Qolle Brochure.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Qolle Brochure.Pdf "Qolle" is the Brand Name used for TAMURA CORPORATION Professional Studio Equipment,which includes a Digital/Analog broadcasting and recording console and a sophisticated synchronization machine controller for use in post-production studios. Our products have made a favourable impact in Japan and we are now aiming to promote our quality products overseas. 2 3 In the Qolle Digital Audio Console AMQ Series, the AMQ3000 is a top-end digital audio product with a maximum available 128 audio processing channels and a 5.1 surround mixing program. It incorporates many " live on air " ideas and is most suitable in a TV or Radio broadcasting environment. For example all digital audio inputs have a sampling rate converter in order to input 28 ~ 50 KHz synchronous signals , for example changing from 'lock to unlock', using a noiseless patching process. For analog input signals A/D Converter circuits have 30dB head-room! Additionally each channel's processing unit is equipped with an audio delay function that can be controlled from the console. Haven't you experienced the following situation during a live program "Hey! The Lip-sync doesn't match! Change the delay timing!" The AMQ3000's delay sound process is designed to make a natural- sounding switch using cross-fading between old and new delay times. These ideas and specifications are born from experience in the field and aim to satisfy the most stringent of sound engineer's demands. Also coming to the market soon is our AMQ1000, a 16 channel digital mixer, which will be ideal for small and medium scale radio broadcasts! The following Audio mixer models are great for outside or field production. AMX-4S : 4 Channel shoulder-type Audio Mixer AMX-12 : 12 Channel portable Audio Mixer AMX-16 : 16 Channel portable Audio Mixer AMX-20 : 20 Channel portable Audio Mixer ADX-5000: 48 Channel Audio Mixer (with full assist Memory settings) 4 TAMURA's Analog Audio Consoles have been used mainly by Japanese broadcasting companies over the last 30 years. Among our Analog Audio Consoles, the ADX Fully Assisted Audio Console is our main product. The ADX series is able to memorize and also control all parameters to a separate processing unit from the operational console unit. The ADX-8000 especially has the capacity to control a very large system that might have over 200 audio processing channels, yet maintain high quality sound whilst providing optimum customization for users. The ADX-8000 uses an integrated studio-friendly software system called "NEX-us", which is capable of not only memorizing and recalling audio processing parameters, but also includes software to enable CAD for microphone arrangement plan drawings, for setting matrix software showing microphone input lines from the studio floor or for output lines to the master line or effectors and also for automatically setting mix-minus, etc. This software is usually customized to suit the shape of the studio, the position of the connecting plate, the number of lines to be accommodated and the name of each line and the effector. We can also supply peripherals to enhance your system's performance. The highest quality product is the result of TAMURA's persistent pursuit of perfection in both the Analog and Digital Audio processes! We can supply equipment for many types of studio systems. Each and every product has been rigorously developed following many tests and experiments. A/D Converter Unit Analog Audio Distribution Amplifier Unit D/A Converter Unit Analog Audio Relay Matrix Unit and System Digital Audio Limiter Unit Digital Audio Delay Unit Sampling Rate Converter Unit 5 In order to continually upgrade the studio environment we intend to also develop a series of system control products. SRX-3000 is a sophisticated studio system controller developed for professional audio post-production and studio engineers. Creating a stress-free operational environment is the primary objective by merging the operations of the various pieces of equipment in the audio post-production studio for movie or