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Frank Mcguinness's the Match
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title The Match Box by Frank McGuinness: programme note for Galway International Arts Festival Author(s) Lonergan, Patrick Publication Date 2015 Publication Lonergan, Patrick. (2015). The Match Box by Frank Information McGuinness: programme note for Galway International Arts Festival Galway International Arts Festival Programme. Publisher Galway International Arts Festival Link to publisher's http://www.giaf.ie/ version Item record http://hdl.handle.net/10379/6740 Downloaded 2021-09-25T22:02:29Z Some rights reserved. For more information, please see the item record link above. Frank McGuinness’s The Match Box “Grief softens the mind,” says Shakespeare’s great character Queen Margaret – it makes people “fearful and degenerate”. There’s only one valid response to such feelings, she claims: “Think on revenge and cease to weep.” In making those remarks, Margaret places herself in a long line of heroines whose desire for revenge is both glorious and horrifying. Her precursors are figures like Sophocles’ Electra and Euripides’ Hecuba; her ancestors include Hester Swayne in Marina Carr’s brutal By the Bog of Cats. All of those women choose vengeance over grief - and in doing so they go beyond good and evil, committing terrible acts that we can nevertheless understand and perhaps even admire. The plays that dramatize their stories are thus both mythic and intimate: they reveal aspects of the human condition that we all recognize (much as we might prefer not to), and they show how one person’s decisions can unravel a family, a society, or an entire world. -
Issue 6 April 2017 a Literary Pamphlet €4
issue 6 april 2017 a literary pamphlet €4 —1— Denaturation Jean Bleakney from selected poems (templar poetry, 2016) INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster camouflaging the house-number. Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date shade card known by heart. It’s all part of the same deferral that leaves hanging baskets vulnerable; although, according to a botanist, for most plants, short-term wilt is really a protective mechanism. But surely every biological system has its limits? There’s no going back for egg white once it’s hit the fat. Yet, some people seem determined to stretch, to redefine those limits. Why are they so inclined? —2— INTO FLIGHTSPOETRY Taken on its own, the fickle doorbell has no particular score to settle by Thomas McCarthy (a reluctant clapper? an ill-at-ease dome?) were it not part of a whole syndrome: the stubborn gate; flaking paint; cotoneaster Tara Bergin This is Yarrow camouflaging the house-number. carcanet press, 2013 Which is not to say the occupant doesn’t have (to hand) lubricant, secateurs, paint-scraper, an up-to-date Jane Clarke The River shade card known by heart. bloodaxe books, 2015 It’s all part of the same deferral that leaves hanging baskets vulnerable; Adam Crothers Several Deer although, according to a botanist, carcanet press, 2016 for most plants, short-term wilt is really a protective mechanism. -
Table of Contents (Pdf)
Contents Poetry Ireland Review 123 Eavan Boland 5 editorial Nan Cohen 7 a liking for clocks Eamon McGuinness 8 a gift Afric McGlinchey 9 in an instant of refraction and shadow Mara Bergman 10 the night we were dylan thomas Joseph Horgan 11 art history of emigration Maria Johnston 12 review: michael longley, john montague Harry Clifton 17 thérèse and the jug Simon West 18 on a trip to van diemen’s land Maresa Sheehan 20 our last day Niamh Boyce 21 hans ardently collects patients’ art work Alan Titley 22 maolra seoighe Proinsias Ó Drisceoil 23 review: biddy jenkinson, aifric mac aodha John D Kelly 27 the red glove Eva Bourke 28 small railway stations Catherine Phil MacCarthy 29 legacies of empire Richard W Halperin 30 the beach, malahide Matt Kirkham 31 kurt responds to adele’s call to remove a spider from the bathtub Susan Lindsay 32 when they’ve grown another me Jaki McCarrick 34 review: pete mullineaux, noel duffy, patrick moran Stav Poleg 39 listen, you have to read in a foreign language Noel Monahan 40 two women at a window Stephen Spratt 41 subjectivity AB Jackson 42 the mermayd Cathi Weldon 43 in the key of alzheimer’s John F Deane 44 old bones June Wentland 46 ‘their whiteness bears no relation to laundry ...’ Louis Mulcahy 47 potadóireacht na caolóige Harry Clifton 48 review: michael o’loughlin Matt Bryden 52 the lookout Orla Martin 53 the poets Catullus 54 ‘if you’re lucky you’ll dine well’ John Sewell 55 being alive Tess Adams 56 i hate my stinking therapist Patrick Holloway 57 barrage Eleanor Rees 58 st. -
