DOCSLIB.ORG

{Download PDF} Ravel: Sonatine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{Download PDF} Ravel: Sonatine RAVEL: SONATINE PDF, EPUB, EBOOK Maurice Hinson | 23 pages | 01 May 1986 | Alfred Publishing Company | 9780739010563 | English | United States ソナチネ (ラヴェル) - Wikipedia Detailed Description. Buy Together. We recommend purchasing Sonatine with At the Piano - J. Sonatine Piano. Your Screen Name: optional. Review Title:. Rate this product's difficulty level:. Location: optional. Example: "Emeryville, CA". Email address: optional. Review Guidelines Explain exactly why you liked or disliked the product. Do you like the artist? Is the transcription accurate? Is it a good teaching tool? Consider writing about your experience and musical tastes. Are you a beginner who started playing last month? Do you usually like this style of music? Feel free to recommend similar pieces if you liked this piece, or alternatives if you didn't. Be respectful of artists, readers, and your fellow reviewers. Please do not use inappropriate language, including profanity, vulgarity, or obscenity. Avoid disclosing contact information email addresses, phone numbers, etc. We cannot post your review if it violates these guidelines. If you have any suggestions or comments on the guidelines, please email us. All submitted reviews become the licensed property of Sheet Music Plus and are subject to all laws pertaining thereto. If you believe that any review contained on our site infringes upon your copyright, please email us. Close X Tell A Friend. To send to more than one person, separate addresses with a comma. Read our Privacy Policy. Close X Learn about MP3s. You can also listen to your MP3 at any time in your Digital Library. Close X Learn about Smart Music. You can also download at any time in your Digital Library. Close X Learn about Digital Video. After purchase you can download your video from your Digital Library. Your video is in XX format and is playable on most pre-installed video players. Close X Music Lists. Sonatine is easier than some of his other works, such as Gaspard de la nuit , and Ravel who was anxious about his skills as a pianist probably performed it because of this. He did not, however, perform the third movement, as it was technically challenging for him. Carlos Salzedo transcribed Sonatine for flute, harp and cello or viola , titling the transcription Sonatine en Trio. From Wikipedia, the free encyclopedia. Mouvement de menuet. Retrieved Hyperion Records. Maurice Ravel. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. The composer in Audio recording of Sonatine 1. Mouvement de menuet 3. Problems playing these files? sonatine ravel : definition of sonatine ravel and synonyms of sonatine ravel (English) In addition, while Ravel recorded a piano roll of the first two movements, he felt unable to play the technical third movement and frequently left it out while playing concerts in America in the late s. The opening theme of the first movement is subject to variations and transformations in the second and third movements, especially the opening 'falling fourth' motif, which is reversed into a series of ascending fourth 'horn calls' at the start of the third movement. The first movement is in sonata-allegro form and echoes of the following transformations can already be heard in the final bars. The second minuet movement lacks the traditional trio section, in keeping with the shortened form of the Sonatine. While it is structurally based on the minuet, Ravel's use of accents and changes in tempo stop the movement from turning into a simple waltz. The third movement is a highly technical piece and has been described as a virtuosic tour de force. Reception for the Ravel's Sonatine has been mixed but generally positive. Marcel Marnat wrote that the Sonatine captivates from the very first measure in its depth, [ 4 ] adding that in its concision and radiance, it is one of Ravel's defining works. In contrast, Arbie Orenstein has written that while the Sonatine is pleasant enough, it does not compare to the later Miroirs. One notable arrangement known as Sonatine en Trio of Ravel's Sonatine is for flute, harp and cello or viola and. This arrangement was done by Carlos Salzedo and is well known among harpists and many other classical musicians. Ravel seems to have greatly valued the Sonatine because he kept including the clearly and almost classically structured work in his own concert programs. This name will appear next to your review. Leave it blank if you wish to appear as "Anonymous". Used to contact you regarding your review. If you do not wish to be contacted, leave it blank. Tell a friend or remind yourself about this product. We'll instantly send an email containing product info and a link to it. You may also enter a personal message. We do not use or store email addresses from this form for any other purpose than sending your share email. Sorry but your review could not be submitted, please verify the form and try again. Make a wish list for gifts, suggest standard repertoire, let students know which books to buy, boast about pieces you've mastered: Music Lists are as unique as the musician! Easily share your music lists with friends, students, and the world. This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details. By signing up you consent with the terms in our Privacy Policy. I am a music teacher. Click to Enlarge. Detailed Description. Buy Together. We recommend purchasing Sonatine with At the Piano - J. Sonatine Piano. Your Screen Name: optional. Review Title:. The first