DOCSLIB.ORG

Baltimore Blue Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

^.^^A- HilJ^ls PIANO FORTES Uneflnalleii in Tone, Toncli, WortmanstiiD M DnraMlity. SECOND-HAND PIANOS, A large stock at all prices constantly on hand, comprising some of our own make, but slightly used. Sole Agents for the Celebrated SMITH AMERICAN ORGANS. WILLIAM KNABE & CO. Baltimore, 22 and 24 East Baltimore Street. New York, 148 Fifth Ave. Washington, 817 Market Space. G. H. MUMM & CO. Q^fra ©ry. x + O Great Vintage of 1884. Pronounced by connoisseurs the Champagne par excellence and the finest in years. P. A. MUMM, Frankfort-on-Main, Rhine Moselle Wines, Part owner of the Johannisberg. J. CALVERT & CO., Bordeaux. Clarets ^ Burgundies, ' Holders of large and carefully selectedelected stock of Red and White Bordeaux and Burgundyidy Wines in Bulk and Cases. FRED'K de BARY & CO., New York, Sole Agents in the United States and Canada. 1 16 Commerce STREET, BALTIMORE, MB. Have constantly in stock Champagnss, of all the papular brands. ClarBts, SautBTnes, Hocks and EurgundiBs. ShBTTiBS, Ports and Madeiras. English Mies, Brnwn Stout, and GingEr RIb, Minsral UlatBrs, Salad Oils, Etc. Etc. Moet ^ ©ftan4on ©^ampagnexi) g^TTIue DIAMONDS. WATCHES, Silver and Plated Ware Fine China. ARTISTIC JEWELRY, Set with Diamonds and other Precious Gems. : WEDDING PRESENTS A SPECIALTY. WELSH <Sc BRO. 5 East Baltimore Street, near Charles, Baltimore, Md. Branch of A. Meyer's Sons, New York. ROBERT MEYER, Manufacturing Optician, 215 N. Charles St. Baltimore, Md. Spectacles and Eye Glasses to suit all peculiarities of sight. The filling of Oculist's Prescriptions a specialty. U/amsley |^(^du/(^ll, ^ Importers and Dealers in COSTUMES, WRMPS, CLOi^KS VELVETS, SILKS, FINE DRESS GOODS, TRIMMINGS, LACES, RIBBONS, GLOVES, UNDERWEAR, CORSETS, ETC. No. 325 NORTH CHARLES STREET, BALTIMORE, MD. HRTON, S^oSe/'ef-Mar^teaug, 823 A^orih Hofpard Street, BALTIMORE, MD. FRENCH. IMPORTERS. %. (i« -BmmmmmwM % o@« Importers and Retailers of SILKS, DRESS GOODS, LACES, SHAWLS, LINENS AND DOMESTICS, No, 16 NORTH CHARLES STREET, BALTIMORE, MD. - %%.%o^maii&^.^ ^ ^- -^-^^ ' i:^ »— "l/^hmmmhk AND DEALERS IN 67> is: re. £• T'C. )V W. COR. CHARLES & READ STS., BAL TIMORE, Ch Ci a^/ec S^ ^URiroN's jy sgv y^ -^=^6?^ li^a/i^i-'HaC'U, — K& CHARLES AND MOUNT ROYAL AVENUE, BALTIMORE. : ELOCUTIO NIST.^ Private and Class Lessons in DEEP BREATHING, VOICE CULTURE^^GESTURE, DRAMATIC EXPRESSION, -^XH-X-J- HouRS : 9 to 12.30 A. M. 2 to 4 p. m. ROOMS 311 Korth Charles Streetf Baltimore, First-class References and Testimonials. 1865, Telephone No. 132. THE ELEVATOR COAL. FANCY WOOD )/^AT->.y;-p. r^ r^ i LUMP (.1 A U Y AV I (] J AND Office, No. 2 N. Charles St., Cor. Baltimore St. ALL KINDS OF EMBROIDERY. Wlcir)ir)(2r ^f0s, C>f0:rr)pers)pers • crr)^0:r)(2l • ](§)esiqr)ei®s^](§)esi( 11® W. ISexirj^for) Sfpcef. (NEE HALLIDAY) yo. 329 JfT. Charles Street, 2d I>oor South of Pleasant, ^BALTIMORE, MD.-^^^ Novelties in Choice Cut Flowers, Decorative Plants. FLORAL DESIGNS FURNISHED PROMPTLY. 