Registration Info for 2014 Half-Day Intensives

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Registration Info for 2014 Half-Day Intensives

HHaallff DDaayy IInntteennssiivveess Saturday, Nov. 1 Hahn School of Nursing, University of San Diego 9 AM - NOON: Picture Book Intensive with Andrea Welch Ten Essential Picture Book Elements—How does your Manuscript Measure Up This interactive workshop explores ten key elements editors look for in books for young children, including voice, pacing, narrative tension, and emotional content—with lots of real-life examples of each. Participants will come away with a clear sense of what makes a picture book project irresistible to an editor. Andrea is a senior editor at Beach Lane Books, a San Diego-based imprint of Simon & Schuster. She has worked with a long list of authors and illustrators, including Douglas Florian, Robert Neubecker, and Angela DiTerlizzi. Recent books include the New York Times best-selling LMNO Peas by Keith Baker, Baby Bear Sees Blue by Ash- ley Wolff, and the Brownie & Pearl series by Cynthia Rylant, illustrated by Brian Biggs. Andrea acquires proj- ects for children of all ages—especially those that are filled with heart, humor, and irresistible characters. 1 – 4 PM: Middle Grade/Young Adult Novel Intensive with Deborah Halverson Crafting a Youthful Narrative Voice and Sensibility in MG/YA Fiction Whether your narrator is your main character or an all-knowing omniscient being, there are ways to convince young readers you understand them and their view of the world—and to hook’em good and hard in the process. This workshop looks at creating a narrative sensibility that reflects the way teens and tweens think, and provides strategies for analyzing and re- vising your manuscript’s narrative . This workshop includes lecture with examples, group revision exercises, and individual revision exercises. Deborah edited books for Harcourt Children's Books for a decade before becoming the award-winning author of Writing Young Adult Fiction For Dummies, Writing New Adult Fiction, the teen novels Honk If You Hate Me and Big Mouth, the picture book Letters to Santa. She is now a freelance editor, author, writing instructor, and the founder of the popular writers’ advice site DearEditor.com. Each attendee must bring three copies of the first five pages of their current MG or YA work-in-progress. REGISTRATION FORM Space is limited. Name _______________________________________ email________________________________________ Address__________________________________________________________________________ City __________________________ State _____ Zip Code ___________ Phone_______________________ Both Intensives (includes a $10 discount) ____ $80 Season Ticket Holder, SCBWI Member ____ $110 Nonmember with a Season Ticket ____ $90 SCBWI Member without a Season Ticket ____ $120 Nonmember One Intensive Only (please check one) ____ PB (morning) ____ MG/YA (afternoon) ____ $45 Season Ticket Holder, SCBWI Member ____ $60 Nonmember with a Season Ticket ____ $50 SCBWI Member without a Season Ticket ____ $65 Nonmember Please make checks payable to: SCBWI-San Diego (Registration also available online at www.sandiego.scbwi.org) Mail registration and check to: SCBWI – San Diego, P.O. Box 22300, San Diego, CA 92192-2300.

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Presentation Menu for Deborah Halverson
Presentation Menu for Deborah Halverson [email protected] | DeborahHalverson.com | DearEditor.com In her 25+ years as an editor, author, and writing instructor, Deborah has created many workshops, one- hour sessions, and speeches, covering a range of topics and levels of experience. This menu is a sampling. Deborah is open to creating presentations customized to group needs and interests. General… “State of the Industry and Market Trends” [1-hour Session]: Learn what industry insiders see when they assess today’s children’s book marketplace, and what their submission inboxes and acquisitions look like. “Submission Workshop: Writing Queries, Strategizing Submissions, and Interpreting Editorial Feedback” [Workshop]: For writers of all children’s book categories, and beginners as well as advanced writers looking to perfect their submission package and strategy. “How to Hide the Seams for Smooth, Flowing Fiction” [1-hour Session]: Regardless of your novel’s category or genre, learn techniques to transition from one paragraph, scene, or chapter to the next so smoothly that readers don’t even know they were transitioned. about Young Adult / Middle Grade Fiction… “How to Build Your Own Teenager: Techniques for Writing Believable MG/YA Characters” [Workshop]: Learn techniques for building teen and tween characters that reflect the unique perspective of real, flesh-and-blood young people. “Crafting Swoon-Worthy YA Romantic Relationships” [1-hour Session or full Workshop]: Learn techniques and strategies for crafting romantic characters and relationships that are rich, real, and riveting (and that may include some hubba hubba). “How to Talk Like a Teen When You’re SO Not One: Writing Dialogue for YA/MG Fiction” [1-hour Session or full Workshop]: Teen readers want to hear directly from the teen characters in their books.
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Marlboro College
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Liminality, Marginality and Narrative Mode in David Belbin's Fiction
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The YA Novel in the Digital Age by Amy Bright a Thesis
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Genre Is a Category of Art, Music Or Literature. Here Are Some Definitions of the Main Genres
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Off the Shelf: the Official Newsletter of the Parker Library
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Christy Burrows
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