movement is in F-sharp natural minor Aeolian mode and is a sonata-allegro form. The Sonatine is a cyclical work that uses a descending perfect fourth F-sharp—C-sharp and its inversion, the perfect fifth, as a recurring motive. The opening theme of the first movement is transformed in the two subsequent movements——a technique refined by Liszt, whom Ravel greatly admired for that compositional device as well as for his virtuosity c. The internal accompaniment should be kept quiet and not allowed to "run away. Ravel frequently instructed pianists to make a short break at the end of the main theme in measures 3 and 61 and again in measure 28 just before the repeat. I have added commas to reinforce his wishes. He often said that his indications should be strictly observed. Especially important are the accented upbeats that begin on the F-sharp at the end of measures 3 and 5, and also 61 and 63, on the F- sharp in measures 26 and 28 within the first ending , on the C-sharp in measure 34, and on the B at the end of measure The thematic transformation has already begun. The second movement minuet lacks the traditional trio, perhaps in keeping with the abbreviated nature of a sonatina. It is written in D-flat major instead of C-sharp major , and its modal inflections recall an earlier Ravel work, the Menuet antique of ten years before. Ravel emphasizes the upbeat accents of the theme as he did in the first movement. These accents, coupled with an aristocratic tempo, prevent this movement from becoming a waltz. According to pianist Vlado Perlemuter, Ravel said that it should be played sensitively, but not over-refined. Most pianists will find the awkward G octave with added A-flat in measure 8 easier to play by placing the thumb carefully along the edge of the A-flat and playing both keys G and A-flat at the same time. Rolling the chord is not advised. Sonatine (Ravel, Maurice) - IMSLP: Free Sheet Music PDF Download I have added some additional pedaling suggestions in parentheses. Ravel dedicated the Sonatine to his dear friends Ida and Cipa Godebski. The Sonatine quickly became popular with audiences and Ravel performed the first two movements regularly on concert programs across Europe and during his tour of America in He did not often perform the last movement because he did not feel capable of playing it well enough. Ravel made a reproducing piano roll of the first two movements for the Welte- Mignon Company in which is now available on LP records and CDs. The first movement is in F-sharp natural minor Aeolian mode and is a sonata-allegro form. The Sonatine is a cyclical work that uses a descending perfect fourth F-sharp—C-sharp and its inversion, the perfect fifth, as a recurring motive. The opening theme of the first movement is transformed in the two subsequent movements——a technique refined by Liszt, whom Ravel greatly admired for that compositional device as well as for his virtuosity c. The internal accompaniment should be kept quiet and not allowed to "run away. Ravel frequently instructed pianists to make a short break at the end of the main theme in measures 3 and 61 and again in measure 28 just before the repeat. I have added commas to reinforce his wishes. He often said that his indications should be strictly observed. Especially important are the accented upbeats that begin on the F-sharp at the end of measures 3 and 5, and also 61 and 63, on the F- sharp in measures 26 and 28 within the first ending , on the C-sharp in measure 34, and on the B at the end of measure The thematic transformation has already begun. The second movement minuet lacks the traditional trio, perhaps in keeping with the abbreviated nature of a sonatina.
Load more

Recommended publications
  • RECORDED RICHTER Compiled by Ateş TANIN
    RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue.
    [Show full text]
  • The Genre of the Minuet in the Works of Maurice Ravel
    Journal of Siberian Federal University. Humanities & Social Sciences 1 (2016 9) 41-54 ~ ~ ~ УДК 78.085 The Genre of the Minuet in the Works of Maurice Ravel Valentina V. Bass* Krasnoyarsk State Institute of Art 22 Lenin Str., Krasnoyarsk, 660049, Russia Received 19.07.2015, received in revised form 21.08.2015, accepted 30.08.2015 The article deals with the key issue of modern musicology, the issue of a certain genre that prevails in the works of a music composer, an ability of a genre to become a factor that determines stylistic specificity. In the works of Maurice Ravel this style-forming factor is dance. On the example of the minuet that occupies a special place in the works of the composer, the article explores the principles of mediation of choreographic and musical features of the dance prototype at the semantic and structural levels in the thematism and form generation of Ravel’s works. The aesthetic perfection and delicate elegance of gestures, graphical precision of choreographic pattern and dialogueness typical for the minuet have been reflected in the motive-composition character of the thematism, the periodicity of the syntax, the relative stability of the meter, the active use of various methods of polyphonization of the musical texture, the exclusive role of the principle of symmetry on the compositional, melodic and textural levels of the musical form. Individual features of the minuet in various works of Ravel are related to their stylistic origins and genre fusion creating certain imagery. Keywords: minuet, dance prototype, choreographic pattern of dance, genre semantics, counter rhythm, figurative polyphony, stylistic multilayers.