318 N. CHARLES STREET. Novelties in Klioice Gut Flowers, Decorative Plauts. lAMES PENTLAND, JV^s No. 326 N. CHARLES STREET. BOUQU ETS, X CUTxFLOWERSx AN Dx DESIGNS. Decorations a Specialty. Systematized JVIassage I'reatirient. -^ ^ -=dr- Methodical Muscle Exercise, Swedish Movement, Health Gymnastics, the Whole Range of Masso- Therapeutics Covered. The system of Massage administered by many European practitioners has drawn crowds to them and afforded relief to great numbers of sufferers, while in New York, Chicago, Philadelphia and other cities Massage as a remedial and curative agent has become, during the last few years, to be recognized. Baltimore, therefore, should support an institution which has for its object Massage given in a scientific, thorough and interesting manner. H. W. ROWLAND, Masso-Therapeutist. 216 N, Charles St, M YERS & HE DIAN, No- 2 14- North Charles Street, ^AIMHIINGS, eilGHINGS, Sl^AHlUAI^Y, Bl^I6-A-Bl^A6 AND OTHER ARTICLES OF VALUE. ^^~Vou are invited to visit our grand and spacious Galleries. ""©ft * * Manufacturer and Designer of ETCHINGS, ENQEAVINGS AND WATEE COLOES, FINE PICTURE FRAMES. 206 N. (Sharks Street, BALTIMOilE. (i)cftrieiiLer ^ iJucftA, E/nporiu/n of pipe f\r\:, ^ No. 1 7 E. Baltimore Street, BALTIMORE, MD. B. e. measBAO}. * * In Classes or Separately, 341 ;N. Charles Street, Baltimore, Md. JAMES FUGLE & CO. :k^ Cloaks, Costumes, Riding Habits, Fars, Dress Goods, Trimmings, 224 Sc 226 N. Charles Street. BALTIMOUE, MD. ^^"Prompt attention to Wedding Outfits and Mourning Orders. •^ * imPORTGRSOHSPGCIALTIGS EVENING, VISITING AND STREET COSTUMES. 212 N. Charles St., Six Doors Above Lexington, J. Needles & Son, ^ -^ ^ Linen, Lace, White Eoois and Embroiiery Store, _:^'E>RY Goods Retailers. >^ BALTIMORE, MD. ^ ^ GOLD AND SILVER FRINGES, LACES, TASSELS. ^^SISCO BROS.:k^ 2i8 N. Charles Street - - Baltimore, Md. -«<IM. FRMNKLIN,t>«- MILLINERY^AND<>FANCY^EDDDS, No. 20 Lexington Street, BALTIMORE:, MD. # M. 9. MerrifF, fODISfPE, No. 341 N. CHARLES ST., BALTItvIORB;, MD. ME. LOUISE GRANGER, JY^ "^""^^"wo-nt or HUMAN HAIR GOODS, ^WIGS, BEAID3, CUELS, ETC.-J* No. S42 JV, Howard Street, near JLehnian's Hall, Baltimore, Md. J^^ Ladies' and children's hair cut and dressed in the most becoming and latest styles. fealiody Symphony Orchestra. Fifth Regiinent Bani . ^^ADAIVl itzel,:j^^ CONDUCTOR AND MANAGER. Parlor * Drchestra * for * Sncial * EntBrtainniBnts, No. 605 North Calvert Street. Baltimore, Md. Academy of Music, Holliday-Street Theatre, Lyceum Theatre Orchestras. : ©QiefeY WisitiiHg Liisti 1 889 AND 1890 BALTIMORE, MD. Miss REMINGTON PRICE, $2.00 BALTIMORE THOS. E. LYCETT & CO. 311 N. Charles Street, F ^ PREFACE. It is hoped that an indulgent pubHc will pardon all errors and omissions, and by calling attention to them through Mr. Lycett, Publisher, corrections will be made in next edition. Society Visiting List. A Abell, Mr. & Mrs. Edwin F Woodburn Av. Abell, Mr. & Mrs. Geo. W 1225 Madison Av. Abell, Mr. & Mrs. Walter R Baltimore & South Sts. Abell Abell Acklen, Mr. William 107 Chase St. East. Acosta, Mrs. Mary C 516 Cathedral St. Acosta, Miss " " " Adair, Mr. Harry H 23 Mt. Vernon PI. East. Adams, Dr. Herbert B 1025 Cathedral St. Adams, Miss Elizabeth Chase & Calvert Sts. Adkins, Mr. William H 417 Charles St. North. Adler, Prof. C 203 Franklin St. West. Adreon, Mr. & Mrs. Harrison 223 North Av. East. Agnus, Mr. & Mrs. Felix 1616 Eutavv PI. Agnus, Miss " " " Albaugh, Mr. & Mrs. John W 2023 Madison Av. Albaugh, Mr. John W., Jr " " « Albert, Mrs. William J 702 Cathedral St. Albert, Mr " «' «< Albert, Mr. Augustus A. J 887 