TV program production. This is the birth of a new integrated studio system capable of being controlled by, and controlling any piece of equipment in that system using Tamura's SRX-3000. Improvement of the ports (4 input ports) accommodating remote control of DAW (Digital Audio Workstation), mixing console, etc., makes it possible to operate machines adapted for special purposes, such as pinpointing a specific frame, or specifying points of sound to be edited, or for Mixing automation. We are dedicated to the creation of superior quality production using the SRX-3000 System This simple Serial Remote Controller is able to regulate one machine which uses SONY 9-pin control protocols such as : Beta-cam, DVR-**, HWD-**, D-3, D-5, DAT, DA - 98, Steenbeck VMOD, Dremi V1D and Viewtronics Viper. 6 DIGITAL AUDIO CONSOLE COMPANY Studio CH scale Usage NHK(Japan Broadcasting Corporation) Dub1,2 16,16 News post-prduction NHK Nagano(Japan Broadcasting Corporation) 1st. 24 TV on air NHK Osaka(Japan Broadcasting Corporation) RN1st. 32 Radio on air TBS(Tokyo Broadcasting System, Inc.) E,Fst. 32,32 TV on air Kansai Telecasting Corporation Bst. 16 TV on air Chubu-Nippon Broadcasting Co., Ltd. Bst. 36 TV on air Television Saitama Co., Ltd. 1st. 32 TV on air Broadcasting-FM of Yamagata 1st. 16 Radio on air FM Fukuoka 1,2,3st. 20,16,16 Radio on air Aomori Television Broadcasting Co., Ltd. 1st. 32 TV on air MBS(Mainichi Broadcasting System, Inc.) News st. 24 News post-production Aichi Television Broadcasting Co., Ltd. 2st. 24 TV on air TV Kumamoto Co., Ltd. TV sub 40 TV on air Shin-Hiroshima Telecasting Co., Ltd. 2st. 36 TV on air Nikkei Visualimages inc. A,Bst. 16,16 TV on air FM Okinawa Broadcasting Co., Ltd. 1,2,3st. 24,24,24 Radio on air Universal Studio Japan URst. 24 Radio on air(Studio tours) STV(The Sapporo Television Broadcasting Co., Ltd.) 1st. 28 Radio on air Fukui Broadcasting Corporation News st. 16 TV on air FM Nakakyushu Broadcasting Co., Ltd. 1,2,3st. 16,16,16 Radio on air ANALOG AUDIO CONSOLE COMPANY Studio CH scale Usage NHK(Japan Broadcasting Corporation) CT-101 200 TV on air CT-103 32 TV on air CT-109 32 TV on air CT-114 40 TV on air NHK Hall 108 TV on air CD-604 64 post-production CD-808 64 post-production CD-809 64 post-production NTV(Nippon Television Network Corporation) Kst 64 TV on air Gst 108 TV on air 207 64 Audio Mobile CV center 32 post-production TBS(Tokyo Broadcasting System, Inc.) Ast. 96 TV on air Bst. 96 TV on air Nsub 40 TV on air 602MA 48 post-production CXTV(Fuji Television Network, Inc.) V2st. 112 TV on air V4st. 128 TV on air V5st. 112 TV on air Audio Mobile 48 Audio Mobile CT-2 48 Audio Mobile TV Asahi(Asahi National Broadcasting Co., Ltd.) News sub 40 TV on air THK(Tokai Television Broadcasting Co., Ltd.) 3sub 48 TV on air ABC(Asahi Broadcasting Co., Ltd.) ABC hall 48 TV on air Totsu Video Center Co., Ltd. MA st. 32 post-production CONTROLLERS COMPANY Studio Item NHK(Japan Broadcasting Corporation) CD-804, CD-609, CD-811 SRX-3000 HDV-520, 521, 522 TEX-2000 CD-513, 514 TEX-2000 CD-807, 808, 809, 810, 812 TEX-2000 TBS(Tokyo Broadcasting System, Inc.) 602MA SRX-3000 Sony PCL Inc. 408st. SRX-3000 IMAGICA Corp.(Shinagawa) Recording st., MA3st. SRX-3000 IMAGICA Corp.(Akasaka) 3MA, 5MAst. SRX-3000 MBS(Mainichi Broadcasting System, Inc.) NEWS post-production SRX-3000 Chiyoda Video MA st. SRX-3000 P. Three MA1, MA2st. SRX-3000 Sound Universe MA1 SRX-3000 7 TAMURA CORPORATION HEAD OFFICE : System Products Business Unit / Qolle Sales Group http://www.tamura-ss.co.jp/ 1-19-43, Higashi-Oizumi, Nerima-ku, Tokyo, 178-8511 Japan Tel : +81-3-3978-2242 Fax : +81-3-3978-2005 TAMURA CORPORATION OF AMERICA 43352 Business Park Drive Temecula, California 92590-6624 USA Tel : +1-909-699-1270 Fax : +1-909-676-9482 TAMURA HINCHLEY LTD. Hopton Industrial Estate, London Road, Devizes, Wiltshire SN10 2EY, United Kingdom Tel : +44-1380-731700 Fax : +44-1380-731702 Contents made of 100% TAMURA CORPORATION OF KOREA recycled paper Chung-ang Bldg., 4/F, 454-9 Sung Nae-dong, Kang Dong-ku, Seoul, 134-031 Korea Tel : +82-2-489-5354 Fax : +82-2-489-5360 2002-3-2KAI A-2027.
