Developing a Robust Migration Workflow for Preserving and Curating Hand-Held Media
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International Preservation Issues Number Seven International Preservation Issues Number Seven
PROCEEDINGS OF THE INTERNATIONAL SYMPOSIUM THE 3-D’SOFPRESERVATION DISATERS, DISPLAYS, DIGITIZATION ACTES DU SYMPOSIUM INTERNATIONAL LA CONSERVATION EN TROIS DIMENSIONS CATASTROPHES, EXPOSITIONS, NUMÉRISATION Organisé par la Bibliothèque nationale de France avec la collaboration de l’IFLA Paris, 8-10 mars 2006 Ed. revised and updated by / Ed. revue et corrigée par Corine Koch, IFLA-PAC International Preservation Issues Number Seven International Preservation Issues Number Seven International Preservation Issues (IPI) is an IFLA-PAC (Preservation and Conservation) series that intends to complement PAC’s newsletter, International Preservation News (IPN) with reports on major preservation issues. IFLA-PAC Bibliothèque nationale de France Quai François-Mauriac 75706 Paris cedex 13 France Tél : + 33 (0) 1 53 79 59 70 Fax : + 33 (0) 1 53 79 59 80 e-mail: [email protected] IFLA-PAC Director e-mail: [email protected] Programme Officer ISBN-10 2-912 743-05-2 ISBN-13 978-2-912 743-05-3 ISSN 1562-305X Published 2006 by the International Federation of Library Associations and Institutions (IFLA) Core Activity on Preservation and Conservation (PAC). ∞ This publication is printed on permanent paper which meets the requirements of ISO standard: ISO 9706:1994 – Information and Documentation – Paper for Documents – Requirements for Permanence. © Copyright 2006 by IFLA-PAC. No part of this publication may be reproduced or transcribed in any form without permission of the publishers. Request for reproduction for non-commercial purposes, including -
Analog, the Sequel: an Analysis of Current Film Archiving Practice and Hesitance to Embrace Digital Preservation by Suzanna Conrad
ANALOG, THE SEQUEL: AN ANALYSIS OF CURRENT FILM ARCHIVING PRACTICE AND HESITANCE TO EMBRACE DIGITAL PRESERVATION BY SUZANNA CONRAD ABSTRACT: Film archives preserve materials of significant cultural heritage. While current practice helps ensure 35mm film will last for at least one hundred years, digi- tal technology is creating new challenges for the traditional means of preservation. Digitally produced films can be preserved via film stock; however, digital ancillary materials and assets in many cases cannot be preserved using traditional analog means. Strategy and action for preserving this content needs to be addressed before further content is lost. To understand the current perspective of the film archives, especially in regards to the film industry’s marked hesitation to embrace digital preservation, the Academy of Motion Picture Arts and Sciences’ paper “The Digital Dilemma: Strategic Issues in Archiving and Accessing Digital Motion Picture Materials” was closely evaluated. To supplement this analysis, an interview was conducted with the collections curator at the Academy Film Archive, who explained the archives’ current approach to curation and its hesitation to move to digital technologies for preservation. Introduction Moving images are a vital part of our cultural heritage. The music, film, and broadcasting industries, as well as academic and cultural institutions, have amassed a “legacy of primary source materials” of immense value. These sources make the last one hundred years understandable as an era of the “media of the modernity.”1 Motion pictures and films were established as vital archival records as early as the 1930s with the National Archives Act, which included motion pictures in the definition of “objects of archival interest.”2 As cultural artifacts, moving images deserve archival care and preservation.3 However, the art of preserving moving images and film can at times be daunting. -
Instructions and Dehinitions: FY2014
Instructions and Deinitions: FY2014 Table of Contents Introduction 2 Background 2 What’s New for the FY2014 Survey 2 FAQ 4 General Instructions 6 General Information 6 Section 1: Conservation Treatment 8 Section 2: Conservation Assessment, Digitization Preparation, Exhibit Preparation 9 Section 3: General Preservation Activities 10 Section 4: Reformatting and Digitization 10 Section 5: Digital Preservation and Digital Asset Management 13 Introduction Count what you do and show preservation counts! The Preservation Statistics Survey is an effort coordinated by the Preservation and Reformatting Section (PARS) of the American Library Association (ALA) and the Association of Library Collections and Technical Services (ALCTS). Any library or archives in the United States conducting preservation activities may complete this survey, which will be open from January 20, 2015 through February 27, 2015. The deadline has been extended to March 20, 2015. Questions focus on production-based preservation activities for /iscal year 2014, documenting your institution's conservation treatment, general preservation activities, preservation reformatting and digitization, and digital preservation and digital asset management activities. The goal of this survey is to document the state of preservation activities in this digital era via quantitative data that facilitates peer comparison and tracking changes in the preservation and conservation /ields over time. Background This survey is based on the Preservation Statistics survey program by the Association of Research Libraries (ARL) from 1984 to 2008. When the ARL Preservation Statistics program was discontinued in 2008, the Preservation and Reformatting Section of ALA / ALCTS, realizing the value of sharing preservation statistics, worked towards developing an improved and sustainable preservation statistics survey. -
