cm, weight approximately 80oz. by Hukin & Heath, London 1889 £1,200 - 1,500 Of squat circular form, with fluted decoration, comprising; tea pot, sugar bowl, milk jug, See Bonham’s New Bond Street, Fine Silver together with a pair of sugar tongs, cased, Sale, 20th June 2012, Sale no 20015 lot 100, weight 21oz. for a similar example £300 - 500
Fine Art & Interiors | 27 162, 163, 164 165, 166, 167
168 A George III silver-gilt quatrelobed egg cruet by Richard Cooke, London 1801 The cups with cast laurel borders, supported by a lobed laurel with four cast wing capped, lions legged frame, raised on ball feet, the pomegranate finial mounted on a laurel and ribbon handle, crested, height 17cm. £600 - 800
169 A George III silver baluster teapot by William Bateman, London 1818 The body chased with panels of interlaced strap work, shell and foliage, the cover with a floral finial, crested, height 14.5cm, weight 19oz. £300 - 350 168, 126, 169, 170 170 Y 162 165 A George III silver pair of candlesticks A William IV silver set of four circular salt A George IV silver matched three piece tea by Matthew Boulton, Birmingham 1806 pots service The detachable sconces to a fluted capital, by Joseph Wilson, London 1834/35 by Joseph Angell, London 1826, and Emes and plain columns, with fluted knop and raised With pierced bodies and gadrooned borders, Barnnard, London 1826 on circular gadrooned bases, height 19.5cm, raised on foliate bracket feet, blue glass liners , Of melon form, with leaf-capped fruiting vine loaded. (2) diameter 7.5cm, weight 12oz. scroll handles and cast rose finial, raised on a £700 - 900 £500 - 600 spreading foot, weight 45oz. £700 - 900 171 One liner missing A George III silver presentation salver 166 by Ebenezer Coker, London 1762 Y 163* A William IV silver bottle decanter stand With ornate scroll border, the filed with floral A George IV silver baluster coffee pot by the Barnards, London 1832 and scroll decoration, raised on three ball and by the Barnard Brothers, London 1829 Of trefoil form. the central shell capped handle claw feet, diameter 32cm, weight 28.5oz. Of lobed form with floral embossed and supporting three reeded bottle containers with £400 - 500 chased border, spout, handle and finial, raised stopper holders between, raised on scroll feet, on a cast lily pad and shell foot, height 22cm, containing one cut glass decanter and one The underside inscribed “Chr. & M.F.Hill, to E.P. weight 30oz. spare stopper, height 30cm, weight 25.5oz. Moxhay” £400 - 600 £500 - 700
164 167 A George IV silver teapot A George IV silver and glass eight bottle by George Burrows II, London 1824 condiment stand Of melon form with alternate plain and by Joseph Angel, London 1822 embossed foliate panel decoration, raised on a The rectangular frame with gadrooned border, shaped circular foot, fruitwood handle, crested, raised on four scroll and paw feet, the central height 15cm, weight 23.5 oz. leaf capped handle supporting eight reeded £300 - 400 compartments with replacement bottles, height 21cm, weight of weighable silver 20oz. £300 - 400
28 | Bonhams 172, 173, 174
172Y 174 A George III silver oval bright-cut engraved teapot on stand A George III silver oval tea caddy by Peter & Anne Bateman, London 1795 by Robert Makepeace & Richard Carter, London 1777 With reeded borders, engraved with a floral garland, fruit wood handle, With all-over floral embossed and chased decoration, vacant cartouche, ivory fruit finial, mounted on a matching stand, raised on four tapering bead borders, the cover with a China man finial, height 12cm, length feet, height overall 18cm, weight combined 19oz. 13cm, weight 15oz. £500 - 700 £600 - 800
173 175 A George III silver oval swing handled basket A George III silver three piece tea service by Peter & Anne Bateman, London 1794 by Wallis & Hayne, London 1817/18 With a reeded rim to a bright-cut engraved and pierced border, the Of oblong bellied form with reeded bands and gadrooned borders, bowl embossed and chased with floral swags, raised on a pierced foot, raised on four ball feet, comprising; tea pot, sugar bowl and milk jug, reed and scroll handle, height with handle raised 27cm, length 36.5cm, initialled, length of tea pot 30cm, weight 34oz. weight 25.5oz. £600 - 800 £400 - 500
Fine Art & Interiors | 29 176, 177, 178, 179, 180
176 179 A George III silver baluster coffee pot A George II silver pair of vase shape casters probably by William Cripps, London 1762 by S.M, untraced, London 1748 With scroll capped spout, oak handle and vase finial, inscribed, height With applied waist band, the pull-off covers with engraved latticework 25cm, weight 20.5oz. decoration, one with a ‘blind’ top, height 13.5cm, weight combined £400 - 600 6oz. (2) £300 - 400 177 A George II silver circular waiter, 180 by John Tuite, London 1730 A George III silver two-handle cup With moulded border, raised on three hoof feet, diameter 15.5cm, by John Kidder, London 1781 weight 6.5oz. The flared rim with an embossed rope band beneath, fluted lower body, £500 - 550 reeded handles, vacant cartouche, height 8.5cm, weight 4.5oz. £100 - 150 178 A George II silver baluster coffee pot 181 - 189 by Thomas Whipham, London 1748 No lots Of plain form with a leaf capped spout, pineapple finial and fruit wood scroll handle, height 24cm, weight 27.5oz. £750 - 800
30 | Bonhams Pictures featuring works by Welsh artists Wednesday 6 March 2013 at 11am Lots 190 - 437 190 195
192• Humphrey Lhuyd (British, 1527-1568) Cambriae Typus A map of Wales, with oval cartouche, single sea monster off ‘Wormes heade’ compass and scale, hand coloured engraved map, Mercator variant of circa 1636-42 unframed 35 x 49cm (13 3/4 x 19 5/16in). £200 - 300
193AR Jonah Jones (British, 1919-2004) ‘Efnisien’, tale from the Mabeinogion, four slate standing stones with lettering low relief carving with inscriptions recto and verso 76 x 26cm (29 15/16 x 10 1/4in).and smaller sizes £500 - 600
194AR Charles Frederick Tunnicliffe R.A. (British, 197 1901-1979) Bewick Swans over Maltraeth Welsh Maps, Prints and Paintings 191 inscribed ‘C.F. TUNNICLIFFE’ in pencil on mount Humphrey Lhuyd (British, 1527-1568) (lower centre) pencil study 190 Cambriae Typus 46.5 x 65cm (18 5/16 x 25 9/16in). Hugh Hughes (Welsh/British, circa 1790- A map of Wales, decorated with elaborate £500 - 700 1863) cartouche, sailing vessel and sea monster in the AR ‘Dame Venedotia, alias Modryb Gwen’ Irish Sea, scale and pair of dividers 195 a caricature map of North Wales (alias Auntie hand coloured engraved map, Ortelius variant Frances Richards (British, 1903-1985) Gwen), with key of the lakes and towns of circa 1573-86 (first published edition) 36.5 x ‘Autumn’ lithograph by Joseph Josiah Dodd after the 49cm (14 3/8 x 19 5/16in). initialled and dated ‘FR ‘63’ (lower left) and design by Hughes, uncoloured published H. £250 - 350 initialled again (lower right); signed and inscribed with title on artist’s label (verso), Humphries, Caernarvon, circa 1840-47 watercolour, gouache, pen and ink, 29.5 x 23cm (11 5/8 x 9 1/16in). 29 x 24cm (11 7/16 x 9 7/16in). £500 - 700 £500 - 700
32 | Bonhams 196AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘Moon over Crib Goch’ 196 signed with initials ‘KW’ (lower right) oil on canvas 61 x 61cm (24 x 24in). £12,000 - 18,000
Provenance - with Thackeray Gallery, London, 1993, and also with Martin Tinney Gallery, London.
197AR Sir Kyffin Williams R.A. (British, 1918-2006) Welsh coastal cottages signed with initials ‘KW’ (lower right); bears label verso pen, ink and wash 25 x 33.5cm (9 13/16 x 13 3/16in). £2,500 - 3,500
Provenance - Gift from the artist to the present owner.
198AR Sir Kyffin Williams R.A. (British, 1918-2006) Snowdonia village signed with initials ‘KW’ (lower left); bears label verso pen, ink and wash 25 x 33.5cm (9 13/16 x 13 3/16in). £2,500 - 3,500
Provenance - Gift from the artist to the present 198 owner.
Fine Art & Interiors | 33 199 201
203AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘Llanryhwydrus - (the artist’s grandfather’s church)’ signed with initials ‘KW.’ (lower right); bears label verso oil on canvas 51 x 61cm (20 1/16 x 24in). Painted in 1972. £15,000 - 20,000
Provenance - with The Attic Gallery, Swansea.
Located in Anglesey, the church is a particularly important landmark for Sir Kyffin as his grandfather was its rector. The artist recalls that ‘the little church of Llanrhwydrus stands isolated in the middle of a large field above the cliffs that fall into the Irish Sea. It was built originally in the 6th Century and dedicated to Saint Rhwydrus’. Conveniently for Sir Kyffin’s grandfather, ‘the church was close to the cemlyn life- boat house where he also fulfilled his duties as the coxwain’ (private correspondence).
204AR 204 Sir Kyffin Williams R.A. (British, 1918-2006) Patagonian landscape 199AR 201AR signed with initials ‘KW’ (lower right); bears John Elwyn (British, 1916-1997) Howard Coles RCA (born Cardiff, 20th label verso pastel and watercolour The argument century) 25 x 34cm (9 13/16 x 13 3/8in). signed ‘John Elwyn’ (lower right) oil on board ‘Mountain Stream’ £1,400 - 1,800 20 x 30.5cm (7 7/8 x 12in). signed ‘HOWARD COLES’ (lower right); bears £700 - 900 label verso oil on board Provenance - with Tegfryn Art Gallery, Menai 41.5 x 57.5cm (16 5/16 x 22 5/8in). Bridge, Anglesey, whence purchased by the Provenance - with Martin Tinney Gallery, £700 - 900 present owner. Cardiff, 1998 202AR 205AR 200AR Sir Kyffin Williams R.A. (British, 1918-2006) Josef Herman R.A. (British, 1911-2000) Hywel Harries (Welsh, 1921-1998) ‘Clogwyn Y Geifr’ Notes from a Welsh Diary, man in profile ‘Corris’, near Machynlleth signed with initials ‘KW’ (lower right) oil on signed ‘Josef Herman’ (to backboard on the signed ‘Hywel Harries’ and dated ‘85 (lower canvas reverse) pen, ink and wash right); bears inscription verso oil on board 50 x 76cm (19 11/16 x 29 15/16in). 25 x 20cm (9 13/16 x 7 7/8in). 44 x 89.5cm (17 5/16 x 35 1/4in). £12,000 - 18,000 £600 - 800 £400 - 600 Provenance - with Thackeray Gallery, London, 1993. and also with Martin Tinney Gallery, Cardiff.
34 | Bonhams 203
202
Fine Art & Interiors | 35 208AR Josef Herman (British, 1911-1999) Memory of Memories apparently signed verso; bears label verso pen, ink and wash 20 x 15cm (7 7/8 x 5 7/8in). together with another from the same series, apparently signed verso, bears label verso, pen, ink and wash, (2) £700 - 1,000
The labels from Cyril Gerber Fine Art, Glasgow date these drawings to circa 1940 and state they are both signed verso.
209AR Josef Herman R.A. (British, 1911-2000) 210 ‘Two women in a landscape with Coal Tip’ bears label verso pen and ink and wash 17.5 x 22.5cm (7 x 9in). £700 - 900
Provenance - With Roland, Browse & Delbanco.
210AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘Llyn Padarn’ signed and inscribed ‘KYFFIN WILLIAMS/LLYN PADARN’ (verso), oil on board, 28.5 x 39.5cm (11 1/4 x 15 9/16in). £6,000 - 8,000
Provenance: acquired directly from the artist by the present owner.
211AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘France, Burgundy Country’ signed, inscribed with title and dated 1952 (on backing board), signed and inscribed ‘Sorry to miss you/Kyffin’ on Highgate School, London letter-headed paper (attached to reverse), pen, ink and mono wash, 34 x 25cm (13 3/8 x 9 13/16in). £2,000 - 3,000
Executed circa 1952
Provenance: acquired directly from the artist by the present owner.
212AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘Gwastadnant’ 211 signed with initials ‘KW’ (lower right); bears labels verso pen, ink and wash 206AR 207AR 24 x 33.5cm (9 7/16 x 13 3/16in). Josef Herman R.A. (British, 1911-2000) Josef Herman R.A. (British, 1911-2000) £2,000 - 3,000 Notes from a Welsh Diary, by the hearth Notes from a Welsh diary, the diners pen, ink and wash pen, ink and wash Exhibited - LLangefni, Oriel Ynys Mon, 2012 18.5 x 24cm (7 5/16 x 9 7/16in). 19 x 24cm (7 1/2 x 9 7/16in). ‘O’r Aelwyd i’r Oriel - From the Hearth to the £600 - 800 £600 - 800 Oriel’.
36 | Bonhams 213
213AR Sir Kyffin Williams R.A. (British, 1918-2006) Self-portrait sketches and caricatures, to include humourous depictions of the artist dressed as a footballer; as a Venetian gondalier; at the seaside; wearing highland costume - ‘The MacGuffin’; a self-portrait as a bird - ‘”The Common Kyffin” (Kyffinus Vulgaris (Mona)’, satrical scenes outside the Glynn 212 Vivian Art Gallery, and others, 45 in total, some inscribed, some with dates (1959 and 1984), pen and ink sketches, all unframed, 22.5 x 17.5cm and smaller. £4,000 - 6,000
This group of sketches was compiled Sir Alex Gordon (1917-1999), by the Cardiff based modernist architect and former president of RIBA, during a correspondence with the artist over a number of years. Sir Alex Gordon was born in Swansea and had a passionate interest in art, accumulating an impressive private collection, which included many paintings by Sir Kyffin Williams. Many of these works were donated to the Glynn Vivian Art Gallery in Swansea.
Provenance - gift from Sir Alex Gordon to the present owner in the mid 1990s.
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Fine Art & Interiors | 37 216AR Will Roberts (British, 1910-2000) ‘Warwickshire Farm’ signed and dated ‘Will R’45’ (lower left), watercolour, 27 x 37cm; together with another of RAF Billet Camp, Colerne, near Bath, 1941; another of Biggin Hill Camp, Kent, 1943; and two watercolours of Burton Hastings and a Church in Stoneleigh, all signed or initialled, watercolours (5) £300 - 500
217AR Will Roberts (British, 1910-2000) ‘Roses in a Glass’ signed ‘Will R’ and dated 1948 twice verso, also signed, inscribed and dated 1948 label verso oil on canvas 34 x 44.5cm (13 3/8 x 17 1/2in). £500 - 700
218AR Will Roberts (British, 1910-2000) Two farmers signed and dated ‘Will R ‘72’ (lower left) charcoal 31 x 38.5cm (12 1/4 x 15 1/4in). £200 - 300 215 219AR Will Roberts (British, 1910-2000) ‘Heifer’ signed and dated ‘Will R’96’ (lower right); signed, inscribed and dated ‘96 label verso charcoal heightened with white 23.5 x 33cm (9 1/4 x 13in). together with a charcoal portrait study of the artist’s wife, signed ‘Will R’ and dated 1989 (lower right), (2) £150 - 200
220 Daniel Christian Meakin (British, Contemporary) ‘Zoom!’ signed ‘Meakin 09’ on overlap, with artist’s label verso acrylic and pastel on canvas, unframed 70 x 60cm (27 9/16 x 23 5/8in). £500 - 700
221 Daniel Christian Meakin (British, Contemporary) ‘Welsh Landscape’ signed ‘Meakin’ and dated 13 on overlap, also with artist’s label verso acrylic and pastel with collage, unframed 217 60 x 60cm (23 5/8 x 23 5/8in). £500 - 700 214AR 215AR Sir Kyffin Williams R.A. (British, 1918-2006) Will Roberts (British, 1910-2000) 222AR ‘Horse Rider Patagonia’ ‘Planter’ Clyde Holmes (British, born London 1940) signed ‘Kyffin W’ in pencil (lower right) and signed with initials ‘WR’ (lower right); signed, ‘Rushflame 1996’ numbered 284/500 in pencil (lower left) limited inscribed and dated 1988 verso, and bears initialled and dated ‘CH 96’ (lower right) oil on edition print inscription label verso oil on canvas wood 31 x 36cm (12 3/16 x 14 3/16in). 24 x 29cm (9 7/16 x 11 7/16in). 71 x 122cm (27 15/16 x 48 1/16in). £200 - 300 £1,400 - 1,800 £500 - 700
38 | Bonhams 228
223AR Mary Lloyd Jones (born Cardiganshire 1934) ‘Camre Cain’ signed ‘Mary Lloyd Jones’ and dated 1993 (lower right), inscribed with title (lower centre) and numbered 47/56 (lower left); inscribed label verso colour screenprint 25.5 x 35.5cm (10 1/16 x 14in). £200 - 300
224AR Valerie Ganz (British, born Swansea 1936) ‘Maria’, study of a dancer signed ‘Valerie Ganz’ (lower centre right); signed and inscribed labels verso pastel 50.5 x 38.5cm (19 7/8 x 15 3/16in). £500 - 600
225AR Fred Uhlman (British, 1901-1985) Croesor Valley landscape, Wales oil on canvas 61 x 91cm (24 x 35 13/16in). Painted circa 1958 225 £2,000 - 3,000 227AR 228AR Sold with a signed letter from the artist’s son Ferdinand Cirel (Welsh, 1884-1968) John Piper CH (British, 1903-1992) confirming the authenticity of this painting. ‘The Green Door’ and ‘Japanese Vase’, a pair ‘Penrhyndeudraeth’ one indistinctly signed (lower left, under signed ‘John Piper’ (lower right); signed, 226AR mount), and inscribed (lower right); one signed inscribed with title and dated 1958 (verso), oil Ferdinand Cirel (Welsh, 1884-1968) ‘F.L. Cirel’ (lower left) and inscribed (lower and mixed media on board, Farmscene near Cardiff right) pen, ink and pastel 20.5 x 35cm (8 1/16 x 13 3/4in). signed ‘FERDINAND CIREL’, inscribed and dated 12 x 8.5cm (4 3/4 x 3 3/8in). £6,000 - 8,000 ‘CARDIFF 1960?’ on mount (lower right) oil on and 12.5 x 9cm board £100 - 200 Provenance - with Howard Roberts Gallery, 34 x 43.5cm (13 3/8 x 17 1/8in). Cardiff £100 - 200 229AR Karel Lek (British, 1929) ‘Man & Woman’ signed ‘K. LEK’ (lower right); signed and inscribed verso oil on canvas 44 x 39cm (17 5/16 x 15 3/8in). £250 - 350
Fine Art & Interiors | 39 230 233
234AR Aneurin M Jones (British, active from mid 1950’s) Horse fair signed ‘Aneurin’ (lower left) oil and pastel on board 35 x 53cm (13 3/4 x 20 7/8in). £2,500 - 3,500
Provenance - with Oriel Tegfryn Gallery, Anglesey.
235AR Sir Kyffin Williams R.A. (British, 1918-2006) Farm at Mynydd Bodafon, initialled ‘KW’ (lower left), oil on canvas, 51 x 61cm (20 1/16 x 24in). £10,000 - 15,000
Provenance - with Howard Roberts Gallery, Cardiff 234 236AR AR AR 230 232 Sir Kyffin Williams R.A. (British, 1918-2006) George Chapman (British, 1908-1993) Darren Hughes (born Bangor 1970) ‘Farm Penmynydd’ ‘Rhonda Valley’ ‘Anglesey from above Llanberis’ inscribed with title (on reverse of frame), oil on signed ‘George Chapman’ (lower right) oil on inscribed verso and dated 2011 label verso canvas, canvas mixed media on paper on board 37 x 75cm (14 9/16 x 29 1/2in). 57.5 x 84.5cm (22 5/8 x 33 1/4in). 15 x 20cm (5 7/8 x 7 7/8in). £12,000 - 18,000 £800 - 1,000 £500 - 700 Provenance: acquired directly from the artist by AR AR 231 233 the present owner. John Fielder (British), (20th century) Malcolm Edwards RCA (active from 1980) Imaginary landscape for The Hobbit ‘Tal Y Llyn, Ogwen’ watercolour signed ‘Malcolm Edwards’ (lower right); 61 x 91cm (24 x 35 13/16in). inscribed artist’s label verso watercolour £250 - 350 45 x 34.5cm (17 11/16 x 13 9/16in). £800 - 1,000
40 | Bonhams 236
235
Fine Art & Interiors | 41 237
237AR Sir Kyffin Williams R.A. (British, 1918-2006) ‘Farm Llansadwrn’ signed and inscribed ‘KYFFIN WILLIAMS/FARM LLANSAEWRN’ (verso), oil on board, 28.5 x 40cm (11 1/4 x 15 3/4in). £6,000 - 8,000
Provenance - acquired directly from the artist by the present owner.
238AR Sir Kyffin Williams R.A. (British, 1918-2006) Anglesey farm cottages signed with initials ‘KW’ (lower right) pen and ink wash, bears label Oriel Fach, Beaumaris verso 28 x 41cm (11 x 16 1/8in). £2,000 - 3,000 238 Provenance - purchased from Bonhams Chester sale 12 September 2007, lot 427.
239 Sir Kyffin Williams R.A. (British, 1918-2006) ‘Blaenau Ffestiniog’ signed with initials ‘KW’ (lower right); bears labels verso pen, ink, watercolour and wash 24 x 34cm (9 7/16 x 13 3/8in). £2,500 - 3,500
Exhibited - LLangefni, Oriel Ynys Mon, 2012 ‘O’r Aelwyd i’r Oriel - From the Hearth to the Oriel’.
239
42 | Bonhams 242
240AR Julia Jones (Welsh, 20th century) Still life of tomatoes in a bowl, garlic and wine glass signed ‘J Jones’ (lower left); bears label verso oil on board 26.5 x 39.5cm (10 7/16 x 15 9/16in). £200 - 300
241AR Julia Jones (Welsh, 20th century) Llanddona, Anglesey signed ‘J. Jones’ (lower left); bears artists label verso oil on board 40 x 55.5cm (15 3/4 x 21 7/8in). £200 - 300
242AR Ceri Richards (British, 1903-1971) ‘The Pianist’ signed ‘Ceri Richards/53’ (lower right); bears label verso pen, black ink and wash 38 x 55.5cm (14 15/16 x 21 7/8in). £5,000 - 7,000
243AR 243 Ceri Richards (British, 1903-1971) Sunrise signed and dated ‘Ceri Richards ‘62’ (lower right) chalk, gouache and sandpaper collage 25.5 x 34.5cm (10 1/16 x 13 9/16in). £4,000 - 6,000
Provenance - with Howard Roberts Gallery, Cardiff
Fine Art & Interiors | 43 244 245
244AR John Knapp-Fisher (British, born 1931) ‘Slate Yard Porthgain’ signed ‘John Knapp-Fisher’ (lower right) and dated 1973 (lower left) ink and bodycolour 20.5 x 21.5cm (8 1/16 x 8 7/16in). £800 - 1,200
245AR David L. Carpanini (British, born 1946) ‘Hopscotch’ signed ‘David L. Carpanini’ (lower left); bears label verso oil on board 36 x 28cm (14 3/16 x 11in). £700 - 900
Provenance; Attic Gallery
246AR 246 Gwilym Pritchard (British, born 1931) Cottages in a landscape with figures before signed ‘GWILYM PRICHARD’ (lower left); bears label verso oil on canvas 44 x 59.5cm (17 5/16 x 23 7/16in). £1,000 - 1,500
44 | Bonhams 249
247AR Gwilym Pritchard (British, born 1931) ‘Penmon’ signed ‘GWILYM PRITCHARD’ (lower right); bears inscriptions and labels verso oil on board 92 x 123cm (36 1/4 x 48 7/16in). £800 - 1,200
248AR Iwan Bala (Welsh, born 1956) ‘Bendigaid Fran, Bran the Blessed’ bears labels verso oil on canvas laid on board 51.5 x 39.5cm (20 1/4 x 15 9/16in). £500 - 600
249AR Sir Kyffin Williams R.A. (British, 1918-2006) Welsh landscape with rocks, cottages and hillsides oil on canvas 61 x 76cm (24 x 29 15/16in). £18,000 - 22,000
247
Fine Art & Interiors | 45 250AR Sir Kyffin Williams R.A. (British, 1918-2006) Farmer and dog seated on a Welsh hillside pen, ink and wash, unframed 22 x 29cm (8 11/16 x 11 7/16in). £3,000 - 4,000
251AR Sir Kyffin Williams R.A. (British, 1918-2006) Two Welsh farmers ink and wash, unframed 21 x 29cm (8 1/4 x 11 7/16in). £2,000 - 3,000
252AR 250 Sir Kyffin Williams R.A. (British, 1918-2006) Cottages initialled ‘KW’ (lower left), pen ink and wash, 30 x 45cm (11 13/16 x 17 11/16in). £2,000 - 3,000
Provenance - with the Albany Gallery, March 2003.
253AR Donald McIntyre (British, 1923-2009) ‘Winter Evening Rhosgadfan’ signed ‘DMcINTYRE’ (lower right); signed and inscribed verso oil on board 38.5 x 100cm (15 3/16 x 39 3/8in). £4,000 - 6,000
254AR Charles Wyatt Warren (British, 1908-1983) ‘Llyn Ogwen and Y Garn’ signed ‘Chas Wyatt Warren’ (lower left); bears labels verso oil on panel 251 28.5 x 74.5cm (11 1/4 x 29 5/16in). £500 - 700
255AR Charles Wyatt Warren (British, 1908-1983) ‘Aberdaron’ signed ‘Chas Wyatt Warren’ (lower left) also inscribed on artist’s labels verso oil on board 25 x 55cm (9 13/16 x 21 5/8in). £500 - 700
256AR Charles Wyatt Warren (British, 1908-1983) ‘Snowdon from Llyn Padarn’ signed ‘Chas. Wyatt Warren.’ (lower left); bears labels verso oil on board 23 x 54cm (9 1/16 x 21 1/4in). £300 - 500
252
46 | Bonhams 253
257AR Charles Wyatt Warren (British, 1908-1983) Welsh stream and hills signed ‘Chas Wyatt Warren’ (lower left); bears label verso oil on board 23 x 54cm (9 1/16 x 21 1/4in). £400 - 600
258 Milton Drinkwater (British, 19th/20th Century) ‘Colwyn Bay, North Wales’ signed ‘Alf. Milton. Drinkwater’ and dated 1908 (lower left) watercolour 29 x 47cm (11 7/16 x 18 1/2in). £200 - 400
259 Welsh School, (early 19th century) Welsh couple going to market oil on canvas 35.5 x 43cm (14 x 16 15/16in). £700 - 1,000
260 William Roos (British, 1808-1878) Portrait of the Welsh poet Tallairn 262 with strengthened signature, inscription and dated 1851, London verso oil on canvas 76 x 61cm (29 15/16 x 24in). 261 262 together with a book of poetry inscribed by Richard Short (British, 1841-1916) Edward Gill (British, active 1842-1872) ‘Cardiff’, Cardiff Bay looking across to Penarth South Stack lighthouse and cliffs, Holyhead Talhaiarn Head signed ‘E. Gill’ and dated 1873 (lower right); £600 - 800 signed ‘Rich d. Short’ (lower right); signed ‘Rich bears inscription ‘E Gill’ and indistinctly dated d. Short RCA’ and inscribed with title verso oil verso oil on panel, unframed Provenance- by family descent from the mother on canvas 30 x 41cm (11 13/16 x 16 1/8in). of present owner’s godmother, who was the 19 x 46cm (7 1/2 x 18 1/8in). niece of the sitter. £800 - 1,200 £500 - 600
** Cardiff National Museum holds a very similar version of this painting
Fine Art & Interiors | 47 263 Donald H. Floyd (British, 1892-1965) In the Wye Valley, near Chepstow signed ‘DONALD H. Floyd.’ (lower left) oil on canvas 49 x 59.5cm (19 5/16 x 23 7/16in). £600 - 800
Provenance - gift from the artist to present owner’s grandparents.
264 Warren Williams (British, 1860-1941) ‘Betws-y-Coed, North Wales’ signed ‘Warren Williams ARCA’ (lower left); bears label verso watercolour 25 x 36.5cm (9 13/16 x 14 3/8in). £300 - 500
265 Benjamin Williams Leader, RA (British, 265 1831-1923) ‘Llyn Idwal North Wales’ signed ‘B. W. Leader 1860’ (lower left); signed and inscribed verso and signed and inscribed label verso oil on board 19 x 28cm (7 1/2 x 11in). £2,000 - 3,000
Exhibited: Birmingham, Society of Artists, 1860 (no. 254)
Provenance: Sold by Leader to Waters in 1861 for £4.00 Sold at Christie’s 16 February 1945, lot 95
We are very grateful to Dr Ruth Wood for her assistance in cataloguing this picture.
266AR Alfred Fontville de Breanski (British, 1877- 1957) ‘On the Gladyn River, North Wales’ signed ‘A de Breanski’ (lower right); signed and inscribed verso oil on canvas 263 44.5 x 54cm (17 1/2 x 21 1/4in). £1,200 - 1,600
267 David Bates (British, 1840-1921) ‘A Mill on the Llugwy’ signed ‘David Bates’ and dated 1896 (lower right); signed, inscribed and dated 1896 verso and bears label verso oil on canvas 33.5 x 44cm (13 3/16 x 17 5/16in). £1,200 - 1,600
266
48 | Bonhams 268 Joseph Horlor (British, 1809-1887) ‘Criccieth Castle’, with fisherfolk on the shore before signed ‘JHorlor’ (lower right); bears inscription verso oil on board 54 x 44.5cm (21 1/4 x 17 1/2in). £500 - 700
British and Continental Paintings
269 Circle of Julius Caesar Ibbetson (Fulneck 1759-1817 Masham) Winter scene with skaters indistinctly signed ‘J. F. R (or B)’? (lower right); also bears inscription ‘Shelhout’ verso oil on panel 36 x 53cm (14 3/16 x 20 7/8in). £500 - 700 273 270 Circle of James Stark (British, 1794-1859) Wooded river landscape with waterfall oil on canvas 44 x 58.5cm (17 5/16 x 23 1/16in). £500 - 800
271 David Payne (British, 1844-1891) Figure and cattle by a river by a farm and hamlet in a river valley signed ‘David Payne’ (lower left); signed and numbered 175 verso oil on canvas 44.5 x 75cm (17 1/2 x 29 1/2in). £700 - 1,000
272 Charles Thomas Burt (British, 1823-1902) Extensive upland landscape with shepherd, flock and sheepdog signed ‘Burt’ (lower right) oil on canvas 61 x 100cm (24 x 39 3/8in). £700 - 900
273 267 Thomas Baker of Leamington (British, 1809-1869) ‘Near Barford, Warwickshire’ signed ‘T. BAKER’ and dated 1856 (lower left); signed, dated and inscribed verso, also bears label verso oil on panel 32 x 47cm (12 5/8 x 18 1/2in). £2,000 - 3,000
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Fine Art & Interiors | 49 274AR Alfred Fontville de Breanski (British, 1877- 1957) ‘Early Morning near Keswick’ signed ‘A de. Breanski jun’ (lower left), signed and inscribed verso oil on canvas 41 x 61cm (16 1/8 x 24in). £1,400 - 1,800
275AR Jonathan Armigel Wade (British, born 1960) Tuscan village signed ‘J Wade’ (lower left) oil on canvas board 51 x 76cm (20 1/16 x 29 15/16in). £600 - 800
276AR Fred Yates (British, 1922-2008) ‘Brighton Beach’ signed ‘FRED YATES’ on overlap (twice), also 274 inscribed with title on overlap oil on canvas 44 x 59.5cm (17 5/16 x 23 7/16in). £1,200 - 1,800
277AR Jean Young (British, 1914-2009) ‘Man and Nets’ signed ‘JEAN YOUNG’ (lower right); signed and inscribed artist’s label verso oil on canvas, unframed 50 x 76cm (19 11/16 x 29 15/16in). £500 - 700
278AR Simon Garrow (British, born 1946) The dinner party signed with initials ‘SG’ (lower right); signed and inscribed verso oil on canvas 49.5 x 39cm (19 1/2 x 15 3/8in). £300 - 500
279AR Scottie Wilson, RSA RSW (British, 1889- 275 1972) The tree of life signed ‘SCOTTIE’ (lower right); bears labels verso watercolour, pen and coloured inks 14 x 17cm (5 1/2 x 6 11/16in). together with another by the same artist, tribal mask, signed, 24 x 20cm, unframed, (2) £500 - 700
280AR Charles J. McAuley (Irish, 1910-1999) Irish coastal scene with man and boat on the shore signed ‘C Mcauley’ (lower left) oil on board 38.5 x 51cm (15 3/16 x 20 1/16in). £1,200 - 1,800
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50 | Bonhams 281AR Markey Robinson (Irish, 1918-1999) Coastal landscape with cottage indistinctly signed ‘Markey’ (lower left) oil on board 30 x 52cm (11 13/16 x 20 1/2in). £1,000 - 1,500
282AR Markey Robinson (Irish, 1918-1999) Fisherman on the shore indistinctly signed ‘Markey’ (lower right) oil on board 21 x 26cm (8 1/4 x 10 1/4in). £300 - 500
283AR Markey Robinson (Irish, 1918-1999) Sailing boat off the shore signed ‘Markey’ (lower left) gouache 19 x 27cm (7 1/2 x 10 5/8in). £300 - 500 281
284AR Markey Robinson (Irish, 1918-1999) Coastal scene with two figures looking at fishing boats in the bay indistinctly signed ‘Markey’ (lower left) oil on canvas board 30 x 52cm (11 13/16 x 20 1/2in). £300 - 500
285AR Markey Robinson (Irish, 1918-1999) ‘Welcome home’ Fishing port scene indistinctly signed ‘Markey’ (lower left); bears label verso oil on canvas 28.5 x 29.5cm (11 1/4 x 11 5/8in). £600 - 800
286AR Markey Robinson (Irish, 1918-1999) Irish cottages indistinctly signed ‘Markey’ (lower right) gouache 18.5 x 33cm (7 5/16 x 13in). 280 £300 - 500
287AR Markey Robinson (Irish, 1918-1999) ‘Still Life’, with jug on a tabletop indistinctly signed ‘Markey’ (lower right); bears inscription label verso gouache 28 x 38cm (11 x 14 15/16in). £500 - 700
Provenance - with the Eakin Gallery, Belfast.
288AR Markey Robinson (Irish, 1918-1999) The clown indistinctly signed (lower left) mixed media 47.5 x 39cm (18 11/16 x 15 3/8in). £800 - 1,200
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Fine Art & Interiors | 51 290
295
289 290AR 292 J.A. Henderson Tarbet (British, born circa Douglas Percy Bliss (Scottish, 1900-1984) Alexis de Leeuw (Belgian, active 1848-1883) 1865-1938) ‘Pond near Hazelwood’ near Duffield, Timber wagon in the snow ‘Ben Stack’ Derbyshire signed ‘A. de Leeuw’ (lower right) oil on canvas signed ‘Henderson-Tarbet’ (lower right); signed signed ‘D.P. BLISS.’ (lower right); bears label 76 x 127cm (29 15/16 x 50in). and inscribed label verso oil on canvas verso oil on canvas £500 - 700 70 x 90cm (27 9/16 x 35 7/16in). 49.5 x 75cm (19 1/2 x 29 1/2in). £500 - 800 £800 - 1,200 293 William Raymond Dommersen (Dutch, Provenance - with Doig, Wilson and Wheatley, Exhibited - Edinburgh, Royal Scottish Academy, 1850-1927) Edinburgh. 1959, No. 371. ‘Schiedam on the Scheldt, Holland’ signed ‘W. Dommersen’ (lower right); inscribed Sold with a copy of the catalogue and some verso and bears label verso oil on canvas correspondence from the artist. 49.5 x 75cm (19 1/2 x 29 1/2in). £700 - 1,000 291AR Friedrich (Fritz) Raupp (German, 1871-1949) 294 Woman and children on beach awaiting the Flemish School, Attributed to A. C. Van fisherman’s return Opstal (1851) signed ‘Fritz Raupp’ (lower right) oil on board A Dutch winter landscape with skaters 51 x 71cm (20 1/16 x 27 15/16in). indistinctly signed ‘A C van Opstal’ and dated £500 - 700 1851 (lower right) oil on canvas 38.5 x 48.5cm (15 3/16 x 19 1/8in). £500 - 700
52 | Bonhams 302 297
295 Flemish School, (mid 18th Century) Shepherd, shepherdess and flock in a landscape oil on canvas 56 x 118cm (22 1/16 x 46 7/16in). £1,200 - 1,600
296 Circle of Eduard Karl Gustav Lebrecht Pistorius (German, 1796-1862) Feeding the fledglings - gentleman and young children in an interior oil on canvas 52 x 44cm (20 1/2 x 17 5/16in). £600 - 1,000
297 Albert Neuhuys (Dutch, 1844-1914) ‘First Steps’ signed ‘Albert Neuhuys’ and dated 74 (lower right) watercolour 32.5 x 44.5cm (12 13/16 x 17 1/2in). £700 - 1,000
298 Attributed to Constant Joseph Brochart (French, 1816-1899) Nymph & shepherdess before a landscape 301 bears old inscription C J Brochart on overlap pastel 300 302 86 x 65.5cm (33 7/8 x 25 13/16in). Josef Willroider (Austrian, 1838-1915) Attributed to Hermann David Salomon £500 - 700 Farm by a river Corrodi (Italian, 1844-1905) signed ‘Willroider’ (lower left), also bears Maid returning from the fields 299 inscription verso which guarantees the signed ‘Corrodi Rome’ (lower left) oil on canvas Filippo Indoni (Italian, born circa 1842- authenticity indistinctly signed ‘Gui? Blachion 55 x 44cm (21 5/8 x 17 5/16in). 1908) 29 XII 08 Munchen’ verso oil on board £1,200 - 1,600 Two peasant girls selling fruit, 23.3 x 31cm (9 3/16 x 12 3/16in). Courtship on the roadside, £700 - 900 A carnation for the lady all signed ‘FIndoni’ (lower left) watercolour 301 53.5 x 36cm (21 1/16 x 14 3/16in). Christian August Printz (Norwegian, 1819- and 36 x 53cm, (3) 1867) £800 - 1,200 Still life with game signed ‘CA Printz/1854’ (lower right) oil on Provenance: The Horner Galleries, The canvas Cathedral Corner, Sheffield. 66 x 85cm (26 x 33 7/16in). £900 - 1,200
Fine Art & Interiors | 53 304
305
304
303 305 307 Jules Gustave Leroy (French, 1856-1921) Thomas Sidney Cooper, RA (British, 1803- Samuel Joseph Clark (British, 1834-died Cat with kittens by a saucer of milk 1902) circa 1912) signed ‘J. LeRoy’ (lower left); bears label verso Sheep and a cow resting in a landscape Cattle watering with farmer on a horse at a oil on panel signed ‘T. Sidney. Cooper. R A’ and dated 1879 riverside 34 x 26cm (13 3/8 x 10 1/4in). (lower centre left) oil on board signed ‘SJ Clark’ (lower left) oil on canvas £600 - 900 42 x 34cm (16 9/16 x 13 3/8in). 34.5 x 45cm (13 9/16 x 17 11/16in). £1,500 - 2,500 £700 - 1,000 304 Colin Graeme Roe (British, 1850-1910) 306AR 308 English pointer in a lake landscape, together Attributed to Gilbert Scott Wright (British, Cuthbert Edmund Swan (British, 1870-1931) with another similar of a setter, a pair 1880-1958) ‘Leopards at Play’ and ‘The Deer Stalker, A both signed ‘Colin Graeme’ (one lower left, The Favourite Hunter Bengal Tiger’, a pair one lower right) and one dated 91 (lower left) signed and dated(?) ‘Gilbert S Wright/1895’ both signed ‘C.E. SWAN’ (lower left and lower oil on canvas (lower right) oil on canvas, unframed right); both bear inscriptions labels verso 34.5 x 52cm (13 9/16 x 20 1/2in). 50 x 40cm (19 11/16 x 15 3/4in). watercolours £1,200 - 1,600 £500 - 700 25 x 36cm (9 13/16 x 14 3/16in). £900 - 1,200
54 | Bonhams 312 312
309 Samuel Joseph Clark (British, 1834-died circa 1912) Horses and foal, goat and ducks by a pond before a landscape signed with monogram (lower right); signed ‘S.J. Clark’ and dated ‘10-10-0’ verso oil on canvas 34.5 x 24cm (13 9/16 x 9 7/16in). £600 - 800
310 Follower of Edward Armfield (British, 1817- 1896) Terriers rabbiting in a barn signed ‘W. BENSON’ (lower left) oil on canvas 39.5 x 59.5cm (15 9/16 x 23 7/16in). £350 - 500
311 John Frederick Herring, Snr. (British, 1795- 1865) 307 ‘Whisker’, horse in a loosebox signed ‘J. F. Herring’ (lower centre right) and inscribed with title (upper left) oil on canvas 54.5 x 75cm (21 7/16 x 29 1/2in). £3,000 - 5,000
312AR Reuben Hunt (British, 1879-1962) ‘A Tempting Bait’ and ‘Not Caught Yet’, a pair both signed ‘RHunt’ and dated 1922 (one lower left, one lower right) oil on canvas 34 x 44.5cm (13 3/8 x 17 1/2in). £1,500 - 2,000
311
Fine Art & Interiors | 55 315
313 Arthur Charles Dodd (British, active 1878- 1890) ‘Might is Right’ signed ‘Arthur Dodd’ and dated 1898 (lower right); signed and inscribed verso oil on canvas 39 x 59.5cm (15 3/8 x 23 7/16in). £1,000 - 1,500
314 Follower of John Frederick Herring, Snr. (British, 1795-1865) Horse in a loose box bears old inscription verso oil on canvas 74 x 91cm (29 1/8 x 35 13/16in). £600 - 800
315AR Antoine Blanchard (French, 1910-1988) 313 ‘Quai des Tuileries, Paris, 1900’ signed ‘Antoine Blanchard’ (lower right); signed and inscribed verso, also with the artist’s stamped inventory number A92 verso oil on canvas 31.5 x 44cm (12 3/8 x 17 5/16in). £3,000 - 5,000
316AR Pierre de Clausade (French, 1910-1976) ‘Sables de la Loire’ signed ‘P. de Clausade’ (lower left); inscribed and dated 68 verso oil on canvas 59.5 x 90cm (23 7/16 x 35 7/16in). £800 - 1,200
317AR Gyula Bubárnik (Hungarian, born 1936) Still life of fruit, wine glass and tankard signed ‘Bubarnik’ (lower right) oil on panel 40 x 50cm (15 3/4 x 19 11/16in). £600 - 800 316
56 | Bonhams 321 318
318 Richard Beavis (British, 1824-1896) ‘Staff Officers Reconnoitring’ signed with initials ‘RB’ (lower left) oil on canvas 81 x 115cm (31 7/8 x 45 1/4in). £1,000 - 1,500
319 Charles West Cope (British, 1811-1890) ‘A Deputation of Ministers and Elders Accompanied by the Dutch Ambassador Petitioning the Lord Protector Cromwell...’ signed with monogram ‘CWC’ and dated 1872 (lower left) with tablet with title and key to the figures oil on panel 71 x 94cm (27 15/16 x 37in). £2,500 - 3,500
Provenance - With Thomas Agnew and Sons, Manchester.
