January 2011

Mixers 22 Loudspeakers and Studio Monitors 35 Power Amplifi ers 44 PA Systems 45 Signal Processors 46 Modeling and Eff ects Processors 56 Stompboxes, Tuners and Accessories 57 Guitar Amplifi ers and Speakers 65 Bass Amplifi ers and Speakers 68 Keyboard Amplifi ers 71 Microphones 71 Headphones 73 MIDI Controllers 74 Audio Interfaces 77 Recording Packages and Software 78 Musical Instruments 78 Lighting Systems 80 Mixers Small Format Mixers 22 Large Format Mixers 25 Rackmount Mixers 28 Powered Mixers 30 DJ Mixers 33 Mixer Accessories 34 Loudspeakers and Studio Monitors Professional Passive Speakers 35 We Hear You Professional Powered Speakers 38 On-Wall Distributed Speakers 42 Studio Monitors 42 Multimedia Speakers 43 t
We love hearing from you Loudspeaker Mounts and Accessories 43 Power Amplifi ers Studio Monitor Amplifi ers 44 t
We love listening to you PA Amplifi ers 44 PA Systems Handheld PA Systems 45 Portable PA Systems 46 t
We love learning from you how Signal Processors Multi-Eff ects Processors 46 we have helped make your Crossovers 47 DI Boxes 48 musical dreams come true Equalizers 40 Audio Enhancers and Exciters 50 Feedback Suppressors 51 Patch Bays 51 Test Equipment 51 Microphone Preamplifi ers 52 Audio Converters 52 Phono Preamplifi ers 53 Noise Gates 53 I’m often asked why BEHRINGER The university I Headphone Amplifi ers and Monitoring 54 customers love our products so much. attended had only Compressors and Limiters 55 Modeling and Eff ects Processors The answer is simple… it’s because two microphones Guitar Modeling/Eff ects Processors 56 we listen to you. Our customers tell us for 100 students! Bass Modeling/Eff ects Processors 56 what they want, and we design and It became clear that if I wanted to We owe you tremendously as you Stompboxes, Tuners and Accessories Guitar Stompboxes 57 build the gear that enables them to become a sound engineer, I would have have helped build our company by Bass Stompboxes 63 turn their musical dreams into reality. to get my own equipment. sharing your ideas with us and buying Stompbox Accessories 64 Products that sound great and provide our products. Footswitches and Remote Control 64 During my childhood my father taught Tuners 65 amazing feature sets—at prices me electronics and when I was 16, I built We love hearing from you, we love Guitar Amplifi ers and Speakers musicians can aff ord! my fi rst synthesizer. Since I was already listening to you and we love learning Acoustic Guitar Amplifi ers 65 Electric Guitar Amplifi ers 66 It all started 27 years ago when I was intrigued by electronics, it was only from you how we have helped make Bass Amplifi ers and Speakers studying classical piano and sound natural for me to look inside the magical your musical dreams come true. Bass Amplifi ers 68 engineering. I made my living playing black boxes to see what made them tick. Bass Speaker Cabinets 70 jazz in piano bars, hotels and coff ee I quickly realized that companies were Keyboard Amplifi ers Keyboard Amplifi ers 71 shops. Being an aspiring sound charging US$1000 or more for a piece Microphones engineer, I could only dream of of equipment, while the components Large Diaphragm Microphones 71 owning studio equipment, which at inside were only worth US$100! Condenser Microphones 72 Dynamic Microphones 72 the time was far too expensive for a So I immediately grabbed my soldering Headphones cash- strapped student like me. iron and went to work on my fi rst signal DJ Headphones 73 Studio Headphones 74 processor. Word spread quickly among MIDI Controllers friends that my products sounded Desktop Controllers 74 really good. More importantly, I found Keyboard Controllers 75 DJ Controllers 76 out that my friends were very much MIDI Accessories 76 like me and couldn’t aff ord to buy We at BEHRINGER… We Hear You! Audio Interfaces Audio Interfaces 77 such expensive studio gear. I started Come join the BEHRINGER family by production on my kitchen table and Recording Packages and Software joining facebook.com/BEHRINGER! Recording Packages and Software 78 sold what I made at ridiculously low Musical Instruments prices. Without even realizing it, I had Digital Pianos 78 started BEHRINGER. Yours truly, Musical Instrument Accessories 80 Lighting Systems Uli Behringer jams with the band at the BEHRINGER Winter NAMM Party 2009. It became my personal dream, and later DMX Controllers 80 the company’s mission, to off er Luminaires 80 From left to right: Lighting Accessories 80 Earl Slick: David Bowie, John Lennon high- quality products at prices that fi t Chris Slade: AC/DC Power Packs 81 Kip Winger: Winger everyone’s budget. To this day, that is Uli Behringer Mark Hudson: Aerosmith Bruce Kulick: Kiss what BEHRINGER stands for.

2 3 BEHRINGER City

 
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BEHRINGER City was granted the prestigious ISO9001:2000 Certifi cate in 2003

At BEHRINGER, we believe that the Unlike the vast majority of our But BEHRINGER City is so much more BEHRINGER’s application of integrated only way to ensure quality is to competitors, we build our own than just a factory—it’s a city in every production principles has heralded build products in our own factory. loudspeakers. We mold the cones from sense of the word. With its living a signifi cant increase in effi ciency That’s why we built BEHRINGER City, raw pulp, machine our own parts and quarters, restaurants, sports facilities, and successful implementation our state-of-the-art factory where wind our own voice coils. Yes, it’s a a library and even an on-site medical of Total Quality Management. working conditions are so good that huge investment in quality control, facility, more than 3,000 enthusiastic And BEHRINGER product compliance we have a waiting list for employment. but we believe it’s worth it. BehringEars call BEHRINGER City testing ensures that every product Controlling every step of the design and their home. meets or exceeds standards set for manufacturing process is the only way emissions and safety by consumer BEHRINGER has a track record of to maintain a consistently high level of watchdog agencies around the globe. manufacturing excellence spanning product quality and performance. more than two decades. Each From the assembly of our mixers to the building was meticulously planned fretwork on our guitars, it’s all made and designed to fulfi ll clearly defi ned under one roof (well, actually six really, functions. Operations such as The Product Showroom at BEHRINGER City, where we defi nitely do not serve lunch really big roofs). We fabricate our own Electronics, Loudspeakers, Wood, cabinets in a huge woodshop, stuff our Electric Guitars, Digital Pianos, Research skilled employees that sets us apart Do you want to know more about own circuit boards and test, re-test and and Development, Administration Every piano is lovingly played, pounded and pampered from our competitors. The resulting BEHRINGER City? Come and visit re-re-test every unit before it leaves and Warehousing are all strategically synergy creates a passionate eurotec. cn our factory. What does this all mean to you? You get positioned to off er an uninterrupted community dedicated to delivering tremendous value for your money fl ow in the manufacturing process. products that help musicians all over when you buy a BEHRINGER product— State-of-the-art Auto Optical Inspection System that zooms in on every solder joint the world realize their dreams and, and you can relax in the knowledge ultimately, to defi ne their success within that your product will provide premium It is BEHRINGER City, along with our the music industry. performance for many years to come. amazing team of talented and highly The city of Zhongshan in Guangdong Province, China, is a modern metropolis with scenic parks and wide, bustling boulevards. It is also home to BEHRINGER manufacturing. Virtually a city within a city, BEHRINGER City is Xiang and Yu put their magic touch on loudspeakers a vibrant community that integrates every facet of the production chain – all of it under one roof. This is where This is the Electromagnetic chamber where we test all products for compliance each and every BEHRINGER product is with standards such as FCC emissions, CE and safety. The facility represents a manufactured and distributed globally. multi- million dollar investment and includes at least one machine that goes “ping” BEHRINGER celebrates its 20th Anniversary with 3,000 BehringEars, rice wine and no curfew

4 Gary Compson, our man from “Down Under” 5 Game Changer

32-Channel, 16-Bus Total-Recall Digital Mixing Console for Live and Recording Applications

Available in Q3 2011

NEW! X32 Flagship 32-Channel Digital Mixing Console for Live FOH, Monitor and Recording Applications

Ever since the “dawn of digital” audio processors (16 mono) including delay, which provides simultaneous group engineers the world over have had a mixed chorus, dynamics—and it can run 4 high-end level control via dedicated 100 mm output and MIDI are also supported, as t
32-channel total recall t
Super-easy user interface and dedicated relationship with digital consoles. Instead and true-stereo reverbs concurrently with motorized faders. The audio engineer can well as ultra-low jitter, ultra-low latency digital mixer with fully channel strip section with direct access of navigating a vast sea of knobs, buttons 8 channels of 31-band graphic equalization, communicate with the talent by means of communication between the X32 and programmable high- end controls for intuitive workfl ow and menus like most other live digital all without the need for expensive, space- the Talkback section’s onboard mic or an digital snakes, remote stage boxes and mic preamps and 16 mix buses, t
High-resolution 7” color TFT with mixers, the new BEHRINGER X32* digital consuming external hardware. I/O abounds external mic of their choosing. X32’s scene outboard recording devices. A convenient confi gurable as subgroups associated controls and individual RGB mixing console lets you focus on your event. with 32 high-end programmable mic management allows snapshots of high- level top panel USB port is available for recording t
Main LCR and all 16 mix buses featuring backlit graphic LCD’s in every channel The X32 is intuitive and powerful with preamps; 6 Aux Inputs on ¼" TRS; production mixes to be captured and an uncompressed two-channel “board mix” inserts, 6-band parametric EQ’s and 40 processing channels and 25 mix buses, 16 balanced XLR Outs, plus balanced Control recalled for future use (you can even straight to any standard USB thumb drive or t
25 motorized 100 mm faders, dynamics processing all equipped with serious signal processing Room outputs on both XLR and ¼" TRS save them to a USB stick). X32 even has for playing background music. extensive channels strip plus dedicated (dynamics, EQ and inserts), which can be connectors. A single CAT5 cable from FOH a dedicated custom control section with t
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USB fl ash connector providing fi le virtually any gig, large or small. of audio input—and deliver all bus outputs, you can create your own set of controls, and a talkback section with integrated or capabilities are provided via an integrated storage for uncompressed recordings along with 16 individual monitor feeds making it easy to access frequently used external mic 3FBEZ
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48-channel digital snake ready* via monitoring system (see page 12 for details). t
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6 independent matrix mix buses t
Built-in expansion port for Firewire/ The dedicated channel strip section puts you are never more than one or two button connectors; dual Phones outputs; Main a computer! featuring inserts, 6-band parametric EQ’s USB/ADAT card* featuring standalone 17 backlit buttons and 13 rotary controls presses away from any of X32’s eight highly LCR (Left, Center, Right) buses; 16 mix and dynamics processing %JHJUBM
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Adjustable line delays available on all for nuanced adjustment of each channel’s the desired function, dedicated rotary/ with Inserts, 6-band parametric EQ and console sets a new benchmark for live physical in and outputs compressor, 4-band parametric EQ and push encoders allow you to set parameters dynamics processing; plus six independent t
Virtual FX rack featuring 8 true-stereo FX sound mixing along with unprecedented much more. Each input and output and source I/O assignment, without the Matrix Mixes with Inserts, also with 6-band slots for high-end simulations of famous t
Networked remote control or show value. Never before has any manufacturer channel strip features its own color backlit need to “drill down” through multiple parametric EQ and dynamics processing. outboard gear (included) setups with remote editor software via off ered a full-featured digital mixing 128 x 64 graphic LCD, which provides vital layers of menus or page through a complex USB and Ethernet ports (included) The rear panel also sports two AES50 console with such large input and output t
6 mute groups and 8 DCA groups on channel information at-a-glance. owner’s manual. ports, each with Klark Teknik’s rock-solid channel count, comprehensive processing, 8 dedicated 100 mm motorized faders t
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6 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 7 Ultimate Recording Tools

Meet the “Swiss Army Knives” of Firewire/USB Recording

NEW! XENYX UFX1604 NEW! XENYX 302USB Premium 16-Input 4-Bus Mixer with 16 x 4 USB/FireWire Interface, 16-Track USB-Recorder, Premium 5-Input Mixer with XENYX Mic Preamp and XENYX Mic Preamps & Compressors, British EQs and Dual Multi-FX Processors USB/Audio Interface

Boasting a stellar feature set that includes without the need for an external DI box. t
Premium ultra low-noise, t
Illuminated MIDI Transport section to Need a handy little mixer you can grab to the Web. Sports announcers, radio and our premium-grade XENYX mic preamps, Mono channel EQ is our highly musical high headroom analog mixer remote-control your DAW/Sequencer on with your laptop on the way out the TV reporters will defi nitely want one of “one-knob” compressors, British EQs and “British” 4-band with individually sweepable with integrated 24-Bit/96 kHz PC/Mac door? Or maybe you don’t want to give these in their fi eld bag. Incredible sonic 24-bit onboard FX, the new BEHRINGER Hi and Low Mids, complete with bypass USB/FireWire interface and 16-track up valuable desktop real estate to a large performance, versatility and extreme value t
2 HI-Z inputs for direct connection of UFX1604* is one of the best-sounding switch per channel. True +48 V phantom USB recorder mixer? The new 302USB* is ideally suited in a small package—that’s the 302USB! guitars, 8 Channel Inserts and balanced compact mixers you’ve ever heard. power is available (and individually for podcasting, small home studios or t
Built-in 16x4 interface connects Main Mix outputs on ¼" TRS and t
Ultra-compact and ultra-low But the UFX1604 is light-years beyond switchable) for all mono channel strips—a the on-the-go recording enthusiast. directly to your computer and supports XLR connectors noise analog mixer with USB/ your average mixer, thanks to its built-in feature virtually unheard of on a mixer in At approximately 4" long and 5" wide Windows XP/Vista/7 plus Mac OS X Audio interface 16 x 4 USB/FireWire Interface and 16-Track this class! t
4 Aux Sends per channel - all pre/post (117 x 135 mm), the 302USB respects your USB- Recorder. Imagine being able to t
Integrated 16-track USB recorder allows fader switchable, 4 stereo Aux Returns desk space, while providing an XLR & t
Powered through USB or Stereo channels support balanced and record your next live gig directly to a for instant recordings of your studio or and separate CD/Tape input ¼" combination socket, stereo USB/Line external adaptor unbalanced ¼" Line connections and our USB thumb drive or even straight to your live sessions on a simple USB stick channel plus a dedicated 2-Track input. 4-band “British” EQs are provided for tonal t
Solo-In-Place with PFL/AFL function plus t
Built-in stereo USB/Audio interface to PC/Mac computer—and the UFX1604’s adjustment. All channels feature four t
8 state-of-the-art XENYX Mic Preamps full-featured Talkback section 4NBMM
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Comprehensive Monitor section with t
Free audio recording, editing Sends, Mute/Alt 3-4 functionality and preamps with individual Phantom you—this little gem is loaded with features DAW via MIDI. separate level controls for speaker and and podcasting software plus super- smooth, long-wearing 100 mm Power switches typically reserved for larger, more expensive headphones outputs 150 instrument/eff ect plug-ins and &YUSFNF
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8 studio-grade Compressors with ultra- low latency driver downloadable From input to output, the UFX1604 is t
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State-of-the-art XENYX Mic Preamp We also gave the UFX1604 not one, but two control LED for professional vocal and ultimate versatility. Mono channels feature high-headroom performance. We also comparable to stand-alone high-end stereo FX processors with instrumental sound t
Rack mount brackets included for our legendary XENYX mic preamps, gave the Mic and Line/USB channels our boutique preamps 16 editable presets including reverb, chorus, ultimate fl exibility praised the world over by professional t
Neo-classic “British” 4-band EQs with 2-band British-style EQs (Low and High), fl anger, delay, phaser, multi- eff ects and t
Neo-classic “British” 2-band graphic EQ audio engineers for their sonic clarity two semi-parametric mid bands for t
“Planet Earth” switching power supply and provide a 2-Track input that can be Tap function. for warm and musical sound and high-headroom performance. warm and musical sound for maximum fl exibility (100 - 240 V~), assigned to either the Main Mix or Phones. Channels 1 - 8 accept both balanced Add to this an extensive Talkback section noise-free audio, superior transient t
2-Track input assignable to Headphone t
Dual studio-grade stereo FX processors You can even power the 302USB from your XLR and ¼" TRS, as well as unbalanced with onboard Mic; mono channel Inserts; response plus low power consumption or Main Mix output with 16 editable presets including reverb, computer’s USB port, which is great for ¼" TS connections. A Line/Hi-Z switch is four stereo Aux Returns; a plethora for energy saving chorus, fl anger, delay, pitch shifter, capturing the sounds of migratory birds in t
Main Mix plus separate Phones output provided on channels 1 & 2 so you can of output options; plus free software multi- eff ects, Tap function and storable fl ight, or for posting your podcast straight connect acoustic, electric and bass guitars downloads and more—and you’ve got the user parameter settings incredible new XENYX UFX1604!

8 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 9 Imagine 6,000 Watts Under 12 Lbs.

Join the iNUKE Revolution

NEW! iNUKE Series Ultra-Lightweight High-Density Power Amplifi ers with DSP Control and USB Interface iNUKE Series power amplifi ers pack massive to indicate when the signal is distorted and J/6,&
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Revolutionary High-Density dynamic range speakers without shutting down For sound engineers requiring high- level 2 x 1500 Watts into 8 Ohms and weighs technology combined with ultra-effi cient Class-D technology for the show control capability, iNUKE DSP Series less than 12 lbs / 5.5 kg t
DSP section features sophisticated delay, switch-mode power supplies ensures these ultimate performance amplifi ers come ready for action right out- of- crossover, EQ (8 parametric, 2 dynamic), t
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10 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 11 More Me Please!

Control Your Own Monitor Mix

NEW! POWERPLAY P16 16-Channel Digital Personal Monitoring System

The BEHRINGER POWERPLAY P16 system enough to equip a typical recording studio, t
16 individual Channel Select buttons t
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Internal autorange power supply for is the easy, aff ordable way to give your a small to medium-sized band, or a worship with dual LEDs for perfect overview (included) or P16-I / P16-D audio inputs maximum fl exibility (100 – 240 V~), musicians and vocalists what they really team. You’ll also need a few standard audio noise-free audio, superior transient t
Level and Pan control per channel with t
Mounts easily on a mic stand with the t
State-of-the-art 24-bit A/D converters for want—“more me!” P16-M Personal Mixers and CAT5 cables. The optional P16- MB response plus low power consumption LED meter P16-MB mic stand mount (not included) premium audio quality lets each performer take control of what mounting bracket allows the P16-M Digital for energy saving they hear, allowing the engineer to Personal Mixer to be attached to any t
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Converts 16 analog inputs into 24-bit sample rates Fast and easy to set up, a basic system can P16-D Digital ULTRANET Distributor, six of t
Distribution Hub for P16-I for digital audio to be transmitted via be installed and confi gured in a matter of which can be combined to drive up to t
Global Level and EQ controls t
Ultra-low system latency of less than system expansion standard CAT5 cable minutes—and the system can be expanded forty- eight P16-M Personal Mixers. 1 millisecond t
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Fully adjustable limiter protects your ears t
Provides bus-power and 16-channel The P16-M’s simple user interface makes the monitor system where it belongs—in and headphones t
Standard CAT5 connection delivers signal transmission for all 8 outputs it easy for even non-techies to dial-in the hands of the performers, freeing up power and signals for up to the perfect monitor mix. For example, the engineer to sculpt the perfect front-of- t
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Up to six P16-D ULTRANET Distributors 6 Personal Mixers let’s say the electric guitar is too loud in house mix. The POWERPLAY P16 system is connect your powered monitor can be combined for a total of the lead vocalist’s mix; they simply press the easy, aff ordable way to tame runaway forty- eight P16-M Personal Mixers t
MIDI IN port for real-time remote the appropriate channel button (the one stage volume and give your musicians and control of all channels by external MIDI t
Status LED indicators for RJ-45 input and labeled E. GTR) and turn the Volume vocalists what they really want—“more me!” device such as BEHRINGER BCF2000, POWERPLAY 16 P16-MB 8 RJ-45 outputs control to lower the guitar level in their mix. 1.
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Mounting bracket for adjustments can be made without aff ecting your personal monitor mix Personal Mixers response plus low power consumption P16-M Digital Personal Mixer anyone else’s personal mix. for energy saving t
Ultra-intuitive “analog” operation t
ULTRANET connector to daisy-chain up t
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State-of-the-art 24-bit D/A converters for t
Ultra-low system latency of less than main mixing console, and up to six P16-M premium audio quality 1 millisecond Personal Mixers, creating a system big

12 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 13 Momma Said NOX You Out

Our New DJ Mixers “NOX” it Outta the Park!

NEW! NOX DJ Mixer Series Premium DJ Mixers with infi nium “Contact-Free” VCA Crossfader, Beat- Syncable FX and USB/Audio Interface

BEHRINGER NOX Series DJ Mixers are built The user-adjustable crossfader curves let /09/09/09 to connect directly to your computer and you quickly adapt to various mixing styles. /09
/09 take your music straight into the digital You can even change the tension of the $PNNPO
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45-mm infi nium “Contact- Free” optical fi le with your PC or Mac computer without crossfader with adjustable tension and /P
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Built-in USB interface for recording optical VCA Crossfader, our legendary turntables, tape decks and CD players. and playback of any digital music fi le. XENYX mic and premium-grade phono t
5 dual line and USB inputs, 3 phono/line t
2 balanced mix XLR outputs with They also feature mic inputs with our Works with your PC or Mac computer— preamps, and beat-syncable FX for years of plus 2 mic/line inputs t
2 independent LFOs (Low Frequency Level control, secondary “music only” exceptional XENYX mic preamps for no setup or drivers required fl awless performance. Oscillators) for awesome fi lter outputs for recording plus post fader announcements, an impromptu rap, or any t
VCA-controlled faders with selectable t
“Planet Earth” power supply for maximum modulation mono output $BMMJOH
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6 Line and USB inputs, 4 Phono/Line t
Sophisticated Monitor section includes superior transient response plus low into the mix, or just keeping it simple, connectivity so you can access your MP3 plus 2 Mic/Line inputs—all channels 2 Headphone outputs, split cue, mix to power consumption for energy saving t
Sophisticated headphone monitoring there’s a USB-ready NOX Series mixer library or digitize your own creative mix, with Gain control, switchable EQ and cue balance and post EQ switch and cueing section with split that’s ideal for you. The NOX606 packs directly via your computer. If it can be clicked, /09 level meter cue function t
Rack mount brackets included for a whopping 6 channels, the NOX1010 spun or spoken, the NOX Series can mix it! t
Premium 5-channel club DJ mixer for the t
2 XENYX mic preamps with “corrective” ultimate fl exibility has fi ve, the NOX303 has three, and the most demanding turntablist, remixer and t
Extensive XLR Master, Record and 7BMVF EQs and 4 premium phono preamps for NOX202 and NOX404 each have two digital DJ Booth outputs /09 When you hook up a NOX Series DJ mixer superior detail and ultimate punch channels. All NOX Series models feature t
Premium 2-channel battle DJ mixer for with USB connectivity, you’re adding the t
Beat-syncable FX section with /09 super- smooth channel faders and the t
Powerful “asymmetric” 4-band EQs on the most demanding turntablist, remixer ultimate modern touches to your rig at a 2 parameter controls assignable to Mic, t
Premium 6-channel club DJ mixer for infi nium “contact- free” optical VCA- all line channels with +6 dB boost to and digital DJ price that will leave you with money left 1, 2, 3, 4 or Master the most demanding turntablist, remixer controlled crossfader for the utmost in preserve headroom and -26 dB cut for over for lots more tunes. The superior build and digital DJ t
Beat-syncable FX section with reliability and smooth audio performance. t
Awesome 3-band EQ with full-kill fi lters creative mixing quality and rugged components used in 2 parameter controls assignable to Mic, plus 8-element level meters with peak t
Beat-syncable FX section with these mixers mean they will serve you well t
VCA-controlled faders for utmost 1, 2 or Master hold function per channel 2 parameter controls assignable to Mic, for many years to come. Drop in at your reliability and noise-free performance 1, 2, 3, 4 or Master t
Awesome 3-band EQs with full-kill fi lters nearest BEHRINGER dealer and fi nd out t
Premium phono and XENYX mic 9
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2 stereo Aux sends selectable pre-/ plus 10-segment level meters with peak 0QUJDBM
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2 mind-blowing VCFs (Voltage post- fader on all channels hold function with BEHRINGER gear. ultimate “punch” Controlled Filters) can be assigned to any channel or crossfader side continued next page...

14 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 15 Smooth Operator

Our Best Selling DJ Mixer Got Even Better…

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NOX DJ Mixers (from previous page) NEW! DJX900USB Compare it to the competition for sound t
Premium phono and XENYX mic t
VCA-controlled faders with fader start Professional 5-Channel DJ Mixer with quality, features and value and you’ll see preamps for superior detail and for utmost reliability and noise-free infi nium “Contact- Free” VCA Crossfader, why more and more DJs are making the ultimate punch performance move to the new BEHRINGER DJX900USB. Advanced Digital Eff ects and USB/ Audio Interface t
2 Line inputs with USB connectivity, t
Sophisticated headphone monitoring t
Professional 5-channel ultra-low noise 2 Phono/Line and 1 Mic input section with tone control of DJ mixer with stylish, black design headphone output t
VCA-controlled faders with adjustable What do you get when you merge the interface, so you can play tracks directly t
45-mm infi nium “contact-free” optical fader curve for utmost reliability and t
Extensive XLR Master, Record and highly successful PRO MIXER DJX750 with from your PC/ Mac computer or an external it is tracking and the tempo of the music in crossfader with adjustable tension and noise-free performance Booth outputs the super- smooth infi nium “contact-free” thumb drive. beats per minute. Optionally, you can push fader curve for years of use crossfader and built-in USB connectivity? You the Beat Assist button in time with the song t
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State-of-the-art 24-bit digital eff ects with get the DJ mixer sure to set a new industry to manually enter the tempo. You get a read channel faders t
Premium 2-channel battle DJ mixer for Because your voice is your instrument, advanced parameter control standard—the BEHRINGER DJX900USB*. out of the tempo diff erence between the the most demanding turntablist, remixer the DJX900USB features a dedicated mic t
FX Send & Return loop to connect tracks, as well as a visual confi rmation when t
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Beat-syncable FX section with seamlessly align two tracks—without having Works with your PC or Mac computer— t
Extensive XLR Master and channel faders and the infi nium brings down the volume of the music track 2 parameter controls assignable to Mic, to rely solely on your ears. no setup or drivers required Record outputs “contact- free” optical VCA-controlled (referred to as “ducking”), so your voice 1, 2 or Master crossfader for the ultimate in reliability is always out front. Vocal fi ne-tuning is .BTUFS
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Intelligent dual auto-BPM counter with /09 t
Awesome 3-band EQ with full-kill fi lters and state- of- the- art audio performance. handled by the onboard 3-band EQ, which Making music sound larger than life is time and beat sync display t
Premium 3-channel club DJ mixer for plus 6-segment level meters with peak A dedicated CF Curve control allows you provides up to 15 dB of boost or cut at what it’s all about and the DJX900USB the most demanding turntablist, remixer t
3-band kill EQ and precise level meters hold function per channel to custom-tailor the crossfader’s control Low (80 Hz), Mid (2.5 k), and High (12 kHz) comes through on this in a big way. XPQ 3D and digital DJ with peak hold function per channel characteristic, and you can even set the frequency centers—for an extremely Surround widens the stereo fi eld, giving it t
Premium phono and XENYX mic t
Beat-syncable FX section with crossfader tension just the way you like it. broad tonal palette. Stereo channel EQ immense depth and a stereo image that t
Additional 3-way kill switches with preamps for superior detail and 2 parameter controls assignable to Mic, operates at the same frequency centers, is full of life with amazingly transparent extremely steep frequency separation ultimate punch 4QFDJBM
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2 Line inputs with USB connectivity, the individual frequencies. Equipped to stunning eff ect with a simple twist of the t
Awesome 3-band EQ with switchable we knew we had to do something very surround eff ect 2 Phono/Line and 1 Mic input handle any conceivable input source, these Surround control—from barely noticeable full-kill fi lters plus 8-segment level special. We took our best analog DJ mixer channels accept everything from line level, to supremely spectacular. t
VCA-controlled faders for utmost meters with peak hold function t
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Monitor function with master/cue t
Extensive Master and Record outputs performance to the next level. In no time why we gave the DJX900USB dual Auto BPM we equip each one with our tried- and- true balance control and split option t
3 Line inputs with USB connectivity, you can create powerful sets with your Counters. This cool feature helps take the ULN (Ultra Low-Noise) preamps: what goes 3 Phono/Line and 1 Mic input own custom-tailored eff ects sounds, all of guesswork out of making a smooth transition in comes out, with nothing added. So you t
Auto-talkover function with separate which can be controlled in real-time. We from one track to the next. Each BPM get maximum headroom, extremely low depth control also included a professional USB audio counter’s digital display shows which channel noise and ultra-transparent sound.

16 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 17 Make Yourself Heard

Unleash the Music in You

NEW! EUROLIVE F1320D NEW! BEHRITONE C50A and C5A Active 300-Watt 2-Way Monitor Speaker System with 12" Woofer, Active and Vintage-Style 30-Watt Full-Range Reference Studio Monitor 1" Compression Driver and Feedback Filter

Since its introduction, the EUROLIVE a dedicated Frequency dial you can adjust t
Revolutionary Class-D amplifi er BEHRITONE C5A and C50A full-range acoustic isolation when the speakers are $" F1220A active fl oor monitor has been wildly to eliminate troublesome mic squeals. technology: enormous power, reference studio monitors let you hear what placed on a desktop, or the enclosures can t
High-resolution, 30-Watt active successful. Building on that legacy, we are incredible sonic performance and your mixes will sound like on real-world be mounted on mic stands via the built-in nearfi eld monitor *OTUBOU
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Frequency response from 90 Hz to 17 kHz EUROLIVE F1320D*. This 300-Watt active televisions, iPod stations and other easy PA system, thanks to its built-in mic t
Adjustable feedback fi lter and integrated Discover what world-class studio and with zero crossover phase distortion monitor system features a 3-band EQ and bass-challenged systems. Each 6.5" cube preamp. Just connect a dynamic mic or limiter for ultimate system control and mastering engineers have known for dedicated volume knob, so you not only contains its own dedicated 30-Watt Class-D t
6 ½" cube cabinet with multiple coats of MP3 player directly to the F1320D and speaker protection decades—the only way to get the TRUTH have control of the output, but you can power amp and a specially designed 5-¼" high-gloss piano lacquer fi nish power up. There’s even a built-in 35-mm about your mix is to hear it through these tweak the Highs, Mids and Lows for a clear, t
Integrated sound processor for ultimate full-range speaker for crystal-clear audio socket, so you can mount the F1320D on pint-sized beauties. BEHRITONE C5A t
Precision-milled, high-rigidity MDF true sense of your performance. And thanks system control and speaker protection reproduction. Both models accept balanced a standard speaker pole. And if you need or C50A active studio monitors are the cabinet and baffl e for minimal resonance to our Class-D technology, the F1320D now XLR and ¼" TRS, as well as unbalanced RCA more coverage, chain together as many as t
Ultra-low noise Mic/Line input with perfect complement to your current weighs less than 40 lbs (18 kg), making it connections, and are magnetically shielded t
Servo-balanced XLR, ¼" TRS and RCA you’d like via the convenient XLR or ¼" TRS Volume control and Clip LED monitoring system. easy to transport and set up. so they won’t disrupt your computer input connectors plus gain control for Link Output connector. t
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Full-range 5 ¼" speaker $" The F1320D is the ideal solution for it gives you instant control of your monitor, t
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Vintage-style studio monitor modeled performers/emcees seeking a high-quality even mid-performance—something passive driver provides incredibly deep bass and to a now-defunct company and their deformation-resistant chassis after a famous model from the 70’s active monitor or portable PA system that monitors simply cannot deliver! Need more acoustic power legendary 5C loudspeakers, which literally sets up in a fl ash. Loaded with a slew of t
Homogeneous dispersion pattern due t
High-end 30-Watt Class-D amplifi er volume? Turn the Level dial until the desired shook up the recording industry in the incredible features, but never loaded down by t
High-resolution 1" HF driver to singular small-diaphragm full-range built-in to perfectly match the volume is reached, getting too much bass 1970s and ‘80s. The original versions were a heavy price tag, the F1320D is an excellent for exceptional high-frequency driver confi guration speaker’s performance or treble? Just reach down and tweak the passive little vinyl-clad, particle-board way to expand your current sound system’s reproduction 3-band EQ (High, Mid, Low) to tailor a cubes that recording engineers soon t
Magnetic shielding allows placement t
6 ½" cube cabinet with detachable capabilities without shrinking your wallet. rich, exciting sound. We’ve also provided t
Proprietary horn design for ultra-wide came to love. The C50A features a high- near computer monitors acoustic foam and attractive Audition some at your authorized BEHRINGER the fi rst line of defense against feedback, sound dispersion gloss piano lacquer fi nish, while the C5A wood laminate dealer today. Then ask them to join the band. t
⁄" microphone stand mount built into sports a classic wood-grain laminate, t
Internal switch-mode power the cabinet base t
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Class-D High-power 300-Watt 2-way allowing either model to fi t into virtually Class-AB t
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18 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 19 No More Feedback

Come Enjoy the Feedback-Free Zone

NEW! FEEDBACK DESTROYER FBQ1000 NEW! SHARK FBQ100 Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ Automatic Feedback Destroyer with Integrated Microphone Preamp, with 24 FBQ Filters Delay Line, Noise Gate and Compressor

