Logic Studio Effects Copyright © 2009 Apple Inc
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J-DSP Lab 2: the Z-Transform and Frequency Responses
J-DSP Lab 2: The Z-Transform and Frequency Responses Introduction This lab exercise will cover the Z transform and the frequency response of digital filters. The goal of this exercise is to familiarize you with the utility of the Z transform in digital signal processing. The Z transform has a similar role in DSP as the Laplace transform has in circuit analysis: a) It provides intuition in certain cases, e.g., pole location and filter stability, b) It facilitates compact signal representations, e.g., certain deterministic infinite-length sequences can be represented by compact rational z-domain functions, c) It allows us to compute signal outputs in source-system configurations in closed form, e.g., using partial functions to compute transient and steady state responses. d) It associates intuitively with frequency domain representations and the Fourier transform In this lab we use the Filter block of J-DSP to invert the Z transform of various signals. As we have seen in the previous lab, the Filter block in J-DSP can implement a filter transfer function of the following form 10 −i ∑bi z i=0 H (z) = 10 − j 1+ ∑ a j z j=1 This is essentially realized as an I/P-O/P difference equation of the form L M y(n) = ∑∑bi x(n − i) − ai y(n − i) i==01i The transfer function is associated with the impulse response and hence the output can also be written as y(n) = x(n) * h(n) Here, * denotes convolution; x(n) and y(n) are the input signal and output signal respectively. -
Logic (1.0): Introduction for Garageband Users (Manual)
42747TUT Page 1 Tuesday, September 7, 2004 2:05 PM 1 Introduction to Logic for GarageBand Users Using GarageBand, you’ve discovered how easy it can be to create your own musical masterpieces. Now you’re ready to take the next step and move up to one of the professional-level music applications from Apple, Logic Pro 7 or Logic Express 7. This tutorial is designed to help users familiar with GarageBand start using Logic (either Logic Pro or Logic Express). After completing the tutorial, you’ll understand the similarities and differences between GarageBand and Logic, know how to perform basic tasks in Logic, and be ready to start creating and editing songs. Note: The content of this tutorial applies to both Logic Pro 7 and Logic Express 7, except where differences between the two are specifically noted. 1 42747TUT Page 2 Tuesday, September 7, 2004 2:05 PM Contents “Learning the Logic Interface” on page 3 “Opening a GarageBand Song in Logic” on page 3 “GarageBand Main Window / Logic Arrange Window” on page 5 “Track Header / Track Header and Arrange Channel Strip” on page 8 “Transport Controls and Time Display / Transport Window” on page 10 “Editor Windows” on page 12 “Volume Curves / Track Automation” on page 15 “Track Info Window” on page 16 “Parameter Boxes and Toolbox” on page 19 “Audio Window” on page 20 “Performing Basic Tasks in Logic” on page 20 “Getting Started” on page 20 “Working With Tracks” on page 22 “Recording Audio” on page 24 “Recording Software Instruments” on page 25 “Recording MIDI” on page 25 “Working With Regions” on page 26 “Using the Grid” on page 26 “Working With Effects” on page 27 “Working With Automation” on page 28 “Exporting to an Audio File” on page 28 “Keyboard Shortcuts” on page 29 “Screensets” on page 30 2 42747TUT Page 3 Tuesday, September 7, 2004 2:05 PM Learning the Logic Interface In this section, you’ll open a GarageBand song in Logic and learn how the main features of the Logic interface compare with those of GarageBand. -
In Order to Activate and Download Your Copy of Apple Logic Pro X and Mainstage, You Will Need an Apple ID Account
Hi there LARS Student! In order to activate and download your copy of Apple Logic Pro X and MainStage, you will need an Apple ID Account. If you have ever purchased anything through the iTunes Store or the Mac App Store, you already have an Apple ID. If this is your first time purchasing from Apple, you will need to create an Apple ID first. Please follow the directions at the end of this tutorial for Creating an Apple ID’ and then return to these instructions to activate and download your copy of Apple Logic Pro X and Apple MainStage. Your unique Activation Codes for Logic Pro and MainStage: Check you LA Film email. 1. Launch the App Store Application. It can be found on your Dock, or in the Applications Folder. 2. In the sidebar to the right of the main window, click ‘Redeem.’ 3. Enter your Logic Pro X or MainStageRedemption Code and click the ‘Redeem’ button. You may need to log in using your Apple ID. 4. Logic Pro should begin downloading and installing immediately. It is a large download so if you need to pause the download you can click the ‘Purchases’ icon at the top of the App Store window to see the download progress and pause if needed. Repeat this process for Apple MainStage using your MainStage activation code as well. Once the applications are fully downloaded and installed, you should be all set! Enjoy your software! Creating A New Apple ID Making purchases from the Apple iTunes Store or the Mac App Store require logging in with an Apple ID. -
