The Site and Anglo-Saxon Norwich
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The University of Bradford Institutional Repository
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bradford Scholars The University of Bradford Institutional Repository http://bradscholars.brad.ac.uk This work is made available online in accordance with publisher policies. Please refer to the repository record for this item and our Policy Document available from the repository home page for further information. To see the final version of this work please visit the publisher’s website. Where available access to the published online version may require a subscription. Author(s): Gibson, Alex M. Title: An Introduction to the Study of Henges: Time for a Change? Publication year: 2012 Book title: Enclosing the Neolithic : Recent studies in Britain and Ireland. Report No: BAR International Series 2440. Publisher: Archaeopress. Link to publisher’s site: http://www.archaeopress.com/archaeopressshop/public/defaultAll.asp?QuickSear ch=2440 Citation: Gibson, A. (2012). An Introduction to the Study of Henges: Time for a Change? In: Gibson, A. (ed.). Enclosing the Neolithic: Recent studies in Britain and Europe. Oxford: Archaeopress. BAR International Series 2440, pp. 1-20. Copyright statement: © Archaeopress and the individual authors 2012. An Introduction to the Study of Henges: Time for a Change? Alex Gibson Abstract This paper summarises 80 years of ‘henge’ studies. It considers the range of monuments originally considered henges and how more diverse sites became added to the original list. It examines the diversity of monuments considered to be henges, their origins, their associated monument types and their dates. Since the introduction of the term, archaeologists have often been uncomfortable with it. -
BA0063 2013-001 Radial Leaded Capacitor Assembly Location Change Notification Jan 13 Final
Syfer Technology Limited Old Stoke Road Arminghall, Norwich, Norfolk NR14 8SQ England Tel: +44 (0)1603 723347 Fax +44 (0)1603 723301 Email: [email protected] Web: www.syfer.com Anglia Sandall Road Wisbech Cambridgeshire PE13 2PS United Kingdom BA0063 February 2013 PCN reference: 2013/01 Subject: Radial Leaded Capacitor Assembly Location Change Dear Customer, Syfer Technology Ltd has been manufacturing radial leaded capacitors at our UK manufacturing facility from the early 1980s. Due to facility space requirements needed to develop and manufacture new products, it has been decided to sub-contract the radial assembly process. Ceramic Chip Capacitor Encapsulation Material Lead to Chip Capacitor Solder Joint Lead Fig. 1. Radial Capacitor Construction Diagram The critical part of the radial component (the ceramic chip capacitor) will still be manufactured, electrically tested and inspected by Syfer. Registered Office: Old Stoke Road Arminghall, Norwich NR14 8SQ England Registered in England: No 2092166 (FA4/971/1) The radial assembly process including soldering leads onto the chip capacitor, encapsulation, print and radial electrical test will be conducted by the sub-contractor. The sub-contractor is certified to ISO9001 and has a proven history of manufacturing and supplying radial leaded capacitors. Syfer has conducted reliability tests on components manufactured by the sub-contractor as part of qualification and ongoing monitoring requirements. The change in location for the radial leaded capacitor assembly does not affect component specifications (including dimensional, performance or reliability) and, as such, there is no change to the Syfer part number. Radial leaded capacitors manufactured by the sub-contractor will gradually be phased into customer supply from March 2013. -
Accounts of the Constables of Bristol Castle
BRISTOL RECORD SOCIETY'S PUBLICATIONS General Editor: PROFESSOR PATRICK MCGRATH, M.A., Assistant General Editor: MISS ELIZABETH RALPH, M .A., F.S.A. VOL. XXXIV ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN 1HE THIRTEENTH AND EARLY FOURTEENTH CENTURIES ACCOUNTS OF THE CONSTABLES OF BRISTOL CASTLE IN THE THIR1EENTH AND EARLY FOUR1EENTH CENTURIES EDITED BY MARGARET SHARP Printed for the BRISTOL RECORD SOCIETY 1982 ISSN 0305-8730 © Margaret Sharp Produced for the Society by A1an Sutton Publishing Limited, Gloucester Printed in Great Britain by Redwood Burn Limited Trowbridge CONTENTS Page Abbreviations VI Preface XI Introduction Xlll Pandulf- 1221-24 1 Ralph de Wiliton - 1224-25 5 Burgesses of Bristol - 1224-25 8 Peter de la Mare - 1282-84 10 Peter de la Mare - 1289-91 22 Nicholas Fermbaud - 1294-96 28 Nicholas Fermbaud- 1300-1303 47 Appendix 1 - Lists of Lords of Castle 69 Appendix 2 - Lists of Constables 77 Appendix 3 - Dating 94 Bibliography 97 Index 111 ABBREVIATIONS Abbrev. Plac. Placitorum in domo Capitulari Westmon asteriensi asservatorum abbrevatio ... Ed. W. Dlingworth. Rec. Comm. London, 1811. Ann. Mon. Annales monastici Ed. H.R. Luard. 5v. (R S xxxvi) London, 1864-69. BBC British Borough Charters, 1216-1307. Ed. A. Ballard and J. Tait. 3v. Cambridge 1913-43. BOAS Bristol and Gloucestershire Archaeological Society Transactions (Author's name and the volume number quoted. Full details in bibliography). BIHR Bulletin of the Institute of Historical Research. BM British Museum - Now British Library. Book of Fees Liber Feodorum: the Book of Fees com monly called Testa de Nevill 3v. HMSO 1920-31. Book of Seals Sir Christopher Hatton's Book of Seals Ed. -