The FBQ1000 Feedback Destroyer is the hint of feedback, without you having t
“Set-and-forget” default setting enables Looking for feedback control? Maybe you Delay lines are required to compensate t
Delay line with up to 2.5 seconds successor of the DSP1124P, one of the most to do anything at all. It just doesn’t get immediate and super-easy Feedback also need a compressor or noise gate? Or a for time variations resulting from speaker of delay, adjustable in meters, popular feedback suppressors on the much easier than that! If you prefer a Destroyer performance great DI box for line-level instruments? positioning in large venues. The FBQ100’s feet and msec market. Whether you use it to kill feedback more “hands-on” approach, the Manual Whether you use it with microphones, delay can be adjusted in meters, feet or t
Auto mode continuously monitors the t
Noise gate with automatic and manual dead in its tracks for your mains and/or Mode allows you to program up to acoustic instruments, or as a delay line milliseconds. The maximum delay time of mix and automatically sets fi lters parameter settings monitors, or as a sophisticated parametric 24 fully parametric fi lters (with frequency, for large venue loudspeaker systems, 2.5 seconds corresponds to a distance of equalizer to fi ne-tune the acoustics of bandwidth and gain controls) to optimize t
Single-Shot mode automatically detects the FBQ100* is a “must-have” for your live 850 meters. Combining several FBQ100s t
Automatic compressor with your next gig, the FBQ1000 will bring a your sound to the room’s acoustics. and destroys feedback plus locks the and studio toolkit. with the optional rack-mount kit puts variable density new level of fi nesse to your sound. And if fi lter until you reset it manually a complete professional loudspeaker #F
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Subsonic fi lter with adjustable you use in-ear-monitors, the FBQ1000 is a management system at your fi ngertips. The FBQ1000 is the quick and easy way to t
Manual mode allows setting of up to Thanks to its intelligent “Learn Mode,” cut-off frequency must-have to protect your most valuable protect yourself and your audience from 24 fully parametric fi lters with individual the FBQ100 can automatically equalize 6OEFOJBCMF
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Balanced inputs and servo-balanced live sound’s #1 enemy—feedback! Plus it’s frequency, bandwidth and gain your PA and protect your sound system Like a sonic Swiss army knife, you’ll want the outputs with ¼" TRS and gold-plated 0OF
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Extensive MIDI implementation and algorithm, the FBQ1000 automatically and master virtually any live sound situation or attenuated within a fraction of a second, several, which is why they are sized to fi t user preset memories for instant “intelligently” locates up to 12 feedback use the unit as a creative sound-shaping using narrow 1/60 octave single-shot fi ve across your rack. program recalls frequencies per channel. The algorithm tool. A single FBQ1000 can protect you from fi lters. The remaining fi lters automatically t
High performance single then sets extremely narrow notch fi lters feedback in both your mono PA mains and a t
Balanced inputs and servo-balanced take action as required, adjusting only the channel Feedback Destroyer (up to 1/60th of an octave) to “destroy” monitor mix. Check one out at your nearest outputs with ¼" TRS and gold-plated specifi c frequencies causing the feedback, with integrated microphone feedback frequencies, leaving the BEHRINGER dealer today. Your ears and your XLR connectors so your music stays powerful and alive. preamp, delay line, noise gate remainder of your signal virtually audience will thank you. #FZPOE
7FSTBUJMF and compressor untouched. And with the “Set-and-Forget” t
High-performance 2-channel The adjustable mic preamp, with switchable default setting, your Feedback Destroyer t
Automatically and "intelligently" Feedback Destroyer and +48 V phantom power and Ultra-Low can be up and running in a matter locates and destroys up to Parametric EQ Noise technology, guarantees noise-free, of seconds. 8 feedback frequencies ultra-musical sound. You can choose t
Automatically and “intelligently” locates &BTF
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Narrow FBQ fi lters for extremely eff ective and destroys up to 24 frequencies The Auto Mode continuously monitors output level, so the FBQ100 can be directly feedback suppression, while keeping the mix, resetting programmed fi lters t
Ultra-narrow FBQ fi lters for extremely connected to the mic input of a recording highest sonic quality automatically to eliminate the slightest eff ective feedback suppression, device. Virtually any type of signal can be t
Ultra-low noise Mic/Line input with Gain while keeping highest sonic quality connected and converted. control and +48 V phantom power

20 * This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, off ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained. 21 Create the Soundtrack of Your Life

5 Million XENYX Fans Say it All

XENYX Premium Mic/Line Mixers with USB, One- Knob- Compressors and Massive Software Bundle

Our new XENYX USB Series mixers are 9&/:9
964#964# t
Channel inserts on each mono channel t
2-4 multi-functional stereo aux returns designed to handle your live gigs, as well as 964#964#964# for fl exible connection of outboard for fl exible routing (see table for details) provide all the state- of-the-art tools you will 964#64# equipment (not available on 1204USB or t
Balanced main mix outputs with need to make stunning, professional-quality X1204USB) $PNNPO
GFBUVSFT gold- plated XLR connectors t
Long-wearing 60-mm logarithmic-taper response plus low power consumption recordings. Our built-in, hassle-free USB/ t
2-4 aux sends per channel (see table faders and sealed rotary controls for energy saving Audio Interfaces provide the ultimate in t
Premium ultra-low noise, high t
Control room/phones outputs with for details) personal computer connectivity. headroom analog mixer multi-input source matrix t
“Planet Earth” switching power supply t
Rack mount brackets included for t
Clip LEDs on all channels for maximum fl exibility (100 - 240 V~), ultimate fl exibility In addition to onboard USB/Audio t
State-of-the-art XENYX Mic noise-free audio, superior transient Interfaces, these mixers feature premium Preamps comparable to stand- alone XENYX mic preamps, studio- grade boutique preamps “one- knob” compressors (on all mono t
Studio-grade compressors with X2442USB X2222USB X1832USB X1622USB X1222USB X1204USB 1204USB channels), and recording and editing super- easy “one- knob” functionality on software that will turn your computer Total inputs 24 22 18 16 16 12 12 all mono channels system into a complete, high- performance Mono/stereo input channels 8/4 8/4 6/4 4/4 4/4 4/2 4/2 home recording studio. Channel EQ is t
Neo-classic “British” 3-band EQs for Mix Buses 4/2 2/2 3/2 2/2 2/2 2/2 2/2 provided by our highly musical “British” warm and musical sound XENYX Mic preamps 10 8 6 4 4 4 4 3-band EQs, which deliver the same sonic t
New studio-grade FX processor with Mono Channel EQ 3-band 3-band 3-band 3-band 3-band 3-band 3-band performance as the mega-consoles of the 16 editable presets including reverb, ‘60s and ‘70s. Channel eff ects sends MON/FX 2/2 2/1 2/1 1/1 1/1 1/1 1/1 chorus, fl anger, delay, pitch shifter, Eff ects returns 4 stereo 3 stereo 2 stereo 2 stereo 2 stereo 2 stereo 2 stereo Now you can make a little music history of your multi-eff ects, Tap function and storable own—with the new XENYX USB Series mixers! user parameter settings (not available on USB interface 2-in/2-out 2-in/2-out 2-in/2-out 2-in/2-out 2-in/2-out 2-in/2-out 2-in/2-out 1204USB) FX processor presets 16 16 16 16 16 16 — Massive software bundle includes t
Built-in stereo USB/Audio Interface to Metering 12-LED 12-LED 12-LED 12-LED 12-LED 8-LED 12-LED 100 virtual instruments, more than 50 VST eff ects plus an connect directly to your computer. Weight 13 lbs / 5.9 kg 10.5 lbs / 4.7 kg 10.2 lbs / 4.6 kg 7.6 lbs / 3.4 kg 8.1 lbs / 3.7 kg 6.2 lbs / 2.8 kg 6.2 lbs / 2.8 kg unlimited number of sound Free audio recording, editing Sweepable mids on mono channels, 4-band creations. Compatible with Sweepable mids on mono Sweepable mids on mono channels, fi xed EQ on stereo channels, 9-band stereo Sweepable mids on mono channels, 7-band graphic EQ, Voice Canceller, Windows XP, Windows Vista, and podcasting software plus channels, 4-band fi xed EQ on Mute/Alt 3-4 bus, multi- input source Mute/Alt 3-4 bus, multi- input source Other features 4-band fi xed EQ on stereo channels, graphic EQ, Voice Canceller, FBQ Feedback 4-band fi xed EQ on stereo channels, FBQ Feedback Detection System, XPQ 3-D Windows 7, Mac OS X and Linux stereo channels, +48 V phantom matrix, +48 V phantom power matrix, +48 V phantom power 150 instrument/eff ect plug-ins and +48 V phantom power, two subgroups Detection System, XPQ 3-D stereo surround, +48 V phantom power stereo surround, +48 V phantom power operating systems. power, four subgroups ultra- low latency driver included +48 V phantom power

22 23 Small Format Mixers Large Format Mixers

XENYX 1202FX & 1002FX XENYX 1002B XENYX 1202 & 1002 XENYX XL3200

t
Neo-classic “British” 4-band EQs with 2 semi-parametric mid bands for warm and musical sound t
4 Subgroup outputs with inserts plus 2 independent main outputs with inserts on Main A t
6 Aux sends per channel: 4 pre/post fader switchable for fl exible routing t
Channel inserts and direct outputs on each 1202FX 1002FX 1202 1002 mono channel t
Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, XENYX 1202FX t
Premium ultra-low noise analog mixer XENYX 1202 Subgroup and Main routing switches on all channels t
12-input 2-bus mixer with optional battery operation t
12-input 2-bus mixer t
2 multi-functional stereo FX returns with t
4 XENYX Mic Preamps t
2 state-of-the-art XENYX Mic Preamps t
4 XENYX Mic Preamps comprehensive routing options comparable to stand-alone boutique preamps t
2 Headphone and Speaker outputs with selectabe XENYX 1002FX XENYX 1002 t
Neo-classic ‘’British’’ 3-band EQs for warm and Main/CD/Tape inputs t
10-input 2-bus mixer t
10-input 2-bus mixer musical sound t
Solo-In-Place with PFL/AFL function plus full-featured t
2 XENYX Mic Preamps t
2 XENYX Mic Preamps t
4 balanced, high-headroom stereo inputs with Talkback section Common features: 3 additional mic inputs Common features: t
Long-wearing 60 mm logarithmic-taper faders and t
“British” EQs and 24-bit multi-FX processor t
One post-fader FX send and one pre-fader MON t
“British” EQs sealed rotary controls t
FX send control per channel for internal FX processor send per channel for external FX devices and t
1 post fader FX send per channel for external FX devices t
Internal autorange power supply for maximum and/or as external send monitor applications t
Main mix outputs plus separate control room, phones fl exibility (100 – 240 V~), noise-free audio, superior t
Main mix outputs plus separate control room, phones t
Clip LEDs on all channels and dedicated inserts on all and stereo CD/tape outputs transient response plus low power consumption for and stereo CD/tape outputs mono channels t
CD/tape inputs assignable to main mix or control energy saving t
CD/tape inputs assignable to main mix or control t
Main output plus separate Phones and room/phones outputs room/phones outputs CD/ Tape outputs t
FX to control room function helps to monitor eff ect t
Ultra-low noise, high-headroom analog mixer for t
28 state-of-the-art XENYX PRO Mic Preamps plus t
Switchable phantom power for condenser microphones signal via headphones and control room outputs live, front-of-house, monitor, corporate and touring 4 stereo Line inputs with ultra-high RFI suppression t
Long-wearing 60-mm logarithmic-taper master fader audio applications designed for live application and sealed rotary controls t
External power supply for noise-free audio and superior transient response XENYX XL2400

t
Ultra-low noise, high-headroom comprehensive routing analog mixer for live, front-of-house, options XENYX 802 & 502 MICROMIX MX400 monitor, corporate and touring t
2 Headphone and Speaker audio applications outputs with selectabe XENYX 502 t
20 state-of-the-art XENYX PRO Mic Preamps plus Main/CD/Tape inputs t
5-input 2-bus mixer 4 stereo Line inputs with ultra-high RFI suppression t
Solo-In-Place with t
1 XENYX Mic Preamp designed for live application PFL/AFL function Common features: t
Neo-classic “British” 4-band EQs with 2 semi- plus full- featured t
“British” EQs (XENYX 502: 1 British EQ) parametric mid bands for warm and musical sound Talkback section t
CD/tape inputs assignable to main mix or control t
4 Subgroup outputs with inserts plus 2 independent t
Long-wearing 60 mm room/phones outputs main outputs with inserts on Main A logarithmic-taper faders t
6 Aux sends per channel: 4 pre/post fader switchable and sealed rotary controls 802 502 t
Premium ultra low-noise, high headroom analog mixer t
Ultra-compact 4-channel line mixer t
Neo-classic “British” EQ for warm and musical sound t
Highest sonic quality even at maximum output level for fl exible routing t
Internal autorange power XENYX 802 t
Main mix outputs plus separate control room, phones t
Input Level control for each channel t
Channel inserts and direct outputs on each supply for maximum t
8-input 2-bus mixer and stereo CD/tape outputs t
Ultra low-noise 4580 operational amplifi ers for mono channel fl exibility (100 – 240 V~), t
2 XENYX Mic Preamps outstanding audio performance t
Clip and Signal LEDs plus 80 Hz, EQ, Mute, Solo, noise-free audio, superior t
1 post fader FX send per channel for external FX devices t
DC 12-Volt adapter included Subgroup and Main routing switches on all channels transient response plus t
1 stereo aux return for FX applications or as separate t
2 multi-functional stereo FX returns with low power consumption stereo input for energy saving

1202FX 1002FX 1002B 1202 1002 802 502 XL3200 XL2400 XL1600 Total inputs 12 10 10 12 10 8 5 32 24 16 Mono/stereo input channels 4/4 2/4 2/4 4/4 2/4 2/2 1/2 24/4 16/4 8/4 Mix Buses 2/2 2/2 2 2/2 2 2 2 4/2 4/2 4/2 XENYX Mic preamps 4 2 2 422128 (XENYX PRO) 20 (XENYX PRO) 12 (XENYX PRO) Channel EQ 3-band 3-band 3-Band 3-band 3-Band 3-band 2-band 4-Band 4-band 4-band Aux Sends per channel 112 111—666 Eff ects returns 1 stereo 1 stereo — 2 stereo — 1 stereo — 2 stereo 2 stereo 2 stereo FX processor presets 100100— ——————— Metering 4-LED 4-LED 5-LED 4-LED 4-LED 4-LED 4-LED 14-LED 14-LED 14-LED Battery operation, separate Trim control FX to Control Room, FX to Control Room, CD/Tape inputs assignable to CD/Tape inputs assignable to Mon 1 & 2, Aux 1 & 2 on each channel, 4-band fi xed EQ on stereo channels, stereo channels have mic inputs, Other features FX to monitors, +48 V phantom power FX to monitors, +48 V phantom power for Line and Mic on stereo channels, 60 mm master fader, 60 mm master fader, headphones or main outputs, headphones or main outputs, +48 V phantom power with switches and LEDs on every channel, pre/post Aux sends, switch-mode power supply +48 V phantom power +48 V phantom power +48 V phantom power +48 V phantom power +48 V phantom power

24 25 Large Format Mixers Large Format Mixers

XENYX XL1600 EURODESK SX3282

t
Ultra-low noise, high- t
2 multi-functional stereo FX returns with headroom analog mixer for comprehensive routing options t
Clip and -20 dB LEDs plus Low live, front-of-house, monitor, t
2 Headphone and Speaker outputs with selectable Cut, Mute, Solo/PFL, Subgroup corporate and touring audio applications Main/CD/Tape inputs and Main routing switches on t
12 state-of-the-art XENYX PRO Mic Preamps t
Solo-In-Place with PFL/AFL function plus full-featured all channels plus 4 stereo Line inputs with ultra-high RFI Talkback section t
8 Aux sends per channel: 4 pre/ suppression designed for live application post fader switchable for t
Neo-classic “British” 4-band EQs with fl exible routing 2 semi- parametric mid bands for warm and t
Main Aux sends with Level musical sound controls and Solo functions t
4 Subgroup outputs with inserts plus t
4 multi-functional stereo Aux 2 independent main outputs with inserts on returns featuring Level and Main A Balance controls, Solo and t
6 Aux sends per channel: 4 pre/post fader extensive routing functions switchable for fl exible routing t
Solo-In-Place with PFL function t
Channel inserts and direct outputs on each plus full-featured Talkback, mono channel Phones and Monitor section t
Clip and Signal LEDs plus 80 Hz, EQ, Mute, t
Inserts on all mono channels, Solo, Subgroup and Main routing switches on subgroups and main all channels t
Balanced inputs and Main outputs for highest signal integrity t
High-precision, 13-segment LED meter for main mix t
Long-wearing 60-mm t
Ultra-low noise, high-headroom analog t
Neo-classic “British” 4-band EQ (stereo channels) and logarithmic-taper faders and sealed rotary controls mixer for studio, live, front-of-house, 3-band EQ with semi-parametric mid band (mono t
Internal autorange power supply for maximum EURODESK SX4882 monitor, corporate and touring channels) for warm and musical sound fl exibility (100 - 240 V~), noise-free audio, audio applications t
8 subgroups with independent Pan controls, Solo and superior transient response plus low power t
Ultra-low noise, t
24 state-of-the-art XENYX Mic Preamps with Main functions and insert connections consumption for energy saving high- headroom analog switchable +48 V phantom power plus 4 stereo mixer for studio, live, Line inputs front- of- house, monitor, corporate and touring audio applications t
True in-line concept with 24 independent Mix-B input channels, all with individual EURODESK SX3242FX 2-band EQ, Level, Pan and Mute t
24 state-of-the-art XENYX Mic Preamps t
Premium ultra-low noise, with switchable +48 V phantom power high-headroom analog mixer t
Neo-classic “British” 4-band EQs with t
24 state-of-the-art XENYX 2 semi-parametric mid bands for warm and Mic Preamps comparable to stand-alone musical sound boutique preamps t
8 subgroups with independent Solo and t
Neo-classic “British” 3-band EQs with routing functions simultaneously feed semi-parametric mid band for warm and 16 multi-track outputs musical sound t
Clip and -20 dB LEDs plus EQ In, Low Cut, t
2 independent studio-grade 24-bit stereo Mute, Solo/PFL, Subgroup and Main routing FX processors with 99 awesome presets switches on all channels including reverb, chorus, fl anger, delay, pitch t
6 Aux sends per channel: all switchable pre/ shifter and various multi-eff ects post fader t
High-precision 9-band stereo graphic EQ t
Main Aux sends with Level controls and allows precise frequency correction of Solo functions monitor or main mixes t
6 multi-functional stereo Aux returns t
Revolutionary FBQ Feedback Detection featuring Level and Balance controls, system instantly reveals critical frequencies Solo and extensive routing functions t
Peak LEDs, Mute, Main mix and subgroup t
Solo-In-Place with PFL function plus routing switches, Solo and PFL functions on 2 independent phones sections plus all channels full- featured monitor and talkback section t
2 fully featured stereo input channels with built-in microphone with 4-band EQ plus 2 additional stereo t
4 Aux sends per channel: 2 pre/post fader switchable t
Long-wearing 60 mm logarithmic-taper faders and input channels with Level and pre-fader for monitoring/FX applications, 2 post fader (for sealed rotary controls t
Comprehensive Channel, Group and Main insert points t
Expander port with universal jack connectors for Aux controls internal FX or as external send) t
Internal autorange power supply for maximum t
Built-in meterbridge with meters for each channel, optimal linking to other consoles t
Inserts on each mono channel and t
Balanced Main mix outputs with ¼" jack and fl exibility (100 – 240 V~), noise-free audio, superior Subgroup and Main, monitoring either the channel or t
2 BNC connectors for 12 V gooseneck lights main mix for fl exible connection of gold-plated XLR connectors, separate Control room, transient response plus low power consumption for Tape return signal t
Internal autorange power supply for maximum outboard equipment Headphone and stereo Tape outputs energy saving t
Long-wearing 100-mm logarithmic-taper faders and fl exibility (100 - 240 V~), noise-free audio, superior t
4 Subgroup outputs and additional Mono t
Solo-In-Place and Pre-Fader-Listen functions plus sealed rotary controls transient response plus low power consumption for output with sweepable Low Pass fi lter for full-featured Talkback section energy saving subwoofer application t
Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs

26 27 Large Format Mixers Rackmount Mixers

EURODESK SX2442FX EURORACK PRO RX1202FX ULTRAZONE ZMX8210

The BEHRINGER ULTRAZONE ZMX8210 zone mixer is adjustment. Onboard phantom power is available, so you the ideal audio solution for anyone who needs to add can use any microphone with the ZMX8210, including music and paging capabilities to their environment. professional-grade condenser mics. Here’s an example of the ZMX8210 mixer in action: in t
Ultra-low noise ULN design, t
2 aux sends per channel: 1 pre fader for monitoring Loaded with professional features and easy to operate, your restaurant you want to (1)play the audio from the highest possible headroom, applications, 1 post fader for internal FX or as the ULTRAZONE ZMX8210 mixer gives you total control game in the bar, (2)present soft background music in ultra- transparent audio external send over your sonic environment. t
8 new state-of-the-art, studio-grade t
CD/tape inputs assignable to main mix or control the dining area and (3)page patrons in the lobby or t
Ultra-fl exible and easy-to-use zone mixer with remote IMP “Invisible” Mic Preamps with: room/phones outputs waiting area. Your situation may be different, but you control ports for commercial sound systems and fi xed - 130 dB dynamic range for 24-bit, 192 kHz sampling t
Separate control room, phones and stereo get the picture, multiple sound sources, multiple zones, installation applications rate inputs CD/ tape outputs total flexibility. t
6 ultra-low noise Mic/Line inputs with Gain control, - Ultra-wide 60 dB gain range t
Balanced main mix outputs with gold-plated A professional 8-channel audio mixer designed -20 dB Pad, Level/Clip indicator, +48 V phantom power t
Integrated 24-bit digital stereo FX processor with XLR connectors specifically for fixed installation applications, the rack and bus-assign switches 100 awesome presets including reverb, chorus, fl anger, t
Switchable +48 V phantom power for mountable ZMX8210 can distribute music programming t
2 selectable high-headroom stereo inputs with mono/ delay, pitch shifter and various multi-eff ects condenser microphones and announcements to up to three zones (rooms). stereo switch t
Eff ective, extremely musical 2-band EQ and Clip LED t
Long-wearing 60 mm logarithmic-taper faders and Typical applications include restaurants, office areas, t
Premium ultra-low noise, high- t
Inserts on each mono channel and main mix for fl exible t
Channel 1 provides variable threshold to enable on all channels sealed rotary controls health clubs and houses of worship, just to name a few. headroom analog mixer connection of outboard equipment automatic bus mute for announcements, etc. t
4 balanced high-headroom line inputs t
Internal switch-mode power supply for maximum t
16 state-of-the-art XENYX Mic Preamps t
4 Subgroup outputs and additional Mono output with Thanks to its intuitive control panel, even inexperienced t
3 assignable outputs (Left, Right and Aux) with t
State-of-the-art 4580 operational amplifi ers fl exibility (100 – 240 V~), noise-free audio, superior comparable to stand-alone boutique sweepable Low Pass fi lter for subwoofer application users will find the ZMX8210 easy to operate. Automatic individual Master controls and 5-segment LED meters provide lowest noise and distortion—better than transient response plus lowest possible power preamps t
4 Aux sends per channel: 2 pre/post fader switchable “ducking” can be set up so that when an announcement t
Ultra-musical 4-band master EQ and global 4560 op amps consumption for energy saving t
Neo-classic “British” 3-band EQs with semi-parametric for monitoring/FX applications, 2 post fader is made, the music volume is dropped to a preset level. microphone low-cut fi lter for perfect mid band for warm and musical sound (for internal FX or as external send) Several functions of the ZMX8210 can be controlled sound adjustment t
2 independent studio-grade 24-bit stereo FX t
Balanced Main mix outputs with ¼" jack and remotely by using simple control elements, allowing you t
Left, Right, Aux and Mute bus links available including processors with 99 awesome presets including reverb, gold-plated XLR connectors, separate Control room, to put volume controls where you need them. Master/Slave switch for connecting multiple units chorus, fl anger, delay, pitch shifter and various Headphone and stereo Tape outputs EURORACK PRO RX1602 Channels 1-6 feature high-quality mic preamplifiers t
Remote master Left/Right level control port for multi- eff ects t
Solo-In-Place and Pre-Fader-Listen functions plus ultimate fl exibility t
High-precision 9-band stereo graphic EQ allows precise full-featured Talkback section for absolutely pristine sound quality, If you need additional channels, two ZMX8210s can be linked t
Select switch for routing microphone bus post frequency correction of monitor or main mixes t
Standby switch mutes all channels during breaks while remote control t
Revolutionary FBQ Feedback Detection system background music is provided via CD/Tape inputs together, providing a total of 16 inputs. The input signals can be routed to any or all of the three output buses t
Integrated channel muting system with Priority select instantly reveals critical frequencies t
Long-wearing 60 mm logarithmic-taper faders and t
All inputs/outputs on Euro-type connectors t
Peak LEDs, Mute, Main mix and subgroup routing sealed rotary controls (zones). An Ultra-musical 4-band master EQ and global switches, Solo and PFL functions on all channels t
Internal autorange power supply for maximum microphone low-cut filter is provided for perfect sound t
2 fully featured stereo input channels with 4-band EQ fl exibility (100 – 240 V~), noise-free audio, superior plus 2 additional stereo input channels with Level and transient response plus low power consumption for t
Extremely fl exible keyboard and t
Illuminated double-function “mute” button per pre-fader Aux controls energy saving multi-purpose sub-mixer, multi-track section with additional “clip” indication provides monitoring mixer, level translator, comfortable input source/level information FX return sub-mixer, etc. t
Monitor/FX signal assignable to phones output for Rackmount Mixers RX1202FX RX1602 MX882 ZMX8210 t
16 balanced high-headroom line inputs for individual added fl exibility Total inputs 12 16 8 8 stereo or mono use of each section t
Highly accurate 2 x 7-segment LED level meters Mono/stereo input channels 8/4 0/8 6/1 6/2 EURODESK Mixers SX4882 SX3282 SX3242FX SX2442FX t
Ultra-low noise ULN design, highest possible and individual level control for left and right main Mix Buses 2 2 2/2 3 Total inputs 24/48 via inline 32 32 24 headroom, ultra-transparent audio mix signal t
Dedicated balance and level controls plus +4/-10 level t
¼" TRS main mix outputs plus easily accessible Mic preamps 8 IMP — — 6 Mono/stereo input channels 48/0 24/4 24/4 16/4 selection per channel headphones output on the front panel with dedicated Channel EQ 2-band — — 4-band global Mix Buses 8844t
Monitor/FX send control per section with global master level control send control for fl exible monitoring, recording or t
High-quality detented rotary controls for Channel sends 21—— XENYX Mic preamps 24 24 24 16 eff ects applications long- term reliability Eff ects returns 1 stereo — — — 4-band w/semi parametric 3-band + semi parametric 3-band + semi parametric 3-band + semi parametric Channel EQ MONO t
Shielded toroidal power transformer for lowest mid on main channels plus mid mid mid noise interference FX processor presets 100 — — — 2-band EQ on each channel’s Channel EQ STEREO Input B 4-band 4-band 4-band Metering 4-LED 8-LED 4 & 8-LED 5-LED Aux Sends 6 per channel 8 per channel 4 4 +48 V phantom power, 16 Line inputs can be used Versatile sub-mixer or signal Two ZMX8210s can be linked Other features 60 mm log-taper faders and to create 8 stereo inputs, splitter with balanced inputs for 16 total input, automatic Eff ects returns 6 stereo 4 stereo 2 2 ULTRALINK PRO MX882 sealed rotary controls illuminated mute buttons and outputs ducking, +48V phantom power Inserts 1 per mono + subs & mains 1 per mono + subs & mains 1 per mono & mains 1 per mono & mains FX processor presets — — 2 x 99 2 x 99 Metering 13 x 34 (meter bridge) 13 x 2 12 x 2 12 x 2 Fader Length 100 mm 60 mm 60 mm 60 mm True in-line console confi guration, expander port 8 sub-groups, +48 V phantom Dual 9-band stereo graphic EQ 9-band stereo graphic EQ for linking consoles, +48 V power, talkback section with t
8 in/2 out line mixer, 2 in/8 out line splitter t
Extremely wide bandwidth from 5 Hz to 200 kHz for with FBQ Feedback Detection, with FBQ Feedback Detection, phantom power, talkback on-board mic, extensive t
Each channel can operate independently in mixer or highest signal integrity Other features +48 V phantom power, mono +48 V phantom power, mono section with on-board mic, routing options for sub-groups output with variable low-pass output with variable low-pass splitter mode t
6 mono in, 6 mono out, 2 main inputs and 2 outputs extensive routing options and mains, switch-mode for subwoofer outputs for subwoofer outputs t
Usable as 6 in/6 out level matching amplifi er or direct t
4/8-segment input/output level meters for all channels for sub-groups and mains, power supply injection box t
High-quality components and exceptionally rugged switch-mode power supply t
Converts levels between -10 dBV and +4 dBu construction ensure long life

28 29 Powered Mixers Powered Mixers

EUROPOWER PMP6000, PMP4000 & PMP1680S EUROPOWER PMP1000 EUROPOWER PMP980S

t
Ultra-compact 2 x 450-Watt stereo powered mixer t
Revolutionary amplifi er technology: enormous power, incredible sonic performance and super-light weight These EUROPOWER mixers represent the t
Studio-grade 24-bit stereo FX processor with t
12 high-quality XENYX Mic Preamps with switchable t
Ultra-compact design at nearly half the depth and next generation of our popular powered 100 awesome presets including reverb, chorus, +48 V phantom power for condenser microphones t
Ultra-compact 2 x 250-Watt stereo powered mixer t
Eff ective, extremely musical 3-band EQ, switchable weight of conventional powered mixers means no (500-Watt bridged mode) Low cut fi lter and Clip LEDs on all mono channels mixers with massive output—up to fl anger, delay, pitch shifter and various multi-eff ects t
Speaker Processing function adjusts frequency more lugging around dead weight 1,600-Watts for the new PMP1680S, PMP4000 and (PMP6000 and PMP1680S have two FX units) response to match professional speaker systems like t
Revolutionary amplifi er technology: enormous power, t
Stereo 7-band graphic EQ allows precise frequency t
10-channel mixer section features 6 mono and 2 stereo incredible sonic performance and super-light weight correction of monitor or main outputs PMP6000 models. t
Revolutionary FBQ Feedback Detection system BEHRINGER EUROLIVE series, etc. channels plus separate tape returns t
Ultra-compact design at nearly half the weight of t
Voice Canceller function removes singer’s voice from t
2 studio-grade 24-bit stereo FX processors with All EUROPOWER mixers serve but one mission: to deliver instantly reveals critical frequencies for easy t
Adjustable stereo 2-Track input for connecting external conventional powered mixers means no more lugging recordings for Karaoke applications 100 awesome presets including reverb, chorus, fl anger, explosive power and high-quality sound in amazingly feedback removal line sources around dead weight t
Selectable stereo (main L/R), double mono (main/ delay, pitch shifter and various multi-eff ects portable, super-light packages! t
Eff ective, extremely musical 3-band EQ, t
Multi-functional stereo Preamp outputs for switchable Low Cut fi lter, and Clip LEDs on all mono added fl exibility t
12-channel mixer section features 4 mono and 4 stereo monitor) or bridged mono amplifi er operation mode t
Revolutionary FBQ Feedback Detection system This outstanding level of performance is achieved channels, 2 additional stereo inputs plus separate t
Standby switch mutes all mic channels during breaks instantly reveals critical frequencies for easy channels (PMP6000 has semi-parametric midrange) PMP4000 through a new-generation Class-D amplifier technology, Stereo 7-band graphic EQs allows precise frequency tape returns while background music is provided via tape inputs feedback removal t
t
1600-Watt 16-Channel Powered Mixer with Multi-FX which boasts greatly increased power and crystal-clear t
Studio-grade 24-bit stereo FX processor with t
Breathtaking XPQ 3D stereo surround eff ect for more t
8 high-quality mic preamps (6 IMP “Invisible” Mic correction of monitor or main outputs (monitor and Processor and FBQ Feedback Detection System sound combined with ultra-compact design. 100 awesome presets including reverb, chorus, fl anger, vitality and enhanced stereo image Preamps) with switchable +48 V phantom power for main outputs on PMP1680S) 16-channel mixer section features 8 mono and 4 stereo t
delay, pitch shifter and various multi-eff ects t
Adjustable stereo CD/Tape input for connecting condenser microphones Twenty-four bit stereo FX processors, IMP mic preamps t
Voice Canceller function removes singer’s voice from channels plus separate CD/Tape input/output t
Revolutionary FBQ Feedback Detection system external signal sources t
Eff ective, extremely musical 3-band EQ, switchable (PMP4000/6000 utilize our state-of-art XENYX recordings for karaoke applications 8 high-quality XENYX Mic Preamps with switchable t
instantly reveals critical frequencies for easy t
Multi-functional stereo Preamp outputs for Pad and Clip LEDs on all mono channels mic preamps), and our proprietary Voice Canceller, t
Selectable stereo (main L/R), double mono (main/ +48 V phantom power for condenser microphones feedback removal added fl exibility t
Dual stereo 7-band graphic EQ allows precise frequency for instant karaoke applications, round out an impressive monitor) or bridged mono amplifi er operation mode Multi-functional stereo Preamp outputs for t
t
6 high-quality mic preamps (4 IMP “Invisible” Mic t
Internal switch-mode power supply for maximum correction of monitor and main outputs feature set. t
Breathtaking XPQ 3D stereo surround eff ect for more added fl exibility vitality and enhanced stereo image (not available on Preamps) with switchable +48 V phantom power for fl exibility (100 - 240 V~), noise-free audio, superior t
Voice Canceller function removes singer’s voice from The PMP Series offers a multitude of channel PMP1680S) PMP1680S condenser microphones transient response and low power consumption for recordings for Karaoke applications energy saving configurations, as well as a broad feature spectrum. t
Standby switch mutes all mic input channels during t
1600-Watt 10-Channel Powered Mixer with t
Selectable stereo (main L/R), double mono (main/ With 8 models to choose from, there is a PMP mixer breaks while background music is provided via CD/Tape Dual Multi-FX Processor and FBQ Feedback monitor) or bridged mono amplifi er operation mode ideally suited for your application. input (not available on PMP4000) Detection System t
Speaker Processing function adjusts frequency t
Internal switch-mode power supply, noise-free t
10-channel mixer section features 6 mono and 2 stereo response to match professional speaker systems like EUROPOWER PMP6000/PMP4000/PMP1680S audio, superior transient response and very low channels plus separate CD/Tape input/output EUROPOWER PMP2000 BEHRINGER EUROLIVE series, etc. Common features: power consumption t
8 high-quality IMP mic preamps with switchable t
Standby switch mutes all input channels during breaks +48 V phantom power for condenser microphones while background music is provided via tape inputs t
Ultra-compact 2 x 800-Watt stereo powered mixer PMP6000 t
Speaker Processing function adjusts frequency t
Adjustable stereo Aux input for connecting external (1600-Watt bridged mode) 1600-Watt 20-Channel Powered Mixer with t
response to match professional speaker systems like signal sources t
Revolutionary Class-D amplifi er technology: Dual Multi-FX Processor and FBQ Feedback BEHRINGER EUROLIVE series, etc. t
Internal switch-mode power supply, noise-free enormous power, incredible sonic performance and Detection System t
Adjustable stereo Aux input for connecting external audio, superior transient response and very low super- light weight 20-channel mixer section features 12 mono and t
signal sources power consumption t
Ultra-compact design at nearly half the weight of 4 stereo channels plus separate CD/Tape input/output conventional powered mixers t
Rack mount brackets included t
Rack mount brackets included

