Aartist in Residence
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1 1 Edited by A.S. Bruckstein Çoruh together with / zusammen mit Lotte Laub Istanbul: Istiklal Cad. Mısır Apt. No:163, K. 2 & 3 D. 5 & 10 34433 Beyoglu/Istanbul, Turkey t: +90 212 251 1214 f: +90 212 251 4288 Berlin: Goethestraße 82, 10623 Berlin/Germany t: +49 (0) 30 31809900 f: +49 (0) 30 31809901 zilbermangallery.com 4 5 5 CONTENTS / INHALT For Beral Madra 04 Prefaces: Lotte Laub, A.S. Bruckstein Çoruh and the 5th International Çanakkale Biennial 2016 which has been cancelled due to political pressure three weeks 18 The rats may feast where they want / Die Ratten sie mögen before the opening schmausen wo sie wollen (Pablo Picasso) Für Beral Madra Artists: Sarkis, Memed Erdener a.k.a. Extramücadele, Imran Qureshi, Rebecca Raue, Erkan Özgen With texts by Uwe Fleckner, Tobias Nöbauer & Işın Önol, Erkan Özgen der 5. Internationalen Çanakkale Biennale 2016 gewid- met, die im September 2016 unter politischem Druck abgesagt wurde 44 If at all the word martyr means anything today / Wenn der Begriff des Märtyrers heute eine Bedeutung habe (Navid Kermani) Artists: Arnold Schoenberg, Ali Kaaf, Memed Erdener a.k.a. Extramücadele, With a text by Sarkis 53 As long as wars are still being waged in the name of religion / Solange im Namen der Religion noch Kriege geführt werden (Şükran Moral) Artists: Memed Erdener a.k.a. Extramücadele, Şükran Moral, Aisha Khalid 57 I am just one protest, I am just one artist / Ich bin nur ein Protest, ich bin nur ein Künstler (Erdem Gündüz) Artists: Aisha Khalid, unknown Flemish artist, Ahmet Elhan, Eşref Yıldırım With texts by Daniel Boyarin, Naz Cuguoğlu 72 Appendix 6 7 LOTTE LAUB Being Witness Zeuge-Sein On June 18, 2013, Erdem Gündüz stood motionless for were, a closely woven carpet of relations intertwining in Am 18. -
KT 16-11-2016 .Qxp Layout 1
SUBSCRIPTION WEDNESDAY, NOVEMBER 16, 2016 SAFAR 16, 1438 AH www.kuwaittimes.net Former MP US Muslim Berlin’s wild Saudi fury Nisef welcomes lawmaker, charms make it as Japan boycotters’ Sanders ally vies first choice for boost World return to3 polls to lead 7Dems Syrian40 artists Cup20 hopes Amir reiterates commitment Max 32º to combat climate change Min 13º High Tide 13:37 Ban calls for ‘elimination’ of fossil fuel subsidies Low Tide 07:08 & 19:10 40 PAGES NO: 17052 150 FILS MARRAKECH: HH the Amir Sheikh Sabah Al-Ahmad Al- Barred candidate Jaber Al-Sabah yesterday reiterated Kuwait’s commit- ment to supporting the efforts exerted by the UN to claims election combat the phenomenon of climate change. Addressing the 22nd Conference of the Parties to the United Nations could be delayed Framework Convention on Climate Change, also known as COP 22 in Marrakech, the Amir said Kuwait has partici- Campaigning intensifies pated effectively and constantly in the negotiations aimed to limit the negative impact of By B Izzak this phenomenon, based upon the prin- ciples and provisions and the implemen- KUWAIT: Lawyer Hani Hussein, whose candidacy for tation of the UN Framework Convention the parliamentary polls was rejected by the appeals on Climate Change, and the subsequent court yesterday, said a “big surprise” could delay the provisions until the Paris Agreement, Nov 26 election. Writing on his Twitter account, since they constitute the legally binding Hussein declined to reveal the nature of the surprise, instruments and the basis of joint coop- but said it relates to a provision in the election law, eration. -
Sarah Rogers — Histories in the Making: the Khalid Shoman Collection and Darat Al Funun Fig