WRAP THESIS Shilliam 1986.Pdf
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/34806 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. FOREIGN INFLUENCES ON AND INNOVATION IN ENGLISH TOMB SCULPTURE IN THE FIRST HALF OF THE SIXTEENTH CENTURY by Nicola Jane Shilliam B.A. (Warwick) Ph.D. dissertation Warwick University History of Art September 1986 SUMMARY This study is an investigation of stylistic and iconographic innovation in English tomb sculpture from the accession of King Henry VIII through the first half of the sixteenth century, a period during which Tudor society and Tudor art were in transition as a result of greater interaction with continental Europe. The form of the tomb was moulded by contemporary cultural, temporal and spiritual innovations, as well as by the force of artistic personalities and the directives of patrons. Conversely, tomb sculpture is an inherently conservative art, and old traditions and practices were resistant to innovation. The early chapters examine different means of change as illustrated by a particular group of tombs. The most direct innovations were introduced by the royal tombs by Pietro Torrigiano in Westminster Abbey. The function of Italian merchants in England as intermediaries between Italian artists and English patrons is considered. Italian artists also introduced terracotta to England. -
The Norwich School John Old Crome John Sell Cotman George Vincent
T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 . -
Free for All
All our Christmas services in one place, you say? Well here they are then! Free For All Sunday 11th December 10.30am Stoke Holy Cross Carol Service. The Magazine of the Venta Group 6.30pm Arminghall Carol Service Arminghall, Caistor St Edmund, Stoke Holy Cross with Dunston Tuesday 13th December 7.30pm Traditional Carol Service at Stoke December 2016/January 2017 Sunday 18th December 4pm Caistor Carol Service, 6pm Carols around the tree at Stoke Church Hall Christmas Eve 4pm Crib service at Stoke 11.30pm Midnight Service at Arminghall Christmas Day 9am Family Communion at Caistor 10.30am Family Communion at Stoke Free For All advertising We are planning to make some exciting changes to the format of the Free For All magazine in 2017, so we are not taking any further advertisements at the moment. We will soon be in touch with all our existing advertisers to let them know more about the ideas that we have for the years to come! Spruce Landscapes, Fencing, Patios, hedge & tree work 07719407351 494038 Architectural services, Call Mark Woods for Advice and free quote 498805 PC Assist. quality computer repair service www.pcassistonline.co.uk 471459 The Anchorage Fitness Centre www.anchorage-pool.com 07986 325282 The Anchorage Pool and Tennis Court www.anchorage-pool.com 494032 R.B.Copping Funeral Services, Poringland 01508 494434 Handy Man Ian, Property Maintenance & Gardening 07936197178/ 491619 T.J.L. Car repairs, At your service 493843 Simon Wells, Patios, Fencing, Hedge Trimming, Tree Lopping 495528 Justin Cogman Landscaping, fencing, patios etc. 07957858660 / 491155 Aline Turner ACA tax returns/accounts/bookkeeping 550403/ 07785 528069 Tutor available for GCSE Sciences. -
A Self-Guided Trail of Crome's City
WALKING A self-guided trail of Crome’s city John Crome lived and worked in Norwich all his life. From humble beginnings he became a drawing master and was one of the principal founders of the Norwich Society of Artists. He remains one of the country’s great Romantic painters, rooting his work in the local landscape. During the first lockdown of 2020, local photographer Nick Stone followed in Crome’s footsteps, walking the deserted city streets exploring Crome’s Norwich and pinpointing the painter’s locations and capturing them with a fresh eye. This walk takes you to places Crome would have known and visits some of the locations he painted. John Crome was born in 1768 in The Griffin pub close to Norwich Cathedral. The son of a weaver, born at a time when the city was at the centre of an important international trade in