PMP6000 PMP4000 PMP1680S Total inputs 20 16 10 Mono/stereo input channels 12/4 8/4 6/2 t
Ultra-compact 2 x 350-Watt stereo powered mixer t
9 high-quality IMP “Invisible” Mic Preamps Mix Buses 332(800-Watt bridged mode) with switchable +48 V phantom power for Mic preamps 12 XENYX 8 XENYX 8 IMP t
Ultra-Low Noise ULN design, high headroom and condenser microphones Channel EQ 3-band, semi-parametric midrange 3-band 3-band ultra- transparent audio t
Eff ective, extremely musical 3-band EQ, switchable t
14-channel mixer section features 6 mono and Pad and Clip LEDs on all mono channels Channel eff ects sends MON/FX 2/2 2/1 1/2 4 stereo channels t
Dual 9-band graphic EQ allows precise frequency FX processor presets 2 x 100 100 2 x 100 t
Studio-grade 24-bit stereo FX processor with correction of monitor and main outputs 100 awesome presets including reverb, chorus, fl anger, t
Selectable stereo (main L/R) or double mono Power output 1600 W (2 x 800 W) 1600 W (2 x 800 W) 1600 W (2 x 800 W) delay, pitch shifter and various multi-eff ects (main/ monitor) amplifi er operation mode Metering 12-LED 12-LED 5-LED t
Multi-functional stereo Preamp outputs and stereo Weight 28.9 lbs / 13.1 kg 22.9 lbs / 10.4 kg 21.8 lbs / 9.9 kg Power amp inputs for added fl exibility Dual FX processors, Voice Canceller, 7-band graphic EQ, XPQ 3D FX processor, Voice Canceller, 7-band graphic EQ, FBQ Feedback Dual FX processors, Voice Canceller, dual 7-band graphic EQs, Other features stereo surround eff ect, FBQ Feedback Detection, selectable amplifi er Detection, XPQ 3D stereo surround eff ect, selectable amplifi er selectable amplifi er operation mode, +48 V phantom power, operation mode, +48 V phantom power operation mode, +48 V phantom power rack mounts included

30 31 Powered Mixers DJ Mixers

EUROPOWER PMP960M PRO MIXER VMX1000USB, VMX300USB, VMX200USB & VMX100USB PRO MIXER DX2000USB

t
Ultra-compact 450-Watt dual mono t
Eff ective, extremely musical 3-band EQ, switchable powered mixer Pad and Clip LEDs on all channels Professional 7-Channel DJ Mixer with infi nium “Contact-Free” VCA Crossfader, USB/Audio Interface t
Revolutionary amplifi er technology: t
Dual 7-band graphic EQ allows precise frequency enormous power, incredible sonic correction of monitor and main outputs and Massive Software Bundle performance and super-light weight t
Voice Canceller function removes singer’s voice from The 7-channel DX2000USB DJ mixer t
Ultra-compact design at nearly half the depth and recordings for Karaoke applications features 5 stereo inputs plus 2 mono weight of conventional powered mixers means no t
Selectable double mono (main/main, main/monitor) or mic/line channels with ultra low- noise more lugging around dead weight bridged mono amplifi er operation mode Massive software bundle VMX1000USB mic preamps and Phantom Power. The DX2000USB t
Mixer section features 6 mono channels plus separate t
Speaker Processing function adjusts frequency includes 100 virtual t
Professional 7-channel ultra-low noise DJ mixer with also has enough phono preamps to handle up to three tape returns response to match professional speaker systems like instruments, more than turntables. Built-in USB/audio connectivity makes it easy 50 VST eff ects plus an state-of-the-art phono preamps t
Studio-grade 24-bit stereo FX processor with 100 BEHRINGER EUROLIVE series, etc. unlimited number of sound t
3-band Kill EQ (-32 dB) with EQ on/off switch on stereo to put your digital music library into the mix, or to record awesome presets including reverb, chorus, fl anger, t
Standby switch mutes all input channels during breaks creations. Compatible with channels, Gain control and precise level meter per your live sets. delay, pitch shifter and various multi-eff ects while background music is provided via tape inputs Windows XP, Windows Vista, Mac OS X and Linux operating channel t
Professional, 7-channel, ultra-low noise DJ mixer with Revolutionary FBQ Feedback Detection system Adjustable Aux input for connecting external t
t
systems. t
Automatic talkover function with separate Depth and state-of-the-art phono preamps instantly reveals critical frequencies for easy signal sources Sensitivity control t
45-mm infi nium “contact-free” optical crossfader with feedback removal Internal switch-mode power supply, noise-free t
t
Subwoofer output with adjustable x-over frequency adjustable friction for years of use t
6 high-quality mic preamps with switchable +48 V audio, superior transient response and very low Common Features: and level control for separate bass amplifi cation t
5 dual stereo inputs plus 2 mono mic/line channels with phantom power for condenser microphones power consumption t
Built-in USB/Audio interface for ULN mic preamps, Phantom Power, Gain control and t
Rack mount brackets included VMX300USB recording and playback of any t
Professional 3-channel ultra-low noise DJ mixer with Clip LED digital music fi le. Works with your state-of-the-art phono preamps t
Built-in USB/Audio interface for recording and playback PC or Mac computer—no setup or t
3-band Kill EQ (-32 dB) and precise level meters with of any digital music fi le. Works with your PC or Mac EUROPOWER PMP518M drivers required peak hold function computer—no setup or drivers required t
Massive software bundle includes Audacity vinyl t
Front-panel 3-way Kill switches with revolutionary t
Massive software bundle includes Audacity vinyl restoration and recording, Podifi er and Golden Ear keyboard-like tap and hold action restoration and recording, Podifi er and Golden Ear podcasting software podcasting software t
VCA-controlled crossfader and channel faders for VMX200USB t
Revolutionary FBQ Feedback Detection system utmost reliability and smooth audio performance t
Professional 2-channel ultra-low noise DJ mixer with instantly reveals critical frequencies for easy t
Intelligent, dual BPM counter state-of-the-art phono preamps feedback removal t
Awesome XPQ stereo surround eff ect (not available on t
3-band Kill EQ (-32 dB) and precise level meters with t
5 high-quality mic preamps with switchable Pad and VMX100USB) peak hold function Clip LEDs t
Monitor function with PFL/output balance control and VMX100USB t
Super-compact rackmountable 180-Watt powered t
Ultra-low noise ULN design for highest possible t
Eff ective, extremely musical 2-band EQ on all channels 9
*/'*/*6.
Split option (not available on VMX100USB) t
Professional 2-channel ultra-low noise DJ mixer with mixer with 24-bit FX processor headroom and ultra-transparent audio t
7-band graphic EQ allows precise frequency correction t
Super-smooth, long-life ULTRAGLIDE faders (up to state-of-the-art phono preamps 0QUJDBM
'BEFS t
Revolutionary amplifi er technology: enormous power, t
5-channel mixer section features 5 mic/line channels t
3 speaker outputs on ¼" jack and professional 500,000 cycles) t
2-band Kill EQ (-32 dB) and precise level meters with incredible sonic performance and super-light weight plus separate 2-track in/output speaker connectors (compatible with Neutrik t
Adjustable crossfader curve for all mixing styles peak hold function t
Ultra-compact design at nearly half the depth and t
Integrated 24-bit digital FX processor with Speakon connectors) t
Microphone input(s) with studio-grade ULN weight of conventional powered mixers means no 100 awesome presets including reverb, chorus, fl anger, t
Rack mount brackets included technology and automatic talkover function more lugging around dead weight delay, pitch shifter and various multi-eff ects t
Gold-plated RCA connectors for highest signal integrity

PMP Powered Mixers PMP2000 PMP1000 PMP980S PMP960M PMP518M Total inputs 14 16 10 6 5 VMX1000USB VMX300USB VMX200USB VMX100USB DX2000USB Mono/stereo input channels 6/4 6/4 6/2 6 Mono 5 Mono No. of Channels 2 mic (mono)/5 stereo 1 mic (mono)/3 stereo 1 mic (mono)/2 stereo 1 mic (mono)/2 stereo 2 mic (mono)/5 stereo Mix Buses 23221Mic Inputs 21112 Mic preamps 96865Channel EQ 3-band 3-band 3-band 2-band 3-band Channel EQ 3-band 3-band 3-band 3-band 2-band Metering LEDs per Channel 410——2 Channel sends MON/FX 1/1 1/1 2/1 1/1 1/0 Metering LEDs per Main 10 10 10 10 12 ✓✓✓✓ FX processor presets 100 100 100 100 100 Dual Auto-BPM Counters — ✓✓✓✓ Power output 700 W (2 x 350 W) 500 W (2 x 250 W) 900 W (2 x 450 W) 900 W (2 x 450 W) 180 W Adjustable CF curve — Metering 5-LED 12-LED 5-LED 5-LED 5-LED Weight 7.1 lbs / 3.6 kg approx. 7.4 lbs / 3.5 kg approx. 5.8 lbs / 2.5 kg approx. 4.4 lbs / 2 kg 14.3 lbs / 6.5 kg XPQ stereo surround eff ect, infi nium contact-free optical crossfader, Dual 9-band graphic EQs, Voice Canceller, dual 7-band graphic Dual FX processors, Voice Canceller, Voice Canceller, dual 7-band graphic XPQ 3D stereo surround eff ect, XPQ stereo surround eff ect, Beat Assist function, 7-band graphic EQs, FBQ Feedback VCA- controlled crossfader and channel three (3) phono preamps, 100 mm Other features stereo or main/monitor operation, EQs, FBQ Feedback Detection, dual 7-band graphic EQs, FBQ Feedback EQs, FBQ Feedback Detection, Other features VCA-controlled crossfader and VCA-controlled crossfader and VCA- controlled crossfader and Detection, rack mountable faders, EQ on/off switch on stereo channel faders +48 V phantom power +48 V phantom power Detection +48 V phantom power channel faders channel faders channel faders channels, subwoofer output and rack-mount kit included

32 33 DJ Mixers & Accessories Professional Passive Speakers

DIGITAL PRO MIXER DDM4000 EUROLIVE B1800X PRO, B1520 PRO & B1220 PRO

t
High-power 12" and 15" 2-way full- range loudspeakers t
Fully featured MIDI controller for your DJ software Jam-packed with a plethora of creative tools, the plus matching 18" subwoofer t
Sophisticated sampler with beat-controlled loop DDM4000 puts ultimate versatility at your fingertips. Up to 1,200 Watts Peak (B1800X PRO: function, real-time pitch control, sampler FX and t
Among the pioneering features are its programmable 1,800 Watts Peak) and beat-sync’able multi-FX processors, a pair of crossfader start option t
Titanium HF driver (full-range systems only) t
2 freely assignable and BPM-synchronized, high- precision BPM counters, and a digital crossfader BEHRINGER HF driver protection (full-range high- quality FX engines (Bitcrusher, Resonator, Reverb, t
with custom curve adjustment. systems only) Flanger, etc.) Break serious new ground with the onboard BPM- sync’d t
Long excursion woofer and high- power t
Ultra-fast, accurate and BPM counters for automatic sampler with real-time pitch control, loop and internal crossover BPM synchronization of sampler, FX, crossfader and reverse functions. Hook up your turntables and CD/ Professional speaker connector (compatible with external drum machines, etc. via MIDI t
MP3 players to its four stereo channels, each with Neutrik Speakon connectors) t
Digital crossfader with fl exible curve fully- programmable EQ and Kill switches. It also features Recessed, ergonomically shaped die-cast handles adjustment, reverse button and automatic, t
a dedicated mic channel with two XLR inputs and you Rugged steel grill for speaker protection BPM- synchronized crossfading t
can sync up your outboard FX and sound modules via the t
35mm top (B1800X) and bottom (B1520, B1220) t
Dual-mode crossfader with innovative MIDI clock output. pole socket frequency- selective crossfading The DDM4000’s intuitive layout means you’ll t
Dedicated Headphone section includes PFL Mix/Split immediately feel at home with it, while editing, storing and Bass/Snare boost functions and recalling your settings is simply a breeze. Get a t
4 Phono/Line stereo channels allowing max. 8 signal t
Recall your last mixer setting at the push of a button B1800X PRO B1520 PRO B1220 PRO BEHRINGER DDM4000 and the show is yours. sources to be connected simultaneously t
Digital S/PDIF output for direct recording of 2 Microphone inputs with Gain, EQ, Talk function your performance t
32-bit digital DJ mixer with beat-synchronized t
EUROLIVE B2520 PRO sampler, 4 multi-FX sections, 2 BPM counters, and FX t
Rack mount brackets included for ultimate fl exibility digital crossfader and MIDI t
4 stereo channels with Gain, programmable parametric 3-band EQ with Kill function, fader curve control and The B2520 PRO high-performance loudspeaker ideally t
Ultra-wide 50 Hz – 18 kHz frequency range (-10 dB); fl exible crossfader assignment complements our EUROLIVE PRO series. Two extremely impedance 4 Ohms powerful 15" long-excursion drivers and a 1.75" titanium t
Extremely high sound pressure level diaphragm compression driver, wrapped in an innovative (99 dB full space 1 W @ 1 m) design concept, efficiently translate up to 2,200 Watts of t
Overload-protection circuitry ensures optimal X1 INFINIUM Optical Fader for DDM4000 power into brutal punch and crystal-clear sound. If you HF driver protection want to level the house, get a pair of B2520 PRO’s! t
Parallel input connectors allow linking of Upgrade your DDM4000 DJ mixer with the X1 INFINIUM Optical additional loudspeakers PRO MIXER DX626 t
High-performance 2,200-Watt PA loudspeaker Fader. Its patented and contact- free optical technology means Ergonomically shaped handles for easy transport t
Extremely powerful dual 15" long-excursion drivers t
the X1 will be functional for countless gigs, all while delivering t
Rugged steel grill for optimal speaker protection a truly analog feel and touch. This fader includes complete t
Professional provide incredibly deep bass and acoustic power installation instructions and a toolkit. 3-channel ultra t
Proprietary 1.75" titanium-diaphragm compression low-noise DJ mixer driver for exceptional high-frequency reproduction with state-of-the- art phono preamps PRO MIXER DJX750 CFM-1 & CFM-2 t
Intelligent, dual BPM counter EUROLIVE B215XL, B215XL-WH, B212XL & B212XL-WH t
Super-smooth, Common Features: long-life Ultraglide Our B212 and B215 have established strong track EUROLIVE B215XL-BK (black) & WH (white) t
Replacement crossfader faders (up to records as versatile, great-sounding loudspeakers. 15" 2-Way PA Speaker Systems 500,000 cycles) CFM-1 And now we’ve made them even better sounding with t
250 Watts Continuous/1000 Watts t
VCA-controlled crossfader for utmost reliability and t
for DJX400*/DX626* (*old Version) completely new transducers designed and built right in Peak Power handling smooth audio performance t
Make sure your mixer has a 5-pin cable connector! our own factory. The new, updated B212XL and B215XL t
Hand-built 15" long-excursion low t
3-band Kill EQ (-32 dB) and Gain control per channel If only 4 pins, use CFM-2 instead! have deeper bass response, smoother treble and the frequency transducers add extra bass t
Manual talkover function wide- dispersion, natural midrange that you’ve come to for larger venues or bass- heavy program material CFM-2 t
Microphone input with studio-grade ULN technology expect from our molded speaker line. t
for DDM4000/VMX1000/VMX300/VMX200/ t
Monitor function with master/PFL mix option Common Feature: VMX1000USB/VMX300USB/VMX200USB/VMX100USB/ t
Precise peak-hold level meter with dedicated PFL t
State-of-the-art 1.75" titanium-diaphragm DJX750/DJX700/DJX400*/DX626*/DX052/ (*new version) EUROLIVE B212XL- BK (black) & WH (white) bar graph 12" 2-Way PA Speaker Systems compression driver for exceptional t
Make sure your mixer has a 4-pin cable connector! t
BNC gooseneck Lamp socket high- frequency reproduction If 5 pins, use CFM-1 instead! t
200 Watts Continuous/800 Watts Peak t
Gold-plated RCA connectors for highest signal integrity Power handling t
Ultra-wide dispersion, large-format exponential horn t
Overload-protection circuitry ensures optimal HF t
Professional 5-channel ultra-low noise B2520 PRO t
Hand-built 12" long-excursion low frequency transducers provide deep driver protection DJ mixer with stylish, black design t
Versatile trapezoidal enclosure design allows t
State-of-the-art 24-bit digital eff ects bass for medium sized rooms and normal program DJ MIXERS DDM4000 DJX750 DX626 material and strong acoustic power diff erent positioning: with advanced parameter control - Stand mounting with 35-mm pole socket t
Intelligent dual auto-BPM counter with time and beat No. of Channels 1 mic (mono)/4 stereo 1 mic (mono)/4 stereo 1 mic (mono)/3 stereo - Tilts on its side for use as a fl oor monitor sync display Mic Inputs 2 separately adjustable via menu 1 1 t
Ergonomically shaped handles for easy carrying t
Super-smooth ULTRAGLIDE faders with up to Channel EQ 3-band, adjustable frequencies 3-band 3-band and setup 500,000 life cycles t
2 professional speaker connectors plus t
Awesome adjustable XPQ stereo surround eff ect Eff ects processor Dual 24-bit digital processors with 9 editable eff ects each ✓ (47 presets) — ¼" jack connectors t
VCA-controlled crossfader for utmost reliability and smooth audio performance Metering LEDs per channel 710— t
Adjustable crossfader curve for all mixing styles Metering LEDs per Main 22 10 10 t
3-band Kill EQ (-32 dB) and precise level meters with Dual Auto-BPM Counters ✓✓✓ peak hold function per channel t
Additional 3-way Kill switches with extremely steep MIDI functionality ✓ —— frequency separation Adjustable CF curve ✓✓✓ t
Monitor function with master/cue balance control and BPM-synced sampler, digital crossfader, 32 bit internal processing, XPQ Stereo Surround eff ect, BNC lamp socket, split option Other Features 2 additional FX processors (Mic, Sampler), frequency-selective enhanced eff ects with one control manual talkover t
Auto-talkover function with separate depth control crossfading, digital out, Subwoofer out with integrated crossover parameter each

B212XL B212XL-WH B215XL B215XL-WH 34 35 Professional Passive Speakers Professional Passive Speakers

EUROLIVE Loudspeakers B2520 PRO B1800X PRO B1520 PRO B1220 PRO B215XL B212XL High frequency transducer/horn 1.75" — 1.75" 1.75" 1.75" 1.75" Low frequency transducer 2 x 15" 1 x 18" 1 x 15" 1 x 12" 1 x 15" 1 x 12" Peak power handling 2200 W 1800 W 1200 W 1200 W 1000 W 800 W Continuous power handling 550 W 450 W 300 W 300 W 250 W 200 W Crossover frequency 1.8 kHz 150 Hz 1.8 kHz 2.5 kHz 2.0 kHz 1.9 kHz 46.7 x 18.3 x 19" 27.6 x 21.5 x 21.35" 27.6 x 18.3 x 19" 25.1 x 15.6 x 16" 27.3 x 17.3 x 13.1" 21.7 x 13.6 x 10.6" Dimensions (H x W x D) 1185 x 465 x 482 mm 700 x 547 x 553 mm 700 x 465 x 482 mm 638 x 397 x 406 mm 695 x 440 x 335 mm 550 x 345 x 270 mm Construction Wood/Molded Wood/Molded Wood/Molded Wood/Molded Molded Molded Impedance 4 Ω 8 Ω 8 Ω 8 Ω 8 Ω 8 Ω Speakon-style connectors, HF driver overload protection, trapezoid Ergonomically shaped handles for easy transport, integral pole Speakon-style connectors, HF driver overload protection, trapezoid Speakon-style connectors, HF driver overload protection, trapezoid shape ideal for Available in black or white, optional swivel mounting brackets available, Speakon-style Available in black or white, optional swivel mounting brackets available, Speakon-style Other features shape ideal for monitor apps socket, built-in switchable crossover shape ideal for monitor apps monitor apps connectors plus ¼" jacks connectors plus ¼" jacks

EUROLIVE VP2520, VP1800S, VP1520, VP1220F & VP1220 EUROLIVE VS1520, VS1220F & VS1220

VP1520

VS1520

VP1220 VP2520 VP1800S VP1220F VS1220 VS1220F

This range of EUROLIVE PA speakers offers a wide The VP1800S speaker is a matching professional VP1800S This series of PA speakers is designed to meet VS1220F 2-way fl oor monitor palette of PA speakers in different sizes and power 18" subwoofer, boasting the ability to handle up t
Professional PA speaker with single 18" subwoofer the needs of gigging bands, mobile DJs and t
600-Watt power handling ratings, perfect for the professional requirements of to 1,600-Watts of power and deliver high SPLs at t
1600-Watt power handling installations. The speakers are available in various t
Electro-dynamic high frequency transducer musicians and commercial installations. All speakers frequencies as low as 40 Hz. sizes and power ratings, including extremely forceful 12" long-excursion lower frequency transducer VP1520, VP1220F & VP1220 t
include long-excursion drivers for massive acoustic long- excursion drivers for massive acoustic power t
Professional 2-way PA speaker systems with single VS1220 High-performance 2-way PA system power and titanium-diaphragm compression drivers for VP2520 and dual electro- dynamic drivers for exceptional 15" and 12" long-excursion drivers for incredibly deep t
600-Watt power handling exceptional high-frequency reproduction. Cabinets are t
Professional PA speaker with two extremely powerful high- frequency reproduction. bass and acoustic power t
Electro-dynamic high frequency transducer hand-built using heavy-duty composite materials with 15" long-excursion drivers t
State-of-the-art 1.75" titanium-diaphragm t
12" long-excursion lower frequency transducer generous internal bracing and includes ergonomic t
2000-Watt power handling VS1520 High-performance 2-way PA system compression drivers for exceptional weight- balanced carry handles. t
State-of-the-art 1.75" titanium-diaphragm t
600-Watt power handling high- frequency reproduction compression driver t
Electro-dynamic high frequency transducer All models feature hand-built cabinets with Computer-optimized horn design for ultra-wide t
t
15" long-excursion driver provides incredibly deep bass internal bracing, weatherproof metal grilles and sound dispersion and acoustic power weight- balanced handles.

EUROLIVE Loudspeakers VP2520 VP1800S VP1520 VP1220F VP1220 VS1520 VS1220F VS1220 High frequency transducer/horn 1.75" — 1.75" 1.75" 1.75" Dual Driver Dual Driver Dual Driver Low frequency transducer 2 x 15" 1 x 18" 1 x 15" 1 x 12" 1 x 12" 1 x 15" 1 x 12" 1 x 12" Peak power handling 2000 W 1600 W 1000 W 800 W 800 W 600 W 600 W 600 W Continuous power handling 500 W 400 W 250 W 200 W 200 W 150 W 150 W 150 W Crossover frequency 2.2 kHz LP 150 Hz 2.5 kHz 2.5 kHz 2.5 kHz 3.0 kHz 3.5 kHz 3.5 kHz 41.9 x 18.7 x 20.1" 25.6 x 20.9 x 22.6" 27 x 17.9 x 18.5" 16.9 x 17.3 x 22.6" 23.6 x 14.6 x 16.9" 27 x 17.9 x 18.3" 16.9 x 17.3 x 22.6" 236 x 14.6 x 16.9" Dimensions (H x W x D) 1065 x 475 x 510 mm 650 x 530 x 615 mm 685 x 455 x 465 mm 735 x 470 x 430 mm 600 x 390 x 430 mm 685 x 455 x 465 mm 430 x 440 x 575 mm 600 x 370 x 430 mm Construction Wood Wood Wood Wood Wood Wood Wood Wood Impedance 4 Ω 8 Ω 8 Ω 8 Ω 8 Ω 8 Ω 8 Ω 8 Ω Speakon-style connectors plus ¼" jacks, HF driver overload Speakon-style connectors plus ¼" jacks, ergonomic handles for Speakon-style connectors plus ¼" jacks, HF driver overload Speakon-style connectors plus ¼" jacks, HF driver Speakon-style connectors plus ¼" jacks, HF driver Ergonomically shaped handles for easy transport, HF driver overload protection, Ergonomically shaped Ergonomically shaped handles for easy transport, Other features protection, linkable via thru connectors easy transport, linkable via thru connectors protection, linkable via thru connectors overload protection, linkable via thru connectors overload protection, linkable via thru connectors integral tripod & stand adaptor handles for easy transport integral tripod & stand adaptor

36 37 Imagine Shaking the Earth to its Core

Now You Can

EUROLIVE Active Subwoofers and NEO Series Loudspeakers

Our EUROLIVE 1,400-Watt active powerful mids and pristine highs that will t
Subwoofer Level control to adjust the t
Extremely powerful and light weight - Digital noise gate, Low-Cut fi lter, t
Versatile trapezoidal enclosure design subwoofers and 1,260-Watt NEO Series keep the party going all night long. balance between subwoofer and the neodymium woofer (12" for B812NEO/ 2-band EQ, dynamic Contour fi lter for allows diff erent positioning: active loudspeakers are destined to become full- range speakers B912NEO, 15" for B815NEO) provides ultimate sound reproduction Now you can shake the earth to its core. - Stand mounting with 35-mm the new standard in high-quality live sound incredibly deep bass and acoustic power t
Power, Signal and Clip LEDs for t
2 ULN Mic/Line inputs with individual pole socket reproduction. Packed with an incredible &630-*7&
#%130#%130 perfect monitoring t
Revolutionary Class-D amplifi er volume controls and peak LEDs array of truly professional features, these - Tilts on its side for use as a $PNNPO
GFBUVSFT technology: enormous power, incredible brutes provide extreme levels of low- end t
Intelligent limiter for maximum sound t
State-of-the-art 1.75" titanium-diaphragm fl oor monitor sonic performance punch, with the kind of high-fi delity t
High-performance 1400-Watt powered performance and woofer protection neodymium compression driver for t
Ergonomically shaped handles for easy defi nition and clarity typically reserved subwoofer for PA applications t
State-of-the-art 24-bit digital signal exceptional high-frequency reproduction t
Internal switch-mode power supply carrying and setup for much larger systems. These powerful processor for ultimate system control: t
Powerful 15"/18" long- for noise-free audio, superior t
Ultra-wide dispersion and large format new speaker systems outperform their t
Internal switch-mode power supply excursion transducer with transient response and very low - Digital crossover, phase and time exponential/conical horn with multi-cell predecessors—and weigh 30% less! for noise-free audio, superior high temperature voice coil provides power consumption optimization for perfect driver aperture throat transient response and very low What’s the secret? These state-of-the- art incredibly accurate and pulse- alignment plus dual compressor/ t
Pole socket for mounting with t
Additional Line output enables linking of power consumption active loudspeakers are powered by pounding bass limiter for total system protection commercial spacer poles additional speaker systems custom-engineered Class-D amplifi ers (with t
Extremely high sound pressure level switch-mode power supplies), which drive t
Ergonomically shaped handles for (126/127 dB half space 1 W @ 1 m) the low- and high-frequency transducers to easy transport B1800D-PRO B1500D-PRO B912NEO B815NEO B812NEO their limits without even the slightest hint t
Precise reproduction of ultra- t
Rugged steel grill for optimal High-frequency transducer/horn — — 1.75" 1.75" 1.75" of distortion. Best of all, Class-D amplifi ers low frequencies (35 – 150 Hz) for speaker protection Low-frequency transducer 18" 15" 12" 15" 12" don’t require power supplies with massive “bulletproof” punch and impact transformers and heat sinks, so they provide &630-*7&
#/&0#/&0#/&0 Amplifi er power supply type Switch Mode Switch Mode Switch Mode Switch Mode Switch Mode t
State-of-the-art 1400-Watt Class-D a much better power-to-weight ratio than HF power amp – Amp Class — — 60 W – A/B 60 W – A/B 60 W – A/B amplifi er with comprehensive $PNNPO
GFBUVSFT many competing active systems. LF power amp – Amp Class 1400 W – D 1400 W – D 1200 W – D 1200 W – D 1200 W – D over- excursion, thermal and clip t
High-power 1260-Watt The NEO Series loudspeaker systems bring limit protection Built-in microphone Preamp —— 2 2 2 2-way PA sound reinforcement speaker it all together, with our newly developed Controls Level/Boost Frequency/High Cut/Phase Level/Boost Frequency/High Cut/Phase Level/EQ/Low Cut/Noise Gate Level/EQ/Low Cut/Noise Gate Level/EQ/Low Cut/Noise Gate t
Built-in active stereo crossover system with integrated mixer for live and neodymium transducers for superb sound, provides high-pass fi ltered outputs for playback applications Construction Wood Wood Molded Molded Molded DSP control, and 1,260-Watts of explosive full- range loudspeakers Dimensions 21.6 x 27.6 x 21.1" 18.3 x 27.6 x 19.0" 26.0 x 15.0 x 15.5" 29.0 x 17.0 x 18.5" 26.0 x 15.0 x 15.5" power in a lightweight, compact enclosure. t
Ultra-compact and light weight (front H x front W x D) 547 x 700 x 535 mm 465 x 700 x 482 mm 660 x 380 x 395 mm 735 x 430 x 470 mm 660 x 380 x 395 mm t
Tunable and switchable Bass Boost plastic composite material provides Put simply, these cool-running systems are Weight 119 lbs / 54 kg 92.5 lbs / 42 kg 42 lbs / 19 kg 51.1 lbs / 23.1 kg 42 lbs / 19 kg plus Phase switch for ultimate excellent sound even at extreme sound up to 30% lighter than their predecessors, low- frequency performance pressure levels Weight-saving design, multiple Weight-saving design, multiple B815NEOs Weight-saving design, multiple B812NEOs B912NEOs can be linked, pole socket, can be linked, pole socket, trapezoid can be linked, pole socket, trapezoid making them ultra-easy to transport and Built-in High Pass Filter, Built-in High Pass Filter, trapezoid shape is ideal for monitor shape is ideal for monitor purposes, shape is ideal for monitor purposes, set up. No- compromise design means you Variable High Cut control for perfect Other features multiple B1800D- PROs can be linked, multiple B1500D- PROs can be linked, t
purposes, 24-bit DSP-controlled for 24-bit DSP-controlled for ultimate system 24-bit DSP-controlled for ultimate system pole socket pole socket get deep, chest-pounding bass, along with sound alignment ultimate system control and powerful and control and powerful and light weight control and powerful and light weight light weight neodymium woofer neodymium woofer neodymium woofer

38 39 Professional Powered Speakers Professional Powered Speakers

EUROLIVE VP1520D & VP1220D EUROLIVE B315D, B312D, B215D, B212D, B210D & B208D A LOUDSPEAKER is comprised of an enclosure and transducers—the parts you know as woofers, tweeters and horns. It’s pretty easy to build an enclosure. But it takes a major investment in skilled craftspersons and precision equipment to build transducers. B208D B210D B212D B215D B312D B315D So most speaker “manufacturers” just order their transducers out of D Series Active Systems EUROLIVE B315D/B312D/ t
Integrated automatic High Pass Filter allows maximum a catalog. Which means they settle B215D/B212D/B210D/B208D output without audible distortion Common Features: t
Extremely powerful long-excursion LF transducers for what’s available, leave quality provide incredibly deep bass and acoustic power t
Ultra-compact and light weight systems control to somebody else…and end delivers excellent sound even at t
State-of-the-art 1.35" aluminum-diaphragm (B312D extreme sound pressure levels & B315D have 1.75" titanium-diaphragm) compression up passing higher prices on to you driver for exceptional high-frequency reproduction t
Revolutionary Class-D amplifi er technology yields for the most critical parts of their t
Ultra-wide dispersion, large-format exponential/ VP1220 VP1520 enormous power, incredible sonic performance and B208D-WH B210D-WH B212D-WH B215D-WH loudspeaker systems. super- light weight conical horn - B212D/B215D/B312D/B315D: 550 Watts t
Ultra-low noise Mic/Line input with Volume control EUROLIVE Active 550-Watt 2-Way PA Speaker t
Extremely powerful 15" long-excursion driver - Stand mounting with 35-mm pole socket Not at BEHRINGER. We make our - B208D/B210D: 200 Watts and Clip LED System with 12"/15" Woofer and 1.75" Titanium (12" for VP1220D) provides incredibly deep bass and Additional Line output for linking of speaker systems - Tilts on its side for use as a fl oor monitor t
Internal switch-mode power supply for noise-free t
own speaker cones, wind our own Compression Driver acoustic power Optional mount brackets (not available for audio, superior transient response and very low t
Versatile trapezoidal enclosure design allows t
coils, machine our own parts, hand- Common Features: t
Proprietary 1.75" titanium-diaphragm compression diff erent positioning B312D & B315D) driver for exceptional high- frequency reproduction power consumption assemble and test every transducer. t
High-power 550-Watt 2-way PA sound reinforcement speaker system for live t
Ultra-wide dispersion, large-format exponential/ Then we pass the savings on to you. and playback applications conical horn t
Ultra-low noise Mic/Line input with Volume control t
Ultra-compact system delivers excellent sound even EUROLIVE B205D at extreme sound pressure levels and Clip LED Dedicated 2-band EQ for perfect sound adjustment t
Revolutionary Class-D amplifi er technology: t
t
Additional Line output allows linking of additional t
Multi-purpose, t
Revolutionary Class-D amplifi er t
XLR ‘’through’’ connector with mic/line switch for enormous power, incredible sonic performance and 150-Watt, active technology: enormous power, linking more B205Ds super- light weight speaker systems Trapezoidal enclosure for easy array and speaker for vocal incredible sonic performance and t
Mic stand integration system for use with stand and boom t
Internal switch-mode power supply for noise-free t
sonic accuracy and keyboard super-light weight t
Integrated limiter for ultimate system control and audio, superior transient response and very low monitoring, t
5.25" premium-quality, full-range neodymium driver speaker protection power consumption t
Integral tripod and stand adaptor t
Ergonomically shaped handles for easy carrying multi- media, t
Ultra-low noise 3-channel mixer with 3-band EQ t
Internal switch-mode power supply for noise-free t
Integrated sound processor for ultimate system press t
2 “Invisible” Mic Preamps with phantom power for audio, superior transient response and very low control and speaker protection and setup t
Rugged steel grille for optimal speaker protection conferences and condenser microphones and 1 instrument-ready input power consumption home recording (no DI required) t
Super-tough, impact-resistant enclosure with studio, etc. t
Dedicated stereo input for keyboards, MP3, CD, etc. integrated top carry handle Cone/surround attachment process EUROLIVE F1220A