Troubleshooting Configuration Manager
Microsoft System Center Troubleshooting Configuration Manager Rushi Faldu n Manoj Kumar Pal n Andre Della Monica n Kaushal Pandey Mitch Tulloch, Series Editor Visit us today at microsoftpressstore.com • Hundreds of titles available – Books, eBooks, and online resources from industry experts • Free U.S. shipping • eBooks in multiple formats – Read on your computer, tablet, mobile device, or e-reader • Print & eBook Best Value Packs • eBook Deal of the Week – Save up to 60% on featured titles • Newsletter and special offers – Be the first to hear about new releases, specials, and more • Register your book – Get additional benefits Hear about it first. Get the latest news from Microsoft Press sent to your inbox. • New and upcoming books • Special offers • Free eBooks • How-to articles Sign up today at MicrosoftPressStore.com/Newsletters Wait, there’s more... Find more great content and resources in the Microsoft Press Guided Tours app. The Microsoft Press Guided Tours app provides insightful tours by Microsoft Press authors of new and evolving Microsoft technologies. • Share text, code, illustrations, videos, and links with peers and friends • Create and manage highlights and notes • View resources and download code samples • Tag resources as favorites or to read later • Watch explanatory videos • Copy complete code listings and scripts Download from Windows Store Free ebooks From technical overviews to drilldowns on special topics, get free ebooks from Microsoft Press at: www.microsoftvirtualacademy.com/ebooks Download your free ebooks in PDF, EPUB, and/or Mobi for Kindle formats. Look for other great resources at Microsoft Virtual Academy, where you can learn new skills and help advance your career with free Microsoft training delivered by experts. -
Avid Unity Media Engine and Avid Mediarray XT V5.3.3 Readme
Avid Unity™ Media Engine and Avid MEDIArray™ XT Version 5.3.3 ReadMe Revision History Date Revised Release Changes Made 3/25/2011 v5.3.3 This release is a Macintosh® Snow Leopard® client release only. This Macintosh client release supports editing and data migration, see “New in Version 5.3.3” on page 8. 3/2/2011 v5.4 Avid Unity MediaNetwork v5.4 has been qualified for Windows® clients to do editing and has added support for the Windows Server 2008 R2 operating system. For details, see “New in Version 5.4” on page 9. 1/7/2011 v5.4 This release has qualified dual connections on Windows clients using an Ethernet connection to an Avid ISIS® 5000 and a Fibre Channel connection to your Avid Unity MediaNetwork. Clients can copy data between workspaces. For details, see see “New in Version 5.4” on page 9. 1/7/2011 v5.3.2 The status of the Macintosh Snow Leopard v5.3.2 client release has been changed. This Macintosh client release is only for use with data migration, see “New in Version 5.3.2” on page 11. 12/15/2010 v5.3.2 This release is a Macintosh Snow Leopard client release only. It corrects an issue introduced in v5.3.1 with Macintosh clients. For details, see “New in Version 5.3.2” on page 11. This release also has been qualified with an Ethernet connection to an Avid ISIS® 5000 and a Fibre Channel connection to your Avid Unity MediaNetwork. Clients can copy data between workspaces using the Apple® Finder application. -
Avid ISIS Readme Version 4.7.5
Avid ISIS ReadMe Version 4.7.5 Date Revised Release Changes Made 6/26/2015 v4.7.5 Updated for 4.7.5 release, and added “STIGs Qualification” on page 19 02/06/2015 v4.7.4 Added “New in Avid ISIS v4.7.4” on page 7; updated “Supported Upgrade Paths” on page 14 and “Hardware and Software Requirements” on page 16 and “Supported Ethernet Cards and Drivers” on page 17. 10/08/2014 v4.7.3 Clarified list of fixes in “New in Avid ISIS v4.7.3” on page 9, and note in “System Director and Client Version Compatibility” on page 15. 10/03/2014 v4.7.3 ISIS v4.7.3 is NOT recommended for ISIS | 5500 & ISIS 5000 connected via 4x1 GbE links to a network switch. 10/03/2014 v4.7.3 Added issue with 10 Gb/Zone 2 clients and ISIS | 7500 systems to “Client Issues” on page 21. 9/25/2014 v4.7.3 Added “New in Avid ISIS v4.7.3” on page 9, and “Enabling Flash Player on Windows Server 2012” on page 24. Revised “Supported Upgrade Paths” on page 14 and “System Director and Client Version Compatibility” on page 15. 9/16/2014 v4.7.2 Modified ISIS | 5500 Upgrade Path information; see “Supported Upgrade Paths” on page 14. 9/5/2014 v4.7.2 Added “New in Avid ISIS v4.7.2” on page 10. 8/30/2014 v4.7.2 Corrected 10Gb client support for Adobe Premiere; see “Adobe Premiere Pro Software Approved” on page 26. 8/28/2014 v4.7.2 Added “New in Avid ISIS v4.7.2” on page 10. -
