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nc hicrIng - °RC SOUND yotsi r $2.50 DECEMBER 1981 Z.<7 VC LUME 12 - NUMBER 6 ENGINEER PRODUCIR 104c, a:)43'pril"t 4S\\\ ru .4 rr First look: STUDER's Digital Multitrack aid Universal Sampling Convene' - Digital Up iate, page 105 60 MIMM11111111111111M1=11111.1111M 1111111111M11111MIIIIIII 50 IMMI11111111111111=111r new ININI111111111111111111411111IMIM1UMAIIIIIIIIIIIIMIll 111111111111111111111M11111111111RAMIVAIIIMIMMIIIIIIIIIIIIIIIII /1111111/41111011111111111 40 NIIIIIIIIIIIIIIIIIIMIAIIIP.11111411/.111111111111111111111111111111 e 1111111111111111111WAIIIIIINIIIMIUMIR1IUPIELIINIIMI111111111 1.1110111MIIMAINCIIIIM. ;1 30 11111111111MMBMIVallPAM'MPAIIMMIIIIINEMMII1111111111B1111111111/1111111111AIIIIMMIAlt.1111, :11 20 t M111111111111%111111/40 aleuwmAiumourdinnullissui z 411111111.1d111111M11111111111111 INNINOEIMIVAMIPINP.111rillrAINIMPP:4111111011MMPIIIIII MUM ,Inmilwall'APAITAMIIIIIKalINIIIIMMIMAIZMI 10 MNIPWIIK/111,741P MP 41111111111LIN /11111111Gal01111"noille"=well 0 or immunimmooulimd.seslemsonstionli 01 02 0.5 1 2 5 10 2C 50 100 200 500 1000 STATI L3AD 144,44s -nch Figure 2: Static deflection of lams is 1-iad- thick fiberglass pad on application of load in pounds per square inch, for ty-Tas of itabody Moist Control Company isolators. SHOWCO doing the 'Stones Tour, page 62 Floating Floors, page 80 RELATING RECORDING ART TO RECORDING SCIENCE TO RECORDING EQUIPMENT www.americanradiohistory.com EXI=DANEI YOUFI M01:11ZONS To reach the stars in this business you need two things, talent and exceptionally good equipment. The AMEK 2500 is State of the Art design and technology respected worldwide. In the past 12 months alone, we've placed consoles in Los Angeles, Dallas, NewYork, Nashville, London, Frank- furt, Munich, Paris, Milan, Tokyo, Sydney, Guatemala City, and johannesberg. When you have a great piece of equipment, word gets around. The "2500" has become an industry standard. It's everything you want in a master recording console, and ... with the recent strength of the U.S. dollar versus the British pound, it's currently at a price that's even better than you expected. But why not find out for yourself? You can get all the speci- fications and information with just a phone call to one of our dealers... They'll be happy to help you "EXPAND YOUR HORIZONS." AMEK DEALERS: AMEK SYSTEMS AND CONTROLS, LTD. EVERYTHING AUDIO WESTBROOK AUDIO, INC. Islington Mill, James Street 16055 Ventura Boulevard, Suite 1001 11836 Judd Court, Suite 336 Salford M3 5HW, England Encino, California 91436 Dallas, Texas 75243 Phone 061 -834 6747 'Telex 668127 Phone (213) 995-4175-Telex 651485 Phone (214) 699 -1203 R -e/p 2 December 1981 www.americanradiohistory.com "It's ahead of its time, and that's where I like to be: Suzanne Ciani, composer /producer and sound designer. New York Istill find it hard to believe how much faster and Otari kept everything in balance - lots of easier all of my work has been since I put the headroom in the audio, and on the equip- "" MTR -90 in my own studio. ment budget. Tape handling is fast but gentle. Functions Otari's absolute commitment to doing are straightforward. I can create without something right is really evident to me since fear of 'waiting for the machine', concen- I've put their machine to the test. And last, trating on my art, noc the buttons. but not least, it's elegant and compact. Because much of my work is synthesized These are some of the many reasons I electronic composition, my demands on the bought the Otari MTR -90; it's way ahead of its performance of a machine are some of the time. toughest imaginable; to compose just a short And that's where I like to be:' segment of music, I (layer hundreds of passes Ms. Ciani, principal of Ciani Musica, Inc., a New on the tape. In a completed piece, there's lots ork -based production company, is soon to re- of hours that are accumulated. The MTR -90 ase her first original electronic album, "New takes it all in stride; no tape wear, it holds align- aves "on the Victor Musical Industries label. She ment incredibly well, and I can use the outside lds a Master's Degree in music composition and tracks without worrying. There's very good s been at the forefront of electronic music for crosstalk isolation which is so important to record- 1 arly fifteen years. ing electronic music.. I also like the fact that the maintenance has SPARS been minimal. DE0 The MTR -90 was also good news for my accountart. I had IOtari Corporation, 2 Davis Drive Advisory more than a multitrack recorder, and the a budget that had to buy Belmont, California 94002 Member (415) 592 -8311 Telex: 910 -376 -4890 ApipFon additional infhrmation circle tt 2 p..!,www.americanradiohistory.com United/Western Studios, for your confidence in Neve and our Model 8108/56 with NECAM, lI fa at - c""' Zeta.. - www.americanradiohistory.com SCAM Neve Computer Assisted Mixing System Capitol Records First NECAM in North America .;'íÑ.