Class-D EUROLIVEACTIVE VP1520D VP1220D B315D B312D B215D B212D B210D B208D F1220A $MBTT%
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Class-D Low frequency 15" 12" 15" 12" 15" 12" 10" 8" 12" QPXFS
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transducer MPX
XFJHIU Amplifi er Power WEIGHT EFFICIENCY Switch Mode Switch Mode Switch Mode Switch Mode Switch Mode Switch Mode Switch Mode Switch Mode Xformer It’s a given that Supply Type active speaker systems sound best. HF Power Amp – 100 W – A/B 100 W – A/B 100 W – A/B 100 W – A/B 100 W – A/B 100 W – A/B 42 W – A/B 42 W – A/B But that means their amplifi ers are Amp Class 125-Watt total with We wind over 100 diff erent sizes of voice coils LF Power Amp – internal crossover – H built into the enclosure—which means 450 W – D 450 W – D 450 W – D 450 W – D 450 W – D 450 W – D 160 W – D 160 W – D a heavy lift during set-up and load-out. t
High-performance, 125-Watt, Amp Class active monitor system for live and Built-in Microphone 111111111 Instead of operating continuously, playback applications Preamp Class-D amps switch on and off t
Exceptional sound quality, wide frequency bandwidth Level/EQ Controls Level/EQ Level/EQ Level/EQ Level/EQ Level/EQ Level/EQ Level/EQ Level/EQ thousands of times per second, and dynamic range Feedback Filter delivering power only when needed, t
Adjustable feedback fi lter and integrated limiter for Construction ————Molded Molded Molded Molded Wood with a more compact and effi cient ultimate system control and speaker protection form factor that eliminates the need t
Ultra-low noise Mic/Line input with Volume control Dimensions 27.0 x 17.9 x 18.3" 23.6 x 14.6 x 16.9" 28.8 x 18.5 x 16.7" 25.9 x 15.5 x 15.1" 27.2 x 17.3 x 13.2" 21.7 x 13.6 x 10.6" 18.2 x 11.5 x 9.6" 14.6 x 9.8 x 8" 14.2 x 22.8 x 16" (front H x front W x D) 685 x 455 x 465 mm 600 x 370 x 430 mm 732 x 470 x 424 mm 658 x 394 x 384 mm 690 x 440 x 335 mm 550 x 345 x 270 mm 464 x 292 x 244 mm 372 x 249 x 205 mm 360 x 580 x 406 mm for heavy power supply transformers. and peak LED t
Dedicated 3-band EQ for perfect sound shaping Weight-saving design, Weight-saving design, Weight-saving design, Weight-saving design, 24-Bit DSP-control, Weight-saving design, Weight-saving design, And, because they are so much more multiple B215Ds may multiple B212Ds may multiple B210Ds may multiple B208Ds may mic input, 3-band EQ, t
Powerful 12" long-excursion driver provides incredibly multiple B315Ds can multiple B312Ds can effi cient, D Series active loudspeakers Weight-saving design, Weight-saving design, be linked via line be linked via line be linked via line be linked via line may be linked via line deep bass and acoustic power be linked, pole socket, be linked, pole socket, Other features multiple VP1520s can multiple VP1220s can outputs, pole socket, outputs, pole socket, outputs, pole socket, outputs, pole socket, output, pole socket, Coil baking–nothin’ sez lovin’ like somethin’ from the oven run cooler and don’t require huge, t
High-resolution 1" HF driver for exceptional trapezoid shape is trapezoid shape is be linked, pole socket be linked, pole socket trapezoid shape is trapezoid shape is trapezoid shape is trapezoid shape is Adjustable Feedback ideal for monitor ideal for monitor heavy heat sinks. high- frequency reproduction ideal for monitor ideal for monitor ideal for monitor ideal for monitor Filter for eliminating purposes purposes applications applications applications applications feedback frequencies

40 41 On-Wall Distributed Speakers & Studio Monitors Multimedia Speakers & Loudspeaker Mounts & Accessories

BUSINESS ENVIRONMENT SPEAKER CE500A-BK & CE500A-WH TRUTH B3031A & B3030A TRUTH B2031P & B2030P MONITOR SPEAKERS MS16 TRUTH B1031A

Looking for great The bigger brother of the t
Ultimate dispersion characteristics and sound and high well- known B1030A now has extremely large “sweet spot” owing to tech appearance? more power and bigger speakers! advanced wave guide technology The CE500A-BK is The B1031A’s 1" silk dome tweeter t
High-precision crossover network with 4th order a multi-purpose, and long- throw 8" woofer with Linkwitz-Riley fi lters 80-Watt active deformation-resistant Kevlar t
Adjustable to a wide range of acoustic conditions speaker for cone give you tight, punchy lows t
Separately controlled limiter for low and high commercial indoor and sweet highs—100 W for low frequency overload protection installations, t
Compact stereo speaker system ideally suited for home frequencies and 50 W for high t
Magnetic shielding allows placement near computer multimedia B3030A B3031A B2030P B2031P studios, multimedia applications, keyboard and vocal frequencies, to be exact. monitors applications, monitoring, etc. t
“Planet Earth” power supply for maximum fl exibility CE500A-BK TRUTH B3031A 8.75" 2-Way Active Ribbon Studio t
Ultra-linear studio monitor with true active design home recording t
High-resolution, passive 2-way 150-Watt (B2031P)/ t
Powerful 4" woofers and high-resolution tweeters (100 - 240 V~), noise- free audio, superior transient Reference Monitor with Kevlar Woofer t
Precision Class A/B amplifi ers with active protection studios, audio/ 100-Watt (B2030P) studio monitor powered by two 8-Watt amplifi ers response plus low power consumption for energy t
Built-in 150 and 75-Watt power amplifi ers with circuits: 100 W for LF/50 W for HF video productions t
Ultra-linear frequency response from 55 Hz (B2031P)/ t
Dedicated Volume, Bass and Treble controls for saving enormous power reserve t
Ultra-high resolution 1" silk dome tweeter for ultimate and perfect for 75 Hz (B2030P) to 21 kHz more fl exibility Servo-balanced inputs with XLR, ¼" and unbalanced t
Long-throw 8 ¾" woofer with deformation-resistant sound reproduction t
use as a hot t
Extremely high-resolution, ferrofl uid-cooled tweeter t
Stereo RCA inputs for sound cards, keyboards, etc. that RCA connectors Kevlar cone and aluminum die-cast chassis for ultimate t
Long-throw 8" woofer with deformation- resistant spot. A powerful bass response t
Long-throw 8.75" (B2031P)/6.75" (B2030P) woofer can be used simultaneously with second stereo source with special polypropylene diaphragm Kevlar cone for ultimate bass response woofer and a t
Automatic standby mode (defeatable) (e. g. CD/MD player) through ⁄" TRS stereo input high-resolution CE500A-WH t
Phase-optimized, low-distortion frequency crossover t
Separately adjustable ¼" TRS microphone input tweeter deliver TRUTH B3030A 6.75" 2-Way Active Ribbon Studio for accurate reproduction mixable with stereo inputs for playback and vocal an exceptional Reference Monitor with Kevlar Woofer t
Magnetic shielding monitoring applications t
Built-in 75 and 35-Watt power amplifi ers with DIGITAL MONITOR SPEAKERS MS40 & MS20 sound quality and a wide dynamic range. In addition, t
⁄" TRS headphone connector with auto-mute enormous power reserve the CE500A-BK offers an integrated limiter for ultimate loudspeaker function t
Long-throw 6 ¾" woofer with deformation-resistant 2-way active studio monitors ideally suited for system control and speaker protection. t
Magnetically shielded for placement near t
Kevlar cone and aluminum die-cast chassis for ultimate computer monitors computer studios, audio and multimedia workstations t
Multi-purpose, 80-Watt, active speaker bass response and keyboard monitoring for commercial indoor installations Common Features: t
Built-in amplifi ers with immense headroom (restaurants, shops, exhibitions), Powerful woofers and high-resolution tweeters t
Ultra-linear frequency response — t
multimedia, home recording studio and audio/ Delivered with individual TRUTH B1030A provide an ultra-linear frequency response video production frequency certifi cates t
Ultra-high resolution 24-bit/192 kHz D/A converters for t
Exceptional sound quality, wide dynamic range and t
Long-throw 5.25" woofer with deformation-resistant an incredible dynamic range t
Ultra-high resolution, 2" velocity You asked for a high-definition ultra-linear frequency range from 60 Hz to 23 kHz Kevlar cone for accurate bass response ribbon transducer for ultimate sound reproduction active monitor in a smaller form t
Optical and coaxial inputs to directly connect digital t
Powerful 5 ½" woofer with extremely light-weight t
Ultimate dispersion characteristics and extremely audio sources by S/PDIF interface t
Controlled dispersion characteristics and extremely factor and we delivered! We cellulose cone and high-resolution ½" tweeter large “sweet spot” owing to advanced wave large “sweet spot” owing to the unique BEHRINGER started with a newly-designed t
Integrated limiter for ultimate system control and guide technology wave guide technology ferrofluid-cooled silk dome high speaker protection t
High-precision active crossover network with 4th order t
Active crossover network with 4th order frequency transducer loaded into a t
Ultra-low noise Mic/Line input with Volume control Linkwitz-Riley fi lters Linkwitz- Riley fi lters wide-dispersion wave guide. And and peak LED t
Adjustable to a wide range of acoustic conditions EUROLIVE WB215, WB215-WH, WB212, WB212-WH, WB210, WB210-WH, WB208 & WB208-WH t
Adjustable to a wide range of acoustic conditions and now that we’re building Kevlar t
Additional Line output connector allows linking of t
Separately controlled limiter for low and high subwoofer operation woofers in our factory, we were additional speaker systems frequency overload protection Wall Mount Swivel Brackets for EUROLIVE B210, B208, t
Separately controlled limiter for low and able to “upgrade” the B1030A’s low t
Ultra-fl exible wall-mount brackets included t
Magnetic shielding allows placement near B215XL/B212XL, B215A/B212A and B215D/B212D frequency transducer for even tighter bass response. high- frequency overload protection computer monitors Series Speakers Magnetic shielding allows placement near t
t
Ultra-linear, high-resolution studio t
“Planet Earth” power supply for maximum t
Available in black and white computer monitors monitor with true active design fl exibility (100 - 240 V~), noise-free audio, superior Servo-balanced inputs with XLR and ¼" TRS connectors t
Heavy-duty steel construction t
t
Precision Class A/B amplifi ers with transient response plus low power consumption for MONITOR SPEAKERS 1C-BK & 1C-WH t
Designed for indoor use only active protection circuits: 50 W for LF/25 W for HF energy saving t
Exceptionally rugged construction ensures long life t
Ultra-high resolution, ferrofl uid-cooled 1" silk dome t
Servo-balanced inputs with XLR, ¼" and unbalanced TRUTH B2031A & B2030A tweeter for super sound detail RCA connectors

Studio Monitors B3031A B3030A B2031A B2030A B2031P B2030P B1030A MS40 MS20 MS16

1C-WH High frequency transducer Ribbon Ribbon 1" 1" 1" 1" 1" 0.5" 0.5" 0.75" 8.75" 6.75" 1C-BK 8.75" Kevlar 6.75" Kevlar Polypropylene cone, Polypropylene cone, 8.75" 6.75" Low frequency transducer 5.25" Kevlar 5" 3" 4" Aluminum die- cast frame Aluminum die- cast frame Aluminum die-cast Aluminum die-cast Polypropylene Polypropylene t
Multi-purpose 2-way studio monitors ideally suited for frame frame fi xed installation, multimedia, home recording studio, B2031A High frequency power amplifi er 75 W 35 W 75 W 35 W 25 W 8 W audio/video production and surround-sound systems B2030A 150-Watt Power 100-Watt Power 2 x 20-Watts full range 2 x 10-Watts full range Low frequency power amplifi er 150 W 75 W 150 W 75 WHandling Handling 50 Wwith crossover with crossover 8 W t
High power handling capability (100 W/IEC268-5) t
High-resolution, active 2-way 150- and 75-Watt produces full-range output with extremely Servo-balanced XLR & Servo-balanced XLR & RCA, Servo-balanced XLR & Optical & coax SPDIF, Optical & coax SPDIF, RCA, ⁄" TRS headphone (B2031A)/75- and 35-Watt (B2030A) studio monitor Inputs Servo-balanced XLR & ¼" TRS Servo-balanced XLR & ¼" TRS LS connectors LS connectors low distortion t
Ultra-linear frequency response from 50 Hz to 21 kHz ¼" TRS ¼" TRS ¼" TRS ¼" TRS ¼" TRS & ¼" TRS microphone Powerful 5 ½" woofer with extremely light-weight t
with individual frequency diagrams Input level, Input level, Input level, Input level, Input level, Input level, 2-band EQ, cellulose cone and high-resolution ½" tweeter Controls 3-position Bass response 3-position Bass response —— Input level, 2-band EQ Input level, 2-band EQ t
Built-in power amps with enormous power reserve 3-position Bass response switch 3-position Bass response switch 3-position Bass response switch mic level t
Ultra-linear frequency range from 60 Hz to 23 kHz t
Ultra high-resolution 1" ferrofl uid-cooled tweeter switch switch t
Phase-optimized and high-precision crossover for t
Long-throw 8.75" (B2031A)/6.75" (B2030A) woofer Construction Braced wood Braced wood Braced wood Braced wood Braced wood Braced wood Braced wood Molded Molded Molded absolute phase linearity with special poly propylene diaphragm Magnetic Shielding ✓ ✓ ✓✓✓✓ ✓ ✓✓✓ t
Auto-overload protection prevents tweeter damage t
Adjustable to diff erent acoustic conditions and and resets automatically 15.8 x 10.1 x 10.5" 12.5 x 8.4 x 8.3" 15.8 x 10.1 x 10.5" 12.5 x 8.4 x 8.3" 15.8 x 10.1 x 10.5" 12.5 x 8.4 x 8.3" 11.3 x 7.8 x 11" 11 x 6.8 x 9.7" 9.4 x 6 x 7.375" 5.5 x 5.9 x 9.5" subwoofer operation Dimensions (H x W x D) t
Bracket for wall/ceiling mounting included t
Magnetic shielding 401 x 257 x 267 mm 317 x 214 x 211 mm 401 x 257 x 267 mm 317 x 214 x 211 mm 401 x 257 x 267 mm 317 x 214 x 211 mm 288 x 198 x 280 mm 279 x 173 x 245 mm 239 x 154 x 280 mm 140 x 150 x 241 mm t
Delivered with individual frequency response charts With signed Frequency Response With signed Frequency Response With signed Frequency With signed Frequency With signed Frequency With signed Frequency “Planet Earth” universal 24-bit/192kHz DA 24-bit/192kHz DA External power Other features Certifi cates Certifi cates Response Certifi cates Response Certifi cates Response Certifi cates Response Certifi cates 100 - 240 V internal power supply converters converters supply

42 43 Studio Monitor & PA Amplifi ers Studio Monitor & PA Amplifi ers

REFERENCE AMPLIFIER A500 EUROPOWER EP4000 & EP2000 EUROPOWER EPX4000 & EPX2800

t
XLR and ¼" TRS input connectors for compatibility with any source t
Professional speaker connectors and “touch-proof” binding posts support most speaker wiring systems t
Selectable low-frequency fi lters (30 Hz or 50 Hz) remove distracting infra-sound frequencies t
Independent limiters per channel off er reliable t
Ultra-linear power amplifi er for recording studios, t
Input connections on balanced XLR, ¼" TRS and protection against overload and distortion post-production, live sound and HiFi application RCA connectors t
High-current toroidal transformer for ultra-high t
2 x 300 Watts into 4 Ohms, 600 Watts into 8 Ohms in t
Speaker outputs on professional ‘’touch-proof’’ transient response and absolute reliability bridged mono operation binding posts and ¼" TS connectors EP4000 t
Ultra-reliable Toshiba/Fairchild power transistors t
Servo-controlled design can drive virtually any passive t
Ultra-reliable Toshiba/Fairchild high- power transistors t
2 x 2,000 Watts into 2 Ohms; 2 x 1,400 Watts into t
Independent DC and thermal overload protection on speaker such as studio monitors, etc. t
Independent thermal overload protection with LED 4 Ohms; 4,000 Watts into 4 Ohms (bridge mode) each channel automatically protects amplifi er and t
Advanced convection-cooling for absolutely noise-free indicator for each channel automatically protects speakers without shutting down the show and stable operation (no fan) amplifi er and speakers EP2000 t
“Back-to-front” ventilation system including air fi lter t
Precise level meter and clip indicators for accurate t
High-current toroidal transformer for absolute t
2 x 1,000 Watts into 2 Ohms; 2 x 750 Watts into for reliable operation EPX4000 4000-Watt Lightweight Stereo t
Professional speaker connectors and ‘’touch-proof’’ performance monitoring reliability and lowest noise interference 4 Ohms; 2,000 Watts into 4 Ohms (bridge mode) t
“Built-like-a-tank,” impact-resistant, all-steel 2U Power Amplifi er binding posts support most speaker wiring systems Common Features: rackmount chassis t
2 x 2000 Watts into 2 Ohms; 2 x 1200 Watts into 4 Ohms; t
Built-in Subwoofer/Satellite crossover for t
Precise Power, Signal and Clip LEDs to 4000 Watts into 4 Ohms (bridge mode) more fl exibility monitor performance t
Weight 22.2 lbs / 10.1 kg. t
Independent DC and thermal overload protection on EPX2800 2800-Watt Lightweight Stereo each channel automatically protects amplifi er and Power Amplifi er speakers without shutting down the show “Back-to-front” ventilation system including air fi lter t
2 x 1400 Watts into 2 Ohms; 2 x 800 Watts into 4 Ohms; t
EUROPOWER EPQ2000, EPQ1200, EPQ900, EPQ450 & EPQ304 2800 Watts into 4 Ohms (bridge mode) for reliable operation ‘’Built-like-a-tank’’, impact-resistant, all-steel 2U t
Weight 22.2 lbs / 10.1 kg. t
rackmount chassis EUROPOWER EPQ2000/EPQ1200/EPQ900/ t
Precise Power, Signal and LIMIT LEDs to Common Feature: EPQ450/ EPQ304 monitor performance t
ATR (Accelerated Transient Response) Accelerated Transient Response delivers the EPQ2000 and EPQ1200: XLR, ¼" TRS and RCA input Common Features: t
technology for ultimate punch knock-out punch. connectors for compatibility with any source t
EPQ2000: 2 x 1000 Watts into 4 Ohms; and clarity EPQ900, EPQ450 and EPQ304: Servo- balanced XLR and It takes huge pulses of energy (current and voltage) 2 x 600 Watts into 8 Ohms t
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Ultra-light, ultra-low noise and ultra- effi cient ¼" TRS inputs plus professional speaker connectors to propel a woofer cone out fast enough to match a EPQ1200: 2 x 600 Watts into 4 Ohms; switch- mode power supply for noise- free EPQ2000 and EPQ1200: Professional speaker bass beat. That’s called Transient Response and it’s 2 x 320-Watts into 8 Ohms; t
audio, superior transient response and low connectors and “touch-proof” binding posts support the holy grail of amp designers. By carefully selecting EPQ900: 2 x 390 Watts into 4 Ohms, power consumption most speaker wiring systems transistors and MOSFETs with extremely high slew rates 2 x 245-Watts into 8 Ohms; t
Switchable limiters off er maximum output level with EPQ2000 and EPQ1200: Built-in Subwoofer/Satellite and optimizing other proprietary parts of our amps’ EPQ450: 2 x 230 Watts into 4 Ohms, t
reliable overload protection crossover for more fl exibility circuitry, they are able to react instantly to even the most 2 x 130 Watts into 8 Ohms; t
Detented gain controls for precise setting and EUROPOWER Power Amplifi ers with So how exactly does ATR factor into the efficiency EPQ2000 and EPQ1200: Independent DC and thermal demanding electronic bass impulses. If the woofers in EPQ304: 4 x 75 Watts into 4 Ohms, t
matching of sensitivity ATR (Accelerated Transient Response) Technology of the EPQ Series? You must first understand it takes overload protection on each channel automatically your PA system can keep up, your audience will hear a 4 x 50 Watts into 8 Ohms; t
Precise Power, Signal and Limit LEDs to huge pulses of energy (current and voltage) to propel protects amplifi er and speakers without shutting down tighter, crisper, more natural sound. Like our EPX power amplifier line, the EPQ Series packs ATR (Accelerated Transient Response) technology for monitor performance a woofer cone out fast enough to match a bass beat. the show the power of Accelerated Transient Response (ATR) ultimate punch and clarity t
XLR , ¼" TRS and RCA input connectors for That’s called Transient Response and it’s the holy grail “Back-to-front” ventilation system including air fi lter technology into a lightweight package. Power and t
Ultra-light, ultra-low noise and ultra-effi cient t
compatibility with any source efficiency merge to create a light and durable addition to of amp designers. By carefully selecting transistors for reliable operation with extremely high slew rates and optimizing other switch- mode power supply for noise-free audio, a live sound setup. superior transient response and low power consumption t
“Built-like-a-tank”, impact-resistant all-steel 1U proprietary parts of our circuitry, the EPQ Series is able rackmount chassis (EPQ2000 and EPQ1200 are When combined with switching-mode power supplies to react instantly to even the most demanding electronic t
EPQ2000 and EPQ1200: Switchable limiters off er maximum output level with reliable overload protection 2U form factor) that do away with heavy toroid transformers, the EPQ bass impulses. Minimum depth chassis (10.1"/257 mm) and ultra-light t
EPQ900, EPQ450 and EPQ304: Independent limiters for t
Series provide more dynamic punch and, because they weight design Handheld PA Systems are so much more efficient, run cooler and don’t require BEHRINGER’s new EPQ power amps are exceptionally each channel off er maximum output level with reliable light, pack massive power and are built to last through overload protection EPQ2000: 15.4 lbs / 7 kg, EPQ1200: 14.8 lbs / 6.7 kg, huge, heavy heat sinks. EPQ power amplifiers also EPQ900: 10.8 lbs / 4.9 kg, EPQ450: 10.3 lbs / 4.7 kg, all the rigors of the road. Plus its light price tag will leave t
Detented gain controls for precise setting and feature built-in crossovers (low pass filters) for use with EPQ304: 8.8 lbs / 4 kg subwoofers and switchable limiters. you with enough cash left over to make yourself heard. matching of sensitivity EUROPORT EPA40

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Ultra-compact, portable PA system ideal for business meetings, tour A500 EP4000 EP2000 EPX4000 EPX2800 EPQ2000 EPQ1200 EPQ900 EPQ450 EPQ304 guides, classroom activities, and various other applications Watts into 2 Ohms — 2 x 2000 W 2 x 1000 W 2 x 2000 W 2 x 1400 W — — — — — t
5" full-range loudspeaker with enormous power and Watts into 4 Ohms 2 x 300 W 2 x 1400 W 2 x 750 W 2 x 1200 W 2 x 800 W 2 x 1000 W 2 x 600 W 2 x 390 W 2 x 230 W 4 x 75 W incredible sonic performance in a super-light package Watts into 8 Ohms — — — — — 2 x 600 W 2 x 320 W 2 x 245 W 2 x 130 W 4 x 50 W t
Built-in battery with 8 hours life—recharges completely in just 4 hours Watts, Bridge Mode 600 into 8Ω 4000 into 4Ω 2000 into 4Ω 4000 into 4Ω 2800 into 4Ω 2000 W 1200 W 900 W 460 W 2 x 150 W t
Mic and Auxiliary inputs to connect to your mic, CD, Dimensions 19 x 10.85 x 4" 3.5 x 19 x 15.8" 3.5 x 19 x 15.8" 3.5 x 19 x 14.7" 3.5 x 19 x 14.7" 3.7 x 19.0 x 10.6" 3.7 x 19.0 x 10.6" 1.9 x 18.9 x 10.4" 1.9 x 18.9 x 10.4" 1.9 x 18.9 x 10.4" and other line level sources (H x W x D) 483 x 258 x 102 mm 88.9 x 482.6 x 401.3 mm 88.9 x 482.6 x 401.3 mm 88 x 483 x 373 mm 88 x 483 x 373 mm 94 x 483 x 269 mm 94 x 483 x 269 mm 49 x 482 x 265 mm 49 x 482 x 265 mm 49 x 482 x 265 mm t
Comes with a BEHRINGER XM1800S microphone, Weight 18.5 lbs / 8.4 kg 36.6 lbs / 16.6 kg 34.6 lbs / 15.6 kg 22.2 lbs / 10.1 kg 22.2 lbs / 10.1 kg 15.4 lbs / 7 kg 14.8 lbs / 6.7 kg 10.8 lbs / 4.9kg 10.3 lbs / 4.7 kg 8.8 lbs / 4 kg 3' cable, recharger and mic stand adapter t
Power switch, Volume control and battery charge Channels 2 2 2 2222 224This is the ideal PA system for business meetings, tour indicator LEDs No. of Fans — 1 1 2 2 — — ———guides, classroom and outdoor activities—portable and t
Convenient battery and shoulder strap compartment Built-In Crossover — — — 100 Hz 100 Hz ✓✓ ———easy to handle. It features a 5" full-range loudspeaker with t
Ergonomically designed carrying handle and shoulder 40 Watts of power, an integrated battery pack for 8 hours strap for eff ortless portability Mode (Mono, Stereo, Clip limiter; Low Cut Filter 50 Hz/30 Hz; Clip limiter; Low Cut Filter 50 Hz/30 Hz; Crossover 100 Hz/Fullrange; Crossover 100 Hz/Fullrange; Power Switch, GAIN Power Switch, GAIN Power Switch, Power Switch, Power Switch, of continuous operation, Mic and Aux inputs as well as a Bridge); Precision metering; Low Cut Filter On/Off ; Stereo/Parallel Low Cut Filter On/Off ; Stereo/Parallel Mode (Mono, Stereo, Bridge); Mode (Mono, Stereo, Bridge); Control (Channels 1 and 2), Control (Channels 1 and 2), GAIN Control, MONO On/ GAIN Control, MONO On/ GAIN Control, MONO On/ Controls high-quality dynamic microphone and accessories. Detented Gain controls Input; Bridge Mode On/Off ; Detented Input; Bridge Mode On/Off ; Detented Limiter On/Off ; Detented Gain Limiter On/Off ; Detented Gain CROSSOVER switch, CROSSOVER switch, Off Switch, BRIDGE On/ Off Switch, BRIDGE On/ Off Switch, BRIDGE On/ per channel Gain controls per channel Gain controls per channel controls per channel controls per channel MODE switch, LIMITER switch MODE switch, LIMITER switch Off Switch Off Switch Off Switch

44 45 Portable PA Systems Multi-Eff ects Processors

EUROPORT EPA900 EUROPORT EPA150 VIRTUALIZER PRO 3D FX2000

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Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy t
Revolutionary FBQ Feedback Detection system feedback removal instantly reveals critical frequencies for easy t
8-channel mixer section comprises 4 mono and feedback removal 2 stereo channels plus separate CD inputs t
2 “Invisible” mic preamps with phantom power for t
4 high-quality mic preamps with switchable condenser microphones, 1 mic/inst channel and Get even more mind-expanding power t
Authentic amp simulation, distortion and special eff ects +48 V phantom power for condenser microphones 1 stereo channel with separate CD input for your keyboard, bass, guitar or vocals t
11 eff ect combinations with selectable serial/ t
Eff ective, extremely musical 2-band EQ, switchable t
Stereo 7-band graphic EQ allows precise frequency with the VIRTUALIZER PRO 3D FX2000 parallel confi guration Pad and Clip LEDs on all mono channels correction of main outputs Effects Processor. This amazing rack unit has a new t
Up to 7 adjustable parameters plus 2-band EQ t
Stereo 7-band graphic EQ allows precise frequency t
Comes with one BEHRINGER XM1800S microphone, state-of-the-art DSP-engine and 71 incredible new per eff ect correction of main outputs mic clip and cable algorithms, all in true studio-grade stereo with 3D t
24-bit A/D and D/A converters with 64/128-times t
Voice Canceller function removes singer’s voice from t
Ultra-compact 2 x 75-Watt, t
Compact speakers contain powerful 4" woofers and a effects that will add a head-spinning new dimension to oversampling recordings for karaoke applications 5-channel portable PA system in a 1" tweeter, 17 mm stand insert suitable for use with your sound. t
True stereo processing for realistic channel separation in stereo image t
Dedicated mono output with integrated low-pass fi lter briefcase format standard microphone stand and come with 12' cables t
71 breathtaking new algorithms—true RSM 100 factory presets plus 100 user memory locations for subwoofer application t
System sets up in seconds—perfect for t
Integrated storage compartment for microphone, (Real Sound Modeling) stereo and 3D eff ects t
t
Extensive MIDI implementation t
Ultra-compact 900-Watt, 8-channel t
Stereo Aux inputs for external devices such as sub entertainment, multi-media presentations, cables, and accessories t
Wave-adaptive virtual Room reverb algorithms for Accurate LED level meters for perfect level setting and portable PA system mixers, etc. press conferences, board meetings, etc. t
“Planet Earth” switching power supply for natural reverb and delay t
optimum performance t
Enormous power, incredible sonic t
Comes with a BEHRINGER XM1800S microphone, t
Enormous power, incredible sonic performance and maximum fl exibility (100 - 240 V~), noise-free t
Awesome modulation, dynamic, psychoacoustic and Servo-balanced XLR and ¼" TRS inputs and outputs performance, and super-light weight means no more a mic clip and a 20' cable super-light weight audio, superior transient response plus low power EQ algorithms t
lugging around dead weight t
Integrated storage compartment for microphones, t
Studio-grade 24-bit stereo FX processor with consumption for energy savings t
Extremely powerful 10" woofers and 1.35" aluminum- cables, and accessories 100 awesome presets including reverb, chorus, fl anger, diaphragm compression drivers for incredible t
“Planet Earth” switching power supply for delay, pitch shifter and various multi-eff ects sound reproduction maximum fl exibility (100 - 240 V~), noise-free t
Studio-grade 24-bit stereo FX processor with audio, superior transient response plus low power MINIFEX FEX800 100 awesome presets including reverb, chorus, fl anger, consumption for energy savings delay, pitch shifter and various multi-eff ects t
Stereo Input Level control with accurate 6-segment Crossovers LED Input meter for precise level indication t
Dedicated Mix Balance and Output Level controls for EUROPORT EPA300 perfect eff ects level adjustment t
Additional footswitch connector for easy FX on/ ULTRA-DRIVE PRO DCX2496 t
Ultra-compact 9.5" stereo multi-eff ects processor for off control delay, pitch shifter and various multi-eff ects studio and stage applications t
High-quality potentiometers and illuminated switches t
Revolutionary FBQ Feedback Detection system instantly t
16 awesome FX presets in 24-bit/48 kHz resolution for long-term reliability reveals critical frequencies for easy feedback removal including reverb, delay, chorus, fl anger, phaser, rotary t
Ultra-low noise audio operational amplifi ers off er t
6-channel mixer section features 2 mono and 2 stereo speaker, pitch shifter and multi-eff ects outstanding sound performance channels plus separate CD inputs t
Intuitive FX Preset control with LEDs indicating the t
All Mini Series models can be stacked on top of t
2 high-quality mic preamps with switchable selected program each other to create an ultra-compact signal +48 V phantom power for condenser microphones t
Versatile Edit and Tap/Select functions to control a processor solution t
Eff ective, extremely musical 2-band EQ, switchable Pad t
Ultra high-precision digital 24-bit/96 kHz loudspeaker t
Precise dynamic EQs and extremely musical parametric wide range of FX parameters and Clip LEDs on all mono channels management system with 3 inputs and 6 outputs EQs, selectable for all inputs and outputs t
Stereo 5-band graphic EQ allows precise frequency t
Individual crossover fi lter types with selectable roll-off t
Adjustable delays for all 3 analog inputs correction of main outputs characteristics from 6 to 48 dB/octave, four diff erent (one switchable for digital AES/EBU input) and t
Voice Canceller function removes singer’s voice from mono/stereo output operating modes 6 analog outputs t
Ultra-compact 300-Watt, 6-channel recordings for Karaoke applications t
“Zero”-attack limiters on all output channels for t
Integrated sample rate converter (32 to 96 kHz) for MINIMIX MIX800 portable PA system t
Comes with one BEHRINGER XM1800S microphone, speaker protection easy connection of external digital sources t
Enormous power, incredible sonic mic clip and 20' cables performance, and super-light weight means no more t
Integrated storage compartment for microphone, t
Dedicated 2-band EQ for awesome vocal enhancement lugging around dead weight cables, and accessories and sound shaping t
Extremely powerful 8" woofers and 1.35" aluminum- t
“Planet Earth” switching power supply for maximum t
Accurate 6-segment LED output meter for precise diaphragm compression drivers for incredible fl exibility (100 - 240 V~), noise-free audio, superior SUPER-X PRO CX3400 level indication sound reproduction transient response plus low power consumption for t
Stereo Line Inputs/Outputs for connecting your t
Studio-grade 24-bit stereo FX processor with energy savings t
Ultra-compact 9.5" karaoke machine for studio and favorite CD, MP3, tape recorder, etc. 100 awesome presets including reverb, chorus, fl anger, stage applications t
High-quality potentiometers and illuminated switches t
Revolutionary Voice Canceller—eff ectively eliminates for long-term reliability vocals from any stereo source while retaining most t
Ultra-low noise audio operational amplifi ers off er music elements outstanding sound performance EPA900 EPA300 EPA150 t
3-way stereo/4-way mono crossover t
Individual limiter and polarity reverse switch t
Integrated digital echo/reverb processor t
All Mini Series models can be stacked on top of Total inputs 865t
24 dB/octave, state-variable Linkwitz-Riley fi lters for per output in 24-bit/40 kHz resolution for ultimate each other to create an ultra-compact signal precise frequency separation t
Adjustable time delay for phase alignment and vocal enhancement processor solution Mic inputs 422 t
Absolutely fl at summed amplitude response, zero “Low Sum” function for subwoofer operation t
2 independent mic channels with Level controls and Channel EQ 2-band 2-band 3-band phase diff erence t
Separate subwoofer output Clip indicators for perfect level adjustment Graphic EQ Stereo 7-band Stereo 5-band Stereo 7-band Digital FX presets 100 100 100 HF transducers 1.35" 1.35" 1.00" SUPER-X PRO CX2310 LF Transducers 10" 8.0" Dual 4.0" Output Power 2 x 450 W 2 x 150 W 2 x 75 W t
2-way stereo/3-way mono crossover t
Flat summed amplitude response, t
Adjustable time delay for phase alignment t
24 dB/octave, state-variable Linkwitz-Riley fi lters zero phase diff erence t
Separate subwoofer output with independent Dimensions 26.0 x 13.9 x 34.8" / 660 x 354 x 883 mm 26.5 x 20.5 x 12" / 672 x 520 x 304 mm 13.8 x 24.1 x 7.3" / 353 x 613 x 186 mm for precise frequency separation t
Polarity reverse switch per output frequency control XM1800S mic included, speaker and mic cables, XM1800S mic included, speaker and mic cables, XM1800S mic included, speaker and mic cables, Other features +48 V phantom power, FBQ Feedback Detection +48 V phantom power, FBQ Feedback Detection +48 V phantom power, FBQ Feedback Detection System, integrated storage compartment System, integrated storage compartment System, integrated storage compartment