320 Circle of Thomas Rose Miles (British, active 319 1869-1906) A fishing boat putting to sea going to the aid 322 323AR of a stricken vessel William Calcott Knell (British, 1830-1876) Edwin Henry Eugene Fletcher (British, circa oil on canvas Shipping in rough seas 1857-1945) 61 x 91cm (24 x 35 13/16in). signed ‘W. Knell’ and dated 1869 (lower left) Shipping on the Thames £600 - 800 oil on canvas signed ‘E. Fletcher’ (lower right) oil on canvas 29 x 54cm (11 7/16 x 21 1/4in). 50 x 75cm (19 11/16 x 29 1/2in). 321 £800 - 1,200 £900 - 1,200 Henry Garland (British, active circa 1854- 1890) Fishergirl awaiting the return of the fleet signed ‘H GARLAND’ (lower left) oil on canvas 46 x 36cm (18 1/8 x 14 3/16in). £900 - 1,200
Fine Art & Interiors | 57 329 329
328AR John Bentham Dinsdale (British, 1927-2008) The ‘Windsor Castle’ at sea signed ‘John Bentham Dinsdale’ (lower left); bears label verso oil on canvas 49.5 x 75cm (19 1/2 x 29 1/2in). £700 - 1,000
329 William Broome of Ramsgate (British, 1838- 1892) Fishing boats off the coast, a pair signed with monogram (lower left) oil on canvas, (2) 19 x 39cm (7 1/2 x 15 3/8in). £800 - 1,200
330 Follower of Thomas Bush Hardy (British, 1842-1897) Shipping at the harbour entrance bears signature ‘T. B. Hardy 1892’ (lower left) watercolour 29 x 50cm (11 7/16 x 19 11/16in). and another by the same hand, ‘Off Yarmouth’, watercolour, 25 x 36cm. We suggest the artist of these paintings is Robert T. Wilding, (2) £500 - 600
331 Miss Florence Marlowe (British, active 1873-1888) At the foot of the stairs signed ‘F. Marlowe 1891’ (lower right) oil on canvas 331 91 x 71cm (35 13/16 x 27 15/16in). £1,500 - 2,000 324 326 AR William Adolphus Knell (British, 1802-1875) Chinese School (1919) 332 Shipping in calm waters at dusk ‘HMS Carlisle, China Station 1919’ Circle of Henry Pether (active 1828-1865) signed ‘Adolphus Knell’ (lower right) oil on inscribed (lower centre) oil on canvas (or linen) Moonlit coastal scene with encampment panel 40 x 57cm (15 3/4 x 22 7/16in). oil on canvas 19.5 x 29cm (7 11/16 x 11 7/16in). £600 - 800 37.5 x 49.5cm (14 3/4 x 19 1/2in). £500 - 700 £500 - 700 327 325 George Goodwin Kilburne, RI, RBA (British, Gustave de Breanski (British, Circa 1856- 1839-1924) 1898) A Breton fishing maid Sorting the catch signed ‘Kilburne 1867’ (lower left) watercolour signed ‘Gustave de Breanski’ (lower left) oil on with gouache canvas 38 x 28cm (14 15/16 x 11in). 49 x 89cm (19 5/16 x 35 1/16in). £500 - 700 £600 - 800
58 | Bonhams 333 Charles Joseph Staniland (British, 1838- 1916) Minding the Infant signed ‘C. J. STANILAND’ (lower left) oil on canvas 37 x 46cm (14 9/16 x 18 1/8in). £800 - 1,200
Sold with a second frame.
334AR Carlton Alfred Smith, RI, RBA, ROI (British, 1853-1946) Going to School - The Crofter’s Children signed ‘Carlton A. Smith’ and dated 1878 (lower left) oil on canvas 64.5 x 90cm (25 3/8 x 35 7/16in). £800 - 1,200 333 Provenance - Renoir Gallery, Harrogate. Label reframing circa 1980.
335 William Thomas Roden (British, 1817-1892) A workman sharpening a scythe, together with another of a workman seated by a table, a pair both signed ‘W.T. Roden’, one dated 1876 (lower left); both inscribed verso, one with verse ‘Toiling, Rejoicing, Sorrowing? Onward through life he goes, Each morning sees some task begin, Each evening sees it close. Longfellow’ oil on canvas 34 x 29cm (13 3/8 x 11 7/16in). £500 - 700
336 Benjamin Williams Leader, RA (British, 1831-1923) ‘On the Llugwy’ signed ‘B.W. LEADER’ and dated 1900 (lower left); bears inscription label verso oil on board 334 30 x 41cm (11 13/16 x 16 1/8in). £900 - 1,200
Provenance - with Christie’s 16.7.1920, Lot 142, Property John Greenwood (dec’d), purchased Sampson (London art dealer) £65.5s (Catalogue size 12 1/4 x 17in.) M. Newman Ltd., (London art dealer) 1957. Christie’s 9.10.1970, Lot 47. Sotheby’s Belgravia 9.12.1980, Lot 130.
Literature F. Lewis (1971). ‘Benjamin Williams Leader R.A.’ Page 49, No.484. R. Wood (Unpublished) Catalogue Raisonne of the works of Benjamin Williams Leader R.A., 1831-1923’.
We are most grateful to Ruth Wood for her assistance in providing this information.
336
Fine Art & Interiors | 59 339 Edward Stott, ARA (British, 1859-1918) Riding the farm horse signed with monogram ‘ES’ (lower right); bears inscription verso oil on canvas 23.5 x 34cm (9 1/4 x 13 3/8in). £700 - 1,000
340 James Yates Carrington (British, 1857-1892) River landscape with children seated on the riverbank signed ‘Carrington’ and indistinctly dated 1882 (lower right) oil on canvas 39 x 61.5cm (15 3/8 x 24 3/16in). £500 - 700
341 John Coleman (British, 19th Century) Still life with pheasant and rabbit signed ‘J. Coleman’ (lower left) oil on canvas 61.5 x 74cm (24 3/16 x 29 1/8in). £500 - 600
342 Edward Killingworth Johnson (British, 1825-1896) 338 Young lady seated in a garden bears inscription on mount watercolour 33.5 x 24.5cm (13 3/16 x 9 5/8in). £700 - 1,000
343 Henry Birtles (British, 1838-1907) Cows watering at a stream, with farmer on horseback, and another of sheep resting on a wooded hillside, a pair signed ‘H. BIRTLES’ and dated 1865 (one lower right, one lower left) watercolour 23.5 x 38.5cm (9 1/4 x 15 3/16in). £500 - 700
344 Tom Lloyd (British, 1849-1910) Homeward from the harvest signed ‘Tom Lloyd’ and dated 1905 (lower right) watercolour 28.5 x 69cm (11 1/4 x 27 3/16in). £600 - 800
345 Ernest Arthur Rowe (British, 1863-1922) Driving the geese to roost signed and dated 1889, inscribed in pencil 339 verso ‘Royal Academy 1890’ watercolour 29 x 22cm (11 7/16 x 8 11/16in). 337 338 £500 - 600 Circle of James Baker Pyne (British, 1800- Attributed to Sir Augustus Wall Callcott RA 1870) (British, 1779-1844) Possibly exhibited, London, Royal Academy, ‘Rydal Water, Westmorland’ ‘Evening by the Coast’ 1890 with the title ‘The End of the Day’. bears inscription with title and numbered ‘No signed? ‘AW Callcott’ (lower centre); bears 1’ verso oil on canvas labels verso oil on canvas 346 47 x 63cm (18 1/2 x 24 13/16in). 64 x 89cm (25 3/16 x 35 1/16in). George Goodwin Kilburne, RI, RBA (British, £400 - 600 £1,200 - 1,800 1839-1924) Mother and daughter fetching water Provenance - with Frost and Reed, London. signed ‘G G KILBURNE’ (lower right) watercolour 34.5 x 45cm (13 9/16 x 17 11/16in). £600 - 800
60 | Bonhams 342 347
347 349 352 Myles Birket Foster, RWS (British, 1825- Follower of Hendrik van Balen the Elder After Guido Reni 1899) (Antwerp 1575-1632) A Roman sibyl holding a scroll which is ‘Side Canal, Venice’ Mater Dolorosa inscribed ‘Nascetur De Virgine’ signed with monogram (lower right); bears inscribed in Latin; bears label verso oil on oil on canvas, Italian, mid 19th century inscription label verso watercolour copper 54 x 43cm (21 1/4 x 16 15/16in). 14 x 9.5cm (5 1/2 x 3 3/4in). 21 x 17cm (8 1/4 x 6 11/16in). £500 - 700 £3,000 - 4,000 £500 - 700 In an antique carved giltwood frame, Italian, Provenance - with Phillips and MacConnal, Provenance - Christie’s Country House Sales, possibly 18th century. London. Pitchford Hall, lot 615, 28/29 September 1992. 353 348 350 Italian School, (mid 19th century) Louise J. Rayner (British, 1832-1924) Follower of Klaes Molenaer (Haarlem circa Queen Esther A view of Bristol 1630-1676) oil on canvas, after a 17th century Italian signed ‘Louise Rayner’ (lower left) watercolour Travellers passing through a landscape original 18.5 x 35cm (7 5/16 x 13 3/4in). bears inscription verso oil on canvas 53 x 43cm (20 7/8 x 16 15/16in). £600 - 800 42.5 x 59cm (16 3/4 x 23 1/4in). £500 - 700 £600 - 800 This panorama of Bristol is an early and slightly In a good antique carved and giltwood frame. uncharacteristic work by Louise Rayner. The 351 painting can be dated to before 1868 as it After Gaspard Dughet, called Gaspard 354 shows the church of St Mary Redcliffe prior to Poussin Manner of Philips Wouwerman the rebuilding of its nave and spire 1868-77. Classical landscape with Echo and Narcissus ‘Hawking Party’, stopped at a village inn bears old label verso oil on canvas, painted bears old labels verso oil on canvas, probably circa 1800 British early 19th century 73 x 96cm (28 3/4 x 37 13/16in). 71 x 91cm (27 15/16 x 35 13/16in). £500 - 600 £500 - 600
Fine Art & Interiors | 61 359
358
357 Circle of Edward Bower (active London circa 1635-1667) Portrait of a bishop, possibly Archbishop William Laud oil on canvas 74.5 x 61.5cm (29 5/16 x 24 3/16in). In a good antique carved giltwood frame £800 - 1,200
The tablet on the frame identifies the sitter as Archbishop Laud (1573-1645) however this identification is unlikely.
358 British School, (circa 1850) Portrait of a brother and sister before a landscape oil on canvas 91 x 71cm (35 13/16 x 27 15/16in). £600 - 800
359 After Alexis Grimou, (1678-1733) ‘A Young Pilgrim Girl’ and ‘A Young Pilgrim Boy’, a pair 359 oil on canvas, Florentine School, painted circa 1850 after the originals in the Uffizi Gallery 355 356 82 x 63cm (32 5/16 x 24 13/16in). After Raphael (Italian, 1483-1520) After Giovanni Bellini £1,800 - 2,500 Madonna, Child and infant St. John Madonna and Child oil on canvas, later 19th century oil on canvas, probably painted circa 1800 Both in good antique pierced and giltwood 90 x 70cm (35 7/16 x 27 9/16in). 49 x 60cm (19 5/16 x 23 5/8in). Florentine style frames. £500 - 700 £300 - 500
62 | Bonhams 360 Manner of Robert Walker, early 18th Century Portrait of General Monck, 1st Duke Albermarle, three-quarter-length, in armour, with a white lace collar, a view to an army encampment beyond oil on canvas 127 x 103.2cm (50 x 40 5/8in). £1,500 - 2,000
PROVENANCE: Sale, Bonhams, London, 9 March 2004, lot 190, where purchased by the present owner
A professional soldier, Monck joined the Royalist troops on the outbreak of the English 57 detail Civil War. After being taken prisoner by Fairfax at Nantwich in 1644, he was imprisonned in the Tower of London. In 1647 he agreed to become a commander in the Parliamentary 361 army, being appointed adjutant-general and governor of Ulster. His military success continued in Scotland, where Cromwell appointed him commander-in-chief in 1651, before taking part in the Dutch Wars (1652- 54). On the death of Cromwell, he entered into communications with the exiled Charles II, whose restoration he facilitated, becoming a Knight of the Garter and Duke of Albermarle in 1660.
361Y Henry Jacob Burch (British, born 1763) A Lady, wearing white dress, fichu and neck tie, blue sash, a white turban in her powdered hair. Gold frame, the reverse glazed to reveal plaited hair. Oval, 68mm (2 11/16in) high £500 - 700
363 Lots 362 - 405 are the property of 362 a deceased estate
362Y Circle of Sir William John Newton (British, 364 1785-1869) Jean Baptiste Huët (Paris 1745-1811) A portrait miniature of a gentleman wearing A maid milking a cow dark jacket, waistcoat and necktie signed ‘J.B. Huet’ and indistinctly dated 1771 on ivory, in a leather carrying case (lower left) black and white chalk on blue 8 x 6cm (3 1/8 x 2 3/8in). paper, unframed £300 - 500 20 x 23cm (7 7/8 x 9 1/16in). £350 - 500 363Y Circle of Jeremiah Meyer, RA (British, 1735- 1789) A portrait miniature of Mr. Lessing, possibly wearing a naval uniform bears label and inscription verso on paper, oval 6.5 x 5cm (2 9/16 x 1 15/16in). together with two portrait miniatures thought to be of French generals, French, early 19th century, (3) £350 - 500
360
Fine Art & Interiors | 63 375 Florentine School, (later 16th century) Standing page boy red chalk drawing, unframed 17 x 10cm (6 11/16 x 3 15/16in). £200 - 300
376 Attributed to Simone Cantarini (Italian, 1612-1648) Study of heads for a religious painting bears inscription mount verso brown ink, unframed 10 x 13cm (3 15/16 x 5 1/8in). £400 - 600
377 Russian School, (19th century) Mother of God with Saints Feodosiy and Anthony, Saints and Archangel also depicted oil/tempera on panel with gilt metal rezia 372 decorated with semi precious stones 31 x 27cm (12 3/16 x 10 5/8in). 365 370 £500 - 700 Dutch School, (17th century) French School, (18th century) Interior scene with figures gathered around a Three prisoners 378 table red chalk drawing, unframed Greek School, from Corfu (early/mid 19th bears signature ‘Jan Steen’ (lower right) red 16 x 11cm (6 5/16 x 4 5/16in). century) chalk drawing, unframed £500 - 700 St. Spyridon 14 x 20cm (5 1/2 x 7 7/8in). tempera and gold leaf on panel, unframed £300 - 400 371 19 x 13cm (7 1/2 x 5 1/8in). French School, (18th century) £500 - 700 366 Man carrying bricks Dutch School, (18th century) red chalk drawing, unframed 379 A design for a wall painting above a fountain 16 x 10.5cm (6 5/16 x 4 1/8in). Circle of Jonathan Richardson (London pen, ink and monochrome wash, unframed £300 - 500 1665-1745) 30 x 20cm (11 13/16 x 7 7/8in). Portrait of a gentleman, bust length, wearing a £200 - 300 372 brown frock coat Flemish School, (circa 1670) oil on canvas 367 Bathsheba bathing 67 x 56cm (26 3/8 x 22 1/16in). Follower of Adriaen van de Velde (Dutch, gouache £400 - 600 1636-1672) 23 x 40cm (9 1/16 x 15 3/4in). Cattle, sheep and goats watering £500 - 700 380 bears inscription red chalk drawing, unframed Flemish School, (17th century) 13 x 15cm (5 1/8 x 5 7/8in). 373 The Annunciation £300 - 400 Circle of Carlo Cignani (Italian, 1628-1719) oil on canvas Study of a man with raised hand 57 x 74cm (22 7/16 x 29 1/8in). 368 bears indistinct inscription ‘Cignani’ (lower £600 - 800 Follower of Antonio Tempesta (Florence right) red chalk drawing, unframed 1555-1630 Rome) 14 x 16cm (5 1/2 x 6 5/16in). 381 A battle scene £250 - 350 Circle of John Opie (St Agnes 1761-1807 bears old inscriptions verso with attributions London) to Giordano and Le Brun, also inscribed with 374 Portrait of a lady wearing a white dress and initials for key or colouring purposes pen and Follower of Jan Erasmus Quellinus patterned shawl, before a landscape, possibly a brown ink, heightened with white, unframed (Antwerp 1634-1715 Malines) portrait of Hannah Boxall 49 x 75cm (19 5/16 x 29 1/2in). A soldier with three women carrying armour bears inscription ‘Hannah Boxall?’ verso oil on probably drawn circa 1640-1750 bears inscription (lower left) brush, wash and canvas £400 - 600 white chalk drawing, unframed 73.5 x 61cm (28 15/16 x 24in). 20 x 24cm (7 7/8 x 9 7/16in). £500 - 700 369 together with another of a man hawking, Follower of Jacopo Confortini (Italian, Dutch School, 18th century and two portrait 382 1602-1672) drawings, (4) Circle of Henry Salt (British, 1780-1827) Two standing figures £400 - 600 View of the Taj Mahal red chalk/crayon drawing, unframed watercolour 26 x 18cm (10 1/4 x 7 1/16in). 27.5 x 52cm (10 13/16 x 20 1/2in). £250 - 350 £300 - 400
64 | Bonhams 389
383 English School, (circa 1810) ‘Family of John & Ursula Cragg’ bears label verso oil on panel, unframed 28 x 36cm (11 x 14 3/16in). £300 - 500
384 Adolphus Knell (British, active 1860-1890) Shipping in a calm signed ‘Adolphus Knell’ (lower right) oil on board 15 x 21cm (5 7/8 x 8 1/4in). £400 - 600
385 Adolphus Knell (British, active 1860-1890) Shipping in a calm by moonlight signed ‘Adolphus Knell’ (lower right) oil on board 20.5 x 17cm (8 1/16 x 6 11/16in). £250 - 350
386 William Simpson (British, 1823-1899) ‘Two Women Shall be grinding at the mill’, 386 a scene of peasant life from the Indian Subcontinent 388 390 signed ‘Wm Simpson 1862’ (lower right) and Circle of Niklas (the Younger) Lafrensen Continental School, (18th Century) inscribed (lower left) watercolour, unframed (Swedish, 1737-1807) A volcano by night - shipping and a lighthouse 25 x 35cm (9 13/16 x 13 3/4in). Conversation pieces, ladies in an interior and oil on panel together with a pen and ink drawing attributed another similar, a pair 29 x 38cm (11 7/16 x 14 15/16in). to William Simpson, of the battle of Plevna, the bear indistinct inscriptions verso, one bears £400 - 600 death of Colonel Rosenbaum of the Archangel label verso oil on canvas Regiment, bears inscription (lower left), (2) 31.5 x 24cm (12 3/8 x 9 7/16in). £700 - 1,000 £400 - 600
387 389 Manner of Nicolas Lancret Frederick Goodall, RA (British, 1822-1904) Elegant lady and gentleman in an interior Shepherds before the Pyramids oil on panel signed with monogram (lower left) oil on 23.5 x 18cm (9 1/4 x 7 1/16in). canvas £300 - 400 38 x 92cm (14 15/16 x 36 1/4in). £800 - 1,200
Fine Art & Interiors | 65 398
397 Frederick Goodall, RA (British, 1822-1904) Egyptian Water Carriers bears monogram (lower left) oil on canvas 70 x 49cm (27 9/16 x 19 5/16in). £1,200 - 1,800
398 William Henry Margetson (British, 1861- 397 1940) A water sprite or siren 391 394 signed ‘W. H. MARGETSON’ (lower left) oil on Olive Horsford (active 1907-1940) After Guido Reni canvas St. Christopher Mary Magdalen 42 x 52cm (16 9/16 x 20 1/2in). signed ‘O. Horsford’ (lower right); bears labels oil on canvas £800 - 1,200 verso watercolour 62 x 53.5cm (24 7/16 x 21 1/16in). 52.5 x 37cm (20 11/16 x 14 9/16in). £700 - 900 399 £300 - 500 William Henry Margetson (British, 1861- 395 1940) The label records that colour prints of this George Richmond, RA (British, 1809-1896) ‘Lulworth Cove’ painting were produced in the early 20th The Agony in the Garden, after Raphael bears inscription verso oil on panel century. signed ‘Geo. Richmond R.A.’, inscribed and 31.5 x 39.5cm (12 3/8 x 15 9/16in). dated 1875 verso oil on panel £300 - 500 392 25 x 28.5cm (9 13/16 x 11 1/4in). Flemish School, (early 18th century) £500 - 700 400 Joseph and Potiphar’s Wife Sir Alfred East, RA, RI, PRBA (British, 1849- bears old label verso with attribution to 396 1913) Giovanni Pietro oil on canvas Circle of Francis Cotes, R.A. (British, 1726- ‘Lelant’ 90 x 74cm (35 7/16 x 29 1/8in). 1770) signed ‘ALFRED EAST’ (lower left); bears label £500 - 700 Portrait of Agnes Elizabeth, Countess verso watercolour Wandesforde, the daughter of John Southwell 29 x 39cm (11 7/16 x 15 3/8in). 393 of Enniscourt, County Limerick, wife of Earl £400 - 600 Circle of James Dromgole Linton (British, Wandesford, half length, wearing a blue lace 1840-1916) trimmed dress with pearls in her hair Scene from the Merchant of Venice bears inscription original label with details bears inscription verso oil on canvas verso pastel 61 x 73.5cm (24 x 28 15/16in). 60 x 44cm (23 5/8 x 17 5/16in). £600 - 800 £500 - 700
66 | Bonhams 401 John William North (British, 1842-1924) Orchard in Blossom, Spring signed ‘NORTH RWS’ and dated 1888 (lower left) watercolour 32 x 45cm (12 5/8 x 17 11/16in). £500 - 700
402 Alfred William Hunt (British, 1830-1896) ‘Loch Alsh, Isle of Skye’ signed ‘A.W. Hunt’ and dated 1868 (lower right) watercolour, unframed 23.5 x 36cm (9 1/4 x 14 3/16in). £500 - 700
403 George Price Boyce (British, 1826-1897) ‘Reflections in a river’ signed and dated 72/3 (under mount); bears label verso watercolour 27 x 41cm (10 5/8 x 16 1/8in). £500 - 700
404 Albert Goodwin, RWS (British, 1845-1932) ‘Sunset’ signed ‘Albert Goodwin’ (lower right) and 406 inscribed with title (lower left) oil on board 26 x 35.5cm (10 1/4 x 14in). £600 - 800
405 Circle of William Mulready (British, 1786- 1863) Boy and Puppy oil on canvas 75 x 62cm (29 1/2 x 24 7/16in). £400 - 600
Various Properties Northern Artists
406AR Arthur Delaney (British, 1927-1987) Manchester tram with figures at the tram stop signed ‘Arthur Delaney.’ (lower left) oil on board 23.5 x 30cm (9 1/4 x 11 13/16in). £4,000 - 6,000
Provenance - purchased by present owner’s father in Manchester in mid 1980’s.
407AR Arthur Delaney (British, 1927-1987) Central Square, Manchester signed ‘Arthur Delaney.’ (lower left) oil on board 24.5 x 19cm (9 5/8 x 7 1/2in). £3,000 - 4,000
Provenance - purchased by present owner’s father in Manchester in mid 1980’s. 407
Fine Art & Interiors | 67 410AR John McCombs (British, born Manchester 1943) ‘Banks of the River Tame, Delph, Late Summer’ signed ‘J. McCombs’ and dated 91 (lower left); inscribed labels verso oil on board 30 x 41cm (11 13/16 x 16 1/8in). £250 - 350 408 411AR John McCombs (British, born Manchester 1943) ‘Village Centre, Delph’ signed ‘J. McCombs’ and dated 90 (lower left); inscribed labels verso oil on board 32 x 44cm (12 5/8 x 17 5/16in). together with another, ‘Whitsuntide Procession, Delph’, signed ‘J. McCombs’ and dated 91 (lower left); inscribed labels verso, oil on board, (2) £500 - 700
412AR John McCombs (British, born Manchester 1943) ‘Winter Sun, Delph’ signed ‘J. McCombs’ and dated 91 (lower right); inscribed labels verso oil on board 416 30.5 x 42.5cm (12 x 16 3/4in). together with another, ‘Road to the Reservoir, Saddleworth (Chew Valley - Greenfield - Saddleworth)’, signed ‘J. McCombs’ and dated 90 (lower right); inscribed labels verso, oil on board, (2) £500 - 700
413AR Harold Riley (British, 1934) Figures by a tree before a church indistinctly signed (lower right) pen, ink and watercolour 30 x 24cm (11 13/16 x 9 7/16in). £600 - 800
414AR Bob Richardson (British, born 1938) ‘The Beehive Broughton’ signed ‘R. Richardson’ and dated 73 (lower left); inscribed label verso pastel 417 39 x 48.5cm (15 3/8 x 19 1/8in). £300 - 500 408AR 409AR 415AR John McCombs (British, born Manchester John McCombs (British, born Manchester Bob Richardson (British, born 1938) 1943) 1943) Manchester Cathederal from Deansgate ‘View of Delph, Winter’ ‘Pennine Winter Landscape (Beswick’s Cottages indistinctly signed ‘R Richardson’ (lower left) signed ‘J. McCombs’ and dated 89 (lower left); - Delph)’ pastel inscribed labels verso oil on board signed ‘J. McCombs’ and dated 90 (lower left); 44 x 55cm (17 5/16 x 21 5/8in). 33.5 x 44cm (13 3/16 x 17 5/16in). inscribed labels verso oil on board £400 - 600 £300 - 500 30.5 x 44.5cm (12 x 17 1/2in). £300 - 400
68 | Bonhams 416AR James Lawrence Isherwood (British, 1917- 1988) ‘St. Ives’ signed ‘Isherwood’ (lower left); inscribed with title verso oil on board 44.5 x 60cm (17 1/2 x 23 5/8in). £500 - 700
417AR James Lawrence Isherwood (British, 1917- 1988) ‘Rain, Horse Guards Parade’ signed ‘Isherwood’ and dated 62 (lower left); signed, inscribed and dated 62 verso oil on board 44 x 56cm (17 5/16 x 22 1/16in). £900 - 1,200 418
418AR 421AR James Lawrence Isherwood (British, 1917- George Wallace Jardine (British, 1920-2003) 1988) ‘Tropical Angel’ ‘Mevagissey, Cornwall Harbour’ signed ‘GWJardine’ and inscribed verso oil on signed ‘Isherwood’ (lower right); signed, board, unframed inscribed and dated 59 verso oil on board 46 x 61cm (18 1/8 x 24in). 49.5 x 64cm (19 1/2 x 25 3/16in). £300 - 500 £600 - 800 422AR 419AR George Wallace Jardine (British, 1920-2003) James Lawrence Isherwood (British, 1917- ‘Transformation - Lady into Fox’ 1988) signed ‘G W Jardine’ (lower left); also signed Moorlands scene and inscribed label verso oil on board signed ‘Isherwood’ (lower centre); indistinctly 61 x 61cm (24 x 24in). inscribed verso oil on board £300 - 500 33 x 43.5cm (13 x 17 1/8in). £300 - 500
420AR George Wallace Jardine (British, 1920-2003) ‘Solitude’ signed ‘GWJardine’ (lower right) oil on board 122 x 61cm (48 1/16 x 24in). £500 - 700
Exhibited - Liverpool, John Moores Exhibition, 1989.
George Jardine trained at the Royal College of Art, London, 1939-43 where he was taught by Stanley Spencer, Paul Nash and Edward Bawden. He was primarily a surrealist painter. A retrospective exhibition of his work was held at the Liverpool Academy of Arts in 2012.
His work is represented in the collections of the Arts Council of Great Britain, National Museums, Liverpool, Williamson Art Gallery, 420 Birkenhead, Atkinson Art Gallery, Southport, and the University of Liverpool.
Fine Art & Interiors | 69 423AR George Wallace Jardine (British, 1920-2003) ‘The Golden Egg’ signed ‘GWJardine’ (lower right); signed and inscribed label verso oil and paper cutouts on board 61 x 61cm (24 x 24in). £400 - 600
424AR George Wallace Jardine (British, 1920-2003) 426 ‘Astrology’ signed ‘GWJardine’ (centre); also signed and inscribed label verso oil, pen and ink and paper cutouts on board 61 x 61cm (24 x 24in). £400 - 600
425AR George Wallace Jardine (British, 1920-2003) ‘A Touch of Spring’ signed ‘GWJardine’ (lower right); signed and inscribed verso oil on board 27 x 57cm (10 5/8 x 22 7/16in). together with a collage of playing cards, draughts, dominoes, cutout and oil painting, signed (lower centre), 61 x 45cm, (2) £300 - 500
426 William Mellor (British, 1851-1931) ‘On the Rothay, near Grasmere, Westmorland’ signed ‘William Mellor’ (lower left); inscribed with title verso oil on canvas 28.5 x 59cm (11 1/4 x 23 1/4in). 427 £1,500 - 2,000 427* Louise J. Rayner (British, 1832-1924) ‘Walmgate Bar, York’ signed ‘Louise Rayner’ (lower left), also bears title and date 1888 on frame watercolour 18 x 28cm (7 1/16 x 11in). £3,000 - 4,000
Louise Rayner has depicted the 12th century gate and 14th century barbican of Walmgate Bar. These remain largely unchanged now. The barbican is the only medieval barbican on a town wall in England which remains standing.
The area of housing and roofs depicted within the walls on Walmgate has now been cleared and largely replaced with housing developments of the 1960s. The houses outside the walls on Lawrence Street have been either demolished and rebuilt or extensively renovated and remodelled.
428
70 | Bonhams 428* George Blackie Sticks (British, 1843-1938) Knaresborough signed and dated ‘GB Sticks 1898’ (lower right) bears inscription (verso) oil on canvas 70 x 93cm (27 9/16 x 36 5/8in). £1,400 - 1,800
429 George Clarkson Stanfield (British, 1828- 1878) Bardon Towers, Wharfedale signed and indistinctly dated ‘George C. Stanfield 1876(?)’ (lower left); inscribed ‘Bardon Towers Wharfedale’ (on canvas overlap), oil on canvas, 37 x 54cm (14 1/2 x 21 1/4in). £1,000 - 1,500 437 (please see description on page 72)
Provenance - with Vicars Brothers, London, 1947. Thence by family descent.
430AR Herbert F. Royle (British, 1870-1958) ‘Evening on the Wharfe’ signed ‘H Royle’ (lower left); signed and inscribed old torn artist’s label verso, and bears inscription label verso oil on board 19 x 25cm (7 1/2 x 9 13/16in). £600 - 800
The label verso gives the artist’s address as 42 Burnley Road, Ainsdale, Southport.
431 Albert Proctor (British, active 1885-1904) ‘Howgill Scar Teesdale, Yorkshire’ signed ‘Albert Proctor’ (lower right), also inscribed verso watercolour 429 70 x 107cm (27 9/16 x 42 1/8in). £300 - 400
432AR Ernest Higgins Rigg (British, 1868-1947) Drover and sheep in a lane signed ‘E. H. RIGG’ (lower right) oil on canvas 72 x 90cm (28 3/8 x 35 7/16in). £700 - 1,000
432
Fine Art & Interiors | 71 433
436AR Jacob Kramer (British, 1892-1962) Portrait of a woman, head and shoulders, wearing a dark blue dress with flecks of red signed ‘Kramer’ and indistinctly dated (lower left) oil on canvas 49 x 39cm (19 5/16 x 15 3/8in). £500 - 700
437AR Jacob Kramer (British, 1892-1962) ‘Storm, Falmouth’ signed ‘Kramer’ (lower right); also signed and inscribed with title verso oil on canvas 34.5 x 44.5cm (13 9/16 x 17 1/2in). £600 - 800 434 A similar oil painting of a view of Falmouth was exhibited in the Leeds City Art Gallery and 433AR 434AR Temple Newsam Kramer Exhibition of 1969. Peter Brook (British, 1927-2009) Peter Brook (British, 1927-2009) ‘March, Melting Snow’ ‘Keen - Border Collie Pup’ signed ‘PETER BROOK’ (lower right), inscribed signed ‘PETER BROOK’ (lower left) oil on board with title (lower centre) oil on canvas 20 x 29cm (7 7/8 x 11 7/16in). Forthcoming Sales: 51 x 71cm (20 1/16 x 27 15/16in). £2,200 - 2,800 £2,000 - 3,000 Maps, Prints and Paintings featuring 20th 435AR Century Prints - Tuesday 9th April. In the artist’s original frame. Jacob Kramer (British, 1892-1962) Portrait of a woman, head and shoulders, Maps, Prints and Paintings - Tuesday 14th May wearing a dark dress with red shirt collar signed ‘Kramer’ (lower right) oil on canvas laid Fine Pictures - Wednesday 5th June on board 48 x 37.5cm (18 7/8 x 14 3/4in). £500 - 700
72 | Bonhams Clocks, Barometers and Scientific Instruments Thursday 7 March 2013 at 11am Lots 450 - 520 453
450 451 A late 19th century French gilt brass A late 19th century French brass miniature carriage clock with repeat and alarm carriage timepiece with alarm Retailed by A. Golay Leresche & Fils Genève, 2 Anonymous Rue de la Paix, Paris, Having a 1” white enamelled dial with Arabic Have a 2” white-enamelled round dial with hours,the corniche case surmounted by a Roman hours and Arabic minutes, inscribed swing handle 9cm (3 1/2 inches) high “A. Golay Leresche & Fils Genève, 2 Rue de la Paix, Paris”, secondary alarm dial; the single- 452 train movement with original lever platform A late 19th century French gilt brass escapement, striking the hour on a coiled, carriage clock with repeat and alarm numbered 2609, in a cannelee case. With Anonymous carrying case and winder. 16cm (6 1/4 inches) Having a white enamelled dial with black high including handle Roman hours, secondary alarm dial with Arabic £300 - 500 hours, the twin train movement with a lever platform escapement striking on two blued Golay-Leresche was founded in 1837 and steel gongs,the corniche case surmounted by very quickly became one of Geneva’s leading a turned handle, 16cm (6”) high including horological companies. One of its founding handle. Sold with double ended winder. members was Henri Golay, who in 1859 16cm (6”) high including handle invented a mechanism for striking grande £300 - 500 sonnerie watches with minute-repeating. When Henri Ekegrén came to Geneva in 1847 he began his career with Golay-Leresche, where he worked until 1857. The company won a Silver Medal at the 1878 Paris Universal Exhibition, along with many other prizes. 450
74 | Bonhams 456
454
453 455 A 19th century French ormolu and marble A late 19th century portable watchman portico clock garniture timepiece The movement by A D Mougin. Niehus Brothers, Bristol Having a 3 1/4” white enamel with Arabic the single handed 2 inch silvered dial with hours and minutes, decorated with hand black Roman hours, surrounded by a paper painted floral swags; the two train movement barrel with steel pins marking the time, signed with outside countwheel, striking the half ‘T. Burk, Original’; within a Circular lidded brass hours on a bell, stamped “JF” between a case engraved ‘Niehus Bros, Bristol’. With 4 flower, and “A D Mougin, Deux Medailles”; keys and a winder. 8cm (3 inches) diameter the frame with urn surmount above vase £200 - 300 finials, the clock barrel supported by four columns with floral swags, the serpentine form 456 457 base with a pair of cast ormolu doves, raised A 1970’s Swiss Made travel alarm clock on five toupie feet; with sunburst pendulum; Cartier de Paris the garnitures in the form of campagna urns. Having a 1 3/4” dial with Roman hours, Sold with pendulum. (3) 43cm (17”) high signed ‘CARTIER, Paris’, with alarm hand, the £800 - 1,200 burgundy enamelled case numbered 7512 11288. 8cm (3 inches) high 454 £400 - 600 A good quality 19th century inlaid figured mahogany quarter repeating twin fusee 457 bracket clock An early 20th century watchmans wall Anonymous mounted Tell Tale timepiece Having an 8” dial (missing), the twin wire Woods Patent by C. Taylor & Co driven fusee movement striking the quarter Having an 8cm enamel dial with Arabic hours, hours on two bells, shaped backplates and annotated ‘Patent 1888’; the case with original impressive heavy adjustable bob pendulum; instruction label and ‘WOODS’ PATENT TELL- the ebony strung inlaid figured mahogany case TALE CLOCK, C. TAYLOR & Co., 48, ALMA with pediment top, brass plate drop ring side STREET, NEW NORTH ROAD’. With case key. handles above pierced brass arched fretwork 20cm (8 inches) high Gothic style panels, supported on a gilt brass £200 - 300 plinth supported on adjustable gilt brass cup feet. With pendulum, two case keys and winder. 53cm (21 inches) high £500 - 700
Fine Art & Interiors | 75 462 A 19th century brass cased wall hanging chiming journeyman clock James Milne & Son, Edinburgh Having a 4 1/2” silvered dial with Arabic minutes, the dial with a single hand and engraved ‘James Milne & Son, Edinburgh’; the weight driven movement with anchor escapement, ringing on a bell. With pendulum and winder. 18cm (7 inches) diameter £600 - 800
A Journeyman clock is used in in astronomy as a secondary clock in an observatory: used, generally, as an intermediary in the comparison of standard clocks
463 An early 20th century brass cased portable recording watchmans Tell Tale timepiece Dent, 41 Pall Mall, London The signed and numbered brass cased time piece marked ‘RECORDING TIMEPIECE’; serial number 70899, patent number 544119. Lacking keys. 8cm (3 1/2 inches) diameter 462 £200 - 300
464 An early 20th century portable brass cased 458 460 watchmans clock An early 20th century portable watchmans A radio controlled gallery timepiece Llewellin’s Machine Company, Bristol recording Tell Tale timepiece John Wilding The brass case stamped ‘LLEWELLIN’S Dent the 36 inch black painted Roman and MACHINE Co. BRISTOL, 1753 PATENT’; with 2 The signed and numbered brass cased time Arabic dial, with gilt numerals, mounted in a winders. 10 1/4cm (4 inches) diameter piece marked ‘RECORDING TIMEPIECE’; serial mahogany frame, with an electrical movement £200 - 300 number 67185, patent number 544119. With operated by a radio control with a thirty second case key and winder. impulse, 101cm W M Llewellin, Chartered Engineer, Patent 8 1/2cm ( 3 1/2 inches) diameter £300 - 500 Agent and Inventor, founded the business in £200 - 300 1883. He designed and manufactured Clocks Provenance: and Time Recorders. 459 Sold in these rooms, the John Wilding A late 19th century French silver cased collection of clocks, May 2011, lot 284. 465 carriage timepiece An small early 20th century green Albert Villon, Duverdrey et Bloquel 461 lacquered boudoir timepiece Having a square aperture to the front revealing A late 19th century French gilt metal and Anonymous a 1 1/2”white enamelled dial with Roman painted timepiece Having a 3 1/4” dial with Arabic hours and hours, the shaped domed case with foliate Having a dial painted with a decorative mask engine turned centre; the movement with decoration and acanthus feet, the sides with and Roman hours, fitted with a lever platform platform escapement; arched top case with putti marks and bell flowers, the underside and escapement to the back of the movement and canted plinth, supported on squat brass bun door with hallmarks for London 1898, makers stamped AD, numbered 3145, the barrel case feet; the case decorated in green lacquer style stamp WC within an oval, the French made decorated with laurel borders and raised on decoration in the Chinoiserie style. 14cm (5 movement with lever platform escapement acanthus feet, 17cm (7 inches) high inches) high £200 - 300 £200 - 300 £100 - 150
76 | Bonhams 466 A fine ormolu and ebonised 19th century triple fusee musical table clock with Westminster chime and rise and fall pendulum Retailed by Lowe & Sons, Chester Having a 7” brass arched dial with silver chapter, Roman hours and Arabic minutes, matted centre with plate signed ‘Lowe & Sons, Chester’, chime silent-slow fast-Westminster chime on eight bells dials above, the dial with applied gilt brass mask and shell decoration; the triple fusee movement with a carillon of eight bells, striking the quarter hours on a coiled gong; the case with arched top and five gilt finials above a caryatid frieze, the door with upper applied gilt mask quarter panels, canted sides with ormolu caryatid and floral mounts, the plinth with gilt acanthus border, raised on ormolu scrollwork feet. With pendulum and winder. 60cm (23 1/2 inches) high £2,000 - 3,000
Lowe and Sons was established in Chester in 1770 and still trades from the shop which they have occupied since 1804 at 11 Bridge Street Row, Chester.
