DOCSLIB.ORG

Read Book Glasgow Girls: Women in Art and Design, 1880-1920

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book Glasgow Girls: Women in Art and Design, 1880-1920 GLASGOW GIRLS: WOMEN IN ART AND DESIGN, 1880- 1920 PDF, EPUB, EBOOK Jude Burkhauser | 264 pages | 23 Apr 2001 | Canongate Books Ltd | 9781841951515 | English | Edinburgh, United Kingdom Glasgow Girls: Women in Art and Design, 1880-1920 PDF Book Nora Neilson Grey taught fashion plate drawing. Throughout her life she collected textiles from Italy, Russia, and the Balkans. After the war Gray resumed portrait painting and excelled particularly with young children. The burgeoning prosperity of Glasgow ensured not only that there were local patrons willing to buy art, but that funding was available to support the education of women as well as men at the Glasgow School of Art. At the beginning of the twentieth century she established her own studio in Glasgow and exhibited at the Glasgow Institute, in Paisley, and in Liverpool. As a daughter of the manse she was dependent on bursary assistance, and was encouraged by Fra Newbery , who was still teaching painting classes himself until , when Maurice Grieffenhagen joined the staff. Little Brother —22, exh. Tanner, Bessie MacNicol : new woman privately printed, Who were the Glasgow Girls? Then, having this high standard thus set before us, in doing what we like to do: that for our fathers, this for us ' G. Karen McKellar rated it it was amazing Jan 07, Published April 23rd by Canongate Books first published January 1st Art Institutions and Schools were, as with all public bodies, run for men by men, with women playing little part. Helen's sister Hannah — decorated china and glass, and another sister, Constance , like their brother Edward Arthur Walton , was a painter. Thanks for Joining! The enlarged school provided better facilities for artisans attending early morning and evening classes in manufacturing design. Error rating book. Dave Chilton rated it it was amazing Feb 13, Margaret and Mary Gilmore, sisters. Subscribe to: Post Comments Atom. Illustration 15, Watercolour The five princesses. Alongside these developments in design the Glasgow Girls worked within the context of the movement in painting known initially as the Glasgow school and later by the name given to the group of painters involved, the Glasgow Boys. She did not marry and lived with her sister, Katharine , at 15 Woodside Terrace, Glasgow, until her death there on 24 November Rawson, Fra H. Hanna and Helen Walton, sisters. Books by Jude Burkhauser. All of the Glasgow Girls studied at the school and several went on to become members of staff. Related Articles. Mar 05, Kim rated it it was amazing. Friend Reviews. Glasgow Girls: Women in Art and Design, 1880-1920 Writer Her childhood was spent at Newmilns in Ayrshire, where her father was minister of Loudoun parish. I love painting! The Glasgow Girls. Glossary terms. Incredible starting point, this book, not to mention the intellectualy content of the artists' ideas and efforts. Illustration 15, Watercolour The five princesses. At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, referred to now asThe Glasgow Style. Fra Newbery praised ' her very practical outlook ' and noted of her work ' how stuffs, plain, yet of sound quality and good colour could be beautified by the addition of embroidery and other decoration '. Both the Glasgow Girls and the Glasgow Boys produced artworks that combined Celtic and Japanese influences in a style which became desirable across Europe. Though Scottish Presbyterians, they attended a Congregational church, there being no Presbyterian church nearby. In she enrolled as a student at the Glasgow School of Art, and ten years later she became head of the school's department of embroidery, which she had established earlier. Art Sunday; A style or School of Art. With other British women and children she was evacuated from Shanghai in and went to live in Hong Kong. She evolved. Among Fra Newbery's many innovative ideas was the establishment of craft studios and the appointment of many women teachers of design on his staff. Previously, these things had been considered ladylike but not particularly artistic. At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. Glasgow Boys The Glasgow Boys were a loose group of young artists that represented the beginnings of modernism in Scottish painting. A good example is The Letter Writer c. Allan Ramsay Catalogue. Xan rated it really liked it Jan 14, Her sketchbooks of c. Helland, The studios of Frances and Margaret Macdonald More Details This was well received, and the work of this talented group of designers and painters was recognized, in some cases for the first time. They returned to Robinsfield in but left again in to live in Kirkcudbright, then home to several Scottish painters, and Borgue. Styles