Content Preservation and Digitization of Maps Housed in the KU Natural History Museum Division of Archaeology: an Analysis of Op
1 Content Preservation and Digitization of Maps Housed in the KU Natural History Museum Division of Archaeology: An Analysis of Opportunities and Obstacles By Ross Kerr A study presented in partial fulfillment of the requirements for the degree of Master of Arts in Museum Studies The University of Kansas April 27 2017 *Address for correspondence: [email protected] *With special thanks to Dr. Sandra Olsen, Dr. Peter Welsh, and Mr. Steve Nowak for serving on my committee and overseeing my research. 2 Abstract The purpose of this research is to explain the obstacles museums face in preserving map collections, as well as the steps museums can take to overcome these obstacles. The research begins with a brief history of paper conservation of maps in museums and libraries, and digitization of maps. Next, there is an explanation of the theoretical framework/approach that is used in this project. Following that is a presentation of a SWOT analysis of the archaeological map collection held by the KU Biodiversity Institute & Natural History Museum. The first two components of the SWOT analysis, strengths and weaknesses, focus on advantages and shortcomings of the collection in its current state. The last two components, opportunities and threats, focus respectively on the benefits that can be expected from preserving the map collection, and the obstacles that may hinder process. Finally, the study outlines a procedure for preserving and digitizing the archaeological maps held by the KU Biodiversity Institute, in order to expand accessibility -
Easypacks - Your Easyinstall® Application Portal
EasyPacks - your EasyInstall® application portal Pre-packaged software and applications for EasyInstall, ready for download. Why spend precious time to pack, update and test standard software and applica- tions when it is already done. With a few clicks you can download the latest soft- ware from EasyPacks. Errors and security vulnerabilities is constantly found in standard applications and the software supplier issues updates on a regular basis - we keep an eye on this for you .... It can be fatal if standard applications are not kept up to date. Hackers are unfor- tunately extremely talented to exploit these vulnerabilities. As an example, if Java is not updated, which in itself is a huge security risk, it can cause lack of access to banking and other public services. All software is packed, tested, virus free and quality assured by IXP Data. We have more than 150 updated application packages ready for you and more keep coming. We ensure that packets are continuously updated and we will send you an e-mail when new downloads are ready. On the EasyPacks website you can contact us with suggestion for additional standard applications for EasyPacks. EasyPacks is a subscription service which is settled by number of EasyInstall li- censes. The subscription runs for 1 year. System requirements: EasyPacks require EasyInstall version 5 or higher IXP Data ApS • Søndre Alle 9 • 4600 Køge • VAT 32749305 • 56275402 • [email protected] • www.ixpdata.com Selected application packages: Java, CutePDF, Adobe Reader, Adobe Flash Player, Apple QuickTime, -
Digital Preservation Handbook
Digital Preservation Handbook Digital Preservation Briefing Illustrations by Jørgen Stamp digitalbevaring.dk CC BY 2.5 Denmark Who is it for? Senior administrators (DigCurV Executive Lens), operational managers (DigCurV Manager Lens) and staff (DigCurV Practitioner Lens) within repositories, funding agencies, creators and publishers, anyone requiring an introduction to the subject. Assumed level of knowledge Novice. Purpose To provide a strategic overview and senior management briefing, outlining the broad issues and the rationale for funding to be allocated to the tasks involved in preserving digital resources. To provide a synthesis of current thinking on digital preservation issues. To distinguish between the major categories of issues. To help clarify how various issues will impact on decisions at various stages of the life-cycle of digital materials. To provide a focus for further debate and discussion within organisations and with external audiences. Gold sponsor Silver sponsors Bronze sponsors Reusing this information You may re-use this material in English (not including logos) with required acknowledgements free of charge in any format or medium. See How to use the Handbook for full details of licences and acknowledgements for re-use. For permission for translation into other languages email: [email protected] Please use this form of citation for the Handbook: Digital Preservation Handbook, 2nd Edition, http://handbook.dpconline.org/, Digital Preservation Coalition © 2015. 2 Contents Why Digital Preservation Matters -