Recommended publications
  • Japan Content Showcase2016 マーケットレポート
    Market Report 2016 Focused on latest trends 18,330 participants conducted various business meetings PARTICIPANTs Japan Content Showcase is a leading multi-content market in Asia featuring music, films, TV and animation. JCS celebrated 5th anniversary in 2016 as a joint market with TIFFCOM (the affiliated market of Tokyo International Film Festival*1), Tokyo International Music Market (TIMM) and Tokyo International Anime Festival (TIAF) and highest recorded, 18,330 participants visited the market*2. In addition to many buyers and sellers, producers and other various professionals from different fields also attended JCS 2016. *1 The only film festival in Japan approved by the International Federation of Film Producers Associations *2 Excluding live showcase outside the market Breakdown of Participants' Profession Valid responses 3,139 : Buyer's VOICE PRODUCER's VOICE Buyer's VOICE Buyer(Acquisitions) 1,189 Film Commission Film Fund 5 1 / Mary Alana Gibson Pancha Charam.P NALLIAH Irene Lloren Seller 423 Talent Management 37 Digital Media Rights LLC / USA MALAYSIAN FILM PRODUCERS ASSOCIATION /Malaysia Primetrade Asia, Inc. / Philippines Producer 340 Legal Expert/Clerk 30 The market is pretty A well organized I think it is great nice bacause I can t i m e . B e c a u s e Content Creator 299 Public Relations/Journalist 25 focus more on the event. Bravo! Asian content and buyers can actually Marketing 2 1 2 Translator/Interpreter 23 Anime. There are lots cross over from of local companies Director 74 Government Agency/Embassy 20 music to film. It t h e U S h a s n eve r wo u l d b e g re a t Festival/Market 66 Publisher 1 8 worked with before and that is kind of o p p o r t u n i t y fo r Filmmaker 57 Other 223 important.
    [Show full text]
  • Outline of Training Exercises in Fukui Prefecture (1/4)
    Outline of Training Exercises in Fukui prefecture (1/4) 1. Date and time November 27, 2005 (Sun.) 2. Organizer Cabinet Secretariat, Fukui prefectural government, Mihama Town, and Tsuruga City 3. Assumption The Mihama Nuclear Power Plant of the Kansai Electric Power Co., Inc. has been attacked by a terrorist group. Part of this facility is damaged, which may cause a leak of radioactive material. 4. Major exercise sites (1) Emergency Response On-site Headquarters (the national government, Fukui prefectural government, Mihama Town, and Tsuruga City) Fukui Mihama Nuclear Disaster Prevention Center and Fukui Tsuruga Nuclear Disaster Prevention Center (Logistic support) (2) Fukui Emergency Response Headquarters Fukui prefectural government (3) Mihama Town Emergency Response Headquarters Mihama Town Office (4) Areas requiring evacuation Nyuu district, Takenami district, and Sugahama district in Mihama Town Nishiura district in Tsuruga City (5) Evacuation center, rescue center Mihama Town health and welfare center "Haatopia" 5. Major exercises (1) Exercise to establish the Emergency Response On-site Headquarters National, prefectural and municipal on-site headquarters were established and operated at the Off-site Center (Mihama Nuclear Disaster-Prevention Center). Joint councils, etc. were operated with cooperation among related organizations. (2) Exercise to establish Emergency Response Headquarters, etc. The Emergency Response Headquarters were established by the Fukui prefectural government and municipalities. Various meetings were held and evacuation directives given. (3) Evacuation drill for local residents Based on evacuation directives and evacuation procedures compiled at the Mihama Town On-site Headquarters and Tsuruga City On-site Headquarters, the fire service, the Self- Defense Force, the Prefectural Police and the Japan Coast Guard conducted an evacuation drill for residents of areas requiring evacuation.