Park Av. SOCIETY VISITING 1 1ST. Albert, Mr. & Mrs. Frank Mt. Vernon Hotel. Albert, Mr. & Mrs. J. Taylor Albert, Mr. & Mrs. Jacob (Mt. Vernon Hotel), res. Govanstown. Albert, Mr, & Mrs. Richard S Mt. Vernon Hotel. Albert, Mr. & Mrs. Talbot J 702 Cathedral St. Albert, Mr " Albert, Mr. & Mrs. James 7 W. Chase St. Albert, Mr. & Mrs. Lowery Mt. Vernon Hotel. Albert, Miss 1 109 Charles St. North. Albert, Miss Fannie 887 Park Av. Albert, Mr. & Mrs. Brooke Lanvale St. Allen, Miss Susan W 24 Biddle St. West. Allmand, Mr. John O'G 7 Franklin St. West. Allnutt, Mrs. Margaret 141 2 Bolton St. Allnutt, Misses " " " Allnutt Alricks, Mrs. Francis W 10 Chase St. East. Alricks, Miss 209 Madison St. West. Ambler, Mr. & Mrs. James M 211 Madison St. West. Ames, Mr. & Mrs. Minor T Anderson, Mrs. C. M 612 Hoffman St. West. Anderson, Mr *' " " Anderson, Miss " " " Anderson, Mr. James M 723 Calvert St. North. Anderson, Mr. & Mrs. Herbert " " " Anderson, Mrs. Jane Altamont Hotel. Anderson, Mrs. C. M 612 Howard St. North. Anderson, Mrs. S. C 1214 Eutaw PI. SOCIETY VISITING LIST. y Anderson, Miss Meta 1214 Eutaw PI. Andrews, Gen'l & Mrs. R. Snowden 107 North Av, West. Andrews, Miss Louisa " " •.' Andrews, Mr. Charles Lee " " " Andrews, Misses Mt. Vernon Hotel. Andrews, Mr. Olivera 621 St. Paul St. Andrews, Miss S. Page 871 Park Av. Andrews, Miss Hannah B 823 Eutaw St. North. Andrews, Mr. & Mrs Appold, Mr. & Mrs. Geo. J 1026 Charles St. North. Appold, Misses " " " Appold, Mr. & Mrs. Geo. N 1607 Linden Av. Appold, Mr. & Mrs. Lemuel 904 Calvert St. North. Appold, Mr. Samuel " " " Archer, Mrs 1830 St. Paul St. Archer, Misses " " «' Archer, Mr. George 716 Charles St. North. Archer, Mr. Henry W 6 Centre St. East. Archer, Misses Belair, Harford Co. Archibald, Mrs 21 12 Oak St. Armistead, Mr. George 519 Charles St. North. Armistead, Mr. & Mrs. Gordon Mt. Vernon Hotel. Armistead, Mr. & Mrs. John 1 11 Preston St. West. Armistead, Mr. & Mrs. Ryan 1219 Calvert St. North. Armistead, Miss (absent) 1227 Park Av. Armour, Mrs. Deborah 615 St. Paul St. Armstrong, Mr. & Mrs. Chas. M 1 107 St. Paul St. Armstrong, Mr. & Mrs. H. G 21 15 Oak St. 8 SOCIETY VISITING LIST Armstrong, Miss 21 15 Oak St. Armstrong, Mrs. J. N 926 Calvert St. North. Armstrxjng, Mrs. Agnes L 1214 Eutaw PI. Atkinson, Dr. & Mrs. Archibald 2101 Maryland A v. Atkinson, Dr. & Mrs. I. E 605 Cathedral St. Atkinson, Mr. & Mrs. Joseph T. .(Europe), Mt. Vernon Hotel. Atkinson, Miss " " «< Atkinson, Mr. & Mrs. Mathew S 1023 Calvert St. North. Atkinson, Dr. & Mrs. Robert 1021 Cathedral St. Atkinson, Mrs. James 817 Park Av. Atkinson, Mrs. A 2101 Maryland Av. Atkinson, Miss Maggie 13 Franklin St. East. Atkinson, Miss Louisa D 1214 Eutaw PI. Atkinson, Mr. & Mrs. Geo. G 621 St. Paul St. Atkinson, Miss *' " •' Atkinson, Miss Loulie '• Tivertonia," Druid Hill Park. Austen, Mrs 406 Cathedral St. Austen, Miss M. L « *« '• 3 SOCIETY VISITING LIST. 1 Bartlett, Mr. & Mrs. David L 16 Mt. Vernon PI. West. Bartlett, Mr. & Mrs. E. L 161 5 Eutaw PI. Bartlett, Mr. & Mrs. Geo. W. B 16 Read St. West. Bartlett, Miss 1615 Eutaw PI. Barton, Mr. & Mrs. Randolph Pikesville. Barton, Dr. Boiling " Basshor, Mrs. Thos. C 1 329 Linden Av. " Basshor, Miss May " " Basshor, Mr. Hazel " " " Baugher, Mrs. (Europe) Baugher, Misses *' Baughman, Mrs.
Recommended publications
  • James Edwin Pope