466
Fine Art & Interiors | 77 467 A late 19th century french clock garniture with Islamic style porcelain panel H. P & Cie Having a 4 1/2 inch gold painted dial with Arabic hours, the centre painted with a mosque by a lake scene, simple Roman hands, two train movement striking on a coiled gong, the back plate stamped ‘H.P & Cie’, numbered 1027 & 183, striking the hour and half hour on a coiled gong; the architectural case with a pagoda top surmounted with burning urn finials, painted Corinthian columns flanking a painted ceramic panel depicting an Islamic lady seated in a landscape with minaret behind (the panel signed ‘Personajes Oriental Paillons, Gd Brun’ on reverse) raised on a deep shaped plinth with egg and dart border, the case stamped 2441 on reverse. The garnitures with figural hand decorated panels on ceramic urns mounted within gilt metal fittings. With original stands, conforming numbered pendulum and winder. 50cm (19 1/2”) high £400 - 600
468 A mid 19th century French gilt-bronze cartel wall clock Michelant Laligant, Paris The case surmounted by a pineapple urn finial with laurel and berry swag, the 4 1/2-inch white enamel dial with blue Roman numerals and Arabic seconds within a shaped tapering case with small glazed pendulum aperture with laurel and berry swags surround and terminal finial, the twin barrel movement with outside countwheel, and rear mounted bell, numbered 778, with twin bottle mercury pendulum, 25cm wide x 11cm deep x 52cm high. £400 - 600
469 A fine late 19th century gilt brass and black marble mantel clock with Ellicot pendulum Samuel Marti & Cie having a 6 inch black dial with gilt coloured Roman hours, the centre with exposed brocot escapement and double swell spade hands, surrounded by a gilt egg and dart molded border, bevelled glass and beaded edge to bezel; the twin train movement with temperature sensitive Ellicot pendulum, ‘S. Martie et Cie, Medalle de Bronze’ within a roundel, retailers stamp ‘H.P. & Co’ and numbered 3005 within a lozenge, 276 beneath, striking the hour and half hour on a bell; the arched top case with hop swag 469 decoration flanking a bevelled glass panel, the plinth with a moulded brass edge above an engraved platform base. Sold with pendulum. 46cm (18”) high £250 - 350
The 19th century French clock makers Samuel Marti & Cie won the Medalle de Bronze in 1860, and the Gold at the Paris exhibition in 1890, which places this clocks production somewhere between the two.
78 | Bonhams 472
470 472 A 19th century style French rococo gilt metal mantel clock with A French 19th century gilt bronze figural mantle clock depicting sunburst pendulum Moliere between muses dressed as Comedy and Tragedy Le Roy, Paris F. L. Hausberg, Paris Having a 4.4-inch white-enameled dial with black Roman hours Having a 3 1/2 inch white enamel dial with Roman hours, Gothic and Arabic minutes, inscribed “Leroy A PARIS”, the two-train Swiss quatrefoil hands, signed F. L. HAUSBURG A PARIS, two train movement movement, striking the hours on a bell, stamped “St Aubin, Suisse” striking the hour and half hour on a bell, within an shield, numbered 48619, the bell shaped case with reticulated back plate stamped F.L.HAUSEBURG, PARIS and ‘Pons, Medaille D’or cloth backed sound frets to the sides, all-over c-scroll and sunburst 1827’ within a roundel, case with two semi-reclining muses dressed as decoration on cast scroll feet, (sold with pendulum) 38cm (15”) high Comedy and Tragedy holding an oval relief portrait of Moliere, white £300 - 500 alabaster middle section with theatrical gilt metal panels, the whole raised on a gilt bronze scrollwork and floral base. With original stand, 471 pendulum and winder. A late 19th century ormolu four glass mantel clock 35cm (14”) high Ansonia clock company New York £1,000 - 1,500 Having a 5-inch white two part dial with black Roman hours and exposed brocot escapement contained within a jewelled gilt border, the Pons_____France, (probably Paris?) 1823-c.1840. two-train movement, rear mounted rack-striking the hours on a coiled Watchmakers and Clockmakers of the World. Brian Loomes. gong, with adjustable faux mercury pendulum, stamped “Ansonia Patented New York”, numbered 6; the case surmounted by a large urn, scrolling brackets with fruit swags to pediment, caryatid cartouche mounted on a plinth base and cast scroll buttress paw feet, sold with pendulum, winder and related wooden platform base 47cm (18.5”) high £400 - 600
The Ansonia Clock Company was one of the major 19th century American clock manufacturers. It produced millions of clocks between 1850 and 1929.
Fine Art & Interiors | 79 475
473 475 A 19th century French ormolu and porcelain mantel clock A good 1970s walnut month-going, quarter chiming limited Henry Pearce, Paris edition mantel clock, with certificate. Having a 4 1/2” enamel dial with black Roman hours, the centre The ‘Daniel Quare’ model, number 176/250. Retailed by Garrards, The decorated with a Putti and flowers; the twin train movement rack Crown Jewellers, made by Elliotts of London. striking the half hours on a bell, the backplate stamped ‘Henry Pearce, The pierced brass monogrammed ‘DQ’ handle over a caddy top and Paris’ and ‘GAF’ within an oval; numbered 16800 and 77; the the moulded cornice to a moulded base on block feet, the 6.25 inch arched sarcophagus form gilt bronze case with porcelain vase surmount, brass dial with subsidiary for chime selection in the arch, offering a caryatid handles and rose swags, further porcelain panels decorated in choice of ‘Whittington’,’Westminster’ or ‘Winchester’, over smaller Pompadour pink and pastoral scenes, the breakfront plinth raised on subsidiaries for regulation and chime/silent, the Roman and Arabic toupe feet. With pendulum. 53cm (21 inches) high chapter ring enclosing the matted centre with applied nameplate, the £600 - 800 long duration movement with triple wire fusees and lever platform escapement chiming the quarters on a run of eight bells and sounding 474 the hours on a ninth, the backplate signed ‘Elliott, London’ and An Aesthetic Movement ebonised striking mantel clock in the style numbered 176/250, with further engraved detailing. 43cms. (17ins) high of Lewis Foreman Day £1,200 - 1,800 the 6” ceramic dial with Arabic numerals, twin train movement striking on a coiled gong, back plate numbered 47009 69, the architectural Limited edition commemorative clocks were popular in the 1970s ebonised and carved case inset with blue and white floral porcelain and Garrards, The Crown Jewellers, were perhaps the most successful panels. With pendulum and winder. 48cm (19 inches) high retailers. They always limited production runs to small numbers, £300 - 500 picked their models very carefully and only used the best suppliers, in this instance, Elliotts of London. This clock was purchased new by the vendors family in 1979 from Garrards, at a cost of £875. It is sold with the framed certificate, other ephemera and the original T-shaped winding key.
80 | Bonhams 477 480
476 477 A 19th century French inlaid rosewood mantel clock with silk An impressive architectural Regency brass inlaid rosewood mantel suspension, together with an early 20th century silver cased clock in the Gothic style boudoir timepiece (one lot) John B Cross, London Henri Marc, Paris Having a 7” silvered dial with Roman hours and moon hands, strike Having a 4 inch enamel dial with black Roman hours, advance and silent dial in apex, engraved foliate cartouche with ‘ Jno. B. Cross. retard dial, signed ‘Hry Marc a Paris’; the two train movement with silk London’ within; the twin fusee chain driven movement with anchor suspension, outside countwheel striking the hour and half hour on a escapement rack striking on a circular-section coiled steel gong the full bell, the backplate stamped ‘Hy Marc, Paris’ within a roundel, numbered hour on the hour and a passing strike on the half hour, with trip repeat 17665 (pendulum with matching numbers); the case surmounted by (not connected), the shaped backplate engraved Jno. B. Cross. London; ornate cast carrying handle, raised on a shaped plinth, the whole with the case with arched pediment above two brass inlaid spire finials, the floral and stringing inlay. With pendulum. door with shaped arched top between cluster columns, raised on a stepped plinth supported on squat ball feet. With door key and winder. Together with an early 20th century silver cased boudoir clock by 49cm (19 inches) high Cornelius Desormeaux Saunders, London 1925, with Swiss movement. £1,500 - 2,500 8cm high (2) 22cm (8 1/2”) high £700 - 900 Loomes ‘Watchmakers and Clockmakers of the World’ lists ‘Cross, John Berryhill. London (Cornhill) 1839-63.
82 | Bonhams 481 482
478 480 Impressive early 20th century architectural oak mantle clock 19th century French brass mantle clock, in the Aesthetic Anonymous, retailed by W. L. Lawson Liverpool movement style. Having a 7 1/2-inch silvered dial with black Roman hours, inscribed Japy Frere, retailed by Miller & Sons, Picadilly “W. L. Lawson, Liverpool”, within an egg and dart cast gilt border; the Having a 4 inch 12 piece white enamelled brass dial with Roman hours, two-train movement, striking the half hours on a two coiled gongs, brass hands, the twin train movement striking on a bell; back plate unsigned back plate with shouldered plates; the architectural case with stamped ‘MILLER&SONS’, numbered 22271 and Japy Frere within a bevel glazed panel doors to the sides, applied gilt brass moulded panels, roundel, the oriental inspired case with a Shou character finial above a on a stepped plinth base and squat block feet. Sold with pendulum and round case decorated with chrysanthemum rosettes and scrolling tendrils winder 58cm (23”) high within a lotus and ruyi scroll border, raised on a rectangular platform £400 - 600 supported on Indian elephant heads. With pendulum and winder. 37cm (14.4”) high The clock bears a label inside the rear door for the jewellers and £800 - 1,200 silversmiths Wm. Pyke and Sons, Ltd. 237 Grange St. Birkenhead who maintained the clock in December 1930 whilst in the ownership of the Miller and Sons ,established by George Alexander Miller in 1851, Liverpool Conservative club. The company still exists and remains in the imported and sold clocks and chandeliers, selling from 178 Piccadilly and ownership of the Pyke family. manufacturing in Shaftesbury Avenue in the 1890s.
479 481 A late 19th century four-glass French mantel clock with open A late 19th century french gilt and enamel mantle clock brocot escapement The movement by A. D. Mougin Anonymous Having a 3 1/2” porcelain dial with black Roman hours, centred with a Having a 5-inch white enamelled Roman numeral chapter and moon band of hand painted flowers; the two train movement quarter ringing hands, centring visible brocot escapement, the two-train movement on a coiled gong, stamped ‘A. D. MOUGIN, DEUX MEDAILLES’ within striking the hours on a bell, the back plate numbered 521 and 69, the a roundel, numbered 5226, 64, the adjustable pendulum numbered dial back numbered 21; the case with bevelled glass panels, on a shaped 5226; the architectural case surmounted with an urn finial flanked by plinth base, (sold with mercury pendulum plus winder) 35cm (14”) high two winged putti, the dial above a porcelain panel with a lovers scene, £700 - 1,000 flanked by Corinthian columns and further figures of putti portraying Diana and Cupid, the whole on a stepped plinth raised on shaped feet. With winder and matching pendulum. 55cm (22 inches) high £600 - 800
Fine Art & Interiors | 83 485
482 483 A 19th century oak Gothic style mantle clock A 19th century French gilt metal mantel clock Dent, London Carlhian, a Beahmetz, Paris Having a 7 inch white enamel dial with Roman hours, strike silent Having a 5” white enamel dial with blue Roman hours and black Arabic lever, signed ‘DENT, LONDON’, and numbered 12382; the twin fusee minutes; the two train movement striking the hours on a bell, backplate movement striking the hour on a coiled gong, backplate signed ‘Dent, stamped ‘Carlhian, a Beahmetz, Paris’ within an oval, ‘BREVETE S.D.G.D’ London’, and numbered 12382; the fine quality lancet top case with and numbered 6238; the barrel form case with urn surmount, raised on clustered columns, side arches with pierced fretwork cloth back panels, a shaped plith with scrollwork side brackets and caryatid front support the whole raised on a stepped plinth. With pendulum, winder and door below an arched neo-classical frieze, the whole raised on toupee feet. keys. 43cm (17”) high With numbered pendulum and winder. 38cm (15 inches) high £600 - 800 £300 - 400
Established in 1814, and still making high quality clocks and barometers 484 today, the firm Dent of London is perhaps best recognised as the maker A 19th century Aesthetic Movement oak, gilt metal and porcelain of ‘Big Ben’, the main clock in the tower of the Houses of Parliament. mounted mantel clock in the style of Lewis Foreman Day Having a 5” ceramic dial with Arabic numerals, flanked by scrolling pierced spandrels, the twin train movement striking on a gong, the case surmounted by a balustrade, above a pair of lobed pilasters. With pendulum. 45cm (17 1/2 inches) high £300 - 500
84 | Bonhams 486
485 486 A 19th Century French cast iron and slate architectural mantle A rare third quarter of the 18th century Irish figured mahogany clock quarter repeating bracket timepiece with dummy winder Blot & Prouard, Paris Alexander Gordon, Dublin Having a 3 1/2” black dial with gilt Roman hours and spade hands, the Having a 6” break arch silvered dial with black Roman hours and Arabic gilt bezel with jewelled edge; the two train movement with outside minutes, the centre with faux pendulum and engraved ‘DUBLIN’, the countwheel, rack striking on a bell, the backplate engraved ‘Blot & arch engraved ‘Alex Gordon’, engraved floral spandrels; The single fusee Prouard, Paris’ and ‘Japy Freres et G, Med D’ Honoures’; the urn shaped movement with 5 knopped pillars, crown wheel escapement, repeating architectural case with globe, telescope and protractor surmount, side the hours on two bells, the backplate engraved ‘Alex Gordon, DUBLIN’; Lion mask drop handles, the whole supported on turned feet. With the case with inverted bell top with brass anvil carrying handle and four pendulum and winder. 40cm (16 inches) high brass artichoke finials, three quarter glazed side panels with pierced £300 - 500 fretwork silk back roundels above, raised on brass ogee bracket feet. Sold with pendulum, winder and door key. 44cm (17”) high including handle £2,500 - 3,500
Alexander Gordon is listed as working from Dublin circa 1756, he died in 1787.
Fine Art & Interiors | 85 487
487 The company was established in 1810 by Thomas Winterhalder in A late 19th Century ormolu and ebonised three train musical Friedenweiler, southern Germany, and was continued by his three sons bracket clock with repeat Mathaus, Karl and Linus. It was finally discontinued in 1932 following Winterhalder and Hoffmeier Schwaerzenbach the death of Thomas Winterhalder’s last son, Linus Having a 7” brass break arch dial with silver chapter, Roman hours and Arabic minutes, floating fleur de lys half hours and matted centre, ‘slow fast’ and ‘Chime on eight bells or Chime on gongs’ dials in arch, cast brass floral spandrels with sunburst in arch; the three train movement with rise and fall, chiming the hour and quarters on five coiled gongs; the arched top case with pedestal surmounted with a figure of Mercury and two finials, the case with applied mask, acanthus and floral ormolu mounts and arched pierced side sound panels, supported on a plinth raised on ormolu scrollwork feet. With pendulum and winder. 57cm (22 1/2”) high £600 - 800
86 | Bonhams 488
488 A fine early 19th century rosewood and brass inlaid bracket timepiece B Russell of Norwich. Having a 6 inch arched silvered dial with Roman hours, engraved ‘Benjn Russell, Norwich’; the single fusee movement with anchor escapement, shaped back plate and adjustable pendulum; the arch topped architectural case with brass inlay, canted sides, fabric backed brass fish scale arched sound panels with round drop plate handles above to sides, the plinth base raised on brass ball feet. With pendulum, winder and bracket. 39cm (15 1/2”) high £1,000 - 1,500
‘Russell, Benjamin, Norwich (Norfolk) 1812-88. Presumably two men of this name in succession.’ Watchmakers and Clockmakers of the World, complete 21st century edition, Brian Loomes.
Fine Art & Interiors | 87 490
489 491 A 19th Century ebonised bracket clock with brass and mother of A George III ebonised five pillar twin fusee bracket clock with rise pearl inlaid decoration and fall Anonymous Norman Macpherson , Edinburgh Having a 5 inch gilt coloured dial with black Roman hours, fine filigree Having a 7 inch silvered break arch dial with Roman hours and Arabic gilt panel to centre, crescent and simple Roman hands; the twin train minutes, the centre with faux pendulum and date aperture and engraved movement with ‘Medaille D’Argent’ within a roundel, numbered 82353, borders to winders, applied gilt brass scrollwork spandrels, the arch striking the hour and half hour on a bell; the case profusely inlaid with with seconds dial and strike silent rise and fall, engrave ‘N. Macpherson, shell, leaf work and mask brass and mother of pearl decoration. Sold Edinr’ at apex; the movement with crown wheel escapement above with conforming bracket. No pendulum or winder. 44cm (17 1/4”) high twin wire driven fusees, the back plate engraved with Ho Ho birds and £300 - 500 scrollwork; the bell topped case surmounted by brass anvil shaped handle and pineapple finials, the door with brass edges and pierced 490 fretwork silk back corners, the moulded plinth raised on gilt brass squat An 18th century style burr walnut bracket clock ogee bracket feet. With pendulum, door key and winder. 50cm (19.5”) Anonymous, circa 1970’s high Having a 6 3/3 inch brass dial with applied silvered chapter, Roman hours £1,500 - 2,500 and Arabic minutes, the matted centre with French hands and second hand, gilt effect pierced brass mask spandrels; the twin fusee movement Norman MacPherson, Watchmaker is recorded in The Scottish Magazine with crown wheel escapement, striking the hours on two bells, engraved issue XXXVii 1775 as an Edinburgh ‘Extraordinary Town-Deacon.’ back plate with rear winders; the basket top with pierced brass fish scale decorated dome surmounted with urn shaped finial, applique panel to front, the case with gilt acanthus mounts to doors, on a molded plinth, raised on blocks supported on gilt brass ball and claw feet. With pendulum and winder. 40cm (16”) high £600 - 800
88 | Bonhams 491
Fine Art & Interiors | 89 492
492 493 An early 19th century lyre form single fusee skeleton clock with A mid 19th century brass inverted Y-shape skeleton clock with passing strike alarm Thomas Bunyan, Manchester Bennett, Paris Having a silvered 5 inch shaped chapter ring with Roman hours and Having a 2.25” white-enamelled chapter ring with blue Roman fleur de lys hands, scroll cartouche below engraved ‘Thos Bunyan numerals and moon hands, inscribed “BENNETT A PARIS”, surrounding Manchester’; the lyre shaped frame with verge escapement and single a secondary brass dial with engraved Arabic numerals; the single-train chain driven fusee, passing striking on a bell; on a rectangular velvet movement with anchor escapement and silk suspension, the inverted covered base set on a slate plinth raised on squat bun feet. Sold with Y-frame on a mahogany circular base surrounding an alarm bell with pendulum and winder. 38cm (15”) high without plinth pull-repeat, raised on ebonised squat bun feet. With pendulum and £400 - 600 winder. 17cm (6.75”) high, excluding glass dome £200 - 300 Thomas Bunyon, clockmaker, is listed at 120 Greengate, Salford in 1836. In the appendix 407, Old Scottish Clockmakers, John Smith, Published by A similar clock was exhibited at the 1851 Great Exhibition, see Oliver and Boyd, Tweedale St. London, 33 paternoster Row. 1921. “miniature alarm in the style made for the Great Exhibition” see F. B. Royer-Collard, ‘Skeleton Clocks’ (NAG 1969), p.69.
90 | Bonhams 494
494 A part early 18th Century English brass lantern clock John Culliford, Bristol The bellstrap over four knopped urn finials, between engraved foliate Loomes ‘Clockmakers and Watchmakers of the World’ lists ‘Culliford, frets on three sides, the front fret decorated with dolphins within foliage, John. Bristol (Som) free and mar. 1692-d.c. 1718. Sometimes Guildford over tapered pillars and ball feet, the 6.5 inch Roman dial with fleur- in error. de-lys half hour markers and engraved centre, now with a later spring driven movement (alterations) 38cm (15”) high Bristol Museum has a lantern clock by the same maker in its collection, £800 - 1,200 Object N8245. A movement by the same maker was sold at Christies, Lot 448. Sale 5997 Christie’s Interiors 7 December 2010
Fine Art & Interiors | 91 499 92 | Bonhams 495 A mid 20th century night watchman’s ‘Tell Tale’ recording clock Dent The signed and numbered brass cased time piece supplied to ‘Magneta Time Co Ltd, Goblin Works, Leatherhead’, in leather carrying case with a number of unused recording papers; serial number 65109, patent number 544119 With 7 keys. 9cm (3 1/2 inches) diameter £200 - 300
496 A 1920’s mahogany and gilt metal mounted wall chiming clock New Haven Having a 5” silvered dial inscribed ‘New Haven’ Strike / Silent, the triple train movement ringing on four chimes, with a paper label to the reverse Winsome Chime R.B.N. Manufactured by THE NEW HAVEN CLOCK CO. The drum case surmounted by an eagle, on a tapering plinth above a rectangular base inset with a colour print of a mansion beside a lake 72cm (28 inches) high £300 - 500
497 A 19th Century compendium wall panel clock/timepiece Whitehurst, Derby Having a circular white enamel dial with Roman hours, Cathedral hands and annotated Whitehead, Derby, subsidiary circular white enamel barometer dial (annotated Whitehead, Derby) and moon dial behind bulls eye glass; inset in a relief carved oak rectangular panel, lacking mechanism,(a.f) 116cm high £300 - 500
John Whitehurst 1713-1788, the inventor of the ‘Tell Tale’ clock and a well known turret clock maker, was born in Congleton and worked in London. His descendants continued the business in Derby in the 19th century.
498 A 19th century walnut fusee wall clock John Cole, Rochdale Having a 14” inch painted with typical hands, Roman hours within a brass bezel and moulded border, the dial signed ‘JOHN COLE, ROCHDALE’, attached to the body of the case via four wooden pegs, the single chain driven fusee movement with substantial shaped plates, with deadbeat escapement to a brass pendulum. Sold with a pendulum and winder. 46cms (18ins) high. £250 - 350
502
Fine Art & Interiors | 93 499 A fine early 18th century walnut cased 8 day 5 pillar longcase clock no. 250, Joshua Wilson, London. 1688-1733 Clockmakers Company Having a 12” brass dial with Roman hours and Arabic minutes, the matted centre with seconds dial and date aperture, signed ‘Josh Wilson, London’ lower chapter, No. 250 below; the five pillar two train weight driven movement rack striking on a bell; the hood with plain cornice above fretwork panels and gilt brass capped tapered columns, the case with a round moulded and feather banded edge long door, brass edged portal, the base with crossbanded and feather banded edge, raised on a plinth. With pendulum, key, winder and two weights. with pendulum, weights, key and winder 220cm (86 1/2 inches) high £3,000 - 5,000
Recorded at Lombard Street, London in 1712, Clements Lane in 1720. Watchmakers and Clock makers of the World. Brian Loomes.
A similar clock is illustrated on page 171 of “ English Domestic Clocks “ Herbert Cescinsky and Malcolm R Webster.
500 A 19th century figured mahogany and inlaid painted dial 8 day longcase clock. Indistinctly signed Having a 14” hand painted break arch dial with moonphase, Roman hours, seconds dial and date aperture, Arabic date dial in the arch, the centre decorated with a scene of Royalty and a harpist, spandrels painted as maidens representing the four seasons; two train weight driven movement rack striking on a bell; the hood with a broken swan neck pediment above four twisted columns, the case with a shaped top long door flanked by twisted half columns, the base raised on a short moulding, lacking feet. With two weights and a pendulum. 224cm (88 inches) high £300 - 500
501 An early 20th Century German oak cased musical longcase clock Villinger Hausuhrenfabrik Willi Brunckhorst, Villingen Having a 10 1/2 inch brass dial with black Arabic hours, three train weight driven movement with verge escapement, chiming the quarter hours and hour on eight gongs, gong plate with VH below a fir tree; case with a shaped cornice above an applied carved shell form frieze, glazed door with carved decoration,panelled base raised on squat cabriole legs. With pendulum and three weights. 204cm (80”) high £200 - 300
502 An attractive George III oak 8 day gilt and painted dial longcase clock Anonymous Having a 13” break arch painted dial with raised giltwork decoration, Roman hours and Arabic minutes, seconds dial and date aperture, the arch with hand painted oval depicting lovers within a landscape; the twin train weight driven movement rack striking on a bell; the hood with an arched cornice above Corinthian brass capped columns; the case with a crossbanded shaped top long door flanked by floral carved canted sides, the base with a raised panel, supported on a shaped plinth. With a pendulum and two weights. 207cm (81 1/2 inches) high £500 - 700 505
94 | Bonhams 503 An early 19th century mahogany crossbanded oak longcase clock with moonphase Thomas Evans Llandeussant surmounted by a swan neck pediment over turned columns and crossbanded trunk wth a short door, on a plinth base, the signed 13 in painted Roman dial with subsidiary seconds and calendar dial to the centre and moonphase to the arch, the weight driven movement with knopped pillars and rack strike on a bell, 221cm (7ft 3in) £400 - 600
504 A George III Oak 8 day longcase clock Jonathan Lees, Bury c.1730-1785 Having a 12 1/2 inch brass dial with Roman hours, Arabic minutes and floating fleur de lee half hours, with an unusual and decorative ‘repeating arch’ motif in border, matted and engraved centre with upper shield engraved ‘Jonathan Lees, BURY’; movement rack striking on a bell; case with a bell top wit three turned wooden finials, cornice above plain turned tapering columns, shaped top long door flanked by canted sides with quarter columns; plain planked base, lacking plinth. With pendulum, two weights and winder. 205cm (80.5”) high £500 - 700
Loomes, Watchmakers and Clockmakers of the World, lists Jonathan Lees. Bury (Lancs)c.1730-c.1760. then Middleton (Lancs) where d.1785
505 A 19th century mahogany painted dial 8-day longcase clock Scales, Kendal. Having a 14” break arch painted dial with Roman hours, seconds and date dials, signed ‘Scales, Kendal’, the arch decorated with a domestic scene of a lute player and child; the twin train weight driven movement rack striking on a bell; the hood with broken swan neck pediment with fluted urn finial, above ring turned columns, the trunk with a crossbanded shaped top door flanked by ring turned pillars, the base with inlaid edge, lacking feet. Sold with pendulum, key, winder and two weights. 214cm (88 inches) high £800 - 1,200
Loomes ‘Clockmakers and watchmakers of the World’ 21st century edition lists the Scales family as clockmakers in Kendal throughout the 19th century. Thomas Scales, Finkle Street, Kendal. Born 1825, Active 1852-79 is possibly the most likely maker of this clock.
506 An early 19th century 8 day mahogany longcase clock with moonphase James Condliff of Liverpool Having a 14” white painted dial with Roman hours and calender arm, seconds dial and 29 day moon dial in arch, hand painted floral spandrels, the dial signed ‘Jas Condliff, Liverpool’; movement rack striking on a bell; the fine case with broken swan neck pediment over four reeded columns (two half columns), the shaped top long door inlaid with figured mahogany oval flanked by flat reeded pilasters, base with conforming inlaid roundel, raised on squat ogee bracket feet. With two weights, winder and key. 225cm (88 1/2 inches) high £2,000 - 3,000
Loomes, Watchmakers and Clockmakers of the World, lists James Condliff ‘Born 1790 Sheffield (Yorks), working Gerrard Street, Liverpool (Lancs) 1813-18 then Circus Street, Liverpool 1819-22, then Fraser Street, Liverpool 1823-62
506
Fine Art & Interiors | 95 507 A 19th century French mahogany 8 day ‘horloge de parquet’ longcase clock Arch Lanrie Having an 11” round brass dial with Roman hours and Arabic minutes, floating fleur de lys half hours, the matted centre with a faux date aperture, signed ‘Arch Lanrie’; the two train weight driven movement rack striking on a bell; the hood with a winged figural surmount; the inlaid case with shaped top door and shaped glass aperture, the sides with canted shaped glass apertures, on a square base raised on brass ball and claw feet. With pendulum, key and weights. 175cm (69 inches) high without surmount £800 - 1,200
508 An 18th Century figured walnut 8 day longcased clock James Wright, London Having a 12” brass break arch dial with silvered chapter, Roman hours, Arabic minutes and floating fleur de lys half hours, the matted centre with seconds dial and date aperture, pierced brass caryatid spandrels, roundel within arch signed ‘James Wright, LONDON’, flanked by dolphin spandrels; the two train weight driven movement rack striking on a bell; the hood with a caddie top, three gold coloured urn finials and silk backed fretwork corners above plain brass capped columns, the trunk with a moulded edge long door inlaid with a feather banded panel surrounded a highly figured veneer, the conforming base raised on a plain stepped plinth. With pendulum, three winders and two weights. 169cm (66 1/2 inches) high £3,000 - 5,000
Loomes ‘Clockmakers and Watchmakers of the World’, Complete 21st Century Edition lists ‘Wright, James. London CC.1733.’
509 A late 18th century mahogany 8 day painted dial longcase clock George Monks, Prescot. b. 1750-d.1815 Having a 13” white painted break arch dial with Roman hours and Arabic minutes, seconds dial and date aperture, the dial signed ‘Geo Monks, Prescott’, painted spandrels and rose decoration within the arch; the two train weight driven movement rack striking on a bell; the hood with swan neck pediment above an inset figured frieze and fluted columns; the case with flat pilasters and a shaped top long door with figured veneers, canted sides and raised panel on the base, the whole supported on bracket feet. Sold with pendulum and two weights. 236cm (93 inches) high £500 - 800
Loomes “Watchmakers and Clockmakers of the world 21st C. Ed.” Monks, George (1). Prescot. (Lancs) b. 1750-d.1815.
George Aisworth in, (c.1790- d.1815) “Bellfounder & brassfounder & supplier to the trade of parts & complete movements. Items sometimes monogrammed GA”
510 An 18th century oak 8 day painted dial longcase clock A Coleman, Carnarvon Having a 14” square dial with Arabic hours and minutes on the quarter hours, seconds dial and date aperture, the centre with hand painted birds, the spandrels painted fruit within oak leafs; the twin train weight driven movement stamped ‘Finnimore, Birmingham’ on the joining plate, rack striking on a bell stamped ‘G. Ainsworth’;the hood with a broken swan neck pediment and brass ball finial above brass capped fluted columns, the case with shaped top door flanked by quarter fluted columns, the base with a shaped top panel, raised on a shaped plinth. With a pendulum, winder and two weights. 216 (85 inches) high £400 - 600 507
96 | Bonhams 508 511
510A A mid 18th Century 30 hour oak longcase clock S. Collier of Eccles, with alterations Having a 12 1/2” square brass dial, centered by an engraved silver chapter ring, Roman hours, Arabic minutes and date aperture, the dial signed ‘S.Collier, Eccles’ within scrolling engraving; the 30 hour striking movement with amendments now allowing for quarter striking; the hood with moulded caddy top and deep arch with later carving and turned front corner pilasters; the plain trunk with rectangular arched door centered by a glazed lenticle, on a plain base reduced in height with later moulded plinth, 223cm (87 1/2 inches) high £800 - 1,200
Loomes, Watchmakers and Clockmakers of the World, lists Samuel Collier (11). Eccles (Lancs) b.1785 son of John Collier (1) q.v. working Cheadle (Cheshire) d.1865
511 An early 19th century long case clock movement Benjamin Webb, London. Having a 12” brass dial with silvered chapter, Roman hours and Arabic minutes, signed ‘Benjn Webb, London’, matted centre with date aperture and seconds dial, strike silent lever, applied mask spandrels; the two train movement rack striking on a bell. 30cm (12”) high £1,200 - 1,500
Loomes Clockmakers and Watchmakers of the World lists 3 Benjamin Webbs of London; 1799, 1792 and CC1781-1810 Maker to the King.
512 Three 18th century and later longcase clock movements Henry Brownhill & son of Leeds, S. Baker of Birmingham & an early 20th century Continental movement The 14” break arch painted dial Henry Brownhill movement with a moonphase in the arch and a carillon of eight bells. The movements and dials sold as seen, without cases, pendulums, weights or winders. Various sizes £500 - 600
516
98 | Bonhams 513 A 19th century Octant in mahogany case G. Gowland, Liverpool A 12 inch brass and ebony Octant, for determining latitude at sea. With ivory label for manufacturer ‘G. Gowland, 76 South Castle St. Liverpool’, 0-100 degrees on ivory scale; original retailers label ‘John Bruce, Salthouse Buildings, 92 Wapping, Liverpool’ to case. 12” (31cm) high £200 - 250
George Gowland is listed in The London Gazette Oct 17th 1856 at No. 76, South Castle-street, Liverpool, in the county of Lancaster, Chronometer and Nautical Instrument Maker
John Bruce was a seller of chronometers and nautical instruments in Liverpool, England, active between 1865 and 1896. The firms label lists marine barometers, sextants, quadrants and telescopes among the products sold
514 A 20th century Russian two day marine chronometer MOPCKOM XPOROMETP Of characteristic design, with three part mahogany coloured case; 4 1/4” silvered Arabic dial with state of wind and subsidiary seconds, the single chain driven fusee movement within brass gimbals.Serial no. 3967. 19cm (7 1/2”) high £400 - 500
515 A 19th century French decorated painted pine framed double barometer with thermometer Lebleu Trenel de La Gorgue The glazed rectangular case with moulded edge and printed paper scales, with one double tube, an alcohol thermometer and a mecury barometer 100cm (39 1/2”) high £100 - 150
516 A George III inlaid mahogany stick barometer with thermometer Baptista Ronchetti of Manchester. the pediment centred on a turned brass finial, over the signed brass dial with 28-31 inch scale, seven predictions and vernier scale, mounted beside the Fahrenheit scale thermometer, set beneath the glazed hinged door with ebony and boxwood stringing, the conforming trunk with feather cut panel terminating in the turned cistern cover 97cm (38”) high £400 - 600
Baptista Ronchetti is recorded by Banfield as moving to Manchester from Tavernerio, near Lake Como, Italy in 1785. He worked from 15 High Street and was joined by his son and nephew and Dominic Bolongaro who all went their separate ways after a while. He is thought to have died circa 1810.
A similar barometer was sold in the Dreweatts Donnington Priory Salerooms The Banfield Collection of Barometers 2007.
517 A Regency Rosewood Wheel Barometer Anonymous Having an 8-inch silvered dial with engraved sun-burst centre, calibrations to tenths of an inch of pressure and seven predictions, cased Fahrenheit thermometer with four predictions, dry-damp and level roundels, the scroll-edged trunk of Arabic inspired form, later inlaid marquetry panels 96cm (38”) high £100 - 200
518
Fine Art & Interiors | 99 518 520 A 19th Century oak cased ‘FARMER’S BAROMETER AND DOMESTIC An early 19th Century Inlaid Figured Mahogany Wheel or ‘Banjo’ WEATHER-GLASS’ wet and dry thermometer stick barometer Barometer Negretti & Zambra, London. Patent no. 255 B. Bombelli, Whitehaven the pediment over the signed twin ivory backed dial with 27-31 inch The 8” engraved silvered dial with black Arabic measurements, behind scale, six predictions and vernier scale mounted beside the dry Fahrenheit a brass-rimmed glass plate, set in a mahogany frame with hygrometer, scale thermometer, open dial with round moulded edge, the conforming boxed thermometer with four predictions, convex mirror and level trunk with shaped corner brackets terminating in the square faceted apertures, with a broken swan neck pediment with brass finial surmount, cistern cover 99cm (39”) high ebony and boxwood banding to edges 99cm (39”) high £300 - 500 £300 - 500
This barometer was designed to afford farmers the ability to predict The Cumbrian and Westmoreland Archives 1873 directory Birth weather in order to effectively produce crops in changeable conditions. Marriages and Deaths lists records the death of; In their 1864 publication A TREATISE ON METEOROLOGICAL ‘BOMBELLI-At Whitehaven,on Friday last, MR. BALDI BOMBELLI, optician, INSTRUMENTS, the makers describe the functionality of this wet and aged 67 years, Oct. 1844’ dry bulb barometer in the following terms; ‘These two thermometers, which we distinguish by the names “Wet Bulb” and “Dry Bulb,” form the Hygrometer; and it is by the simultaneous reading of these two thermometers, and noting the difference that exists between their indications, that the humidity in the atmosphere is determined.’
