Grace Slick Manhole Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Grace Slick Manhole Mp3, Flac, Wma Grace Slick Manhole mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Manhole Country: US Released: 1973 Style: Rock & Roll, Psychedelic Rock MP3 version RAR size: 1237 mb FLAC version RAR size: 1356 mb WMA version RAR size: 1735 mb Rating: 4.7 Votes: 339 Other Formats: RA VQF TTA WAV ADX DMF ASF Tracklist Hide Credits Jay A1 Bass, Performer [Lead Lines] – Peter KaukonenLyrics By – Grace SlickMusic By – Grace 2:43 SlickRhythm Guitar [Picking] – Grace Slick Theme From The Movie "Manhole" Arranged By [Orchestra] – Steven M. Schuster*Bass – Jack Casady, Ron CarterBass Clarinet – Frank ReidyBass Trombone – Peter Harvey Cello – Alan Dalziel, Bram Martin, Clive Anstee, Robin FirmanConcertmaster [Concert Meister], Violin – John GeorgiadisDouble Bass [String Bass] – Chris Laurence, James Merrett, Keith Marjarom*, Robin McGeeDrums – John BarbataFlute – Chris Taylor , Jack ElloryFrench Horn – Andrew McGavin, Douglas Moore Guitar – Timothy WalkerHarp – David Snell Lead Guitar A2 – Craig ChaquicoLyrics By – Grace SlickMandolin – Peter KaukonenMusic By – Grace 15:23 SlickOboe – Philip Hill , Terence MacDonaghPercussion – Alan Hakin, Eric Allen, Stan Barrett, Terence EmeryPiano – Grace SlickRhythm Guitar – David FreibergTrumpet – George Whiting , Michael Laird Trumpet [Bass] – Harold Nash, Raymond Premru*Viola – Alex Taylor*, John Coulling, John Underwood, Kenneth EssexViolin – Alan Traverse, Bernard Monshin, Carlos Villa , Denis McConnell*, Fred Parrington, Hans Geiger, Jack Greenstone, James Davis , John Ronayne, Michael Jones , Paul Scherman*Vocals [Singing] – David Crosby, David*, Grace*, Paul* ¿Come Again? Toucan Drums, Percussion – John BarbataLead Guitar – Craig ChaquicoLyrics By – Grace B1 4:40 SlickMusic By – David FreibergPiano, Percussion, Bass, Guitar – David FreibergVocals – Grace Slick It's Only Music Bass – Jack CasadyLead Guitar – Gary DuncanLyrics By – Bob Hunter*Music By – David B2 4:32 FreibergPiano, Percussion, Guitar [12 String], Bass, Organ, Vocals – David FreibergVocals, Guitar [12 String] – Paul Kantner Better Lying Down B3 3:15 Lyrics By – Grace SlickMusic By – Peter Sears*Vocals – Grace Slick Epic (#38) Arranged By – Steven M. Schuster*Bagpipes – Angus MacKay , Angus McTavish, Calum Innes, Colin Graham , Jack Scott , Tom Duncan , William Stewart Bass – Seeder B4 PearsDrums, Percussion – John BarbataLead Guitar – Craig ChaquicoLeader [Pipe Major], 7:23 Bagpipes – Iaian Macdonald MurrayLyrics By – Paul KantnerLyrics By [6 Or 7 Lines] – Grace Slick, Jack TraylorMusic By – Paul KantnerRhythm Guitar, Glass Harmonica – Paul KantnerVocals – David Freiberg, Grace Slick, Paul Kantner Companies, etc. Distributed By – RCA Records Phonographic Copyright (p) – Grunt Records Copyright (c) – Grunt Records Manufactured By – RCA Records Recorded At – Wally Heider Studios Mastered At – The Lacquer Channel, Sausalito Mastered At – The Mastering Lab Published By – Mole Music Published By – Pods Publishing Published By – Ice Nine Published By – Black Dragon Published By – Little Dragon Music Published By – Steelwind Publishing Pressed By – RCA Records Pressing Plant, Indianapolis Credits Artwork [Child Type Odd Art] – Grace* Co-producer – Keith Grant, Steven Schuster* Contractor – Sidney Margo Coordinator [Production Coordinator] – Maurice , Pat Ieraci Engineer [Mixdown], Programmed By [Synthesizer Programmer] – Keith Grant Other [Emotional Content] – Bruce Lee Producer – David Freiberg, Grace Slick, Paul Kantner Recorded By, Engineer [Recording Engineer] – Bob Mathews*, Keith Grant, Mallory Earl, Valerie Clausen