    James Edwin Pope

    James Edwin Pope EXPERIENCE ─────────────────────────────────────────────────── Toyota (Demo) Husband (Lead) Commercial 2019 Amtrak Traveler (Lead) Commercial 2019 The Greatest Sketch Show in America Actor (Various Roles) Theatre 2019 Centra Health Father (Lead) Commercial 2019 Maryland Pride Be Like Director/Writer/Actor Film (Short) 2019 United Airlines Husband (Lead) Commercial 2018 Canon, Inc. Father (Lead) Commercial 2018 Moxy by Marriott Hotels Interior Designer (Lead) Commercial 2018 Maryland Live! Casino Casino Patron (Lead) Print 2018 Black and Decker Homeowner (Lead) Print 2018 Giant Foods Party-Goer (Lead) Commercial 2018 Thompson Creek Windows Homeowner (Lead) Commercial 2018 Dark City: Beneath the Beat Police Officer/Dancer Film 2018 New Year’s Daze Director/Writer/Actor (Lead) Film (Short) 2017 Epic Office XMas Party Director/Choreographer Film (Short) 2017 Microtel by Wyndham Hotels Father (Lead) Print 2017 Time Machine Dancer/Writer Theatre 2017 Tinder On-Demand Director/Writer/Actor Film (Short) 2017 The Motion Challenge Director/Choreographer Film (Short) 2017 Political Dance Battle Director/Writer/Actor Film (Short) 2016 Cards Against Humanity IRL (Web Series) Director/Writer/Actor Film (Short) 2016 Heroes and Villains Dancer Theatre 2016 New Year (Parody) Director/Writer Film (Short) 2016 Steve Harvey Show Guest Television 2016 The Today Show Guest Television 2015 Countertop Solutions Director/Writer/Actor (Lead) Commercial 2015 WORK EXPERIENCE ──────────────────────────────────────────────────── Krewski, LLC Founder
  • Ishdarr Brings a Crowd,Iowa Band Speaks on Locality,Field Report To