519 Early 20th century Brass and Black Painted Scientific Gimbal Stick Barometer S.A. Calderara, London of cylindrical form with glazed barometric gauge, attached thermometer, gimbal mount and weighted drop finial. Numbered 1730/28 92cm (36”) high £100 - 150
100 | Bonhams Furniture, Works of Art & Rugs Thursday 7 March 2013 at 11am Lots 521 - 725 521
522
521 A pair of Isfahan rugs Central Persia, 210cm x 141cm (2) £400 - 600
522 A Kashgai rug South Persia, 238cm x 168cm £600 - 800
523 A Belouch rug and two Tekke rugs 169cm x 96cm, together with two small Tekke rugs, 173cm x 77cm, 115cm x 76cm (3) £100 - 150
524 A Turkman Ensi prayer rug 145cm x 128cm, together with a Kashan rug, 187cm x 121cm (2) £200 - 300
525 A Turkish silk rug 184cm x 118cm £400 - 600 525
102 | Bonhams 529
530
526 A Turkish Konya Ladik rug 309cm x 206cm £100 - 150
527 A modern Afghan-style carpet 407cm x 300cm £80 - 120
528 A Kazak rug 178cm x 145cm £250 - 350
529 A Tabriz carpet 380cm x 290cm £300 - 400
530 A Kashan rug 198cm x 124cm £300 - 400
531 A Niriz rug South East Persia, 194cm x 146cm £300 - 500
531
Fine Art & Interiors | 103 532
532 A George III bowfronted mahogany and inlaid sideboard The rosewood-crossbanded top above a central frieze drawer with arched apron below, flanked by a pair of deep satinwood-crossbanded drawers, each centred by circular boxwood and ebony line stringing, raised on six square-section tapering legs, 152cm wide x 61.5cm deep x 90cm high, (59.5” wide x 24” deep x 35” high) £500 - 700
533 A mahogany sofa table The rectangular rosewood-crossbanded top with rounded drop leaves, above two ebony line strung frieze drawers, opposed by a pair of conforming faux drawers, raised on a shaped, rectangular pedestal with four ebony line strung downswept legs terminating in brass lions paw caps and castors, 89.5cm wide x 63.5cm deep x 70.5cm high, (35” wide x 25” deep x 27.5” high) 535 £150 - 300
534 After Henry Alfred Pegram (1862-1937): A bronze bust of a lady Modelled with hair tied back in a bow, inscribed to one side ‘HENRY PEGRAM Sc 1905’, the hollow bust raised on a shaped marble plinth, 54cm high £300 - 500
535 A mahogany cheval mirror The rectangular plate flanked by square-section tapering, reeded supports, surmounted by urn finials, linked by twin, turned cross stretchers, terminating in brass caps and castors, 71.5cm wide x 62cm deep x 167.5cm high, (28” wide x 24” deep x 65.5” high) £400 - 600
536 A George III mahogany, burr walnut and satinwood-crossbanded fold-over card table Signed ‘CLARK’ in pencil to underside of top The rectangular top with rounded front corners banded with both burr walnut and satinwood, enclosing a baize-lined interior, above ebony line- inlaid friezes, raised on four square-section tapering and ebony-strung legs, 91cm wide x 44cm deep x 74cm high, (35.5” wide x 17” deep x 29” high) £600 - 800 534
104 | Bonhams 538
537 537 A George III mahogany gentlemans washstand The rosewood-crossbanded and ebony and boxwood line-inlaid, rectangular double-hinged top, opening to reveal a fitted interior with a hinged mirror and five hinged compartments, with two circular apertures, the front with a faux drawer above a drawer opening to reveal a green baize writing slope, with partitions below, raised on square, tapering legs, 60cm wide x 56cm deep x 91.5cm high, (23.5” wide x 22” deep x 36” high) £400 - 600
538 A set of six Edwardian dining chairs, in the Hepplewhite revival manner Stamped Maple & Co Including a pair of elbow chairs, each with shield-shaped back, centred by a pierced splat inlaid with a boxwood fan and line stringing, the serpentine front rail supported on turned, tapering front legs, with outswept back legs (6) £600 - 800
539 A Regency Colonial padouk bergere elbow chair With a gadrooned crest above a deeply carved fruit and leaf-scrolled top rail, above a canework back panel and seat, the downswept arms on leaf-carved supports, raised on moulded, sabre legs, 54cm wide £500 - 800
540 A Queen Anne-style walnut-veneered dressing mirror Having an arch-topped and shaped bevelled mirror plate in a cushion- moulded frame, on a pair of turned and tapering finial-topped supports, raised on a bureau base with hinged crossbanded fall edged with a row of double beading and enclosing pigeonholes and drawers, all above a 539 long serpentine-fronted drawer, 46cm wide x 26cm deep x 81cm high, (18” wide x 10” deep x 31.5” high) £300 - 400
541 A Victorian mahogany framed settee With foliate-carved scrolled arms, and serpentine front rail, with buttoned ice-green upholstery, raised on cabriole front legs terminating in castors, 144cm wide x 68cm deep x 73.5cm high, (56.5” wide x 26.5” deep x 28.5” high) £200 - 400
Fine Art & Interiors | 105 545
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542 547 A set of six Victorian walnut balloon back dining chairs A large pair of 20th century lacquered brass and glass nine-light The lower half of the moulded back carved with simple foliate designs, hall lanterns upholstered in blue ground, floral decorated stuff-over seats, raised on Fitted for electricity front cabriole legs, 87.5cm high (6) Each shade with four scrolling branches supporting the lantern shade of £300 - 500 four pieces of curving glass, each topped by a balustroid finial supporting a rod and nine scrolling branches each terminating in a drip pan and 543 bulb socket, the shades 112cm high excluding chains and ceiling fitting, A relief carved oval marble plaque (2) Modelled as a mother cradling two naked, sleeping infants, 30.5cm £500 - 700 wide, 38.5cm high £200 - 300 548 A 19th century breche violette and white marble column 544 Unpolished, having a circular grey-veined white marble moulded capital A Regency mahogany bookcase with associated top and plinth, (damages and losses), 42cm diameter x 92cm high The gently curved cornice with inlaid lozenges around a central ivorine £300 - 400 stud, above two astragal glazed doors, enclosing three reeded adjustable shelves; the base fitted with two short and three long drawers, raised 549 on bracket feet, 91.5cm wide x 45cm deep x 201cm high, (36” wide x A small collection of bronzes 17.5” deep x 79” high) Including a model of a Roman soldier, wearing loincloth and holding a £600 - 800 sword, the octagonal base inscribed ‘Kovalczewski’, on a marble base (sword blade loose), 34cm high, with a model of a WWII soldier, 26cm 545 high, and a further figure of a soldier (losses), 15.5cm high, with a After Albert Ernest Carrier Belleuse (French, 1824 - 1887): La Bonne model of a girl in a hooded cloak, on a circular base, engraved ‘GW’, Mère 16.5cm high, a small model of a lady, on an octagonal base, indistinctly Signed ‘CARRIER’ to the base engraved, 10.5cm high, and a miniature model of a kneeling girl, The mother seated in the centre, her hair held in a delicate fillet, her mounted on a rectangular marble base, 6.5cm high (6) robes falling in heavy folds, her son at her right arm, her daughter at her £150 - 200 left, on a bow-breakfront base, 31cm wide x 17cm high £600 - 700 550 A four poster mahogany tester bed 546 With 19th century carved spiral twist front posts with stiff-leaf capitals, A mid-20th century mahogany-cased 6ft grand piano, by C. terminating in castors, with later plain headboard and remaining Bechstein, Frame No. 102734, the timber frame marked with the supports, the box base with ‘Maple & Co Ltd’ label, (lacking cornice, number 41077 footboard, and drapes), 161.5cm wide x 210cm deep x 225cm high, The case with boxwood line inlay, raised on three pairs of square-section (63.5” wide x 82.5” deep x 88.5” high) tapering legs linked by stretchers, together with a modern duet stool, £600 - 800 with tapestry woolwork seat, above a short drawer at either end, 75cm wide x 46cm deep x 55cm high, (2) £2,000 - 3,000
106 | Bonhams 551
551 An early 20th century mahogany and satinwood inlaid display cabinet The gently inverted breakfront moulded cornice with bowed ends, inlaid with a satinwood castellated frieze, above a satinwood ground flowerhead inlaid frieze, the two central doors with oval glazing bars centred by a rectangular panel with a satinwood and inlaid vase, enclosing three shelves, flanked by bowed, glazed doors, each enclosing three shelves, with similar glazed end panels; the lower half of similar projecting shape, fitted with a central frieze drawer above a cupboard enclosed by two doors, flanked by cupboards beneath a drawer, raised on six octagonal, tapering short legs, 189.5cm wide x 47.5cm deep x 208cm high, (74.5” wide x 18.5” deep x 81.5” high) £1,000 - 1,500
552 An enamel portrait of a young girl Of rectangular shape, depicting a young girl sat at a window holding a flower, with a twilight landscape beyond, with indistinct signature ‘...Laura Le Roux’ and indistinct monogram, 9cm wide x 13cm high, framed, together with a gilt brass box, decorated with scrolled, trailing foliage, the hinged cover inset with a circular enamel portrait medallion of a girl, bordered by raised laurel leaves, with impressed initials H.L. to underside, 10.5cm wide x 8.5cm deep x 3.5cm high (2) £120 - 180 554 553 A George III-style mahogany kneehole desk Of recent manufacture, the rectangular edge-moulded top above a long 554 drawer, an arched frieze with recessed cupboard door below, flanked A late George III mahogany and inlaid secrétaire bookcase to either side by three graduated and cockbeaded short drawers, raised Having a moulded cornice inlaid to the frieze with boxwood lines above on shaped bracket feet, 77.5cm wide x 44cm deep x 75cm high, (30.5” a pair of astragal-glazed doors enclosing three shelves, the associated wide x 17” deep x 29.5” high) lower section having a deep secrétaire drawer with fall-front enclosing £100 - 200 pigeonholes and rosewood-veneered short drawers around a central inlaid cupboard door, with three graduated long drawers below, all between reeded corner quadrant pilasters, raised on outswept bracket feet, (feet at fault), 120.5cm wide x 50.5cm deep x 226cm high, (47” wide x 19.5” deep x 88.5” high) £700 - 1,000
Fine Art & Interiors | 107 560 555
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555 558 A Victorian oak writing or library table by Howard & Sons A model of HM Customs Tug ‘Waterguard’ The plain, rounded rectangular top above two frieze drawers, one The hull painted in red and blue with white lines, with laid timber decks stamped ‘HOWARD & SONS, BERNERS ST’, raised on turned, tapering and tan and cream-painted superstructure, in a glazed display case, legs terminating in brass caps and castors (both drawers in several 73.5cm wide x 25cm deep x 46.5cm high pieces, top missing skiver), 136cm wide x 97cm deep x 73.5cm high, £300 - 500 (53.5” wide x 38” deep x 28.5” high) £400 - 600 559 An 18th century-style carved mahogany torchère 556 The circular dished top with beaded and foliate-carved edge, raised A small collection of gilt bronze models on an acanthus-carved and spiral-reeded column, on a concave-sided Including a pen stand, modelled as a young boy holding a rifle, with pen triform platform decorated with carved rosettes, on three hipped holder tree trunk and ink well stump, (losses), 9.5cm high, a model of a acanthus-carved supports terminating in carved paw feet, 131cm high young boy holding a flaming torch, on a domed base, 15.5cm high, a £80 - 120 model of a youth wearing robe, on a fluted marble base (losses), 36cm high, a decorative tazza, 17cm diam, and a watch stand modelled as 560 a shell raised on a column of shells and foliage, supported by three A 19th century ebonised and purpleheart inlaid credenza, in the dolphins, 14cm high, together with a bronze model of Athena, modelled manner of James Lamb holding shield, with owl perched on her head, on a marble plinth, The inverted breakfront top over a scratch-carved frieze decorated 17.5cm high (6) with geometric patterns, over a pair of arched glazed cupboard doors, £100 - 150 enclosing three adjustable shelves, flanked by two large cupboards centred by roundels, on a plinth base, 183cm wide x 40.5cm deep x 557 112.5cm high, (72” wide x 15.5” deep x 44” high) A Regency folding towel rail £800 - 1,200 The mahogany rail with bamboo-turned uprights and stretchers, 84.5cm wide, 76.5cm high 561 £200 - 400 A Regency mahogany and brass-bound table writing slope with tambour top The shallow frieze drawer with recessed brass handle, connected to a rolling tambour top, opening to reveal a removable stationery compartment, the slope front, centred with a brass cartouche, hinged to reveal a purple baize writing slope, and further compartments, 46cm wide x 38.5cm deep x 23cm high, (18” wide x 15” deep x 9” high) £250 - 350
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562 565 A set of twelve 18th century-style mahogany pierced ladderback A late George III brass fender dining chairs Of serpentine form, with upper bead, and base moulding, 117cm wide Late 19th century x 15.5cm high Including two elbow chairs, each having a serpentine toprail pierced £200 - 300 with overlapping scrolls and carved with a flowerhead, above three conforming splats, all with serpentine-fronted stuff-over seat upholstered 566 in close-nailed tan hide, raised on two moulded front supports united by After Pierre Jules Mêne, French (1810-1879) an ‘H’-shaped stretcher, (some re-railed and with restorations), (12) A 19th century bronze model of two Whippets playing with a ball £1,000 - 1,500 Group de deux levrettes jouant à la boulle The two dogs raised on an oval base designed as a carpet, signed P.J. 563 MÊNE, mid brown patination (one dog detached from base) 15.5cm high A George III oval mahogany and brass bound tray £400 - 600 In the manner of Gillows The oval base with coppered sides applied with two brass straps and Originally modelled in 1846, Mêne exhibited this model along with four moulded overscrolled handles, 62.5cm wide, 39cm deep, 7cm high others at the Salon of 1848 and it is part of a series of pet dogs. The (24.5” wide, 15” deep, 2.5” high). model is known in his catalogue as Deux levrettes (Jiji et Giselle) which £600 - 800 were the names of the dogs he based the piece on. Related Literature: M. Poletti and A. Richarme, Pierre Jules Mêne, Trays of this pattern have been recorded impressed with the stamp of Catalogue Raisonné Univers de Bronze, Paris, page 128. Gillows, see S.Stuart, Gillows of Lancaster and London, 1730-1840, Vol II, p.388, pl.GG51 and GG52. 567 A George II-style mahogany dished pie-crust tray 564 Of rectangular form, with a moulded border, 61cm x 48.5cm English School £100 - 150 Circa 1820: A lady praying for the return of her sweetheart sailor, reverse painted on glass, oval 41 x 34cm (16 1/8 x 13 3/8in). £300 - 500
Fine Art & Interiors | 109 573
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571 A Victorian figured walnut teapoy The circular hinged top opening to reveal two lidded caddies, with apertures for two mixing bowls, raised on a spiral twist column support, with tripod base, the legs with floral carvings, and acanthus leaf terminals over brass castors, 46cm diam, 77cm high £200 - 300
572 A late 18th century incised coconut shell, HMS Leviathan The shell with the typical ‘bugaboo’ face carved on the crown, engraved with four cartouches; depicting a heart, a coconut tree, a foul anchor and an inscribed panel ‘Richard & Esther Plaster Cape Nichola Mole Hispaniola Augt. 1796’, and a solar face on the base, £300 - 500
Le Mole St. Nicholas is a port in what is now known as Haiti. It is recorded that HMS Leviathan was based there, and took part in the 572 attack on Leogane, Haiti in March of that year.
HMS Leviathan was a 74 gun Third Rate built at Chatham in 1790. She 568 took part at Trafalgar and was reduced to a prison hulk at Portsmouth in A 19th century mahogany breakfront library cabinet, in need of 1816, being sold out of the Navy in 1848. restoration In the manner of Gillows, the breakfront cornice with carved rosettes, 573 above three panelled doors enclosing adjustable shelves, the breakfront A George III-style mahogany stool base with a plain frieze over four central drawers, flanked by two The needlework upholstered serpentine-shaped seat, raised on four cupboard doors, the left enclosing four drawers, (several pieces missing), acanthus leaf and ‘C’-scrolled carved cabriole legs, terminating in ball 194cm wide x 62cm deep x 236cm high, (76” wide x 24” deep x 92.5” and claw feet, 61cm wide x 49cm deep x 47cm high, (24” wide x 19” high) deep x 18.5” high) £3,000 - 5,000 £500 - 700
569 574 A Regency mahogany centre table A pair of bronze models of hunters The rectangular tilt top with rounded corners and broad crossbanding, Both modelled barefoot in loincloths on circular bases, the man holding raised on an octagonal, tapering pedestal, with four downswept, ebony- a bow and a deer, the woman with a net and fish, on black marble lined legs terminating in brass claw feet and castors, 118cm wide x socle bases, 47.5cm and 45cm high, (losses to woman), together with a 90cm deep x 72.5cm high, (46” wide x 35” deep x 28.5” high) bronze model of a youth in a hat holding a bunch of flowers, the base £400 - 600 engraved ‘R.S. Wheaton 1903’, on a rectangular wooden plinth, 49.5cm high (3) 570 £150 - 250 A pair of gilt metal table lamps Each of urn shape, with scrolled, foliate twin handles, decorated with a central frieze of Classical characters including musicians and actors, set on octagonal black marble plinths, 44.5cm high (2) £150 - 200
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575 A Victorian mahogany extending dining table The rounded rectangular wind-out top with one narrow and two wide additional leaves, raised on four baluster-turned legs, terminating in brass caps and castors, with winder, extended length 250cm x 136cm wide x 72cm high £1,200 - 1,800
576Y A miniature oval ivory plaque of Madonna and child Relief-moulded, with the Madonna cradling the child, in a glazed oak frame, plaque roughly 5cm wide x 6.5cm high £150 - 250
577 A late 19th century mahogany boudoir stool Of waisted, bobbin shape, the circular, distressed top upholstered with a floral pattern, with green and yellow rope surround, above a circular tiered base, raised on three circular pad feet, 37cm diameter x 54cm high £200 - 300
578 A Victorian mahogany Sutherland table The rectangular top with rounded rectangular drop leaves, raised on ring-turned supports and stretchers, with splayed feet, 91.5cm wide x 14cm deep x 72cm high, (36” wide x 5.5” deep x 28” high) £400 - 600 580
579 A Victorian walnut credenza of unusual shape 581 The moulded top above a central concave glazed door, enclosing A pair of late 19th century French steel sword hilts adapted as a lined, shelved interior, flanked by plain pilasters with applied gilt lamp bases metal decoration, with open corner shelving, obliquely crossbanded Each with a single nozzle and a pierced drip pan, on later shaped square throughout in rosewood with fine boxwood line stringing, 140.5cm wide bases, wired for electricity, 30cm high (2) x 37.5cm deep x 100.5cm high, (55” wide x 14.5” deep x 39.5” high) £200 - 300 £700 - 1,000
580 A Victorian painted papier mache centre table The adjustable, scrolled, shaped tilt-top painted with scene of a monastery interior with figures and game, on a column surrounded with gilt-painted spiralled carvings, set on three scrolled, painted legs, 102cm high at lowest height £400 - 600
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583 A relief carved marble plaque of a scholar Modelled as a bearded, balding man holding a book or manuscript in front of him, his right elbow resting on a book on a table before him, with further books and a quill, 37.5cm wide x 42cm high, in a carved oak frame, 55.5cm wide x 58cm high £300 - 500
584 An 18th century-style mahogany toilet mirror The bevelled, rectangular plate within a moulded surround, raised on tapering supports topped by brass urn-shaped finials, on a rectangular base with a frieze drawer, raised on bracket feet, 39.5cm wide, 18.5cm 583 deep, 58.5cm high (15.5” wide, 7” deep, 23” high) £100 - 150
585 582 A Globe Wernicke-style mahogany stacking corner bookcase A George IV goncalo alves library table Of ‘L’-shape, the main section with a protruding cornice above six Attributed to Gillows tiers, each with a panelled, glazed, lifting door with twin door-knobs, Having a rounded-rectangular moulded top above a beaded frieze, on the adjoining section with six smaller compartments, all flanked with turned reeded and lobed end-supports, raised on plinth bases and bun panelled sides, total dimensions 136cm wide x 76.5cm deep x 227.5cm feet, with castors, 89cm wide x 60cm deep x 74cm high, (35” wide x high 23.5” deep x 29” high) £600 - 800 £2,000 - 3,000 586 Gillows supplied a rosewood table of this model, but of slightly larger A George III mahogany-framed wing armchair dimensions, to Ferguson and Co. on June 6th 1822 (see Estimate Sketch With cut-away scroll arms and with ice-blue upholstery, raised on square Book, p. 3163). A previous design in the Sketch Book (p. 3152) shows section, chamfered legs, with splayed back legs, linked by an H-stretcher, a variant of the above table with a separate design for alternate end- on brass castors, 88.5cm wide supports like those used on the table offered here. Gillows produced £1,200 - 1,800 several variants of the table with solid tops and leather inset tops. Susan Stuart’s Gillows of Lancaster and London, 1730 - 1849 (2008), Vol. I, 587 p. 292 illustrates a larger library table with end pillars very similar to A Victorian mahogany work table those on the table offered here. Other examples include two offered at The rectangular top with curved drop leaves over two graduated, ebong Bonhams London, Fine English Furniture, 26 November 2008, Lots 179 strung frieze drawers, opposed by conforming faux drawers, raised on and 186. turned, tapering legs, 73cm wide x 48.5cm deep x 65.5cm high, (28.5” wide x 19” deep x 25.5” high) £200 - 300
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591 A Victorian mahogany bowfront chest of drawers The ebony line-inlaid top above two short and three long drawers, raised on splayed bracket feet, 107cm wide x 56cm deep x 106cm high, (42” wide x 22” deep x 41.5” high) £300 - 500
592 A small collection of bronze animals Including a candleholder with recumbent stag before a tree, on a rectangular plinth, 13.5cm high, a model of a young boy riding on the back of a dog, on a rectangular orange onyx base, 12cm high, a small 588 figure of a recumbent dog, on a rectangular base, 5.5cm high, and a spelter-type model of a duck by reeds, inscribed A.L., on an ebonised oval plinth, 13.5cm high, together with a square, green onyx box and 588 cover with bronze beaver and tree stump to the cover, 12cm wide x 8cm A mid-Victorian walnut and marble topped mirror-backed high, and a gilt bronze model of a fox, on a rectangular plinth, 7.5cm serpentine chiffonier high (6) The mirror-back with arched plate in a channelled frame, with a scrolled £100 - 200 and pierced crest, over a serpentine white marble top, the plain frieze over a central door with oval mirror plate, with conforming carving, 593 enclosing a shelf, flanked by two side doors with arched plates and A blue-lacquered suite of bedroom furniture, circa 1930, by the carvings, each enclosing a triangular shelf, on a serpentine plinth base, Rowley Gallery 137cm wide x 50cm deep x 197.5cm high, (53.5” wide x 19.5” deep x Three of the pieces bearing an ivorine label reading ‘Modern Decoration 77.5” high) ROWLEY 140 - 2 Church St. W.8’; £400 - 600 Each piece all-over decorated with lapis lazuli lacquer, and with combed wavy line-decorated borders, the suite comprising a chest of drawers, 589 of three long drawers, panelled sides, and raised on stepped curvilinear A 19th century mahogany pedestal desk bracket feet, 81cm wide x 40.5cm deep x 73cm high, a pot cupboard, The stepped back surmounted by a pair of candlesticks over three of square section, with open shelf above a short drawer and a cupboard scroll frieze drawers, the front with a long frieze drawer flanked by two door below, raised on stepped curvilinear feet, 35.5cm wide x 35.5cm columns of four drawers, 121.5cm wide x 60.5cm deep x 93cm high, deep x 71.5cm high, and a small occasional table, or rectangular form, (47.5” wide x 23.5” deep x 36.5” high) the top above an open shelf, 46cm wide x 30cm deep x 38cm high, £500 - 700 together with a similar but associated toilet mirror, with plain plate in an octagonal surround, with easel support to the rear, 49.5cm wide Provenance: By family repute, once the property of the Vicar of x 49.5cm high, (chest, pot cupboard and table all with protective plate Gislingham, Suffolk glass tops), (4) £400 - 600 590 After Benno Schotz (Estonian, 1891-1984) The Rowley Gallery was established in 1898 at 6 High Road, Silver Street, A bronze sculpture of a reclining female nude Kensington. In 1909, Silver Street was renamed, and although remaining Signed ‘Benno Schotz’ in the same premises, the new address became 140 Church Street. Modelled looking to dexter, with her arms raised to shield her, on a Albert Rowley and his wife Emma founded the business in the first year rectangular, mottled green marble base, 44cm wide, 13cm deep, 16cm of their marriage, when it specialised in picture framing, mounting, high (17” wide, 5” deep, 6” high) restoration, carving, gilding and exhibitions of paintings. Before very long £400 - 600 The Rowley Gallery was also producing inlaid wood panels and furniture and by 1912 had expanded to include 142 Church Street. Rowley’s son Laurence, an enthusiastic furniture designer, joined the firm in the mid-1920s. The Rowley Gallery, now not in the ownership of the Rowley family, is still trading at 115 Kensington Church Street.
Fine Art & Interiors | 113 595
594 A Victorian walnut-framed two seater sofa The upholstered, scrolled-over toprail raised on six turned supports, with the breakfront seat rail raised on turned front legs, 105cm wide x 69cm deep x 67cm high, (41” wide x 27” deep x 26” high) £500 - 600
595 A large Victorian mahogany breakfront library bookcase The breakfront cornice above four, arched glazed doors enclosing adjustable shelves, the breakfront base with four rectangular glazed doors enclosing adjustable shelves, 255.5cm wide x 48.5cm deep x 245cm high, (100.5” wide x 19” deep x 96” high) £1,200 - 1,800
596Y A 19th century scrimshaw decorated page turner The flat whalebone blade with polychrome decoration of female figures, with a trophy of arms and geometric edging, inscribed on the top ‘Captain James Wells Whaler Dove Greenport’, fitted with a whale’s tooth handle, banded and pinned with baleen and inscribed ‘J.W.’, 31cm long £300 - 500
597 After the Antique: a composite figure of Venus Standing barefoot, clasping a robe to her body, looking to dexter, on a square base, atop a composite square, tiered plinth, carved to each side with fruiting vines, the statue 108cm high, the plinth 52.5cm high £500 - 700
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598 A Regency mahogany and brass inlaid elbow chair, together with three single chairs With a brass inlaid foliate design on a rosewood panel within the toprail, with a similar decoration to a shaped panel between the backrails; the elbow chair with scrolled arms, all with sabre front legs (4) £400 - 600
599 A blackamoor bellboy automaton, with glass dome, late 19th/early 20th century Modelled standing, wearing a faded red uniform and hat with chinstrap, the embroidered trim with paste stones and small bells attached, the figure holding a bell in his left hand and a ringer in his right, the key- wind movement when actuated making the right arm move the ringer towards the bell, the figure stood before a floral arch, on an oval, ebonised base, with a glass dome, 30.5cm wide, 19cm deep, 49.5cm high (12” wide, 7” deep, 19” high) £500 - 700
600 A Victorian mahogany bookcase The moulded cornice above a pair of glazed doors enclosing two adjustable shelves, the base with a pair of panelled doors enclosing partitioned shelving, 123.5cm wide x 51.5cm deep x 231cm high, (48.5” wide x 20” deep x 90.5” high) £200 - 400
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Fine Art & Interiors | 115 601
601 A Regency gilt-framed three glass overmantel mirror The inverted breakfront cornice, above a ball-encrusted frieze, over three rectangular bevelled plates, flanked to the outer sides by Corinthian pilasters, 139cm wide x 69cm high £500 - 700
602 602 A George III Neo-Classical-style gilt-framed oval wall mirror The oval plate within a beaded and moulded frame, the crest surmounted by a flaming urn above a canopy of descending acanthus leaves, with harebell flower swags descending from the urn handles, with a carved acanthus leaf and fruit pendant, 51cm wide x 106cm high £2,000 - 3,000
603 A 19th century-style French gilt girandole mirror The shaped oval plate in a beaded frame, surmounted by a shell-carved crest with trailing flowering garlands, with a conforming scroll terminal and three entwined branches terminating in bulbous sconces, 50.5cm wide x 97cm high £300 - 500
604 A small mahogany and ebony line inlaid pier mirror The rectangular plate flanked by reeded pilasters with stiff leaf capitals, below a satinwood frieze adorned with ebony inlaid floral patterns, 48cm wide x 70.5cm high £100 - 150
605 A carved giltwood hall mirror The shaped, rectangular plate within a frame carved with scrolling and pierced acanthus leaves and flowerheads, with scrolled leaf crest and pendant, 70cm wide x 133.5cm high £200 - 300
606 A pair of early 20th century ebonised and gilt Regency-style pier mirrors 603 The bevelled, rectangular plates flanked by ebonised columns surmounted by Corinthian capitals, below a moulded, tiered cornice, 55cm wide x 174.5cm high (2) £500 - 700
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607 A giltwood and composition wall mirror The bevelled oval mirror plate in a stepped rectangular surround with moulded edge, with shell and scroll-centred floral cresting, the apron a garland of flowers, and with garland-wrapped sides, 105cm wide x 141cm high £200 - 300
608 An 18th century-style gilt-framed wall mirror The shaped rectangular plate within a pierced ‘C’-scroll frame, with pierced trailing branches to the sides, and with scrolled crest and terminal, (repairs and losses), 53.5cm wide x 90cm high £300 - 500
609 An 18th century-style carved gilt hall mirror In the rococo style, the frame carved with scrolled and pierced flowers and foliage, the crest with large scrolls and leaves (some pieces broken and reglued), 57cm wide x 121.5cm high £200 - 300
610 An Adam-style gilt-framed three glass overmantel mirror The protruding cornice over a broad frieze decorated with ribbon-tied harebell swags, above a central, bevelled oval plate, with a border of carved leaves, flanked by rectangular plate side mirrors, with Corinithian pilasters, 137cm wide x 72cm high £250 - 350
611 604 A small giltwood pier mirror The inverted breakfront cornice above a ball-encrusted frieze, over two rectangular plates, flanked by Corinthian pilasters, 38.5cm wide x 63.5cm high 613 £150 - 200 A carved and pierced giltwood hall mirror The oval bevelled plate in a plain frame, bordered by a pierced, 612 acanthus-leaf scrolled frame surmounted by a large carved leaf crest, A Regency-style gilt-framed three glass overmantel mirror with small shell pendant, 60.5cm wide x 93.5cm high Of three bevelled plates, all beneath an inverted breakfront ball- £150 - 250 encrusted cresting, the frieze applied with a Classical scene of soldiers riding in a chariot pulled by lions, beneath flying angels, all between a pair of Corinthian pilasters, 141cm wide x 90.5cm high £100 - 200
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617 A collection of bronze models of mythical figures Including a figure of an angel on a circular marble base, 25.5cm high, with another similar figure on a rectangular marble plinth (losses), 22cm high, and a figure of an angel carrying a horn and leaves, stood on a circular marble, on a tiered, bronze base, 22cm high, with a bronze figure group of three mermen, modelled sat back to back and with arms raised, on a rouge marble and bronze circular base, 14.5cm high, a figure of a man with arms raised with a small child sat on his shoulders, 15.5cm high, and a figure of a faun (lacking base), 17cm high (6) £200 - 300
618 A William IV mahogany and brass inlaid scroll end settee The carved and shaped toprail with brass inlaid trailing leaf frieze, surmounted by a shaped and carved inlaid crest, the scroll ends with similar brass inlay and carving, raised on short reeded legs with brass castors, with striped silver and blue upholstery, 205cm wide x 63cm deep x 97.5cm high, (80.5” wide x 24.5” deep x 38” high) £1,000 - 1,500 621 619 A 19th century standing mahogany bowfront corner cupboard 614 The protruding, moulded cornice above a frieze with inlaid shell motifs, An early 19th century mahogany cellarette over a pair of crossbanded doors with inlaid oval floral motifs, enclosing Of sarcophagus form, the rosewood-crossbanded, hinged top opening three fixed shelves, above a smaller pair of doors enclosing one shelf, to reveal a lead-lined, partitioned interior, with brass lion mask ring 92cm wide x 61cm deep x 218.5cm high, (36” wide x 24” deep x 86” handles to the sides, the corners with shaped, reeded pilasters, high) terminating on tall, carved paw feet with concealed castors, 62cm wide £200 - 300 x 47cm deep x 54cm high, (24” wide x 18.5” deep x 21” high) £500 - 800 620 A mid-Victorian carved mahogany pedestal firescreen 615 The rectangular screen covered with a wool and Brussels-work An early 19th century gilt-decorated and abalone-inlaid papier embroidery of an exotic bird amidst foliage, all in a shaped and ornately- mâché tray carved surround of foliate ‘C’ and ‘S’ scrolls, raised on a scroll-carved and Of oval form, decorated to the edge with a border of gilt foliage and gadrooned pedestal on four moulded downswept supports terminating scrolls, and inlaid with a further band of abalone leaves and berries, in scroll feet, 63cm wide x 126cm high 65cm wide x 50cm deep £300 - 400 £100 - 200 621 616 Julius Paul Schmidt-Felling (German, 1835-1920) A gilt-bronze and A 19th century mahogany tray top night cupboard ivory study of a fisher boy The rectangular top with scrolled, pierced, galleried sides, with a slide Wearing oil-skins, his hands thrust deep in his pockets, with a carved above two cupboard doors, raised on square, moulded legs, 37.5cm ivory face, the piece signed ‘Schmidt-Felling’ to the base, on a square wide x 33cm deep x 80cm high, (14.5” wide x 12.5” deep x 31” high) black marble plinth, 25cm high £300 - 500 £400 - 600
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622 A 20th century giltwood six branch ceiling light Centred by a triangular-section scroll-carved stem on a hoop carved with six Bacchic masks, each issuing a foliate-carved scrolling arm terminating in a dished drip pan and bulb socket, with pineapple pendant finial, 89cm drop excluding chain and ceiling fitting, together with three matching twin-branch wall lights, each with waisted dome-topped backplate, applied with a pair of Bacchic masks, 55cm high, (4) £300 - 400
623 625 A 19th century mahogany library bookcase of slender proportions The moulded cornice above four astragal-glazed doors enclosing adjustable shelves, the lower section of four panelled doors, raised on 627 a plinth base, (restorations), 259cm wide x 38cm deep x 228.5cm high, A carved icon of St. Modest (101.5” wide x 14.5” deep x 89.5” high) The oak plaque, probably Crimean, carved with a standing, bearded £3,500 - 4,500 figure, in long robes, holding a book in his left hand, with livestock and animals to the background, 19cm wide x 27.5cm high 624 £200 - 250 A 20th century suite of marble garden furniture, in the 19th century Mughal style 628 Comprising a bench and two chairs, each with trellis-pierced, finial- A collection of miniature wax portraits topped shaped back and arms, with edge-moulded seats, raised on Including three painted examples, and five others, all of Classical ladies four turned and reeded columnar legs with foliate-carved capitals, the and gentlemen, together with three similar miniature marble busts, all bench 132cm wide x 48.5cm deep x 96cm high; the chairs 67cm wide glazed and framed, various sizes (11) x 49.5cm deep x 96cm high, together with a similar low occasional £100 - 200 table, the rectangular top pierced with a six-petalled flower, 86cm wide x 47.5cm deep x 42cm high, (4) 629 £500 - 700 An early 19th century mahogany chiffonier The rectangular top with a superstructure comprising a narrow shelf 625 raised on eight turned supports, above three cupboards with adjustable A Victorian walnut adjustable music stool shelves, each enclosed by a full-length panelled door with pierced gilt The circular upholstered seat on a lobed baluster column, raised on three metal lattice and fabric panels, on a carved plinth base with gadrooned scrolled outswept legs, 31cm diam, 46cm high frieze, 159.5cm wide x 34cm deep x 120.5cm high, (62.5” wide x 13” £200 - 300 deep x 47” high) £1,500 - 2,000 626 A Globe Wernicke-style stacking bookcase 630 The moulded cornice above five glazed compartments with lifting doors, A mahogany Pembroke table flanked by panelled sides, on a plinth base, 66cm wide x 36cm deep x The rectangular top with a pair of drop leaves above an end frieze 185cm high, (25.5” wide x 14” deep x 72.5” high) drawer, raised on a pedestal column, with four reeded, outswept legs £100 - 200 terminating in brass claws and castors, 50cm wide x 101cm deep x 72.5cm high, (19.5” wide x 39.5” deep x 28.5” high) £200 - 400
Fine Art & Interiors | 119 640
632
633 A mid-18th century and later carved mahogany tilt-top pedestal occasional table Possibly Irish The circular tilt-top with scalloped edge raised on a cluster of three tapering columns, and three hipped and blind fret-carved supports, terminating in triangular up-turned feet, (repairs to legs), 50cm diameter x 65cm high £200 - 300
636 634 An Arts & Crafts oak desk box Of rectangular form, with gently sloped cover, with fitted leather inserts to the cover interior, opening to reveal a fitted interior with stationery 631 compartments and three drawers, the hinged front falling to reveal a A carved marble study of cavorting cherubs hinged leather writing slope, and compartments, one with glass ink Modelled as five cherubs playing in a woven, wicker basket (one wing bottle, on a shallow plinth base, with brass carrying handles, 42.5cm broken), 17.5cm high, basket roughly 30cm diam wide x 28.5cm high £150 - 250 £250 - 350 632 635 A mid-Victorian mahogany library bookcase A small collection of bronzes The moulded cornice above six open shelves and two cupboards, each Including a model of a philosopher, sat in a robe, with chin resting on with pigeonhole fitted interiors, enclosed by two pairs of arch-panelled raised right hand, the left hand holding a scroll, on a circular base, doors, the lower half of larger size with two cupboards enclosed by four with brown patination, 25.5cm high, with a hollow bronze bust, titled rectangular arched glazed doors, raised on a plain plinth, 183cm wide x ‘NICHOLAS WOOD’, inscribed ‘EDWARD W. WYON SCULPTOR 1864’, 42.5cm deep x 254cm high, (72” wide x 16.5” deep x 100” high) 30.5cm high, and a bronze bust of a lady, with inscribed initials ‘MHC’ to £800 - 1,200 reverse, on a wooden plinth, 26cm high (3) £100 - 200
636 A Victorian mahogany framed gentleman’s open armchair With channel-moulded stiles, and spindle-turned open arms, raised on turned front legs with scroll and acanthus-carved terminals, terminating in castors, 66.5cm wide x 80cm deep x 102cm high, (26” wide x 31” deep x 40” high) £200 - 300
120 | Bonhams 642
637
637 A reproduction mahogany Carlton House desk Of bowed shape, with ebony line inlay, the superstructure with a pierced 638 brass gallery above twin opposing brass envelope openings falling into a pair of inverse bowfronted cupboard doors, flanking six drawers, with three further drawers to each end, with a hinged, tooled red leather 641 inset writing slope, above one long and two short frieze drawers, raised An early 20th century gilt metal and cut glass four-light chandelier on four tapering legs terminating in brass caps and castors, 143cm wide Fitted for electricity x 81cm deep x 102cm high, (56” wide x 31.5” deep x 40” high) The leaf-cast corona issuing four scrolling supports joining a riband- £800 - 1,200 topped and leaf-cast hoop mounted with cut glass pyramidal drops, and hung with prismatic drops, with three further concentric tiers of drops 638Y below, all around four bulb sockets, approximately 85cm drop A set of six early 20th century German ivory musician figures £400 - 600 The figures, dressed in coats and hats, including a conductor, and musicians with a violin, cymbals, and others, each stood on a turned and 642 ebonised wooden barrel with an ivory stopper (several losses), 15-16cm A late George III mahogany centre table with oval tilt top high (6) On a ‘gun-barrel’ turned pedestal, supported on four downswept legs £500 - 700 terminating in brass caps and castors, 135.5cm wide x 105cm deep x 77cm high, (53” wide x 41” deep x 30” high) 639 £600 - 800 A 19th century bronze of Lord Nelson Modelled stood with left hand on his hip, and right hand holding a walking stick, dressed in military uniform and cocked hat, on a pedestal base with laurel wreath, 23.5cm high £250 - 350
640 A William IV mahogany and inlaid centre table The rectangular tilt top with rounded corners, inlaid with burr yew and rosewood crossbanding with boxwood line stringing, raised on a foliate carved pedestal on four downswept cross-reeded legs, terminating in brass caps and castors, 130.5cm wide x 108cm deep x 73cm high, (51” wide x 42.5” deep x 28.5” high) £700 - 1,000
Fine Art & Interiors | 121 650
646 A Victorian mahogany bowfront chest of drawers The plain top above two short and two long cockbeaded drawers, over a shaped apron, raised on splayed bracket feet, 104.5cm wide x 55cm deep x 79.5cm high, (41” wide x 21.5” deep x 31” high) 647 £200 - 300
647 An early 20th century carved hardwood Chinese Export bureau With a low pierced gallery carved with snakes and flowers, the high gallery back with opposing dragons amongst scrolled foliage, the hinged sloping fall carved with a central flower and a bird flying with a flowering branch, flanked by dragons, the fall enclosing a simple fitted interior; the front with three short drawers above a scrolling dragon frieze, with unusual pierced hexagonal frieze, centred by a roundel carved with a dragon over a banner with Latin inscription ‘VESTICIA NULLA RETRORSUM’, raised on bracket feet, 108cm wide x 40.5cm deep x 131.5cm high, (42.5” wide x 15.5” deep x 51.5” high) £500 - 700
643 648 A stripped pine breakfront serving table, in the manner of Adam The breakfront top with reeded edge above flute-decorated friezes and a central frieze drawer, raised on six tapering square-section legs terminating in spade feet, 150cm wide x 70.5cm deep x 77.5cm high, (59” wide x 27.5” deep x 30.5” high) 643 £300 - 400 A mahogany and metalwork balustrade The channelled handrail in two sections, linking two uprights with carved 649 rosettes and large ball finials, with three black-painted sectional frames A Victorian brass-bound rosewood writing slope, converted to a below, defined in columns of roses amid trailing foliage, with a further humidor section and rail to one end, main section 344cm wide x 121cm high The brass-bound box with inlaid brass shield to the cover, with £300 - 500 detachable moisture box to the interior, 29.5cm wide x 22cm deep x 14.5cm high, (11.5” wide x 8.5” deep x 5.5” high) 644 £300 - 400 An oak carved female nude Modelled standing, with arms raised, the left hand holding a cloak 650 which pools around her ankles, with carved signature to reverse ‘G. A large 19th century mahogany and walnut library table Werminghausen, 1917’, on a rectangular block base, 66cm high The rectangular top inset with a burgundy faux leather skiver, raised on four turned legs, with an additional removable turned support to the 645 centre of the table, 365cm wide x 119cm deep x 79cm high, (143.5” After Alfred Jean Foretay (Swiss, 1861-1944) An Art Nouveau-style wide x 46.5” deep x 31” high) bust of a lady £500 - 600 The plaster bust modelled as a lady looking to dexter, with flowers in her hair, signed ‘A. Foretay’ to the side, 49.5cm high £150 - 200
122 | Bonhams 657
651 An 18th century mahogany drop-leaf dining table The rectangular rounded top, with drop leaf sides, raised on four tapering legs, two hinged, all terminating in ball and claw feet, 132cm wide x 121cm deep x 71cm high, (51.5” wide x 47.5” deep x 27.5” high) £100 - 200
652 Four Italian Baroque giltwood bedposts 653 Possibly Venetian, 17th century With two pairs of columns, each spiral-turned with entwined carved vines, headed by Ionic capitals, two on carved octagonal-sided plinths with S-scroll side supports, one pair 181.5cm high; the larger pair 212cm 656 high, (4) A late 19th century cast metal floor-standing oil lamp, in the £500 - 700 Rococo taste Fitted to the upper bowl with a Messenger’s Patent copper burner, on a 653 spiral and tassel-cast column above a medial circular white marble tier A William and Mary oyster veneered cabinet on later stand with foliate scroll-cast edge, on a spiral-fluted column and three foliate The moulded top over a concealed frieze drawer and two boxwood line ‘C’ and ‘S’-scroll supports with pierced lattice decoration, (distressed), inlaid doors with flowerhead designs, enclosing a well fitted interior of 149cm high eleven drawers of varying sizes around a central cupboard, concealing £100 - 200 three further secret drawers, the stand with a frieze drawer, raised on four tapering spiral twist legs, linked by an elongated X-shaped stretcher, 657 with an ivorine label to the back of the stand ‘G. TETLEY, 24 BRUTON ST A small George III crossbanded rosewood sewing table BERKELEY SQUARE W1’, 97cm wide x 46cm deep x 143cm high, (38” The rectangular crossbanded top with rounded drop leaves, above two wide x 18” deep x 56” high) boxwood line strung drawers, opposed by a pair of conforming faux £4,000 - 6,000 drawers, raised on turned, tapering legs, terminating in brass caps and castors, with label to underside of one drawer ‘CHARLES LUMB & SONS 654 LTD, 2 Montpellier Gardens Harrogate, No. 10030’, 72.5cm wide x A small 19th century polychrome-painted and gilt-highlighted 45.5cm deep x 76cm high, (28.5” wide x 17.5” deep x 29.5” high) carved wood gondolier figure £500 - 700 The blackamoor figure holding aloft a torchere in his left hand, wearing an ornate tunic with silvered and gilt decoration, raised on the tip of a 658 gondola above a square base with lion paw feet, 56cm high A 19th century walking cane of naval interest £200 - 300 The pierced maple cane with plated collar, engraved ‘H.M.S. Lion at Batavia, March 1793, J. Mills’, with horn handle, 84.5cm high 655 £100 - 150 A Victorian mahogany bookcase The protruding cornice over a pair of glazed doors enclosing three adjustable shelves, the base with two frieze drawers over a pair of cupboard doors enclosing a fixed shelf, on a plinth base, 126.5cm wide x 41.5cm deep x 211.5cm high, (49.5” wide x 16” deep x 83” high) £200 - 400
Fine Art & Interiors | 123 664 662
662 A set of twelve late 19th century mahogany dining chairs, by James Lamb Each stamped ‘LAMB, ORDER 33822, MANCHESTER’ to the frame, the gently scrolled toprail over a beaded frieze, flanked by four ebony dots, with further dots either side of a lower rail, with studded brown faux leather back and seat, and with ebonised roundels above turned front legs terminating in brass caps and castors (12) £1,500 - 2,000
663* Two late 19th century French bronzes of Classical maidens Both figures standing a contra posto, one with a scroll in her left hand, the other pointing her right hand up to the sky with her other hand on her hip, on waisted spreading socles, 28.5cm and 29.5cm high respectively, (2) £300 - 500 659 664 A Victorian Louis XV-style walnut and kingwood crossbanded 659 kidney-shaped writing table An 19th century Italian carved marble bust of a Romanesque lady The green leather inset above a line-inlaid, shaped frieze drawer, with an Modelled in robe, looking downwards, (head reattached, losses to robe), undulating surround frieze, the slender tapering crossbanded cabriole 30.5cm high legs, with floral gilt-metal mounts, terminating in gilt-metal sabots, £600 - 800 112.5cm wide x 58cm deep x 71.5cm high, (44” wide x 22.5” deep x 28” high) 660 £1,500 - 2,000 A Regency rosewood side table The rectangular top above a frieze drawer, raised on lyre-shaped 665 supports, linked by a turned stretcher, on shallow, circular pad feet, An early 19th century Continental mahogany fold-over tea table 57cm wide x 42cm deep x 70.5cm high, (22” wide x 16.5” deep x 27.5” The rectangular top, raised on four cabriole legs, with unusually wide, high) acanthus leaf-carved knees, and projecting leaf-carved feet, 90cm wide x £400 - 600 42.5cm deep x 73.5cm high, (35” wide x 16.5” deep x 28.5” high) £250 - 300 661 A pair of Louis XV-style gilt metal wall lights 666 Fitted for electricity A small collection of miniature portraits The backplates modelled with ‘C’ scrolls and foliage, each issuing a pair Including an oval cast metal bust of Paderewski, a bust of Joseph Paxton, of branches with leafy collars and urn-shaped nozzles, 53cm high (2) and a further miniature bust, possibly of a Roman soldier, together with £100 - 150 a Russian icon, with brightly-coloured enamels, all framed, (4) £100 - 150
124 | Bonhams 669 660
667 A plaque in Greystoke Church reads: A George III mahogany corner washstand The pierced gallery above a cupboard enclosed with sliding tambour ‘Sacred to the Memory of John Dowson, Gent., late of this parish, who door, raised on three square, chamfered legs, 50cm wide x 34cm deep x died October 24th, 1777, aged 75. And of Anne his wife, who died 79cm high, (19.5” wide x 13” deep x 31” high) March 6th, 1797, aged 79. Also of their eldest son William Dowson, £300 - 500 D.D., Principal of St. Edmund Hall in the University of Oxford, who died January 9th, 1800, aged 51...’ 668 A Victorian mahogany three door bookcase Another tablet in the same church reads: The moulded cornice above three glazed doors enclosing adjustable shelves, the doors flanked by fluted pilasters, the base with three frieze ‘Also the remains of their youngest son Thomas Head Dowson, of drawers above three carved and panelled doors enclosing fixed shelves, Greystoke, B.D., and rector of Langston in the county of Monmouth, all raised on short, tapering supports, 182cm wide x 49.5cm deep x who died October 17, 1830, aged 78.’ 234cm high, (71.5” wide x 19” deep x 92” high) £300 - 500 It is probable that the William Head Dowson whose name is on this box was related in some way to the people commemorated in these plaques. 669 Franz Bergman (Austrian, 1861-1936) A William Head Dowson of Lattendales, Greystoke is recorded as Two bronze cold-painted models of birds marrying Jane Irving on 26th February 1835, and dying on 21st The first a robin, modelled standing, with ‘B’ foundry mark, stamped December 1842. ‘GESCHUTZT 1833’, 7.5cm high, the second bird with a crest (losses to feet), stamped ‘GESCHUTZT 1870’, 3.5cm high (2) The History and Antiquities of Carlisle (1838) notes on p. 421, that £500 - 700 ‘William Head Dowson, Esq., of Greystock, the current representative of his family’ had come into possession of Erasmus Head M.A. (b. 1711) 670 one-time chaplain to the Bishop of Carlisle. An unusual mahogany, rosewood-crossbanded and brass-bound box, possibly for a dentist, second quarter 19th century A William Scott Dowson, M.A. of Trinity College, Cambridge is recalled Bearing brass flush plaque to lid reading ‘William Head Dowson Esqr. as entering the Inner Temple in 1864 and being called to the bar in Greystoke’ 1869. He is recorded as being born in 1841, the second son of William The body of the box unusually unfitted, but the crossbanded and brass- Head Dowson of Greystoke of Cumberland. strung hinged lid fitted to the underside with a mirror plate between two shallow trays, removing to reveal a variety of divisions, all of mahogany, A cupping set with instruments marked ‘Cluley’ sold Christie’s, 6th including a removable tray fitted with ivory-handled steel picks and November 1996, Lot 639. scrapers, with handles marked ‘CLULEY’, together with two removable trays for scissors etc., one lined with red leather, the other with green 671 baize (all of the instruments lacking), and various other divisions and A mid-18th century style beech-framed wing armchair compartments, one with a small circular steel lidded box, with brass The slightly arched toprail between shaped wings, scroll-over arms straps to the corners and angles, 39cm wide x 21.5cm deep x 46cm and a seat with squab cushion, raised to the front on a pair of cabriole high, (15” wide x 8” deep x 18” high) supports terminating in pad feet and with brass castors, 76cm wide x £200 - 300 106cm high £200 - 300
Fine Art & Interiors | 125 677
673 674 A late George III mahogany kneehole desk Having a fixed sloping top inset with a later skiver, and with a low gallery to three sides, a long frieze drawer above a kneehole below, flanked to either side by a bank of three short drawers, all cockbeaded and raised on bracket feet, each side with a small rear drawer, 100cm wide x 67cm deep x 91cm high, (39” wide x 26” deep x 35.5” high) £300 - 400
675 A carved giltwood wall bracket with marble top The shaped rectangular, deep-moulded top raised on four harebell- carved scrolls around a central stylised shell with flowerhead and acanthus leaf carving, with tapering downswept wavy stiff leaves above an acanthus leaf scroll terminal, with a grey-veined marble top, 50cm wide x 62.5cm high £500 - 800
676Y An Ashford black marble desk thermometer 675 Modelled as an obelisk and inlaid with jasmine flowers above an ivory- backed thermometer, 37cm high £100 - 150 672 A Victorian walnut table collectors cabinet 677 With five rectangular drawers enclosed by a pair of panelled doors, on a A Regency mahogany sideboard plinth base, 38cm wide x 43cm high In the manner of Gillows, with a turned brass gallery to the bowed top, £120 - 180 above a long crossbanded frieze drawer and shaped apron, flanked by a bowfronted decanter drawer and cupboard, raised on six shaped, 673 reeded, and leaf-carved legs, elongated to form pilasters, the left side of An early 20th century mahogany four poster bed, in the late 18th the sideboard fitted with a small pot cupboard, 162.5cm wide x 68.5cm century style deep x 126.5cm high, (63.5” wide x 26.5” deep x 49.5” high) Having a ribbon and acanthus-carved moulded cornice, the inlaid £1,500 - 2,200 headboard later upholstery-covered, with two reeded and leaf-carved footposts terminating in block feet, with foot and side rails, with four drapes, pelmets, canopy and bedspread, all in tasselled ivory floral cotton, 137cm wide x 226cm deep x 256cm high, (53.5” wide x 88.5” deep x 100.5” high) £800 - 1,200
126 | Bonhams 681
684
678 An Art Deco gilt-painted model of a girl Modelled stood in loincloth, her right arm raised holding a flaming bowl above her, stood on a tiered, marble plinth, 48.5cm high £100 - 150