Notes [On disk center labels:] ℗ 1973 © 1971 GRUNT RECORDS MANUFACTURED AND DISTRIBUTED BY RCA [On cover backside:] Recorded at Wally Heider's, San Francisco. Mastered at the Lacquer Channel, Sausalito. © 1973 Grunt Records • Manufactured and Distributed by RCA Records, New York, N.Y. Printed in U.S.A. Production Coordinator Pat Ieraci (Maurice) [In the booklet:] © 1973 Mole Music (tracks A1, A2) © 1973 Pods Publishing and Mole Music (track B1) © 1973 Pods Publishing and Ice Nine (track B2) © 1973 Black Dragon and Mole Music (track B3) © 1973 Little Dragon Music, Mole Music and Steelwind Publishing (track B4) _______ Side A is marked 'RIGHT SIDE UP', side B 'UPSIDE DOWN' Released with a lyrics-booklet. Music By, Lyrics By and additional credits taken from the booklet. Barcode and Other Identifiers Matrix / Runout (A-side label): BFL1-0347-A Matrix / Runout (B-side label): BFL1-0347-B Matrix / Runout (A-side runout etched [stamped] (Variant 1)): BFL1-0347 A 5S RIGHT SIDE UP [TML] [I] [A1] Matrix / Runout (B-side runout etched [stamped] (Variant 1)): BFL1-0347B 6S UPSIDE DOWN [TML] [I] [A2] Matrix / Runout (A-Side runout etched [stamped] (Variant 2)): BFL 1-0347 A 5S RIGHT SIDE UP [TML] - I [A2]Z Matrix / Runout (B-Side runout etched [stamped] (Variant 2)): BFL1-0347B 6S UPSIDE DOWN [TML] I - [A1]W Price Code: 0598 Other versions Category Artist Title (Format) Label Category Country Year BFL1-0347, Grace Manhole (LP, Album, Grunt , BFL1-0347, Germany Unknown 26.21351 Slick RE) Grunt 26.21351 Grace Manhole (Cass, YK 13736 RCA YK 13736 Italy 1981 Slick Album, RE) Grace Manhole (8-Trk, BFS1-0347 Grunt BFS1-0347 US 1973 Slick Album) Grace Manhole (CD, ACA 8015 Acadia ACA 8015 UK 2001 Slick Album, RE) Grace Manhole (Cass, FK 10347 Grunt FK 10347 Spain 1979 Slick Album, RE) Related Music albums to Manhole by Grace Slick Troumaca - The Grace Paul Kantner, Grace Slick - Sunfighter Paul Kantner, Grace Slick & David Freiberg - Baron Von Tollbooth & The Chrome Nun Grace Decca - Doï La Mulema Jefferson Starship - Red Octopus Grace Simon - Best Of The Best Grace Simon Daddy Grace - Gangsta Boogie Jefferson Starship - Dragon Fly David Rea - By The Grace Of God Grace Gulick - It's Not Happening Now.
Recommended publications
  • 22 Years of Crown 'Mic Memos'
    Web: http://www.pearl-hifi.com 86008, 2106 33 Ave. SW, Calgary, AB; CAN T2T 1Z6 E-mail: [email protected] Ph: +.1.403.244.4434 Fx: +.1.403.245.4456 Inc. Perkins Electro-Acoustic Research Lab, Inc. ❦ Engineering and Intuition Serving the Soul of Music Please note that the links in the PEARL logotype above are “live” and can be used to direct your web browser to our site or to open an e-mail message window addressed to ourselves. To view our item listings on eBay, click here. To see the feedback we have left for our customers, click here. This document has been prepared as a public service . Any and all trademarks and logotypes used herein are the property of their owners. It is our intent to provide this document in accordance with the stipulations with respect to “fair use” as delineated in Copyrights - Chapter 1: Subject Matter and Scope of Copyright; Sec. 107. Limitations on exclusive rights: Fair Use. Public access to copy of this document is provided on the website of Cornell Law School at http://www4.law.cornell.edu/uscode/17/107.html and is here reproduced below: Sec. 107. - Limitations on exclusive rights: Fair Use Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, includ- ing such use by reproduction in copies or phono records or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for class- room use), scholarship, or research, is not an infringement of copyright.