File Naming Conventions / Folder Structures
All presentations from the emerging researcher series will be available from: http://www.eresearch.uct.ac.za/eresearch-training Research data lifecycle Access Dataset transfer Databases Collaborate Web-based file sharing Automated ingest Collaborative sites and management Acquire Analyse HPC Cloud Virtual labs Technical advice Costing Grant assistance Comprehend Plan Visualisation facilities Publish Manage Institutional repository Reuse Archive RDM support Gathering Data Gathering Data 11 August 2016 Gathering Data Emerging Researcher Series Thursday, 11th August 2016 Ashley Rustin - Senior eResearch Technical Specialist Niklas Zimmer – Head: Digital Library Services Data (File) Storage UCT Research data storage Gathering Data Gathering Data 11 August 2016 Research data storage • Almost 400 TB allocated to date • +- 700 Users accessing our Research Data Storage • Current rate 40 TB/m provisioned • 90 TB fast parallel storage on HPC (fhgfs) Storage Provisioned arceibo 400 Uptake Rate (74 TB) 350 Astronomy 300 250 TB 200 CASA 150 (74 TB) 100 50 0 9/18/2014 12/27/2014 4/6/2015 7/15/2015 10/23/2015 SATVI (70 TB) Gathering Data Gathering Data 11 August 2016 Research data storage allocation: Storage allocation in Terabytes (TB) 80 73 73 70 70 70 60 48 50 40 Storage in TB 30 25 20 20 10 10 8 10 6 4 5 5 5 5 5 3 2 0.5 1 1 1 1 1 1 0 All Departments & Units Gathering Data 11 August 2016 Accessing your Research data storage • A mapped network drive on your Windows, Linux or Apple computer • Web browser using NextCloud to access all your external storage, eg. -
Guidance for Digital Preservation Workflows Authors: Kevin Bolton, Jan Whalen and Rachel Bolton (Kevinjbolton Ltd)
Guidance for Digital Preservation Workflows Authors: Kevin Bolton, Jan Whalen and Rachel Bolton (Kevinjbolton Ltd) This publication is licensed under the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://www.nationalarchives.gov.uk/doc/open-government-licence/version/3/ Any enquiries regarding this publication should be sent to: [email protected]. 1 Introduction The guidance was commissioned by the Archive Sector Development department (ASD) of The National Archives (TNA). It aims to support archives in the United Kingdom to move into active digital preservation work by providing those who work with archives: Practical examples of workflows for managing born digital content, that you can change and use in your own organisation. Actions for how to process and preserve born digital content, including using free software. In this guidance, a workflow is a number of connected steps that need to be followed from start to finish in order to complete a process. You do not need a significant level of digital preservation knowledge in order to follow the guidance. Certain terminology is explained in the glossary. In the guidance we refer to “digital content” or “content” – this is what we hope to preserve. Digital preservation literature often calls this “digital objects”. The guidance will show you which steps are “Essential” and you may prefer to follow these steps only. It is better to do something, rather than nothing! We are not promoting a ‘one size fits all’ approach and expect archives to use and adapt the guidance depending on the needs of their organisation. -
Metadata Requirements and Preparing Content for Digital Preservation
METADATA REQUIREMENTS AND PREPARING CONTENT FOR DIGITAL PRESERVATION v1.7.0 This document forms part of the Ministry of Education and Culture’s Open science and digital cultural heritage entity Licence Creative Commons Finland CC-BY-NC-SA 4.0 (https://creativecommons.org/licenses/by-nc-sa/4.0/) Users of this Specification are entitled to distribute the report, i.e. copy, circulate, display publicly and perform publicly the standard portfolio and modify it under the following conditions: . The MinistryThis document of Education forms and Culture part of is the appointed Ministry the of Original Education Author and (not, Culture’s however, so that notification would Openrefer to scien a licenseece and or digital means cultural by which heritage the Specification entity is used as supported by the licensor). The user is not entitled to use the Specification commercially. If the user makes any modifications to the Specification or uses it as the basis for their own works, the derivative work shall be distributed in the same manner or under the same type of licence. METADATA REQUIREMENTS AND PREPARING CONTENT FOR DIGITAL PRESERVATION – 1.7.0 CONTENT 1 INTRODUCTION .................................................................................................................................................. 4 1.1 Digital Preservation Services ............................................................................................................................. 4 1.2 Resource Description .......................................................................................................................................