679 A George III-style mahogany tilt-top supper table The one-piece circular tilt-top with scalloped edge, raised on a fluted 682 and acanthus-carved baluster-turned column on three foliate-carved downswept supports terminating in pointed ball and claw feet, 90.5cm diameter x 71.5cm high £300 - 500 682Y 680 A late 19th century Vizagapatam ivory veneered box A large late Victorian carved oak mirror back sideboard Of rectangular form with panels decorated with scrolling berried leaf The raised back with three rectangular bevelled mirrors within an trails, the hinged top revealing a void sandalwood interior, 20cm wide x elaborately carved surround of mask and leaf carving, and four figures of 14cm deep x 6.5cm high, (7.5” wide x 5.5” deep x 2.5” high) Continental musicians; the breakfront base fitted with two central frieze £300 - 500 drawers above a cupboard enclosed by a pair of doors, flanked by open- shelved corners, with similar carved decoration, 216cm wide x 64cm 683 deep x 312cm high, (85” wide x 25” deep x 122.5” high) A late 19th century mahogany fire screen £800 - 1,200 The scrolled, foliate crest above two spiral twist supports, with drop- shaped finials, a spiral twist stretcher connecting the downswept legs, 681 the needlework tapestry depicting a courting couple sat by a stream, A mahogany partner’s library or writing table with rising reading with a cottage in a hilly landscape beyond, (stretcher at fault, legs stand, second quarter 19th century detached), 91cm wide x 148cm high Each drawer with lock marked ‘BRAMAH’S IMPROV’D PATENT’ £500 - 600 The rectangular top with inset tooled skiver and an adjustable reading stand rising twice on two ratchets, above a false drawer and four short 684 drawers around a kneehole, opposed to the other long frieze by a An early 18th century wing armchair central drawer and four short drawers around a kneehole, the ends with Raised on carved front cabriole legs terminating in claw and ball feet, a pair of sunken ‘panels’, raised on four baluster-turned and gadrooned the outswept rear supports with pad feet, with later floral tapestry supports terminating in brass caps and castors, 153cm wide x 92cm upholstery, 86.5cm wide deep x 75cm high, (60” wide x 36” deep x 29.5” high) £2,000 - 3,000 £500 - 700
Fine Art & Interiors | 127 686 691
688 An early 20th century spelter figural lamp base Modelled as a three branch lamp post with a figure of a whistling boy in front, on a square base cast as a cobbled street, wired for electricity, 88.5cm high £300 - 500
689 A lacquered two-tiered occasional table The shaped upper tier with further tier below, decorated with gilt and orange fans, insects and flowers, raised on four cylindrical supports adorned with gilt bamboo leaves, 42.5cm wide x 34.5cm deep x 69cm high, (16.5” wide x 13.5” deep x 27” high) £100 - 150 692 690 A mahogany four-tier whatnot, second quarter 19th century 685 Of four rectangular edge-moulded tiers, each raised on a baluster-turned A brass-bound and brass inlaid mahogany writing slope support at each corner, the third tier with long drawer below, raised on The front and cover inlaid with decorative brass designs, with concealed turned feet with brass caps and castors, 52cm wide x 38.5cm deep x handles to the sides, and a hidden drawer to the left side of the box, 118cm high, (20” wide x 15” deep x 46” high) with gilt tooled leather skiver, various compartments and glass bottle £300 - 500 to the interior, (crack to cover) 40cm wide, 26.5cm deep, 19.5cm high (15.5” wide, 10” deep, 7.5” high) 691 £250 - 300 A late 19th century Bombay blackwood cabinet Profusely carved to the front and sides, with an inverted breakfront 686 cornice with a beaded lower edge, the pair of doors with raised oval A late George III mahogany and satinwood-banded bow-front plaques of Trimurti, surrounded by flowers and foliage, enclosing three chest on chest shelves, above a serpentine apron with a central carved sun mask, all 19th century flanked by carved columns of animals, birds, and foliage, the feet in the The upper section with moulded cornice above a satinwood-banded form of lions, 121cm wide x 60cm deep x 178.5cm high, (47.5” wide x frieze and two short over three graduated long drawers, all between 23.5” deep x 70” high) canted satinwood-veneered front corners, the lower section of three £1,300 - 1,800 graduated and cockbeaded long drawers, raised on high bracket feet, (restorations and renewals), 108cm wide x 61cm deep x 183cm high, 692 (42.5” wide x 24” deep x 72” high) A relief carved marble plaque £700 - 1,000 Carved with facing female and male busts, each wearing bronzed effect garlands of leaves, 38.5cm wide, 33.5cm high 687 £250 - 350 A Dutch jardiniere Of slatted basket shape within a mahogany frame, with a brass-mounted rim and swing handle, with alternating rosewood and boxwood bands to the base and with a pine cone drop finial below, raised on three tapering legs, 32.5cm diam, 50.5cm high £100 - 200
128 | Bonhams 694
693 A Regency mahogany and brass-bound navette-shaped bucket With slender swing handle, decorated with two broad and three narrow bands of brass, with half-height brass liner, 33cm wide x 26cm deep x 35.5cm high, (12.5” wide x 10” deep x 13.5” high) 695 £300 - 400
694 A mahogany folding drinks trolley The hinged top opening from the centre to reveal an automatically rising interior, with three cut glass square spirit decanters with faceted globular stoppers, seventeen various tumblers, a silver-mounted mahogany cigar box, a circular ashtray with cigar rest, and a circular match receiver, with a circular galleried lower tier for bottles, linked by ‘X’-stretchers to four square, tapering legs, terminating in castors, with a rubbed ivorine label ‘FINNIGANS LTD, DEANSGATE...’, 58.5cm wide x 61cm deep x 81cm high, (23” wide x 24” deep x 31.5” high) £300 - 500
695 A mid-Victorian walnut and floral marquetry inlaid pier cabinet The rectangular top over an inlaid floral frieze, above a glazed door enclosing a shelf, flanked by ormolu mounts, on a plinth base, 80cm wide x 30.5cm deep x 108.5cm high, (31” wide x 12” deep x 42.5” high) £400 - 600
696 A part mid-Victorian cast iron and mahogany staircase, with 698 registration lozenge to balusters for 1862 Not including steps, but comprising a moulded mahogany banister handrail in six sections, some curving, and twenty-five cast iron balusters, 698 all pierced with foliate scrolls and cast with rosettes and vines, together A 19th century ebonised column stand, with gilt metal mounts with a baluster-turned newel post cast with Corinthian capital, lappets The fluted stand on a tiered, circular base, decorated with gilt metal and acanthus, the balusters of various heights, the six-section banister floral garlands, with a narrow gilt metal band below the circular top of handrail approximately 900cm in length, (32) the stand, and with gilt metal leaf and ball spears rising from the base £500 - 700 of the column, (several losses to gilt metal mounts) 34cm diam, 104cm high 697 £800 - 1,200 After Ferdinand Levillain (French, 1837-1905) A gilt bronze twin- handled urn Cast by Ferdinand Barbedienne from a design by Ferdinand Levillain, with looped twin handles above bearded masks, decorated with trailing vines and grapes, inscribed ‘F.LEVILLAIN’ to the body, and ‘F. BARBEDIENNE’ to the base, mounted on a square, rouge marble base, 15cm high, together with a gilt bronze jug by Barbedienne, cast in relief in rococo style with scrolls and flowering garlands, signed ‘F. BARBEDIENNE’, mounted on a circular rouge marble base, 13.5cm high (2) £250 - 350
Fine Art & Interiors | 129 705
701
699
699 703 A late Victorian pollard oak bookcase A 19th century rosewood and ebony armoire, Dutch, in the 17th The moulded, projecting cornice above two glazed doors, enclosing four century Flemish manner adjustable shelves, the base with a long frieze drawer above a cupboard With deep projecting moulded and ripple-carved cornice, above two enclosed by two panelled doors, enclosing an adjustable shelf, 133cm deeply cushion-moulded panelled doors with similar ripple-moulded wide x 52cm deep x 224.5cm high, (52” wide x 20” deep x 88” high) surrounds, each door centred by an ebony tablet carved with a fruiting £500 - 800 floral pendant, and spaced by tapering ebony pilasters topped by angel- carved capitals, the central column with sliding ring-turning concealing 700 the lock, the doors enclosing a pair of shelves, each with a drawer A rosewood and yew-veneered pedestal occasional table below, all above a long deep drawer faced as two with mask-carved The circular top with beaded edge, raised on a tapering yew-veneered handles, raised on five black-glazed ceramic bun feet, 219cm wide x shaft and a quatreform rosewood-veneered base with concave sides, 85cm deep x 218cm high, (86” wide x 33” deep x 85.5” high) 33.5cm diameter x 70.5cm high £1,200 - 1,500 £100 - 200 704 701 After Carl Kauba (Austrian/American, 1865 - 1922): A pair of An Art Deco bronze of girl and fawn bronze figures The standing fawn nervously approaching a naked, kneeling girl, her Each signed ‘C. Kauba’ arms out in front of her offering bracken fronds, on an ochre-streaked, One modelled as a boy being bitten by a crab, the other as his delighted rectangular black marble base, engraved to one end ‘Luc’, 36cm wide x companion, both raised on a circular red marble base, 19cm high, (2) 18cm high £300 - 500 £500 - 600 705 702 An early 19th century mahogany ‘D’ end dining table A George III mahogany bowfront corner cupboard With a drop leaf centre section, raised on ten slender turned tapering The moulded cornice above a pair of cupboard doors, the right door legs, (with six brass clips), 273cm wide x 106cm deep x 72.5cm high, with vertical reeded brass mount, opening to reveal three shelves, with (107” wide x 41.5” deep x 28.5” high) three small drawers below, above a moulded base, 69.5cm wide x 47cm £500 - 800 deep x 111.5cm high, (27” wide x 18.5” deep x 43.5” high) £200 - 300
130 | Bonhams 707
709
706 A pair of 19th century ebonised and gilt-highlighted triangular 711 plinths or bases Each with concave sides with gilt-decorated edges, raised on three lion’s paw feet, 46cm wide x 46cm deep x 21cm high, (18” wide x 18” deep x 8” high) (2) 710 £100 - 150 A 19th century carved alabaster sectional pedestal column Having an octagonal top on a frieze carved with sprays of flowers, above 707 a stop-fluted tapering column with lappet-decorated bulbous lower A 19th century mahogany sofa table collar, on a spreading moulded octagonal base, 108cm high The rectangular top with curved drop leaves over a pair of short £600 - 800 ebony line inlaid frieze drawers to each end, raised on two vertical rectangular end supports linked by a ring turned stretcher, terminating 711 in downswept legs with brass caps and castors, 140.5cm wide x 91cm A Victorian oak tantalus deep x 73.5cm high, (55” wide x 35.5” deep x 28.5” high) The curved case with scrolled brass mounts, with brass shield, engraved £400 - 600 ‘PRESENTED BY MR. W. RILEY, Cambridge Music Hall, MUSIC HALL SPORTS 1890’, with three glass decanters with ball stoppers before a 708 bevelled mirror back, with a pair of hinged, bevelled glass panelled doors After Benno Schotz (Estonian, 1891-1984) opening to reveal four short drinking glasses in fitted compartments A bronze bust of a man flanking a cigarette box, 36cm wide, 28cm deep, 27.5cm high (14” Signed and dated ‘Benno Schotz 1979’ wide, 11” deep, 10.5” high) The elderly figure modelled in shirt and tie, attached to a rectangular £300 - 500 wooden plinth, 21.5cm wide, 26cm deep, 43cm high (8” wide, 10” deep, 16.5” high) 712 £300 - 400 An early Victorian rosewood teapoy The octagonal line-inlaid hinged top enclosing an interior fitted with two 709 lead-lined octagonal canisters and covers, flanking a central, lead-lined A set of eight Queen Anne-style dining chairs rectangular canister and cover, on a well-carved spiral twist pedestal, Including a pair of open armchairs, each with a solid, vase-shaped splat raised on a quatreform base, the paw feet with acanthus-scrolled above a drop-in seat, raised on front cabriole legs, terminating in pad brackets, 35.5cm wide x 33cm deep x 80cm high, (13.5” wide x 12.5” feet (8) deep x 31” high) £500 - 800 £250 - 350
Fine Art & Interiors | 131 713 715
713 A late George III mahogany and line-inlaid cabinet secretaire The rectangular crossbanded and boxwood-strung top above a conforming frieze and a deep drawer inlaid to its fall-front with boxwood circles and a boxwood oval and enclosing a fitted interior of drawers and pigeonholes around a small cupboard door and a pair of double-width ‘book’ drawers inlaid with stained sycamore shells and paterae, all above a waist moulding and a pair of panelled doors enclosing slides, between husk and flower-inlaid front stiles, raised on shaped bracket feet, 124cm wide x 59.5cm deep x 116cm high, (48.5” wide x 23” deep x 45.5” high) £800 - 1,200
714 A 19th century gilt framed settee The moulded frame, with ‘C’-scroll acanthus leaf and flower decoration, surmounted by a pierced, scrolled crest, with a serpentine front, raised on French front cabriole legs, with silver-green upholstery and cushion, 107cm wide x 68.5cm deep x 90cm high, (42” wide x 26.5” deep x 35” high) £300 - 500
715 A small early Victorian mahogany bow breakfront sideboard The plain top above a single central drawer, with a concealed apron drawer below, flanked by two deep decanter drawers, with overall geometric ebony line stringing, raised on four tapering turned legs, 98cm wide x 60cm deep x 91cm high, (38.5” wide x 23.5” deep x 35.5” high) £400 - 600
716 A George III and later mahogany and glazed corner cupboard 716 The upper section with moulded dentil cornice above a geometric astragal glazed door, enclosing three fitted, serpentine shelves, the lower section with a cupboard enclosed by a panelled door, with ivorine label to the interior ‘SPILLMAN & CO. ST. MARTINS LANE LONDON’, 86.5cm wide x 48cm deep x 192.5cm high, (34” wide x 18.5” deep x 75.5” high) £600 - 800
132 | Bonhams 720 717
717 An early 19th century mahogany what-not The three rectangular tiers spaced by delicate turned supports, surmounted with ball finials, terminating in peg feet, with a label to the underside ‘ANTIQUE FURNITURE from NORMAN ADAMS LTD 8-10 HANS ROAD, LONDON, S.W.3’, 46cm wide x 30.5cm deep x 75cm high, (18” wide x 12” deep x 29.5” high) £500 - 800
718 A Regency mahogany fold-over tea table The hinged ‘D’ shaped swivel-action top with reeded edge, on a turned pedestal, raised on four downswept legs with ebony line inlay, terminating in brass caps and castors, 87.5cm wide x 53.5cm deep x 73cm high, (34” wide x 21” deep x 28.5” high) £400 - 600
719 After Victor Evrard (French, 1807-circa 1877) A bronze model of the Madonna 718 Modelled in robe, with eyes cast downwards, on a socle base, inscribed ‘V. Evrard 1857’, 23cm high, together with two bronze models, possibly of saints, the man holding a Bible, and the woman with hands clasped together in prayer, both on square, marble bases, 22.5cm high (3) £100 - 200
720 A late 19th century rosewood, floral marquetry and gilt metal- mounted bureau de dame, French Of slightly bombe form, the rectangular top with three quarter pierced gilt metal gallery above a hinged fall enclosing an interior of three short drawers behind a well with sliding cover, with shaped flared friezes and raised on four cabriole supports with foliate-cast gilt metal mounts to the knees and feet, inlaid throughout with reserves of riband-tied floral sprays, 73cm wide x 46cm deep x 93cm high, (28.5” wide x 18” deep x 36.5” high) £500 - 700
Fine Art & Interiors | 133 724
725
723Y An early 19th century prisoner of war bone veneered and penwork decorated games box Of domed rectangular form, the sliding top revealing a divided compartment containing ivory dominoes and ivory miniature playing cards, 21.5cm wide, 8.5cm deep, 7cm high (8” wide, 3” deep, 2.5” high) £300 - 500
724 A nest of three Robert ‘Mouseman’ Thompson oak tables Of graduated size, each with rectangular, adzed top, raised on square, chamfered legs, united by side stretchers, terminating in block feet, each with a signature carved mouse to the front right leg, 61cm wide x 37.5cm deep x 47.5cm high, (24” wide x 14.5” deep x 18.5” high) (3) £500 - 700
725 A pair of mid 19th century mahogany globe stands, converted to form a pair of tables Each with a circular moulded top above a shallow frieze, raised on three 721 turned reeded tapering legs, linked by the globe supporting structure, with a turned drop finial and circular undershelf, terminating in brass caps and castors, 64cm diam, 88cm high (2) £400 - 600 721 Antoine Bofill (Spanish, 1875 - 1921): A late 19th/early 20th century bronze figure of a boy seated atop a Sphinx Signed ‘Bofill’, ‘A3800’, and with impressed seal mark End of sale Of two patinations, the scantily clad boy cast seated atop a Sphinx, holding a cane in his right arm, reaching for a lizard on the Sphinx’s face below, all raised on an edge-moulded grey-veined green marble square Forthcoming Sales: base, 20.5cm high £300 - 400 Fine Art & Interiors, Chester, 4th-6th June.
722 A George III mahogany washstand The serpentine fronted, boxwood strung hinged top, opening to reveal one large and two small circular bowl apertures, the lower tier above a drawer, raised on four square, tapering legs, 40.5cm wide x 39cm deep x 83cm high, (15.5” wide x 15” deep x 32.5” high) £150 - 200
Provenance: By family repute, once belonging in Gargrave House.
134 | Bonhams The Oak Interior Thursday 25 April 2013 Chester
+44 (0) 1244 353119 A rare Charles II carved boxwood [email protected] screw-action nutcracker, dated 1664 £1,000 - 1,500
International Auctioneers and Valuers - bonhams.com Fine Art & Interiors | 135 NOTICE TO BIDDERS Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price) the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS § Buyers from outside the EU: VAT is payable at the Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in is your number which is identified as the Buyer’s. 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At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in be inaccurately reproduced) with any photograph of the Lot Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered Lot. 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Bonhams reserves the right to vary the The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and bidding. Please contact us for further details. terms of payment at any time. on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an Under the Buyer’s Agreement, a premium (the Buyer’s the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports responsible for the Sale. It is in your interests to return your addition to it. 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If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against On certain Lots, which will be marked “AR” in the Catalogue However, any written Description of the physical condition of failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £5,000, or the agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who and which are sold for a Hammer Price of €1,000 or greater the Lot contained in a Condition Report will form part of the on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot (converted into the currency of the Sale using the European Contractual Description of the Lot under which it is sold to subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked Central Bank Reference rate prevailing on the date of the Sale), any Buyer. appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by cover our Expenses relating to the payment of royalties under The Seller’s responsibility to you New Bidders must also provide proof of identity and address 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will the Artists Resale Right Regulations 2006. The Additional The Seller does not make or agree to make any representation when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Premium will be a percentage of the amount of the Hammer of fact or contractual promise, Guarantee or warranty and not being placed. by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This Price calculated in accordance with the table below, and shall undertakes no obligation or duty, whether in contract or in amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent not exceed €12,500 (converted into the currency of the Sale tort (other than to the eventual Buyer as set out above), in Bidding via the internet at the Sale does not exceed £5,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept using the European Central Bank Reference rate prevailing on respect of the accuracy or completeness of any statement Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of the date of the Sale). or representation made by him or on his behalf, which is in details of how to bid via the internet. contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you the agent’s authority to bid. Nevertheless, as the Bidding its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to Form explains, any person placing a bid as agent on behalf 8. VAT background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not of another (whether or not he has disclosed that fact or the roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, please let us know if you are acting on behalf of another good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any the Hammer Price and Buyer’s Premium: be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. person to bid on your behalf at the Sale unless this is to be Premium as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations Form that you have completed. If we do not approve the Price and Buyer’s Premium or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation own behalf. Accordingly, the person bidding at the Sale will should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 3% surcharge; of fact, and undertakes no obligation or duty (whether in be the Buyer and will be liable to pay the Hammer Price and on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness Buyer’s Premium and associated charges. If we approve the mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on
NTB/MAIN/11.12 NTB/MAIN/11.12 NOTICE TO BIDDERS Bidding in person identity of your client in advance, we will be in a position to G Gold bullion exempt from VAT on the Hammer Price This notice is addressed by Bonhams to any person who may a qualified electrician on their status before doing so. Such Bonhams’ behalf which is in any way descriptive of any Lot You should come to our Bidder registration desk at the Sale address the invoice to your principal rather than you. We will and subject to VAT at the prevailing rate on the Buyer’s be interested in a Lot, including Bidders and potential Bidders items which are unsuitable for connection are sold as items of or as to the anticipated or likely selling price of any Lot. No venue and fill out a Bidder Registration Form on (or, if possible, require proof of the agent’s client’s identity and residence in Premium (including any eventual Buyer of the Lot). For ease of reference interest for display purposes only. If you yourself do not have statement or representation by Bonhams or on its behalf in any before) the day of the Sale. The bidding number system is advance of any bids made by the agent on his behalf. Please • Zero rated for VAT, no VAT will be added to the Hammer we refer to such persons as “Bidders” or “you”. Our List of expertise regarding a Lot, you should consult someone who way descriptive of any Lot or any Estimate is incorporated into sometimes referred to as “paddle bidding”. You will be issued refer to our Conditions of Business and contact our Customer Price or the Buyer’s Premium Definitions and Glossary is incorporated into this Notice to does to advise you. We can assist in arranging facilities for you our Buyer’s Agreement. with a large card (a “paddle”) with a printed number on it. Services Department for further details. a Buyers from within the EU: VAT is payable at the Bidders. It is at Appendix 3 at the back of the Catalogue. to carry out or have carried out more detailed inspections and This will be attributed to you for the purposes of the Sale. prevailing rate on just the Buyer’s Premium (NOT the Where words and phrases are used in this notice which are in tests. Please ask our staff for details. Alterations Should you be a successful Bidder you will need to ensure that 6. CONTRACTS BETWEEN THE BUYER AND SELLER Hammer Price) the List of Definitions, they are printed in italics. Descriptions and Estimates may be amended at Bonhams’ your number can be clearly seen by the Auctioneer and that it AND THE BUYER AND BONHAMS § Buyers from outside the EU: VAT is payable at the Any person who damages a Lot will be held liable for the discretion from time to time by notice given orally or in is your number which is identified as the Buyer’s. You should prevailing rate on both Hammer Price and Buyer’s IMPORTANT: Additional information applicable to the Sale loss caused. writing before or during a Sale. not let anyone else use your paddle as all Lots will be invoiced On the Lot being knocked down to the Buyer, a Contract for Premium. If a Buyer, having registered under a non-EU may be set out in the Catalogue for the Sale, in an insert in to the name and address given on your Bidder Registration Sale of the Lot will be entered into between the Seller and address, decides that the item is not to be exported from the Catalogue and/or in a notice displayed at the Sale venue 3. DESCRIPTIONS OF LOTS AND ESTIMATES THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST Form. Once an invoice is issued it will not be changed. If there the Buyer on the terms of the Contract for Sale set out in the EU, then he should advise Bonhams immediately. and you should read them as well. Announcements affecting FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Contractual Description of a Lot is any doubt as to the Hammer Price of, or whether you are the Appendix 1 at the back of the Catalogue. You will be liable to the Sale may also be given out orally before and during the STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT The Catalogue contains an Entry about each Lot. Each Lot successful Bidder of, a particular Lot, you must draw this to the pay the Purchase Price, which is the Hammer Price plus any In all other instances no VAT will be charged on the Hammer Sale without prior written notice. You should be alert to the EXAMINED ON YOUR BEHALF BEFORE THE SALE. is sold by its respective Seller to the Buyer of the Lot as attention of the Auctioneer before the next Lot is offered for applicable VAT. At the same time, a separate contract is also Price, but VAT at the prevailing rate will be added to Buyer’s possibility of changes and ask in advance of bidding if there corresponding only with that part of the Entry which is Sale. At the end of the Sale, or when you have finished bidding entered into between us as Auctioneers and the Buyer. This Premium which will be invoiced on a VAT inclusive basis. have been any. 4. CONDUCT OF THE SALE printed in bold letters and (except for the colour, which may please return your paddle to the Bidder registration desk. is our Buyer’s Agreement, the terms of which are set out in be inaccurately reproduced) with any photograph of the Lot Appendix 2 at the back of the Catalogue. Please read the terms 9. PAYMENT 1. OUR ROLE Our Sales are public auctions which persons may attend and in the Catalogue. The remainder of the Entry, which is not Bidding by telephone (only available on lots with a of the Contract for Sale and our Buyer’s Agreement contained you should take the opportunity to do so. We do reserve the printed in bold letters, represents Bonhams’ opinion (given on low estimate greater than £400) in the Catalogue in case you are the successful Bidder. We It is of critical importance that you ensure that you have readily In its role as Auctioneer of Lots, Bonhams acts solely for and right at our sole discretion to refuse admission to our premises behalf of the Seller) about the Lot only and is not part of the If you wish to bid at the Sale by telephone, please complete a may change the terms of either or both of these agreements available funds to pay the Purchase Price and the Buyer’s in the interests of the Seller. Bonhams’ job is to sell the Lot at or to any Sale without stating a reason. We have complete Contractual Description in accordance with which the Lot is Telephone Bidding Form, which is available from our offices or in advance of their being entered into, by setting out different Premium (plus VAT and any other charges and Expenses to us) the highest price obtainable at the Sale to a Bidder. Bonhams discretion as to whether the Sale proceeds, whether any Lot is sold by the Seller. in the Catalogue. Please then return it to the office responsible terms in the Catalogue and/or by placing an insert in the in full before making a bid for the Lot. If you are a successful does not act for Buyers or Bidders in this role and does not included in the Sale, the manner in which the Sale is conducted for the Sale at least 24 hours in advance of the Sale. It is your Catalogue and/or by notices at the Sale venue and/or by oral Bidder, payment will be due to us by 4.30 pm on the second give advice to Buyers or Bidders. When it or its staff make and we may offer Lots for Sale in any order we choose Estimates responsibility to check with our Bids Office that your bid has announcements before and during the Sale. You should be working day after the Sale so that all sums are cleared by statements about a Lot or, if Bonhams provides a Condition notwithstanding the numbers given to Lots in the Catalogue. In most cases, an Estimate is printed beside the Entry. Estimates been received. Telephone calls will be recorded. The telephone alert to this possibility of changes and ask if there have been the eighth working day after the Sale. Unless agreed by us in Report on a Lot it is doing that on behalf of the Seller of the You should therefore check the date and starting time of the are only an expression of Bonhams’ opinion made on behalf bidding facility is a discretionary service and may not be any. advance payments made by anyone other than the registered Lot. Bidders and Buyers who are themselves not expert in Sale, whether there have been any withdrawals or late entries. of the Seller of the range where Bonhams thinks the Hammer available in relation to all Lots. We will not be responsible for Buyer will not be accepted. Payment will have to be by one of the Lots are strongly advised to seek and obtain independent Remember that withdrawals and late entries may affect the Price for the Lot is likely to fall; it is not an Estimate of value. bidding on your behalf if you are unavailable at the time of 7. BUYER’S PREMIUM AND OTHER CHARGES the following methods (all cheques should be made payable to advice on the Lots and their value before bidding for them. time at which a Lot you are interested in is put up for Sale. We It does not take into account any VAT or Buyer’s Premium the Sale or if the telephone connection is interrupted during PAYABLE BY THE BUYER Bonhams 1793 Limited). Bonhams reserves the right to vary the The Seller has authorised Bonhams to sell the Lot as its agent have complete discretion to refuse any bid, to nominate any payable. Lots can in fact sell for Hammer Prices below and bidding. Please contact us for further details. terms of payment at any time. on its behalf and, save where we expressly make it clear to bidding increment we consider appropriate, to divide any Lot, above the Estimate. Any Estimate should not be relied on as an Under the Buyer’s Agreement, a premium (the Buyer’s the contrary, Bonhams acts only as agent for the Seller. Any to combine two or more Lots, to withdraw any Lot from a Sale indication of the actual selling price or value of a Lot. Estimates Bidding by post or fax Premium) is payable to us by the Buyer in accordance with the Sterling personal cheque drawn on a UK branch of a bank statement or representation we make in respect of a Lot is and, before the Sale has been closed, to put up any Lot for are in the currency of the Sale. Absentee Bidding Forms can be found in the back of this terms of the Buyer’s Agreement and at rates set out below, or building society: all cheques must be cleared before you made on the Seller’s behalf and, unless Bonhams sells a Lot auction again. Auction speeds can exceed 100 Lots to the hour Catalogue and should be completed and sent to the office calculated by reference to the Hammer Price and payable in can collect your purchases; as principal, not on our behalf and any Contract for Sale is and bidding increments are generally about 10%. However Condition Reports responsible for the Sale. It is in your interests to return your addition to it. Storage charges and Expenses are also payable between the Buyer and the Seller and not with us. If Bonhams these do vary from Sale to Sale and from Auctioneer to In respect of most Lots, you may ask for a Condition Report on form as soon as possible, as if two or more Bidders submit by the Buyer as set out in the Buyer’s Agreement. All the sums Bankers draft/building society cheque: if you can provide sells a Lot as principal this will either be stated in the Catalogue Auctioneer. Please check with the department organising the its physical condition from Bonhams. If you do so, this will be identical bids for a Lot, the first bid received takes preference. payable to us by the Buyer are subject to VAT. For this Sale the suitable proof of identity and we are satisfied as to the or an announcement to that effect will be made by the Sale for advice on this. Where a Reserve has been applied to a provided by Bonhams on behalf of the Seller free of charge. In any event, all bids should be received at least 24 hours following rates of Buyer’s Premium will be payable by Buyers genuineness of the draft or cheque, we will allow you to collect Auctioneer, or it will be stated in a notice at the Sale or an Lot, the Auctioneer may, in his absolute discretion, place bids Bonhams is not entering into a contract with you in respect before the start of the Sale. Please check your Absentee of Lots: your purchases immediately; insert in the Catalogue. (up to an amount not equalling or exceeding such Reserve) on of the Condition Report and accordingly does not assume Bidding Form carefully before returning it to us, fully completed behalf of the Seller. We are not responsible to you in respect of 25% up to £25,000 of the Hammer Price responsibility to you in respect of it. Nor does the Seller owe or and signed by you. It is your responsibility to check with our Cash: you may pay for Lots purchased by you at this Sale with Bonhams does not owe or undertake or agree to any duty the presence or absence of any Reserve in respect of any Lot. If 20% from £25,001 of the Hammer Price agree to owe you as a Bidder any obligation or duty in respect Bids Office that your bid has been received. This additional notes, coins or travellers cheques in the currency in which or responsibility to you in contract or tort (whether direct, there is a Reserve it will normally be no higher than the lower 12% from £500,001 of the Hammer Price of this free report about a Lot, which is available for your own service is complimentary and is confidential. Such bids are the Sale is conducted (but not any other currency) provided collateral, express, implied or otherwise). If you successfully bid figure for any Estimate in the Catalogue, assuming that the inspection or for inspection by an expert instructed by you. made at your own risk and we cannot accept liability for our that the total amount payable by you in respect of all Lots for a Lot and buy it, at that stage Bonhams does enter into an currency of the Reserve has not fluctuated adversely against On certain Lots, which will be marked “AR” in the Catalogue However, any written Description of the physical condition of failure to receive and/or place any such bids. All bids made purchased by you at the Sale does not exceed £5,000, or the agreement with the Buyer. The terms of that contract are set the currency of the Estimate. The Buyer will be the Bidder who and which are sold for a Hammer Price of €1,000 or greater the Lot contained in a Condition Report will form part of the on your behalf will be made at the lowest level possible equivalent in the currency in which the Sale is conducted, at out in our Buyer’s Agreement, which you will find at Appendix makes the highest bid acceptable to the Auctioneer for any Lot (converted into the currency of the Sale using the European Contractual Description of the Lot under which it is sold to subject to Reserves and other bids made for the Lot. Where the time when payment is made. If the amount payable by you 2 at the back of the Catalogue. This will govern Bonhams’ (subject to any applicable Reserve) to whom the Lot is knocked Central Bank Reference rate prevailing on the date of the Sale), any Buyer. appropriate your bids will be rounded down to the nearest for Lots exceeds that sum, the balance must be paid otherwise relationship with the Buyer. down by the Auctioneer at the fall of the Auctioneer’s hammer. the Additional Premium will be payable to us by the Buyer to amount consistent with the Auctioneer’s bidding increments. than in coins, notes or travellers cheques; Any dispute as to the highest acceptable bid will be settled by cover our Expenses relating to the payment of royalties under The Seller’s responsibility to you New Bidders must also provide proof of identity and address 2. LOTS the Auctioneer in his absolute discretion. All bids tendered will the Artists Resale Right Regulations 2006. The Additional The Seller does not make or agree to make any representation when submitting bids. Failure to do this will result in your bid Sterling travellers cheques: you may pay for Lots purchased relate to the actual Lot number announced by the Auctioneer. Premium will be a percentage of the amount of the Hammer of fact or contractual promise, Guarantee or warranty and not being placed. by you at this Sale with travellers cheques, provided the total Subject to the Contractual Description printed in bold letters An electronic currency converter may be used at the Sale. This Price calculated in accordance with the table below, and shall undertakes no obligation or duty, whether in contract or in amount payable by you in respect of all Lots purchased by you in the Entry about the Lot in the Catalogue (see paragraph 3 equipment is provided as a general guide as to the equivalent not exceed €12,500 (converted into the currency of the Sale tort (other than to the eventual Buyer as set out above), in Bidding via the internet at the Sale does not exceed £5,000. We will need to see your below), Lots are sold to the Buyer on an “as is” basis, with amount in certain currencies of a given bid. We do not accept using the European Central Bank Reference rate prevailing on respect of the accuracy or completeness of any statement Please visit our Website at http://www.bonhams.com for passport if you wish to pay using travellers cheques; all faults and imperfections. Illustrations and photographs any responsibility for any errors which may occur in the use of the date of the Sale). or representation made by him or on his behalf, which is in details of how to bid via the internet. contained in the Catalogue (other than photographs forming the currency converter. We may use video cameras to record any way descriptive of any Lot or as to the anticipated or Hammer Price Percentage amount Bank transfer: you may electronically transfer funds to our part of the Contractual Description) or elsewhere of any Lots the Sale and may record telephone calls for reasons of security likely selling price of any Lot. Other than as set out above, Bidding through an agent From €0 to €50,000 4% Trust Account. If you do so, please quote your paddle number are for identification purposes only. They may not reveal the and to assist in solving any disputes which may arise in relation no statement or representation in any way descriptive of a Bids will be accepted as placed on behalf of the person named From €50,000.01 to €200,000 3% and invoice number as the reference. Our Trust Account details true condition of the Lot. A photograph or illustration may not to bids made at the Sale. At some Sales, for example, jewellery Lot or any Estimate is incorporated into any Contract for Sale as the principal on the Bidding Form although we may refuse From €200,000.01 to €350,000 1% are as follows: reflect an accurate reproduction of the colour(s) of the Lot. Lots Sales, we may use screens on which images of the Lots will be between a Seller and a Buyer. to accept bids from an agent on behalf of a principal and will From €350,000.01 to €500,000 0.5% are available for inspection prior to the Sale and it is for you to projected. This service is provided to assist viewing at the Sale. Bank: National Westminster Bank Plc require written confirmation from the principal confirming Exceeding €500,000 0.25% satisfy yourself as to each and every aspect of a Lot, including The image on the screen should be treated as an indication Address: PO Box 4RY Bonhams’ responsibility to you the agent’s authority to bid. Nevertheless, as the Bidding its authorship, attribution, condition, provenance, history, only of the current Lot. It should be noted that all bids 250 Regent Street You have the opportunity of examining the Lot if you want to Form explains, any person placing a bid as agent on behalf 8. VAT background, authenticity, style, period, age, suitability, quality, tendered will relate to the actual Lot number announced by London W1A 4RY and the Contract for Sale for a Lot is with the Seller and not of another (whether or not he has disclosed that fact or the roadworthiness (if relevant), origin, value and estimated selling the Auctioneer. We do not accept any responsibility for any Account Name: Bonhams 1793 Limited Trust Account with Bonhams; Bonhams acts as the Seller’s agent only (unless identity of his principal) will be jointly and severally liable with The prevailing rate of VAT at the time of going to press is 20%, price (including the Hammer Price). It is your responsibility errors which may occur in the use of the screen. Account Number: 25563009 Bonhams sells the Lot as principal). the principal to the Seller and to Bonhams under any contract but this is subject to government change and the rate payable to examine any Lot in which you are interested. It should be Sort Code: 56-00-27 resulting from the acceptance of a bid. Subject to the above, will be the rate in force on the date of the Sale. remembered that the actual condition of a Lot may not be as 5. BIDDING IBAN Number: GB 33 NWBK 560027 25563009 Bonhams undertakes no obligation to you to examine, please let us know if you are acting on behalf of another good as that indicated by its outward appearance. In particular, investigate or carry out any tests, either in sufficient depth or person when bidding for Lots at the Sale. The following symbols are used to denote that VAT is due on parts may have been replaced or renewed and Lots may not We do not accept bids from any person who has not If paying by bank transfer, the amount received after the at all, on each Lot to establish the accuracy or otherwise of any the Hammer Price and Buyer’s Premium: be authentic or of satisfactory quality; the inside of a Lot may completed and delivered to us one of our Bidding Forms, deduction of any bank fees and/or conversion of the currency Descriptions or opinions given by Bonhams, or by any person Equally, please let us know if you intend to nominate another † VAT at the prevailing rate on Hammer Price and Buyer’s not be visible and may not be original or may be damaged, either our Bidder Registration Form, Absentee Bidding Form of payment to pounds sterling must not be less than the on Bonhams’ behalf, whether in the Catalogue or elsewhere. person to bid on your behalf at the Sale unless this is to be Premium as for example where it is covered by upholstery or material. or Telephone Bidding Form. You will be asked for proof of sterling amount payable, as set out on the invoice. carried out by us pursuant to a Telephone or Absentee Bidding Ω VAT on imported items at the prevailing rate on Hammer Given the age of many Lots they may have been damaged and/ identity, residence and references, which, when asked for, you You should not suppose that such examinations, investigations Form that you have completed. If we do not approve the Price and Buyer’s Premium or repaired and you should not assume that a Lot is in good must supply if your bids are to be accepted by us. Please bring Debit cards: there is no additional charge for purchases made or tests have occurred. agency arrangements in writing before the Sale, we are entitled * VAT on imported items at a preferential rate of 5% on condition. Electronic or mechanical parts may not operate your passport, driving licence (or similar photographic proof with personal debit cards, issued by a UK bank. Debit cards to assume that the person bidding at the Sale is bidding on his Hammer Price and the prevailing rate on Buyer’s Premium or may not comply with current statutory requirements. You of identity) and proof of address. We may request a deposit issued by an overseas bank, deferred and company debit cards Bonhams does not make or agree to make any representation own behalf. Accordingly, the person bidding at the Sale will should not assume that electrical items designed to operate from you before allowing you to bid. We may refuse entry and all credit cards will be subject to a 3% surcharge; of fact, and undertakes no obligation or duty (whether in be the Buyer and will be liable to pay the Hammer Price and on mains electricity will be suitable for connection to the to a Sale to any person even if that person has completed a contract or tort) in respect of the accuracy or completeness Buyer’s Premium and associated charges. If we approve the mains electricity supply and you should obtain a report from Bidding Form. of any statement or representation made by Bonhams or on
NTB/MAIN/11.12 NTB/MAIN/11.12 Union Pay cards: these are now accepted at our Knightsbridge indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE and New Bond Street offices, when presented in person by the otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there further date is given, this indicates that the photographic ˜ Ruby and Jadeite card holder. These cards are subject to a 3% surcharge. we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of Credit cards: Visa and Mastercard only. Please note there is a of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import 3% surcharge on the total invoice value when payments are nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all made using credit cards. It may be advisable to notify your card suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates provider of your intended purchase in advance to reduce delays the liability arises from any negligence, other tort, breach All measurements are approximate. understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to caused by us having to seek authority when you come to pay. If of contract (if any) or statutory duty or otherwise. Nothing Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute you have any questions with regard to payment, please contact set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams our Customer Services Department. (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. 10. COLLECTION AND STORAGE or (ii) death or personal injury caused by our negligence (or by who hold their original records. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been the negligence of any person under our control or for whom • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones The Buyer of a Lot will not be allowed to collect it until we are legally responsible), or (iii) acts or omissions for which Licensing Requirements Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety payment in full and in cleared funds has been made (unless we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and we have made a special arrangement with the Buyer). For any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and collection and removal of purchased Lots, please refer to Sale or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Information at the front of the Catalogue. Our offices are paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following open 9.00am – 5pm Monday to Friday. Details relating to and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the collection of a Lot, the storage of a Lot and our Storage of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: Contractor after the Sale are set out in the Catalogue. substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. (or details of any exemption from which you may benefit, for Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 11. SHIPPING 15. BOOKS instance Crown servant status) for the firearm(s) you have 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether purchased prior to taking full payment of the amount shown generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion Please refer all enquiries to our shipping department on: As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm Tel: +44 (0)20 7468 8353/8302 Fax: +44 (0)20 7629 9673 to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm Email: [email protected] set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm in the circumstances set out in paragraph 10 of the Buyers 5% payable on presentation of your valid certificate or licence that Bonhams has been given or has obtained certificates expressed than in the preceding category; 12. EXPORT/TRADE RESTRICTIONS Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between unframed maps and bound manuscripts are not liable to VAT the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may It is your sole responsibility to comply with all export and on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept import regulations relating to your purchases and also to obtain produce the correct paperwork, the Lot(s) will be reoffered by for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of any relevant export and/or import licence(s). Export licences are 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility issued by Arts Council England and application forms can be Sellers, and you will be responsible for any loss incurred by Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after obtained from its Export Licensing Unit. The detailed provisions All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. of the export licencing arrangements can be found on the ACE to the condition of a clock or watch does not imply that liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a website http://www.artscouncil.org.uk/about-us/museums- the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels and-libraries/cultural-property/export-controls/export-licensing/ restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, or by phoning ACE on +44 (0)20 7973 5228. The need for the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has import licences varies from country to country and you should parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the acquaint yourself with all relevant local requirements and no representation or warranty that any clock or watch is in or changed. in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the provisions. The refusal of any import or export licence(s) or any working order. As clocks and watches often contain fine and weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, delay in obtaining such licence(s) shall not permit the rescission complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. of any Sale nor allow any delay in making full payment for service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the Lot. Generally, please contact our shipping department Buyer is solely responsible, may be necessary. Bidders should import licence. the stated weight is a statement of our opinion only. This of the artist; Wines in Bond before the Sale if you require assistance in relation to export be aware that the importation of watches such as Rolex, Frank information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the regulations. Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or been added by another hand. the wines are to remain under Bond. Buyers requiring their 13. CITES REGULATIONS imported personally. import licence. Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks outside the EU. These regulations may be found at Authority or import licence. For your guidance, in our Catalogues we detail, as far as of the Sale. http://animalhealth.defra.gov.uk/cites/ or may be requested Proof of Firearms 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and from: The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition DEFRA, Wildlife Licensing and Registration Service may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a (a) it was deemed of interest and not intended for use, or (b) is held. Floor 1, Zone 17, Temple Quay House have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. ammunition was not available. In either case, the firearm must 2 The Square, Temple Quay have not been mentioned. Bidders should satisfy themselves be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. BRISTOL BS1 6EB 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Firearms proved for Black Powder should not be used with Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: Department should you have any queries. repolished, in our Catalogues reference is only made to visible CB – Château bottled The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are or otherwise. EstB – Estate bottled unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Explanation of Catalogue Terms liable (whether in negligence or otherwise) for any error or BB – Bordeaux bottled such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to • “Bill Brandt”: in our opinion a work by the artist. misdescription or omission in any Description of a Lot or any 23. VEHICLES BE – Belgian bottled inform themselves of all such regulations and should expect • “Attributed to Bill Brandt”: in our opinion probably a work Estimate in respect of it, whether contained in the Catalogue FB – French bottled Guns Sold as Parts the exportation of items to take some time to arrange. by the artist, but less certainty to authorship is expressed or otherwise, whether given orally or in writing and whether The Veteran Car Club of Great Britain GB – German bottled Barrels of guns sold as parts will only be made available for than in the preceding category. given before or during the Sale. Neither we nor the Seller will OB – Oporto bottled sleeving and measurements once rendered unserviceable 18. FURNITURE • “Signed and/or titled and/or dated and/or inscribed”: in be liable for any loss of Business, profits, revenue or income, or Dating Plates and Certificates UK – United Kingdom bottled according to the Gun Barrel Proof Act of 1968 to 1978 and the our opinion the signature and/or title and/or date and/or for loss of reputation, or for disruption to Business or wasted When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case Rules of Proof. Upholstered Furniture inscription are in the artist’s hand. time on the part of management or staff, or for indirect losses Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case Whilst we take every care in cataloguing furniture which has • “Signed and/or titled and/or dated and/or inscribed in or consequential damages of any kind, irrespective in any that the Veteran Car Club of Great Britain using the services of oc – original carton Condition of Firearms been upholstered we offer no Guarantee as to the originality another hand”: in our opinion the signature and/or title case of the nature, volume or source of the loss or damage Veteran Car Company Ltd, does from time to time, review cars Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. and/or date and/or inscription have been added by alleged to be suffered, and irrespective of whether the said already dated and, in some instances, where fresh evidence exceptional condition and to those defects that might affect another hand. loss or damage is caused by or claimed in respect of any becomes available, the review can result in an alteration of date. the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Whilst the Club and Veteran Car Company Ltd make every Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances effort to ensure accuracy, the date shown on the Dating Plate or is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or Dating Certificate cannot be guaranteed as correct and intending modern firearms specialist. All prospective Bidders are advised any Description or Estimate made of any Lot, or the conduct purchasers should make their own enquiries as to the date of to consult the ˚ of bore and wall-thickness measurements of any Sale in relation to any Lot, whether in damages, for an the car.