    [Show full text]
  • Explore Local
    Eat & Drink Stop & SHOP ¡CHECK it out! EXXPPLLOO RR EATERY • Fitness & Recreation % History/Architecture EE o Cafe Z Clothing & Accessories ARt/design/Craft ! ! A Grocer/Bodega c Health/Beauty The Q D natural/open space z Producer 1 Home & Garden 9 community resource Bars, BREWs & barrels • Professional Services All Star Donuts ConfiDental Smile 826 Valencia (TL) and Burgers 735 Larkin St 180 Golden Gate Ave 1 42 • Q 53 9 The Tenderloin got its name because police once bragged that the price of bribes afforded 290 Golden Gate Ave (415) 589-7353 (415) 642-5905, ext 201 (415) 921-5541 them the highest grade of beef. The Em's Barber Shop Asian Art Museum Amigo's Market TenderloinTenderloin 43 342 Jones St Q 54 200 Larkin St 2 500 Ellis St A (415) 926-0552 (415) 581-3500 c % (415) 674-4145 Chico's Pizza Get High on Mountains Boeddeker Park 44 55 3 468 Ellis St 276 Golden Gate Ave Z 246 Eddy St D The neighborhood played a huge role in San Francisco's golden age of vice, with gambling (415) 776-2222 dens, speakeasies, bordellos, and a historic sex worker protest of 1917. GoodLife RX Pharmacy Center for New Music Dispensa 731 Larkin St 55 Taylor St 39 Taylor St 45 Q 56 4 (415) 922-0777 (415) 275-2466 (415) 896-4021 c % Karry's Auto Body Civic Center Campus, CCSF Downtown Grocery 46 265 Eddy St • 57 1170 Market St 5 289 Eddy St A 9 At legendary venue Blackhawk Jazz Club, greats like Miles Davis, Billie Holiday, Charlie (415) 531-2754 (415) 655-3262 (415) 561-1020 Parker, Dave Brubeck, and Thelonious Monk played and recorded.
    [Show full text]
  • Herbie Hancock Man-Child Mp3, Flac, Wma
    Herbie Hancock Man-Child mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Man-Child Country: Germany Released: 2013 Style: Jazz-Funk MP3 version RAR size: 1786 mb FLAC version RAR size: 1873 mb WMA version RAR size: 1545 mb Rating: 4.8 Votes: 953 Other Formats: AC3 MP2 AAC DMF DXD WMA WAV Tracklist A1 Hang Up Your Hang Ups 7:28 A2 Sun Touch 5:10 A3 The Traitor 9:37 B1 Bubbles 9:01 B2 Steppin' In It 8:41 B3 Heartbeat 5:16 Companies, etc. Recorded At – Wally Heider Studios Recorded At – The Village Recorder Recorded At – Funky Features Recorded At – Crystal Sound Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Manufactured By – Columbia Records Pressed By – Columbia Records Pressing Plant, Terre Haute Credits Art Direction – Ren Deaton Productions* Artwork [Cover] – Dario Campanile Bass – Henry Davis, Louis Johnson, Paul Jackson Drums – Harvey Mason, James Gadson, Mike Clark Engineer – David Rubinson, Fred Catero, Jack Leahy Guitar – David T. Walker, Blackbird McKnight* Harmonica – Stevie Wonder Management [Artist] – Adamsdad Management Co.* Mastered By – George Horn, Phil Brown Percussion – Bill Summers Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock Producer – David Rubinson & Friends, Inc., Herbie Hancock Saxophone, Flute – Ernie Watts, Jim Horn Soprano Saxophone – Wayne Shorter Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass Flute, Alto Flute – Bennie Maupin Trombone – Garnett Brown Trumpet – Bud Brisbois, Jay DaVersa Tuba, Bass Trombone – Dick Hyde Notes Misprinted release: Columbia red-label on side A has no text. Recorded at Wally Heider Studios, San Francisco; Village Recorders, Los Angeles; Funky Features, San Francisco; and Crystal Studios, Los Angeles.