and Influences The Glasgow Girls members were various and covered a broad range of styles, from avant-garde design and decorative arts to watercolour and oil painting, drawing and needlework. Jan 28, Lindi rated it really liked it Shelves: craft , non-fiction , indy-girl. Helen Paxton Brown - Oct 26, David Morrison rated it it was amazing. Forgot password? Alison Lamont rated it it was amazing Dec 06, Helen Muir Wood taught enamelling and block cutting. Glasgow Girls: Women in Art and Design, Sign In Article Navigation. I am completely impressed. At the beginning of the twentieth century she established her own studio in Glasgow and exhibited at the Glasgow Institute, in Paisley, and in Liverpool. In this work, the editor redresses this imbalance, bringing together re At the turn of the 20th century, Glasgow was the centre for an avant-garde movement of art and design innovation in Europe, which we now refer to as The Glasgow Style. Newbery, Rating details. Goodreads helps you keep track of books you want to read. Mackintosh and Bessie MacNicol. Want to Read saving…. Nora Neilson Grey taught fashion plate drawing. Jane Roser rated it it was amazing Aug 19, Glasgow Girls act. Glasgow Girls: Women in Art and Design, 1880-1920 Reviews That year she won a silver medal at the Turin Esposizione Internazionale d'Arte Decorativa, and a silk cushion she had worked with the floral attributes of the four countries of Britain was presented to Queen Alexandra in commemoration of the coronation. Illustration 13, Crescent Moon in Brass thought to be by Agnes. You could not be signed in, please check and try again. Oct 26, David Morrison rated it it was amazing. In she married the ceramic artist George Wooliscroft Rhead — and settled in London. The designer and architect George Henry Walton was her brother. While the "Glasgow Boys" group of painters has been widely written about, their female contemporaries have received far less attention. Poster by Agnes Raeburn. They were originally scanned onto my computer a couple of years ago from illustrated art books. In she painted a portrait of Edward Atkinson Hornel , one of the Glasgow Boys , in his studio in Kirkcudbright and was subsequently much influenced by his use of colour and interest in paint textures. Whistler , president of that society. Day classes were also held for middle-class women and paid for initially by their families. Andrea Engle rated it it was amazing Jun 22, In she retired with her husband to Eastgate, Corfe Castle, Dorset, where she died on 27 April Please check this box to agree to our terms and conditions. Advanced search. Newer Post Older Post Home. Little Brother —22, exh. The Glasgow Girls were a group of women artists and designers active in Glasgow at the turn of the twentieth century. As a foreword to Anne Knox Arthur's Embroidery Book she wrote: ' One may embroider poems, another may embroider prayer and praises for her church, another may beautify a woman's garments or sing a little song in stitches for a baby's robe '. It was, however, the encouragement and enlightened approach to teaching that Francis Fra Newbery , the exceptional headmaster of the Glasgow School of Art from to , showed to his women students during that period that provided the foundation of their success. Like her father, Jessie had an independent nature. Preview — Glasgow Girls by Jude Burkhauser. Dorothy and Olive Carlton Smyth, sisters. Tanner, Bessie MacNicol : new woman privately printed, Little brother is stunning. Rating details. De Courcy Lewthwaite Dewar taught enamelling and other applied arts between In she retired to Patterdale, Westmorland, where she ' was quickly recognized by her long flowing cape, her skirt possibly vivid scarlet and emerald green, wearing long necklaces ' Ives , 6. Literaly stumbled upon this and will be back for more. Friend Reviews. She taught fashion-plate design at the school and also taught art to the girls of St Columba's School, Kilmalcolm, before establishing her position as a portrait painter with her first solo exhibition in at Warneuke's Gallery, Glasgow. Related Articles. Books by Jude Burkhauser. Other editions. Susan Crawford taught etching. Sign in to annotate. Glasgow Girls: Women in Art and Design, 1880-1920 Read Online Margaret was married to Charles Rennie Mackintosh, and her work and that of other women in their circle was both important in its own right and highly influential on the development of his. When exhibiting work her masculine-sounding name, which was a family one, may have been an advantage. There was Margaret and Frances Macdonald, sisters. Jane Mack rated it really liked it Nov 05, Art Nouveau A decorative art style popular in Europe and North America in the late nineteenth and early twentieth centuries. Alicia rated it it was amazing Aug 05, She was one of three surviving daughters of the family.