    [Show full text]
  • May, 1952 TABLE of CONTENTS
    111 AJ( 1 ~ toa TlE PIANO STYI2 OF AAURICE RAVEL THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Jack Lundy Roberts, B. I, Fort Worth, Texas May, 1952 TABLE OF CONTENTS LIST OFLLUSTRTIONS. Chapter I. THE DEVELOPMENT OF PIANO STYLE ... II. RAVEL'S MUSICAL STYLE .. # . , 7 Melody Harmony Rhythm III INFLUENCES ON RAVEL'S EIANO WORKS . 67 APPENDIX . .* . *. * .83 BTBLIO'RAWp . * *.. * . *85 iii LIST OF ILLUSTRATIONS Figure Page 1. Jeux d'Eau, mm. 1-3 . .0 15 2. Le Paon (Histoires Naturelles), mm. la-3 .r . -* - -* . 16 3. Le Paon (Histoires Naturelles), 3 a. « . a. 17 4. Ondine (Gaspard de a Nuit), m. 1 . .... 18 5. Ondine (Gaspard de la Nuit), m. 90 . 19 6. Sonatine, first movement, nm. 1-3 . 21 7. Sonatine, second movement, 22: 8. Sonatine, third movement, m m . 3 7 -3 8 . ,- . 23 9. Sainte, umi. 23-25 . * * . .. 25 10. Concerto in G, second movement, 25 11. _Asi~e (Shehdrazade ), mm. 6-7 ... 26 12. Menuet (Le Tombeau de Coupe rin), 27 13. Asie (Sh6hlrazade), mm. 18-22 . .. 28 14. Alborada del Gracioso (Miroirs), mm. 43%. * . 8 28 15. Concerto for the Left Hand, mii 2T-b3 . *. 7-. * * * .* . ., . 29 16. Nahandove (Chansons Madecasses), 1.Snat ,-5 . * . .o .t * * * . 30 17. Sonat ine, first movement, mm. 1-3 . 31 iv Figure Page 18. Laideronnette, Imperatrice des l~~e),i.......... Pagodtes (jMa TV . 31 19. Saint, mm. 4-6 « . , . ,. 32 20. Ondine (caspard de la Nuit), in. 67 .. .4 33 21.
    [Show full text]
  • Ravel Compiled by David Barker
    An A to Z of the Piano Trio Repertoire Discography & Review Index: Maurice Ravel Compiled by David Barker Project Index Abbot Trio (+ Haydn 43, Mendelssohn 1) Artenius Trio Afka 544 (+ Debussy, Tchemberdji: Bow dances, Andante) Abegg Trio Charade CHA3038 (+ Debussy) Intercord 860866 Beaux Arts Trio Tacet 075 (+ Violin sonata; Debussy: Sonatas) Eloquence 4683062 Ahn Trio (+ Introduction & Allegro, Quartet) (+ Villa-Lobos 1) Eloquence 4768458 Chesky 124 (in “Ravel: Complete Edition”) Decca 4783725 Trio Albeneri (+ Chausson) (+ Faure) Philips 4111412 Forgotten Records FR991 (+ Violin sonata, String quartet) Philips 4541342 Alma Trio (+ Brahms 1) Naxos 9.80667 Hanssler Classics HC93715 [review] Altenberg Trio Wien Bekova Sisters (+ Martin, Faure) (+ Martinu 1) Challenge Classics CC72022 Chandos CHAN9452 Amatis Trio Blakemore Trio (+ Britten: Intro & Allegro, Enescu 1) (+ Beethoven 5) CAvi Music 8553477 [review] Blue Griffin BGR275 Angelus Trio Borodin Trio (+ Cortes, Grieg: Violin sonata 2) (+ Debussy: Violin & cello sonatas) Orion LAN0401 Chandos CHAN8458 Trio Arché Caecilian Trio (+ Tchaikovsky) (+ String quartet, Violin sonata; Saint-Saens 1, Real Sound 112 Lalo, Faure: Trios; Debussy, Roussel & Faure: String quartets) Trio Archipel VoxBox CD3X3031 (+ Chausson) (in “1914: The Year in Music”) Cypres CYP1612 Menuetto Classics 4803308079 Arden Trio Trio Carracilly (+ Saint-Saens 2) (in Ravel: Complete chamber works) Delos DE3055 Calliope CAL3822/3 Trio Arpeggio Trio Cérès (+ Bloch: Nocturnes, Haydn 44) (+ Faure, Hersant) Gallo VDECD1119 Oehms
    [Show full text]
  • Menuet from Sonatine Maurice Ravel Transcribed for Violin and Piano Sheet Music