    [Show full text]
  • Changement Identitaire Et Revendications Régionalistes Du Kansaï Au Japon
    Université de Montréal Changement identitaire et revendications régionalistes du Kansaï au Japon par Sachiyo Kanzaki Département d’anthropologie Faculté des arts et des sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Philosophiae Doctor (Ph.D.) en anthropologie Octobre, 2013 © Kanzaki, 2013 Université de Montréal Faculté des études supérieures et postdoctorales Cette thèse intitulée : Changement identitaire et revendications régionalistes au Kansaï, Japon Présentée par : Sachiyo Kanzaki a été évaluée par un jury composé des personnes suivantes : Gilles Bibeau, président-rapporteur Bernard Bernier, directeur de recherche Thomas Lamarre, membre du jury John Price, examinateur externe Dominique Caouette, représentant du doyen de la FES Résumé Depuis quelque temps, au Japon, on utilise de plus en plus le terme « Kansaï » pour désigner la région du Kinki (littéralement « le voisinage de la capitale »). Cette thèse propose d’analyser l’émergence de cette entité régionale et de son discours culturel dans le but de pallier le manque de recherches antérieures sur la diversité socioculturelle et le régionalisme au Japon. Il y existe, d’une part, une volonté de considérer le Japon comme une entité homogène, et d’autre part, un contexte dans lequel le Japon lui-même prône l’homogénéité de son peuple. Historiquement, ces énoncés ont été réfutés à plusieurs reprises par différents chercheurs et organismes. Entre-temps, sur le plan régional, la diversité devient de moins en moins clairement observable dû à l’urbanisation, aux moyens de transport, à la migration interne et au développement des médias de masse. Cette situation à l'époque post-industrielle a engendré aujourd’hui le discours régionaliste du Kansaï.
    [Show full text]
  • Japan's Television Broadcasting Industry
    NTV2008_AR(J)_表紙.indd 78 08.10.24 7:50:54 PM NTV2008_AR(E)_C2,73_1006.indd C2 08.10.22 7:18:25 PM ANNUAL REPORT 2008 NIPPON TELEVISION NETWORK 1 NTV_FH(E)_1021_master.indd 1 08.10.24 7:34:44 PM Contents Overview of NTV 4 Japan’s Television Broadcasting Industry 6 NTV at a Glance 8 Eleven-Year Financial Summary 10 NTV Business Strategies 12 NTV Celebrates its 55th Anniversary To Our Shareholders and Stakeholders 14 Message from the Chairman and the President 16 Interview with President Kubo on the New Medium-Term Management Plan Special Feature: NTV’s Film Business Strategy 22 NTV’s Strengths in the Film Business 24 Multiple Usage of Content Originating from Films 26 Major Releases in the Fiscal Year Ending March 31, 2009 Review of Operations 28 Television Broadcasting 31 Cultural Activities 34 Other Businesses Continuing to Evolve 36 Corporate Governance 40 CSR 43 Financial Section 70 Organization 71 NTV Group and NTV Global Network 72 Corporate Data 73 Investor Information Cautionary Statements with Respect to Forward-Looking Statements: Statements made in this annual report with respect to NTV’s plans and benefi ts, as well as other statements that are not historical facts, are forward-looking statements, which involve risks and uncertainties. Potential risks and uncertainties include, without limitation, general economic conditions in NTV’s markets, exchange rates and NTV’s ability to continue to win customers’ acceptance of its products, which are off ered in highly competitive markets characterized by continual new product introductions and rapid developments in technology.
    [Show full text]
  • Meeting the Expectations of Society
    Meeting the Expectations of Society Mutsumi character on a hanten (short winter coat) The hanten was worn as work clothes by common people and artisans, and is also still worn today by people carrying omikoshi portable shrines at festivals. The characters on the back of the hanten are called daimon, and are dyed in the material in the Edo- period calligraphic style. The mutsumi character shown here has the meaning of “good friends” and “harmony.” NIPPON TELEVISION NETWORK 36 ANNUAL REPORT 2010 NIPPON TELEVISION NETWORK 37 ANNUAL REPORT 2010 Corporate Social Responsibility (CSR) To what extent can environmental destruction be prevented? What are the best uses for limited natural resources? How can the media help leave behind a beautiful world for future generations? Since the creation of the NTV Eco Committee in March 2003, we have engaged in environmental protection initiatives through NTV programs, events, PR, publicity and IR activities, sales and internal activities. In August 2005, we formulated the NTV environmental management system (EMS), and in November 2005, the Shiodome NTV Tower (Minato-ku, Tokyo) was awarded ISO 14001:2004 certification—the international standard for such systems. This achievement marked the first time that a key commercial broadcaster in Tokyo received certification on a companywide basis. Human society will continue to grow and develop. To protect the environment that sustains our lives, NTV is committed to communicating the importance of environmental conservation through its programs and events. NTV’s Basic Policy on Sustainability Preventing the destruction of the environment is This policy targets the three key areas of financial, the central global issue of this century.