Load more

Recommended publications
  • The Scottish Pictures Auction Lot 1
    The Scottish Pictures Auction Sun, 14th Feb 2016 Lot 1 Estimate: £6000 - £9000 + Fees EDWARD ARTHUR WALTON RSA PRSW RP NEAC (SCOTTISH 1860-1922), MISS MABEL CUTHBERTSON SEATED WITH HER DOLL oil on canvas, signed 'E A Walton' lower right, inscribed verso 'Mabel, with 'daughter of MacArthur Cuthbertson Esq.' (on a partial label verso) and with artist's stamp 'E A WALTON, Edinburgh' verso 115cm x 87cm (45.27 x 34.25 inches) Framed Note: Exhibited The Royal Glasgow Institute (RGI) Exhibition 1909, catalogue number 522. Biographical: Edward was one of twelve children of Jackson Walton, a Manchester commission agent and a competent painter and photographer. Some of Edward's siblings were well known in their time - his brother George Henry Walton (1867-1933) was a noted architect, furniture designer and stained glass designer, Constance Walton was an acclaimed botanical painter, while Helen Walton, born 1850, was a decorative artist who studied at the Glasgow Government School of Design and was artistic mentor to the family. Walton enjoyed his art training at the Kunstakademie Düsseldorf and then at the Glasgow School of Art. He was a close friend of Joseph Crawhall - Walton's brother Richard having married Judith Crawhall in 1878 - George Henry and James Guthrie and lived in Glasgow until 1894 where he became part of the Glasgow School or Glasgow Boys, all of whom were great admirers of Whistler. Their favourite painting haunts were in the Trossachs and at Crowland in Lincolnshire. In 1883 Walton joined Guthrie, who had taken a house in the Berwickshire village of Cockburnspath.
    [Show full text]
  • Celticism, Internationalism and Scottish Identity Three Key Images in Focus
    Celticism, Internationalism and Scottish Identity Three Key Images in Focus Frances Fowle The Scottish Celtic Revival emerged from long-standing debates around language and the concept of a Celtic race, a notion fostered above all by the poet and critic Matthew Arnold.1 It took the form of a pan-Celtic, rather than a purely Scottish revival, whereby Scotland participated in a shared national mythology that spilled into and overlapped with Irish, Welsh, Manx, Breton and Cornish legend. Some historians portrayed the Celts – the original Scottish settlers – as pagan and feckless; others regarded them as creative and honorable, an antidote to the Industrial Revolution. ‘In a prosaic and utilitarian age,’ wrote one commentator, ‘the idealism of the Celt is an ennobling and uplifting influence both on literature and life.’2 The revival was championed in Edinburgh by the biologist, sociologist and utopian visionary Patrick Geddes (1854–1932), who, in 1895, produced the first edition of his avant-garde journal The Evergreen: a Northern Seasonal, edited by William Sharp (1855–1905) and published in four ‘seasonal’ volumes, in 1895– 86.3 The journal included translations of Breton and Irish legends and the poetry and writings of Fiona Macleod, Sharp’s Celtic alter ego. The cover was designed by Charles Hodge Mackie (1862– 1920) and it was emblazoned with a Celtic Tree of Life. Among 1 On Arnold see, for example, Murray Pittock, Celtic Identity and the Brit­ the many contributors were Sharp himself and the artist John ish Image (Manchester: Manches- ter University Press, 1999), 64–69 Duncan (1866–1945), who produced some of the key images of 2 Anon, ‘Pan-Celtic Congress’, The the Scottish Celtic Revival.
    [Show full text]
  • Japonisme in Britain - a Source of Inspiration: J
    Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).