46 47 DI Boxes Equalizers

ULTRA-DI PRO DI800 Nightclubs, concert halls, churches ULTRA-CURVE PRO DEQ2496 and other live music environments benefit greatly from the use of equalizers for reducing feedback and taming frequency anomalies that would otherwise ruin a t
Professional, multi-purpose 8-channel direct t
Allows direct connection to speaker outputs with up to performance. High-frequency injection box 3,000-Watts sounds tend to bounce off hard t
Converts unbalanced line inputs into balanced outputs t
Ultra-low noise operational amplifi ers for outstanding surfaces and get absorbed by t
Ultra-high resolution processor for all EQ, RTA t
Multi-functional level meters (peak/RMS, VU and SPL t
Optional mains or phantom powered operation audio performance others. Bass response can be and dynamic applications, especially for PA and meter with dBA/dBC weighting via RTA/Mic input) t
Ultra-fl at frequency response due to servo- t
+20 dB gain switch for pre-ampli fi cation of mushy, or become overwhelmingly audiophile mastering t
64 user memories for complete setups and/or balanced operation low- level signals harsh. The critical midrange t
4 concurrently selectable EQ modules (31-band graphic individual module confi gurations t
Attenuation switch for input levels up to +40 dBu zone, where the vocals and EQ, 10-band parametric EQ, Feedback Destroyer plus t
Separate RTA mic/line input with phantom power, solo instruments live can get 3 Dynamic EQs per stereo channel) professional Wordclock input and MIDI connections for t
Flexible compressor/expander function with peak full remote control, preset dumps and system updates completely lost in the mix. A high limiter per stereo channel as well as additional stereo t
Ultra-high resolution 24-bit/96 kHz A/D- and D/A quality graphic EQ can help ULTRA-DI PRO DI4000 imager and stereo delay for delay line applications converters (113 dB dynamic range) solve these and a host of other t
Unique VPQ (Virtual Paragraphic EQ) option allows t
Open architecture allowing future software updates acoustic problems. parametric control of graphic EQs via MIDI t
Ultra-high resolution 61-band real-time t
2 high-performance 32/40-bit fl oating-point DSPs for FFT analyzer with additional auto EQ ultimate sonic resolution function for room and loudspeaker equalization

ULTRA-DI DI600P t
Professional 4-channel active direct injection box t
Switchable attenuation allows maximum input Converts unbalanced line inputs to balanced outputs of +50 dB t
t
Allows the use of long cables without losing ULTRAGRAPH DIGITAL DEQ1024 t
Extremely linear frequency response from 10 Hz to t
S/N ratio –95 dB, THD <0.005% high frequencies 50 kHz t
Phase reverse switch for instant correction of t
Thru/Out jack lets you send the unbalanced signal to an t
+20 dB gain switch for preamplifi cation of phase problems onstage amplifi er while the balanced signal is routed low- level signals t
BEHRINGER OT-1 output transformer for full to the mixer galvanic insulation t
Switchable input for connecting instruments or t
Connect your guitar or bass directly to your mixer amplifi ers with outputs up to 3,000 Watts without losing tone due to impedance mismatches, t
Filter switch reduces annoying hiss and buzz long cables and cycle hum t
Ground lift switch eliminates typical ground loop ULTRA-DI DI100 ULTRA-G GI100 t
Converts any unbalanced line-level signal to balanced problems such as hum t
High-performance transformer for ultimate t
Ultra high-resolution processor for all EQ, RTA and t
Digital AES/EBU and S/PDIF interface and selectable mic-level output dynamic applications, especially for PA and sample rates (44.1, 48, 96 kHz) t
Internal battery t
High-quality active t
Provides impedance and signal matching for the direct signal integrity t
Ultra-compact, all-metal and road-suitable housing audiophile mastering t
Ultra high-resolution 24-bit/96 kHz A/D- and D/A automatically shuts off direct injection box connection of instruments to amplifi ers and mixers t
Unique True Curve Function—what you see on the converters and high-performance 24/48-bit Motorola when phantom power is with switchable 4 x 12" faders is what you get as frequency response DSP for ultimate sonic resolution connected speaker simulation t
Revolutionary FBQ detection system instantly t
Relay-controlled hard-bypass with an auto-bypass t
Direct connection t
Switchable input reveals critical frequencies and can also be used as function during power failure (failsafe relay) of amplifi er outputs attenuation for input Audio Analyzer t
Highly accurate, 2 x 12-digit LED meters for easy input with ratings of up to levels of up to +48 dBu ULTRA-DI DI400P t
Automatic and ultra-fast Feedback Destroyer plus and output level setting 3,000 Watts t
Ground lift switch feedback indication via fader LEDs t
Servo-balanced inputs and outputs on gold-plated XLR Switchable input attenuation allows input levels of up eliminates typical ground loop problems t
t
Allows the use of long cables without losing t
“Inaudible” Noise Gate/Peak Limiter function plus and ¼" TRS connectors t
Internal battery automatically shuts off when phantom to +50 dB high frequencies amazing Stereo Imager for spatial enhancement t
Internal switch-mode power supply for maximum Ground lift switch eliminates typical ground power is connected t
t
Thru/Out jack lets you send the unbalanced signal to an t
Additional sweepable high and low cut fi lters for fl exibility (100 - 240 V~), noise-free audio, t
Direct connection of amp outputs with ratings of up to loop problems onstage amplifi er while the balanced signal is routed removal of unwanted frequencies like fl oor rumble and superior transient response and lowest possible 3,000 Watts t
Rugged, road-proof aluminum case to the mixer high-frequency noise power consumption Stackable oversized rubber corners t
Rugged, road-proof aluminum case t
t
Connect your guitar or bass directly to your mixer t
Ground lift switch eliminates typical ground loop t
Integrated Pink Noise generator for perfect room and t
Stackable oversized rubber corners t
BEHRINGER OT-1 output transformer for full without losing tone due to impedance mismatches, problems such as hum loudspeaker equalization galvanic insulation t
BEHRINGER OT-1 output transformer for full galvanic long cables and cycle hum t
High-performance transformer for ultimate insulation and S/N ratio of over 100 dB t
Converts any unbalanced line-level signal to balanced signal integrity mic-level output t
Ultra-compact, all-metal and road-suitable housing t
Provides impedance and signal matching for the direct ULTRA-DI DI20 connection of instruments to amplifi ers and mixers

t
Professional Active t
Additional Split mode (channel 1 assigns the signal to 2-Channel DI-Box/ both XLR outputs) Splitter t
Phantom or 9 V battery powered MICROHD HD400 t
Converts 2 separate t
Switchable input attenuation allows connection to unbalanced ¼" TRS line outputs with up to 3,000 Watts t
Removes AC hum and noise - fast, easy and reliable inputs into 2 balanced t
Input 2 usable as channel 1 Link output (additional to t
Breaks ground loops safely, while keeping highest XLR outputs XLR output) sonic quality t
Ultra-fl exible: mono, t
Ground lift switch eliminates typical ground t
Automatically converts unbalanced to balanced signals 2-channel or stereo loop problems without any signal loss DI box operation with t
Ultra-compact, road-suitable housing t
Two ¼" TRS inputs and outputs for 2 mono or switchable Link mode 1 stereo signal

48 49 Equalizers Feedback Suppressors

ULTRAGRAPH FBQ-PRO FBQ6200 MINIFBQ FBQ800 FEEDBACK DESTROYER PRO FBQ2496

t
Accurate 6-segment LED input/output meters and Level control for precise level indication t
High-quality illuminated faders, potentiometers and illuminated switches for long-term reliability t
Ultra-low noise audio operational amplifi ers off er outstanding sound performance t
Automatically and “intelligently” locates and destroys t
Manual mode allows individual setting of up to 40 fully t
Ultra-compact 9.5" graphic equalizer t
All Mini Series models can be stacked on top of up to 20 frequencies per channel parametric fi lters with frequency, bandwidth and for studio and stage applications each other to create an ultra-compact signal t
Ultra-narrow notch-fi lters (up to 1/60th octave) for gain adjustment processor solution t
Professional 31-band stereo graphic equalizer for both t
Additional sweepable high and low-cut fi lters for t
Revolutionary FBQ Feedback Detection very eff ective feedback suppression, while keeping t
Ultra-high resolution 24-bit/96 kHz A/D and live and studio applications each channel remove unwanted frequencies e.g. fl oor system instantly reveals critical frequencies and can highest sonic quality D/A converter powered by a 32-bit DSP for ultimate t
Revolutionary FBQ Feedback Detection system rumble, tape hiss, etc. also be used as Audio Analyzer t
“Set-and-forget” default setting plus Panic button audio performance instantly reveals critical frequencies and can also be t
Highly accurate 8-segment LED input/output metering t
Additional Low-cut fi lter removes unwanted enable immediate and super-easy Feedback t
Open MIDI architecture for future software updates used as audio analyzer and input gain control for easy level setting frequencies, e. g. fl oor rumble Destroyer performance and fl exible communication with digital equipment t
Dedicated Limiters with gain reduction meters for t
Ultra-low noise audio operational amplifi ers off er t
Auto mode continuously monitors the mix, resetting t
Balanced inputs and servo-balanced outputs with each channel protect your sound system from overload outstanding sound performance programmed fi lters automatically gold-plated XLR and ¼" TRS connectors and distortion t
Relay-controlled hard bypass with an auto-bypass t
Single-shot mode automatically detects and destroys t
Internal switch-mode power supply for maximum t
Pink noise generator provides test signals for function during power failure (failsafe relay) feedback and locks the fi lter until you reset it manually fl exibility (100 - 240 V~), noise-free audio, superior equalizing your sound system to any room acoustics t
Servo-balanced inputs and outputs with ¼" TRS and transient response plus lowest possible power t
Mono subwoofer output with dedicated level control gold-plated XLR connectors Audio Enhancers & Exciters consumption for energy savings and adjustable crossover frequency t
Shielded toroidal power transformer for ultra-low noise performance SONIC ULTRAMIZER SU9920 Patch Bays ULTRAGRAPH FBQ-PRO FBQ3102

ULTRAPATCH PRO PX3000

t
Dramatically improves your sound by adding clarity, t
Guitar, bass and keyboard rack: improves articulation dimension and depth and restores cutting power often lost in miking t
Produces natural brightness through harmonic and amplifi cation enhancement and tighter bass with increased punch t
Broadcasting and webcasting: adds loudness and t
Professional 31-band stereo graphic equalizer for both t
Highly accurate 12-segment LED input/output through phase compensation “live presence” even on small car or computer speakers live and studio applications metering and input gain control for easy level setting t
Professional and home recording studios: t
5.1 and hi-fi setups: DVDs become stunningly lifelike t
Professional and fully balanced patchbay eliminates t
“Thru” interconnects each rear jack with its t
Revolutionary FBQ Feedback Detection system t
Ultra-low noise audio operational amplifi ers off er brings out the full sound spectrum of your tracks, and the spatial dimension of your sound system cable clutter in your studio, adding order and clarity corresponding front jack instantly reveals critical frequencies and can also be outstanding sound performance mixdown and mastering increases dramatically t
Fully balanced high-quality ¼" TRS connectors t
“Half Normal” interconnects the two rear jacks of one used as audio analyzer t
Relay-controlled hard-bypass with an auto-bypass t
PA, nightclub and DJ systems: improves the t
Dedicated Low contour and Process controls per t
3 modes, easily selectable per channel via channel; inserting a plug into the lower front jack t
Dedicated mono subwoofer output with adjustable function during power failure (failsafe relay) performance of any sound system by adding sparkling channel for ultimate sound enhancement top- side switches interrupts the connection of the rear jacks crossover frequency t
Servo-balanced inputs and outputs with ¼" TRS and high end and super-tight bass without the need for t
Accurate 5-segment LED level meters for t
“Normal” interconnects the two rear jacks of one t
Additional sweepable high and low-cut fi lters for gold-plated XLR connectors additional speakers or amps optimum performance channel; inserting a plug into one of the front jacks each channel remove unwanted frequencies, e.g. fl oor t
Shielded toroidal power transformer for ultra-low t
Churches and worship houses: dramatically increases t
Servo-balanced inputs and outputs with ¼" TRS and interrupts the connection of the rear jacks rumble, tape hiss, etc. noise performance voice intelligibility and your music gains presence gold-plated XLR connectors

ULTRAGRAPH FBQ-PRO FBQ1502 SONIC EXCITER SX3040 Test Equipment

CABLE TESTER CT100

t
Professional 15-band stereo graphic equalizer for both t
Highly accurate 4-segment LED output metering and t
Dramatically improves your sound by adding clarity, t
Churches and houses of worship: dramatically t
Accepts all standard connectors: XLR, mono and live and studio applications input gain control for easy level setting dimension and depth increases voice intelligibility and your music TRS phone (¼", ⁄", TT), RCA, MIDI t
Revolutionary FBQ Feedback Detection system t
Ultra-low noise audio operational amplifi ers off er t
Produces natural brightness through harmonic gains presence t
Super-easy operation with clear LED display instantly reveals critical frequencies and can also be outstanding sound performance enhancement and tighter bass with increased punch t
Guitar, bass and keyboard rack: improves articulation t
Continuity check and intermittent contact detection used as audio analyzer t
Servo-balanced inputs and outputs with ¼" TRS and through phase compensation and restores cutting power often lost in miking t
Phantom-power and ground-shield check t
Dedicated mono subwoofer output with adjustable gold-plated XLR connectors t
Professional and home recording studios: and amplifi cation t
Test-tone generation: 1 kHz or 440 Hz at +4 dBu, crossover frequency t
Shielded toroidal power transformer for ultra-low brings out the full sound spectrum of your tracks, t
Broadcasting and webcasting: adds loudness and -10 dBV or -50 dBV t
Additional low-cut fi lter removes unwanted noise performance mixdown and mastering “live presence” even on small car or computer speakers t
Belt clip included frequencies, e.g. fl oor rumble t
PA, nightclub and DJ systems: improves the t
5.1 and hi-fi setups: DVDs become stunningly lifelike t
3 useful modes: cable test mode, installed cable test t
Battery operation (requires 2 AA size alkaline batteries performance of any sound system by adding sparkling and the spatial dimension of your sound system mode, test tone mode (not included) high end and super-tight bass without the need for increases dramatically additional speakers or amps t
Dedicated Tune, Harmonics and Mix controls per channel on the Sonic Exciter section

50 51 Microphone Preamplifi ers Audio Converters

TUBE ULTRAGAIN MIC200 ULTRAMATCH PRO SRC2496

Like any guitar, bass, or keyboard, a microphone is a musical instrument whose amplification makes an immeasurable impact on its tone. Microphone preamps t
High-end 24-bit/96 kHz A/D and D/A converters for t
Allows direct manipulation of emphasis bits and other ultimate signal purity signifi cant, digitally transmitted information in order give your favorite mic’s signal t
Converts any sample rate between 31 and 100 kHz into to record virtually any audio signal the powerful push it needs to t
High-end preamplifi cation for all microphone, 32, 44.1, 48, 88.2 or 96 kHz sample rates t
High-precision quartz clock generator removes jitter be heard and recorded, and by instrument and line-level sources. Perfectly t
Flexible format conversion between AES/EBU and S/ and corrects off -tune, incorrect sample rates taking the time to select the one complements studio-grade condenser mics PDIF (coaxial or optical) t
Extremely fast tracking supports t
Perfectly matches your studio, live and hard disk t
Ultra high-quality signal output with 16-, 20- or varispeed applications that’s right for you, your tone will recording set-up 24-bit resolution t
Self-adjusting anti-aliasing fi lter with exceptionally take on just the right amount t
Ultra-fl exible Preamp Modeling allows you to quickly t
Universal sample rate synchronization via wordclock steep edge of warmth, transparency and optimize your recordings or digital input t
Consumer devices (e. g. DAT recorders) can be noise- free fidelity. t
You can choose between 16 preamp voicings designed t
Allows parallel A/D and D/A conversion at identical synchronized with the studio clock for electric and acoustic guitars, keyboards, bass sample rate t
All 3 outputs (XLR, RCA, Optical) simultaneously guitars, drums, vocals and more t
Precise metering for input/output signal as well as operational (splitter) t
Hand-selected 12AX7 vacuum tube with powerful headphone monitoring t
Inputs separately selectable (patchbay functionality) UTC technology for exceptional warmth and t
Dithering automatically adapted for word t
All digital inputs/outputs balanced and lowest noise length conversion galvanically isolated MINIMIC MIC800 ULTRAGAIN PRO MIC2200 t
Ensures outstanding signal transparency when used as t
All analog inputs/outputs servo-balanced a high-end DI-box t
Equipped with BEHRINGER’s sophisticated output limiter—prevents the output signal from being distorted t
Dedicated low cut fi lter eliminates unwanted noise, Phono Preamplifi ers e.g. fl oor rumble t
Ultra low-noise discrete microphone/ t
Soft-mute +48 V phantom power to avoid t
+48 V phantom power, phase reverse switch and t
Ultra-compact 9.5" microphone modeling preamp for line preamplifi er with hand-selected 12AX7 tube for switch- on thumps 20 dB pad for utmost fl exibility studio and stage applications ultra- musical sound t
Fully tunable and switchable 12 dB high-pass fi lter t
Highly accurate 8-segment LED level meter MICROPHONO PP400 t
High-end preamplifi er for all microphone, instrument t
Mic input stage based on discrete, conjugate transistor t
Switchable phase reverse for correcting t
Balanced inputs and outputs on ¼" TRS and and line-level sources. Perfectly complements pair circuitry phase- related problems gold- plated XLR connectors studio- grade condenser mics t
Ultra-wide bandwidth from 10 Hz to 200 kHz for t
Accurate 12-segment LED metering for output level t
Ultra-fl exible Preamp Modeling allows you to quickly “open” sound t
Servo-balanced inputs and outputs with ¼" TRS and optimize your recordings t
Integrated fully parametric EQs with dedicated center gold-plated XLR connectors t
Choose between 16 preamp voicings designed for frequency, bandwidth and level controls t
Shielded toroidal power transformer for ultra electric and acoustic guitars, keyboards, bass guitars, t
Independent line driver for converting -10 dBV into low- noise performance drums, vocals, etc. +4 dBu pro level t
Authentic VTC Tube Modeling technology creates the warmth of vacuum tubes t
Converts your phono signal to a line level signal t
Equipped with BEHRINGER’s sophisticated t
State-of-the-art phono preamp to accommodate output limiter—prevents the output signal from TUBE ULTRAGAIN MIC100 MICROPOWER PS400 magnetic pickups being distorted t
Ultra low-noise audio operational amplifi ers off er outstanding sound performance t
Dedicated Low Cut fi lter eliminates unwanted noise, t
Universal phantom power supply for any t
Dedicated RCA and ¼" output connectors e.g. fl oor rumble condenser microphone t
DC 12-Volt adapter included t
+48 V phantom power and 20 dB Pad for t
Selectable +12/+48 V power supply utmost fl exibility t
Ultra low-noise audio performance t
Vintage-style VU meter for precise level indication t
DC 12-Volt adapter included t
High-quality potentiometers and illuminated switches for long-term reliability t
Ultra-low noise audio operational amplifi ers off er outstanding sound performance t
High-end preamplifi cation for all microphone, t
All Mini Series models can be stacked on top of instrument and line-level sources; perfectly each other to create an ultra-compact signal complements studio-grade condenser mics Audio Converters Noise Gates processor solution t
Perfectly matches your studio, live and hard disk recording setup t
Hand-selected 12AX7 vacuum tube with UTC technology for exceptional warmth and ULTRAGAIN PRO-8 DIGITAL ADA8000 MULTIGATE PRO XR4400 lowest noise t
Ensures outstanding signal transparency when used as a high-end DI-box t
Equipped with BEHRINGER’s sophisticated Limiter— prevents the output signal from being distorted t
+48 V phantom power, Phase reverse switch and 20 dB Pad for utmost fl exibility t
Ultra-high quality 8-channel A/D and D/A converter for t
High-end 24-bit A/D and D/A converters for ultimate t
4 separate expander/gate channels t
FlexLink system for ultimate master/ t
Highly accurate 8-segment LED level meter virtually any digital recording/mixing environment signal integrity t
State-of-the-art IRC expander/UTR gate technology slave confi gurations t
Balanced inputs and outputs on ¼" TRS and t
8 state-of-the-art, studio-grade IMP “Invisible” t
Processes 44.1 and 48 kHz sample rates t
Extremely short attack time (<10 μsec.) t
“Traffi c light” display for Threshold working point and gold- plated XLR connectors Mic Preamps t
External sample rate synchronization via wordclock or t
Parametric side-chain Filter with Monitor function Gain Reduction display t
Phantom power on all microphone inputs ADAT input t
Independent Hold and Release controls for fl exible t
Ultra low-noise 4580 operational amplifi ers and t
The perfect expansion for BEHRINGER’s digital mixing t
Optical ADAT in/out interface for ultimate compatibility envelope shaping state- of-the-art VCAs console DDX3216 t
ADAT input can be routed to all Line outputs t
Maximum attenuation 80 dB

52 53 Headphone Amplifi ers & Monitoring Compressors & Limiters

MINIAMP AMP800 MINIMON MON800 MULTICOM PRO-XL MDX4600

When the whole band is at work in the studio, no one wants to be shut out of hearing the mix because of t
Switchable IKA (Interactive Knee Adaptation) t
Switchable Low contour fi lter prevents “pumping” due t
Ultra-compact 9.5" headphone amplifi er system for t
Ultra-compact 9.5" monitor matrix mixer for studio program-adaptive compression circuitry combines the to low-frequency dominated compression a shortage of headphone studio and stage applications and stage applications outputs. That’s what’s so advantages of hard-knee and soft-knee characteristics t
Stereo couple function selectable for channels t
4 totally independent stereo high-power t
Dedicated input section with 4 selectable and mixable t
IRC (Interactive Ratio Control) expander/gate circuitry 1 / 2 and 3/4 amplifi er sections great about headphone and stereo inputs for virtually inaudible noise suppression t
Ultra low-noise 4580 operational amplifi ers and monitoring amplifiers— t
Highest sonic quality with virtually all types of t
Accurate 6-segment LED main stereo output meters for t
Switchable dynamic Enhancer for brilliant, lively audio state- of-the-art VCA’s headphones even at maximum volume everyone can listen together precise level indication even with heavy compression t
Separate 8-segment LED meters for input/output t
Phones Level control plus accurate 6-segment LED t
High-power phones output with dedicated t
IGC (Interactive Gain Control) peak limiting circuitry levels and gain reduction and weigh in on the mix! output meter per channel for easy level monitoring Level control combines clipper and program limiter for reliable and t
Selectable operating level (+4 dBu/-10 dBV) 2 balanced stereo main inputs with independent Level Whether you’re dealing t
t
3 selectable stereo speaker outputs with separate inaudible protection against signal peaks t
Servo-balanced inputs and outputs with ¼" TRS and with a fab foursome or an and Balance controls for individual mixes, selectable Level controls for ultimate monitoring gold-plated XLR connectors for all 4 headphone amplifi ers t
Professional Mute, Dim and Mono functions for awesome octet, these brilliant t
Accurate 6-segment LED main input meter for precise ultimate fl exibility and phase check boxes keep everyone’s head level indication of both line inputs t
Talkback section with internal microphone and in the game. t
Dual headphone outputs on each channel on front comprehensive routing options COMPOSER PRO-XL MDX2600 and rear panels allow a total of 8 headphones to be t
High-quality potentiometers and illuminated switches connected at the same time for long-term reliability t
Parallel Link Output allows cascading of several t
Ultra-low noise audio operational amplifi ers off er headphone amplifi ers outstanding sound performance t
High-quality potentiometers and illuminated switches t
All Mini Series models can be stacked on top of POWERPLAY PRO-XL HA4700 for long-term reliability each other to create an ultra-compact signal t
Ultra-low noise audio operational amplifi ers off er processor solution outstanding sound performance t
Switchable IKA (Interactive Knee Adaptation) t
Switchable Low contour fi lter prevents “pumping” due t
All Mini Series models can be stacked on top of program-adaptive compression circuitry combines the to low-frequency dominated compression each other to create an ultra-compact signal advantages of hard-knee and soft-knee characteristics t
Stereo couple function with independent output processor solution t
Integrated De-esser with switchable male/female level settings voice recognition removes excessive sibilance from t
Switchable Side chain input with Side chain your vocal tracks monitor function t
Professional, multi-purpose headphones amplifi er t
Output level control with accurate 8-digit LED output t
IGC (Interactive Gain Control) peak limiting circuitry t
Ultra low-noise 4580 operational amplifi ers and system for stage and studio applications meter per channel combines clipper and program limiter for reliable and state- of-the-art VCA’s t
Highest sonic quality with virtually all types of t
Left & right mute switches for each channel allow two MICROAMP HA400 MICROMON MA400 inaudible protection against signal peaks t
Separate 12-segment LED meters for input/output headphones >8 Ohms even at maximum volume diff erent mixes in mono mode t
Switchable dynamic Enhancer for brilliant, lively audio levels and gain reduction t
Four independent high-power amplifi er t
One front and two rear ¼' TRS output connectors on even with heavy compression t
Dedicated “traffi c light” Threshold and De-esser sections provide up to four stereo mixes with each channel t
IRC (Interactive Ratio Control) expander/gate circuitry level displays individual balancing t
Direct front panel input connector for easy connection for virtually inaudible noise suppression t
Servo-balanced inputs and outputs with ¼" TRS and t
Each input/aux section can be separately set to capture of any sound source t
Switchable Tube simulation for the extra warmth and gold-plated XLR connectors individual demands for ‘more me mixing’ t
Paralleled Main outputs allow cascading of several transparency of classic tube circuitry t
Relay-controlled hard bypass switch with auto bypass t
Stereo Aux input for each channel allows you to mix in headphones amplifi ers t
Automatically or manually adjustable attack and function in case of power failure any instrument or sound source t
Servo-balanced, gold-plated XLR and ¼" TRS inputs release times t
Multi-functional Stereo/2-channel switch on each and outputs t
4-channel stereo headphone amplifi er for use with all t
Ultra-compact monitor headphone amplifi er for studio channel allows for either stereo playback or double t
Toroidal transformer for lowest noise interference and types of headphones and stage applications mono operation highest audio quality t
Four high-power stereo amplifi ers t
Personal “more me” mixer – mix a mic and a monitor t
Ultra-musical High and Low EQ per channel for perfect t
Highest sonic quality even at maximum volume signal and hear them via headphones AUTOCOM PRO-XL MDX1600 sound adaptation t
Output level control for each channel t
Flexible Mic In and Mic Through XLR connectors with t
Ultra low-noise 4580 operational amplifi ers for Ground Lift switch outstanding audio performance t
Stereo Monitor input with dedicated Monitor Level t
DC 12-Volt adapter included control and Mono/Stereo switch t
High-power headphone output on ¼" and POWERPLAY PRO-8 HA8000 /" jack connectors t
DC 12-Volt adapter included t
Switchable IKA (Interactive Knee Adaptation) t
Switchable Low contour fi lter prevents “pumping” due program-adaptive compression circuitry combines the to low-frequency dominated compression advantages of hard-knee and soft-knee characteristics t
Stereo couple function with independent output t
Adjustable dynamic Enhancer with level meter for level settings brilliant, lively audio even with heavy compression t
Switchable Side chain input with Side chain t
IGC (Interactive Gain Control) peak limiting circuitry monitor function combines clipper and program limiter for reliable and t
Ultra low-noise 4580 operational amplifi ers and t
Professional multi-purpose headphones amplifi er t
Output level control and accurate 8-digit LED output inaudible protection against signal peaks state- of-the-art VCA’s system for stage and studio applications meter per channel t
Switchable De-esser removes excessive sibilance from t
Separate 12-segment LED meters for input/output t
Eight totally independent stereo high-power amplifi er t
Mono/stereo switch per channel for more fl exibility your vocal tracks levels and gain reduction sections in one rack space t
One front and one rear ¼" TRS phones connector for t
IRC (Interactive Ratio Control) expander/gate circuitry t
Dedicated “traffi c light” Threshold and Enhancer t
Two stereo Main inputs for two independent mixes, each channel for virtually inaudible noise suppression level displays accessible from all eight channels t
Direct input connector on each channel for easy t
Automatically or manually adjustable attack and t
Servo-balanced inputs and outputs with ¼" TRS and t
Eight independent Direct inputs provide up to eight connection of any sound source release times gold-plated XLR connectors individual stereo mixes t
Paralleled outputs allow cascading of several t
Highest sonic quality with virtually all types of headphones amplifi ers headphones even at maximum volume t
Toroidal transformer for noiseless operation and low magnetic interference

54 55 Guitar Modeling/Eff ects Processors Guitar Stompboxes

X V-AMP LX1-X

VINTAGE TUBE OVERDRIVE VT911 UCA222 USB interface included The VINTAGE TUBE OVERDRIVE VT911 eff ects pedal provides distortion with the distinctive tonal quality that only a real DISTORTION MODELER DM100 tube can deliver, bringing vintage sound back to life. Virtually Get the modeled sounds of three legendary distortion pedals 16 original V-AMP amp/speaker simulations, including t
every nuance of wanted distortion tones can be found in the in one exceptional stomp box: D+, DS1 and RAT. Just pick your a special acoustic simulation and Amp bypass function t
High-resolution 24-bit stereo multi-eff ects processor classic tube overdrive pedal VT911. This high-quality classic tube pedal then twist the dedicated Distortion, Tone and Level dials including fi rst-class stomp box simulations, delay, overdrive pedal is built around a hand-selected 12AX7 vacuum to take control of rock’s tastiest tones. wah wah, chorus, fl anger, reverb, noise gate, tube and off ers dedicated Drive, Tone and Level controls for compressor eff ects and many more awesome sound shaping. Discover the classic distortion sound t
Freely assignable expression pedal for real-time V-AMP3 only a real tube can deliver! control of eff ects or wah/volume control t
Amp and cabinet simulation, compressor, noise gate, t
4 all-new plus 28 improved amp t
Presence control adjusts a high-frequency EQ, modulation eff ects, delay and reverb can be used models multiplied by 15 speaker fi lter, simulating the negative feedback of tube amps simultaneously in any combination cabinet simulations give you a total of t
Preamp bypass function allows use as a stereo eff ects t
Awesome modulation and pitch bend eff ects 480 virtual combos processor without amp modeling t
Dedicated semi-parametric EQs for low-end and t
USB audio interface included, featuring stereo I/O, t
Stereo Aux input lets you play along to a cue from your presence control optical S/PDIF out, direct monitoring and separate PC, CD, MP3 or drum computer for practice, teaching t
9 diff erent output confi gurations for utmost fl exibility control for phones out and home-recording applications t
100 memory locations—easily editable and storable t
No-latency guitar recording on your PC—edit and t
Balanced stereo Line output can be confi gured for t
2 stereo ¼" Line and Headphone outputs plus one monitor your sound directly on V-AMP 3 many recording and live applications Wah guitar input VINTAGE DISTORTION VD1 ULTRA FEEDBACK/DISTORTION FD300 t
Studio quality multi-eff ects including reverb, chorus, t
Adjustable auto-chromatic tuner plus eff ective global t
Intuitive controls and comprehensive display for visual The VD1 is a must-have for any guitarist seeking the ultimate Stomp this badass box for endless feedback and super-thick fl anger, phaser, rotary, auto-wah, echo, delay, confi gurations and equalization easily adopts the feedback during editing compressor and various eff ects combinations V-AMP 3 to any situation outside your home studio in authentic, classic distortion, the tones that transformed the distortion that show no mercy! Use its dedicated Overtone, t
Adjustable, super-precise auto-chromatic tuner t
125 memory locations pre-arranged for many popular t
MIDI implementation includes program changes, sound of early rock ‘n’ roll. VD1’s bone-simple control layout Distortion, Tone and Level controls to create a sound of sonic t
Power supply included styles and embedded in the acclaimed intuitive V-AMP control changes and SysEx, allowing complete MIDI allows you to dial in the ideal amount of dirt—and fast. mayhem that’s distinctly yours. user interface remote control The dedicated Sustain control provides virtually endless sustain, t
Tap-tempo function and many other parameters launching your guitar licks into a realm typically reserved for BASS V-AMP LX1B directly accessible on the unit sax and violins!