NTB/MAIN/11.12 NTB/MAIN/11.12 Union Pay cards: these are now accepted at our Knightsbridge indemnity or contribution, or for a restitutionary remedy or posted in the saleroom and available from the department. 19. JEWELLERY • The date given is that of the image (negative). Where no 24. WINE and New Bond Street offices, when presented in person by the otherwise, our and/or the Seller’s liability (combined, if both Bidders should note that guns are stripped only where there further date is given, this indicates that the photographic ˜ Ruby and Jadeite card holder. These cards are subject to a 3% surcharge. we and the Seller are liable) will be limited to payment of a is a strong indication of a mechanical malfunction. Stripping print is vintage (the term “vintage” may also be included Lots which are lying under Bond and those liable to VAT may Ruby and jadeite gemstones of Burmese (Myanmar) origin sum which will not exceed by way of maximum the amount is not, otherwise, undertaken. Guns intended for use should in the Lot Description). A vintage photograph is one which not be available for immediate collection. may not be imported into the US. Rubies and jadeite of Credit cards: Visa and Mastercard only. Please note there is a of the Purchase Price of the Lot irrespective in any case of the be stripped and cleaned beforehand. Hammer guns should was made within approximately 5-10 years of the negative. non–Burmese origin require certification before import 3% surcharge on the total invoice value when payments are nature, volume or source of any loss or damage alleged to be have their rebound mechanisms checked before use. The Where a second, later date appears, this refers to the date Examining the wines into the US and it is the Buyer’s responsibility to obtain all made using credit cards. It may be advisable to notify your card suffered or sum claimed as due, and irrespective of whether safety mechanisms of all guns must be tested before use. of printing. Where the exact printing date is not known, but It is occasionally possible to provide a pre-Sale tasting for relevant and required export/import licences, certificates provider of your intended purchase in advance to reduce delays the liability arises from any negligence, other tort, breach All measurements are approximate. understood to be later, “printed later” will appear in the Lot larger parcels (as defined below). This is generally limited to and documentation before shipping. Failure by the Buyer to caused by us having to seek authority when you come to pay. If of contract (if any) or statutory duty or otherwise. Nothing Description. more recent and everyday drinking wines. Please contact the successfully import goods into the US does not constitute you have any questions with regard to payment, please contact set out above will be construed as excluding or restricting Original Gun Specifications Derived from Gunmakers • Unless otherwise specified, dimensions given are those of department for details. grounds for non payment or cancellation of Sale. Bonhams our Customer Services Department. (whether directly or indirectly) our liability or excluding or The Sporting Gun Department endeavours to confirm a gun’s the piece of paper on which the image is printed, including will not be responsible for any additional costs in this regard restricting any person’s rights or remedies in respect of (i) fraud, original specification and date of manufacture with makers any margins. Some photographs may appear in the It is not our policy to inspect every unopened case. In the case howsoever incurred. 10. COLLECTION AND STORAGE or (ii) death or personal injury caused by our negligence (or by who hold their original records. Catalogue without margins illustrated. of wines older than 20 years the boxes will usually have been the negligence of any person under our control or for whom • All photographs are sold unframed unless stated in the Lot opened and levels and appearance noted in the Catalogue Gemstones The Buyer of a Lot will not be allowed to collect it until we are legally responsible), or (iii) acts or omissions for which Licensing Requirements Description. where necessary. You should make proper allowance for Historically many gemstones have been subjected to a variety payment in full and in cleared funds has been made (unless we are liable under the Occupiers Liability Act 1957, or (iv) Firearms Act 1968 as amended variations in ullage levels and conditions of corks, capsules of treatments to enhance their appearance. Sapphires and we have made a special arrangement with the Buyer). For any other liability to the extent the same may not be excluded Bonhams is constantly reviewing its procedures and would 21. PICTURES and labels. rubies are routinely heat treated to improve their colour and collection and removal of purchased Lots, please refer to Sale or restricted as a matter of law or (v) our undertakings under remind you that, in the case of firearms or shotguns subject to clarity, similarly emeralds are frequently treated with oils or Explanation of Catalogue Terms Information at the front of the Catalogue. Our offices are paragraphs 9 (in relation to specialist Stamp or Book Sales only) certification, to conform with current legislation, Bonhams is Corks and Ullages resin for the same purpose. Other treatments such as staining, The following terms used in the Catalogue have the following open 9.00am – 5pm Monday to Friday. Details relating to and 10 of the Buyer’s Agreement. The same applies in respect required to see, as appropriate, your original registered firearms Ullage refers to the space between the base of the cork and irradiation or coating may have been used on other gemstones. meanings but are subject to the general provisions relating to the collection of a Lot, the storage of a Lot and our Storage of the Seller, as if references to us in this paragraph were dealer’s certificate / shot gun certificate / firearm certificate / the wine. Ullage levels for Bordeaux shaped bottles are only These treatments may be permanent, whilst others may need Descriptions contained in the Contract for Sale: Contractor after the Sale are set out in the Catalogue. substituted with references to the Seller. museum firearms licence / Section 5 authority or import licence normally noted when below the neck and for Burgundy, special care or re-treatment over the years to retain their • “Jacopo Bassano”: in our opinion a work by the artist. (or details of any exemption from which you may benefit, for Alsace, German and Cognac shaped bottles when greater than appearance. Bidders should be aware that Estimates assume When the artist’s forename(s) is not known, a series of 11. SHIPPING 15. BOOKS instance Crown servant status) for the firearm(s) you have 4 centimetres (cm). Acceptable ullage levels increase with age; that gemstones may have been subjected to such treatments. asterisks, followed by the surname of the artist, whether purchased prior to taking full payment of the amount shown generally acceptable levels are as follows: A number of laboratories issue certificates that give more preceded by an initial or not, indicates that in our opinion Please refer all enquiries to our shipping department on: As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of detailed Descriptions of gemstones. However there may not be the work is by the artist named; Under 15 years old – into neck or less than 4cm Tel: +44 (0)20 7468 8353/8302 Fax: +44 (0)20 7629 9673 to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially consensus between different laboratories on the degrees, or • “Attributed to Jacopo Bassano”: in our opinion probably 15 to 30 years old – top shoulder (ts) or up to 5cm Email: [email protected] set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of types of treatment for any particular gemstone. In the event a work by the artist but less certainty as to authorship is Over 30 years old – high shoulder (hs) or up to 6cm in the circumstances set out in paragraph 10 of the Buyers 5% payable on presentation of your valid certificate or licence that Bonhams has been given or has obtained certificates expressed than in the preceding category; 12. EXPORT/TRADE RESTRICTIONS Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. for any Lot in the Sale these certificates will be disclosed in • “Studio/Workshop of Jacopo Bassano”: in our opinion a It should be noted that ullages may change between unframed maps and bound manuscripts are not liable to VAT the Catalogue. Although, as a matter of policy, Bonhams work by an unknown hand in a studio of the artist which publication of the Catalogue and the Sale and that corks may It is your sole responsibility to comply with all export and on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable to endeavours to provide certificates from recognised laboratories may or may not have been executed under the artist’s fail as a result of transporting the wine. We will only accept import regulations relating to your purchases and also to obtain produce the correct paperwork, the Lot(s) will be reoffered by for certain gemstones, it is not feasible to obtain certificates direction; responsibility for Descriptions of condition at the time of any relevant export and/or import licence(s). Export licences are 16. CLOCKS AND WATCHES Bonhams in the next appropriate Sale, on standard terms for for each Lot. In the event that no certificate is published in the • “Circle of Jacopo Bassano”: in our opinion a work by publication of the Catalogue and cannot accept responsibility issued by Arts Council England and application forms can be Sellers, and you will be responsible for any loss incurred by Catalogue, Bidders should assume that the gemstones may a hand closely associated with a named artist but not for any loss resulting from failure of corks either before or after obtained from its Export Licensing Unit. The detailed provisions All Lots are sold “as is”, and the absence of any reference Bonhams on the original Sale to you. have been treated. Neither Bonhams nor the Seller accepts any necessarily his pupil; this point. of the export licencing arrangements can be found on the ACE to the condition of a clock or watch does not imply that liability for contradictions or differing certificates obtained by • “Follower of Jacopo Bassano”: in our opinion a work by a website http://www.artscouncil.org.uk/about-us/museums- the Lot is in good condition and without defects, repairs or In the case of RFD certificates and Section 5 authorities, we Buyers on any Lots subsequent to the Sale. painter working in the artist’s style, contemporary or nearly Options to buy parcels and-libraries/cultural-property/export-controls/export-licensing/ restorations. Most clocks and watches have been repaired in wish to keep an up-to-date copy on file. Please supply us with contemporary, but not necessarily his pupil; A parcel is a number of Lots of identical size of the same wine, or by phoning ACE on +44 (0)20 7973 5228. The need for the course of their normal lifetime and may now incorporate a Fax or photocopy. It would be helpful if you could send us an Estimated Weights • “Manner of Jacopo Bassano”: in our opinion a work in the bottle size and Description. The Buyer of any of these Lots has import licences varies from country to country and you should parts not original to them. Furthermore, Bonhams makes updated copy whenever your certificate or authority is renewed If a stone(s) weight appears within the body of the Description style of the artist and of a later date; the option to accept some or all of the remaining Lots in the acquaint yourself with all relevant local requirements and no representation or warranty that any clock or watch is in or changed. in capital letters, the stone(s) has been unmounted and • “After Jacopo Bassano”: in our opinion, a copy of a known parcel at the same price, although such options will be at the provisions. The refusal of any import or export licence(s) or any working order. As clocks and watches often contain fine and weighed by Bonhams. If the weight of the stone(s) is stated work of the artist; Auctioneer’s sole discretion. Absentee Bidders are, therefore, delay in obtaining such licence(s) shall not permit the rescission complex mechanisms, Bidders should be aware that a general Lots marked ‘S1´ and bearing red labels are Section 1 firearms to be approximate and does not appear in capital letters, the • “Signed and/or dated and/or inscribed”: in our opinion the advised to bid on the first Lot in a parcel. of any Sale nor allow any delay in making full payment for service, change of battery or further repair work, for which the and require a valid British Firearms certificate, RFD Licence or stone(s) has been assessed by us within its/their settings, and signature and/or date and/or inscription are from the hand the Lot. Generally, please contact our shipping department Buyer is solely responsible, may be necessary. Bidders should import licence. the stated weight is a statement of our opinion only. This of the artist; Wines in Bond before the Sale if you require assistance in relation to export be aware that the importation of watches such as Rolex, Frank information is given as a guide and Bidders should satisfy • “Bears a signature and/or date and/or inscription”: in our Wines lying in Bond are marked Δ and VAT is payable by the regulations. Muller and Corum into the United States is highly restricted. Lots marked ‘S2’ and bearing blue labels are Section 2 firearms themselves with regard to this information as to its accuracy. opinion the signature and/or date and/or inscription have purchaser, at the standard rate, on the Hammer Price, unless These watches may not be shipped to the USA and can only be and require a valid British Shotgun certificate, RFD licence or been added by another hand. the wines are to remain under Bond. Buyers requiring their 13. CITES REGULATIONS imported personally. import licence. Signatures wine to remain in Bond must notify Bonhams at the time of 1. A diamond brooch, by Kutchinsky 22. PORCELAIN AND GLASS the Sale. The Buyer is then himself responsible for all duty, Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are When the maker’s name appears in the title, in Bonhams’ clearance VAT and other charges that may be payable thereon. subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 opinion the piece is by that maker. Damage and Restoration All such Lots must be transferred or collected within two weeks outside the EU. These regulations may be found at Authority or import licence. For your guidance, in our Catalogues we detail, as far as of the Sale. http://animalhealth.defra.gov.uk/cites/ or may be requested Proof of Firearms 2. A diamond brooch, signed Kutchinsky practicable, recorded all significant defects, cracks and from: The term “proof exemption” indicates that a firearm has Lots marked with a ‘S58´ and bearing yellow labels are for Has a signature that, in Bonhams’ opinion, is authentic but restoration. Such practicable Descriptions of damage cannot Buyers outside the UK must be aware that any forwarding been examined at a Proof House, but not proved, as either obsolete calibres and no licence is required unless ammunition DEFRA, Wildlife Licensing and Registration Service may contain gemstones that are not original, or the piece may be definitive, and in providing Condition Reports, we cannot agent appointed to export their purchases must have a (a) it was deemed of interest and not intended for use, or (b) is held. Floor 1, Zone 17, Temple Quay House have been altered. Guarantee that there are no other defects present which movement certificate for Lots to be released under Bond. ammunition was not available. In either case, the firearm must 2 The Square, Temple Quay have not been mentioned. Bidders should satisfy themselves be regarded as unsafe to fire unless subsequently proved. Unmarked Lots require no licence. BRISTOL BS1 6EB 3. A diamond brooch, mounted by Kutchinsky by inspection, as to the condition of each Lot. Please see the Bottling Details and Case Terms Firearms proved for Black Powder should not be used with Has been created by the jeweller, in Bonhams’ opinion, but Contract for Sale printed in this Catalogue. Because of the The following terms used in the Catalogue have the following smokeless ammunition. Please do not hesitate to contact the Modern Sporting Gun 14. THE SELLERS AND/OR BONHAMS’ LIABILITY using stones or designs supplied by the client. difficulty in determining whether an item of glass has been meanings: Department should you have any queries. repolished, in our Catalogues reference is only made to visible CB – Château bottled The term “Certificate of Unprovability” indicates that a firearm Other than any liability of the Seller to the Buyer of a Lot 20. PHOTOGRAPHS chips and cracks. No mention is made of repolishing, severe DB – Domaine bottled has been examined at a Proof House and is deemed both Taxidermy and Related Items under the Contract for Sale, neither we nor the Seller are or otherwise. EstB – Estate bottled unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Explanation of Catalogue Terms liable (whether in negligence or otherwise) for any error or BB – Bordeaux bottled such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to • “Bill Brandt”: in our opinion a work by the artist. misdescription or omission in any Description of a Lot or any 23. VEHICLES BE – Belgian bottled inform themselves of all such regulations and should expect • “Attributed to Bill Brandt”: in our opinion probably a work Estimate in respect of it, whether contained in the Catalogue FB – French bottled Guns Sold as Parts the exportation of items to take some time to arrange. by the artist, but less certainty to authorship is expressed or otherwise, whether given orally or in writing and whether The Veteran Car Club of Great Britain GB – German bottled Barrels of guns sold as parts will only be made available for than in the preceding category. given before or during the Sale. Neither we nor the Seller will OB – Oporto bottled sleeving and measurements once rendered unserviceable 18. FURNITURE • “Signed and/or titled and/or dated and/or inscribed”: in be liable for any loss of Business, profits, revenue or income, or Dating Plates and Certificates UK – United Kingdom bottled according to the Gun Barrel Proof Act of 1968 to 1978 and the our opinion the signature and/or title and/or date and/or for loss of reputation, or for disruption to Business or wasted When mention is made of a Veteran Car Club Dating Plate or owc – original wooden case Rules of Proof. Upholstered Furniture inscription are in the artist’s hand. time on the part of management or staff, or for indirect losses Dating Certificate in this Catalogue, it should be borne in mind iwc – individual wooden case Whilst we take every care in cataloguing furniture which has • “Signed and/or titled and/or dated and/or inscribed in or consequential damages of any kind, irrespective in any that the Veteran Car Club of Great Britain using the services of oc – original carton Condition of Firearms been upholstered we offer no Guarantee as to the originality another hand”: in our opinion the signature and/or title case of the nature, volume or source of the loss or damage Veteran Car Company Ltd, does from time to time, review cars Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. and/or date and/or inscription have been added by alleged to be suffered, and irrespective of whether the said already dated and, in some instances, where fresh evidence exceptional condition and to those defects that might affect another hand. loss or damage is caused by or claimed in respect of any becomes available, the review can result in an alteration of date. the immediate safety of a firearm in normal use. An intending negligence, other tort, breach of contract (if any) or statutory Whilst the Club and Veteran Car Company Ltd make every Bidder unable to make technical examinations and assessments duty, restitutionary claim or otherwise. In any circumstances effort to ensure accuracy, the date shown on the Dating Plate or is recommended to seek advice from a gunmaker or from a where we and/or the Seller are liable in relation to any Lot or Dating Certificate cannot be guaranteed as correct and intending modern firearms specialist. All prospective Bidders are advised any Description or Estimate made of any Lot, or the conduct purchasers should make their own enquiries as to the date of to consult the ˚ of bore and wall-thickness measurements of any Sale in relation to any Lot, whether in damages, for an the car.
NTB/MAIN/11.12 NTB/MAIN/11.12 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT all sums due to the Seller and to Bonhams, within waiver given to you in writing. Any such waiver will undertaking, whether implied by the Sale of Goods 28 days of receipt of such monies by him or on his not affect the Seller’s ability subsequently to enforce THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to Bonhams behalf. any right arising under the Contract for Sale. of the Lot or its fitness for any purpose. in full in accordance with the Contract for Sale Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised the Seller will be entitled, with the prior written 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to from performing that party’s respective obligations W Objects displayed with a w will be located in the you, to exercise one or more of the following rights 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): damage caused by the Lot after the fall of the its reasonable control or if performance of its collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not 8.1.1 to terminate immediately the Contract for Sale of the give rise to a significantly increased financial jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to Lot for your breach of contract; 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage of the express undertaking provided in paragraph circumstances prevail, be required to perform such Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; Description applied to it by or on behalf of the Seller, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; otherwise. under the Contract for Sale must be in writing under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until and may be delivered by hand or sent by first class clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. 8.1.4 to remove and store the Lot at your expense; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum in the Catalogue (marked for the attention of the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the otherwise have an economic interest. import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. •, †, *, G, Ω, a, § see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be in relation to the Lot made by or on behalf of parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when calculated on a daily basis from the date upon which the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the such monies become payable until the date of actual the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such Auctioneer’s hammer in respect of the Lot. payment; conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment 8.1.7 to repossess the Lot (or any part thereof) which has the remainder of the relevant term. (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by not become your property, and for this purpose 9.3.2 the Seller will not be liable for any loss of Business, given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by time on the part of the Buyer or of the Buyer’s officers, employees and agents. 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in himself and to his servants or agents to enter upon management or staff or, for any indirect losses or [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by all or any of your premises (with or without vehicles) consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale any Condition Report which has been provided to not later than 4.30pm on the second working day during normal Business hours to take possession of any case of the nature, volume or source of the loss are for convenience only and will not affect its APPENDIX 1 the Buyer. following the Sale and you must ensure that the the Lot or part thereof; or damage alleged to be suffered, and irrespective interpretation. funds are cleared by the seventh working day after of whether the said loss or damage is caused by CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one 8.1.8 to retain possession of any other property sold to you or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means of the methods stated in the Notice to Bidders unless by the Seller at the Sale or any other auction or by breach of contract, statutory duty, restitutionary “including, without limitation”. IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If private treaty until all sums due under the Contract claim or otherwise; Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this for Sale shall have been paid in full in cleared funds; 10.9 References to the singular will include reference to the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. 8.1.9 to retain possession of, and on three months’ written in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) notice to sell, Without Reserve, any of your other or representation in respect of it, or this agreement You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT property in the possession of the Seller and/or of or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a advance of bidding if there have been any. part of the Contractual Description upon which the Bonhams (as bailee for the Seller) for any purpose an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by (including, without limitation, other goods sold to remedy or in any way whatsoever, the Seller’s liability Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your you) and to apply any monies due to you as a result will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds of such Sale in satisfaction or part satisfaction of any exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other amounts owed to the Seller or to Bonhams; and Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the of it before you buy it. writing, including in the Catalogue or on Bonhams’ 8.1.10 so long as such goods remain in the possession of alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Seller or Bonhams as its bailee, to rescind the irrespective of whether the liability arises from any 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or contract for the Sale of any other goods sold to negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared or by private treaty and apply any monies received responsibility and/or liability of the Seller, it will also by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to from you in respect of such goods in part or full 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller Bonhams by you. directly or indirectly) any person’s liability or excluding of such holding company and the successors and in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or printed in italics. any Description of the Lot or any Estimate in relation to Bonhams in order to obtain the release of the legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for proceedings will have been issued) as a result of 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on a may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. full indemnity basis together with interest thereon the sole capacity as the Seller’s agent and not as this Contract for Sale. (after as well as before judgement or order) at the 10 MISCELLANEOUS an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until 10.1 You may not assign either the benefit or burden of a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in payment by you. the Contract for Sale. Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the 10.2 The Seller’s failure or delay in enforcing or exercising purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any power or right under the Contract for Sale will obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your remaining from any monies received by him or on not operate or be deemed to operate as a waiver of 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of his rights under it except to the extent of any express hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.
NTB/MAIN/11.12 NTB/MAIN/11.12 SYMBOLS 2 SELLER’S UNDERTAKINGS 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT all sums due to the Seller and to Bonhams, within waiver given to you in writing. Any such waiver will undertaking, whether implied by the Sale of Goods 28 days of receipt of such monies by him or on his not affect the Seller’s ability subsequently to enforce THE FOLLOWING SYMBOLS ARE USED TO DENOTE 2.1 The Seller undertakes to you that: Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to Bonhams behalf. any right arising under the Contract for Sale. of the Lot or its fitness for any purpose. in full in accordance with the Contract for Sale Y Subject to CITES regulations when exporting these items 2.1.1 the Seller is the owner of the Lot or is duly authorised the Seller will be entitled, with the prior written 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented outside the EU, see clause 13. to sell the Lot by the owner; 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to from performing that party’s respective obligations W Objects displayed with a w will be located in the you, to exercise one or more of the following rights 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances beyond Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): damage caused by the Lot after the fall of the its reasonable control or if performance of its collection from this location. Catalogue, the Seller sells the Lot with full title down to you on the fall of the Auctioneer’s Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances ≈ Please note that as a result of recent legislation ruby and guarantee or, where the Seller is an executor, trustee, hammer in respect of the Lot. The Seller will not 8.1.1 to terminate immediately the Contract for Sale of the give rise to a significantly increased financial jadeite gem stones of Burmese (Myanmar) origin may liquidator, receiver or administrator, with whatever be responsible thereafter for the Lot prior to Lot for your breach of contract; 9.2 Subject to paragraph 9.3 below, except for breach cost to it, that party will not, for so long as such not be imported into the US. Rubies and jadeite of non- right, title or interest he may have in the Lot; you collecting it from Bonhams or the Storage of the express undertaking provided in paragraph circumstances prevail, be required to perform such Burmese origin require certification before import into the Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any 2.1.5, the Seller will not be liable for any breach obligations. This paragraph does not apply to the US. 2.1.3 except where the Sale is by an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to of any term that the Lot will correspond with any obligations imposed on you by paragraph 6. Δ Wines lying in Bond. liquidator, receiver or administrator the Seller is both Seller fully indemnified from and against all claims, you of the intention to resell; Description applied to it by or on behalf of the Seller, AR An Additional Premium will be payable to us by the Buyer legally entitled to sell the Lot, and legally capable proceedings, costs, expenses and losses arising in whether implied by the Sale of Goods Act 1979 or 10.4 Any notice or other communication to be given to cover our Expenses relating to payment of royalties of conferring on you quiet possession of the Lot respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; otherwise. under the Contract for Sale must be in writing under the Artists Resale Right Regulations 2006. See and that the Sale conforms in every respect with Lot after the fall of the Auctioneer’s hammer until and may be delivered by hand or sent by first class clause 7 for details. the terms implied by the Sale of Goods Act 1979, you obtain full title to it. 8.1.4 to remove and store the Lot at your expense; 9.3 Unless the Seller sells the Lot in the course of a post or air mail or fax transmission, if to the Seller, ○ The Seller has been guaranteed a minimum price for the Sections 12(1) and 12(2) (see the Definitions and Business and the Buyer buys it as a Consumer, addressed c/o Bonhams at its address or fax number Lot, either by Bonhams or a third party. This may take Glossary); 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum in the Catalogue (marked for the attention of the the form of an irrevocable bid by a third party, who may Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for 9.3.1 the Seller will not be liable (whether in negligence, Company Secretary), and if to you to the address or make a financial gain on a successful Sale or a financial 2.1.4 the Seller has complied with all requirements, legal or payable by you to Bonhams in relation to the Lot breach of contract; other tort, breach of contract or statutory duty or in fax number of the Buyer given in the Bidding Form loss if unsuccessful. otherwise, relating to any export or import of the Lot, have been paid in full to, and received in cleared restitution or under the Misrepresentation Act 1967, (unless notice of any change of address is given in ▲ Bonhams owns the Lot either wholly or partially or may and all duties and taxes in respect of the export or funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or in any other way) for any lack of conformity with, writing). It is the responsibility of the sender of the otherwise have an economic interest. import of the Lot have (unless stated to the contrary as before judgement or order) at the annual rate or inaccuracy, error, misdescription or omission in notice or communication to ensure that it is received in the Catalogue or announced by the Auctioneer) 6 PAYMENT of 5% per annum above the base rate of National any Description of the Lot or any Entry or Estimate in a legible form within any applicable time period. •, †, *, G, Ω, a, § see clause 8, VAT, for details. been paid and, so far as the Seller is aware, all third Westminster Bank Plc from time to time to be in relation to the Lot made by or on behalf of parties have complied with such requirements in 6.1 Your obligation to pay the Purchase Price arises when calculated on a daily basis from the date upon which the Seller (whether made in writing, including in 10.5 If any term or any part of any term of the Contract DATA PROTECTION – USE OF YOUR INFORMATION the past; the Lot is knocked down to you on the fall of the such monies become payable until the date of actual the Catalogue, or on the Website, or orally, or by for Sale is held to be unenforceable or invalid, such Auctioneer’s hammer in respect of the Lot. payment; conduct or otherwise) and whether made before or unenforceability or invalidity will not affect the Where we obtain any personal information about you, we shall 2.1.5 subject to any alterations expressly identified as such after this agreement or prior to or during the Sale; enforceability and validity of the remaining terms or only use it in accordance with the terms of our Privacy Policy made by announcement or notice at the Sale venue 6.2 Time will be of the essence in relation to payment 8.1.7 to repossess the Lot (or any part thereof) which has the remainder of the relevant term. (subject to any additional specific consent(s) you may have or by the Notice to Bidders or by an insert in the of the Purchase Price and all other sums payable by not become your property, and for this purpose 9.3.2 the Seller will not be liable for any loss of Business, given at the time your information was disclosed). A copy of Catalogue, the Lot corresponds with the Contractual you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from Business profits or revenue or income or for loss of 10.6 References in the Contract for Sale to Bonhams will, our Privacy Policy can be found on our Website www.bonhams. Description of the Lot, being that part of the Entry by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you reputation or for disruption to Business or wasted where appropriate, include reference to Bonhams’ com or requested by post from Customer Services Department, about the Lot in the Catalogue which is in bold you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by time on the part of the Buyer or of the Buyer’s officers, employees and agents. 101 New Bond Street, London, W1S 1SR or by email from letters and (except for colour) with any photograph all such sums must be paid to Bonhams by you in himself and to his servants or agents to enter upon management or staff or, for any indirect losses or [email protected] of the Lot in the Catalogue and the contents of the currency in which the Sale was conducted by all or any of your premises (with or without vehicles) consequential damages of any kind, irrespective in 10.7 The headings used in the Contract for Sale any Condition Report which has been provided to not later than 4.30pm on the second working day during normal Business hours to take possession of any case of the nature, volume or source of the loss are for convenience only and will not affect its APPENDIX 1 the Buyer. following the Sale and you must ensure that the the Lot or part thereof; or damage alleged to be suffered, and irrespective interpretation. funds are cleared by the seventh working day after of whether the said loss or damage is caused by CONTRACT FOR SALE 3 DESCRIPTIONS OF THE LOT the Sale. Payment must be made to Bonhams by one 8.1.8 to retain possession of any other property sold to you or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means of the methods stated in the Notice to Bidders unless by the Seller at the Sale or any other auction or by breach of contract, statutory duty, restitutionary “including, without limitation”. IMPORTANT: These terms may be changed in advance of the 3.1 Paragraph 2.1.5 sets out what is the Contractual otherwise agreed with you in writing by Bonhams. If private treaty until all sums due under the Contract claim or otherwise; Sale of the Lot to you, by the setting out of different terms in Description of the Lot. In particular, the Lot is not you do not pay any sums due in accordance with this for Sale shall have been paid in full in cleared funds; 10.9 References to the singular will include reference to the Catalogue for the Sale and/or by placing an insert in the sold as corresponding with that part of the Entry in paragraph, the Seller will have the rights set out in 9.3.3 in any circumstances where the Seller is liable to you the plural (and vice versa) and reference to any one Catalogue and/or by notices at the Sale venue and/or by oral the Catalogue which is not printed in bold letters, paragraph 8 below. 8.1.9 to retain possession of, and on three months’ written in respect of the Lot, or any act, omission, statement, gender will include reference to the other genders. announcements before and during the Sale at the Sale venue. which merely sets out (on the Seller’s behalf) notice to sell, Without Reserve, any of your other or representation in respect of it, or this agreement You should be alert to this possibility of changes and ask in Bonhams’ opinion about the Lot and which is not 7 COLLECTION OF THE LOT property in the possession of the Seller and/or of or its performance, and whether in damages, for 10.10 Reference to a numbered paragraph is to a advance of bidding if there have been any. part of the Contractual Description upon which the Bonhams (as bailee for the Seller) for any purpose an indemnity or contribution or for a restitutionary paragraph of the Contract for Sale. Lot is sold. Any statement or representation other 7.1 Unless otherwise agreed in writing with you by (including, without limitation, other goods sold to remedy or in any way whatsoever, the Seller’s liability Under this contract the Seller’s liability in respect of the quality than that part of the Entry referred to in paragraph Bonhams, the Lot will be released to you or to your you) and to apply any monies due to you as a result will be limited to payment of a sum which will not 10.11 Save as expressly provided in paragraph 10.12 of the Lot, it’s fitness for any purpose and its conformity with 2.1.5 (together with any express alteration to it order only when Bonhams has received cleared funds of such Sale in satisfaction or part satisfaction of any exceed by way of maximum the amount of the nothing in the Contract for Sale confers (or purports any Description is limited. You are strongly advised to examine as referred to in paragraph 2.1.5), including any to the amount of the full Purchase Price and all other amounts owed to the Seller or to Bonhams; and Purchase Price of the Lot irrespective in any case of to confer) on any person who is not a party to the the Lot for yourself and/or obtain an independent examination Description or Estimate, whether made orally or in sums owed by you to the Seller and to Bonhams. the nature, volume or source of any loss or damage Contract for Sale any benefit conferred by, or the of it before you buy it. writing, including in the Catalogue or on Bonhams’ 8.1.10 so long as such goods remain in the possession of alleged to be suffered or sum claimed as due, and right to enforce any term of, the Contract for Sale. Website, or by conduct, or otherwise, and whether 7.2 The Seller is entitled to withhold possession from you the Seller or Bonhams as its bailee, to rescind the irrespective of whether the liability arises from any 1 THE CONTRACT by or on behalf of the Seller or Bonhams and of any other Lot he has sold to you at the same or contract for the Sale of any other goods sold to negligence, other tort, breach of contract, statutory 10.12 Where the Contract for Sale confers an immunity whether made prior to or during the Sale, is not part at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction duty, bailee’s duty, restitutionary claim or otherwise. from, and/or an exclusion or restriction of, the 1.1 These terms govern the Contract for Sale of the Lot of the Contractual Description upon which the Lot is possession or not until payment in full and in cleared or by private treaty and apply any monies received responsibility and/or liability of the Seller, it will also by the Seller to the Buyer. sold. funds of the Purchase Price and all other sums due to from you in respect of such goods in part or full 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will operate in favour and for the benefit ofBonhams, the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to be construed as excluding or restricting (whether Bonhams’ holding company and the subsidiaries 1.2 The Definitions and Glossary contained in Appendix 3 3.2 Except as provided in paragraph 2.1.5, the Seller Bonhams by you. directly or indirectly) any person’s liability or excluding of such holding company and the successors and in the Catalogue are incorporated into this Contract does not make or give and does not agree to make 7.3 You will collect and remove the Lot at your own or restricting any person’s rights or remedies in assigns of Bonhams and of such companies and of for Sale and a separate copy can also be provided or give any contractual promise, undertaking, expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal respect of (i) fraud, or (ii) death or personal injury any officer, employee and agent of Bonhams and by Bonhams on request. Where words and phrases obligation, guarantee, warranty, or representation from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other caused by the Seller’s negligence (or any person such companies, each of whom will be entitled to are used which are in the List of Definitions, they are of fact, or undertake any duty of care, in relation to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable under the Seller’s control or for whom the Seller is rely on the relevant immunity and/or exclusion and/or printed in italics. any Description of the Lot or any Estimate in relation to Bonhams in order to obtain the release of the legally responsible), or (iii) acts or omissions for which restriction within and for the purposes of Contracts to it, nor of the accuracy or completeness of any 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court the Seller is liable under the Occupiers Liability Act (Rights of Third Parties) Act 1999, which enables the 1.3 The Seller sells the Lot as the principal to the Description or Estimate which may have been made and transport of the Lot on collection and for proceedings will have been issued) as a result of 1957, or (iv) any other liability to the extent the same benefit of a contract to be extended to a person who Contract for Sale, such contract being made between by or on behalf of the Seller including by Bonhams. complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on a may not be excluded or restricted as a matter of law. is not a party to the contract, and generally at law. the Seller and you through Bonhams which acts in No such Description or Estimate is incorporated into connection with the Lot. full indemnity basis together with interest thereon the sole capacity as the Seller’s agent and not as this Contract for Sale. (after as well as before judgement or order) at the 10 MISCELLANEOUS an additional principal. However, if the Catalogue 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon states that Bonhams sells the Lot as principal, or such 4 FITNESS FOR PURPOSE AND SATISFACTORY storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until 10.1 You may not assign either the benefit or burden of a statement is made by an announcement by the QUALITY by the Seller if you do not remove the Lot in payment by you. the Contract for Sale. Auctioneer, or by a notice at the Sale, or an insert accordance with this paragraph 7 and will in the Catalogue, then Bonhams is the Seller for the 4.1 The Seller does not make and does not agree indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the 10.2 The Seller’s failure or delay in enforcing or exercising purposes of this agreement. to make any contractual promise, undertaking, including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any power or right under the Contract for Sale will obligation, guarantee, warranty, or representation of losses suffered by the Seller by reason of your remaining from any monies received by him or on not operate or be deemed to operate as a waiver of 1.4 The contract is made on the fall of the Auctioneer’s fact in relation to the satisfactory quality of the Lot or failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of his rights under it except to the extent of any express hammer in respect of the Lot when it is knocked its fitness for any purpose. due under any Storage Contract. All such sums down to you. due to the Seller will be payable on demand.