    [Show full text]
  • Herbie Hancock Man-Child Mp3, Flac, Wma
    Herbie Hancock Man-Child mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Man-Child Country: US Released: 1975 Style: Jazz-Funk MP3 version RAR size: 1224 mb FLAC version RAR size: 1626 mb WMA version RAR size: 1735 mb Rating: 4.9 Votes: 229 Other Formats: XM RA DMF WMA FLAC AC3 VOC Tracklist A1 Hang Up Your Hang Ups 7:28 A2 Sun Touch 5:10 A3 The Traitor 9:37 B1 Bubbles 9:01 B2 Steppin' In It 8:41 B3 Heartbeat 5:16 Companies, etc. Manufactured By – CBS/Sony Inc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Art Direction – Ren Deaton Productions* Artwork [Cover] – Dario Campanile Bass – Henry Davis, Louis Johnson, Paul Jackson Drums – Harvey Mason, James Gadson, Mike Clark Engineer – David Rubinson, Fred Catero, Jack Leahy Guitar – David T. Walker, Blackbird McKnight* Harmonica – Stevie Wonder Mastered By – George Horn, Phil Brown Percussion – Bill Summers Piano [Acoustic], Electric Piano [Fender Rhodes], Synthesizer [Arp Odyssey, Pro Soloist, 2600, String Ensemble, Oberheim Polyphonic], Clavinet [Hohner D6] – Herbie Hancock Producer – David Rubinson & Friends, Inc., Herbie Hancock Saxophone, Flute – Ernie Watts, Jim Horn Soprano Saxophone – Wayne Shorter Soprano Saxophone, Tenor Saxophone, Saxello, Bass Clarinet, Bass, Alto Flute – Bennie Maupin Trombone – Garnett Brown Trumpet – Bud Brisbois, Jay DaVersa Tuba, Bass Trombone – Dick Hyde Notes Issued with a single sided insert with notes in Japanese. Recorded at Wally Heider Studios, San Francisco; Village Recorders, Los Angeles; Funky Features, San Francisco; and and Crystal Studios, Los Angeles. On rear sleeve: © 1975 CBS, Inc. / ℗ 1975 CBS, Inc. / Manufactured by CBS/Sony Inc.
    [Show full text]
  • Grateful Dead Marathon ‘Thank You’ Gift Description
    2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No.
    [Show full text]
  • Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB
    10,000 Maniacs;1988-07-31;Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB 10,000 Maniacs;Eden's Children, The Greek Theatre, Los Angeles, California, USA (SBD)[MP3-224];150 577 KB 10.000 Maniacs;1993-02-17;Berkeley Community Theater, Berkeley, CA (SBD)[FLAC];550 167 KB 10cc;1983-09-30;Ahoy Rotterdam, The Netherlands [FLAC];398 014 KB 10cc;2015-01-24;Billboard Live Tokyo, Tokyo, Japan [MP3-320];173 461 KB 10cc;2015-02-17;Cardiff, Wales (AUD)[FLAC];666 150 KB 16 Horsepower;1998-10-17;Congresgebow, The Hague, Netherlands (AUD)[FLAC];371 885 KB 16 Horsepower;2000-03-23;Eindhoven, Netherlands (Songhunter)[FLAC];514 685 KB 16 Horsepower;2000-07-31;Exzellenzhaus, Sommerbühne, Germany (AUD)[FLAC];477 506 KB 16 Horsepower;2000-08-02;Centralstation, Darmstadt, Germany (SBD)[FLAC];435 646 KB 