textiles. In the 1780s over thirty different trades associated with textiles were located in the noisy and colourful area known as ‘Norwich Over the Water’, north of the River Wensum. The river formed the artery for the textile industry, and the warehouses, dyers’ premises and quays were well known to Crome and featured frequently in his works. Norwich at the time was known for radical inclination towards art. The only criteria to politics, and inns and taverns in the city were join were submitting an artwork, and securing home to societies and clubs where ideas were a place via a ballot of existing members. By shared, and debates were held. The Rifleman 1805, the Society had enough pieces of art pub hosted ‘The Dirty Shirt Club’ where men to present their first exhibition, hosted at Sir could go in working clothes, to drink, smoke Benjamin Wrench’s Court which was also to and socialise. -
Dating Balbirnie | 51
Proc Soc Antiq Scot 140 (2010), 51–77 DATING BALBIRNIE | 51 Dating Balbirnie: recent radiocarbon dates from the stone circle and cairn at Balbirnie, Fife, and a review of its place in the overall Balfarg/Balbirnie site sequence Alex Gibson* To the memory of Graham Ritchie ABSTRACT The interpretation of the sequence at the Balbirnie stone circle and cairn was based largely on stratigraphy and the then-perceived chronology of ceramic styles. An increased radiocarbon database and the facility to date cremated bone have now allowed the sequence at this site to be refined and reinterpreted. The construction of the stone circle can be demonstrated to have begun 1,000 years earlier than originally reported and the stone circle can be shown to have been in use for over 1,500 years. These new data, as well as an increased and growing amount of research on later Neolithic and earlier Bronze Age ritual monuments in Britain as a whole, has further allowed the position of this site within the Balfarg/Balbirnie ritual complex to be reconsidered and as a result it is possible to suggest a revised sequence for the complex. INTRODUCTION burials added to the circle or was the circle built to enclose an existing cemetery? Even The dating of stone circles is fraught with in the case of circles with central cairns, the problems. Unlike the posts of timber circles, exact sequence may not be discernable until stones cannot themselves be dated by radio- excavation. Thus at Balbirnie, Fife, Graham carbon. Even the integrity of organics from Ritchie (1974) concluded that the stone the stoneholes needs strict scrutiny as residual circle was the primary monument, whilst at material can easily become incorporated into Tomnaverie, Aberdeenshire, Richard Bradley the backfill and intrusive material can work (2005) demonstrated the reverse sequence. -
Norwich Castle January – June 2018 Including Norwich Castle: the Square Box on the Hill Plus Events at Museum of Norwich & Strangers’ Hall
What’s On Exhibitions, talks, events & activities Norwich Castle January – June 2018 Including Norwich Castle: The Square Box on the Hill Plus events at Museum of Norwich & Strangers’ Hall www.museums.norfolk.gov.uk Visual Arts Visual Arts Standing atop the largest man-made mound in the country, Norwich Castle has dominated the City’s skyline since the 12th century; but what is the story of this iconic and much-loved square box on the hill? Built as a royal palace, Norwich Castle was a Norman showpiece with lavishly-decorated interiors ft for a king. By the 14th century, it had become the County Gaol confning Norfolk’s prisoners within its walls. With the opening of the new prison at the end of the 19th century, the Castle’s fate was uncertain, until its conversion into a public museum, which it remains to this day. This exhibition illustrates Norwich Castle’s rich history through a stunning mixture of prints, models, paintings, architectural plans, memorabilia and archives, many of which have never been on display before. It also showcases the latest exciting plans for the Castle’s future as part of the Norwich Castle: Gateway to Medieval England project, supported by the Heritage Lottery Fund. The City’s most prominent landmark has housed and infuenced a number of surprises in its 900-year history, from a Japanese Samurai suit of armour to a 1970s draught bitter; from fne medieval jewellery to graffti etched in stone. See all of these and more in this unique tribute to Norwich’s square box on the hill. -
Foxhunting and the Landscape Between 1700 and 1900; with Particular Reference to Norfolk and Shropshire