BASS V-AMP PRO LX1B PRO

HELLBABE HB01 The ultimate wah pedal, the optically controlled BEHRINGER HB01 Hellbabe features a fl exible Q fi lter control, adjustable toe-down frequency range and a tunable boost function, enabling you to push your sound to the very limit. 32 authentic virtual amp models freely combinable t
BLUES OVERDRIVE BO300 V-TONE GUITAR GDI21 with 23 awesome speaker cabinet simulations t
Stereo multi-eff ects including ULTRABASS, synth, t
32 authentic virtual amp models freely combinable t
Adjustable auto-chromatic tuner The BEHRINGER BO300 packs the tone of a vintage rube amp The GDI21 features 3 classic guitar amps, 3 gain modes, 3 mic delay/loop sampler, chorus, fl anger, rotary speaker, with 23 awesome speaker cabinet simulations t
15 rear panel connectors allow comprehensive routing Distortion/Overdrive into one incredible overdrive pedal. Dial in anything from placements and a dedicated XLR DI output. Amplifi er models voice box, auto wah, phaser, ambience and reverb t
Stereo multi-eff ects including ULTRABASS, synth, and suit virtually every conceivable application warm overdriven sounds to full-blown distortion that reacts to include: CALIF (Californian), with its fat, round and sophisticated t
125 memory locations including original artist presets delay/loop sampler, chorus, fl anger, rotary speaker, t
Pre DSP send/return for dry recording and the subtleties of your playing without sacrifi cing your guitar’s tones, TWED (Tweed), for crystal clear sounds and dynamic bass, t
Intuitive user interface with direct display of all voice box, auto wah, phaser, ambience and reverb wet monitoring low-end. and BRIT (British), for more aggressive mids and legendary t
125 memory locations including original artist presets t
Stereo ¼" Line outputs controlled by master volume essential settings sustain. You can also choose one of three distinct models for t
Intuitive user interface with direct display of all for live use as guitar preamp t
Additional eff ect parameters directly accessible on the each amp—Hot, HI G (high gain) and CLN (clean). All this unit; Tap-tempo function allows real-time adjustment essential settings t
Balanced stereo XLR DI out with ground lift and fl exibility enables you to dial up the most sought-after tube of eff ects speed parameter t
Additional eff ect parameters directly accessible on the switchable ULTRA-G cabinet simulation t
4 renowned distortion and overdrive stomp boxes with unit; Tap-tempo function allows real-time adjustment t
Post DSP stereo inserts for connection of amp sounds, from clean to super-fat distortion. adjustable Drive, Tone, Boost and Split of eff ects speed parameter external eff ects t
Dedicated wah pedal and studio compressor eff ects t
4 renowned distortion and overdrive stomp boxes with t
BNC wordclock input for external sample rate t
Eff ective Presence, Deep and sweepable Shift/Shape adjustable Drive, Tone, Boost and Split synchronization up to 96 kHz controls for all amp models t
Dedicated wah pedal and studio compressor eff ects t
AES/EBU and S/PDIF connectors allow usage as VINTAGE TUBE MONSTER VT999 t
Sweepable 24 dB Butterworth frequency crossover for t
Eff ective Presence, Deep and sweepable Shift/Shape an all-purpose A/D converter with 24-bit/96 kHz The VINTAGE TUBE MONSTER VT999 eff ects pedal has that bi-amping operation controls for all amp models digital output full- tone roar of a tube engine under its hood, letting you t
Stereo Aux input lets you play along with a CD, drum t
Sweepable 24 dB Butterworth frequency crossover for t
MIDI implementation includes program changes, take off with anything from warm blues overdrive to heavy bi-amping operation computer or MIDI playback for practice, teaching and control changes and SysEx, allowing complete MIDI distortion. This high-quality stomp box has the warm sound of a home-recording applications automation through our free Windows editor software downloadable at behringer.com hand- selected 12AX7 vacuum tube. In addition, the VT999 off ers t
Balanced stereo Line output with virtual speaker an integrated and switchable noise gate with adjustable threshold simulation for recording and live applications that keeps your sound noise-free. With this monster engine, your t
Gig bag and dual footswitch for preset selection and tuner control included guitar playing will defi nitely be kicked into monster overdrive!

56 57 Guitar Stompboxes Guitar Stompboxes

HEAVY DISTORTION HD300 POWER OVERDRIVE PO300 VINTAGE TUBE OVERDRIVE TO800 ULTRA FUZZ UZ400 DISTORTION-X XD300 VINTAGE DELAY VD400 This devastating distortion pedal enhances with both a gain and This supercharged pedal is built to blast larger-than- life Get the sound of valve-powered overdrive with smooth sustain Recreate the mind-warping sound of the ‘60s and ‘70s with this This stomp box easily handles all things heavy: thrash, metal Though sound technology constantly evolves, nothing sounds bass boost, giving you bottom-heavy crunch like none other. overdriven tone that packs the low-end punch of a and crunchy chords with the TO800. It’s simple circuit has been screaming stomp box. The UZ400’s dedicated Fuzz, Tone and and hard rock. Its Distortion, Punch, Contour and Level controls quite like the true analog bliss of the VD400 VINTAGE DELAY. Its dedicated Gain-Boost, Distortion, Tone, Bottom and Level tube- powered 4 x 12" cabinet. Its incredible overdrive circuit used for decades to overdrive real tube amps. This workhorse Level controls take you to all corners of the proto-punk universe, let you add a brutal low end with gobs of high-end bite to any From trippy, fading repeats to vintage slap-back echo, the controls let you create a whole new standard in metal. off ers endless sustain and smooth compression. uses original 4558 ICs and MA150 distortion diodes for giving you buzzsaw power chords and fi ery solos. style of rock n’ roll. Vintage Delay sends riff s into the stratosphere by harnessing the authentic vintage sound. authentic sounds of 1960s studio insanity. With its dedicated Repeat Rate, Intensity and Echo dials, this stomp box delivers up Reverb Delay to 300 milliseconds of delay powered by true analog circuitry. From quick and choppy to slow and spacey, the VD400 is the old-school way to delay.

HEAVY METAL HM300 SUPER FUZZ SF300 TUBE OVERDRIVE TO100 WARP DISTORTION WD300 VINTAGE TIME MACHINE VM1 This heavy distortion box features ultra-high gain This wild thing has three diff erent sound modes to give you the The sound of an overdriven valve amp is as timeless as This demon’s dual ultra-gain circuit creates a vicious modern The VM1 is an awesome combination of eff ects including circuitry to give you thick distortion with endless sustain. choice of classic fuzz, garage rock or a good old-fashioned gain rock n’ roll, and everything you love about it is packed into the metal tone with a boosted bottom end. The dedicated Gain, chorus, vibrato and pure analog delay. With up to 550 ms of Dedicated Distortion, 2-band EQ and Level controls let you boost. The dedicated Gain, 2-band EQ and Level dials control a TO100. Whether you dial in smooth overdrive or howling crunch, Warp, Level and Sub controls turn your amps into instruments of organic echo, it easily competes head-to-head with most ECHO MACHINE EM600 personalize your own style of brutal rock. wide spectrum of primal rock power. this pedal lets every nuance of your playing shine through. sonic destruction. vintage tape delays. Dial in the sounds of the ’70s with this Every branch of the delay family tree—analog, tape and fantastic piece of gear and let your sounds travel back in time digital—is packed into this pedal and ready to send your tone comfortably, leaving the struggle with nasty tape loops and into orbit. BEHRINGER RSM technology gives you access to every worn-out mechanical gear behind you. imaginable fl avor of this most curious ambient garnish.

natural for us to use our expertise to build a amplifi ers, where the gain structure of better stomp box. But to do so, we fi rst had preamp stages creates a cascading eff ect OVERDRIVE/DISTORTION OD300 SUPER METAL SM400 ULTRA DISTORTION UD300 to develop an entirely new technology— all the way to the output. It’s two pedals in one! Take off with overdrive, distortion or a The SM400 will satisfy your craving for extreme distortion and The UD300’s dual-mode switch lets you choose between warm Real Sound Modeling. Our RSM technology Put simply, the average stomp box combination of both eff ects in one powerful pedal. Dedicated endless sustain. With its High and Low frequency EQ controls, overdrive and screaming distortion. Just twist the dedicated combines state-of-the-art DSP technology processor does not have the power to Level, Tone, Drive and Mode controls for awesome sound shaping, the SM400 can generate anything from a slight crunch to a Level, Tone and Distortion dials to create a distortion that’s with sophisticated algorithms that 8IBU
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34. mimic these subtle nuances, which are blue status LED for eff ect on/off and battery check and fi rst-class fat-bottomed juggernaut that will not be denied! distinctly yours. emulate real-world acoustic environments. so critical to attaining the level of realism electronic On/Off switch for highest signal integrity in bypass mode. Eff ects processing devices have been Such high-level processing requires that BEHRINGER RSM technology achieves. around for a very long time. They electronic architecture that takes into Thorough research and analysis of these have taken the form of everything account virtually all factors aff ecting sound. factors has enabled us to reinvent the from mechanical doohickies that raise The sound of a musical instrument is stomp box! RSM equipped pedals deliver and lower the pitch of a string, like a aff ected signifi cantly by a number the detail of true-to-life amplifi er and “whammy bar,” to the electronic circuitry of factors before it is actually heard: eff ects modeling, without unwanted that recreates the highly complex the materials used, the instrument’s design artifacts or fake-sounding approximations. refl ected sound of a subterranean cavern. and construction, and the components Ever since early mortals began making The high-performance RSM engine is only incorporated into the transducer and sounds, we’ve been trying to make the available in BEHRINGER products that bear amplifi cation system. Even the subtle sound better or alter it to our liking. the RSM logo. Hearing is believing. interaction between amplifi er stages can It’s part of our very nature. OVERDRIVE OD400 TUBE AMP MODELER TM300 ULTRA METAL UM300 aff ect the overall quality of the sound The OD400 gives you the warm, tube-like overdrive that allows The TM300 is loaded with modeling sounds, including With the UM300 ULTRA METAL, you get control of not just the At BEHRINGER, we build some of the generated by real instruments through your unique style to shine through. Its dual-stage overdrive 3 authentic classic amps, 3 gain modes and 3 mic placements, Mids, but of the Mids within the Mids! The Distortion, High, fi nest audio gear around, so it was only real amps. This is especially true in tube circuitry off ers bigger and fuller sound than competing models, for a total of 27 stunning confi gurations. Achieve the most Low, Level and dual Mid controls give you full control over thick complete with endless sustain and compression. sought-after tube amp sounds, from squeaky clean to distortion with merciless sustain. tube- stack distortion.

58 59 Guitar Stompboxes Guitar Stompboxes

DIGITAL DELAY DD600 REVERB MACHINE RV600 CHORUS ORCHESTRA CO600 HI BAND FLANGER HF300 SUPER PHASE SHIFTER SP400 ULTRA WAH UW300 The DD600 is no mere pedal—it’s a veritable studio in a box! Its With its RSM processor and DSP technology, the RV600 Reverb This ultra-versatile stomp box lets you dial in anything from Unlike conventional fl angers, the HF300 puts the fl anging one Whether you’re into vintage psychedelic or space rock, The UW300 boasts dynamics-sensitive auto-wah eff ects for 11 unique delay modes are powered by BEHRINGER Real Sound Machine delivers dead-on modeling of Ducking, Space, Cave, a mild vintage chorus to a super-thick, spacious stereo eff ect. octave higher than the input signal, creating a distinctly brighter BEHRINGER RSM technology gives you penultimate phase shift all styles and sounds. In other words, your picking attack and Modeling technology and emulate real acoustic environments, Tile, Echo, Vintage ’63 Spring, Spring, Plate, Room, Chamber and Dual outputs send signals to separate amps, allowing every and cleaner sound. Tweak the Resonance, Rate, Depth and with the SP400. Use the Mode switch, plus Resonance, Depth style controls the modulation eff ect. The Sensitivity, Manual, providing delay you can almost reach out and touch. Hall reverbs. Simple controls—simply amazing! crescendo to come through in true stereo sound. Manual controls to personalize this, the most unique fl anger on and Rate controls to go anywhere from light phase to complete Depth and Rate controls enable unparalleled wah shaping. the market. mind-melt!

DIGITAL DELAY DD400 DIGITAL MULTI-FX FX600 ULTRA CHORUS UC200 ULTRA FLANGER UF300 ULTRA PHASE SHIFTER UP300 SLOW MOTION SM200 The DD400 eff ects pedal off ers 7 diff erent time modes The FX600 off ers an incredible array of 24-bit high-resolution You get incredibly thick, cool chorusing with the UC200 Ultra Our ultra-nifty 2-Mode fl anger eff ects pedal buys you a fi rst You get two phasers in one with the UP300 Ultra Phaser. The SM200 fi lters out the initial attack and automatically for everything from subtle to radical stereo delay and stereo eff ects, including Flanger, Chorus, Phaser, Delay, Tremolo Chorus Pedal. The dual outputs allow you to send signals to class ticket to 2 fl angers in one—from jet-plane to thick chorus, Choose from classic phase shifting, or a more radical mode swells the volume of your playing, creating the same echo capabilities, with resolution comparable to that of and Pitch Shifter. With its dual inputs and outputs, you can send two separate amps or destinations for true stereo processing. vibrato and short delay eff ects. Flexible 2-mode switch lets you that off ers out-of-this-world vibrato-like eff ects. Level, Rate, eff ect you get when bowing a violin or cello. Just twist the state- of- the- art studio rackmount processors. The DD400 will and receive a true stereo signal that’ll blow your mind. Achieve great tone by putting your foot down—on the UC200! choose between classic and detuned fl anger eff ects. Dedicated Depth and resonance controls provide articulate sound shaping. dedicated Attack and Sensitivity controls to set a whole new add tremendous dimensionality to your tone. Manual, Depth, Rate and Resonance controls for awesome standard in slow! sound shaping. Modulation

FILTER MACHINE FM600 ULTRA TREMOLO/PAN TP300 The ultimate Filter Modeler, the FM600 delivers everything Tear the pulsing sonic bliss of vintage tremolo out of the REVERB/DELAY DR400 CHORUS SPACE-C CC300 FLANGER MACHINE FL600 VINTAGE PHASER VP1 from funky auto-wah, to swirling low-pass fi lter eff ects— ‘60s and fuse it into your sound with the TP300. Four distinct This digital reverb/delay sounds just like a state-of-the-art Sometimes the simplest approach works best. Just select This far-out fl ange pedal packs three killer sounds into one Authentic and classic three-dimensional phase shifting— all at the tap of your toe. Real Sound Modeling (RSM) combines tremolo modes plus Depth, Rate and Mode controls provide studio processor! It uses BEHRINGER Real Sound Modeling (RSM) any combination of the CC300’s four super-cool presets and amazing stomp box. BEHRINGER RSM (Real Sound Modeling) from rapid rotary speaker to impressive jet plane eff ects! state- of- the- art DSP technology with sophisticated algorithms the ambience of the ages in this power-packed pedal. to combine DSP technology with sophisticated algorithms relax. Each of the optimized presets covers a wide range of technology gives you analog, tape and digital fl ange, with There are dedicated Rate control and separate Tone switch for to emulate real acoustic environments. The FM600 can take to emulate real acoustic environments—all in 24-bit applications. Stereo chorusing has never been this easy. sound quality rivaling that of studio processors. fi ne-tuning of eff ects speed and tone. A status LED for eff ect your sound through the mystical land of modulation in high- resolution stereo sound! is included, plus there is a true hard-wire bypass for ultimate mind- altering style. signal integrity. No matter what phasing eff ect sound you’re after, VP1 is bound to make getting there easier!

DIGITAL REVERB DR600 CHORUS SPACE-D CD400 SUPER FLANGER SF400 DYNAMIC WAH/HUMAN VOICE DW400 ULTRA TREMOLO UT300 Whether you choose a classic Spring, Plate or Hall reverb, DR600’s While most chorus pedals give you only limited high-frequency Send your amp into the ozone with the SF400 Super Flanger. This little loudmouth can run wild with your tone or yield to Surf’s up when you take the stage with the stunning 24-bit stereo engine will take your music to the best sounding capabilities, the CD400’s EQ knob lets you take full control of BEHRINGER Real Sound Modeling technology lets you choose PHASER PH9 your control via its tap-tempo mode. No matter how you use it, BEHRINGER UT300 Ultra Tremolo. Its dedicated Rate, Wave and aural spaces you’ve ever experienced. It’s reverb like nothing critical high frequency content. The Level, Rate and Depth between modern or vintage fl ange that’ll put a trippy, The PH9 adds 90º phase shifting to your sound, taking your the DW400 puts a new spin on a timeless psychedelic landmark Depth controls enable you to quickly and easily dial up the you’ve heard before, plus Gate, Room and Modulate settings! controls will help turn your coolest riff s into stone-cold classics. oscillating spin on your sound. tone from modern to vintage at the fl ip of a switch. A single and features BEHRINGER RSM digital technology. mind-bending tremolo eff ects of vintage ‘60s amps. Rate control sets the phase-shifting speed, and state-of-the-art switching gives you the ultimate in signal integrity. 60 61 Guitar & Bass Stompboxes Bass Stompboxes

Acoustic Other EQ/Tonality Dynamics

ROTARY MACHINE RM600 NOISE REDUCER NR300 The RM600 uses BEHRINGER Real Sound Modeling technology This cool noise reduction pedal eff ectively eliminates to give your amp a fl urry of incredible rotary speaker sounds. V-TONE ACOUSTIC ADI21 DYNAMICS COMPRESSOR DC9 unwanted noise and hum without altering your tone while V-TONE BASS BDI21 BASS LIMITER ENHANCER BLE400 Twist the dedicated Model, Blend, Drive, Slow, Fast and Ramp The ADI21’s authentic tube/microphone modeling circuitry Get crisp, spanky sound from your clean signal and preserving the original attack and envelope leaving your This analog modeling bass preamp/stompbox isn’t just A touch of enhancement can make all the diff erence in your controls to put a new spin on your sound. provides the natural warmth and presence of miking your guitar face- melting sustain on your leads with the DC9. This amazing playing and dynamics intact. Dedicated Threshold and another direct input box for recording or performance sound—and make your bass pop in the mix. This easy to through a tube pre-amp. Its 3-band EQ gives you sweepable pedal smoothes out volume peaks for ultra-stable dynamics. Decay controls plus a Mute mode for awesome fl exibility; applications. You can also use it to dial up vintage tube tones, operate stomp box was designed specifi cally for bass so it won’t mids for accurate feedback control and eliminates harsh And with its true hardware bypass, you’ll always have the additional Send/Return loop for noise suppression of slap sounds, crunchy distortion, and a truckload of priceless kill your bottom or top-end, but it will smooth out the rough harmonics. The ADI21 also functions as a professional-grade DI highest signal integrity. external eff ect units. amp tones that would normally require a mountain of eff ects volume peaks in your playing. The BLE400 is a must-have tool if box for both live and recording applications. Become supremely processors. It is a DI box—and a great one at that, with a you play slap-style funk! connected, thanks to the gold-plated XLR socket, complete with gold-plated XLR socket and ground lift, so you can avoid a ground lift switch and -20 dB pad. The handy blend control those ugly hum loops. Step up to solid bass with the V-Tone allows you to mix your input acoustic’s natural sound with the Bass BDI21. processed signal for incredible depth. Overdrive

ULTRA VIBRATO UV300 Like a refreshing blast from the past, the BEHRINGER UV300 delivers the classic pitch modulation and dimensional vibrato that had everyone groovin’ in the ‘60s and ‘70s. From a subtle shimmer to a whirling Leslie speaker box, the UV300 can do it all. COMPRESSOR/SUSTAINER CS400 PREAMP BOOSTER PB100 When a riff really needs to stand out, the CS400 The PB100 boosts the volume and shapes the sound of any EQ/Tonality COMPRESSOR/SUSTAINER puts it right at center stage. This instrument to make solos the center of attention. It also pedal takes control of your dynamics, softening the loud boosts piezo pickups to match regular amplifi er inputs. BASS GRAPHIC EQUALIZER BEQ700 BASS OVERDRIVE BOD400 ACOUSTIC MODELER AM300 notes while boosting quiet notes to keep everything at one Its dedicated Gain, Bass and Treble controls allow precise The BEHRINGER BEQ700 provides 7-band graphic Here is a truly authentic tube-sound overdrive eff ects pedal Switching from an electric to an acoustic sound in the middle uniform level. Dial in just the right amount of compression sound shaping. equalization designed specifi cally for the bass guitar, with smooth sustain and super-fat tone. Includes a Balance of a set has never been easier or sounded so good. Step on the using the dedicated Attack and Sustain dials. The Level dial even 5 & 6-string instruments. Its super-wide frequency control to blend between overdriven and dry bass sound for AM300 to give your electric guitar the most beautiful acoustic allows you to engage a monster volume boost, while the range (from 50 Hz to 10 kHz) off ers the ultimate in sound maximum punch and dedicated Level, 2-band EQ and Gain sounds this side of Greenwich Village. This powerful pedal Tone dial lets you add exactly the right level of highs. From sculpting capability. controls for awesome sound shaping. models the sound of a standard, large, bright or piezo-equipped clean, snappy country leads to rock solos that scream for acoustic guitar with unbelievable accuracy. eons, the CS400 is built to deliver.

Chorus Octaver GRAPHIC EQUALIZER EQ700 Shape your sound with the EQ700’s 7 bands of equalization. This must-have pedal covers a wide frequency range, 100 Hz to 6.4 kHz, with a 15dB boost or cut per band. Why settle for less than complete control of your guitar‘s tone?

Pitch

ULTRA ACOUSTIC MODELER AM400 COMPRESSOR/LIMITER CL9 ULTRA BASS CHORUS BUC400 SPECTRUM ENHANCER SE200 SUPER OCTAVER SO400 Go from electrifi ed to acoustic in the blink of an eye with this The CL9 works much like an automatic level control, Play one bass, hear three or four or ten! Get super-thick Make sure the contrast of high to low in your sound is loud Generate an output one octave below your single notes incredible acoustic modeler. The AM400 uses BEHRINGER RSM restricting the dynamics of your playing. Whether your gig chorus with unbelievable stereo eff ect via dedicated Level, and clear with the SE200. The dedicated Spectrum and with the Super Octaver, powered by BEHRINGER Real Sound digital technology to make your electric guitar sound like any of calls for slippery funk grooves, articulate “chick’n-pick’n” or Low Filter, Rate and Depth controls for awesome sound Balance controls emphasize your axe’s full tonal capabilities. Modeling technology. Create lush, 3-D leads or humongous the four most famous acoustic guitars. aggressive sustain, the CL9 will become one of your favorite shaping. Includes blue status LED for eff ect on/off and battery It’s like putting an extra band of EQ right at your feet! open chords you can mix with a dry signal via the pedal’s tone tools. check and electronic On/Off switch for highest signal integrity direct output. in bypass mode.

ULTRA SHIFTER/HARMONIST US600 The US600 is always there to add whammy dives of up to two octaves above or below the original note, intelligent harmonies and pitch shift. Real Sound Modeling technology gives you an incredible palette of incredible complementary eff ects.

62 63 Bass Stompboxes Stompbox Accessories Tuners

Flanger PEDAL BOARD PB600 POWER THE WORLD PSU-HSB-ALL RACKTUNER BTR2000 CHROMATIC TUNER TU300

Use our new general purpose PSU-HSB 9 V DC power adapter to power virtually all your guitar or bass t
Multi-functional tuner including built-in microphone guitar stomp boxes for use with acoustic instruments and effects pedals. t
Useful metronome, adjustable from 30 to 240 bpm with audible and visual beat indicator. You can also t
1.7 A current work on-the-fl y with the manual TAP tempo function capacity can t
Integrated, switchable racklights with high-power The new PB600 is a smaller version of our very successful power more than LEDs for absolute control over your rack gear PB1000 for those with pedal chains of up to six stomp 20 eff ects pedals, ULTRA OCTAVER UO300 ULTRA BASS FLANGER BUF300 t
11 diff erent tuner modes (e. g. “chromatic”, “banjo” or The TU300 gives you seven amazingly accurate tuning boxes. Like its big brother, the PB600 comes with keyboards and The UO300 adds notes one and two octaves below every note Freak out your bass with the BUF300’s fl ange, thick chorus, open tunings) based on 12 equally tempered tones modes for guitar or bass, even 5 and 6-string basses. You a 1.7 A power adapter and includes all the cabling other DC 9 V gear* you play, giving you rich, thick leads and monstrous chords. vibrato and short delay eff ects. It retains your original bass t
Manual or automatic A-tone standard pitch calibration simply won’t find a better tuner thanks to an 11-point needed to power multiple stomp boxes t
Supplied with a full complement of connectors and from 428 Hz to 452 Hz in 1-Hz increments, transposable by LED stream that can be calibrated from 438 Hz to 447 Hz. This pedal provides complete control over the Direct Tone, punch and clarity through any amount of weirdness you dial simultaneously. jumper cords for total compatibility a maximum of ± 7 semitones for especially fl exible tuning as well as the added octaves for tremendous bottom end. in via its dedicated Resonance, Rate, Depth and Manual controls. t
Ultra-compact and lightweight pedal t
Includes 4 assorted jumper cables and 2 daisy-chain t
Gives you 7 diff erent tuning modes including Regular, t
Adjustable resolution of the LED bar (5 Cent/LED vs. board for transporting up to 6 eff ects pedals, including cables each with 5 connectors Flat, Double Flat and Chromatic mode 1 Cent/LED) enables precise tuning up to the cent, patch cables t
Takes up only one outlet space and frees up more room t
This BEHRINGER product has been designed to compete which allows for user-defi ned tuning systems t
Generous 1.7 A power adapter included for for your pedals head-to-head with leading products on the market Synth PEDAL BOARD PB1000 t
Two separate input channels accessible via front and powering more than 12 devices*—includes t
Runs on any AC power supply from 100 – 240 V; t
Precise 7-segment LED and 11-point Stream Meter back connectors (controllable via optional footswitch) 1 x 6 daisy- chain cabling worldwide usability without transformer guarantee accurate tuning t
Additional ¼" TS output for metronome click/reference Ultra-rigid plastic design withstands even t
Transformerless design eliminates 50/60-cycle hum t
Reference tone adjustable from 438 Hz to 447 Hz t
tone - perfect for monitoring and practice applications heavy impact and extraneous noise t
Mute/bypass function for silent tuning t
True hardware bypass for highest signal integrity t
Blue status LED for eff ect on/off and battery check * Depends on power consumption. Pedal board is sold without pedals shown. * Depends on the power consumption of the connected pedals, keyboard, etc. between input and output t
Runs on 9 V battery or the BEHRINGER PSU-SB DC t
Practical Mute function for direct signal muting during power supply (not included) tuning (controllable via optional footswitch) t
First-class electronic On/Off switch for highest signal integrity in bypass mode

POWER SUPPLY PSU-SB

BASS SYNTHESIZER BSY600 BSY600’s RSM circuitry can turn your bass or guitar into a raging The PEDAL BOARD PB1000 is an ultra-compact and bass synthesizer with the fl ick of a single switch. Choose from rugged pedal board for musicians who want to Acoustic Guitar Amplifi ers 11 diff erent waveforms and generate low end that will set off pre- arrange and carry up to 12 effects pedals in a seismic detectors in neighboring townships! heavy- duty, yet light-weight, case. It features a generous 1.7 A power adapter and includes all cabling to power multiple stomp boxes simultaneously. ULTRACOUSTIC ACX1800, ACX900 & ACX450 ULTRACOUSTIC AT108

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Ultra-compact and lightweight pedal board for t
Converts to DC 9 V for use with virtually all stomp transporting up to 12 eff ects pedals boxes and eff ects pedals t
Generous 1.7 A power adapter included for powering t
Typical DC-type 2.2 mm plug with negative tip and more than 12 devices*—includes all cabling positive sleeve t
Ultra-rigid plastic design withstands even heavy impact t
Provides a generous 100 mA current to power even * Depends on power consumption. Pedal board is sold without pedals shown. digital products

Footswitches & Remote Control t
Extremely versatile 2-channel acoustic ACX1800 ACX900 ACX450 instrument amplifi er t
Powerful 20-Watt, 8" dual-cone speaker for wide frequency response DUAL A/B SWITCH AB200 INSTRUMENT/AMP SELECTOR AB100 ULTRACOUSTIC ACX1800 t
Original 8" BUGERA dual-cone speaker for ultimate t
180-Watt, 2-channel stereo amplifi er for acoustic sound reproduction t
Additional microphone input with separate instruments and vocals volume control Common features: t
Easily switch between two input signals into one t
2 original 8" BUGERA dual-cone speakers for ultimate t
VTC Virtual Tube Circuitry for tube-like sound t
2 integrated, 24-bit digital FX processors each with output or vice versa (e. g. switch between two guitars Use this stomp box to instantly sound reproduction t
Ultra-musical 3-band EQ for ultimate sound shaping 16 awesome eff ects programs including reverb, using one amplifi er or two amplifi ers with one guitar) switch between two instruments t
CD input allows you to play along to your favorite music ULTRACOUSTIC ACX900 modulation, delay, and various eff ects combinations t
Separate headphone output—perfect for t
Programmable latching/non-latching modes playing through one amp, t
90-Watt, 2-channel stereo amplifi er for acoustic t
Individual graphic EQ on each channel for awesome quiet practicing selectable for both channels: or to switch between two - Non-latch mode momentarily engages the switch instruments and vocals sound shaping while you hold down the pedal amps receiving signal from t
2 original 8" BUGERA dual-cone speakers for ultimate t
Revolutionary FBQ Feedback Detection system - Latch mode changes the on/off status each time you one instrument. The Mode sound reproduction instantly reveals critical frequencies press the pedal dial lets you quickly select the ULTRACOUSTIC ACX450 t
CD input allows you to play along to your favorite music Dual footswitch FS112 for FX 1 & 2 bypass included t
Ultra-compact and universal 2-channel footswitch for t
Relay switching technology for ultra-high impedance confi guration you need, and the t
45-Watt, 2-channel amplifi er for acoustic instruments t
stage and studio applications and signal integrity volume can be preset for Output and vocals t
Usable for all products with external control functions t
Dedicated LED indicators for precise status control A and B separately. such as guitar amps, keyboards, rhythm machines, t
Combine multiple AB200’s together by using the lighting products, etc. side- mount interlock t
Runs on 9 V battery (not included)

64 65 Electric Guitar Amplifi ers Electric Guitar Amplifi ers

GUITAR AMPLIFIER GTX60 V-TONE GM108 VIRTUBE VT100FX VIRTUBE VT100FXH

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Original heavy-duty 12" BUGERA vintage guitar speaker for classic sound reproduction t
Original heavy-duty 12" BUGERA vintage guitar t
2 full-featured channels off ering everything you need speaker for classic sound reproduction from clean to super-fat distortion sounds t
2 full-featured channels off ering everything you need t
Independent Bass and Treble tone controls on each from clean over crunch to super-fat distortion sounds channel for awesome sound shaping t
2 switchable modes on each channel: Clean/Crunch on t
Contour control for radical mid-range sweep— the Clean and OD1/OD2 on the Overdrive channel from traditional to scooped modern t
Independent Bass, Mid and Treble tone controls on t
Additional Headphone and Line output with integrated each channel for awesome sound shaping t
Powerful 100-Watt, 2-channel guitar speaker simulation t
Contour control for radical midrange sweep— amplifi er head with authentic VTC t
Dedicated CD input for playback of line-level signals from traditional to scooped modern Tube Modeling (e.g. CD player, drum machine) t
Extremely versatile practice amplifi er with authentic t
Additional Headphone and Line output with integrated t
Revolutionary VTC Virtual Tube Circuitry gives you the t
FX loop for external eff ects devices (rack eff ects, analog amp modeling speaker simulation sound and feel of an authentic tube amp t
Powerful 60-Watt, 2-channel guitar amplifi er with stomp boxes, wah-wah pedals, etc.) t
Original vintage-design guitar speaker t
Dedicated CD input for playback of line-level signals t
Awesome dual digital FX processors with chorus/delay, authentic tube modeling t
External Speaker Output for more fl exibility t
Authentic analog modeling for 3 classic guitar amps, (e.g. CD player, drum machine) chorus, fl anger, delay plus separate reverb t
Awesome digital FX processor with reverb, chorus, t
Dual footswitch for Channel selection and FX 3 speaker simulation models plus 3 gain modes— t
Powerful 100-Watt, 2-channel guitar t
FX loop for external eff ects devices (rack eff ects, t
2 full-featured channels off ering everything you need fl anger and delay bypass included providing you with 27 classic sound presets amplifi er with authentic VTC Tube stomp boxes, wah-wah pedals, etc.) from clean over crunch to super-fat distortion sounds t
Integrated chromatic tuner with auto-mute function t
Wide-range Drive control for super-fat sounds with any Modeling t
Dual footswitch FS112VT for Channel selection and t
2 switchable modes on each channel: Clean/Crunch on pickup types t
Awesome dual digital FX processors with chorus/delay, FX bypass included the Clean and OD1/OD2 on the Overdrive channel t
Dedicated 3-band EQ and Master level control chorus, fl anger, delay plus separate reverb t
Independent Bass, Mid and Treble tone controls on t
CD input allows you to play along with your favorite music each channel for awesome sound shaping t
Powerful Headphone output with speaker simulation t
Contour control for radical midrange sweep— from traditional to scooped modern t
Additional Headphone and Line output with integrated speaker simulation GUITAR AMPLIFIER GTX30 VIRTUBE VT15CD & VIRTUBE VT15FX t
Dedicated CD input for playback of line-level signals The FS112VT 2-control (e.g. CD player, drum machine) t
Powerful 30-Watt, 2-channel guitar amplifi er with footswitch is included free t
FX loop for external eff ects devices (rack eff ects, authentic tube modeling with the GMX212, VT100FX, stomp boxes, wah-wah pedals, etc.) t
Awesome digital FX processor with reverb, chorus, VT250FX, VT100FXH, t
Dual footswitch FS112VT for Channel selection and FX fl anger and delay VT50FX and VT30FX bypass included t
Integrated chromatic tuner with auto-mute function t
Original heavy-duty 12" BUGERA vintage guitar speaker for classic sound reproduction t
2 full-featured channels off ering everything you need VIRTUBE VT250FX VIRTUBE VT50FX from clean to super-fat distortion sounds