    Ishdarr Brings a Crowd,Iowa Band Speaks on Locality,Field Report To

    IshDARR brings a crowd Photo by Jun Taek Lee A packed crowd gathered in Gardner on Friday, Nov. 6, to hear from three young hip-hop artists—Young Eddy, Kweku Collins and IshDARR (pictured to the left). IshDARR is based out of Milwaukee, Wis. The sharp-tongued 19- year-old released a critically acclaimed album, “Old Soul, Young Spirit,” earlier this year. He largely pulled material from that album during the performance. The youthful, ecstatic energy of his recorded material transferred seamlessly to the stage. IshDARR was totally engaging for the duration of the set and did not shy away from talking with the audience, eliciting laughter and cheers. It wasn’t a terribly long set, but one that kept the people in attendance rapt from start to finish. Milwaukee is an exciting place to be an MC in 2015. The Midwestern city has recently cultivated a vibrant and dynamic DIY hip hop scene that’s only getting larger. IshDaRR, one of the youngest and most prominent members of the scene, proved on Friday night that he’s got a lot to share with the world. Assuredly, he is only getting started. Friday night was the third time that Young Eddy, aka Greg Margida ’16, has performed on campus and he is sure to have more performances next semester. Kweku Collins hails from Evanston, Ill., and this was his first time performing in Grinnell. Iowa band speaks on locality The S&B’s Concerts Correspondent Halley Freger ‘17 sat down with Pelvis’ guitarist and vocalist, Nao Demand, before his Gardner set on Friday, Oct.
  • Karizma Biog He's One of the Most In-Demand Djs on the Worldwide

    Karizma Biog He's One of the Most In-Demand Djs on the Worldwide

    Karizma biog He’s one of the most in-demand DJs on the worldwide house circuit, his productions are a must-check for any self-respecting house lover, and his remix talents are sought out by some of the biggest names in the music business. Truly Karizma is a man at the very peak of his game. But then he’s been doing this for a while. Born in Baltimore, Maryland in 1970, Chris Clayton became fascinated by music from an early age. “My grandma used to go to flea markets and come back with all these records, and I was just OBSESSED with them!” he recalls, laughing. “This was when I was about five years old. I’d sit listening to all these records for hours on end, and while I was listening I’d be studying the liner notes and the sleeves. By the time I was seven, you could pick up any record in our house and I could tell you who played on it, who produced it and using what equipment!” It was only natural that a desire to get involved with music would follow, and young Chris spent his teens learning to DJ – at that time playing hip-hop and the nascent ‘Baltimore club music’, a sub-genre that’s today similar in style to Detroit ghetto tech/Miami bass but which in its early days drew much inspiration from the go-go music coming out of nearby Philadelphia – and playing in a succession of bands. By the age of 19, he was playing with his first “proper” band, a Baltimore club music outfit called Unruly.
  • A History of Maryland's Electoral College Meetings 1789-2016