    [Show full text]
  • National Fund for Acquisitions Annual Report 2016–2017 1 National Fund for Acquisitions Annual Report 2016–2017 National Fund for Acquisitions Annual Report 2016–2017
    National Fund for Acquisitions Annual Report 2016–2017 1 National Fund for Acquisitions Annual Report 2016–2017 National Fund for Acquisitions Annual Report 2016–2017 Dr Hazel Williamson National Fund for Acquisitions Manager 0131 247 4106 Karyn McGhee National and International Partnerships Officer 0131 247 4024 National Fund for Acquisitions National and International Partnerships Department National Museums Scotland Chambers Street Edinburgh EH1 1JF [email protected] www.nms.ac.uk/nfa NFA Blog NFA Flickr Cover: Oil on panel, The Pier at Cove – Loch Long, c1934, by F C B Cadell, acquired by the Scottish Maritime Museum. © Scottish Maritime Museum National Fund for Acquisitions Introduction The National Fund for Acquisitions (NFA), provided by Scottish Government to National Museums Scotland, contributes towards the acquisition of objects for the collections of Scottish museums, galleries, libraries, archives and other similar institutions open to the public. The Fund can help with acquisitions in most collecting areas including objects relating to the arts, literature, history, natural sciences, technology, industry and medicine. Decisions on grant applications are made following consultation with curatorial staff at National Museums Scotland, the National Galleries of Scotland and the National Library of Scotland who provide expert advice to the Fund. Funding The annual grant from the Scottish Government for 2016/17 was £150,000. The NFA made 64 payments totalling £131,525 which enabled acquisitions with a total value of nearly £373,000. This included payment of grants which had been offered but not yet claimed at the end of the previous financial year. At 31 March 2017, a further 11 grants with a total value of £33,418 had been committed but not yet paid.
    [Show full text]
  • 1809 the Glasgow Boys Presentation
    RICKMANSWORTH U3A ART APPRECIATION GROUP The Glasgow Boys September 2018 The Glasgow Boys - influences Jules Bastien-Lepage, (1848 – 1884) French painter of rustic outdoor genre scenes widely imitated in France and England. Bastien-Lepage studied under Alexandre Cabanel, first exhibited at the Paris Salon of 1870, and won a medal at the Salon of 1874 for Spring Song. Style owes a little to Édouard Manet and in the tradition of Jean-François Millet and Gustave Courbet. A sentimental element characterizes Bastien-Lepage’s work. He was also a portraitist of note. October, 1878,by Jules Bastien-Lepage (1848-1884), Oil on Canvas, 1,807 mm x 1,960 mm, National Gallery of Victoria, Australia The Glasgow Boys - influences James Abbott McNeill Whistler (1834 – 1903) American artist, based primarily in the United Kingdom. Averse to sentimentality and moral allusion in painting and a leading proponent of "art for art's sake". While his art is characterized by a subtle delicacy, his public persona was combative. He found a parallel between painting and music and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. Whistler influenced the art world and the broader culture of his time with his artistic theories and his friendships with leading artists and writers. Variations in Flesh Colour and Green—The Balcony, 1865 by James McNeill Whistler (11 Jul 1834 - 17 Jul 1903), Oil on Board Freer Gallery of Art, Washington, United States James Guthrie (1859 - 1930) A Hind’s Daughter, 1883 Oil
    [Show full text]
  • Japonisme in Britain