    [Show full text]
  • JUNE 2017 Dealer Guide
    JUNE 2017 Dealer Guide FEATURING TONI ERDMANN PERFECT STRANGERS GLEASON LE RIDE LOVE AND TIME TRAVEL DAVID LYNCH: THE ART LIFE LOVE AND TIME TRAVEL AVAILABLE: 07 JUN 2017 SALES POINTS: YEAR OF PRODUCTION: 2016 FORMAT: DVD • LOVE AND SCI FI: The perfect combo! CATALOGUE NUMBER: MMA9212 • CUTE AND QUIRKY: A gem of a film, with lovely, natural performances. PRICE: $20.15 EX. GST (WSP) NUMBER OF DISCS: 1 • WHO'S THAT GUY?: Featuring WILDERPEOPLE star Julian Dennison in a super-funny CUT-OFF: 07 MAY 2017 role. RATING: M MARKETING PLAN: GENRE: COMEDY/DRAMA/ROMANCE COUNTRY: NEW ZEALAND • Social media advertising to film festival fans. RUN TIME: 89 MINUTES LANGUAGE: ENGLISH SPECIAL FEATURES: CAST AND CREW: Hayden J Weal Michelle Ny • A moment with director Hayden J. Weal at the New Zealand International Film Festival Julian Dennison • Extensive behind the scenes vlogs from Hayden DAN IS HAVING A VERY WEIRD DAY... When emotionally isolated barista Dan Duncombe starts receiving strange messages on the inside of his bedroom window, he is forced to become involved with the lives of the people around him ... and by changing their lives, he changes his own. LOVE AND TIME TRAVEL will appeal to audiences who enjoyed THE INFINITE MAN, ABOUT TIME. Visit the website for more information © Madman Entertainment Pty. Ltd. All rights reserved. GLEASON AVAILABLE: 07 JUN 2017 SALES POINTS: YEAR OF PRODUCTION: 2016 FORMAT: DVD • SUNDANCE HIT: One of the best-reviewed titles of the Sundance film festival CATALOGUE NUMBER: MMA9203 • A LOT OF HEART: You can't help but love the determined, courageous Steve Gleason PRICE: $20.15 EX.
    [Show full text]
  • Water Vapor Estimation Using Digital Terrestrial Broadcasting Waves - Field Test in Tokyo Metropolitan Area and Trial Production of Small Devices
    MTT46-13 Japan Geoscience Union Meeting 2019 Water vapor estimation using digital terrestrial broadcasting waves - Field test in Tokyo metropolitan area and trial production of small devices - *Seiji Kawamura1, Hiroshi HANADO1, Hiroki Ohta1, Yoshinobu Matsumura2, Ryosuke Mori2, Kazuyoshi Noda2, Teruaki Hasegawa2 1. National Institute of Information and Communications Technology, 2. Socionext Inc. We have developed a method to measure water vapor in horizontal direction using digital terrestrial broadcasting waves [1]. Radio waves are delayed due to water vapor through propagation. Water vapor can be estimated using propagation delay of digital terrestrial broadcasting waves. The basic idea of using propagation delay is the same as that of retrieving PWV by using GNSS. In this study, we estimate water vapor near a ground surface from the horizontal propagation delay of digital terrestrial broadcasting waves. The main features of this observation are, no need for transmitters (small and low cost due to receiving only), applicability wherever digital terrestrial broadcasting is available, and its high time resolution. Our target is to improve the accuracy of numerical weather forecast for severe weather phenomena such as localized heavy rainstorms in urban areas through data assimilation. We have developed a real-time delay measurement system with a software-defined radio (SDR) technique, whose main components are USRP-N210 and PC (prototype). Seven measurement systems are now under operation around Tokyo metropolitan area. Although the main source of digital terrestrial broadcasting waves in Tokyo area is the Tokyo Skytree, some small radio towers that transmit Television Saitama, Chiba Television, Television Kanagawa, and do on can be also available.