    A History of Maryland's Electoral College Meetings 1789-2016

    A History of Maryland’s Electoral College Meetings 1789-2016 A History of Maryland’s Electoral College Meetings 1789-2016 Published by: Maryland State Board of Elections Linda H. Lamone, Administrator Project Coordinator: Jared DeMarinis, Director Division of Candidacy and Campaign Finance Published: October 2016 Table of Contents Preface 5 The Electoral College – Introduction 7 Meeting of February 4, 1789 19 Meeting of December 5, 1792 22 Meeting of December 7, 1796 24 Meeting of December 3, 1800 27 Meeting of December 5, 1804 30 Meeting of December 7, 1808 31 Meeting of December 2, 1812 33 Meeting of December 4, 1816 35 Meeting of December 6, 1820 36 Meeting of December 1, 1824 39 Meeting of December 3, 1828 41 Meeting of December 5, 1832 43 Meeting of December 7, 1836 46 Meeting of December 2, 1840 49 Meeting of December 4, 1844 52 Meeting of December 6, 1848 53 Meeting of December 1, 1852 55 Meeting of December 3, 1856 57 Meeting of December 5, 1860 60 Meeting of December 7, 1864 62 Meeting of December 2, 1868 65 Meeting of December 4, 1872 66 Meeting of December 6, 1876 68 Meeting of December 1, 1880 70 Meeting of December 3, 1884 71 Page | 2 Meeting of January 14, 1889 74 Meeting of January 9, 1893 75 Meeting of January 11, 1897 77 Meeting of January 14, 1901 79 Meeting of January 9, 1905 80 Meeting of January 11, 1909 83 Meeting of January 13, 1913 85 Meeting of January 8, 1917 87 Meeting of January 10, 1921 88 Meeting of January 12, 1925 90 Meeting of January 2, 1929 91 Meeting of January 4, 1933 93 Meeting of December 14, 1936
  • N O P Q R S T U V W X

    N O P Q R S T U V W X

    n o p q r s t u SNEAK PEEK! hey, harry — i thought this v might make for a good sneak peek, what with the RPG coming out in late June of this year. What do you think? We’ll put it on w www.dresdenfilesrpg.com at least! — Will Oh, sure, put it on the website, I’ll DEFINITELY x be able to check it out there. - Chapter Sixteen - - Don’t be pissy, Boss. n-evermore y Shut up, Bob. Baltimore z a nevermore/Baltimore sector. Financial services, education, tourism, Who Am I? and health services are dominating. Johns Hi. I’m Davian Campbell, a grad student b Hopkins is currently the biggest employer (not at the University of Chicago and one of the to mention a huge landowner), where it used translation: Alphas. Billy asked me to write up some- i helped to be Bethlehem Steel. Unemployment is high. thing about Baltimore for this game he’s Lots of folks are unhappy. Davian move writing. I guess he figured since I grew up Climate: They don’t get much snow in last august. there, I’d know it. I tried to tell him that c I haven’t lived there for years, and that Baltimore—two, maybe three times a year we 50 boxes of get a couple of inches. When that happens, books = a between patrolling, trying to finish my thesis, and our weekly game session, I don’t the entire town goes freaking loco. Stay off the favor or two. have time for this stuff.
  • Garage House Music Whats up with That

    Garage House Music Whats up with That

    Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM.
  • Missouri State Archives Finding Aid 5.20

    Missouri State Archives Finding Aid 5.20

    Missouri State Archives Finding Aid 5.20 OFFICE OF SECRETARY OF STATE COMMISSIONS PARDONS, 1836- Abstract: Pardons (1836-2018), restorations of citizenship, and commutations for Missouri convicts. Extent: 66 cubic ft. (165 legal-size Hollinger boxes) Physical Description: Paper Location: MSA Stacks ADMINISTRATIVE INFORMATION Alternative Formats: Microfilm (S95-S123) of the Pardon Papers, 1837-1909, was made before additions, interfiles, and merging of the series. Most of the unmicrofilmed material will be found from 1854-1876 (pardon certificates and presidential pardons from an unprocessed box) and 1892-1909 (formerly restorations of citizenship). Also, stray records found in the Senior Reference Archivist’s office from 1836-1920 in Box 164 and interfiles (bulk 1860) from 2 Hollinger boxes found in the stacks, a portion of which are in Box 164. Access Restrictions: Applications or petitions listing the social security numbers of living people are confidential and must be provided to patrons in an alternative format. At the discretion of the Senior Reference Archivist, some records from the Board of Probation and Parole may be restricted per RSMo 549.500. Publication Restrictions: Copyright is in the public domain. Preferred Citation: [Name], [Date]; Pardons, 1836- ; Commissions; Office of Secretary of State, Record Group 5; Missouri State Archives, Jefferson City. Acquisition Information: Agency transfer. PARDONS Processing Information: Processing done by various staff members and completed by Mary Kay Coker on October 30, 2007. Combined the series Pardon Papers and Restorations of Citizenship because the latter, especially in later years, contained a large proportion of pardons. The two series were split at 1910 but a later addition overlapped from 1892 to 1909 and these records were left in their respective boxes but listed chronologically in the finding aid.
  • The Queer of Color Sound Economy in Electronic Dance Music