    TPS (234mm x156mm) ISBN: 041540584X Royal Octavio (234mm x156mm)(210) JAPONISME IN BRITAIN Japan held a profound fascination for western artists in the latter half of the nineteenth century and the influence of Japonisme on western art was pervasive. Paradoxically, just as western artists were beginning to find inspiration in Japan and Japanese art, Japan was opening to the western world and beginning a process of thorough modernisation - some have said westernisation. The mastery of western art was included in the programme. This book examines the nineteenth-century art world against this back- ground and explores Japanese influences on four artists working in Britain in particular: the American James McNeill Whistler, the Australian Mortimer Menpes and the 'Glasgow Boys' George Henry and Edward Atkinson Hornel. Richly illustrated throughout. Ayako Ono gained her Doctorate from Glasgow University and is currently teaching in Japan. JAPONISME IN BRITAIN Whistler, Menpes, Henry, Hornel and nineteenth-century Japan Ayako Ono RoutledgeCurzon Taylor & Francis Group LONDON AND NEW YORK First published 2003 by RoutledgeCurzon 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by RoutledgeCurzon 270 Madison Ave, New York NY 10016 RoutledgeCurzon is an imprint of the Taylor & Francis Group Transferred to Digital Printing 2006 © 2003 Ayako Ono Typeset in Times Ten by Wearset Ltd, Boldon, Tyne and Wear All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • The Scottish Pictures Auction Lot 1
    The Scottish Pictures Auction Sun, 14th Feb 2016 Lot 1 Estimate: £6000 - £9000 + Fees EDWARD ARTHUR WALTON RSA PRSW RP NEAC (SCOTTISH 1860-1922), MISS MABEL CUTHBERTSON SEATED WITH HER DOLL oil on canvas, signed 'E A Walton' lower right, inscribed verso 'Mabel, with 'daughter of MacArthur Cuthbertson Esq.' (on a partial label verso) and with artist's stamp 'E A WALTON, Edinburgh' verso 115cm x 87cm (45.27 x 34.25 inches) Framed Note: Exhibited The Royal Glasgow Institute (RGI) Exhibition 1909, catalogue number 522. Biographical: Edward was one of twelve children of Jackson Walton, a Manchester commission agent and a competent painter and photographer. Some of Edward's siblings were well known in their time - his brother George Henry Walton (1867-1933) was a noted architect, furniture designer and stained glass designer, Constance Walton was an acclaimed botanical painter, while Helen Walton, born 1850, was a decorative artist who studied at the Glasgow Government School of Design and was artistic mentor to the family. Walton enjoyed his art training at the Kunstakademie Düsseldorf and then at the Glasgow School of Art. He was a close friend of Joseph Crawhall - Walton's brother Richard having married Judith Crawhall in 1878 - George Henry and James Guthrie and lived in Glasgow until 1894 where he became part of the Glasgow School or Glasgow Boys, all of whom were great admirers of Whistler. Their favourite painting haunts were in the Trossachs and at Crowland in Lincolnshire. In 1883 Walton joined Guthrie, who had taken a house in the Berwickshire village of Cockburnspath.
    [Show full text]
  • ISSUE 2505 | Antiquestradegazette.Com | 21 August 2021 | UK £4.99 | USA $7.95 | Europe €5.50
    To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide:https://atg.news/2zaGmwp 7 1 -2 0 2 1 9 1 ISSUE 2505 | antiquestradegazette.com | 21 August 2021 | UK £4.99 | USA $7.95 | Europe €5.50 S E E R 50years D koopman rare art V A I R N T antiques trade G T H E KOOPMAN (see Client Templates for issue versions) THE ART M ARKET WEEKLY 12 Dover Street, W1S 4LL [email protected] | www.koopman.art | +44 (0)20 7242 7624 Wales joins contest for Dyer archive by Roland Arkell The National Library of Wales was among the successful bidders when an archive relating to the poet and painter John Dyer (1699-1757) emerged for sale in Yorkshire this month. Today John Dyer is little known, but in the 18th and 19th centuries he was feted as a pioneer of Romanticism. William Wordsworth himself penned a sonnet to the ‘Bard of the Fleece’ – a reference to Dyer’s four-book genre poem The Fleece that championed the noble pastime of tending sheep in the British landscape. Poet, painter, parson Above: a 17th century ebony and pietra Much of what is known of Dyer’s life comes dura table casket – £60,000 at Claydon from the book Poet, Painter and Parson, the life Auctioneers on August 4. of John Dyer written by Ralph M Williams and published in 1956. Born and raised in Carmarthenshire (the family home was Aberglasney in Llangathen), he was Bids tabled for £60,000 educated at Westminster, apprenticed to the London portrait painter Jonathan Richardson and from 1724-26 continued his Prague pietra dura casket studies in Italy.