    [Show full text]
  • Tsugaru Shamisen and Modern Japanese Identity
    TSUGARU SHAMISEN AND MODERN JAPANESE IDENTITY GERALD T. McGOLDRICK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MARCH 2017 © Gerry McGoldrick, 2017 ABSTRACT The shamisen, a Japanese plucked lute dating back to the seventeenth century, began to be played by blind itinerant male performers known as bosama in the late nineteenth century in the Tsugaru region, part of present-day Aomori prefecture in northern Japan. By the early twentieth century it was used by sighted players to accompany local folk songs, and from the 1940s entirely instrumental versions of a few of the folk songs were being performed. In the late 1950s the term Tsugaru shamisen was coined and the genre began to get national attention. This culminated in a revival in the 1970s centred on Takahashi Chikuzan, who had made a living as a bosama in the prewar period. In the wake of the 70s boom a contest began to be held annually in Hirosaki, the cultural capital of the Tsugaru region. This contest nurtured a new generation of young players from all over Japan, eventually spawning other national contests in every corner of the country. Chikuzan’s death in 1998 was widely reported in the media, and Yoshida Ryōichirō and Yoshida Kenichi, brothers who had stood out at the contests, were cast as the new face of Tsugaru shamisen. From about 2000 a new Tsugaru shamisen revival was under way, and the music could be heard as background music on Television programs and commercials representing a modern Japan that had not lost its traditions.
    [Show full text]
  • JRI News Release
    JRI news release May 10, 2001 The Japan Research Institute, Limited Announcing the Establishment of the Saitama e-Community Project Committee — Improvement in life convenience of local residents and construction of a business infrastructure using IT — [1] The Japan Research Institute, Limited ("JRI"; Headquarters: 16 Ichiban-cho, Chiyoda-ku, Tokyo; President: Masahiko Koido) and 8 leading companies from various sectors of industry based in Saitama Prefecture, will formally establish the "Saitama e-Community Project Committee", whose purpose is to conduct research, preparatory to the implementation of the "Local Community Portal Site — Saitama e-Community" (provisional name), a project for the improvement in life convenience of local residents and for the construction of an infrastructure to promote the use of IT in the local community. The consortium will hold an establishment general meeting at the Urawa Royal Pines Hotel at 15:00 on May 10. [2] Saitama e-Community Project Committee will start with nine companies; The Asahi Bank, NHK Saitama Station, The Shinyo-Kinko of Saitama-ken, The Saitama Shimbun, Seibu Railway, Television Saitama, Tobu Railway, The Musashino Bank and JRI. The committee will call for more participants in the committee, and designs to take further examination with about 30 companies eventually. [3] Promoting the positive cooperation with organizations and business in the local community, such as local chambers of commerce and industry, the consortium provides information and services suitable for a local community portal site, with a view to creating a neutral and interactive site that allows local residents' participation. [4] The Project Committee will consist of three subcommittees; a "Contents Subcommittee" considers the content of information services to be provided, an "Implementation Subcommittee" is in charge of the feasibility and the structure of organizations of the project, and a "System Subcommittee"consider what kind of systems and distribution channels should be used in realization of the project.
    [Show full text]
  • NTV Group and NTV Global Network
    NTV Group (As of July 1, 2008) Television Broadcasting Culture-Related Business Other Business Program Planning and Production Event Planning and Production Novelty Product Sales NTV Group Holdings Inc.* NTV EVENTS Inc.* NTV Service Inc.* NTV Technical Resources Inc.* AX-ON Inc.* Copyright Management Facility Management Nippon Television Art Inc.* Nippon Television Music Corporation* Nippon Television Work 24 Corporation* NTV America Company* Rights Inn Corporation NTV International Corporation* Professional Football Team Management Nippon Television Network Europe B.V. Audio and Visual Content Planning, Nippon Television Football Club Co., Ltd.* NTV Personnel Center Corp. Production and Sale (TOKYO VERDY 1969) J.M.P Co., Ltd. VAP Inc.* Nishinihon Eizo Corporation VAP Music Publishing Inc. Internet and Broadband Nagasaki Vision Corp. Forecast Communications Inc.* Kagoshima Vision Corporation Shopping portal site and other NTV IT Produce Corporation Kanazawa Eizo Center Corporation businesses B-BAT Inc. Nagano Visual Center Corporation NitteleSeven Co., Ltd.* CYBIRD Mobilecasting Inc. Cosmo Space Co., Ltd. Promedia Co., Ltd. Art Exhibition Planning Art Exhibition Goods Sales Mamma Aiuto Inc. Art Yomiuri Co., Ltd. Broadcasting Service BS Nippon Corporation Creation and operation of a portal site Other CS Nippon Corporation for modern art SOUND INN STUDIOS INC. YOMIURI TELECASTING CORPORATION TOKYO ART CROSS Inc. RF Radio Nippon Co., Ltd. Fukuoka Broadcasting Corporation Radio Nippon Create Inc. RF Music Publisher Inc. Shiodome Urban Energy Corporation *Consolidated subsidiary NTV Global Network NTV Network Stations (Japan) NTV/NNN Overseas News Bureaus The Sapporo Television Broadcasting Co., Ltd. (STV) Hiroshima Telecasting Co., Ltd. (HTV) NTV International Corporation RAB Aomori Broadcasting Corporation (RAB) Yamaguchi Broadcasting Co., Ltd.