    The Queer of Color Sound Economy in Electronic Dance Music

    The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue.
  • Why Locality Still Matters: Baltimore Club | Norient.Com 3 Oct 2021 22:36:32

    Why Locality Still Matters: Baltimore Club | Norient.Com 3 Oct 2021 22:36:32

    Why Locality Still Matters: Baltimore Club | norient.com 3 Oct 2021 22:36:32 Why Locality Still Matters: Baltimore Club by Lisa Blanning While techno and house have become widely commodified by white Europeans, Tedra Wilson’s documentary Dark City Beneath the Beat shows how Baltimore Club kept its highly localized aesthetics, and proves the richness of Black club music in the 21st century. → Check all articles of this special → Download PDF with introduction and table of contents Tedra Wilson, aka TT the Artist, shines a light on Baltimore club music – an underrepresented, highly specific local scene of electronic music, primarily by Black artists – in her documentary Dark City Beneath the Beat. Seen mostly through the idealized lens of music video set pieces – complete with saturated colours, costume design, incredible dance routines, and even narrative flourishes – very little footage was shot inside an actual club. Instead, the key fly-on-the-wall scenes come from the city’s annual Queen and King of Baltimore dance battles, where contestants flex and contort to sometimes gymnastic levels to compete in front of large, enthusiastic audiences. The extent to which this kind of talent competition informs Bmore’s breaks is something familiar, well-documented in Chicago footwork, New York’s ballroom walk-offs, and especially rap MC battles. Although the battle format for both dancers and vocalists came to the U.S. at least partly from Jamaica – https://norient.com/lisa-blanning/why-locality-still-matters-baltimore-club Page 1 of 4 Why Locality Still Matters: Baltimore Club | norient.com 3 Oct 2021 22:36:32 see, for instance, how Jamaican toasting became rapping – and possibly to Jamaica from somewhere in Africa, it still thrives today in America’s Black community strongholds.
  • Decoding Dubstep: a Rhetorical Investigation of Dubstepâ•Žs Development from the Late 1990S to the Early 2010S

    Decoding Dubstep: a Rhetorical Investigation of Dubstepâ•Žs Development from the Late 1990S to the Early 2010S

    Florida State University Libraries Honors Theses The Division of Undergraduate Studies 2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep's Development from the Late 1990s to the Early 2010s Laura Bradley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] 4-25-2013 Decoding Dubstep: A Rhetorical Investigation of Dubstep’s Development from the Late 1990s to the Early 2010s Laura Bradley Florida State University, [email protected] Bradley | 1 THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES DECODING DUBSTEP: A RHETORICAL INVESTIGATION OF DUBSTEP’S DEVELOPMENT FROM THE LATE 1990S TO THE EARLY 2010S By LAURA BRADLEY A Thesis submitted to the Department of English in partial fulfillment of the requirements for graduation with Honors in the Major Degree Awarded: Spring 2013 Bradley | 2 The members of the Defense Committee approve the thesis of Laura Bradley defended on April 16, 2012. ______________________________ Dr. Barry Faulk Thesis Director ______________________________ Dr. Michael Buchler Outside Committee Member ______________________________ Dr. Michael Neal Committee Member Bradley | 3 ACKNOWLEDGEMENTS Many people have shaped and improved this project, through all of its incarnations and revisions. First, I must thank my thesis director, Dr. Barry Faulk, for his constant and extremely constructive guidance through multiple drafts of this project—and also his tolerance of receiving drafts and seeing me in his office less than a week later. Dr. Michael Buchler’s extensive knowledge of music theory, and his willingness to try out a new genre, have led to stimulating and thought provoking discussions, which have shaped this paper in many ways.
  • 2. Location K