-+.'+Vî J, J J . Pinewood A&R Recording {+.4.0/4 i Studios Automated Sound % Queen Village Axis Sound RCA Records Damon Productions Ronnie Milsap Eastern Sound RPM Sound Electric Lady Rumbo Recorders Emerald City Skaggs Video Fantasy Records Soundcastle Goodnight L.A. Sound City The Hit Factory Sound Labs Hollywood Sound Sound Stage Studio Lion Share Recording Studio 55 Motown/Hitsville United Sound Muscle Shoals Sound United Western Phil Ramone Universal Recording Pierce Arrow Recorders The Village Recorder Waterstreet CBS Records Latest NECAM in New York Still Number One And determined to keep it that way! Neve introduced the NECAM Computer Assisted Mixing System in 1976, to be immediately accepted by the recording industry as the only practical computer assisted mixdown system available. And in 1981, 5 years later, NECAM is not only maintaining but rather advancing its lead on the competition with the recent introduction of NECAM Il. Ask the artists, the producers, the mixing engineers. Most of the top professionals in our industry agree NECAM is still the only practical automation system around. And it is fully compatible with video sound production facilities. Advance with NECAM, and join the Neve world of Excellence. Some of the unique NECAM features: Exclusive instinctive update Store and recall up to 999 mixes Time independent Full auto locate to anywhere on the tape by 999 point memory Compatible studio to studio SMPTE time code based No multiple pass delay Merge mixes /tracks Unlimited grouping Auto-mute on wind/rewind Auto pre -roll Up to 64 circuits with 999 programmable events for trigger of external effects and functions Programmable roll -back and repeat Memorized track muting N Neve Rupert Neve Incorporated Berkshire Industrial Park, Bethel, Connecticut 06801 Tel: (203)744 -6230 Telex: 969638 Rupert Neve Incorporated 7533 Sunset Blvd., Hollywood, California 90046 Tel: (213)874 -8124 Telex: 194942 Rupert Neve Incorporated P.O. Box 120907, Nashville, Tennessee 37212 Tel: (615)385 -2090 Rupert Neve of Canada. Ltd. 2721 Rena Road, Malton, Ontario L4T 3101, Canada Tel: (416)677 -6611 Telex: 983502 Neve Electronics International, Ltd. Cambridge House, Melbourn, Royston, Hertfordshire, SG8 6AU England Tel: (0763)60776 Rupert Neve GmbH 6100 Darmstadt Bismarckstrasse 114, West Germany Tel: (06151)81764 December 1981 D R -e/p 5 www.americanradiohistory.com December 1981 Volume 12 - Number 6 - Contents - - the magazine to exclusively serve the Production Viewpoint RECORDING STUDIO and CONCERT SOUND ... Dave Mason, Eddie Money, The Babys, Jefferson Starship . industries . those whose work involves the RON NEVISON and his flexible production techniques engineering and production of commercially ... marketable product for by Robert Carr - page 34 - Records and Tape - Film The Business Side of Production - - Live Performance SUCCESSFULLY NEGOTIATING THE RECORD PRODUCER'S - Video and Broadcast AGREEMENT - Part Two: Payments To Producers - the magazine produced to relate recording by Neville L. Johnson ART ... to recording SCIENCE ... to recording EQUIPMENT. and Daniel Webb Lang - page 48 Concert Sound Reinforcement - SHOWCO ... Doing The Audio for THE ROLLING STONES by Robert Carr - page 62 Editor /Publisher........... MARTIN GALLAY Studio Acoustics and Construction Editor at Large MEL LAMBERT - Feature Writer ROBERT CARR SOUND INSULATION AND ISOLATION - Consulting Editors - PROPERTIES OF FLOATING FLOORS ROMAN OLEARCZUK ... Technical Operations Practical Engineering for Wood and Concrete MARTIN POLON Video by Michael Rettinger DOUGLAS HOWLAND ... Broadcast - page 80 STEVEN BARNETT ... Film Staff Illustrator HOLLY FERGUSON Disk Recording Technology - Advertising Service THE ANALOG DISK - IS THERE LIFE AFTER DIGITAL? Manager PATTY COLLINS A Roundtable Discussion with Leading Mastering Circulation /Subscription Engineers Manager SANDY ST. CLAIRE by Neil Brody - page 84 Studio Operations - ELECTRONICS, TROUBLESHOOTING AND MAINTENANCE The Pre- Distortion Phenomenon Construction of Linearization and Distortion Analyzer Circuits "RECORDING Engineer /Producer" by Ethan Winer - page 96 (USPS 768 -840) is published six times a year by GALLAY COMMUNICATIONS, INC., 1850 Whitley - Views - Avenue. Hollywood, California 90028, and is Audio/Video Recording - sent to qualified recipients in the United States. CASE EXAMPLES FROM BONNEVILLE PRODUCTIONS One year (six issues) subscriptions may be - Breaking Into the Video Sweetening Business by Bill Cutting - page 12 purchased at the following rates: United States (Surface Mail) $15.00 THE VISUAL-MUSIC MARKETPLACE United States (First Class)
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