    [Show full text]
  • Écosse : Migrations Et Frontières Scotland: Migrations and Borders
    Études écossaises 18 | 2016 Écosse : migrations et frontières Scotland: Migrations and Borders Cyril Besson, David Leishman et Véronique Molinari (dir.) Édition électronique URL : http://journals.openedition.org/etudesecossaises/1037 DOI : 10.4000/etudesecossaises.1037 ISSN : 1969-6337 Éditeur UGA Éditions/Université Grenoble Alpes Édition imprimée Date de publication : 25 avril 2016 ISBN : 978-2-84310-324-7 ISSN : 1240-1439 Référence électronique Cyril Besson, David Leishman et Véronique Molinari (dir.), Études écossaises, 18 | 2016, « Écosse : migrations et frontières » [En ligne], mis en ligne le 01 janvier 2017, consulté le 15 mars 2021. URL : http://journals.openedition.org/etudesecossaises/1037 ; DOI : https://doi.org/10.4000/ etudesecossaises.1037 © Études écossaises Numéro 18 Écosse : migrations et frontières Scotland: migrations and borders Sous la direction de Cyril Besson, David Leishman et Véronique Molinari Université Grenoble Alpes 2016 ÉTUDES ÉCOSSAISES RESPONSABLE : Cyril Besson ÉQUIPE DE réDACTION ET COMITÉ DE LECTURE : Cyril Besson, Pierre Carboni, Christian Civardi, Sylvie Kleiman-Lafon, David Leishman, Gilles Leydier, Patrick Menneteau, Gavin Miller, Véronique Molinari, Pierre Morère, Steve Murdoch, Marie Odile Pittin-Hedon, Clotilde Prunier, Bernard Sellin, Roderick Watson, John Young. Numéros disponibles No1 – Écosse, Regards d’Histoire, 1992. No 2 – Littérature écossaise : voix nouvelles, 1993. No 3 – Aspects du XVIIIe siècle ; Recherches en culture écossaise moderne, 1996. No 4 – La poésie écossaise – Lettres de la rébellion jacobite, 1997. No 5 – Une Écosse autonome ?, 1998. No 6 – Arts plastiques et cinéma en Écosse, 1999-2000. No 7 – L’étrange, le mystérieux, le surnaturel, 2001. No 8 – Le roman écossais moderne, 2002. No 9 – L’Écosse au féminin, 2003-2004. No 10 – La réputation, 2005.
    [Show full text]
  • Le Thème Du Travail Agricole Dans Les Tableaux Des
    Études écossaises 18 | 2016 Écosse : migrations et frontières Le thème du travail agricole dans les tableaux des Glasgow Boys, ou l’Écosse selon des peintres victoriens Farm Work in the Glasgow Boys’ Paintings or Scotland As Seen by a Group of Victorian Painters Marion Amblard Édition électronique URL : http://journals.openedition.org/etudesecossaises/1114 DOI : 10.4000/etudesecossaises.1114 ISSN : 1969-6337 Éditeur UGA Éditions/Université Grenoble Alpes Édition imprimée Date de publication : 25 avril 2016 Pagination : 119-132 ISBN : 978-2-84310-324-7 ISSN : 1240-1439 Référence électronique Marion Amblard, « Le thème du travail agricole dans les tableaux des Glasgow Boys, ou l’Écosse selon des peintres victoriens », Études écossaises [En ligne], 18 | 2016, mis en ligne le 01 janvier 2017, consulté le 16 mars 2021. URL : http://journals.openedition.org/etudesecossaises/1114 ; DOI : https://doi.org/10.4000/etudesecossaises.1114 © Études écossaises Marion Amblard Université Grenoble Alpes Le thème du travail agricole dans les tableaux des Glasgow Boys, ou l’Écosse selon des peintres victoriens Tout au long de l’année 2010, les peintres de l’école de Glasgow, désor- mais connus sous le nom de Glasgow Boys, ont été à l’honneur en Grande- Bretagne. Plusieurs expositions leur ont été consacrées à Londres, à Édim- bourg et surtout dans la ville de Glasgow qui a organisé la plus grande rétrospective dédiée à ces artistes depuis 1968 1. Les Glasgow Boys ont occupé le devant de la scène artistique écossaise des années 1880 jusqu’au début du XXe siècle, ils jouissaient alors d’une renommée internationale puisque leurs tableaux étaient exposés en Europe et aux États-Unis.