    2. Location K

    FHR-8-300 (11-78) United States Department off the Interior Heritage Conservation and Recreation Service National Register of Historic Places Inventory Nomination Form See instructions in How to Complete National Register Forms Type all entries complete applicable sections _________________________________ 1. Name_____________________________ historic Green Mount Cemetery ____________________________________ and/or common __________________________________________________________ 2. Location k. ; ^ ^ ____________________ y North Avenue, Ensor Street, Hoffman Street, and Greenmount street & number Avenue —— not for publication city, town Baltimore vicinity of congressional district Third state Maryland code 24 county Baltimore Citv code 3. Classification C s *~V Category Ownership Status Present Use district public occupied agriculture museum . __ building(s) X private unoccupied commercial park structure both work in progress educational private residence _)Lsite Public Acquisition Accessible entertainment religious object in process X yes: restricted government scientific being considered yes: unrestricted industrial transportation no military X othpr- CEMETERY 4. Owner of Property name The Proprietors of the Green Mount Cemetery, c/o John D. Mayhew, Manager street & number Greenmount Avenue at Oliver Street city, town Baltimore vicinity of state Maryland 21202 5. Location of Legal Description courthouse, registry of deeds, etc. Records Office, Room 601 street & number Baltimore City Courthouse city, town Baltimore state Maryland 21202 6. Representation in Existing Surveys title has this property been determined elegible? yes no date federal state county local depository for survey records city, town state 7. Description Condition Check one Check one X excellent deteriorated unaltered X original site good ruins X altered moved date fair unexposed Describe the present and original (if known) physical appearance The 68-acre Green Mount Cemetery is bounded by North Avenue, Greenmount Avenue, Hoffman Street, and Ensor Street.
  • A Baltimore Love Thing: a Look at Social Dances and Their Connection to Communal Healing Amongst Black People in Baltimore

    A Baltimore Love Thing: a Look at Social Dances and Their Connection to Communal Healing Amongst Black People in Baltimore

    Sarah Lawrence College DigitalCommons@SarahLawrence Dance/Movement Therapy Theses Dance/Movement Therapy Graduate Program 5-2020 A Baltimore Love Thing: A Look at Social Dances and Their Connection to Communal Healing Amongst Black People in Baltimore Naja Cooper Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/dmt_etd Part of the Dance Commons, and the Dance Movement Therapy Commons Recommended Citation Cooper, Naja, "A Baltimore Love Thing: A Look at Social Dances and Their Connection to Communal Healing Amongst Black People in Baltimore" (2020). Dance/Movement Therapy Theses. 68. https://digitalcommons.slc.edu/dmt_etd/68 This Thesis - Open Access is brought to you for free and open access by the Dance/Movement Therapy Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Dance/Movement Therapy Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. 1 A Baltimore Love Thing: A Look at Social Dances and Their Connection to Communal Healing Amongst Black People in Baltimore Naja Cooper May 2020 Submitted in partial fulfillment of the requirements for the degree of Master of Science in Dance/Movement Therapy Sarah Lawrence College 2 Abstract This thesis provides insight on the vast effects of systematic racial injustice towards Black peo- ple living in Baltimore, Maryland. It highlights the negative effects of racism and the impact of collective shared trauma, while also bringing attention to the resilience long-time and current res- idents have shown through the action of movement, dance, and simply being. The essence of the Baltimore originated social dance called Rockin’ Off/Shakin’ Off, developed in 2005, provides the chance to dance out lived individual and shared experiences.