    [Show full text]
  • TV Asahi Coporation
    005_0331097222306.indd 1 名称未設定-1.indd 1 2011/07/072011/07/11 18:00:13 9:55:41 TV Asahi in Brief Advertising revenue Prime Time Ratings (7 p.m. to 11 p.m.) Share* of TV Advertising Revenue (%) 20.0 19.5 19.0 18.5 18.0 08 09 10 11 NO.3 *“Share” among the five Tokyo % area commercial stations 12.0 Advertising revenue reached 171.7bn yen, and TV Asahi Prime time viewer ratings reached 12.0%. The difference rose to third of 5 major commercial TV stations in Japan with the No.1 station was 0.6 points, which was the for the first time in corporate history. smallest since our station launch. PARTNERS season 9 Onegai! Ranking Gold TRICK The Movie Psychic Battle Royale (C) 2010 TOHO / TV ASAHI / OGIPRO / ABC / NBN / Crescendo CONTENTS To Our Stakeholders ......................................................... 3 Channel 5 Review of Operations ....................................................... 5 CSR ................................................................................ 9 Corporate Governance .................................................... 10 Financial Section ............................................................11 From July 24, 2011 onward, the terrestrial broadcasting in Japan will convert to TV Asahi Network .......................................................... 20 digital signals. TV Asahi will make the transition from Principal Subsidiaries and Affiliates ................................. 21 "Channel 10” to "TV Asahi Board of Directors ......................................................... 22 on Channel 5". Investor Information ...................................................... 22 Forward-Looking Statements This report contains forward-looking statements based on management’s assumptions and beliefs in light of the information currently available. These statements are subject to risks and uncertainties that could cause actual results to differ materially from those discussed in this report. Such risks include, but are not limited to, market trends, economic conditions and changes in industry regulations.
    [Show full text]
  • History of the Concert of Life
    History of The Concert of Life Time and date Place Program Aided (Co-promoted ) Broadcasted 1991 Aug. 6・7・8 5 performances Suntory Hall: Blue Rose (Small Hall) The Diary of Anne Frank Co-promoted by The Yomiuri Shimbun 1992 Apr. 6・7・8 9 performances Yagihashi Department Store, Saitama The Diary of Anne Frank Yagihashi Department Store Jul. 28・29・ 9 performances Musashi-no-mura, Saitama 30 ANNE OF GREEN GABLES Musashi-no-mura Aug. 5・6・7 4 performances Canadian embassy ANNE OF GREEN GABLES (English) Co-promoted by Canadian Embassy Aug. 9 2 performances Suntory Hall: Blue Rose (Small Hall) ANNE OF GREEN GABLES Nov. 6 Urawa CORSO Hall, Saitama ANNE OF GREEN GABLES CORSO. Broadcasted by Television Saitama. Nov. 20 2 performances Goethe Institut Hall ANNE OF GREEN GABLES (German) 1993 May .2 Tokyo Metropolitan Art Space: Small Hall ANNE OF GREEN GABLES (English) Broadcasted by NHK. Sponsored by NTT May. 6~8 NY Japan Society, New York ANNE OF GREEN GABLES (English) Broadcasted by NHK. Also broadcasted in NY No.1 UN Hammarskjöld Hall, New York ANNE OF GREEN GABLES (English) Tokyo International Forum 4 performances Carnegie Recital Hall, New York ANNE OF GREEN GABLES (English) International Forum Oct. 6 Saitama Hall: Main Hall ANNE OF GREEN GABLES TOKYO ELECTRIC POWER COMPANY Nov. 6 2 performances La Maison Franco-Japonaise ANNE OF GREEN GABLES (French) TOKYO ELECTRIC POWER COMPANY, Broadcasted by Television Saitama. 1994 Nov. 3 2 performances Sunplaza, Nakano Tokyo ANNE OF GREEN GABLES Broadcasted by NHK. Sponsored by NTT ANNE OF GREEN GABLES (Chinese, English) & Symposium Nov.
    [Show full text]