    [Show full text]
  • Burns Chronicle 1934
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1934 The digital conversion of this Burns Chronicle was sponsored by Alexandria Burns Club The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com G AitMovR , '\.)t~ rv it) BURNS CHRONICLE AND CLUB DIRECTORY INSTITUTED 1891 PUBLISHED ANNUALLY SECOND SERIES : VOLUME IX THE BURNS FEDERATION KILMARNOCK I 9 3 4 Price Three shillings "BURNS CHRONICLE" ADVERTISER A "WAUGH" CHIEFTAIN To ensure a successful BURNS DINNER, or any dinner, you cannot do better than get your , . HAGGIS supplies from GEORGE WAUGH (ESTB. 1840) MAKER OF THE BEST SCOTCH HAGGIS The ingredients ·used are the finest obtainable and very rich in VITAMINS, rendering it a very valuable food. DELICIOUS AND DISTINCTIVE "A Glorious Dish" For delivery in the British Isles, any quantity supplied from ! lb. to CHIEFTAIN size. For EXPORT, 1 lb. Tin 2/- in skins within 2 lb. ,, 3/6 hermetically 3 lb. " 5/- sealed tins. plus post. Write, wire, or 'phone GEORGE WAUGH 110 Nicolson Street, EDINBURGH 8 Kitchens: ; Telegrams: Haggiston, Broughton Rd. " Haggis," Edin. Phone 25778 Phone42849 "BURNS CHRONICLE " ADVERTISER NATIONAL BURNS MEMORIAL COTTAGE HOMES, MAUCHLINE, AYRSHIRE. In Memory of the Poet Burns for Deserving Old People. "That greatest of benevolent institutions established in honour of Robert Burns." - Glasgow Her al d here are now sixteen modern comfortable houses for the benefit of deserving old folks. The site is Tan ideal one in the heart of the Burns Country. The Cottagers, after careful selection, get the houses free of rent and taxes and an annual allowance.
    [Show full text]
  • Psychologist Vol 29 No 1 January 2016
    the psychologist vol 29 no 1 january 2016 www.thepsychologist.org.uk Why demography needs psychology Gillian Pepper, Lisa McAllister and Rebecca Sear consider fertility and population dynamics letters 2 reproductive health matters 30 news 12 the psychologist guide to… careers 62 you and your baby pull out looking back 78 how biases inflate scientific evidence 36 Contact The British Psychological Society the psychologist... St Andrews House 48 Princess Road East ...features Leicester LE1 7DR 0116 254 9568 [email protected] www.bps.org.uk The Psychologist www.thepsychologist.org.uk Why demography needs psychologists 26 www.psychapp.co.uk Gillian Pepper, Lisa McAllister and Rebecca [email protected] Sear look for psychological answers to questions about fertility and population tinyurl.com/thepsychomag dynamics @psychmag Reproductive health matters 30 Advertising Olga van den Akker argues that psychological Reach 50,000+ psychologists research and policy are surprisingly at very reasonable rates. embryonic, struggling to keep pace with CPL technological developments 275 Newmarket Road 26 Cambridge, CB5 8JE Advertising Manager How biases inflate scientific evidence 36 Matt Styrka Angela de Bruin and Sergio Della Sala consider 01223 273 555 an example: the cognitive benefits of bilingualism [email protected] New voices: Depression – more than the sum December 2015 issue of its symptoms 42 55,319 dispatched Eiko Fried with the latest in our series for Printed by budding authors Warners Midlands plc on 100 per cent recycled ...reports paper. Please re-use or recycle. 36 what would you include in an after-school ISSN 0952-8229 psychology club for primary-age children?; countering security threats; BPS call for action on Cover refugees; 5 minutes with Dr Zoey Malpus; genetics Fiona Webster, and education; psychology’s impact on policy; www.facebook.com/ reports from Psychology4Students; and more 12 makebelievebaby © Copyright for all published material is held by the British Psychological Society unless specifically stated otherwise.
    [Show full text]