The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England . -
Guide to the Jack Coughlin Collection, 1973-1986
Bridgewater State University Maxwell Library Archives & Special Collections Jack Coughlin Collection, 1973-1986 (MSS-034) Finding Aid Compiled by Orson Kingsley, June 2018 Last Updated: June 13, 2018 Maxwell Library Bridgewater State University 10 Shaw Road / Bridgewater, MA 02325 / (508) 531-1389 Finding Aid: Jack Coughlin Collection (MSS-034) 2 Volume: 1.25 linear feet (2 document boxes, 3 framed items) Acquisition: All items in this manuscript group were donated to Bridgewater State University by Maureen Connelly in 2012 and 2018, with one etching donated by the Paula Vadeboncoeur estate in 2016. Access: Access to this record group is unrestricted. Copyright: The researcher assumes full responsibility for conforming with the laws of copyright. Whenever possible, the Maxwell Library will provide information about copyright owners and other restrictions, but the legal determination ultimately rests with the researcher. Requests for permission to publish material from this collection should be discussed with the University Archivist. Jack Coughlin Collection Biographical Sketch Jack Coughlin is an artist of Irish-American heritage who is well known for his portraits of literary figures and musicians. His prints, drawings and watercolors have been exhibited widely across the United States and Europe. They are in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York, the National Collection of Fine Arts in Washington D.C., the Norfolk Museum of Arts and Sciences in Virginia, the Worcester Art Museum in Massachusetts, the University of Colorado, the Philadelphia Free Public Library, Staedelsches Kunstinstitut, Frankfort, Germany, the New University of Ulster, Coleraine, Northern Ireland and in several other important museum, university and library collections worldwide. -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Transnational Ireland on Stage: America to Middle East in Three Texts
Transnational Ireland on Stage: America to Middle East in Three Texts Wei H. Kao Introduction: Between the Local and the Global on the Irish Stage Historically, the comprehensive Anglicisation of Ireland from the early nineteenth century, and the geopolitical location of Ireland in Europe, have laid the foundations for more Irish participation on the world stage. The rapid globalisation process, however, has not fully removed the frustration buried deep in the Irish psyche about the country still being in partition, but it has encouraged many contemporary playwrights to express concerns regarding other areas that are just as troubled as the state of their country, despite the fact that the Northern Ireland issue is not yet fully resolved. It is noteworthy that globalisation, as the continuation of nineteenth- and twentieth-century imperialism in a new form, not only carries forward the exercise of colonial incursion but facilitates the oppressively homogenising effects on the less advantaged Other. This is partly due to the rise of critical theory to ‘productively complicate the nationalist paradigm’ by embarking on transnationalism since the 1970s.1 One consequence of this was to prompt reevaluations of existing cultural productions, thus initiating cross-cultural and interethnic dialogues that had usually been absent in colonial and Eurocentric establishments, and prompting the public to envisage the Other across both real and imagined borders. Even more significantly, the meaning of a text starts to shift if it is studied in an international context, and this applies particularly to a text in which the characters venture into unexplored territories and impel ‘meaning [to] transform as it travels’.2 The transformation of meanings is further accelerated by intercultural encounters that are motivated by globalisation that interconnects individuals and societies around the world. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
Nationalist Adaptations of the Cuchulain Myth Martha J