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Radical bass, mid and treble controls — for every VT15CD VT15FX sound from traditional to scooped modern t
Additional Headphone and Line output with integrated speaker simulation The VIRTUBE VT15CD and VT15FX guitar amplifiers t
Powerful 15-Watt, 2-channel guitar t
Dedicated CD input for playback of line-level signals feature revolutionary VTC Tube Modeling to give amplifi ers with authentic VTC (e.g. CD player, drum machine) you the sound and feel of a real tube amp. And both Tube Modeling amps include 2 channels with clean to fat distortion t
Revolutionary VTC Virtual Tube Circuitry gives you the sounds, 15 Watts of power and an exclusive 8" BUGERA sound and feel of an authentic tube amp vintage- style guitar speaker. The VT15FX holds an t
Awesome digital FX processor with reverb, chorus, incredible digital FX processor that features reverb, fl anger and delay (VT15FX only) V-TONE GMX212 chorus, flanger and delay. t
Original heavy-duty 8" BUGERA vintage-style guitar speaker for classic sound reproduction t
2 full-featured channels off ering everything you need FXT—ultra-fl exible FX Tracking allows independent t
from clean to super-fat distortion sounds eff ects settings on each channel t
Powerful 60-Watt, 2-channel t
DYNAMIZER circuitry captures every nuance of your guitar amplifi er with authentic VTC t
Powerful 2 x 50-Watt, 2-channel Tube Modeling playing and lends tube-like compression to your tone guitar amplifi er with authentic VTC t
24-bit stereo multi-eff ects processor with world-class t
Awesome dual digital FX processors with chorus/delay, Tube Modeling chorus, fl anger, delay plus separate reverb eff ects such as chorus, fl anging, phasing, rotary, VIRTUBE VT30FX t
Awesome dual digital FX processors with chorus/delay, auto-wah, echo, delay, compressor and various eff ect t
Original heavy-duty 12" BUGERA vintage guitar chorus, fl anger, delay plus separate reverb speaker for classic sound reproduction combinations with 99 user presets and MIDI control t
Awesome digital FX processor with reverb, chorus, t
2 original heavy-duty 12" BUGERA vintage guitar t
Integrated auto-chromatic tuner controllable t
2 full-featured channels off ering everything you need fl anger and delay speakers for classic sound reproduction from clean to super-fat distortion sounds via footswitch t
Original heavy-duty 10" BUGERA vintage guitar t
2 full-featured channels off ering everything you need t
Additional Loudspeaker plus headphone outputs with t
Independent Bass and Treble tone controls on each speaker for classic sound reproduction from clean to super-fat distortion sounds channel for awesome sound shaping integrated speaker simulation t
2 full-featured channels off ering everything you need t
Independent Bass and Treble tone controls on each t
Powerful 2 x 60-Watt guitar workstation with t
Adjustable Aux input and dedicated Tape input for t
Contour control for radical midrange sweep—from from clean to super-fat distortion sounds channel for awesome sound shaping traditional to scooped modern authentic V-TONE Analog Modeling playback or other line-level signals (e.g. CD player, t
Independent Bass and Treble tone controls on each t
Contour control for radical midrange sweep— t
2 original heavy-duty 12" BUGERA guitar speakers for drum computer) t
Additional Headphone and Line output with integrated channel for awesome sound shaping from traditional to scooped modern speaker simulation classic sound t
Stereo Tape and Line outputs with speaker simulation t
Contour control for radical mid-range sweep— t
Additional Headphone and Line output with integrated t
Authentic V-TONE Analog Modeling for 3 classic for direct recording and live applications t
Dedicated CD input for playback of line-level signals from traditional to scooped modern speaker simulation (e.g. CD player, drum machine) guitar amps, 3 speaker simulation models plus 3 gain t
Insert facility for external eff ects devices (rack eff ects, t
Additional Headphone and Line output with integrated t
Dedicated CD input for playback of line-level signals modes—27 modeled sounds individually selectable stomp boxes, wah-wah pedals, etc.) t
FX loop for external eff ects devices (rack eff ects, speaker simulation (e.g. CD player, drum machine) stomp boxes, wah-wah pedals, etc.) per channel t
Dual footswitch FS112 for channel selection, eff ect t
Powerful 30-Watt, 2-channel t
Dedicated CD input for playback of line-level signals t
FX loop for external eff ects devices (rack eff ects, t
2 independent, full-featured modeling channels bypass and tuner activation included t
Dual footswitch FS112VT for Channel selection and guitar amplifi er with authentic VTC (e.g. CD player, drum machine) stomp boxes, wah-wah pedals, etc.) FX bypass included off ering everything you need from clean to crunch to Tube Modeling t
Dual footswitch FS112VT for Channel selection and t
Dual footswitch FS112VT for Channel selection and super-fat distortion sounds FX bypass included FX bypass included

66 67 Bass Amplifi ers Bass Amplifi ers

ULTRABASS BVT5500H ULTRABASS BXL3000A, BXL1800A, BXL900A & BXL450A

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Powerful 550-Watt bass amplifi er head for classic t
Switchable Tuner Out works either as a tuner sound and performance connection or a live monitor feed t
VTC Tube Modeling gives you the sound and feel of an t
Eff ects Loop for external eff ects devices (stomp boxes, authentic tube amp rack eff ects, etc.) t
Voicing selector provides you with 5 ultimate sound t
Power Amp In and Preamp Out connectors allow you variations to suit your playing style direct access to the power amp and a signal tap from t
Switchable Overdrive channel for a more aggressive the preamp section for even greater versatility tube amplifi er sound t
3 speaker outputs: two ¼" jacks and a The ULTRABASS BVT5500H bass amplifier head with t
Ultra-musical 9-band graphic EQ for total professional speaker connector (compatible with 550 Watts includes the revolutionary VTC Tube Modeling frequency control Neutrik Speakon connectors) to offer the sound and feel of a real tube amp. This t
Dedicated Bass, Mid and Treble controls for ultimate t
Active, temperature-controlled cooling system for powerful bass amp impresses with features such as the sound shaping ultimate protection Voicing selector with 5 ultimate sound variations and t
Switchable limiter for ultimate volume t
Ultra-rugged power supply with toroidal transformer the switchable Overdrive function for more aggressive without distortion for highest power reserve sounds. It also includes a 9-band graphic EQ as well as t
Balanced XLR DI output for direct connection to your Bass, Mid and Treble controls—perfect for ultimate mixing console sound control. BXL3000A BXL1800A BXL900A BXL450A t
Powerful bass workstations in wedge-shaped t
Distortion channel with dedicated Gain, Shape and t
Revolutionary “See what you play” FBQ frequency cabinet with: 300 Watts/15" speaker (BXL3000A), Level controls indicator for instant sound shaping 180 Watts/12" speaker (BXL1800A), t
Ultra-musical, active graphic EQ with FBQ t
Musical limiter for ultimate volume without distortion ULTRABASS BXL3000, BXL1800, BXL900 & BXL450 90 Watts/12" speaker (BXL900A) or Spectrum Analyzer t
FS112 Two-button footswitch included 45 Watts/10" speaker (BXL450A) t
Switchable ULTRABASS subharmonics processor for t
Separate headphone output—perfect for t
Original BUGERA HARD ATTACK unbelievable low-end power (BXL3000A/BXL1800A/ quiet practicing aluminum- cone speaker BXL900A only) t
CD input allows you to play along to your t
Clean channel with dedicated Gain control t
Integrated Compressor smoothes out volume peaks favorite music when playing dynamic slaps (BXL3000A/BXL1800A only)

ULTRABASS BVT4500H ULTRABASS BX4500H

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Dual footswitch for ULTRABASS and Shape functions included t
Balanced DI output for direct connection to your mixing console t
Dedicated Tuner Output/Eff ect Send and separate Line output for additional fl exibility BXL3000 BXL1800 BXL900 BXL450 t
Extremely powerful 450-Watt bass amplifi er head t
FX Insert for external eff ects devices (stomp boxes, t
DYNAMIZER technology for ultimate punch and to rack eff ects, etc.) With the ULTRABASS BVT4500H bass amplifier head, capture every nuance of your playing t
Powerful bass workstations in wedge shaped t
Ultra-musical, active graphic EQ with t
Revolutionary “See what you play” FBQ frequency you get an amp head that offers immense power and t
3 speaker outputs on ¼" jack and professional cabinet with: 300 Watts/15" speaker (BXL3000), FBQ Spectrum Analyzer indicator for instant sound shaping t
Switchable ULTRABASS subharmonics processor for speaker connectors (compatible with tone. It boasts 450 Watts and the revolutionary VTC Tube unbelievable low-end power 180 Watts/12" speaker (BXL1800), t
Switchable ULTRABASS subharmonics processor for t
Musical limiter for ultimate volume without distortion Modeling to offer the sound and feel of a real tube amp. Neutrik Speakon connectors) 90 Watts/12" speaker (BXL900) or unbelievable low-end power (BXL3000/BXL1800 and t
FS112 Two-button footswitch included t
Revolutionary Shape fi lter for extreme sound range t
Active, temperature-controlled cooling system for The head also includes a 9-band graphic EQ as well as t
Dedicated 5-band EQ with Bright and Deep functions 45 Watts/10" speaker (BXL450) BXL900 only) t
Separate headphone output—perfect for Bass, Mid and Treble controls for ultimate sound control. ultimate protection t
Original BUGERA special high-impact cone speaker t
Integrated Compressor smoothes out volume peaks quiet practicing for awesome sound shaping t
Ultra-rugged power supply with toroidal transformer In addition, the XLR direct output gives you the option to t
Musical limiter for ultimate volume without distortion t
Clean channel with dedicated Gain control when playing dynamic slaps (BXL3000/BXL1800 only) t
CD input allows you to play along to your favorite music connect to a mixing console. for highest power reserve t
Distortion channel with dedicated Gain, Shape and t
Vintage-style VU meter for precise signal level control Level controls t
Powerful 450-Watt bass amplifi er head for classic sound and performance t
VTC Tube Modeling gives you the sound and feel of an authentic tube amp ULTRABASS BXR1800H t
Ultra-musical 9-band graphic EQ for total frequency control t
Ultra-musical, active 7-band graphic EQ with t
Dedicated Bass, Mid and Treble controls for ultimate FBQ Spectrum Analyzer sound shaping t
Revolutionary “see what you play” FBQ frequency t
Switchable limiter for ultimate volume indicator for instant sound shaping without distortion t
Switchable ULTRABASS subharmonics processor for t
Balanced XLR DI output for direct connection to your unbelievable low-end power So you’re looking for a super-fat, 180-Watt, 2-channel mixing console t
Integrated Compressor smoothes out volume peaks bass amp? And you want it in a compact, rack-mountable t
Eff ects Loop for external eff ects devices (stomp boxes, when playing dynamic slaps format? Then get a load of this—the ULTRABASS rack eff ects, etc.) t
Musical limiter for ultimate volume without distortion BXR1800H is a bass monster with a built-in ULTRABASS t
Power Amp In and Preamp Out connectors allow you t
Dual footswitch for channel select and Ultrabass subharmonics processor to give you extra lows and a direct access to the power amp and a signal tap from function included compressor to beef up your sound. Want it “clean and the preamp section for even greater versatility t
Separate Headphone output—perfect for fat”, or “dirty and fat”? No problemo—this monster can t
3 speaker outputs: two ¼" jacks and a quiet practicing do it all. professional speaker connector (compatible with t
Balanced XLR DI and Line outputs for direct connection Neutrik Speakon connectors) t
Ultra-compact and rack-mountable 180-Watt to your mixing console t
Active, temperature-controlled cooling system for 2-channel bass amplifi er t
CD input allows you to play along to your favorite music ultimate protection t
Clean channel with dedicated Gain control t
Dedicated FX Insert for external eff ects devices t
Ultra-rugged power supply with toroidal transformer t
Distortion channel with dedicated Gain, Shape and (stomp boxes, rack eff ects, etc.) for highest power reserve Level controls t
Rack mount brackets included

68 69 Bass Amplifi ers Keyboard Amplifi ers

ULTRABASS BT108 THUNDERBIRD BX108 ULTRABASS BX1800 ULTRATONE K3000FX & K1800FX ULTRATONE K900FX & K450FX

K900FX K450FX

K3000FX K1800FX t
Extremely versatile bass amplifi er t
Extremely versatile vintage-style bass amplifi er K900FX: Ultra-flexible 90-Watt 3-channel PA System/ t
Powerful 20-Watt, 8" speaker t
Cool retro bass sounds Keyboard Amplifier with 12" BUGERA woofer and t
VTC Virtual Tube Circuitry for tube-like sound t
Original 8" vintage-design bass speaker K3000FX: Ultra-flexible 300-Watt 4-channel PA System/ t
Additional XLR mic input on Channel 1 for direct custom-made 1" high frequency driver Keyboard Amplifier with 15" BUGERA woofer and connection of dynamic microphones t
Dedicated 4-band EQ for ultimate sound shaping t
Classic 3-band EQ for ultimate sound shaping K450FX: Ultra-flexible 45-Watt 3-channel PA System/ t
Powerful and ultra-compact 180-Watt bass workstation custom-made 1" high frequency driver t
Dedicated 7-band graphic EQ for awesome t
CD input allows you to play along to your favorite music t
CD input allows you to play along with your Keyboard Amplifier with 10" BUGERA woofer t
Separate headphone output—perfect for favorite music t
Original BUGERA 15" special high-impact cone speaker K1800FX: Ultra-flexible 180-Watt 4-channel PA System/ sound shaping quiet practicing t
Powerful Headphone output with speaker simulation t
Custom-made horn tweeter for high-end punch Keyboard Amplifier with 12" BUGERA woofer and t
Balanced stereo XLR DI with Ground Lift switch for direct connection to your mixing console K900FX & K450FX Common Features: t
VTC Virtual Tube Circuitry for tube-like sound custom-made 1" high frequency driver t
Integrated 24-bit digital FX processor with t
Dedicated 4-band EQ and Mid Shape function for t
Main section with FX Return level, Master Volume, Phones level and Shape switch 100 awesome presets including reverb, chorus, fl anger, awesome sound shaping K3000FX & K1800FX Common Features: delay, pitch shifter and various multi-eff ects t
Musical opto-limiter for ultimate volume t
Integrated 24-bit digital FX processor with t
Link output allows linking to a slave amplifi er for true stereo operation t
Revolutionary FBQ Feedback Detection System without distortion 100 awesome presets including reverb, chorus, fl anger, instantly reveals critical frequencies t
Separate Headphone output—perfect for delay, pitch shifter and various multi-eff ects t
Subwoofer output for ultimate low-end power t
CD input allows you to play along to your favorite music t
Dedicated 5-band graphic EQ for awesome quiet practicing t
Revolutionary FBQ Feedback Detection System sound shaping t
Balanced XLR DI output and Ground Lift switch for instantly reveals critical frequencies t
Separate headphone output—perfect for quiet practicing t
XLR mic input and line output direct connection to your mixing console t
Full 4-channel stereo operation with separate Volume t
Subwoofer line output for low-end power t
CD input allows you to play along to your favorite music and FX Send per channel t
Pole socket for stand mounting t
FX Insert for external eff ects devices (stomp boxes, rack eff ects, etc.)

ULTRATONE KT108 Bass Speaker Cabinets Large Diaphragm Microphones

ULTRABASS BB410 DUAL DIAPHRAGM CONDENSER MICROPHONE B-2 PRO

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Professional 1" gold-sputtered dual- t
Perfect for acoustic instruments, overhead, piano, etc. diaphragm condenser microphone for t
Switchable low-frequency roll-off and unsurpassed audio quality -10 dB input attenuation t
Ideal as main and support microphone t
Ultra low-noise transformerless FET input eliminates for studio and live applications low-frequency distortion t
Selectable cardioid, omnidirectional or t
Ultra-rugged construction with nickel-plated fi gure eight pickup pattern brass body t
Extremely versatile 2-channel keyboard amplifi er t
Pressure-gradient transducer with t
Gold-plated 3-pin XLR output connector for perfect t
Powerful 20-Watt, 8" dual-cone speaker for wide shock-mounted gold-sputtered signal transmission frequency response dual- diaphragm capsule t
Heavy-duty suspension mount, windscreen and t
2 instrument inputs with separate volume control for aluminum transport case included each channel t
VTC Virtual Tube Circuitry for tube-like sound t
Dedicated 3-band EQ for ultimate sound shaping t
CD input allows you to play along to your favorite music t
Reinforced chamber, front-ported bass cabinet for t
Separate headphone output—perfect for SINGLE DIAPHRAGM CONDENSER MICROPHONE B-1 1,200 Watts of power handling quiet practicing t
Original BUGERA speakers with special t
Professional 1" gold-sputtered t
Perfect for acoustic instruments, overhead, piano, etc. high- impact cones large- diaphragm condenser t
Switchable low-frequency roll-off and t
Powerful and punchy bass tone microphone for unsurpassed -10 dB input attenuation t
Switchable 1" custom-made horn tweeter for audio quality t
Ultra low-noise transformerless FET input eliminates high- end punch t
Ideal as main and support microphone low-frequency distortion t
Unique tweeter remote control via footswitch for studio and live applications t
Ultra-rugged construction with nickel-plated or BEHRINGER MIDI FOOT CONTROLLER FCB1010 t
Cardioid pickup pattern for outstanding brass body (controller not included) sound source separation and t
Gold-plated 3-pin XLR output connector for perfect t
Input and link outputs on ¼" TS and professional feedback rejection signal transmission speaker connectors (compatible with Neutrik Speakon t
Pressure-gradient transducer with t
Heavy-duty suspension mount, windscreen and connectors) with an impedance of 4 Ohms shock-mounted gold-sputtered aluminum transport case included t
Recessed carrying handles and integrated rollers for large- diaphragm capsule easy transportation t
Shock-proof metal grille, reinforced corners and rugged carpet covering

70 71 Dynamic Microphones Condenser Microphones DJ Headphones

ULTRAVOICE XM8500 & XM1800S DYNAMIC MICROPHONE KIT STUDIO CONDENSER MICROPHONE C-1 DJ HEADPHONES HPX2000

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Excellent vocal/instrumental dynamic microphones t
Professional, large-diaphragm, condenser t
Exceptionally fl at frequency response and ultra-high t
Presence lift in critical mid-range gives you maximum microphone for unsurpassed audio quality sound resolution voice projection t
Ideal as main and support microphone t
Ultra-low noise, transformerless FET input eliminates t
Cardioid characteristic with excellent for studio and live applications low-frequency distortion feedback suppression t
Cardioid pickup pattern for outstanding sound t
LED indicates phantom power operation t
Sturdy, reliable metal construction source separation and feedback rejection t
Ultra-rugged construction with metal die-cast body t
Balanced low-noise XLR output t
Pressure-gradient transducer with t
Gold-plated 3-pin XLR output connector for perfect t
Two-stage pop fi lter shock- mounted capsule signal transmission t
Exceptional off -axis rejection eliminates t
Perfect for acoustic instruments, overhead, piano, etc. t
Swivel stand mount and transport case included feedback problems t
High-defi nition bass and super-transparent highs t
Delivered in a rugged case with mic clip and t
Ultra-high dynamic range stand adapter t
High-effi ciency cobalt capsule XM8500 XM1800S t
XM1800S available as 3-pack only STUDIO CONDENSER MICROPHONE C-1U t
⁄" connector plus ¼" adapter included t
Single-sided cord with oxygen-free copper wires t
Rotating, reversible round-shaped ear cups t
Professional, large-diaphragm condenser t
Cardioid pickup pattern for t
Ultra-rugged headband construction microphone with built-in USB interface, outstanding sound source separation ideal for podcasters and musicians and feedback rejection Condenser Microphones t
Plug this amazing USB-mic straight into your t
Pressure-gradient transducer with shock- computer and turn your PC or Mac computer mounted capsule into a recording system without the need for t
Comprehensive podcasting and audio editing software DJ HEADPHONES HPX4000 any other hardware (Podifi er, Juice, PodNova, Golden Ear, Audacity) TUBE CONDENSER MICROPHONE T-1 & T-47 t
Directly works with your PC or for computers, both PC and Mac Mac computer—ultra-low latency ASIO and t
USB connection cable included STUDIO CONDENSER MICROPHONE T-1 STUDIO CONDENSER MICROPHONE T-47 WDM drivers for PC audio optimization included t
Swivel stand mount included t
Professional, large-diaphragm, t
Professional, large-diaphragm, vacuum t
Exceptionally fl at frequency response and t
Ultra-rugged construction with metal die-cast body vacuum tube condenser microphones tube condenser microphone for PSU-T Power Supply included ultra- high sound resolution perfect for voice, for unsurpassed audio quality unsurpassed audio quality acoustic instruments, etc. t
Hand-selected 12AX7 vacuum tube for t
Hand-selected 12AX7 vacuum tube for exceptional warmth and vintage sound exceptional warmth and vintage sound t
Ideal as main and support microphone for studio and t
Ideal as main and support mic for studio and live applications live applications t
Cardioid pickup pattern for outstanding sound source t
Cardioid pickup pattern for outstanding sound source STUDIO CONDENSER MICROPHONES C-2 t
High-defi nition bass and super-transparent highs separation and feedback rejection separation and feedback rejection t
Ultra-high dynamic range T-47 t
Pressure-gradient transducer with t
Pressure-gradient transducer with t
2 professional true condenser microphones for t
Switchable low-frequency roll-off and t
High-effi ciency cobalt capsule T-1 shock- mounted capsule shock- mounted capsule studio recording and live applications -10 dB input attenuation t
Single-sided coiled cord with oxygen-free copper wires t
Perfect for vocals and acoustic instruments t
Perfect for vocals and acoustic instruments t
Sold as matched pair – perfect for stereophonic t
Custom microphone stand adapters, windscreens, t
Round swiveling ear cups t
Switchable low-frequency roll-off and t
Switchable low-frequency roll-off t
Ultra-rugged headband construction For years, the warmth of a large-diaphragm TUBE recording stereo-bar and transport case included -20 dB input attenuation t
External power supply with 30 ft. (10 m) t
Low-mass diaphragm for ultra- wide frequency t
Ultra low-noise transformerless FET input eliminates microphone has been financially out of reach for the t
External power supply with 30 ft. (10 m) multi- core included average home project studio owner. We’ve changed response and ultimate sound reproduction low-frequency distortion multi- core included t
Heavy-duty suspension mount, windscreen and t
Perfect for acoustic instruments, overhead, t
Gold-plated 3-pin XLR connector for highest that with our T-1 and T-47. Each features a premium t
Heavy-duty suspension mount, windscreen and aluminum transport case included 12AX7 tube and external power supply. piano, etc. signal integrity aluminum transport case included t
Ultra-rugged construction with metal die-cast body t
Cardioid pickup pattern for eff ective t
Ultra-rugged construction with metal die-cast body feedback elimination

SINGLE DIAPHRAGM CONDENSER MICROPHONE B-5 STUDIO CONDENSER MICROPHONES C-3

t
Professional true condenser t
Perfect for acoustic instruments, voice, overhead, etc. t
Gold-plated 3-pin XLR output connector for perfect t
Professional large dual-diaphragm condenser t
Exceptionally fl at frequency response and ultra-high microphone for studio and t
Ultra low-noise transformerless FET input eliminates signal transmission microphone for studio recording and sound resolution live applications low- frequency distortion t
Rugged construction with satin nickel-plated live applications t
Ultra low-noise transformerless FET input eliminates t
2 interchangeable capsules with t
Smooth, super-wide frequency response and brass body t
Ideal as main and support microphone for low-frequency distortion cardioid and omnidirectional incredible musicality t
Custom microphone stand adapter, windscreen and studio and live applications t
LED indicates phantom power operation pickup patterns t
Switchable low-frequency roll-off and transport case included t
Selectable cardioid, omnidirectional or fi gure t
Ultra-rugged construction with metal die-cast body t
Low-mass gold-sputtered diaphragm -10 dB input attenuation eight pickup pattern t
Gold-plated 3-pin XLR output connector for perfect for ultimate sound reproduction t
Pressure-gradient transducer with shock- signal transmission mounted dual- diaphragm capsule t
Swivel stand mount and transport case included t
Perfect for acoustic instruments, overhead, piano, etc. MEASUREMENT CONDENSER MICROPHONE ECM8000 SINGLE DIAPHRAGM CONDENSER MICROPHONES C-4 t
Ultra-linear condenser t
Perfectly suited for room equalization application t
Ultra-low noise transformerless FET input eliminates microphone for measurement and and high-resolution recordings such as acoustic low-frequency distortion recording application instruments, overhead, piano, etc. t
Gold-plated, 3-pin XLR output connector for perfect t
2 professional true condenser microphones for t
Perfect for acoustic instruments, overhead, piano, etc. t
Ultra low-noise transformerless t
Exceptionally fl at frequency response t
Works with phantom power from +15 to +48 V signal transmission studio recording and live applications t
Cardioid pickup pattern for eff ective FET input eliminates low-frequency and ultra-high sound resolution t
Perfect for use with the BEHRINGER ULTRACURVE or t
Swivel stand mount and transport case included t
Sold as matched pair—perfect for feedback elimination distortion t
Evenly weighted, true any other analyzer stereophonic recording t
Switchable low-frequency roll-off and -10 dB input t
Gold-plated 3-pin XLR connector for highest omnidirectional pattern t
Low-mass diaphragm for ultra-wide frequency attenuation signal integrity response and ultimate sound reproduction t
Custom microphone stand adapters, windscreens, stereo-bar and transport case included

72 73 Studio Headphones Desktop Controllers Keyboard Controllers

HEADPHONES HPS5000 B-CONTROL FADER BCF2000 U-CONTROL UMX610, UMX490 & UMX250

t
Ultra-wide frequency response t
High-defi nition bass and super-transparent highs t
Ultra-wide dynamic range t
High-effi ciency cobalt capsule t
Single-sided coiled cord with oxygen-free copper wires t
Optimized oval-shaped ear cups Play that DAW! The BCF2000 puts you in real control of t
Additional multi-function foot switch and foot t
Ultra-rugged headband construction U-CONTROL MIDI Controller Keyboards with Massive software bundle your own virtual studio. This ergonomically-designed controller connectors can be used to address all types includes NI Kore Player, USB/ Audio Interface 100 virtual instruments, console provides 8 ultra-precise 100-mm motorized of MIDI data UCA222 USB/Audio more than 50 VST eff ects plus interface included faders and just a handful of high resolution rotary t
32 user presets each with 4 encoder groups UMX MIDI Controllers are extremely an unlimited number of sound controls, allowing you to fly your audio software t
Confi gurable MIDI and USB modes for ultra-fl exible flexible master keyboards with control creations. Compatible with HEADPHONES HPS3000 “hands-on” via any USB or MIDI port. system integration functions that can be customized for a Windows XP, Windows Vista, t
1 MIDI In plus 2 MIDI Outs, usable as an additional USB wide range of applications. Do you need breathtaking synthesizer sounds. Tweak your sounds Windows 7, Mac OS X and Linux t
Unique, total-recall, cascadable desktop MIDI operating systems. to MIDI interface with creative tube amps and multi-FX plus high- end controller with analog feel and intuitive user interface independent control of hardware synthesizers or general t
Multi-function, 4-digit LED display with real-time MIDI sound modules? How about control over effects studio reverbs, equalizers, compressors, choruses and t
8 ultra-precise, 100-mm, motorized faders for parameter indication plus write-in fi elds for your devices? Maybe you just want to operate sequencing many more. ultimate control of virtual mixers, organ-drawbars t
Unleash your creativity with 100 virtual instruments own labeling software or computer plug-ins from a convenient remote (inverse mode) or virtual synths and samplers Also Included is Native Instruments’ KorePlayer with and take off with 50 VST eff ects plus an unlimited t
MIDI input with merge function for cascading several location? UMX Series controllers provide total flexibility t
4 virtual groups with 8 dual-mode, high-resolution its production-ready 300 MB sound library. KorePlayer number of sound creations control units and tremendous ease of use, allowing you to realize your encoders that feature LED rings and an additional includes six NI sound engines and provides ready- to- play t
USB/Audio interface included for recording and t
Easy connection to any computer/expander, etc. using ideas intuitively. push function sounds that can be browsed and tweaked via its ultra- playback of any digital music fi le. Works with your standard MIDI In/Out connectors t
16 + 4 illuminated buttons freely assignable to all Simply put, a MIDI controller gives you the power to intuitive interface. We’ve also included a coupon for a PC or Mac computer—no setup or drivers required t
Generic USB MIDI support with Windows XP and types of MIDI functions from note on/off , control take command of any hardware device or software that one- time savings on a sound-pack from NI’s online store. t
Intuitive sound module NI KorePlayer with Mac OS X operating systems t
Ultra-wide frequency response change and program change to MMC and system understands MIDI. This means that MIDI-addressable production- ready 300 MB sound library, includes t
Additional drivers and editor/librarian software Since the UMX will become your central command post t
High-defi nition bass and super-transparent highs exclusive data effects processors (such as delays, reverbs, etc.) and sounds of nearly all categories/kinds, ranging from available for free download at behringer.com of your recording process, we’ve also added a USB/Audio t
Ultra-wide dynamic range t
All panel elements freely assignable—manually or via audio recording and editing software can be controlled interface for you to plug into any USB port on your PC or synths to acoustic instruments to drums t
High-effi ciency cobalt capsule user-friendly learn mode with a single piece of hardware, a MIDI controller. Mac computer with no setup or special drivers required. t
Plug and play with Mac OS X, Windows XP, Vista and ⁄" connector plus ¼" adapter included t
The UMX Series gives you eight (8) knobs, 10 assignable Once you are tapped into the digital realm, you can use Windows 7 operating systems Single-sided cord with oxygen-free copper wires t
switches, two (2) wheels (Pitch Bend & Modulation), the included software to record, playback and edit any of t
8 real-time rotary controls plus 10 assignable switches Optimized oval-shaped ear cups t
one pedal port and one fader, for a total of 22 assignable your music files. t
Freely assign MIDI control changes to the Ultra-rugged headband construction t
controllers—providing total control over your operating modulation wheel, volume fader and pedal port for B-CONTROL ROTARY BCR2000 BEHRINGER UMX Series controllers with USB connectivity ultimate fl exibility environment. Once you’ve assigned the parameters for a put the world of MIDI and audio at your fingertips. particular scenario, simply store it in the user presets. t
Full 128 tone range via the octave shift function with Show the world what you can do with your power. multi-purpose LED status indication HEADPHONES HPM1000 All UMX Series controllers feature our custom-designed t
Separate MIDI Out allows controlling external key-bed, which has been praised by some of the U-CONTROL UMX610/UMX490/UMX250 samplers, synths and other equipment industry’s top product reviewers and players alike for its Common Feature: t
Runs via USB, batteries or a power adapter responsiveness and playability. t
Velocity-sensitive USB/MIDI keyboard featuring (not included) We’ve included over 100 virtual instruments plus more 61 (UMX610), 49 (UMX490) or 25 (UMX250) high- t
High-quality components and exceptionally rugged than 50 effects plug-ins to get you rockin’ right out quality full-size keys and unbeatable programming construction ensure long life of the box! Jam with a virtual e-piano or take off with versatility, real-time control and playability

UMX610 UMX490 UMX250 t
Ultra-wide frequency response Keyboard 61 Full-size keys 49 Full-size keys 25 Full-size keys t
High dynamic range USB/MIDI interface ✓✓✓ t
High-resolution capsules t
Unique, total-recall, cascadable desktop MIDI t
32 user presets each with 4 encoder groups t
⁄" connector plus ¼" adapter included controller with analog feel and intuitive user interface t
Confi gurable MIDI and USB modes for ultra-fl exible USB/Audio interface (external) Included Included Included t
24 high-resolution encoders with LED rings for system integration t
Single-sided cord Rotary controls 888 t
Oval-shaped ear cups ultimate control over virtual mixers, synths, samplers t
1 MIDI In plus 2 MIDI Outs, usable as an additional t
Comfortable headband and eff ects processors USB to MIDI interface Assignable switches 10 10 10 t
4 virtual groups with 8 dual-mode, high-resolution t
Multi-function, 4-digit LED display with real-time Modulation wheel ✓✓✓ encoders that feature LED rings and an additional parameter indication plus write-in fi elds for your ✓✓✓ push function own labeling Pitch wheel t
16 + 4 illuminated buttons freely assignable to all t
MIDI Input with merge function for cascading several Volume fader ✓✓✓ types of MIDI functions from note on/off , control control units Pedal port ✓✓✓ change and program change to MMC and system t
Easy connection to any computer/expander, etc. using exclusive data standard MIDI In/Out connectors Software bundle ✓✓✓ t
All panel elements freely assignable—manually or via t
Generic USB MIDI support with Windows XP and NI KorePlayer ✓✓✓ user-friendly learn mode Mac OS X operating systems t
Two additional multi-function foot switch connectors t
Additional drivers and editor/librarian software Dimensions (H x W x D) 8.4 x 3.8 x 38.9" / 215 x 97 x 990 mm 8.4 x 3.8 x 32.4" / 215 x 97 x 825 mm 8.4 x 3.8 x 19.4" / 215 x 97 x 495 mm can be used to address all types of MIDI data available for free download at behringer.com Weight 10.3 lbs / 4.6 kg 8.6 lbs / 3.9 kg 4.9 lbs / 2.2 kg Other features USB, battery or external power options USB, battery or external power options USB, battery or external power options