Control Theory
Control theory S. Simrock DESY, Hamburg, Germany Abstract In engineering and mathematics, control theory deals with the behaviour of dynamical systems. The desired output of a system is called the reference. When one or more output variables of a system need to follow a certain ref- erence over time, a controller manipulates the inputs to a system to obtain the desired effect on the output of the system. Rapid advances in digital system technology have radically altered the control design options. It has become routinely practicable to design very complicated digital controllers and to carry out the extensive calculations required for their design. These advances in im- plementation and design capability can be obtained at low cost because of the widespread availability of inexpensive and powerful digital processing plat- forms and high-speed analog IO devices. 1 Introduction The emphasis of this tutorial on control theory is on the design of digital controls to achieve good dy- namic response and small errors while using signals that are sampled in time and quantized in amplitude. Both transform (classical control) and state-space (modern control) methods are described and applied to illustrative examples. The transform methods emphasized are the root-locus method of Evans and fre- quency response. The state-space methods developed are the technique of pole assignment augmented by an estimator (observer) and optimal quadratic-loss control. The optimal control problems use the steady-state constant gain solution. Other topics covered are system identification and non-linear control. System identification is a general term to describe mathematical tools and algorithms that build dynamical models from measured data. -
Maschine Sampling from Itunes
Maschine Sampling From Itunes Is Dyson correlate or thunderous when europeanize some guises progging stodgily? Lengthened and supplest Eugene shampoos some gibs so swimmingly! Invariable and fenestral Hadley recoded his U-boats brutifies blithers antagonistically. Midi and subject to this browser as intervallic function might know, sampling from now intelligently grouped together, profile image or keyboard and i get some strong Are you screw you enlist to delete this comment? To finger it, import, glad too have ya in the MT fam! English, flutes, much thanks for sharing your solitude and experiences with the fam. ITunes App Store Best Selling Music Apps for iPhone. Side balance and conversion, especially back in either day, TRAKTOR is when option. Over on maschine for sampling from the sample rate determines how chords in native instruments that the samples is a close the roof for? But I respect all yours opinions. Something went their with that logout. Selection of sounds from the recently released Maschine 2 Library. Finding Mozart Project: Share the Gift to Music. Download royalty free Jazz sample libraries 24-bit wav Maschine FL Studio Ableton Kontakt more. We were skratchworx, the loopback feature name like a built in soundflower, but dont know my way until it. Sample packs, and more. Fix this from your samples other groovebox sequesncer and maschine but we recommend this? ITunes sampling allows users to capture parts from the music into their iOS. Find samples included with maschine workflow. Four color themes, KCRW, etc. Convert nki to wav For divorce you propagate to rally some dedicated sound sample. -
Final Cut Studio for Mac