NTB/MAIN/11.12 NTB/MAIN/11.12 11 GOVERNING LAW writing, including in the Catalogue or on Bonhams’ 4.2 You must collect and remove the Lot at your own 6 RESPONSIBILITY FOR THE LOT 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably Website, or by conduct, or otherwise), and whether expense by the date and time specified in the Notice costs, all losses and all other Expenses (whether or practicable after you have become aware that the Lot All transactions to which the Contract for Sale applies made before or after this agreement or prior to or to Bidders, or if no date is specified, by 4.30pm on 6.1 Only on the payment of the Purchase Price to us not court proceedings will have been issued) incurred is or may be a Forgery, and in any event within one and all connected matters will be governed by and during the Sale. No such Description or Estimate is the seventh day after the Sale. will title in the Lot pass to you. However under the by us as a result of our taking steps under this year after the Sale, that the Lot is a Forgery; and construed in accordance with the laws of that part incorporated into this agreement between you and Contract for Sale, the risk in the Lot passed to you paragraph 7 on a full indemnity basis together with of the United Kingdom where the Sale takes place us. Any such Description or Estimate, if made by us 4.3 For the period referred to in paragraph 4.2, the Lot when it was knocked down to you. interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been and the Seller and you each submit to the exclusive or on our behalf, was (unless Bonhams itself sells can be collected from the address referred to in the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition jurisdiction of the courts of that part of the United the Lot as principal) made as agent on behalf of the Notice to Bidders for collection on the days and times 6.2 You are advised to obtain insurance in respect of the the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by Kingdom, save that the Seller may bring proceedings Seller. specified in the Notice to Bidders. Thereafter, the Lot as soon as possible after the Sale. same until payment by you. written evidence that the Lot is a Forgery and details against you in any other court of competent Lot may be removed elsewhere for storage and you of the Sale and Lot number sufficient to identify the jurisdiction to the extent permitted by the laws of 2 PERFORMANCE OF THE CONTRACT FOR SALE must enquire from us as to when and where you can 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such Lot. the relevant jurisdiction. Bonhams has a complaints collect it, although this information will usually be set AND PART PAYMENTS payment shall be applied firstly to the Purchase Price procedure in place. You undertake to us personally that you will out in the Notice to Bidders. of the Lot (or where you have purchased more than 9.3 Paragraph 9 will not apply in respect of a Forgery if: observe and comply with all your obligations and 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each undertakings to the Seller under the Contract for Sale 4.4 If you have not collected the Lot by the date specified time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where 9.3.1 the Entry in relation to the Lot contained in the APPENDIX 2 in respect of the Lot. in the Notice to Bidders, you authorise us, acting accordance with this agreement, we will without you have purchased more than one Lot pro-rata to Catalogue reflected the then accepted general as your agent and on your behalf, to enter into a further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any opinion of scholars and experts or fairly indicated BUYER’S AGREEMENT 3 PAYMENT contract (the “Storage Contract”) with the Storage more of the following rights (without prejudice to other sums due to us. that there was a conflict of such opinion or reflected Contractor for the storage of the Lot on the then any rights we may exercise on behalf of the Seller): the then current opinion of an expert acknowledged IMPORTANT: These terms may be changed in advance of the 3.1 Unless agreed in writing between you and us or as current standard terms and conditions agreed 7.4 We will account to you in respect of any balance we to be a leading expert in the relevant field; or Sale of the Lot to you, by the setting out of different terms in otherwise set out in the Notice to Bidders, you must between Bonhams and the Storage Contractor 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in the Catalogue for the Sale and/or by placing an insert in the pay to us by not later than 4.30pm on the second (copies of which are available on request). If the Lot breach of contract; respect of any Sale of the Lot under our rights under 9.3.2 it can be established that the Lot is a Forgery only Catalogue and/or by notices at the Sale venue and/or by oral working day following the Sale: is stored at our premises storage fees at our current this paragraph 7 after the payment of all sums due to by means of a process not generally accepted for announcements before and during the Sale at the Sale venue. daily rates (currently a minimum of £3 plus VAT per 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of use until after the date on which the Catalogue was You should be alert to this possibility of changes and ask in 3.1.1 the Purchase Price for the Lot; Lot per day) will be payable from the expiry of the all such sums paid to us. published or by means of a process which it was advance of bidding if there have been any. period referred to in paragraph 4.2. These storage 7.1.3 to remove, and/or store the Lot at your expense; unreasonable in all the circumstances for us to have 3.1.2 a Buyer’s Premium in accordance with the rates set fees form part of our Expenses. 8 CLAIMS BY OTHER PERSONS IN RESPECT OF employed. 1 THE CONTRACT out in the Notice to Bidders, and 7.1.4 to take legal proceedings against you for payment THE LOT 4.5 Until you have paid the Purchase Price and any of any sums payable to us by you (including the 9.4 You authorise us to carry out such processes and 1.1 These terms govern the contract between Bonhams 3.1.3 if the Lot is marked [AR], an Additional Premium Expenses in full the Lot will either be held by us as Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot tests on the Lot as we in our absolute discretion personally and the Buyer, being the person to whom which is calculated and payable in accordance with agent on behalf of the Seller or held by the Storage contract; is the subject of a claim by someone other than consider necessary to satisfy ourselves that the Lot is a Lot has been knocked down by the Auctioneer. the Notice to Bidders together with VAT on that sum Contractor as agent on behalf of the Seller and you and other than the Seller (or that such a claim or is not a Forgery. if applicable so that all sums due to us are cleared ourselves on the terms contained in the Storage 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, 1.2 The Definitions and Glossary contained in Appendix funds by the seventh working day after the Sale. Contract. as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in 9.5 If we are satisfied that a Lot is a Forgery we will (as 3 to the Catalogue for the Sale are incorporated rate of 5% per annum above the base lending rate any manner which appears to us to recognise the principal) purchase the Lot from you and you will into this agreement and a separate copy can also 3.2 You must also pay us on demand any Expenses 4.6 You undertake to comply with the terms of any of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties transfer the title to the Lot in question to us, with be provided by us on request. Where words and payable pursuant to this agreement. Storage Contract and in particular to pay the charges to be calculated on a daily basis from the date upon involved and lawfully to protect our position and full title guarantee, free from any liens, charges, phrases which are defined in the List of Definitions (and all costs of moving the Lot into storage) due which such monies become payable until the date of our legitimate interests. Without prejudice to the encumbrances and adverse claims, in accordance are used in this agreement, they are printed in italics. 3.3 All payments to us must be made in the currency under any Storage Contract. You acknowledge and actual payment; generality of the discretion and by way of example, with the provisions of Sections 12(1) and 12(2) of Reference is made in this agreement to information in which the Sale was conducted, using, unless agree that you will not be able to collect the Lot from we may: the Sale of Goods Act 1979 and we will pay to you printed in the Notice to Bidders, printed in the otherwise agreed by us in writing, one of the the Storage Contractor’s premises until you have paid 7.1.6 to repossess the Lot (or any part thereof) which has an amount equal to the sum of the Purchase Price, Catalogue for the Sale, and where such information methods of payment set out in the Notice to the Purchase Price, any Expenses and all charges due not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or Buyer’s Premium, VAT and Expenses paid by you in is referred to it is incorporated into this agreement. Bidders. Our invoices will only be addressed to the under the Storage Contract. (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to respect of the Lot. registered Bidder unless the Bidder is acting as an grant an irrevocable licence to us, by ourselves, our the Lot; and/or 1.3 Except as specified in paragraph 4 of the Notice to agent for a named principal and we have approved 4.7 You will be wholly responsible for packing, handling servants or agents, to enter upon all or any of your 9.6 The benefit of paragraph 9 is personal to, and Bidders the Contract for Sale of the Lot between you that arrangement, in which case we will address the and transport of the Lot on collection and for premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or incapable of assignment by, you. and the Seller is made on the fall of the Auctioneer’s invoice to the principal. complying with all import or export regulations in business hours to take possession of any Lot or part hammer in respect of the Lot, when it is knocked connection with the Lot. thereof; 8.1.3 commence interpleader proceedings or seek any 9.7 If you sell or otherwise dispose of your interest in the down to you. At that moment a separate contract is 3.4 Unless otherwise stated in this agreement all other order of any court, mediator, arbitrator or Lot, all rights and benefits under this paragraph will also made between you and Bonhams on the terms sums payable to us will be subject to VAT at the 4.8 You will be wholly responsible for any removal, 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or cease. in this Buyer’s Agreement. appropriate rate and VAT will be payable by you on storage, or other charges for any Lot not removed treaty or any other means on giving you three all such sums. in accordance with paragraph 4.2, payable at our months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in 9.8 Paragraph 9 does not apply to a Lot made up of or 1.4 We act as agents for the Seller and are not current rates, and any Expenses we incur (including return for pursuing a course of action agreed to by including a Chinese painting or Chinese paintings, a answerable or personally responsible to you for any 3.5 We may deduct and retain for our own benefit from any charges due under the Storage Contract), all of 7.1.8 to retain possession of any of your other property in you. motor vehicle or motor vehicles, a Stamp or Stamps breach of contract or other default by the Seller, the monies paid by you to us the Buyer’s Premium, which must be paid by you on demand and in any our possession for any purpose (including, without or a Book or Books. unless Bonhams sells the Lot as principal. the Commission payable by the Seller in respect event before any collection of the Lot by you or on limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: of the Lot, any Expenses and VAT and any interest your behalf. Sale) until all sums due to us have been paid in full; 10 OUR LIABILITY 1.5 Our personal obligations to you are governed by this earned and/or incurred until payment to the Seller. 8.2.1 may be exercised at any time during which we have agreement and we agree, subject to the terms below, 5 STORING THE LOT 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at 10.1 We will not be liable whether in negligence, other to the following obligations: 3.6 Time will be of the essence in relation to any purpose whether at the time of your default or at any time after such possession, where the cessation tort, breach of contract or statutory duty or in payment payable to us. If you do not pay the We agree to store the Lot until the earlier of your any time thereafter in payment or part payment of of such possession has occurred by reason of any restitution or under the Misrepresentation Act 1967 1.5.1 we will, until the date and time specified in the Purchase Price, or any other sum due to us in removal of the Lot or until the time and date set out any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, or in any other way for lack of conformity with or Notice to Bidders or otherwise notified to you, store accordance with this paragraph 3, we will have the in the Notice to Bidders, on the Sale Information arbitrator or government body; and any inaccuracy, error, misdescription or omission in the Lot in accordance with paragraph 5; rights set out in paragraph 7 below. Page or at the back of the catalogue (or if no date 7.1.10 on three months’ written notice to sell, Without any Description of the Lot or any Entry or Estimate is specified, by 4.30pm on the seventh day after the Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there in respect of it, made by us or on our behalf or by 1.5.2 subject to any power of the Seller or us to refuse to 3.7 Where a number of Lots have been knocked down to Sale) and, subject to paragraphs 6 and 10, to be or under our control for any purpose (including other exists a serious prospect of a good arguable case in or on behalf of the Seller (whether made in writing, release the Lot to you, we will release the Lot to you you, any monies we receive from you will be applied responsible as bailee to you for damage to or the loss goods sold to you or with us for Sale) and to apply favour of the claim. including in the Catalogue, or on the Bonhams’ in accordance with paragraph 4 once you have paid firstly pro-rata to pay the Purchase Price of each Lot or destruction of the Lot (notwithstanding that it is any monies due to you as a result of such Sale in Website, or orally, or by conduct or otherwise) and to us, in cleared funds, everything due to us and the and secondly pro-rata to pay all amounts due to not your property before payment of the Purchase payment or part payment of any amounts owed to 9 FORGERIES whether made before or after this agreement or prior Seller; Bonhams. Price). If you do not collect the Lot before the time us; to or during the Sale. and date set out in the Notice to Bidders (or if no 9.1 We undertake a personal responsibility for any 1.5.3 we will provide guarantees in the terms set out in 4 COLLECTION OF THE LOT date is specified, by 4.30pm on the seventh day 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this 10.2 Our duty to you while the Lot is at your risk and/or paragraphs 9 and 10. after the Sale) we may remove the Lot to another reject a bid from you at any future Sale or to require paragraph 9. your property and in our custody and/or control is to 4.1 Subject to any power of the Seller or us to refuse location, the details of which will usually be set out you to pay a deposit before any bid is accepted by us exercise reasonable care in relation to it, but we will 1.6 We do not make or give and do not agree to make to release the Lot to you, once you have paid to us, in the relevant section of the Catalogue. If you have at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: not be responsible for damage to the Lot or to other or give any contractual promise, undertaking, in cleared funds, everything due to the Seller and not paid for the Lot in accordance with paragraph 3, to apply such deposit in payment or part payment, as persons or things caused by: obligation, Guarantee, warranty, representation of to us, we will release the Lot to you or as you may and the Lot is moved to any third party’s premises, the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom fact in relation to any Description of the Lot or any direct us in writing. The Lot will only be released on the Lot will be held by such third party strictly to which you are the Buyer. the original invoice was made out by us in respect of 10.2.1 handling the Lot if it was affected at the time of Sale Estimate in relation to it, nor of the accuracy or production of a buyer collection document, obtained Bonhams’ order and we will retain our lien over the the Lot and that invoice has been paid; and to you by woodworm and any damage is caused as a completeness of any Description or Estimate which from our cashier’s office. Lot until we have been paid in full in accordance with result of it being affected by woodworm; or may have been made by us or on our behalf or by paragraph 3. or on behalf of the Seller (whether made orally or in
NTB/MAIN/11.12 NTB/MAIN/11.12 11 GOVERNING LAW writing, including in the Catalogue or on Bonhams’ 4.2 You must collect and remove the Lot at your own 6 RESPONSIBILITY FOR THE LOT 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably Website, or by conduct, or otherwise), and whether expense by the date and time specified in the Notice costs, all losses and all other Expenses (whether or practicable after you have become aware that the Lot All transactions to which the Contract for Sale applies made before or after this agreement or prior to or to Bidders, or if no date is specified, by 4.30pm on 6.1 Only on the payment of the Purchase Price to us not court proceedings will have been issued) incurred is or may be a Forgery, and in any event within one and all connected matters will be governed by and during the Sale. No such Description or Estimate is the seventh day after the Sale. will title in the Lot pass to you. However under the by us as a result of our taking steps under this year after the Sale, that the Lot is a Forgery; and construed in accordance with the laws of that part incorporated into this agreement between you and Contract for Sale, the risk in the Lot passed to you paragraph 7 on a full indemnity basis together with of the United Kingdom where the Sale takes place us. Any such Description or Estimate, if made by us 4.3 For the period referred to in paragraph 4.2, the Lot when it was knocked down to you. interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been and the Seller and you each submit to the exclusive or on our behalf, was (unless Bonhams itself sells can be collected from the address referred to in the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition jurisdiction of the courts of that part of the United the Lot as principal) made as agent on behalf of the Notice to Bidders for collection on the days and times 6.2 You are advised to obtain insurance in respect of the the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by Kingdom, save that the Seller may bring proceedings Seller. specified in the Notice to Bidders. Thereafter, the Lot as soon as possible after the Sale. same until payment by you. written evidence that the Lot is a Forgery and details against you in any other court of competent Lot may be removed elsewhere for storage and you of the Sale and Lot number sufficient to identify the jurisdiction to the extent permitted by the laws of 2 PERFORMANCE OF THE CONTRACT FOR SALE must enquire from us as to when and where you can 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such Lot. the relevant jurisdiction. Bonhams has a complaints collect it, although this information will usually be set AND PART PAYMENTS payment shall be applied firstly to the Purchase Price procedure in place. You undertake to us personally that you will out in the Notice to Bidders. of the Lot (or where you have purchased more than 9.3 Paragraph 9 will not apply in respect of a Forgery if: observe and comply with all your obligations and 7.1 If all sums payable to us are not so paid in full at the one Lot pro-rata towards the Purchase Price of each undertakings to the Seller under the Contract for Sale 4.4 If you have not collected the Lot by the date specified time they are due and/or the Lot is not removed in Lot) and secondly to the Buyer’s Premium (or where 9.3.1 the Entry in relation to the Lot contained in the APPENDIX 2 in respect of the Lot. in the Notice to Bidders, you authorise us, acting accordance with this agreement, we will without you have purchased more than one Lot pro-rata to Catalogue reflected the then accepted general as your agent and on your behalf, to enter into a further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any opinion of scholars and experts or fairly indicated BUYER’S AGREEMENT 3 PAYMENT contract (the “Storage Contract”) with the Storage more of the following rights (without prejudice to other sums due to us. that there was a conflict of such opinion or reflected Contractor for the storage of the Lot on the then any rights we may exercise on behalf of the Seller): the then current opinion of an expert acknowledged IMPORTANT: These terms may be changed in advance of the 3.1 Unless agreed in writing between you and us or as current standard terms and conditions agreed 7.4 We will account to you in respect of any balance we to be a leading expert in the relevant field; or Sale of the Lot to you, by the setting out of different terms in otherwise set out in the Notice to Bidders, you must between Bonhams and the Storage Contractor 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in the Catalogue for the Sale and/or by placing an insert in the pay to us by not later than 4.30pm on the second (copies of which are available on request). If the Lot breach of contract; respect of any Sale of the Lot under our rights under 9.3.2 it can be established that the Lot is a Forgery only Catalogue and/or by notices at the Sale venue and/or by oral working day following the Sale: is stored at our premises storage fees at our current this paragraph 7 after the payment of all sums due to by means of a process not generally accepted for announcements before and during the Sale at the Sale venue. daily rates (currently a minimum of £3 plus VAT per 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of use until after the date on which the Catalogue was You should be alert to this possibility of changes and ask in 3.1.1 the Purchase Price for the Lot; Lot per day) will be payable from the expiry of the all such sums paid to us. published or by means of a process which it was advance of bidding if there have been any. period referred to in paragraph 4.2. These storage 7.1.3 to remove, and/or store the Lot at your expense; unreasonable in all the circumstances for us to have 3.1.2 a Buyer’s Premium in accordance with the rates set fees form part of our Expenses. 8 CLAIMS BY OTHER PERSONS IN RESPECT OF employed. 1 THE CONTRACT out in the Notice to Bidders, and 7.1.4 to take legal proceedings against you for payment THE LOT 4.5 Until you have paid the Purchase Price and any of any sums payable to us by you (including the 9.4 You authorise us to carry out such processes and 1.1 These terms govern the contract between Bonhams 3.1.3 if the Lot is marked [AR], an Additional Premium Expenses in full the Lot will either be held by us as Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot tests on the Lot as we in our absolute discretion personally and the Buyer, being the person to whom which is calculated and payable in accordance with agent on behalf of the Seller or held by the Storage contract; is the subject of a claim by someone other than consider necessary to satisfy ourselves that the Lot is a Lot has been knocked down by the Auctioneer. the Notice to Bidders together with VAT on that sum Contractor as agent on behalf of the Seller and you and other than the Seller (or that such a claim or is not a Forgery. if applicable so that all sums due to us are cleared ourselves on the terms contained in the Storage 7.1.5 to be paid interest on any monies due to us (after can reasonably be expected to be made), we may, 1.2 The Definitions and Glossary contained in Appendix funds by the seventh working day after the Sale. Contract. as well as before judgement or order) at the annual at our absolute discretion, deal with the Lot in 9.5 If we are satisfied that a Lot is a Forgery we will (as 3 to the Catalogue for the Sale are incorporated rate of 5% per annum above the base lending rate any manner which appears to us to recognise the principal) purchase the Lot from you and you will into this agreement and a separate copy can also 3.2 You must also pay us on demand any Expenses 4.6 You undertake to comply with the terms of any of National Westminster Bank Plc from time to time legitimate interests of ourselves and the other parties transfer the title to the Lot in question to us, with be provided by us on request. Where words and payable pursuant to this agreement. Storage Contract and in particular to pay the charges to be calculated on a daily basis from the date upon involved and lawfully to protect our position and full title guarantee, free from any liens, charges, phrases which are defined in the List of Definitions (and all costs of moving the Lot into storage) due which such monies become payable until the date of our legitimate interests. Without prejudice to the encumbrances and adverse claims, in accordance are used in this agreement, they are printed in italics. 3.3 All payments to us must be made in the currency under any Storage Contract. You acknowledge and actual payment; generality of the discretion and by way of example, with the provisions of Sections 12(1) and 12(2) of Reference is made in this agreement to information in which the Sale was conducted, using, unless agree that you will not be able to collect the Lot from we may: the Sale of Goods Act 1979 and we will pay to you printed in the Notice to Bidders, printed in the otherwise agreed by us in writing, one of the the Storage Contractor’s premises until you have paid 7.1.6 to repossess the Lot (or any part thereof) which has an amount equal to the sum of the Purchase Price, Catalogue for the Sale, and where such information methods of payment set out in the Notice to the Purchase Price, any Expenses and all charges due not become your property, and for this purpose 8.1.1 retain the Lot to investigate any question raised or Buyer’s Premium, VAT and Expenses paid by you in is referred to it is incorporated into this agreement. Bidders. Our invoices will only be addressed to the under the Storage Contract. (unless you buy the Lot as a Consumer) you hereby reasonably expected by us to be raised in relation to respect of the Lot. registered Bidder unless the Bidder is acting as an grant an irrevocable licence to us, by ourselves, our the Lot; and/or 1.3 Except as specified in paragraph 4 of the Notice to agent for a named principal and we have approved 4.7 You will be wholly responsible for packing, handling servants or agents, to enter upon all or any of your 9.6 The benefit of paragraph 9 is personal to, and Bidders the Contract for Sale of the Lot between you that arrangement, in which case we will address the and transport of the Lot on collection and for premises (with or without vehicles) during normal 8.1.2 deliver the Lot to a person other than you; and/or incapable of assignment by, you. and the Seller is made on the fall of the Auctioneer’s invoice to the principal. complying with all import or export regulations in business hours to take possession of any Lot or part hammer in respect of the Lot, when it is knocked connection with the Lot. thereof; 8.1.3 commence interpleader proceedings or seek any 9.7 If you sell or otherwise dispose of your interest in the down to you. At that moment a separate contract is 3.4 Unless otherwise stated in this agreement all other order of any court, mediator, arbitrator or Lot, all rights and benefits under this paragraph will also made between you and Bonhams on the terms sums payable to us will be subject to VAT at the 4.8 You will be wholly responsible for any removal, 7.1.7 to sell the Lot Without Reserve by auction, private government body; and/or cease. in this Buyer’s Agreement. appropriate rate and VAT will be payable by you on storage, or other charges for any Lot not removed treaty or any other means on giving you three all such sums. in accordance with paragraph 4.2, payable at our months’ written notice of our intention to do so; 8.1.4 require an indemnity and/or security from you in 9.8 Paragraph 9 does not apply to a Lot made up of or 1.4 We act as agents for the Seller and are not current rates, and any Expenses we incur (including return for pursuing a course of action agreed to by including a Chinese painting or Chinese paintings, a answerable or personally responsible to you for any 3.5 We may deduct and retain for our own benefit from any charges due under the Storage Contract), all of 7.1.8 to retain possession of any of your other property in you. motor vehicle or motor vehicles, a Stamp or Stamps breach of contract or other default by the Seller, the monies paid by you to us the Buyer’s Premium, which must be paid by you on demand and in any our possession for any purpose (including, without or a Book or Books. unless Bonhams sells the Lot as principal. the Commission payable by the Seller in respect event before any collection of the Lot by you or on limitation, other goods sold to you or with us for 8.2 The discretion referred to in paragraph 8.1: of the Lot, any Expenses and VAT and any interest your behalf. Sale) until all sums due to us have been paid in full; 10 OUR LIABILITY 1.5 Our personal obligations to you are governed by this earned and/or incurred until payment to the Seller. 8.2.1 may be exercised at any time during which we have agreement and we agree, subject to the terms below, 5 STORING THE LOT 7.1.9 to apply any monies received from you for any actual or constructive possession of the Lot, or at 10.1 We will not be liable whether in negligence, other to the following obligations: 3.6 Time will be of the essence in relation to any purpose whether at the time of your default or at any time after such possession, where the cessation tort, breach of contract or statutory duty or in payment payable to us. If you do not pay the We agree to store the Lot until the earlier of your any time thereafter in payment or part payment of of such possession has occurred by reason of any restitution or under the Misrepresentation Act 1967 1.5.1 we will, until the date and time specified in the Purchase Price, or any other sum due to us in removal of the Lot or until the time and date set out any sums due to us by you under this agreement; decision, order or ruling of any court, mediator, or in any other way for lack of conformity with or Notice to Bidders or otherwise notified to you, store accordance with this paragraph 3, we will have the in the Notice to Bidders, on the Sale Information arbitrator or government body; and any inaccuracy, error, misdescription or omission in the Lot in accordance with paragraph 5; rights set out in paragraph 7 below. Page or at the back of the catalogue (or if no date 7.1.10 on three months’ written notice to sell, Without any Description of the Lot or any Entry or Estimate is specified, by 4.30pm on the seventh day after the Reserve, any of your other property in our possession 8.2.2 will not be exercised unless we believe that there in respect of it, made by us or on our behalf or by 1.5.2 subject to any power of the Seller or us to refuse to 3.7 Where a number of Lots have been knocked down to Sale) and, subject to paragraphs 6 and 10, to be or under our control for any purpose (including other exists a serious prospect of a good arguable case in or on behalf of the Seller (whether made in writing, release the Lot to you, we will release the Lot to you you, any monies we receive from you will be applied responsible as bailee to you for damage to or the loss goods sold to you or with us for Sale) and to apply favour of the claim. including in the Catalogue, or on the Bonhams’ in accordance with paragraph 4 once you have paid firstly pro-rata to pay the Purchase Price of each Lot or destruction of the Lot (notwithstanding that it is any monies due to you as a result of such Sale in Website, or orally, or by conduct or otherwise) and to us, in cleared funds, everything due to us and the and secondly pro-rata to pay all amounts due to not your property before payment of the Purchase payment or part payment of any amounts owed to 9 FORGERIES whether made before or after this agreement or prior Seller; Bonhams. Price). If you do not collect the Lot before the time us; to or during the Sale. and date set out in the Notice to Bidders (or if no 9.1 We undertake a personal responsibility for any 1.5.3 we will provide guarantees in the terms set out in 4 COLLECTION OF THE LOT date is specified, by 4.30pm on the seventh day 7.1.11 refuse to allow you to register for a future Sale or to Forgery in accordance with the terms of this 10.2 Our duty to you while the Lot is at your risk and/or paragraphs 9 and 10. after the Sale) we may remove the Lot to another reject a bid from you at any future Sale or to require paragraph 9. your property and in our custody and/or control is to 4.1 Subject to any power of the Seller or us to refuse location, the details of which will usually be set out you to pay a deposit before any bid is accepted by us exercise reasonable care in relation to it, but we will 1.6 We do not make or give and do not agree to make to release the Lot to you, once you have paid to us, in the relevant section of the Catalogue. If you have at any future Sale in which case we will be entitled 9.2 Paragraph 9 applies only if: not be responsible for damage to the Lot or to other or give any contractual promise, undertaking, in cleared funds, everything due to the Seller and not paid for the Lot in accordance with paragraph 3, to apply such deposit in payment or part payment, as persons or things caused by: obligation, Guarantee, warranty, representation of to us, we will release the Lot to you or as you may and the Lot is moved to any third party’s premises, the case may be, of the Purchase Price of any Lot of 9.2.1 your name appears as the named person to whom fact in relation to any Description of the Lot or any direct us in writing. The Lot will only be released on the Lot will be held by such third party strictly to which you are the Buyer. the original invoice was made out by us in respect of 10.2.1 handling the Lot if it was affected at the time of Sale Estimate in relation to it, nor of the accuracy or production of a buyer collection document, obtained Bonhams’ order and we will retain our lien over the the Lot and that invoice has been paid; and to you by woodworm and any damage is caused as a completeness of any Description or Estimate which from our cashier’s office. Lot until we have been paid in full in accordance with result of it being affected by woodworm; or may have been made by us or on our behalf or by paragraph 3. or on behalf of the Seller (whether made orally or in
NTB/MAIN/11.12 NTB/MAIN/11.12 10.2.2 changes in atmospheric pressure; nor will we be 11.4 Any notice or other communication to be given APPENDIX 3 “Expenses” charges and Expenses paid or payable by “Standard Examination” a visual examination of a Lot by a (3) This subsection applies to a contract of sale in the case liable for: under this agreement must be in writing and may Bonhams in respect of the Lot including legal Expenses, non-specialist member of Bonhams’ staff. of which there appears from the contract or is to be be delivered by hand or sent by first class post or DEFINITIONS AND GLOSSARY banking charges and Expenses incurred as a result of an “Storage Contract” means the contract described in inferred from its circumstances an intention that the 10.2.3 damage to tension stringed musical instruments; or air mail or fax transmission (if to Bonhams marked electronic transfer of money, charges and Expenses for loss and paragraph 8.3.3 of the Conditions of Business or paragraph seller should transfer only such title as he or a third for the attention of the Company Secretary), to the Where these Definitions and Glossary are incorporated, the damage cover, insurance, Catalogue and other reproductions 4.4 of the Buyer’s Agreement (as appropriate). person may have. 10.2.4 damage to gilded picture frames, plaster picture address or fax number of the relevant party given following words and phrases used have (unless the context and illustrations, any customs duties, advertising, packing or “Storage Contractor” means the company identified as such frames or picture frame glass; and if the Lot is or in the Contract Form (unless notice of any change otherwise requires) the meanings given to them below. The shipping costs, reproductions rights’ fees, taxes, levies, costs of in the Catalogue. (4) In a contract to which subsection (3) above applies there becomes dangerous, we may dispose of it without of address is given in writing). It is the responsibility Glossary is to assist you to understand words and phrases testing, searches or enquiries, preparation of the Lot for Sale, “Terrorism” means any act or threatened act of terrorism, is an implied term that all charges or encumbrances notice to you in advance in any manner we think fit of the sender of the notice or communication to which have a specific legal meaning with which you may not storage charges, removal charges, removal charges or costs whether any person is acting alone or on behalf of or in known to the seller and not known to the buyer have and we will be under no liability to you for doing so. ensure that it is received in a legible form within any be familiar. of collection from the Seller as the Seller’s agents or from a connection with any organisation(s) and/or government(s), been disclosed to the buyer before the contract is made. applicable time period. defaulting Buyer, plus VAT if applicable. committed for political, religious or ideological or similar 10.3.1 We will not be liable to you for any loss of Business, LIST OF DEFINITIONS “Forgery” an imitation intended by the maker or any other purposes including, but not limited to, the intention to (5) In a contract to which subsection (3) above applies Business profits, revenue or income or for loss of 11.5 If any term or any part of any term of this agreement person to deceive as to authorship, attribution, origin, influence any government and/or put the public or any section there is also an implied term that none of the following Business reputation or for disruption to Business or is held to be unenforceable or invalid, such “Additional Premium” a premium, calculated in accordance authenticity, style, date, age, period, provenance, culture, of the public into fear. will disturb the buyer’s quiet possession of the goods, wasted time on the part of the Buyer’s management unenforceability or invalidity will not affect the with the Notice to Bidders, to cover Bonhams’ Expenses source or composition, which at the date of the Sale had a “Trust Account” the bank account of Bonhams into which all namely: or staff or, if you are buying the Lot in the course of enforceability and validity of the remaining terms or relating to the payment of royalties under the Artists Resale value materially less than it would have had if the Lot had not sums received in respect of the Purchase Price of any a Business, for any indirect losses or consequential the remainder of the relevant term. Right Regulations 2006 which is payable by the Buyer to been such an imitation, and which is not stated to be such Lot will be paid, such account to be a distinct and separate (a) the seller; damages of any kind, irrespective in any case of Bonhams on any Lot marked [AR] which sells for a Hammer an imitation in any description of the Lot. A Lot will not be a account to Bonhams’ normal business bank account. the nature, volume or source of the loss or damage 11.6 References in this agreement to Bonhams will, where Price which together with the Buyer’s Premium (but excluding Forgery by reason of any damage to, and/or restoration and/ “VAT” value added tax at the prevailing rate at the date of the (b) in a case where the parties to the contract intend alleged to be suffered, and irrespective of whether appropriate, include reference to Bonhams’ officers, any VAT) equals or exceeds 1000 euros (converted into or modification work (including repainting or over painting) Sale in the United Kingdom. that the seller should transfer only such title as a the said loss or damage is caused by or claimed employees and agents. the currency of the Sale using the European Central Bank having been carried out on the Lot, where that damage, “Website” Bonhams Website at www.bonhams.com third person may have, that person; in respect of any negligence, other tort, breach of Reference rate prevailing on the date of the Sale). restoration or modification work (as the case may be) does not “Withdrawal Notice” the Seller’s written notice to Bonhams contract, statutory duty, bailee’s duty, a restitutionary 11.7 The headings used in this agreement are “Auctioneer” the representative of Bonhams conducting the substantially affect the identity of the Lot as one conforming to revoking Bonhams’ instructions to sell a Lot. (c) anyone claiming through or under the seller or claim or otherwise. for convenience only and will not affect its Sale. the Description of the Lot. “Without Reserve” where there is no minimum price at that third person otherwise than under a charge interpretation. “Bidder” a person who has completed a Bidding Form. “Guarantee” the obligation undertaken personally by which a Lot may be sold (whether at auction or by private or encumbrance disclosed or known to the buyer 10.3.2 Unless you buy the Lot as a Consumer, in any “Bidding Form” our Bidding Registration Form, our Absentee Bonhams to the Buyer in respect of any Forgery and, in the treaty). before the contract is made. circumstances where we are liable to you in 11.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. case of specialist Stamp Sales and/or specialist Book Sales, a Lot respect of a Lot, or any act, omission, statement, without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or made up of a Stamp or Stamps or a Book or Books as set out GLOSSARY (5A) As regards England and Wales and Northern Ireland, the representation in respect of it, or this agreement assigns. Bonhams is also referred to in the Buyer’s Agreement, in the Buyer’s Agreement. term implied by subsection (1) above is a condition and or its performance, and whether in damages, for 11.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the “Hammer Price” the price in the currency in which the Sale is The following expressions have specific legal meanings with the terms implied by subsections (2), (4) and (5) above an indemnity or contribution or for a restitutionary the plural (and vice versa) and reference to any one words “we”, “us” and “our”. conducted at which a Lot is knocked down by the Auctioneer. which you may not be familiar. The following glossary is are warranties.” remedy or in any way whatsoever, our liability will be gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book “Loss and Damage Warranty” means the warranty described intended to give you an understanding of those expressions limited to payment of a sum which will not exceed Sale. in paragraph 8.2 of the Conditions of Business. but is not intended to limit their legal meanings: by way of maximum the amount of the Purchase 11.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. “Loss and Damage Warranty Fee” means the fee described “artist’s resale right”: the right of the creator of a work of art Price of the Lot plus Buyer’s Premium (less any sum paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the in paragraph 8.2.3 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the you may be entitled to recover from the Seller) Auctioneer. The Buyer is also referred to in the Contract for “Lot” any item consigned to Bonhams with a view to its Sale original Sale of that work by the creator of it as set out in the irrespective in any case of the nature, volume or 11.11 Save as expressly provided in paragraph 11.12 Sale and the Buyer’s Agreement by the words “you” and at auction or by private treaty (and reference to any Lot will Artists Resale Right Regulations 2006. source of any loss or damage alleged to be suffered nothing in this agreement confers (or purports to “your”. include, unless the context otherwise requires, reference to “bailee”: a person to whom goods are entrusted. or sum claimed as due, and irrespective of whether confer) on any person who is not a party to this “Buyer’s Agreement” the contract entered into by Bonhams individual items comprised in a group of two or more items “indemnity”: an obligation to put the person who has the liability arises from negligence, other tort, agreement any benefit conferred by, or the right to with the Buyer (see Appendix 2 in the Catalogue). offered for Sale as one Lot). the benefit of the indemnity in the same position in which breach of contract, statutory duty, bailee’s duty, a enforce any term of, this agreement. “Buyer’s Premium” the sum calculated on the Hammer Price “Motoring Catalogue Fee” a fee payable by the Seller to he would have been, had the circumstances giving rise to restitutionary claim or otherwise. at the rates stated in the Notice to Bidders. Bonhams in consideration of the additional work undertaken the indemnity not arisen and the expression “indemnify” is 11.12 Where this agreement confers an immunity from, “Catalogue” the Catalogue relating to the relevant Sale, by Bonhams in respect of the cataloguing of motor vehicles construed accordingly. You may wish to protect yourself against loss by and/or an exclusion or restriction of, the responsibility including any representation of the Catalogue published on and in respect of the promotion of Sales of motor vehicles. “interpleader proceedings”: proceedings in the Courts to obtaining insurance. and/or liability of Bonhams, it will also operate in our Website. “New Bond Street” means Bonhams’ saleroom at 101 New determine ownership or rights over a Lot. favour and for the benefit of Bonhams’ holding “Commission” the Commission payable by the Seller to Bond Street, London W1S 1SR. “knocked down”: when a Lot is sold to a Bidder, indicated by 10.4 Nothing set out above will be construed as excluding company and the subsidiaries of such holding Bonhams calculated at the rates stated in the Contract Form. “Notional Charges” the amount of Commission and VAT the fall of the hammer at the Sale. or restricting (whether directly or indirectly) any company and the successors and assigns of Bonhams “Condition Report” a report on the physical condition of a Lot which would have been payable if the Lot had been sold at the “lien”: a right for the person who has possession of the Lot to person’s liability or excluding or restricting any and of such companies and of any officer, employee provided to a Bidder or potential Bidder by Bonhams on behalf Notional Price. retain possession of it. person’s rights or remedies in respect of (i) fraud, or and agent of Bonhams and such companies, each of the Seller. “Notional Fee” the sum on which the Consignment Fee “risk”: the possibility that a Lot may be lost, damaged, (ii) death or personal injury caused by our negligence of whom will be entitled to rely on the relevant “Conditions of Sale” the Notice to Bidders, Contract for Sale, payable to Bonhams by the Seller is based and which is destroyed, stolen, or deteriorate in condition or value. (or any person under our control or for whom we are immunity and/or exclusion and/or restriction within Buyer’s Agreement and Definitions and Glossary. calculated according to the formula set out in the Conditions “title”: the legal and equitable right to the ownership of a Lot. legally responsible), or (iii) acts or omissions for which and for the purposes of Contracts (Rights of Third “Consignment Fee” a fee payable to Bonhams by the Seller of Business. “tort”: a legal wrong done to someone to whom the wrong we are liable under the Occupiers Liability Act 1957, Parties) Act 1999, which enables the benefit of a calculated at rates set out in the Conditions of Business. “Notional Price” the latest in time of the average of the doer has a duty of care. or (iv) any other liability to the extent the same may contract to be extended to a person who is not a “Consumer” a natural person who is acting for the relevant high and low Estimates given by us to you or stated in the not be excluded or restricted as a matter of law, or party to the contract, and generally at law. purpose outside his trade, Business or profession. Catalogue or, if no such Estimates have been given or stated, SALE OF GOODS ACT 1979 (v) under our undertaking in paragraph 9 of these “Contract Form” the Contract Form, or vehicle Entry form, as the Reserve applicable to the Lot. conditions. 12 GOVERNING LAW applicable, signed by or on behalf of the Seller listing the Lots “Notice to Bidders” the notice printed at the back or front of The following is an extract from the Sale of Goods Act 1979: to be offered for Sale by Bonhams. our Catalogues. 11 MISCELLANEOUS All transactions to which this agreement applies “Contract for Sale” the Sale contract entered into by the “Purchase Price” the aggregate of the Hammer Price and VAT “Section 12 Implied terms about title, etc and all connected matters will be governed by and Seller with the Buyer (see Appendix 1 in the Catalogue). on the Hammer Price. 11.1 You may not assign either the benefit or burden of construed in accordance with the laws of that part “Contractual Description” the only Description of the Lot “Reserve” the minimum price at which a Lot may be sold (1) In a contract of sale, other than one to which subsection this agreement. of the United Kingdom where the Sale takes (or (being that part of the Entry about the Lot in the Catalogue (whether at auction or by private treaty). (3) below applies, there is an implied term on the part of is to take) place and we and you each submit to which is in bold letters, any photograph (except for the colour) “Sale” the auction Sale at which a Lot is to be offered for Sale the seller that in the case of a sale he has a right to sell 11.2 Our failure or delay in enforcing or exercising any the exclusive jurisdiction of the courts of that part and the contents of any Condition Report) to which the Seller by Bonhams. the goods, and in the case of an agreement to sell he power or right under this agreement will not operate of the United Kingdom, save that we may bring undertakes in the Contract of Sale the Lot corresponds. “Sale Proceeds” the net amount due to the Seller from the will have such a right at the time when the property is to or be deemed to operate as a waiver of our rights proceedings against you in any other court of “Description” any statement or representation in any Sale of a Lot, being the Hammer Price less the Commission, any pass. under it except to the extent of any express waiver competent jurisdiction to the extent permitted by way descriptive of the Lot, including any statement or VAT chargeable thereon, Expenses and any other amount due given to you in writing. Any such waiver will not the laws of the relevant jurisdiction. Bonhams has a representation relating to its authorship, attribution, condition, to us in whatever capacity and howsoever arising. (2) In a contract of sale, other than one to which subsection affect our ability subsequently to enforce any right complaints procedure in place. provenance, authenticity, style, period, age, suitability, quality, “Seller” the person who offers the Lot for Sale named on (3) below applies, there is also an implied term that- arising under this agreement. origin, value, estimated selling price (including the Hammer the Contract Form. Where the person so named identifies on DATA PROTECTION – USE OF YOUR INFORMATION Price). the form another person as acting as his agent, or where the (a) the goods are free, and will remain free until 11.3 If either party to this agreement is prevented from “Entry” a written statement in the Catalogue identifying the person named on the Contract Form acts as an agent for a the time when the property is to pass, from any performing that party’s respective obligations Where we obtain any personal information about you, we shall Lot and its Lot number which may contain a Description and principal (whether such agency is disclosed to Bonhams or not), charge or encumbrance not disclosed or known under this agreement by circumstances beyond only use it in accordance with the terms of our Privacy Policy illustration(s) relating to the Lot. “Seller” includes both the agent and the principal who shall be to the buyer before the contract is made, and its reasonable control or if performance of its (subject to any additional specific consent(s) you may have “Estimate” a statement of our opinion of the range within jointly and severally liable as such. The Seller is also referred to obligations would by reason of such circumstances given at the time your information was disclosed). A copy of which the hammer is likely to fall. in the Conditions of Business by the words “you” and “your”. (b) the buyer will enjoy quiet possession of the goods give rise to a significantly increased financial our Privacy Policy can be found on our Website www.bonhams. “Specialist Examination” a visual examination of a Lot by a except in so far as it may be disturbed by the cost to it, that party will not, for so long as such com or requested by post from Customer Services Department, specialist on the Lot. owner or other person entitled to the benefit circumstances prevail, be required to perform such 101 New Bond Street, London W1S 1SR, United Kingdom or “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or obligations. This paragraph does not apply to the by email from [email protected]. Specialist Stamp Sale. known. obligations imposed on you by paragraph 3.