1975, The;2013-09-08;iTunes Festival, London, England (SBD)[MP3-320];96 369 KB 1975, The;2014-04-13;Coachella Valley Music & Arts Festival (SBD)[MP3-320];104 245 KB 1984;(Brian May)[MP3-320];80 253 KB 2 Live Crew;1990-11-17;The Vertigo, Los Angeles, CA (AUD)[MP3-192];79 191 KB 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2002-10-01;Queen Elizabeth Hall, London, England [FLAC];619 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2004-04-29;The Key Club, Hollywood, CA [MP3-192];174 650 KB 2wo;1998-05-23;Float Right Park, Sommerset, WI;Live Piggyride (SBD)(DVD Audio Rip)[MP3-320];80 795 KB 3 Days Grace;2010-05-22;Crew Stadium , Rock On The Range, Columbus, Ohio, USA [MP3-192];87 645 KB 311;1996-05-26;Millenium Center, Winston-Salem,
    [Show full text]
  • Recording-1981-12.Pdf
    nc hicrIng - °RC SOUND yotsi r $2.50 DECEMBER 1981 Z.<7 VC LUME 12 - NUMBER 6 ENGINEER PRODUCIR 104c, a:)43'pril"t 4S\\\ ru .4 rr First look: STUDER's Digital Multitrack aid Universal Sampling Convene' - Digital Up iate, page 105 60 MIMM11111111111111M1=11111.1111M 1111111111M11111MIIIIIII 50 IMMI11111111111111=111r new ININI111111111111111111411111IMIM1UMAIIIIIIIIIIIIMIll 111111111111111111111M11111111111RAMIVAIIIMIMMIIIIIIIIIIIIIIIII /1111111/41111011111111111 40 NIIIIIIIIIIIIIIIIIIMIAIIIP.11111411/.111111111111111111111111111111 e 1111111111111111111WAIIIIIINIIIMIUMIR1IUPIELIINIIMI111111111 1.1110111MIIMAINCIIIIM. ;1 30 11111111111MMBMIVallPAM'MPAIIMMIIIIINEMMII1111111111B1111111111/1111111111AIIIIMMIAlt.1111, :11 20 t M111111111111%111111/40 aleuwmAiumourdinnullissui z 411111111.1d111111M11111111111111 INNINOEIMIVAMIPINP.111rillrAINIMPP:4111111011MMPIIIIII MUM ,Inmilwall'APAITAMIIIIIKalINIIIIMMIMAIZMI 10 MNIPWIIK/111,741P MP 41111111111LIN /11111111Gal01111"noille"=well 0 or immunimmooulimd.seslemsonstionli 01 02 0.5 1 2 5 10 2C 50 100 200 500 1000 STATI L3AD 144,44s -nch Figure 2: Static deflection of lams is 1-iad- thick fiberglass pad on application of load in pounds per square inch, for ty-Tas of itabody Moist Control Company isolators. SHOWCO doing the 'Stones Tour, page 62 Floating Floors, page 80 RELATING RECORDING ART TO RECORDING SCIENCE TO RECORDING EQUIPMENT www.americanradiohistory.com EXI=DANEI YOUFI M01:11ZONS To reach the stars in this business you need two things, talent and exceptionally good equipment. The AMEK 2500 is State of the Art design and technology respected worldwide. In the past 12 months alone, we've placed consoles in Los Angeles, Dallas, NewYork, Nashville, London, Frank- furt, Munich, Paris, Milan, Tokyo, Sydney, Guatemala City, and johannesberg. When you have a great piece of equipment, word gets around. The "2500" has become an industry standard. It's everything you want in a master recording console, and ..
