Ultimate Experience the Ultimate in Movie Making
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Sony Recognises That Your Needs As a Programme Maker Will Vary Depending Upon the Type of Pro- HDCAM Uses Intra-Frame DCT Compression Using a Gramme Being Made
HDW-M2000P/20 HDCAM video tape recorder with CineAlta record feature and multi-format playback A high definition VTR for prestige and mainstream Features programme production HDCAM recording and playback Sony recognises that your needs as a programme maker will vary depending upon the type of pro- HDCAM uses intra-frame DCT compression using a gramme being made. This has driven the develop- compression ratio of about 7:1. There are four chan- ment of a multi-format high definition product offer- nels of 48kHz digital audio at 20-bit resolution. ing, including HDV for entry-level high definition oper- ation, HDCAM for mainstream and prestige produc- Selectable frame rates tions, CineAlta for 24P applications, and HDCAM SR The HDW-M2000P/20 can record and replay at 1080/ for productions where only the ultimate quality will 50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/ suffice. 23.98P and 1080/24P. HDCAM has long been associated with the production Compatible replay of standard definition cassettes of the most prestigious movies, commercials and tele- Betacam, Betacam SP, Betacam SX, MPEG IMX and vision programmes. The recent expansion of the Digital Betacam cassettes can be replayed. The HDW- HDCAM product line up has transformed the econom- M2000P/20 is optimised for analogue 625/50 Betacam ics of HD for mainstream television production, with and Betacam SP playback, but can replay 525/60 new models such as the HDW-730S camcorder mak- Betacam and Betacam SP tapes and provide a monit- ing HD acquistion accessible to those working on oring quality output. -
Understanding Digital Video
chapter1 Understanding Digital Video Are you ready to learn more about how digital video works? This chapter introduces you to the concept of digital video, the benefits of going digital, the different types of digital video cameras, the digital video workflow, and essential digital video terms. COPYRIGHTED MATERIAL What Is Digital Video? ........................................ 4 Understanding the Benefits of Going Digital ................................................6 Discover Digital Video Cameras .......................8 The Digital Video Workflow ............................10 Essential Digital Video Terms .........................12 What Is Digital Video? Digital video is a relatively inexpensive, high-quality video format that utilizes a digital video signal rather than an analog video signal. Consumers and professionals use digital video to create video for the Web and mobile devices, and even to create feature-length movies. Analog versus Digital Video Recording Media versus Format Analog video is variable data represented as The recording medium is essentially the physical electronic pulses. In digital video, the data is broken device on which the digital video is recorded, like down into a binary format as a series of ones and a tape or solid-state medium (a medium without zeros. A major weakness of analog recordings is that moving parts, such as flash memory). The format every time analog video is copied from tape to tape, refers to the way in which video and audio data is some of the data is lost and the image is degraded, coded and organized on the media. Three popular which is referred to as generation loss. Digital video examples of digital video formats are DV (Digital is less susceptible to deterioration when copied. -
Blu-Ray Disc™ HDD Recorder
sr1500-1250_sales_guide.qxd 10.1.27 7:40 PM Page 1 Glossary Blu-ray Disc™ HDD Recorder G1080i GHDMI (High-definition Multimedia Interface) (500GB HDD) In a single high-definition image, 1080 (1125) alternating scan lines pass every 1/60th (NTSC) Established in Dec. 2002, HDMI is an interface for digital electronic equipment that acts as the SR-HD1500 or 1/50th (PAL) of a second to create an interlace image. And because 1080i (1125i) more than connection standard between PCs and displays. It transmits uncompressed HD digital audio doubles the current scan lines of 480i (525i) found on television broadcasts, it helps to ensure and video signals on a single cable without distortion. The DVI interface was its predecessor, (250GB HDD) that details are much clearer, enabling the creation of more realistic and richer images. and HDMI has been enhanced for AV equipment by adding functions such as audio SR-HD1250 transmission capability, copy protection of digital content and other intellectual properties, as well as the ability to transfer color-variation information. GAVCHD (Advanced Video Codec High Definition) AVCHD is an acronym for Advanced Video Codec High Definition, and it is the format for HD GMPEG-2 (Moving Picture Experts Group 2) camcorders used to record and playback high-definition video images. AVCHD uses the MPEG-2 is a standard for efficient data compression and color video expansion that is widely H.264/MPEG-4 AVC compression format for video to enable highly efficient encoding, the Dolby used for media such as DVDs and satellite-based digital broadcastings. Digital (AC-3) format with LPCM option for audio, and MPEG-2-TS for multiplexing. -