    Menuet From Sonatine Maurice Ravel Transcribed For Violin And Piano Sheet Music Download menuet from sonatine maurice ravel transcribed for violin and piano sheet music pdf now available in our library. We give you 4 pages partial preview of menuet from sonatine maurice ravel transcribed for violin and piano sheet music that you can try for free. This music notes has been read 4071 times and last read at 2021-09-27 14:22:05. In order to continue read the entire sheet music of menuet from sonatine maurice ravel transcribed for violin and piano you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Violin Solo, Piano Accompaniment Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music Menuet From Sonatine 1905 By Maurice Ravel Transcribed For Flute And Piano Menuet From Sonatine 1905 By Maurice Ravel Transcribed For Flute And Piano sheet music has been read 3015 times. Menuet from sonatine 1905 by maurice ravel transcribed for flute and piano arrangement is for Advanced level. The music notes has 4 preview and last read at 2021-09-27 03:53:13. [ Read More ] Mouvement De Menuet From Sonatine By Maurice Ravel Mouvement De Menuet From Sonatine By Maurice Ravel sheet music has been read 6722 times. Mouvement de menuet from sonatine by maurice ravel arrangement is for Advanced level. The music notes has 1 preview and last read at 2021-09-28 10:04:05. [ Read More ] Maurice Ravel Menuet Sur Le Nom De Haydn Complete Version Maurice Ravel Menuet Sur Le Nom De Haydn Complete Version sheet music has been read 3455 times.
    [Show full text]
  • French Performance Practices in the Piano Works of Maurice Ravel
    Studies in Pianistic Sonority, Nuance and Expression: French Performance Practices in the Piano Works of Maurice Ravel Iwan Llewelyn-Jones Submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy School of Music Cardiff University 2016 Abstract This thesis traces the development of Maurice Ravel’s pianism in relation to sonority, nuance and expression by addressing four main areas of research that have remained largely unexplored within Ravel scholarship: the origins of Ravel’s pianism and influences to which he was exposed during his formative training; his exploration of innovative pianistic techniques with particular reference to thumb deployment; his activities as performer and teacher, and role in defining a performance tradition for his piano works; his place in the French pianistic canon. Identifying the main research questions addressed in this study, an Introduction outlines the dissertation content, explains the criteria and objectives for the performance component (Public Recital) and concludes with a literature review. Chapter 1 explores the pianistic techniques Ravel acquired during his formative training, and considers how his study of specific works from the nineteenth-century piano repertory shaped and influenced his compositional style and pianism. Chapter 2 discusses Ravel’s implementation of his idiosyncratic ‘strangler’ thumbs as articulators of melodic, harmonic, rhythmic and textural material in selected piano works. Ravel’s role in defining a performance tradition for his piano works as disseminated to succeeding generations of pianists is addressed in Chapter 3, while Chapters 4 and 5 evaluate Ravel’s impact upon twentieth-century French pianism through considering how leading French piano pedagogues and performers responded to his trailblazing piano techniques.