    [Show full text]
  • The Rolling Stones Complete Recording Sessions 1962 - 2020 Martin Elliott Session Tracks Appendix
    THE ROLLING STONES COMPLETE RECORDING SESSIONS 1962 - 2020 MARTIN ELLIOTT SESSION TRACKS APPENDIX * Not Officially Released Tracks Tracks in brackets are rumoured track names. The end number in brackets is where to find the entry in the 2012 book where it has changed. 1962 January - March 1962 Bexleyheath, Kent, England. S0001. Around And Around (Little Boy Blue & The Blue Boys) (1.21) * S0002. Little Queenie (Little Boy Blue & The Blue Boys) (4.32) * (a) Alternative Take (4.11) S0003. Beautiful Delilah (Little Boy Blue & The Blue Boys) (2.58) * (a) Alternative Take (2.18) S0004. La Bamba (Little Boy Blue & The Blue Boys) (0.18) * S0005. Go On To School (Little Boy Blue & The Blue Boys) (2.02) * S0006. I'm Left, You're Right, She's Gone (Little Boy Blue & The Blue Boys) (2.31) * S0007. Down The Road Apiece (Little Boy Blue & The Blue Boys) (2.12) * S0008. Don't Stay Out All Night (Little Boy Blue & The Blue Boys) (2.30) * S0009. I Ain't Got You (Little Boy Blue & The Blue Boys) (2.00) * S0010. Johnny B. Goode (Little Boy Blue & The Blue Boys) (2.24) * S0011. Reelin' And A Rockin' (Little Boy Blue & The Blue Boys) * S0012. Bright Lights, Big City (Little Boy Blue & The Blue Boys) * 27 October 1962 Curly Clayton Sound Studios, Highbury, London, England. S0013. You Can't Judge A Book By The Cover (0.36) * S0014. Soon Forgotten * S0015. Close Together * 1963 11 March 1963 IBC Studios, London, England. S0016. Diddley Daddy (2.38) S0017. Road Runner (3.04) S0018. I Want To Be Loved I (2.02) S0019.
    [Show full text]
  • LEARNING PIANO Written by Pete Sears
    LEARNING PIANO Written By Pete Sears Notation by Bill Wentz Illustrations by Pete Sears & Tony Williams ISBN 978-0-9796928-4-0 UPC 854746001162 Copyright 2007 Music Star Productions International Copyright Secured All Rights Reserved For all works contained herein: unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. Learning Piano With Pete Sears “Pete Sears brings an incredible knowledge of roots music to the table. Whether he is channeling Otis Span or creating his own genre, there is no finer keyboard player. The news is even better. Pete, unlike some artists, knows what he is doing and is a fine teacher. You can dance through the last fifty some years of roots keyboard sounds and Mr. Sears will show you every step!” - Jorma Kaukonen (Jefferson Airplane, Hot Tuna, JKT, Fur Peace Ranch Guitar Camp) “I like the way Pete keeps a bluesy mood going on the DVD while sharing his musical and professional insights.” - Mark Naftalin (Musician & Radio Host, Paul Butterfield Blues Band, Michael Bloomfield, Percy Mayfield, John Lee Hooker, www.bluespower.com ) “I just got my first piano, at long last. This DVD is the perfect, fun, intuitive way to dive in. I’m having fun with it.” - Bobby Weir (Grateful Dead, Ratdog) “Pete Sears is one of the most creative and innovative players in Rock ‘n Roll of my generation. He has wonderful intuition, finding just the right part for a song both melodically and rhythmically. Pete is always in the groove.” - Chuck Leavell (The Rolling Stones, The Allman Brothers, Eric Clapton) Pete Sears at Hyde Street Studios, San Francisco, CA 2005 Photo by Patrick McCormick Learning Piano With Pete Sears Learning Piano Wth Pete Sears Biography.............................................................................
    [Show full text]
  • Herbie Hancock Mwandishi Mp3, Flac, Wma
    Herbie Hancock Mwandishi mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Mwandishi Country: Europe Released: 2001 Style: Fusion, Jazz-Funk, Modal MP3 version RAR size: 1992 mb FLAC version RAR size: 1165 mb WMA version RAR size: 1327 mb Rating: 4.5 Votes: 965 Other Formats: WAV MIDI APE AU VQF ADX DTS Tracklist 1 Ostinato (Suite For Angela) 13:05 2 You'll Know When You Get There 10:15 3 Wandering Spirit Song 21:30 Companies, etc. Phonographic Copyright (p) – Warner Bros. Records Copyright (c) – Warner Bros. Records Manufactured By – Warner Music Manufacturing Europe Recorded At – Wally Heider Studios Phonographic Copyright (p) – WEA International Inc. Copyright (c) – WEA International Inc. Produced For – Fillmore Corporation Credits Arranged By – Herbie Hancock Bass – Mchezaji Bass Clarinet, Flute [Alto] – Mwile Congas, Timbales – Jose "Chepito" Areas* Design – Mental Block Design [Front Cover Design] – Bonnie Schiffman, Robin Mitchell Drums – Jabali Drums, Percussion – Ndugu* Electric Piano [Fender Rhodes] – Mwandishi Engineer [Assistant Recording Engineer] – Aulikki Niitynen Engineer [Recording Engineer] – Fred Catero Executive-Producer – Lee Weisel* Guitar – Ron Montrose* Producer – David Rubinson Trombone [Trombones] – Pepo Mtoto* Trumpet, Flugelhorn – Mganga Written-By – Herbie Hancock (tracks: 1, 2), Julian Priester (tracks: 3) Notes ℗&©1971 Warner Bros. Records Inc. for the U.S. and WEA International for the world outside the U.S. The copyright in the sound recording and artwork is owned by Warner Music UK Ltd. Made in Germany by Warner Music Manufacturing Europe. Originally released on WB1898 in 1971 A Hancock Records Inc. Production Recording Engineer: Fred Catero, Catero Sound Company Recorded at Wally Heider Recording Studios, San Francisco, Calif.