Avid Supported Video File Formats
Avid Supported Video File Formats 04.07.2021 Page 1 Avid Supported Video File Formats 4/7/2021 Table of Contents Common Industry Formats ............................................................................................................................................................................................................................................................................................................................................................................................... 4 Application & Device-Generated Formats .................................................................................................................................................................................................................................................................................................................................................................. 8 Stereoscopic 3D Video Formats ...................................................................................................................................................................................................................................................................................................................................................................................... 11 Quick Lookup of Common File Formats ARRI..............................................................................................................................................................................................................................................................................................................................................................4 -
Pgpg OOFSP!8FSP ! 8 DE!BOE!EWE!CVSOJOH!NBEF!FBTZ
UIF!CPPL!UIF!CPPL!pgpg OOFSP!8FSP ! 8 DE!BOE!EWE!CVSOJOH!NBEF!FBTZ XBMMBDF!XBOH 3 USING NERO BURNING ROM Nero Burning ROM gives you the max- imum amount of flexibility and options for burning data to create different types of CDs and DVDs, such as bootable CDs or Super Video CDs. Until you’re familiar with burning CDs and DVDs, you should probably stick to using Nero Express (see Chapter 2), which guides you through the process of creating different types of discs. After you’re familiar with CD/DVD burning and want more control over creating different types of discs, then you should use Nero Burning ROM. NOTE If you switch the StartSmart window to Expert mode (where the cartoon characters wear glasses), you can use the StartSmart window to load Nero Burning ROM to perform most CD/DVD tasks, such as Copy CD or Burn Image To Disc. From The Book of Nero 7 No Starch Press, Copyright © 2006 by Wallace Wang Copying Discs Nero Burning ROM can copy entire CD or DVD discs in two ways: Saving a disc as an image file to burn on another disc later. Copying a disc in memory and then writing the data to a blank disc in the same drive (known as “copying on the fly”). This can be useful when you just need to make a quick copy of a single disc. NOTE Nero Burning ROM will not copy copy-protected discs. Copying Discs to an Image File If you copy a disc to an image file, you can make multiple copies of that disc later without need for the original disc. -
DVD Suite Ultra User’S Guide Copyright and Disclaimer
CyberLink DVD Suite Ultra User’s Guide Copyright and Disclaimer All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of CyberLink Corporation. To the extent allowed by law, CyberLink DVD Suite Ultra IS PROVIDED “AS IS”, WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING WITHOUT LIMITATION ANY WARRANTY FOR INFORMATION, SERVICES, OR PRODUCTS PROVIDED THROUGH OR IN CONNECTION WITH CyberLink DVD Suite Ultra AND ANY IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, EXPECTATION OF PRIVACY, OR NON- INFRINGEMENT. BY USING THIS SOFTWARE, YOU AGREE THAT CYBERLINK WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, OR CONSEQUENTIAL LOSS ARISING FROM THE USE OF THIS SOFTWARE OR MATERIALS CONTAINED EITHER IN THIS PACKAGE. The terms and conditions here under shall be governed and construed in accordance with the laws of Taiwan. CyberLink DVD Suite Ultra is a registered trademark along with other company and product names mentioned in this publication, used for identification purposes and remain the exclusive property of their respective owners. iTunes and QuickTime software and logos are licensed with Apple Computer, Inc., and CyberLink shall not be responsible for end user support for said software. International Headquarters Mailing Address CyberLink Corporation 15F, #100, Minchiuan Road, Shindian City Taipei 231, Taiwan Web Site www.cyberlink.com Telephone 886-2-8667-1298 Fax 886-2-8667-1300 Copyright © 2007 CyberLink Corporation. All rights reserved. Contents Introduction............................................. 1 CyberLink DVD Suite Ultra Functions ............................................................. -