    [Show full text]
  • MARTHA ARGERICH Recorded Concerts & Recitals Previous Update: January 23, 2017 This Update: February 23, 2017
    MARTHA ARGERICH Recorded Concerts & Recitals Compiled by Ateş TANIN Previous Update: January 23, 2017 This Update: February 23, 2017 New entries for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals I have and others I am aware of. Excerpts are not included. For commercially issued items I have only listed what I have or would be delighted to have. Comments, additions and corrections are welcome.Details of Argerich CDs issued by DOREMI are at http://www.doremi.com/Argerich.html Please contact me by e-mail: [email protected] LOGO: ** = I have the original issue; * = I have a CD-R/DVD±R copy of the original issue; SACD = Super Audio CD; BD = Blu-Ray; (LD) = Laserdisc; (PTA) = I have a Privately Taped Audio Recording; (PTV) = I have a Privately Taped Video Recording BACALOV, L. Astoriando 17/3/2010 - Rome - Bacalov - (PTA) 14/5/2011 - Oita - Hubert - Argerich’s Meeting Point AMP-1101 (2CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** 19-25/10/2012 - Rosario (Argentina) - Rivera - Cosentino SC 1271-4 (4CD)** Portena for Two Pianos and Orchestra 10/6/2015 - Lugano - Hubert, O. della Svizzera italiana/Vedernikov - Warner 2564628549 (3CD) 17/7/2015 - Buenos Aires - Hubert, O. S. Nacional/Bacalov - (PTV) BACH, J.S. Concerto for Four Pianos and Strings in a, BWV 1065 22/7/2003 - Verbier - Kissin, Levine, Pletnev - Birthday Festival O. - RCA 82876 60942 9 (DVD)** 15/10/2004 - Buenos Aires - Sebastiani, Vallina, Balat - Sinfonietta Argerich/Ntaca - 3rd mvt encored - (PTA) 12/3/2012 - Athens - Kapelis, Maisky, Mogilevsky - Megaron Camerata/Korsten - (PTV) 21/10/2013 - Paris - Lim, Zilberstein, Vallina - Chamber O.
    [Show full text]
  • Preparing Students for Works of Debussy and Ravel
    The Impressionist Style: Preparing Students for Works of Debussy and Ravel Curtis Pavey Introduction The piano music of Claude Debussy and Maurice Ravel is regarded highly as some of the most imaginative and beautiful music for the instrument. Pianists frequently enjoy these works for their unique harmonic language, dramatic virtuosity, and use of tonal color. That said, studying works by these two composers is often an uphill battle for even advanced pianists; the challenging musical language and the stringent technical requirements demand a refined musician with a good sense of pianistic control. The purpose of this article is to suggest some teaching strategies to use with late intermediate and early advanced level pianists. I have broken down my discussion into two parts – musical difficulties and technical difficulties – offering a broad sense of the types of challenges a student who is unfamiliar with this music will face. By making this music more accessible and understandable, we can make the learning process less frustrating and more enjoyable. Before Ravel and Debussy Before a student encounters works by Debussy and Ravel, I would recommend acquainting them with the impressionist style via works by composers of today. Numerous composers, such as Catherine Rollins, Jennifer Lin, and Dennis Alexander, have composed pedagogical works for students who are at the beginning or intermediate level. Using these from the beginning of a student’s study of the piano helps to build musical and technical fluency before introducing the easier works of Debussy and Ravel, which are only appropriate for students at the upper intermediate level or higher.
    [Show full text]
  • Maurice Ravel Chronology
    Maurice Ravel Chronology by Manuel Cornejo 2018 English Translation by Frank Daykin Last modified date: 10 June 2021 With the kind permission of Le Passeur Éditeur, this PDF, with some corrections and additions by Dr Manuel Cornejo, is a translation of: Maurice Ravel : L’intégrale : Correspondance (1895-1937), écrits et entretiens, édition établie, présentée et annotée par Manuel Cornejo, Paris, Le Passeur Éditeur, 2018, p. 27-62. https://www.le-passeur-editeur.com/les-livres/documents/l-int%C3%A9grale In order to assist the reader in the mass of correspondence, writings, and interviews by Maurice Ravel, we offer here some chronology which may be useful. This chronology attempts not only to complete, but correct, the existent knowledge, notably relying on the documents published herein1. 1 The most recent, reliable, and complete chronology is that of Roger Nichols (Roger Nichols, Ravel: A Life, New Haven, Yale University, 2011, p. 390-398). We have attempted to note only verifiable events with documentary sources. Consultation of many primary sources was necessary. Note also the account of the travels of Maurice Ravel made by John Spiers on the website http://www.Maurice Ravel.net/travels.htm, which closed down on 31 December 2017. We thank in advance any reader who may be able to furnish us with any missing information, for correction in the next edition. Maurice Ravel Chronology by Manuel Cornejo English translation by Frank Daykin 1832 19 September: birth of Pierre-Joseph Ravel in Versoix (Switzerland). 1840 24 March: birth of Marie Delouart in Ciboure. 1857 Pierre-Joseph Ravel obtains a French passport.