Foxhunting and the landscape between 1700 and 1900; with particular reference to Norfolk and Shropshire Jane Bevan Degree of Doctor of Philosophy University of East Anglia School of History October 2011 This copy of the thesis has been supplied on the condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived from it, may be published without acknowledgement Abstract This thesis explores the history of foxhunting from 1700 to 1900. It examines how perceptions of an ideal hunting country, and what constituted an elite quarry, altered in tandem with alterations to the English lowland countryside. The relationship between the landscape and changes bought about by the upheaval of enclosure and agricultural development are discussed, in the context of the evolution in practice and geographical spread of foxhunting, at a national, regional and county-wide level. Several long-held beliefs are challenged. The social history of foxhunting and the increased participation of both ‘polite’ urban neophytes and prosperous tenant farmers during the two centuries is compared with the declining involvement of women. The impact of hunt clubs and the rise of subscription packs in the two study areas is contrasted. The influence of changes in the landscape on foxhunting is considered alongside the reciprocal impact of foxhunters manipulating the physical surroundings to enhance their sport. A detailed study of the history of hunting and its most iconic feature, the covert, in Norfolk and Shropshire highlights the importance of landowners control over the countryside. -
Curator Report 2010-11
Norfolk Museums & Archaeology Service Curator Report 2010-11 1 Norfolk Museums & Archaeology Service Curator Report 2010-11 Contents 1 INTRODUCTION The Norwich Curator Team in 2010-11 Meet the Curator Section 2 WORKING WITH THE PUBLIC Communicating with audiences Exhibitions Interpreting and understanding the historic and natural environment Education and outreach 3 IMPROVING THE COLLECTIONS AND DISPLAYS Acquisitions Developing our museums Using the collections 4 IMPROVING ACCESS TO COLLECTIONS Developing access to knowledge and information 5 INVESTING IN THE SECTOR Research Associates, volunteers and placements Partnerships Supporting the sector 6 THE DISPLAY DEPARTMENT 2010-11 7 THE CONSERVATION DEPARTMENT 2010-11 8 APPENDIX Communicating through publications and other media 2 3 1 INTRODUCTION The Norwich Curator Team in 2010-11 This is the fifth annual report of the Norwich Curator team; part of Norfolk Museums & Archaeology Service. The year 2010-11 has been another period of change for the Service, with continued budget pressures. At the same time, it has been the goal of the team that we continue to deliver high quality and accessible services, during what has been time of cost saving. This is also at a time when there is a national trend towards reduced physical access to museums. A challenging time indeed. NMAS is now part of the larger grouping within NCC, called Community Services. This move has provided an opportunity for us to re-evaluate our priorities, in order to play our role within this newly formed Department, alongside our longer-established partners in the NRO and Libraries. We appreciate that there is a need to continue to do what we do well but, at the same time, to explore new and better ways of providing and developing our services. -
After the Norwich School
After the Norwich School This book takes, as its starting point, sites that feature in paintings, or prints, made by Norwich School artists. For each site I have photographed a contemporary landscape scene. My aim was not to try to replicate the scene painted in the 1800s, but simply to use that as the point where I would take the photograph, thus producing a picture of Norwich today. IMPORTANT This ebook has been produced as part of my studies with OCA for the landscape photography module of my Creative Arts degree course. It is not set to be published, but simply to allow my tutors, assessors and fellow students to see, judge and comment on my work. I am grateful that Norfolk Museums Service allow images to be downloaded for such educational use and I am pleased to credit © Norfolk Museums Service for each of the Norwich School painters images that I have used Robert Coe OCAStudent ID 507140 Proof Copy: Not optimised for high quality printing or digital distribution View on the River Wensum After 'View on the River Wensum, King Street, Norwich' by John Thirtle (1777-1839), pencil and watercolour on paper, undated; 25.8 cm x 35.2 cm © Norfolk Museums Service Proof Copy: Not optimised for high quality printing or digital distribution Proof Copy: Not optimised for high quality printing or digital distribution Proof Copy: Not optimised for high quality printing or digital distribution Briton's Arms, Elm Hill After 'Briton's Arms' by Henry Ninham (1793-1874), watercolour on paper, © Norfolk Museums Service Proof Copy: Not optimised for high