Nerovision Express 3
User's Guide NeroVision Express 3 Bringing the world of video closer to home - Creating your very own DVD, VCD, SVCD and miniDVD Nero AG Copyright and Trademark Information The NeroVision Express 3 User's Guide and the NeroVision Express 3 Software are copyrighted and the property of Nero AG, Im Stoeckmaedle 18, 76307 Karlsbad, Germany. All rights are reserved. This Quick Start Guide contains materials protected under International Copyright Laws. It is expressly forbidden to copy, reproduce, duplicate or transmit all or any part of the Guide or the software without the prior written consent of Nero AG. All brand names and trademarks are properties of their respective owners. THIS MANUAL IS PROVIDED 'AS IS,' AND NERO AG MAKES NO REPRESENTATIONS OR WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, OR TITLE; THAT THE CONTENTS OF THE MANUAL ARE SUITABLE FOR ANY PURPOSE; NOR THAT THE IMPLEMENTATION OF SUCH CONTENTS WILL NOT INFRINGE ANY THIRD PARTY PATENTS, COPYRIGHTS, TRADEMARKS OR OTHER RIGHTS. NERO AG WILL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, SPECIAL OR CONSEQUENTIAL DAMAGES ARISING OUT OF ANY USE OF THE MANUAL OR THE PERFORMANCE OR IMPLEMENTATION OF THE CONTENTS THEREOF. The name and trademarks of Nero AG may NOT be used in advertising or publicity pertaining to this manual or its contents without specific written prior permission. Title to copyright in this manual will at all times remain with Nero AG. Nero AG accepts no claims for the correctness of the contents of the manual. -
Roxio Toast 17 Titanium User Guide
Rax1a· toastTITANIUM··11 ¥a-t:;;J-�-@J USER GUIDE Roxio® Toast® 17 Titanium User Guide i Contents Getting Started 1 1 Installing The Software . 2 The Toast Main Window. 3 Burning Your First Disc With Toast . 5 Converting Video. 7 Choosing the Right Project . 7 About Discs . 9 Using the Media Browser . 10 Changing Recorder Settings . 13 Saving and Opening Toast Projects. 14 Erasing Discs . 15 Ejecting a Disc . 15 Toast Extras . 16 Technical Support Options . 19 Toast Titanium ii www.roxio.com Making Video Discs 21 2 Types of Video Discs . 22 Overview of Making a Video Disc. 23 Making a video disc with MyDVD . 24 Making a DVD or BD Video Disc . 25 Using Plug & Burn. 33 Making a DVD From VIDEO_TS Folders . 41 Making a VIDEO_TS Compilation. 44 Making a BDMV Folder Disc. 45 Creating an AVCHD Archive . 46 Making a video with Live Screen Capture 48 Editing videos with Toast Slice . 48 Editing Video . 48 Using Other Toast Features 51 3 Saving Disc Images . 52 Mounting Disc Images . 53 Comparing Files or Folders . 54 Creating a Temporary Partition . 55 Making Data Discs 57 4 What is a Data Disc?. 58 Toast Titanium Contents iii Types of Data Discs . 58 Overview of Making a Data Disc . 60 Burning Projects to Multiple Recorders . 61 Making a Mac Only Disc . 63 Making a Mac & PC Disc . 69 Making a DVD-ROM (UDF) Disc . 74 Making an ISO 9660 Disc . 75 Making a Photo Disc. 76 Encrypting a disc with Roxio Secure Burn. 77 Using Toast Dynamic Writing . 78 Making Audio Discs 79 5 What is an Audio Disc?. -
Videography Notes
Name_________________________________________ Videography Student Note Packet KEY Videography What is videography? The art or practice of using a video camera Videography in Agriculture In a technological world, video communications are becoming a common practice. Video Cameras Video cameras are available in consumer and professional formats with special features found for each. MiniDV Camcorders – Both tapes and camcorders in this format are inexpensive. You can import the video from this format to a computer for editing. HDV Camcorders – These camcorders record high-definition video to the same MiniDV tapes listed above. AVCHD Camcorders – These camcorders are the newest available. They record high-definition video to a DVD or hard drive or some form of flash memory. Flash Memory Camcorders – Records video directly to a flash memory card, the same flash memory card often used by digital cameras. Hard-Drive Camcorders – Records video directly to the camera’s hard drive. Once the camera is plugged into the computer, it acts like an external hard drive and the video can be copied onto the computer for editing. DVD/MiniDVD Camcorders Records video directly to a DVD or miniDVD. Name_________________________________________ Hybrid Camcorders – These allow recording in multiple formats. For example, a camcorder might record on flash memory and a hard drive at the same time. Lighting Equipment Proper lighting is essential for good-quality video. Spotlights – Used to put direct light on an item, but they produce a harsh shadow. Softlights – Also known as, bounced lights, are used to create a diffused light over an area, minimizing shadows. Lighting Kit – Most field productions use a lighting kit, which includes portable versions of spotlights and floodlights as well as other equipment including: Reflectors – Uses a light or shiny reflective surface to reflect available light and create additional light sources. -