1 Sarah Rogers Saleem Al-Bahloly Sarah Rogers A pioneering private foundation, the Abdul Hameed Shoman Foun- 27 Histories in the 255 Art History outside — Histories in the Making: dation was established in Amman in 1978 and Making: The Khalid the History of Art The Khalid Shoman Collection named after Abdul Hameed Shoman (1890– Shoman Collection and Darat al Funun 1974), the founder of the Arab Bank and father of and Darat al Funun Ulrich Loock The Khalid Shoman Collection represents one of the earliest Khalid Shoman (1931– collections dedicated exclusively to contemporary art of the Arab 2002). Dedicated to the promotion of knowledge, 305 Transitions and world. Begun in the early eighties, the collection reflects the research, and develop- shifts and transformations of artistic practices in the region. It ment in the fields of Faisal Darraj Translations now represents over 100 modern and contemporary artists and a sciences and humanities, range of media, including works on paper, oil painting on canvas, the foundation expanded 81 The Peculiarities of its patronage to the arts photography, artist’s books, sculpture, video, and installation. in 1988 when it began Arab Modernity Stephen Sheehi Moreover, the collection is historically unconventional in its hosting exhibitions and mission. For husband and wife Khalid and Suha Shoman, the talks on Arab art. 361 Before Painting: act of collecting was about neither tracking down the next best artist nor documenting a regional comprehensiveness, if such a Anneka Lenssen Nicola Saig, project were even possible. The artwork is less an object to be acquired and more an investment in the artist and support of his 93 Distances greater Painting, and or her practice. -
SYRIAN CULTURAL CARAVAN Art, the Universal Language
Marseille, juillet 2014 SYRIAN CULTURAL CARAVAN Art, the universal language THE PROJECT’S BIRTH The Syrian Cultural Caravan, entitled ‘Freedom for the Syran People, was born in 2014 at the initiative of Syrian intellectuals supported by a group of Syrian-European associations. Its goal is to promote Syrian civil society and contemporary Syrian art and culture. In March 2011, after half a century of totalitarian rule and forty years of the Assad’s clan dictatorship, the Syrian people took to the streets demanding their freedom and dignity. The regime responded with weapons, but the response came in different ways: the pen, the spoken word, the brush, and the chisel. It is this creativity in the face of constant repression that the Syrian Cultural Caravan aims to sustain. The caravan carries the work of young Syrian artists and shows them to the world with the desire to communicate their message through the universal language of art, literature, video, music and poetry. THE INITIAL STEPS SUStaINABILIty OF THE In the summer of 2014 the Syrian Cultural Caravan made its debut on 12 July at Place PROJECT du Maréchal Joffre (Paris 7e) and in front of the Wall For Peace. From there on, there The first trip of the Syrian Cultural Caravan in have been art exhibitions, film screenings, poetry readings in Arabic and French, street the summer of 2014 our organisers noted that theatre performances, choreography and modern dance, political debates, and musical every meeting had positive exchanges that led concerts. The majority of these activities took place outdoors, and were very warmly and to setting up new activities. -
Universite D'aix-Marseille
UNIVERSITE D’AIX-MARSEILLE ECOLE DOCTORALE 355 Institut de recherches et d’études des mondes arabes et musulmans IREMAM (UMR 7310) Thèse présentée pour obtenir le grade universitaire de docteur Discipline : Mondes arabes, musulmans et sémitiques Simon DUBOIS De la marge au centre, de Syrie en exil : itinéraires d’un jeune théâtre syrien Soutenue le 04/11/2019 devant le jury : Frédéric Lagrange Sorbonne Université Rapporteur Pénélope Larzillière CEPED-IRD Rapporteur Sophie Bava LPED-IRD Examinateur Franck Mermier IRIS-CNRS Examinateur Catherine Miller IREMAM-CNRS Examinateur Richard Jacquemond IREMAM-Aix-Marseille Université Directeur de thèse Numéro national de thèse/suffixe local : 2 Résumé Cette thèse a pour objet d’étude la production dramatique syrienne depuis le déclenchement du printemps syrien il y a huit ans, à la mi-mars 2011. En prenant pour objet la trajectoire d’une jeune génération de professionnels du théâtre, elle vise à mettre en évidence les dynamiques de la création scénique et à appréhender plus largement la nouvelle condition de la production artistique syrienne contemporaine. Depuis la révolte populaire, cette production a connu un ensemble de transformations qui reflètent un contexte politique et social en constante évolution. Deux axes jouent un rôle catalyseur : le mouvement contestataire qui ébranle un champ artistique très structuré autour de l’État et de ses institutions ; l’exil, généralisé à tous les niveaux de la société, qui disloque complètement l’ancrage territorial de l’art syrien. L’objectivation de la création contemporaine syrienne requiert alors une approche en plusieurs dimensions capable d’appréhender dans le temps et l’espace les mutations de la scène artistique. -