74 75 Keyboard Controllers MIDI Accessories Audio Interfaces

U-CONTROL UMA25S MIDI FOOT CONTROLLER FCB1010 F-CONTROL AUDIO FCA202 U-CONTROL UCA202 GUITAR LINK UCG102

t
Ultra-fl exible FireWire audio interface connects your instruments, mixer, etc. with your computer for t
Professional and ultra-fl exible MIDI foot controller recording and playback Ultra-fl exible USB audio interface connects your t
10 banks of presets, each with 10 fully user-editable t
High-resolution 24-bit/96 kHz converters for high-end t
presets customized for BEHRINGER guitar amplifi ers audio quality instruments, mixer, etc. with your computer for recording and playback t
2 expression pedals with freely assignable MIDI t
Ultra-low latency drivers for Windows XP and Channel, Controller number and range Mac OS X included t
High-resolution 48 kHz converters for high-end audio quality t
Simultaneous transmission of 5 MIDI Program Change t
Stereo Headphone output with dedicated Level control When it comes to control, the UMA25S MIDI controller t
Audacity audio editor, comprehensive podcasting commands and 2 MIDI Controllers per preset t
Dual high-bandwidth FireWire connectors for t
Works with your PC or Mac computer—no setup or drivers required. Free audio recording and editing bundle provides it in truckloads and pulls double-duty software and over 100 virtual instruments plus more t
MIDI Note commands for trigger and absolute fl exibility as a superior USB audio interface. This portable USB than 50 eff ect plug-ins included tap- tempo applications t
Powered via FireWire bus or included power adapter software downloadable at behringer.com Stereo Headphone output with dedicated Level control The GUITAR LINK UCG102 guitar-to-USB interface lets you keyboard controller has 25 velocity-sensitive keys for the t
21 assignable controllers storable in User Presets: t
2 programmable and relay-controlled Switch jacks, for use with 4-pin FireWire PCs t
jam and record using modeling amps and effects without slickest glissandos and the snappiest arpeggios. 8 rotary 8 knobs, 8 buttons (with transport-control option), e.g. to select channels on any guitar amp t
Powerful DAW software included (Ableton Live Lite 4 lets you monitor both input and output Additional S/PDIF optical output for direct the need for any other gear but your guitar. knobs, 8 buttons, 2 wheels, 1 slider and 2 pedal jacks are 2 wheels, 1 fader and 2 pedal ports t
No need to take a seat-everything can be easily BEHRINGER Edition, Kristal, Audacity) t
all there to give you more control, and the 3-digit display t
Advanced control features such as drawbar mode programmed while standing t
Power and FireWire status LEDs on front panel digital conversion The compact interface links your electric guitar to a PC Powered via USB—no external power supply needed always lets you know where you are. And we couldn’t (control inversion), drum triggering, incremental value t
Global setup allows for individual customization t
Standard port for Kensington security lock provided t
or Mac computer via a typical USB cable, allowing you very well call it a bundle if we didn’t cram as much extra step and octave +/- t
Backup function via MIDI SysEx to rock with such sophisticated software as the stuff into the package as we could, including a headset t
Soft gig bag, high-quality headset and guitar strap for t
MIDI merge function allows for soft through and included Guitar Combos from Native Instruments and with a comprehensive podcasting package, and much direct live jamming on stage included merging of controller and input data Audacity audio editor. It also features a headphone more. We pack it all in a soft-sided gig bag and even t
Plug and play with Mac OS X, Windows XP, Vista and t
Built-in power supply ensures trouble-free operation output for convenient monitoring. include a strap so you can jump out front and steal the Windows 7 operating systems; additional low-latency t
Open architecture for future software upgrades U-CONTROL UCA222 U-PHONO UFO202 t
Plug in your favorite guitar and turn your PC or Mac spotlight from the guitar player. driver included downloadable at behringer.com Separate MIDI output allows controlling external computer into a guitar amp and recording system t
Stage performer and producer t
samplers, synths and other equipment without the need for any other hardware keyboard featuring 25 velocity- t
Enjoy immediate access to Guitar Combos from Native sensitive, full-size plus half-action keys t
Runs via USB bus, batteries or power adapter (not included) Instruments—the leading authentic guitar amp and t
Built-in USB audio interface to connect your stomp box modeling software—now including VST, instruments and mixer to your computer for recording AU and RTAS plugin versions and playback t
Create Music Now! Incredibly powerful Audacity editing software with full portability on all PC, Mac or Linux computers USB Audio Interface with Digital Output and Massive High-quality USB Audio Interface with Built-in Phono t
Directly works with your PC or Mac computer— Software Bundle Preamp and Massive Software Package for Digitalizing ultra- low latency ASIO driver for PC audio DJ Controllers Your Tapes and Vinyl Records optimization included t
Ultra-fl exible USB audio interface t
Stereo Headphone output lets you jam with your computer and can also be used for monitoring with connects your instruments, mixer, t
High-quality USB audio interface active monitor speakers etc. with your computer for recording connects your turntable, cassette t
Guitar Combos with variable-speed fi le playback B-CONTROL DEEJAY BCD3000 and playback player, etc. with your computer for function for MP3, WAV, AIFF audio fi les—perfect t
Massive software bundle recording and playback for easy learning and practicing—tuner and With the included Traktor software package, the includes Audacity audio t
Transfer and restore your metronome function B-CONTROL DeeJay BCD3000 can play, mix and scratch editor, comprehensive valuable vinyl records and t
Powered via USB—no additional power MP3, AAC, WMA, OGG, WAV and AIFF files. It now runs on podcasting software tapes to your computer via supply required Windows XP, Windows Vista, Windows 7 and Mac OS X and over 150 virtual a simple USB connection operating systems via USB connection. instruments and eff ect t
Massive software bundle plug-ins Plug and jam with the included Native Instruments includes Audacity vinyl t
Works with your PC or Mac computer—no setup or TRAKTOR LE DJ software. What’s more: connect restoration, noise- drivers required two turntables and other DJ gear to the 4-channel reduction, editing and t
High-resolution 48 kHz converters for high-end audio interface with high-resolution converters and recording software, audio quality have total performance control due to the 3-band comprehensive podcasting t
Stereo Headphone output with dedicated Level control kill EQ, loop buttons, pitch and level faders plus our software and over lets you monitor both input and output ultra- smooth crossfader. 150 virtual instruments and t
Additional S/PDIF optical output for direct eff ect plug-ins t
Get ultimate control over your virtual DJ machine and digital conversion t
Phono input switchable to line input source play, mix and scratch MP3, AAC, WMA, OGG, WAV and t
Powered via USB—no external power supply needed t
Stereo output allows easy connection and playback of AIFF fi les with vinyl feeling computer audio fi les over your home sound system t
Includes Native Instruments TRAKTOR LE DJ software t
High-resolution 48 kHz converters for high-end with iTunes import, Beatport music store integration t
Total performance control through 3-band Kill EQ, loop audio quality plus additional podcasting and recording software buttons, pitch and level faders per channel plus an t
Stereo Headphone output with dedicated Level control t
Powerful 4-channel USB audio interface with 24-bit ultra-smooth crossfader lets you monitor your input source converters and ultra-low latency operation under t
Use the 2 internal phono preamps to mix your vinyl t
Works with your PC or Mac computer—no setup or Windows and Mac OS X operating systems records with MP3 fi les or run the BCD3000 as a digital drivers required t
Your complete DJ setup in a single box: dual player, DJ mixer with full eff ects control mixer, eff ects, 2 phono preamps plus a full-fl edged t
Internal microphone preamp with dedicated Level and monitor section EQ controls for MC performances or DJ’s talkover t
2 versatile jog wheels to control typical DJ functions t
Dedicated control elements for play, cue, loop, pitch like scratching, pitch bending and cue searching bend, search, eff ects and many more

76 77 Recording Packages & Software Digital Pianos

PODCASTUDIO FireWire EUROGRAND EG2280USB & EG8280USB EUROGRAND EG2180-BK

t
The ultimate piano for homes, t
14 high-quality voices (Grand Piano, Acoustic Piano, music schools, houses of worship, E-Piano, Strings, Harpsichord, Organ, etc.) with max. t
Everything you need for professional podcasting, t
Professional large-diaphragm studio etc. No traditional tuning or 64-note polyphony music production and digital home recording condenser microphone maintenance needed t
Layer mode for playing 2 sounds together t
Get a full recording studio “out of the box” including t
High-performance studio headphones with ultra-wide t
Elegant wood grain cabinet with black fi nish, sliding t
High-quality reverb, modulation and brilliance eff ects FireWire interface, mixer, microphone, headphones, frequency response key cover and full modesty panel to add even more depth and richness professional music software and more t
Table microphone stand, microphone windscreen and t
BEHRINGER-designed professional 88-note weighted t
Real-time 2-track song recorder with one song capacity t
High-resolution 24-bit/96 kHz, 2 In/2 Out FireWire cable, four ¼" jack cables and two FireWire cables hammer-action keyboard accurately recreates the feel and metronome audio interface for Windows XP and Mac OS X t
Powerful DAW software (Ableton Live Lite 4 of an acoustic grand piano t
3 pedals (Damper, Sostenuto and Soft) for more operating systems BEHRINGER Edition, Kristal Audio Engine, Audacity) t
High-grade 80-Watt speakers and cabinetry deliver a dynamic playing t
Professional 8-input 2-bus mixer with premium mic t
Illustrated quick-start guide “How to Podcast” truly dynamic sound, rich with presence and power t
Comprehensive MIDI In/Out/Thru and stereo line in/ preamps and 3-band EQs t
New stereo sampling RSM (Real Sound Modeling) tone out connectors generation for the ultimate in instrument realism Dual headphone jacks for silent music rehearsal and EUROGRAND Digital Pianos with USB t
student/tutor listening These master-class pianos merge the sound and feel of traditional acoustic instruments PODCASTUDIO USB with 21st century technology in an attractive, compact and highly affordable package. The keyboard features 88 true hammer-action, Software includes eMedia’s easy-to-use Starter Piano and Keyboard Lessons, EUROGRAND EG8180-BK Audacity’s audio editor, and a wealth of podcasting software so you can share your weighted keys and a state- of-the-art RSM (Real Sound music online. Modeling) tone generator with 14 unique, high-quality voices. EUROGRAND’s 80-Watt loudspeaker system fills the room with natural, spacious stereo sound rivaling that of its acoustic ancestor. t
New 88-note weighted hammer-action keyboard Performances can be recorded directly to computer via accurately recreates the feel of an acoustic grand piano the built-in USB interface. You can also use this interface t
14 new authentic voices (Grand Piano, Acoustic to record MIDI data directly to your computer, where you Piano, E-Piano, Harpsichord, Strings, Organ, etc.) can edit your performance all the way down to single with max. 64-note polyphony note events, or even change the tempo of your piano t
Advanced stereo RSM (Real Sound Modeling) tone recording session. generation for the ultimate in instrument realism t
High-quality 80-Watt speakers and cabinetry deliver a EG2280USB/EG8280USB 88-Key Digital Pianos truly dynamic sound, rich with presence and power Common Features: t
Layer mode for playing 2 sounds together t
The ultimate piano for homes, music schools, t
High-quality reverb, modulation and brilliance eff ects houses of worship, etc. No traditional tuning or to add even more depth and richness maintenance needed t
Real-time 2-track song recorder with metronome t
Internal USB audio/MIDI interface for CD-quality t
3 pedals (Damper, Sostenuto and Soft) for more recording to PC and Mac computers dynamic playing t
The easiest way to learn playing piano with included t
Dual headphone jacks for silent music rehearsal Go “on-the-air” straight out of the box with this t
Studio-class 5-input 2-bus mixer with premium mic eMedia Starter Piano and Keyboard Lessons software and student/tutor listening The ultimate digital grand piano 14 high-quality voices (Grand Piano, Acoustic Piano, fantastic PODCASTUDIO recording package. It comes preamp and 2-band “British” EQ for PC and Mac computers t
Comprehensive MIDI In/Out/Thru sockets, t
t
for homes, music schools, houses of E-Piano, Strings, Harpsichord, Organ, etc.) with max. with a studio-grade USB audio interface as well as t
Dynamic broadcast-style microphone with 2-stage t
Includes a big bunch of software instruments, eff ects, XLR microphone input with gain control worship, etc. No traditional tuning or 64-note polyphony comprehensive DAW and podcasting software. pop fi lter Audacity audio editor and podcasting software and stereo Line In/Out connectors maintenance needed t
Layer mode for playing 2 sounds together t
High-performance studio headphones with ultra-wide t
EG2280USB: Elegant wood grain cabinet with black The package also features a professional 5-input mixer Beautifully hand-polished (3' 3½"/1 m) wood cabinet High-quality reverb, modulation and brilliance eff ects frequency response fi nish, sliding key cover and full modesty panel t
t
with 2-band “British” EQ, high-quality headphones and a with black lacquer fi nish to add even more depth and richness t
Table microphone stand, XLR microphone cable and t
EG8280USB: Beautifully hand-polished (3' 3½"/1 m) dynamic broadcast-style microphone plus cable. BEHRINGER-designed professional 88-note weighted Real-time 2-track song recorder with one song capacity 2 stereo RCA cables wood cabinet with black lacquer fi nish t
t
hammer-action keyboard accurately recreates the feel and metronome t
Everything you need for professional podcasting, t
Powerful DAW software included (Kristal Audio Engine music production and digital home recording multi-track sequencer and Audacity audio editor) of an acoustic grand piano t
3 pedals (Damper, Sostenuto and Soft) for more High-grade 80-Watt speakers and cabinetry deliver a dynamic playing t
Get a full recording studio “out of the box” including t
Comprehensive podcasting software (Podifi er, Juice, t
USB audio interface, mixer, microphone, headphones, PodNova, Golden Ear) for PCs and Mac computers truly dynamic sound, rich with presence and power t
Comprehensive MIDI In/Out/Thru and stereo line in/ New stereo sampling RSM (Real Sound Modeling) tone out connectors professional audio software and more t
Illustrated quick-start guide “How to Podcast” t
t
High-resolution 2 In/2 Out USB audio interface with generation for the ultimate in instrument realism t
Dual headphone jacks for silent music rehearsal and plug- and-play for Windows XP, Windows Vista, student/tutor listening Windows 7 and Mac OS X operating systems

78 79 Musical Instrument Accessories DMX Controllers Power Packs

BENCH 4-BK EUROLIGHT LC2412 EUROLIGHT LD6230

t
High-quality padded piano bench t
Black furniture style design t
Integrated music compartment for song books, etc. t
Padding for extended sitting comfort t
High-class design, suitable for any t
6-channel, DMX/analog-controlled dimmer pack with t
Switch option for simple on/off control of each channel living room up to 10 A load per channel t
Automatic digital input check to detect DMX t
3-phase mains supply (one phase possible at lower signal errors output power) t
Manual mode for dimming capability without an t
DMX512 standard interface for digital control external lighting console t
Additional 8-pin DIN connector for analog control t
Automatic store function saves all settings after (0 – 10 V) leaving Confi guration mode t
Adjustable Preheat and Limiter function to prolong t
3-digit display and dedicated control LEDs for better t
24 preset channels, assignable to 512 DMX channels t
Intuitive solo and channel fl ash functions bulb life indication in dark environment Up to 3 DMX channels can be controlled per Extremely eff ective preview function allows BENCH 5-BK t
t
t
Precise curve function enables selection of diff erent t
Harting and CEE connection options preset channel “hidden” memory and chaser checks even during fade modes (connectors not included) t
120 scenes storable in 10 banks live performances t
Integrated chaser with up to 650 steps featuring t
Dimmer control via DMX or analog output (0/+10 V) sync-to-bass beat t
MIDI interface for cascading of 2 LC2412s (master/ t
Elegant black piano bench t
Frequency-dependent sound-to-light function slave setup) t
Beautifully hand-polished black t
Crossfade time freely selectable for super-smooth t
PCMCIA card slot for storing of up to 25 complete Lighting Accessories lacquer fi nish scene fades settings (PCMCIA card not supplied) t
Integrated music compartment for song t
2 additional, multi-functional channels for special t
Illuminated display/controls and BNC Lamp socket for books, etc. eff ects (fog machine, color changer, etc.) easy operation in dark stage environments t
Padding for extended sitting comfort t
Ultra-fl exible fading functions for manual and t
Rack-mounting kit for installation in standard POWERLIGHT PL2000 t
High-class design, suitable for any automatic operation 19" racks included living room

t
Powerful rotary light tube for directing light exactly t
Dedicated On/Off switches for power outlets and light where you need it t
Resettable rear-panel circuit breaker protects all FOOT CONTROLLER FCV100 Luminaires t
8 standard IEC connector outlets let you power up your connected equipment up to an 8-Ampere load t
Volume control of 1 stereo or 2 individual entire rack of gear musical instruments t
Dedicated modulation function for direct connection to ULTRAPAR UP1200* & BEHRINGER 575H keyboard’s modulation control input t
VCA control for utmost reliability and smooth audio performance t
Adjustable minimal volume t
Standard 9 V battery or 12 V DC adapter operation (not included) t
Battery low indicator t
Ultra-compact, road-suitable housing

t
Extremely high luminous effi ciency with low power consumption t
Ideally suited for BEHRINGER 575H lamp or compatible models with G9.5 socket (lamp not included, available as accessory) t
Ultra-rugged die-cast aluminum casing t
4 glass lenses included: narrow spot, spot and 2 medium fl oods t
Highly refl ective and polished refl ector insert t
Color frame accepts standard color foils t
Compact dimensions for easy transport and handling t
Flexible mounting bracket allows precise positioning

* Not available in the UK and Australia

80 81 Product Index

2-CHANNEL DI-BOX DI20 48 EUROPOWER PMP6000, PMP4000 & SINGLE DIAPHRAGM CONDENSER MICROPHONE ULTRA-DI PRO DI4000 48 AUTOCOM PRO-XL MDX1600 55 PMP1680S 30 B-1 71 ULTRA-DI PRO DI800 48 Bass Stompboxes -- Chorus 63 EUROPOWER PMP960M 32 SINGLE DIAPHRAGM CONDENSER MICROPHONE ULTRA-DRIVE PRO DCX2496 47 Bass Stompboxes -- Dynamics 63 EUROPOWER PMP980S 31 B-5 72 ULTRA-G GI100 48 Bass Stompboxes -- EQ/Tonality 63 EURORACK PRO RX1202FX 28 SINGLE DIAPHRAGM CONDENSER MICROPHONES ULTRAGAIN PRO MIC2200 52 Bass Stompboxes -- Flanger 64 EURORACK PRO RX1602 28 C-4 73 ULTRAGAIN PRO-8 DIGITAL ADA8000 52 Bass Stompboxes -- Octaver 63 F-CONTROL AUDIO FCA202 77 SONIC EXCITER SX3040 50 ULTRAGLIDE CROSSFADER MODULE CFM-1 34 BEHRINGER Artists Bass Stompboxes -- Overdrive 63 FEEDBACK DESTROYER FBQ1000 20 SONIC ULTRAMIZER SU9920 50 ULTRAGLIDE CROSSFADER MODULE CFM-2 34 Bass Stompboxes -- Synth 64 FEEDBACK DESTROYER PRO FBQ2496 51 STUDIO CONDENSER MICROPHONE C-1 73 ULTRAGRAPH DIGITAL DEQ1024 49 BASS V-AMP LX1B 56 FOOT CONTROLLER FCV100 80 STUDIO CONDENSER MICROPHONE C-1U 73 ULTRAGRAPH FBQ-PRO FBQ1502 50 BASS V-AMP PRO LX1B PRO 56 GUITAR AMPLIFIER GTX30 66 STUDIO CONDENSER MICROPHONE C-3 73 ULTRAGRAPH FBQ-PRO FBQ3102 50 B-CONTROL DEEJAY BCD3000 76 GUITAR AMPLIFIER GTX60 66 STUDIO CONDENSER MICROPHONES C-2 73 ULTRAGRAPH FBQ-PRO FBQ6200 50 B-CONTROL FADER BCF2000 74 GUITAR LINK UCG102 77 SUPER-X PRO CX2310 46 ULTRALINK PRO MX882 28 B-CONTROL ROTARY BCR2000 74 Guitar Stompboxes -- Acoustic 62 SUPER-X PRO CX3400 46 ULTRAMATCH PRO SRC2496 53 BEHRITONE C50A & C5A 19 Guitar Stompboxes -- Distortion/Overdrive 57 THUNDERBIRD BX108 70 ULTRAPAR UP1200 80 BENCH 4-BK 80 Guitar Stompboxes -- EQ/Tonality 62 TRUTH B1030A 42 ULTRAPATCH PRO PX3000 51 BENCH 5-BK 80 Guitar Stompboxes -- Modulation 60 TRUTH B1031A 43 ULTRATONE K3000FX & K1800FX 71 BUSINESS ENVIRONMENT SPEAKER CE500A-BK & Guitar Stompboxes -- Other 62 TRUTH B2030A & B2031A 42 ULTRATONE K900FX & K450FX 71 CE500A-WH 42 Guitar Stompboxes -- Pitch 62 TRUTH B2030P & B2031P 42 ULTRATONE KT108 71 CABLE TESTER CT100 51 Guitar Stompboxes -- Reverb/Delay 59 TRUTH B3030A & B3031A 42 ULTRAVOICE XM1800S 72 CHROMATIC TUNER TU300 65 Guitar Stompboxes -- Wah 57 TUBE CONDENSER MICROPHONE T-1 72 ULTRAVOICE XM8500 72 (BOOJO
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Vocals/Guitar COMPOSER PRO-XL MDX2600 55 GUITAR/AMP SELECTOR AB100 64 TUBE CONDENSER MICROPHONE T-47 72 ULTRAZONE ZMX8210 29 Composer/Producer Guitarist Live and in the DJ scene, Sawka is pushing the Finishing in the top two on season six of DIGITAL MONITOR SPEAKERS MS20 & MS40 43 HEADPHONES HPM1000 74 TUBE ULTRAGAIN MIC100 52 U-PHONO UFO202 77 Gannin has worked with Joe Walsh, Cheap Trick, Currently residing in Los Angeles, Michael is a envelope with his one-man, balls-to-the-wall American Idol, Blake Lewis released his album DIGITAL PRO MIXER DDM4000 34 HEADPHONES HPS3000 74 TUBE ULTRAGAIN MIC200 53 V-AMP V-AMP3 56 Taylor Hawkins and The Coattail Riders, The consummate professional in the music industry. dancefl oor show, which now includes a laptop, A.D.D. (Audio Day Dream) on Dec. 4, 2007. His fi rst DUAL A/B SWITCH AB200 64 HEADPHONES HPS5000 74 U-CONTROL UCA202 77 VIRTUALIZER 3D FX2000 47 Jimmy Chamberlin Complex, Dave Grohl, Brian Michael’s credits include Babyface, American Idol, samplers, loops, and a rack full of gear to produce single “Break Anotha” climbed to the #10 spot on DUAL DIAPHRAGM CONDENSER MICROPHONE HEADPHONES HPX2000 73 U-CONTROL UCA222 77 VIRTUBE VT100FX 67 May and Roger Taylor (Queen), Kirk Hammett Stevie Wonder, Patti LaBelle, Joss Stone, Randy a full-on production - plus projections and the U.S. Billboard charts. B-2 PRO 71 HEADPHONES HPX4000 73 U-CONTROL UMA25S 76 VIRTUBE VT100FXH 67 (Metallica), Vernon Reid, Jeff Berlin, Brian Jackson, Carrie Underwood, The Pussy Cat Dolls, live- action cameras. EURODESK MX400 24 INFINIUM X1 34 U-CONTROL UMX250, UMX490, UMX610 75 VIRTUBE VT15CD & VT15FX 66 Bromberg, George Duke, Jeff Lorber Natalie Cole, Travis Tritt, Vanessa Williams, Billy EURODESK SX2442FX 28 iNUKE NU1000, NU3000, NU6000, NU1000DSP, ULTRABASS BB410 70 VIRTUBE VT250FX 67 and Lee Ritenour. Ray Cyrus, The Temptations, India.Arie, Take 6 EURODESK SX3242FX 27 NU3000DSP & NU6000DSP 10 ULTRABASS BT108 70 VIRTUBE VT30FX 66 and Candy Dulfer. EURODESK SX3282 27 MEASUREMENT CONDENSER MICROPHONE ULTRABASS BVT4500H 69 VIRTUBE VT50FX 67 EURODESK SX4882 26 ECM8000 72 ULTRABASS BVT5500H 68 V-TONE GM108 66 EUROGRAND EG2180-BK 79 MICROAMP HA400 54 ULTRABASS BX1800 70 V-TONE GMX212 66 EUROGRAND EG2280USB 78 MICROHD HD400 48 ULTRABASS BX4500H 69 X V-AMP LX1/X 56 EUROGRAND EG8180-BK 79 MICROMON MA400 55 ULTRABASS BXL3000, BXL1800, BXL900 & X32 6 EUROGRAND EG8280USB 78 MICROPHONO PP400 53 BXL450 68 XENYX 1002B 24 EUROLIGHT 575H 80 MICROPOWER PS400 52 ULTRABASS BXL3000A, BXL1800A, BXL900A & XENYX 1202 & 1002 24 EUROLIGHT LC2412 80 MIDI FOOT CONTROLLER FCB1010 76 BXL450A 69 XENYX 1202FX & 1002FX 24 EUROLIGHT LD6230 81 MINIAMP AMP800 54 ULTRABASS BXR1800H 69 XENYX 302USB 9 "OESF
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Percussionist EUROLIVE B1500D-PRO & B1800D-PRO 38 MINIFBQ FBQ800 50 ULTRACOUSTIC ACX1800 65 XENYX 802 & 502 24 Andre has worked with Jeff rey Osbourne, George Some of his career’s highlights have been working Allen has worked with Gino Vannelli, Patti Austin, Ronnie has worked with Conan’s Band EUROLIVE B205D 41 MINIFEX FEX800 47 ULTRACOUSTIC ACX450 65 XENYX UFX1604 8 Johnson, Jeff Golub, Kirk Whalum, Chris Botti, with Lee Ritenour, Chaka Kahn, Sheryl Crow, Mary J. Blige, Maya, Natalie Cole, Roberta Flack, (The Tonight Show), Al Jarreau, Andrea Bocelli, EUROLIVE B208D, B208D-WH, B210D, B210D-WH, MINIMIC MIC800 52 ULTRACOUSTIC ACX900 65 XENYX X2442USB, X2222USB, X1832USB, David Sanborn, George Duke, Tom Scott, Marilyn The Rippingtons, Manhattan Transfer, Herbie Bebe and Cece Winans, Randy Crawford, Vince Jeff rey Osborne, David Sanborn, Marcus Miller, B212D, B212D-WH, B215D, B215D-WH, B312D & MINIMIX MIX800 47 ULTRACOUSTIC AT108 65 X1622USB, X1222USB, X1204USB & Scott, Worthy Davis, The Deep Fried Funk Society, Hancock, David Sanborn, Marcus Miller, Candy Gill, Amy Grant, The Crusaders, Bobby Caldwell Brenda Russell, David Pack, George Duke, Poncho B315D 41 MINIMON MON800 55 ULTRA-CURVE PRO DEQ2496 49 1204USB 22 Wayman Tisdale, Jennifer Batten, Marcus Miller, Dulfer, Donny Osmond, Arturo Sandoval, James and James Ingram. Sanchez and Claire Fisher. EUROLIVE B212XL, B212XL-WH, B215XL & MONITOR SPEAKERS 1C-BK & 1C-WH 42 ULTRA-DI DI100 48 XENYX XL1600 26 The Emotions and The Busboys. Ingram, Gregg Allman, Joe Sample, Wayman B215XL- WH 35 MONITOR SPEAKERS MS16 43 ULTRA-DI DI400P 48 XENYX XL2400 25 Tisdale, Kirk Whalum, David Byrne, Eric Benet EUROLIVE B2520 PRO 35 MULTICOM PRO-XL MDX4600 55 ULTRA-DI DI600P 48 XENYX XL3200 25 and Jody Watley. EUROLIVE B912NEO, B812NEO & B815NEO 39 MULTIGATE PRO XR4400 53 EUROLIVE F1220A 40 PEDAL BOARD PB1000 64 EUROLIVE F1320D 18 PEDAL BOARD PB600 64 EUROLIVE PROFESSIONAL B1220 PRO, B1520 PRO & PODCASTUDIO PODCASTUDIO FireWire 78 B1800X PRO 35 PODCASTUDIO PODCASTUDIO USB 78 EUROLIVE VP1220, VP1220F, VP1520, VP2520 & POWER SUPPLY PSU-SB 64 VP1800S 36 POWER THE WORLD PSU-HSB-ALL 65 EUROLIVE VP1220D & VP1520D 40 POWERLIGHT PL2000 81 EUROLIVE VS1220, VS1220F, VS1520 37 POWERPLAY 16 P16-D, P16-I, P16-M & EUROLIVE WB208, WB208-WH, WB210, P16- MB 12 5JN
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Bassist/Composer WB210- WH, WB212, WB212-WH, WB215 & POWERPLAY PRO-8 HA8000 54 © 2011 Red Chip Company Ltd. Technical specifi cations and appearance subject to change without notice. The information contained herein is correct at the time of printing. All trademarks are the property of Tim is a busy session bassist and producer from Arranger, Recording Artist, Producer Mike Gilmore, Luke Jaeger, Mark Villano and Amongst the musicians he toured/recorded WB215-WH 43 POWERPLAY PRO-XL HA4700 54 their respective owners. MIDAS, KLARK TEKNIK, BEHRINGER and BUGERA are part of the MUSIC Group Los Angeles who has played and recorded with John’s credit list reads like a who’s who list in the Matt Finn of technical avant metal band, with: Randy Brecker, Bill Evans, Jeff Golub, EUROPORT EPA150 46 PRO MIXER DJX750 34 (music- group. com). Windows and Windows Vista are registered trademarks of Microsoft Corporation many artists ranging from Tori Amos to Vince Neil music world including Miles Davis, Steely Dan, Hunab Ku. The Seattle-based group is using Dave Samuels, Mark Whitfi eld, Minu Cinelu, EUROPORT EPA300 46 PRO MIXER DJX900USB 16 in the United States and/or other countries. Mac, Mac OS, FireWire, iTunes and Logic are trademarks to Lee Ritenour, and recently as a member of the Carly Simon, Barbara Streisand, Baaba Maal, technology and experimentalism to achieve David Gilmour, Buddy Williams, Al Di Meola, EUROPORT EPA40 45 PRO MIXER DX2000USB 33 of Apple Computer, Inc., registered in the U.S. and other countries. ASIO is a trademark and software Crimson Jazz Trio. Tim has been using BEHRINGER Queen Latifah, Christian McBride, Chaka Khan their unique sound. Super technical, ambient, Planet X, Joel Rosenblatt, Allan Holdsworth, EUROPORT EPA900 46 PRO MIXER DX626 34 of Steinberg Media Technologies GmbH. VST is a trademark of Steinberg Media Technologies GmbH. equipment for many years now. His favorite pieces and James Brown. He spent 10 years writing for schizophrenic... Insane.. These words all describe Simon Phillips, Jerry Goodman and EUROPOWER EP4000 & EP2000 44 PRO MIXER NOX1010, NOX606, NOX404, NOX303 & TRAKTOR is a registered trademark of Native Instruments GmbH. The AES50 trademark is property of the are his Truth B2031A studio reference monitors, TV shows such as Cheers, Star Trek and Fame. the music of Hunab Ku. Derek Sherinian. Rufus joined the faculty of the EUROPOWER EPQ304, EPQ450, EPQ900, EPQ1200 & NOX202 14 Audio Engineering Society, NY. MUSIC Group accepts no liability for any damages or loss which may be suff ered and his two BCF-2000 controllers. His credits John has performed or created sounds for major world-renowned Drummers/Bass Collective. EPQ2000 44 PRO MIXER VMX1000USB, VMX300USB, by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifi cation may vary from product. include Gil Evans, Al Di Meola, Billy Cobham, motion pictures including Wall-E, Finding Nemo EUROPOWER EPX4000 & EPX2800 45 VMX200USB & VMX100USB 33 Vital Information, Lee Ritenour, Al Stewart, Tracy and Austin Powers. His most recent work spans a EUROPOWER PMP1000 31 RACKTUNER BTR2000 65 Chapman, Tom Scott, Vince Neil, Tom Coster variety of reality shows including American Idol, Products are sold through our authorized dealers only. Distributors and dealers are not agents of EUROPOWER PMP2000 31 REFERENCE AMPLIFIER A500 44 MUSIC Group and have no authority to bind MUSIC Group by any express or implied undertaking or and Lou Rawls. Pussycat Dolls Present and America’s Got Talent. EUROPOWER PMP518M 32 SHARK FBQ100 21 representation. 985-90000-00286 V1 When not touring, you can fi nd him in his studio writing, practicing and chanting.

82 83 BEHRINGER Support For service, support or additional information, please refer to behringer.com or contact the BEHRINGER company nearest you.

Europe USA/Canada Singapore BEHRINGER International GmbH MUSIC Group Services USA, Inc. MUSIC Group Services SG (Pte.) Ltd. Otto-Brenner-Strasse 4a 18912 North Creek Parkway Suite 200 1 Kim Seng Promenade #08-08 47877 Willich, Germany Bothell, WA 98011 Great World City West Tower Tel: +49 2154 9206 4149 Tel: +1 425 672 0816 Singapore 237994 Fax: +49 2154 9206 4199 Fax: +1 425 673 7647 Tel: +65 6845 1800 Fax: +65 6214 0275 Australia Japan MUSIC Group Services AU Pty Ltd BEHRINGER Japan K.K. Suite 3, 60-64 Railway Road Matsushita Building, 8F Blackburn, Victoria, 3130 Kanda-Ogawa Machi 3-3-2 Tel: +61 3 9877 7170 Chiyoda-ku, Tokyo 101-0052 Fax: +61 3 9877 7870 Tel: +81 3 5281 1180 Fax: +81 3 5281 1181