    [Show full text]
  • The Record Plant: Magical Seeds
    CHAPTER 11 The Record Plant: Magical Seeds Halloween Masquerade Ball Studio Opening Dancing BYOD October 29 6 p.m. to 2 a.m. RSVP 415-332-2755 In the fall of 1972, the who’s who of the music business in L.A., New York, San Francisco, and beyond received this invitation on a slab of California redwood from Chris Stone and Gary Kellgren, owners of ! e Record Plant studios in Sausalito, California. John Lennon and Yoko Ono showed up dressed as trees, their presence a clear indication of the level of clientele ! e Record Plant’s Northern California outpost (they also helped launch ! e Record Plant’s L.A. and New York facilities) would attract. As the grand-opening bash raged through Sunday morning, word spread fast that this new stu- dio across the Bay was a party getaway for the rich and famous. 110 Chapter 11 The Record Plant: Magical Seeds With its Jacuzzi, guest houses, organic chefs, and rooms with waterbed fl oors—not to mention the laughing gas masks hanging from one control room ceiling and two fake walls leading to an escape route in case of a drug bust—! e Record Plant refl ected the excess of the times in grand, glitzy L.A. style. It also brought to San Francisco one of the industry’s fi rst “resort” studios: one that would off er good equipment and better times. It was one of the fi rst inde- pendently owned studios in town with the cache to bring in top-tier talent. At Sausalito’s “living room” studio, clients could take an extended vacation from label-town recording, stay in a beautiful city, and record in a high-end studio that off ered as many or more perks as a four-star hotel.
    [Show full text]
  • Issue It’S Being Dealt With
    NO. 134 PUBLISHED BY THE CENTRAL CITY SAN FRANCISCO Citizens STUDY CENTER JUNE committee 2 013 THE EXTRA for CBAs TAKES HOME in limbo 8 AWARDS Wins 2nd san francisco Panel purged by place: overall LAFAYETTE COFFEE SHOP city administrator excellence PAGE 2 rendered helpless on a technicality BY M ARK HEDIN OW THAT SIX deep-pocket new- comers to the mid-Market are N more than three months into the process of “giving back” as part of the community benefit agreements they signed to qualify for the Twitter tax break, the committee that was the community’s sole voice in the process has been side- lined on a technicality. For how long is unclear. “June’s probably a wash,” Ivy Lee, an aide to District 6 Supervisor Jane Kim, said in mid-May while discussing efforts WHO to reconstitute the Citizen’s Advisory Committee, “but hopefully July.” IS ON The panel’s next order of business was to review the first quarterly reports THE CAC? Lafayette Coffee Shop on Hyde Street, a relic from the Tenderloin’s past, is 60 years old, submitted by the $1 outliving others in the central city, though it has middle-class counterparts in other districts. million-plus payroll companies required to The incumbents “It was never execute a CBA: Twitter, Yammer, One Kings and applicants clear what Lane, 21Tech, Zoosk we were and Zendesk. PAGE 6 Four members of LAST OF ITS KIND supposed to the unpaid CAC were informed the day be- mentioning at the bottom, of course, prime do.’’ fore the May meeting Eatery’s faithful rib — is the first hint of a time warp.
    [Show full text]