University of South Carolina Scholar Commons Theses and Dissertations Spring 2019 The aW rped One: Nationalist Adaptations of the Cuchulain Myth Martha J. Lee Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Lee, M. J.(2019). The Warped One: Nationalist Adaptations of the Cuchulain Myth. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5278 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Warped One: Nationalist Adaptations of the Cuchulain Myth By Martha J. Lee Bachelor of Business Administration University of Georgia, 1995 Master of Arts Georgia Southern University, 2003 ________________________________________________________ Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in English College of Arts and Sciences University of South Carolina 2019 Accepted by: Ed Madden, Major Professor Scott Gwara, Committee Member Thomas Rice, Committee Member Yvonne Ivory, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Martha J. Lee, 2019 All Rights Reserved ii DEDICATION This dissertation and degree belong as much or more to my family as to me. They sacrificed so much while I traveled and studied; they supported me, loved and believed in me, fed me, and made sure I had the time and energy to complete the work. My cousins Monk and Carolyn Phifer gave me a home as well as love and support, so that I could complete my course work in Columbia. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Masterarbeit / Master's Thesis
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis „Das Moor als dialogischer Moment in der Dichtung von Ted Hughes und Seamus Heaney“ verfasst von / submitted by Gabriella Olivia Violette Attems, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 870 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Vergleichende Literaturwissenschaft degree programme as it appears on the student record sheet: Betreut von / Supervisor: Univ.-Prof. Dr. Norbert Bachleitner MOORS Are a stage for the performance of heaven Any audience is incidental. Ted Hughes Remains of Elmet It is December in Wicklow: Alders dripping, birches Inheriting the last light, The ash tree cold to look at. Seamus Heaney North Meinen Eltern Dr. Manfred Attems und Chantal Andries, meinem Bruder Dr. Maximilian Attems und meinem Sohn Cian Attems Clendennen gewidmet. Besonderer Dank gebührt Univ.-Prof. Dr. Norbert Bachleitner für die Betreuung dieser Arbeit sowie für die Förderung meiner spezifischen Interessen während des Studiums. Für Ansätze, die mitunter zu dieser Arbeit führten, danke ich Univ.-Prof. Dr. Werner Huber und Univ.- Prof. Dr. Christine Ivanovic. Für Hilfestellungen zu meinem Forschungsgebiet danke ich Doz. Dr. Walter Wagner. Inhalt Liste der verwendeten Siglen.....................................................................................................................1 -
THE WOOING of CHOICE: Prosimetric Reconstruction of the Female Journey in Irish Mythology
THE WOOING OF CHOICE: Prosimetric Reconstruction of the Female Journey in Irish mythology by Roxanne Bodsworth 2020 This thesis is submitted in fulfilment of the requirements for the degree of Doctor of Philosophy, Institute of Sustainable Industries and Liveable Cities, Victoria University. i Abstract: In “The Wooing of Choice: prosimetric reconstruction of the female journey in Irish mythology”, I examine the representation of female characters in Irish mythological tales where the woman chooses her lover in contravention of social expectations. In the traditional versions, the woman recedes into the background as the narrative develops around the male hero. I ask what happens to the discourse of the narrative when it is subverted so that the focus is placed upon the female experience. This is explored through a creative component, called ‘Meet Me in My World’, a prosimetric reconstruction of three Irish tales in which the woman chooses her lover and compels him to follow her. The three tales are: Aislinge Óengusso (The Dream of Óengus); Tóruigheacht Dhiarmada agus Ghráinne (The Pursuit of Diarmaid and Gráinne); and Longes mac nUislenn (The Exile of the Sons of Uisliu). The exegetical component, comprising 50% of the thesis, is composed of two sections. In the first, I examine theories of feminist writing and remythologizing, and develop a new model for feminist reconstruction, which I apply to the creative product. In the second section, I explore the relationship between narrative and poetry, from medieval prosimetric translations to contemporary hybrid texts, and consider which form provides the best framework for my female-centred narrative and the verse.