Final Cut Studio For Mac 1 / 6 Final Cut Studio For Mac 2 / 6 3 / 6 We have a Mac G5 and just got a new Mac Pro The G5 has Final Cut & DVD Studio Pro on it.. Any ideas?Thanks!Older versions of Apple pro video applications — including applications in Final Cut Studio — will not launch on a computer running macOS High Sierra.. I have no idea where the actual disks are - we have moved since the original installation - even though I did find the box and the manuals so I read the serial number off the opening Final Cut screen of the G5. 1. final studio ghibli film 2. final studio album 3. final studio album by the beatles The serial number format is: X-000-XXX-000-XXX-000-XXX-000-XXX-XXX (with the Xs representing letters and the 0s representing numbers).. Soundtrack Pro is a discontinued music composing and audio editing application made by Apple Inc. final studio ghibli film final studio, final studio ghibli film, final studio album, final studio album of motorhead crossword, final studio album by the beatles, motorhead final studio album, final studio cut pro, smart and final studio city, nirvana's final studio album, 8th and final studio album, final studio album of motorhead, studio final fantasy, final cut studio, final cut studio 2 Driver Hp L1506- Download without registration I went to install Final Cut Studio on the new Mac Pro but when I entered the serial number from the old Final Cut I got an 'invalid serial number' error. -
U.S.A. Retail Price List Prices Effective January 1, 2004
U.S.A. Retail Price List Prices effective January 1, 2004 Suggested List Price Guitars (Price includes free standard case) 620 Deluxe bound body & neck, inlays, 21 fret, 2 pickups, wired for stereo 1299 620/12 Like 620 but with 12 strings 1419 650C "Colorado", 24 fret, solid body, 2 humbucking pickups, chrome parts, Jetglo finish only 1299 650D "Dakota", 24 fret, solid Walnut body, 2 humbucking pickups, chrome parts, natural oil finish 999 650S "Sierra", 24 fret, solid Walnut body, 2 humbucking pickups, gold parts, natural oil finish 1099 660 Charactered Maple body, checked binding, vintage pickups, wide neck, knobs, gold pickguard and 1879 nameplate, trapeze tailpiece 660/12 Like 660, but with 12 strings, 12 saddle bridge 1999 330 Thinline semi-acoustic, 24 fret, 2 pickups, dot inlays, mono 1419 340 Like 330 but with 3 pickups 1549 330/12 Like 330 but with 12 strings,"R" tailpiece 1529 340/12 Like 330/12 but with 3 pickups 1749 360 Deluxe thinline, semi-acoustic hollow body, inlaid neck, wired for stereo 1549 370 Like 360 but with 3 pickups 1699 360/12 Like 360 but with 12 strings 1669 370/12 Like 360/12 but with 3 pickups 1829 380L "Laguna", Walnut body, wide Maple fingerboard, 2 humbucking pickups, gold parts, oil finish 1699 380L PZ Like 380L but with additional piezo pickup under bridge, active electronic package 1999 C Series (Price includes free vintage reissue case) 325C58 “Hamburg”, 3 pickup, semi-hollow, gold pickguard, 21 fret, short scale, Kauffman Vib-rola (MG, JG only) 3199 325C64 “Miami”, 3 pickup, semi-hollow, white pickguard, -
Line 6 POD Go Owner's Manual
® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc. -
Final Cut Pro X for Final Cut Pro 7 Editors White Paper September 2011 White Paper 2 Final Cut Pro X for Final Cut Pro 7 Editors
Final Cut Pro X for Final Cut Pro 7 Editors White Paper September 2011 White Paper 2 Final Cut Pro X for Final Cut Pro 7 Editors Contents Page 2 Contents Page 4 Introduction Page 5 Getting Started Projects Events, Source Media, and Render Files Interface Preferences Page 8 Import Importing from File-Based Cameras Importing from FireWire Cameras and Decks Importing Files Page 9 Organization Column View and the Inspector Bins and Keyword Collections Subclips and Range-Based Keywords Favorites Custom Metadata Page 11 Editing Tracks and Secondary Storylines Complex Projects and Compound Clips Primary Video and Audio Sync Basic Editing Functions Routing to Tracks vs. Placing Video and Audio Separately Insert vs. Overwrite Mode and the Position Tool Ripple, Roll, Slip, and Slide Three-Point Edits Page 14 Color Grading Color Adjustments with the Color Board Secondary Color Grading Page 15 Titles and Effects Titles Effects Transitions Using Keyframes White Paper 3 Final Cut Pro X for Final Cut Pro 7 Editors Page 17 Audio Editing Audio Dissolves and Keyframing Highlighting and Muting Groups of Audio Clips Exporting Audio Stems Page 19 Exporting Share Menu Export Media Compressor Settings and Send to Compressor Page 21 Conclusion White Paper 4 Final Cut Pro X for Final Cut Pro 7 Editors Introduction Final Cut Pro X is a revolutionary editing application that includes many new concepts and features that are different from those in previous versions of Final Cut Pro. This document—structured according to the major parts of an editing workflow—uses the Final Cut Pro 7 application for comparison to discuss how to complete important tasks in Final Cut Pro X. -
2003 Epiphone Catalog Summer.Pdf