Video Terminology Video Standards Progressive Vs
VIDEO TERMINOLOGY VIDEO STANDARDS 1. NTSC - 525 Scanlines/frame rate - 30fps North & Central America, Phillipines & Taiwan . NTSC J - Japan has a darker black 2. PAL - 625 scanlines 25 fps Europe, Scandinavia parts of Asia, Pacific & South Africa. PAL in Brazil is 30fps and PAL colours 3. SECAM France Russia Middle East and North Africa PROGRESSIVE VS INTERLACED VIDEO All computer monitors use a progressive scan - each scan line in sequence. Interlacing is only for CRT monitors. LCD monitors work totally differently - no need to worry about. Interlacing is for broadcast TV. Every other line displayed alternatively. FRAME RATES As we transition from analogue video to digitla video. Film is 24 fps, PAL video 25 fps. NTSC 30fps. Actually film and NTSC are slightly different but we don't need to worry about that for now. IMAGE SIZE All video is shot at 72 px/inch - DV NTSC - 720 x 480 (SD is 720 x 486) DV PAL - 720 x 576 (SD PAL is 720 x 576) HD comes in both progressive and interlaced. HD480i is usual broadcast TV 480p is 480 progressive. 720i is 720 interlaced 720p is progressive. 720 means 720 vertical lines 1080 is 1080 vertical lines. 1080i is most popular. 720p is 1280 x 720, HD 1080 is 1920x1080px. All HD formats are 16:9 aspect ratio. Traditional TV is 4:3 aspect ratio. HDV is 1440 x 1080. New format - is it the new HD version of DV? Cameras like the Sony and JVC make minor alterations to this format when shooting In summary HD 1080i = 1920 x 1080 HD 720p = 1280 x 720 Traditional = 720 x 480 (NTSC) 720 x 576 (PAL) VIDEO OUTPUTS Analog Composite, S-Video, Component in increasing quality. -
Product Overview: Includes
Product Overview: Go straight from the box to box-office quality with our top-tier release from the Pinnacle Studio™ Family, Pinnacle Studio Ultimate Collection. The Collection includes everything you need to tell your story, including a complete set of plug-ins from 3D animation leader Red Giant and a Chroma-key green screen for advanced effects, editing and production, in addition to the feature-rich Studio Ultimate software. With a new, simpler interface, create top quality movies in HD video, include stunning effects, transitions, animation, and incredible Dolby Digital® 5.1 sound, empowered by new tools from Avid’s professional lines of film-editing products. Then, dazzle your audience when you share your sensations in widescreen format. Sharing options are as limitless as your creativity: from Blu-ray and AVCHD to YouTube, iPod, PS3, Wii, and more. Includes: • Studio Ultimate editing software • Chroma-key Green Screen* • Full step-by-step printed instruction manual Also includes valuable suite of Red Giant effects—used in movies and TV productions: • Knoll Light Factory—Light and lens flares from master effects guru John Knoll (visual effects supervisor; Star Wars, Pirates of the Caribbean, Avatar) • ToonIt—Turn video into animation • Trapcode Shine—Light ray effects • Particular—3D smoke, explosion, rain effects • Magic Bullet Looks—Change look and mood of your movie, from arctic tundra to desert sunrise • Trapcode 3D Stroke—Animations like glowing lines, swirling shapes, and 3D camera effects *Green screen not included on upgrade -
Price List Film and Video Digital Conversion 503.816.6802
DigaPix Price List Film and Video Digital Conversion 503.816.6802 www.digapix.com Film, Slide, and Negative Scanning: Standard Film Scanning 35mm 35mm Film Type/Size Quantity Slides Negatives 35mm Slides and Negatives 1-500 $0.60 $0.60 - 35mm negative strips with 4 or more photos 500-1000 $0.50 $0.50 Glass Mount and 2” x 2” Slides can only be done using Flat Bed Scanner Cost to remove and replace slides from $0.25 carousel, slide carriers or album sleeves. 35mm Slides will be scanned at approximately 5500 x 3500 pixels per slide. 35mm Negatives will be scanned at approximately 3000 x 2000 megapixels Files will be delivered as JPEG files. Flat Bed and Dedicated Film Scanners 4000+ PPI Film Type/Size Quantity JPEG 35mm slides or negatives 1-500 $1.75 >500 $1.50 Glass Mount and 2” x 2” Slides $2.00 APS Film 2.00 120 / 220 / 110 / 127 negatives 1-500 $2.50 > 500 $2.00 4” x 5” Film $7.50 Minimum Scanning Charges: - $10.00 to put image files on a customer supplied USB flash drive - $15.00 to put images on a CD Your slides and negatives will be cleaned with compressed air and soft anti-static brushes. We never use chemical cleaners. DVDs and CDs are data disks for use on a computer. These will not play in standard DVD and CD players. Photo Scanning: 600 DPI Print Size Quantity JPEG Up to 5” x 7” 1-500 $0.75 > 500 $0.70 Up to 8 ½” x 11” 1-500 $1.50 > 500 $1.40 12” x 12” Scrapbook Pages $2.50 ($1 additional for pages not removed from album) Up to 12” x 17” $5.00 Above 12” x 17” 40.00/hr Photo Restoration Service $40.00/hr DigaPix Price List – v10.2