NTB/MAIN/11.12 NTB/MAIN/11.12 10.2.2 changes in atmospheric pressure; nor will we be 11.4 Any notice or other communication to be given APPENDIX 3 “Expenses” charges and Expenses paid or payable by “Standard Examination” a visual examination of a Lot by a (3) This subsection applies to a contract of sale in the case liable for: under this agreement must be in writing and may Bonhams in respect of the Lot including legal Expenses, non-specialist member of Bonhams’ staff. of which there appears from the contract or is to be be delivered by hand or sent by first class post or DEFINITIONS AND GLOSSARY banking charges and Expenses incurred as a result of an “Storage Contract” means the contract described in inferred from its circumstances an intention that the 10.2.3 damage to tension stringed musical instruments; or air mail or fax transmission (if to Bonhams marked electronic transfer of money, charges and Expenses for loss and paragraph 8.3.3 of the Conditions of Business or paragraph seller should transfer only such title as he or a third for the attention of the Company Secretary), to the Where these Definitions and Glossary are incorporated, the damage cover, insurance, Catalogue and other reproductions 4.4 of the Buyer’s Agreement (as appropriate). person may have. 10.2.4 damage to gilded picture frames, plaster picture address or fax number of the relevant party given following words and phrases used have (unless the context and illustrations, any customs duties, advertising, packing or “Storage Contractor” means the company identified as such frames or picture frame glass; and if the Lot is or in the Contract Form (unless notice of any change otherwise requires) the meanings given to them below. The shipping costs, reproductions rights’ fees, taxes, levies, costs of in the Catalogue. (4) In a contract to which subsection (3) above applies there becomes dangerous, we may dispose of it without of address is given in writing). It is the responsibility Glossary is to assist you to understand words and phrases testing, searches or enquiries, preparation of the Lot for Sale, “Terrorism” means any act or threatened act of terrorism, is an implied term that all charges or encumbrances notice to you in advance in any manner we think fit of the sender of the notice or communication to which have a specific legal meaning with which you may not storage charges, removal charges, removal charges or costs whether any person is acting alone or on behalf of or in known to the seller and not known to the buyer have and we will be under no liability to you for doing so. ensure that it is received in a legible form within any be familiar. of collection from the Seller as the Seller’s agents or from a connection with any organisation(s) and/or government(s), been disclosed to the buyer before the contract is made. applicable time period. defaulting Buyer, plus VAT if applicable. committed for political, religious or ideological or similar 10.3.1 We will not be liable to you for any loss of Business, LIST OF DEFINITIONS “Forgery” an imitation intended by the maker or any other purposes including, but not limited to, the intention to (5) In a contract to which subsection (3) above applies Business profits, revenue or income or for loss of 11.5 If any term or any part of any term of this agreement person to deceive as to authorship, attribution, origin, influence any government and/or put the public or any section there is also an implied term that none of the following Business reputation or for disruption to Business or is held to be unenforceable or invalid, such “Additional Premium” a premium, calculated in accordance authenticity, style, date, age, period, provenance, culture, of the public into fear. will disturb the buyer’s quiet possession of the goods, wasted time on the part of the Buyer’s management unenforceability or invalidity will not affect the with the Notice to Bidders, to cover Bonhams’ Expenses source or composition, which at the date of the Sale had a “Trust Account” the bank account of Bonhams into which all namely: or staff or, if you are buying the Lot in the course of enforceability and validity of the remaining terms or relating to the payment of royalties under the Artists Resale value materially less than it would have had if the Lot had not sums received in respect of the Purchase Price of any a Business, for any indirect losses or consequential the remainder of the relevant term. Right Regulations 2006 which is payable by the Buyer to been such an imitation, and which is not stated to be such Lot will be paid, such account to be a distinct and separate (a) the seller; damages of any kind, irrespective in any case of Bonhams on any Lot marked [AR] which sells for a Hammer an imitation in any description of the Lot. A Lot will not be a account to Bonhams’ normal business bank account. the nature, volume or source of the loss or damage 11.6 References in this agreement to Bonhams will, where Price which together with the Buyer’s Premium (but excluding Forgery by reason of any damage to, and/or restoration and/ “VAT” value added tax at the prevailing rate at the date of the (b) in a case where the parties to the contract intend alleged to be suffered, and irrespective of whether appropriate, include reference to Bonhams’ officers, any VAT) equals or exceeds 1000 euros (converted into or modification work (including repainting or over painting) Sale in the United Kingdom. that the seller should transfer only such title as a the said loss or damage is caused by or claimed employees and agents. the currency of the Sale using the European Central Bank having been carried out on the Lot, where that damage, “Website” Bonhams Website at www.bonhams.com third person may have, that person; in respect of any negligence, other tort, breach of Reference rate prevailing on the date of the Sale). restoration or modification work (as the case may be) does not “Withdrawal Notice” the Seller’s written notice to Bonhams contract, statutory duty, bailee’s duty, a restitutionary 11.7 The headings used in this agreement are “Auctioneer” the representative of Bonhams conducting the substantially affect the identity of the Lot as one conforming to revoking Bonhams’ instructions to sell a Lot. (c) anyone claiming through or under the seller or claim or otherwise. for convenience only and will not affect its Sale. the Description of the Lot. “Without Reserve” where there is no minimum price at that third person otherwise than under a charge interpretation. “Bidder” a person who has completed a Bidding Form. “Guarantee” the obligation undertaken personally by which a Lot may be sold (whether at auction or by private or encumbrance disclosed or known to the buyer 10.3.2 Unless you buy the Lot as a Consumer, in any “Bidding Form” our Bidding Registration Form, our Absentee Bonhams to the Buyer in respect of any Forgery and, in the treaty). before the contract is made. circumstances where we are liable to you in 11.8 In this agreement “including” means “including, Bidding Form or our Telephone Bidding Form. case of specialist Stamp Sales and/or specialist Book Sales, a Lot respect of a Lot, or any act, omission, statement, without limitation”. “Bonhams” Bonhams 1793 Limited or its successors or made up of a Stamp or Stamps or a Book or Books as set out GLOSSARY (5A) As regards England and Wales and Northern Ireland, the representation in respect of it, or this agreement assigns. Bonhams is also referred to in the Buyer’s Agreement, in the Buyer’s Agreement. term implied by subsection (1) above is a condition and or its performance, and whether in damages, for 11.9 References to the singular will include reference to the Conditions of Business and the Notice to Bidders by the “Hammer Price” the price in the currency in which the Sale is The following expressions have specific legal meanings with the terms implied by subsections (2), (4) and (5) above an indemnity or contribution or for a restitutionary the plural (and vice versa) and reference to any one words “we”, “us” and “our”. conducted at which a Lot is knocked down by the Auctioneer. which you may not be familiar. The following glossary is are warranties.” remedy or in any way whatsoever, our liability will be gender will include reference to the other genders. “Book” a printed Book offered for Sale at a specialist Book “Loss and Damage Warranty” means the warranty described intended to give you an understanding of those expressions limited to payment of a sum which will not exceed Sale. in paragraph 8.2 of the Conditions of Business. but is not intended to limit their legal meanings: by way of maximum the amount of the Purchase 11.10 Reference to a numbered paragraph is to a “Business” includes any trade, Business and profession. “Loss and Damage Warranty Fee” means the fee described “artist’s resale right”: the right of the creator of a work of art Price of the Lot plus Buyer’s Premium (less any sum paragraph of this agreement. “Buyer” the person to whom a Lot is knocked down by the in paragraph 8.2.3 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the you may be entitled to recover from the Seller) Auctioneer. The Buyer is also referred to in the Contract for “Lot” any item consigned to Bonhams with a view to its Sale original Sale of that work by the creator of it as set out in the irrespective in any case of the nature, volume or 11.11 Save as expressly provided in paragraph 11.12 Sale and the Buyer’s Agreement by the words “you” and at auction or by private treaty (and reference to any Lot will Artists Resale Right Regulations 2006. source of any loss or damage alleged to be suffered nothing in this agreement confers (or purports to “your”. include, unless the context otherwise requires, reference to “bailee”: a person to whom goods are entrusted. or sum claimed as due, and irrespective of whether confer) on any person who is not a party to this “Buyer’s Agreement” the contract entered into by Bonhams individual items comprised in a group of two or more items “indemnity”: an obligation to put the person who has the liability arises from negligence, other tort, agreement any benefit conferred by, or the right to with the Buyer (see Appendix 2 in the Catalogue). offered for Sale as one Lot). the benefit of the indemnity in the same position in which breach of contract, statutory duty, bailee’s duty, a enforce any term of, this agreement. “Buyer’s Premium” the sum calculated on the Hammer Price “Motoring Catalogue Fee” a fee payable by the Seller to he would have been, had the circumstances giving rise to restitutionary claim or otherwise. at the rates stated in the Notice to Bidders. Bonhams in consideration of the additional work undertaken the indemnity not arisen and the expression “indemnify” is 11.12 Where this agreement confers an immunity from, “Catalogue” the Catalogue relating to the relevant Sale, by Bonhams in respect of the cataloguing of motor vehicles construed accordingly. You may wish to protect yourself against loss by and/or an exclusion or restriction of, the responsibility including any representation of the Catalogue published on and in respect of the promotion of Sales of motor vehicles. “interpleader proceedings”: proceedings in the Courts to obtaining insurance. and/or liability of Bonhams, it will also operate in our Website. “New Bond Street” means Bonhams’ saleroom at 101 New determine ownership or rights over a Lot. favour and for the benefit of Bonhams’ holding “Commission” the Commission payable by the Seller to Bond Street, London W1S 1SR. “knocked down”: when a Lot is sold to a Bidder, indicated by 10.4 Nothing set out above will be construed as excluding company and the subsidiaries of such holding Bonhams calculated at the rates stated in the Contract Form. “Notional Charges” the amount of Commission and VAT the fall of the hammer at the Sale. or restricting (whether directly or indirectly) any company and the successors and assigns of Bonhams “Condition Report” a report on the physical condition of a Lot which would have been payable if the Lot had been sold at the “lien”: a right for the person who has possession of the Lot to person’s liability or excluding or restricting any and of such companies and of any officer, employee provided to a Bidder or potential Bidder by Bonhams on behalf Notional Price. retain possession of it. person’s rights or remedies in respect of (i) fraud, or and agent of Bonhams and such companies, each of the Seller. “Notional Fee” the sum on which the Consignment Fee “risk”: the possibility that a Lot may be lost, damaged, (ii) death or personal injury caused by our negligence of whom will be entitled to rely on the relevant “Conditions of Sale” the Notice to Bidders, Contract for Sale, payable to Bonhams by the Seller is based and which is destroyed, stolen, or deteriorate in condition or value. (or any person under our control or for whom we are immunity and/or exclusion and/or restriction within Buyer’s Agreement and Definitions and Glossary. calculated according to the formula set out in the Conditions “title”: the legal and equitable right to the ownership of a Lot. legally responsible), or (iii) acts or omissions for which and for the purposes of Contracts (Rights of Third “Consignment Fee” a fee payable to Bonhams by the Seller of Business. “tort”: a legal wrong done to someone to whom the wrong we are liable under the Occupiers Liability Act 1957, Parties) Act 1999, which enables the benefit of a calculated at rates set out in the Conditions of Business. “Notional Price” the latest in time of the average of the doer has a duty of care. or (iv) any other liability to the extent the same may contract to be extended to a person who is not a “Consumer” a natural person who is acting for the relevant high and low Estimates given by us to you or stated in the not be excluded or restricted as a matter of law, or party to the contract, and generally at law. purpose outside his trade, Business or profession. Catalogue or, if no such Estimates have been given or stated, SALE OF GOODS ACT 1979 (v) under our undertaking in paragraph 9 of these “Contract Form” the Contract Form, or vehicle Entry form, as the Reserve applicable to the Lot. conditions. 12 GOVERNING LAW applicable, signed by or on behalf of the Seller listing the Lots “Notice to Bidders” the notice printed at the back or front of The following is an extract from the Sale of Goods Act 1979: to be offered for Sale by Bonhams. our Catalogues. 11 MISCELLANEOUS All transactions to which this agreement applies “Contract for Sale” the Sale contract entered into by the “Purchase Price” the aggregate of the Hammer Price and VAT “Section 12 Implied terms about title, etc and all connected matters will be governed by and Seller with the Buyer (see Appendix 1 in the Catalogue). on the Hammer Price. 11.1 You may not assign either the benefit or burden of construed in accordance with the laws of that part “Contractual Description” the only Description of the Lot “Reserve” the minimum price at which a Lot may be sold (1) In a contract of sale, other than one to which subsection this agreement. of the United Kingdom where the Sale takes (or (being that part of the Entry about the Lot in the Catalogue (whether at auction or by private treaty). (3) below applies, there is an implied term on the part of is to take) place and we and you each submit to which is in bold letters, any photograph (except for the colour) “Sale” the auction Sale at which a Lot is to be offered for Sale the seller that in the case of a sale he has a right to sell 11.2 Our failure or delay in enforcing or exercising any the exclusive jurisdiction of the courts of that part and the contents of any Condition Report) to which the Seller by Bonhams. the goods, and in the case of an agreement to sell he power or right under this agreement will not operate of the United Kingdom, save that we may bring undertakes in the Contract of Sale the Lot corresponds. “Sale Proceeds” the net amount due to the Seller from the will have such a right at the time when the property is to or be deemed to operate as a waiver of our rights proceedings against you in any other court of “Description” any statement or representation in any Sale of a Lot, being the Hammer Price less the Commission, any pass. under it except to the extent of any express waiver competent jurisdiction to the extent permitted by way descriptive of the Lot, including any statement or VAT chargeable thereon, Expenses and any other amount due given to you in writing. Any such waiver will not the laws of the relevant jurisdiction. Bonhams has a representation relating to its authorship, attribution, condition, to us in whatever capacity and howsoever arising. (2) In a contract of sale, other than one to which subsection affect our ability subsequently to enforce any right complaints procedure in place. provenance, authenticity, style, period, age, suitability, quality, “Seller” the person who offers the Lot for Sale named on (3) below applies, there is also an implied term that- arising under this agreement. origin, value, estimated selling price (including the Hammer the Contract Form. Where the person so named identifies on DATA PROTECTION – USE OF YOUR INFORMATION Price). the form another person as acting as his agent, or where the (a) the goods are free, and will remain free until 11.3 If either party to this agreement is prevented from “Entry” a written statement in the Catalogue identifying the person named on the Contract Form acts as an agent for a the time when the property is to pass, from any performing that party’s respective obligations Where we obtain any personal information about you, we shall Lot and its Lot number which may contain a Description and principal (whether such agency is disclosed to Bonhams or not), charge or encumbrance not disclosed or known under this agreement by circumstances beyond only use it in accordance with the terms of our Privacy Policy illustration(s) relating to the Lot. “Seller” includes both the agent and the principal who shall be to the buyer before the contract is made, and its reasonable control or if performance of its (subject to any additional specific consent(s) you may have “Estimate” a statement of our opinion of the range within jointly and severally liable as such. The Seller is also referred to obligations would by reason of such circumstances given at the time your information was disclosed). A copy of which the hammer is likely to fall. in the Conditions of Business by the words “you” and “your”. (b) the buyer will enjoy quiet possession of the goods give rise to a significantly increased financial our Privacy Policy can be found on our Website www.bonhams. “Specialist Examination” a visual examination of a Lot by a except in so far as it may be disturbed by the cost to it, that party will not, for so long as such com or requested by post from Customer Services Department, specialist on the Lot. owner or other person entitled to the benefit circumstances prevail, be required to perform such 101 New Bond Street, London W1S 1SR, United Kingdom or “Stamp” means a postage Stamp offered for Sale at a of any charge or encumbrance so disclosed or obligations. This paragraph does not apply to the by email from [email protected]. Specialist Stamp Sale. known. obligations imposed on you by paragraph 3.
NTB/MAIN/11.12 NTB/MAIN/11.12 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second UNITED KINGDOM Representatives: Representative: Italy - Milan NOrTH AMErICA SOUTH AMErICA Bonhams Specialist Departments name @bonhams.com eg. [email protected] Dorset Isle of Man Via Boccaccio 22 London Bill Allan Felicity Loughran 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 +44 1624 822 875 +39 (0)2 4953 9020 Daniel Claramunt 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments London W1S 1SR +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 UK Porcelain & Pottery Memorabilia UK Jon Baddeley +44 20 7447 7447 East Anglia Channel Islands [email protected] 220 San Bruno Avenue Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7400 fax San Francisco Brazil +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. Bury St. Edmunds Jersey Italy - rome CA 94103 Thomaz Oscar Saavedra U.S.A +44 20 7468 8244 USA Jonathan Snellenburg Montpelier Street • 21 Churchgate Street 39 Don Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds St.Helier 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG JE2 4TR +39 (0)6 48 5900 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3905 fax +44 1284 716 190 +44 1534 722 441 +39 (0)6 482 0479 fax Los Angeles • +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 1284 755 844 fax +44 1534 759 354 fax [email protected] 7601 W. Sunset Boulevard ASIA 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley South East Los Angeles Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 England Norfolk Representative: Netherlands - Amsterdam CA 90046 Hong Kong +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA The Market Place Guernsey de Lairessestraat 123 +1 (323) 850 7500 Carson Chan Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes Reepham +44 1481 722 448 1075 HH Amsterdam Brighton & Hove +1 (323) 850 6090 fax Suite 1122 Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK 19 Palmeira Square Norfolk NR10 4JJ +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 Scotland +31 20 67 09 702 fax New York • 88 Queensway Greer Adams Greek Art Automobilia Michael Moorcroft BN3 2JN +44 1603 872 973 fax [email protected] 580 Madison Avenue Admiralty +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 +44 1273 220 000 Edinburgh • New York, NY Hong Kong American Paintings +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 335 fax Midlands 22 Queen Street Spain - Madrid 10022 +852 2918 4321 African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward Edinburgh Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 Guildford Knowle EH2 1JX Madrid +1 (212) 644 9007 fax Philip Keith Memorabilia Kurt Forry Millmead, The Old House +44 131 225 2266 28001 Beijing Guildford, Station Road +44 131 220 2547 fax +34 91 578 17 27 Representatives: Xibo Wang +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art Surrey GU2 4BE Knowle, Solihull [email protected] Arizona Room A515 U.S.A UK +44 1244 353123 Giles Peppiatt +44 1483 504 030 West Midlands Glasgow Terri Adrian-Hardy F/5 CBD International Mansion Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 +44 1483 450 205 fax B93 0HT 176 St. Vincent Street, Switzerland - Geneva +1 (480) 994 5362 No. 16 Yongan Dongli +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker +44 1564 776 151 Glasgow Rue Etienne-Dumont 10 Chaoyang District U.S.A. Penny Day +44 8700 273616 Sporting Guns Tunbridge Wells +44 1564 778 069 fax G2 5SG 1204 Geneva California Beijing 100022 American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes +44 141 223 8866 Switzerland Ground Floor Central Valley +852 3607 0023 Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 Royal Victoria House Oxford • +44 141 223 8868 fax +41 76 379 9230 David Daniel +852 2918 4320 fax 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +1 212 644 9039 Impressionist & +44 8700 273621 Tunbridge Wells, Kent Shipton on Cherwell Representatives: Japan Chinese & Asian Art Modern Art Toys, Dolls & Chess TN2 5TE Kidlington OX5 1JH Wine & Spirits Representatives: District of Columbia/ Hiromi Ono Antiquities UK Deborah Allan Musical Instruments Leigh Gotch +44 1892 546 818 +44 1865 853 640 Tom Gilbey Greece Mid-Atlantic Level 14 Hibiya Central Building Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 +44 1892 518 077 fax +44 1865 372 722 fax +44 1382 330 256 Art Expertise Martin Gammon 1-2-9 Nishi-Shimbashi +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 +30 210 3636 404 +1 (202) 333 1696 Minato-ku U.S.A Islamic & Indian Art Travel Pictures Isle of Wight Henley Wales Tokyo 105-0003 +44 1983 282 228 The Coach House Marbella Southern California +81 (0) 3 5532 8636 Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veroniqe Scorer 66 Northfield End Cardiff James Roberts Christine Eisenberg +81 (0) 3 5532 8637 fax UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 20 7393 3960 Representative: Henley on Thames 7-8 Park Place, +34 952 90 62 50 +1 (949) 646 6560 [email protected] David Williams HONG KONG Claudia Florian West Sussex Oxon RG9 2JN Cardiff CF10 3DP [email protected] +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art Jeff Burfield +44 1491 413 636 +44 2920 727 980 Florida Taiwan U.S.A +852 2918 4321 UK Gareth Williams +44 1243 787 548 +44 1491 413 637 fax +44 2920 727 989 fax portugal +1 (305) 228 6600 +886 2 8758 2898 Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 Filipa Rebelo de Andrade +1 415 503 3360 Clocks South West Yorkshire & North East +351 91 921 4778 Georgia +44 20 7468 8368 UK England England EUrOpE [email protected] Mary Moore Bethea AUSTrALIA UK U.S.A Andrew Mckenzie Watches & +1 (404) 842 1500 Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches Bath Leeds Austria - Vienna russia Sydney Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK Queen Square House 30 Park Square West Garnisongasse 4 Marina Jacobson Illinois 76 Paddington Street Harvey Cammell U.S.A Mark Fisher Paul Maudsley Charlotte Street Leeds LS1 2PF 1090 Vienna +7 921 555 2302 Ricki Blumberg Harris Paddington NSW 2021 +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 Bath BA1 2LL +44 113 234 5755 +43 (0)1 403 00 01 [email protected] +1 (312) 475 3922 Australia +1 212 461 6530 UK U.S.A. +44 1225 788 988 +44 113 244 3910 fax [email protected] +1 (773) 267 3300 +61 (0) 2 8412 2222 +44 1225 446 675 fax +61 (0) 2 9475 4110 fax Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg North West England Belgium - Brussels Massachusetts [email protected] Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 Cornwall – Truro Boulevard Boston/New England UK UK U.S.A +44 20 7468 8360 HONG KONG 36 Lemon Street Chester • Saint-Michel 101 Amy Corcoran Melbourne Mark Oliver John Millensted Susan Abeles Carson Chan Truro New House 1040 Brussels +1 (617) 742 0909 Ormond Hall +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 Cornwall 150 Christleton Road +32 (0)2 736 5076 557 St Kilda Rd U.S.A U.S.A AUSTRALIA U.S.A Chester, Cheshire +32 (0)2 732 5501 fax TR1 2NR Nevada Melbourne VIC 3004 Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky +44 1872 250 170 CH3 5TD [email protected] David Daniel +61 (0) 3 8640 4088 +44 1872 250 179 fax +44 1244 313 936 +1 (775) 831 0330 +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK +44 1244 340 028 fax France - paris Representatives: Martin Green Exeter 4 rue de la Paix New Mexico perth Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 The Lodge Carlisle 75002 Paris Leslie Trilling Norah Ohrt Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A Southernhay West Exeter, 48 Cecil Street +33 (0)1 42 61 1010 +1 (505) 820 0701 +61 (0) 8 9433 4414 +61 2 8412 2222 UK Alistair Laird +44 20 7393 3985 Joseph Hyman Devon Carlisle, Cumbria +33 (0)1 42 61 1015 fax CA1 1NT [email protected] Gareth Williams +44 20 7468 8211 +1 917 206 1661 EX1 1JG Oregon Adelaide Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG +44 1392 425 264 +44 1228 542 422 Sheryl Acheson James Bruce +44 1392 494 561 fax +44 1228 590 106 fax Germany - Cologne +1(503) 312 6023 +61 (0) 8 8232 2860 Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam Albertusstrasse 26 James Hendy Sharon Goodman Squires +1 917 206 1697 Rupert Worrall +852 3607 0004 Winchester Manchester 50667 Cologne Texas +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8262 The Red House The Stables +49 (0)221 2779 9650 Amy Lawch AFrICA Mechanical Music U.S.A Wine Hyde Street 213 Ashley Road +49 (0)221 2779 9652 fax +1 (713) 621 5988 UK Hale WA15 9TB Books, Maps & Costume & Textiles Laurence Fisher Judith Eurich Winchester [email protected] South Africa - Johannesburg Richard Harvey Hants SO23 7DX +44 161 927 3822 Washington Manuscripts Claire Browne +44 20 7393 3984 +1 415 503 3259 Penny Culverwell +44 (0) 8700 273622 +44 1962 862 515 +44 161 927 3824 fax Germany - Munich Heather O’Mahony +27 (0)71 342 2670 UK +44 1564 732969 +44 1962 865 166 fax Maximilianstrasse 52 +1 (206) 218 5011 [email protected] Matthew Haley Modern, Contemporary Russian Art U.S.A Southport 80538 Munich +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson Tetbury 33 Botanic Road +49 (0) 89 2420 5812 CANADA U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 22a Long Street Churchtown +49 (0) 89 2420 7523 fax Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG Tetbury Southport [email protected] Toronto, Ontario • Merseyside PR9 7NE +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Daniel Lam Gloucestershire Jack Kerr-Wilson +852 3607 0004 GL8 8AQ +44 1704 507 875 Ireland - Dublin 20 Hazelton Avenue +44 20 7393 3844 Yelena Harbick +44 1666 502 200 +44 1704 507 877 fax 31 Molesworth Street Toronto, ONT British & European Glass U.S.A +1 212 644 9136 +44 1666 505 107 fax Dublin 2 M5R 2E2 UK Catherine Williamson +353 (0)1 602 0990 +1 (416) 462 9004 Simon Cottle +1 323 436 5442 +353 (0)1 4004 140 fax [email protected] +44 20 7468 8383 [email protected] U.S.A. Ethnographic Art Montreal, Quebec David Kelsey Suzy Pai Jim Haas +1 (514) 341 9238 +1 415 503 3343 +1 415 503 3294 [email protected]
G-NET/2/13
SD05/2012-09 International Salerooms, Offices and Associated Companies ( • Indicates Saleroom) To e-mail any of the below use the first name dot second UNITED KINGDOM Representatives: Representative: Italy - Milan NOrTH AMErICA SOUTH AMErICA Bonhams Specialist Departments name @bonhams.com eg. [email protected] Dorset Isle of Man Via Boccaccio 22 London Bill Allan Felicity Loughran 20123 Milano USA Argentina 101 New Bond Street • +44 1935 815 271 +44 1624 822 875 +39 (0)2 4953 9020 Daniel Claramunt 19th Century Paintings British & European Football Sporting Motor Cars Scientific Instruments London W1S 1SR +39 (0)2 4953 9021 fax San Francisco • +54 11 479 37600 UK Porcelain & Pottery Memorabilia UK Jon Baddeley +44 20 7447 7447 East Anglia Channel Islands [email protected] 220 San Bruno Avenue Charles O’ Brien UK Dan Davies Tim Schofield +44 20 7393 3872 +44 20 7447 7400 fax San Francisco Brazil +44 20 7468 8360 John Sandon +44 1244 353118 +44 20 7468 5804 U.S.A. Bury St. Edmunds Jersey Italy - rome CA 94103 Thomaz Oscar Saavedra U.S.A +44 20 7468 8244 USA Jonathan Snellenburg Montpelier Street • 21 Churchgate Street 39 Don Street Via Sicilia 50 +1 (415) 861 7500 +55 11 3031 4444 Madalina Lazen U.S.A Furniture & Works of Art Mark Osborne +1 212 461 6530 London SW7 1HH Bury St Edmunds St.Helier 00187 Rome +1 (415) 861 8951 fax +55 11 3031 4444 fax +44 20 7393 3900 Suffolk IP33 1RG JE2 4TR +39 (0)6 48 5900 +1 212 644 9108 Peter Scott UK +1 415 503 3353 +44 20 7393 3905 fax +44 1284 716 190 +44 1534 722 441 +39 (0)6 482 0479 fax Los Angeles • +1 415 503 3326 Fergus Lyons EUROPE Scottish Pictures +44 1284 755 844 fax +44 1534 759 354 fax [email protected] 7601 W. Sunset Boulevard ASIA 20th Century British Art +44 20 7468 8221 Philip Kantor Chris Brickley South East Los Angeles Matthew Bradbury Contemporary Art U.S.A +32 476 879 471 +44 131 240 2297 England Norfolk Representative: Netherlands - Amsterdam CA 90046 Hong Kong +44 20 7468 8295 U.S.A Jeffrey Smith AUSTRALIA The Market Place Guernsey de Lairessestraat 123 +1 (323) 850 7500 Carson Chan Jeremy Goldsmith +1 415 503 3413 Damien Duigan Silver & Gold Boxes Reepham +44 1481 722 448 1075 HH Amsterdam Brighton & Hove +1 (323) 850 6090 fax Suite 1122 Aboriginal Art +1 212 644 9656 +61 2 8412 2232 UK 19 Palmeira Square Norfolk NR10 4JJ +31 20 67 09 701 Two Pacific Place Hove, East Sussex +44 1603 871 443 Scotland +31 20 67 09 702 fax New York • 88 Queensway Greer Adams Greek Art Automobilia Michael Moorcroft BN3 2JN +44 1603 872 973 fax [email protected] 580 Madison Avenue Admiralty +61 2 8412 2222 California & Olympia Pappa UK +44 20 7468 8241 +44 1273 220 000 Edinburgh • New York, NY Hong Kong American Paintings +44 20 7468 8314 Toby Wilson U.S.A +44 1273 220 335 fax Midlands 22 Queen Street Spain - Madrid 10022 +852 2918 4321 African and Oceanic Art Scot Levitt +44 8700 273 619 Aileen Ward Edinburgh Nuñez de Balboa no.4 - 1A +1 (212) 644 9001 +852 2918 4320 fax UK +1 323 436 5425 Golf Sporting USA +1 800 223 5463 Guildford Knowle EH2 1JX Madrid +1 (212) 644 9007 fax Philip Keith Memorabilia Kurt Forry Millmead, The Old House +44 131 225 2266 28001 Beijing Guildford, Station Road +44 131 220 2547 fax +34 91 578 17 27 Representatives: Xibo Wang +44 2920 727 980 Carpets Kevin Mcgimpsey +1 415 391 4000 South African Art Surrey GU2 4BE Knowle, Solihull [email protected] Arizona Room A515 U.S.A UK +44 1244 353123 Giles Peppiatt +44 1483 504 030 West Midlands Glasgow Terri Adrian-Hardy F/5 CBD International Mansion Fred Baklar Mark Dance Motorcycles +44 20 7468 8355 +44 1483 450 205 fax B93 0HT 176 St. Vincent Street, Switzerland - Geneva +1 (480) 994 5362 No. 16 Yongan Dongli +1 323 436 5416 +44 8700 27361 Irish Art Ben Walker +44 1564 776 151 Glasgow Rue Etienne-Dumont 10 Chaoyang District U.S.A. Penny Day +44 8700 273616 Sporting Guns Tunbridge Wells +44 1564 778 069 fax G2 5SG 1204 Geneva California Beijing 100022 American Paintings Hadji Rahimipour +44 20 7468 8366 Automobilia Patrick Hawes +44 141 223 8866 Switzerland Ground Floor Central Valley +852 3607 0023 Alan Fausel +1 415 503 3392 Adrian Pipiros +44 20 7393 3815 Royal Victoria House Oxford • +44 141 223 8868 fax +41 76 379 9230 David Daniel +852 2918 4320 fax 51-55 The Pantiles Banbury Road [email protected] +1 (916) 364 1645 +1 212 644 9039 Impressionist & +44 8700 273621 Tunbridge Wells, Kent Shipton on Cherwell Representatives: Japan Chinese & Asian Art Modern Art Toys, Dolls & Chess TN2 5TE Kidlington OX5 1JH Wine & Spirits Representatives: District of Columbia/ Hiromi Ono Antiquities UK Deborah Allan Musical Instruments Leigh Gotch +44 1892 546 818 +44 1865 853 640 Tom Gilbey Greece Mid-Atlantic Level 14 Hibiya Central Building Madeleine Perridge Asaph Hyman +44 20 7468 8276 Philip Scott +44 20 8963 2839 +44 1892 518 077 fax +44 1865 372 722 fax +44 1382 330 256 Art Expertise Martin Gammon 1-2-9 Nishi-Shimbashi +44 20 7468 8226 +44 20 7468 5888 +44 20 7393 3855 +30 210 3636 404 +1 (202) 333 1696 Minato-ku U.S.A Islamic & Indian Art Travel Pictures Isle of Wight Henley Wales Tokyo 105-0003 +44 1983 282 228 The Coach House Marbella Southern California +81 (0) 3 5532 8636 Antique Arms & Armour Dessa Goddard Alice Bailey Natural History Veroniqe Scorer 66 Northfield End Cardiff James Roberts Christine Eisenberg +81 (0) 3 5532 8637 fax UK +1 415 503 3333 +44 20 7468 8268 U.S.A +44 20 7393 3960 Representative: Henley on Thames 7-8 Park Place, +34 952 90 62 50 +1 (949) 646 6560 [email protected] David Williams HONG KONG Claudia Florian West Sussex Oxon RG9 2JN Cardiff CF10 3DP [email protected] +44 20 7393 3807 Julian King Japanese Art +1 323 436 5437 Urban Art Jeff Burfield +44 1491 413 636 +44 2920 727 980 Florida Taiwan U.S.A +852 2918 4321 UK Gareth Williams +44 1243 787 548 +44 1491 413 637 fax +44 2920 727 989 fax portugal +1 (305) 228 6600 +886 2 8758 2898 Paul Carella Suzannah Yip Old Master Pictures +44 20 7468 5879 Filipa Rebelo de Andrade +1 415 503 3360 Clocks South West Yorkshire & North East +351 91 921 4778 Georgia +44 20 7468 8368 UK England England EUrOpE [email protected] Mary Moore Bethea AUSTrALIA UK U.S.A Andrew Mckenzie Watches & +1 (404) 842 1500 Art Collections, James Stratton Jeff Olson +44 20 7468 8261 Wristwatches Bath Leeds Austria - Vienna russia Sydney Estates & Valuations +44 20 7468 8364 +1 212 461 6516 U.S.A UK Queen Square House 30 Park Square West Garnisongasse 4 Marina Jacobson Illinois 76 Paddington Street Harvey Cammell U.S.A Mark Fisher Paul Maudsley Charlotte Street Leeds LS1 2PF 1090 Vienna +7 921 555 2302 Ricki Blumberg Harris Paddington NSW 2021 +44 (0) 207 468 8340 Jonathan Snellenburg Jewellery +1 323 436 5488 +44 20 7447 7412 Bath BA1 2LL +44 113 234 5755 +43 (0)1 403 00 01 [email protected] +1 (312) 475 3922 Australia +1 212 461 6530 UK U.S.A. +44 1225 788 988 +44 113 244 3910 fax [email protected] +1 (773) 267 3300 +61 (0) 2 8412 2222 +44 1225 446 675 fax +61 (0) 2 9475 4110 fax Art Nouveau & Decorative Jean Ghika Orientalist Art Jonathan Snellenburg North West England Belgium - Brussels Massachusetts [email protected] Art & Design Coins & Medals +44 20 7468 8282 Charles O’Brien +1 212 461 6530 Cornwall – Truro Boulevard Boston/New England UK UK U.S.A +44 20 7468 8360 HONG KONG 36 Lemon Street Chester • Saint-Michel 101 Amy Corcoran Melbourne Mark Oliver John Millensted Susan Abeles Carson Chan Truro New House 1040 Brussels +1 (617) 742 0909 Ormond Hall +44 20 7393 3856 +44 20 7393 3914 +1 212 461 6525 Photography +852 2918 4321 Cornwall 150 Christleton Road +32 (0)2 736 5076 557 St Kilda Rd U.S.A U.S.A AUSTRALIA U.S.A Chester, Cheshire +32 (0)2 732 5501 fax TR1 2NR Nevada Melbourne VIC 3004 Frank Maraschiello Paul Song Patti Sedgwick Judith Eurich Whisky +44 1872 250 170 CH3 5TD [email protected] David Daniel +61 (0) 3 8640 4088 +44 1872 250 179 fax +44 1244 313 936 +1 (775) 831 0330 +1 212 644 9059 +1 323 436 5455 +61 2 8412 2222 +1 415 503 3259 UK +44 1244 340 028 fax France - paris Representatives: Martin Green Exeter 4 rue de la Paix New Mexico perth Australian Art Contemporary Art Marine Art Portrait Miniatures +44 1292 520000 The Lodge Carlisle 75002 Paris Leslie Trilling Norah Ohrt Litsa Veldekis & Modern Design UK Camilla Lombardi U.S.A Southernhay West Exeter, 48 Cecil Street +33 (0)1 42 61 1010 +1 (505) 820 0701 +61 (0) 8 9433 4414 +61 2 8412 2222 UK Alistair Laird +44 20 7393 3985 Joseph Hyman Devon Carlisle, Cumbria +33 (0)1 42 61 1015 fax CA1 1NT [email protected] Gareth Williams +44 20 7468 8211 +1 917 206 1661 EX1 1JG Oregon Adelaide Australian Colonial +44 20 7468 5834 U.S.A Prints HONG KONG +44 1392 425 264 +44 1228 542 422 Sheryl Acheson James Bruce +44 1392 494 561 fax +44 1228 590 106 fax Germany - Cologne +1(503) 312 6023 +61 (0) 8 8232 2860 Furniture and Australiana U.S.A Gregg Dietrich UK Daniel Lam Albertusstrasse 26 James Hendy Sharon Goodman Squires +1 917 206 1697 Rupert Worrall +852 3607 0004 Winchester Manchester 50667 Cologne Texas +61 2 8412 2222 +1 212 644 9128 +44 20 7468 8262 The Red House The Stables +49 (0)221 2779 9650 Amy Lawch AFrICA Mechanical Music U.S.A Wine Hyde Street 213 Ashley Road +49 (0)221 2779 9652 fax +1 (713) 621 5988 UK Hale WA15 9TB Books, Maps & Costume & Textiles Laurence Fisher Judith Eurich Winchester [email protected] South Africa - Johannesburg Richard Harvey Hants SO23 7DX +44 161 927 3822 Washington Manuscripts Claire Browne +44 20 7393 3984 +1 415 503 3259 Penny Culverwell +44 (0) 8700 273622 +44 1962 862 515 +44 161 927 3824 fax Germany - Munich Heather O’Mahony +27 (0)71 342 2670 UK +44 1564 732969 +44 1962 865 166 fax Maximilianstrasse 52 +1 (206) 218 5011 [email protected] Matthew Haley Modern, Contemporary Russian Art U.S.A Southport 80538 Munich +44 20 7393 3817 Entertainment & Latin American Art UK Doug Davidson Tetbury 33 Botanic Road +49 (0) 89 2420 5812 CANADA U.S.A Memorabilia U.S.A Sophie Hamilton +1 415 503 3363 22a Long Street Churchtown +49 (0) 89 2420 7523 fax Christina Geiger UK Sharon Goodman Squires +44 20 7468 8334 HONG KONG Tetbury Southport [email protected] Toronto, Ontario • Merseyside PR9 7NE +1 212 644 9094 Stephanie Connell +1 212 644 9128 U.S.A Daniel Lam Gloucestershire Jack Kerr-Wilson +852 3607 0004 GL8 8AQ +44 1704 507 875 Ireland - Dublin 20 Hazelton Avenue +44 20 7393 3844 Yelena Harbick +44 1666 502 200 +44 1704 507 877 fax 31 Molesworth Street Toronto, ONT British & European Glass U.S.A +1 212 644 9136 +44 1666 505 107 fax Dublin 2 M5R 2E2 UK Catherine Williamson +353 (0)1 602 0990 +1 (416) 462 9004 Simon Cottle +1 323 436 5442 +353 (0)1 4004 140 fax [email protected] +44 20 7468 8383 [email protected] U.S.A. Ethnographic Art Montreal, Quebec David Kelsey Suzy Pai Jim Haas +1 (514) 341 9238 +1 415 503 3343 +1 415 503 3294 [email protected]
G-NET/2/13
SD05/2012-09 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.
Sale title: Fine Art & Interiors Sale date: 5 - 7 March 2013
Sale no. 21120 Sale venue: Chester Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours This sale will be conducted in accordance with prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue Bonhams’ Conditions of Sale and bidding and buying for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will at the Sale will be regulated by these Conditions. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. You should read the Conditions in conjunction with General Bid Increments: the Sale Information relating to this Sale which sets £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s out the charges payable by you on the purchases £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s you make and other terms relating to bidding and buying at the Sale. You should ask any questions you £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s have about the Conditions before signing this form. £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s These Conditions also contain certain undertakings £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion by bidders and buyers and limit Bonhams’ liability to £5,000 - 10,000 ...... by 500s bidders and buyers. The auctioneer has discretion to split any bid at any time.
Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards Post / Zip code Country issued by a UK bank. All other debit cards and all credit cards are subject to a 3% surcharge on the total invoice price. Telephone mobile Telephone daytime
Notice to Bidders. Telephone evening Fax Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Preferred number(s) in order for Telephone Bidding (inc. country code) of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, together with a letter authorising the individual to bid on E-mail (in capitals) the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you may also be asked to provide a bank reference. I am registering to bid as a private client I am registering to bid as a trade client If successful If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before I will collect the purchases myself Please contact me with a shipping quote / - - (if applicable) Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Covering bid * Absentee (T / A) & VAT)
FOR WINE SALES ONLY Please leave lots “available under bond” in bond I will collect from Park Royal or bonded warehouse Please include delivery charges (minimum charge of £20 + VAT)
BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE READ AND UNDERSTAND OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM. THIS AFFECTS YOUR LEGAL RIGHTS.
Your signature: Date:
* Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] UK/08/12 Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560.
Bonhams New House 150 Christleton Road Chester CH3 5TD +44 (0) 1244 313936
+44 (0) 1244 340028 fax 21120 Fine Art & Interiors, including Welsh Pictures, 5, 6, 7 March 2013, Chester
Fine Art & Interiors including Welsh Pictures Tuesday 5 March 2013 at 11am Wednesday 6 March 2013 at 11am Thursday 7 March 2013 at 11am Chester