    [Show full text]
  • Vadym Kholodenko, Piano Friday, October 12, 2018
    Vadym Kholodenko, piano Friday, October 12, 2018 NOTES ON THE PROGRAM Maurice Ravel was one of the most prominent French composers in the early 20th century. He was born in 1875 and attended the Paris Conservatoire where he studied piano and composition. Like Debussy and other contemporaries, he wrote in an impressionistic style, that is to say that much of his music is organized around harmony and color. Even so, Ravel preferred to think of himself as a neoclassicist, as he loved to experiment with musical form, such as in his famous orchestral work, Bolero, replacing traditional thematic development with the repetition of a single idea, swelling to a joyous climax. Among his best-known works are Gaspard De La Nuit for solo piano, the Concerto for the Left Hand, and Daphnis and Chloé. Ravel was an exceptional orchestrator. He transcribed for orchestral performance many works he originally conceived for the piano, and orchestrated works by other composers, including Debussy’s Pour le piano and Mussorgsky’s Pictures at an Exhibition. In 1904, he started work on Miroirs, a suite for piano in five movements dedicated to various members of Les Apaches, a group of avante-garde artists with which he was closely associated. It was premiered by Ravel’s friend and colleague Ricardo Viñes in 1906. The first movement, Noctuelles (“Night moths”), is light and flows rapidly from one line to the next, with a solemn, expressive middle section. Oiseaux tristes (“Sad birds”) presents a contrasting mood, and is the freest and most improvisatory of the set. It portrays two different ideas: birds singing on the plain and the atmosphere of the forest.
    [Show full text]
  • Ravel Biography.Pdf
    780.92 R2528g Goss Bolero, the life of Maurice Ravel, Kansas city public library Kansas city, missouri Books will be issued only on presentation of library card. Please report lost cards and change of residence promptly. Card holders are responsible for all books, records, films, pictures or other library materials checked out on their cards. 3 1148 00427 6440 . i . V t""\ 5 iul. L-* J d -I- (. _.[_..., BOLERO THE LIFE OF MAURICE .RAVEL '/ ^Bpofas fay Madeleine Goss : BEETHOVEN, MASTER MUSICIAN DEEP-FLOWING BROOK: The Story of Johann Sebastian Bach (for younger readers) BOLERO : The Life of Maurice Ravel Maurice Ravel, Manuel from a photograph by Henri BOLERO THE LIFE OF MAURICE RAVEL BY MADELEINE GOSS "De la musique avant toute chose, De la musique encore et toujours." Verlaine NEW YORK HENRY HOLT AND COMPANY Wfti^zsaRD UNIVERSITY PRESS COPYRIGHT, IQ40, BY HENRY HOLT AND COMPANY, INC. PRINTED IN THE UNITED STATES OF AMERICA '.'/I 19 '40 To the memory of my son ALAN who, in a sense, inspired this work CONTENTS CHAPTER PAGE I. Bolero 1 II. Childhood on the Basque Coast . 14 III. The Paris Conservatory in Ravel's Time 26 IV. He Begins to Compose .... 37 V. Gabriel Faure and His Influence on Ravel 48 VI. Failure and Success .... 62 VII. Les Apaches 74 VIII. The Music of Debussy and Ravel . 87 IX. The "Stories from Nature" ... 100 X. The Lure of Spain 114 XL Ma Mere VOye 128 XII. Daphnis and Chloe 142 XIII. The "Great Year of Ballets" ... 156 XIV. Ravel Fights for France ...
    [Show full text]
  • Ravel's Miroirs
    Ravel’s Miroirs : Text and Context Héloïse Marie Murdoch Research report submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Music. Johannesburg, February, 2007 Abstract This research report examines Maurice Ravel’s piano pieces, Miroirs (1905), as texts. These five piano pieces draw on a wide range of sources and conventions across nearly two centuries and yet are utterly integrated in their expression. In the Miroirs, Ravel exhibits a fascinating meshing of historical and contemporary influences that range from Mozart to Chabrier and Fauré. The pieces are also interestingly and very personally related to their cultural and social contexts, in that each individual piece was dedicated to a member of the Apaches , a group of young artists and intellectuals residing in Paris of whom Ravel was himself one. The research examines the significance of the Miroirs both within Ravel’s own and the broader twentieth-century piano repertoire. ii Declaration I declare that this research report is my own unaided work. It is submitted for the degree of Master of Music in the University of the Witwatersrand, Johannesburg. It has not been submitted before for any other degree or examination in any other university. ____________________ 12 Day of February 2007. iii Preface and Acknowledgements Maurice Ravel is an intriguing composer; sometimes categorised as an Impressionist, sometimes a Neo-classicist and perhaps more often uncategorised. Although his older contemporary, Claude Debussy, is generally assessed as more important to the development of twentieth-century music and certainly the leader of French music at the turn of the century, Ravel nevertheless made a unique contribution.
    [Show full text]