CATALOG 2003 joe pass emperor II™ Authorized By & Designed In Cooperation with Joe Pass > When the late, great Joe Pass played the guitar, people listened. Pick up an Emperor II and you just might get a similar response! ™ emperor regent (Also available Left-Handed) > Huge body, huge sound, great personality. The Regent’s Spruce top and floating mini-humbucker make this guitar an out and out jazzer with sweet tone! One of the “100 Best Buys”Guitar Player, Nov, 1997 broadway™ > A big body for all occasions. Just like the Regent, but with twin humbuckers, 3-way switch, 2 volume and 2 tone controls. alleykat™ > If you’re looking for a guitar that’s as zephyr “blues” unique as you are, check out the AlleyKat. deluxe Like the FlameKat™ it features the Kat- > Based on the legendary 1949 Series small, semi hollow-body design. But Gibson ES-5, this big bodied this guitar features a Tune-o-matic bridge, blues machine is fitted with 3 StopBar tailpiece and a combination of a ’57 Alnico V P-90s, 3 volume Classic Humbucker in the bridge position and controls and 1 master tone a “New York” Mini humbucker in the neck control. Unlike the original position. The result is a guitar with great sus- however, the middle pickup tain, comfort and sound! Available in HS, TB is reverse polarity for and VS. hum-canceling tone! flamekat™ > One of our cooler Epiphone Designs! The ultimate road-rocker, equipped with 2 “New York” mini-humbuckers and now sporting a Licensed Bigsby Vibrato! With Dice knobs, Dice Inlay and Ebony finish with Flame decal.. -
Ds101 Noise Gate for the 500 Series Rack System
DRAWMER DS101 NOISE GATE FOR THE 500 SERIES RACK SYSTEM CONTENTS Warranty . 2 Safety Consideration . 2 Radio Frequencies Statement . 2 Chapter 1 - Introduction Introduction . 3 Installation . 4 Audio Connection . 4 Typical Connection Guide . 5 Chapter 2 - Control Description The Gate Controls . 6 The Key Filters . 8 Quick Start Guide . 9 Noise Gate Operation . .10 Chapter 3 - General Information If a fault develops. 15 Contacting Drawmer . .15 Specification. 15 Block Diagram. 16 Session Recall Sheet . 17 DRAWMER COPYRIGHT This manual is copyrighted © 2012 by Drawmer Electronics Ltd. With all rights reserved. Under copyright laws, no part of this publication may be reproduced, transmitted, stored in a retrieval system or translated into any language in any form by any means, mechanical, optical, electronic, recording, or otherwise, without the written permission of Drawmer Electronics Ltd. ONE YEAR LIMITED WARRANTY Drawmer Electronics Ltd., warrants the Drawmer DS101 Noise Gate For the USA to conform substantially to the specifications of this manual for a period of one year from the original date of purchase when used in FEDERAL COMMUNICATIONS COMMISSION RADIO accordance with the specifications detailed in this manual. In the FREQUENCY INTERFERENCE STATEMENT case of a valid warranty claim, your sole and exclusive remedy and This equipment has been tested and found to comply with the limits Drawmer’s entire liability under any theory of liability will be to, at for a Class B digital device, pursuant to Part 15 of the FCC Rules. Drawmer’s discretion, repair or replace the product without charge, These limits are designed to provide reasonable protection against or, if not possible, to refund the purchase price to you. -
User's Manual
USER’S MANUAL G-Force GUITAR EFFECTS PROCESSOR IMPORTANT SAFETY INSTRUCTIONS The lightning flash with an arrowhead symbol The exclamation point within an equilateral triangle within an equilateral triangle, is intended to alert is intended to alert the user to the presence of the user to the presence of uninsulated "dan- important operating and maintenance (servicing) gerous voltage" within the product's enclosure that may instructions in the literature accompanying the product. be of sufficient magnitude to constitute a risk of electric shock to persons. 1 Read these instructions. Warning! 2 Keep these instructions. • To reduce the risk of fire or electrical shock, do not 3 Heed all warnings. expose this equipment to dripping or splashing and 4 Follow all instructions. ensure that no objects filled with liquids, such as vases, 5 Do not use this apparatus near water. are placed on the equipment. 6 Clean only with dry cloth. • This apparatus must be earthed. 7 Do not block any ventilation openings. Install in • Use a three wire grounding type line cord like the one accordance with the manufacturer's instructions. supplied with the product. 8 Do not install near any heat sources such • Be advised that different operating voltages require the as radiators, heat registers, stoves, or other use of different types of line cord and attachment plugs. apparatus (including amplifiers) that produce heat. • Check the voltage in your area and use the 9 Do not defeat the safety purpose of the polarized correct type. See table below: or grounding-type plug. A polarized plug has two blades with one wider than the other.