Homage to Syria
HOMAGE TO SYRIA Sunday, January 17, 2016 • 3:30pm-5:30pm a.Muse Gallery • 614 Alabama Street • San Francisco, CA Ashraf Kateb presents musical selections from classical and Arab composers Violin: Ashraf Kateb, Piano: TBA Dia Succari (1938-2010) Sultane de Damas Hommage à Rimski-Korsakoff Nikolai Rimsky-Korsakow (1844-1908) Arabisches Lied aus “Scheherazade” Dia Succari (1938-2010) Homage à Kreisler Fritz Kreisler (1875 - 1962) La Gitana Dia Succari (1938-2010) Homage à Sarasate Pablo de Sarasate (1844-1908) Danse Andaluza Boghos Gelalian (1927-2011) Preludio e Moto Perpetuo Mustapha Aicha Rahmani (1944-2008) 3 Andalusian Dances Ashraf Kateb (b. 1969-) Intima Inspiration Ashraf Kateb is a Syrian-German violinist, composer, and conductor. His work is driven by a passion for promoting musical culture and conserving Arabic music heritage. Kateb was born in Aleppo, Syria, and studied violin at music academies in Aleppo, Moscow, Berlin and Cracow. He has lived in Berlin since 1992. Ashraf Kateb has participated in many international festivals, and was the only Arab musician in the Philharmonia of the Nations. He has performed with many music celebrities, including Leonard Bernstein, Lord Yehudi Menuhin, Mistislav Rostropovitch, and others. He continues a decades-long collaboration with sopranos Anna Maria Kaufmann and Deborah Sasson. Since 1997, he has been promoting a pioneering international project titled Arabic Music and the World. He collected and performed the works of leading Arab composers, endeavoring to share with the world the works of creative Arab musicians. Kateb released his first CD, Gesture accompanied by Syrian-German Pianist Gaswan Zerikly in 2001. Gesture enjoyed international acclaim and presents the violin and piano works of seven Arab composers from Syria, Lebanon, Egypt and Morocco. -
The D.A.P. Catalog Fall 2021
THE D.A.P. CATALOG FALL 2021 BERNADETTE DAVID HOCKNEY: FRANCISCO DE GOYA FUZZ ONE MAYER: MEMORY SIX FAIRY TALES FROM ISBN 9783775746571 ISBN 9780972592017 U S CDN ISBN 9781938221255 THE BROTHERS GRIMM Hbk, U.S. $68.00 CDN $95.00 Hbk, . $32.00 $42.50 Hbk, U.S. $45.00 CDN $63.00 ISBN 9781907533242 Hatje Cantz / Testify Books / Siglio / Clth, U.S. $25.00 CDN $34.50 Royal Academy Publications / Beatriz Milhazes, Urubu (detail), 2001. From Beatriz Milhazes: Avenida Paulista, published by DelMonico Books/Museu de Arte de São Paulo. See page 9. JOSEF SUDEK: LOUIS KAHN: ON MODERN MYSTIC: SOVIET SPACE DOGS THE WINDOW OF MY STUDIO THE THOUGHTFUL THE ART OF HYMAN BLOOM ISBN 9780956896285 ISBN 9788072155071 MAKING OF SPACES ISBN 9781942884392 Clth, U.S. $32.95 CDN $43.95 Hbk, U.S. $60.00 CDN $79.00 ISBN 9783037782200 Hbk, U.S. $50.00 CDN $69.95 Fuel Publishing / Torst / Hbk, U.S. $40.00 CDN $56.00 D.A.P. / Featured Releases 2 CATALOG EDITOR Lars Müller Publishers / Thomas Evans Fall Highlights 88 DESIGNER Martha Ormiston Photography 90 Art 108 TITLE DATA Jenny Kacani Architecture & Urban 156 COPYWRITING Design 167 Clara Maria Apostolatos, Nora Della Fera, Thomas Evans, Caroline Reagan, Emilia Copeland Titus, Madeline Weisburg IMAGE PRODUCTION Specialty Books 172 Joey Gonnella Art 174 PRINTING Group Exhibitions 190 Sonic Media Solutions, Inc. Photography 194 FRONT COVER William Mullan, Pink Parfait. From William Mullan: Odd Apples, published by Hatje Cantz. See page 38. Backlist Highlights 200 TAKING A LINE FOR A WALK TOWARD A CONCRETE BACK COVER ISBN 9783959050814 UTOPIA: ARCHITECTURE IN Ellsworth Kelly, Coenties Slip, 1957.