The D.A.P. Catalog Fall 2021
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Awai, Nicole CV (Opens New Window)
https://www.lesleyheller.com/artists/nicole-awai EDUCATION Master of Fine Arts, Multi-media Art, University of South Florida, Tampa, FL (1996) Bachelor of Arts, University of South Florida, Tampa, FL (1991) ACADEMIC APPOINTMENTS & RELATED EXPERIENCE 08/15- Assistant Professor, Painting & Drawing, University of Texas at Austin, Department of Art & Art History, Austin, TX 12/14 Visiting Artist/ Critic, Tyler School of Art, Temple University 9/09-5/15 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 1/14-5/14 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/12-12/12 Visiting Assistant Professor, Cooper Union, School of Art, NY 11/12 Visiting Artist/ Critic, University of Kentucky, College of Fine Arts 04/12 Visiting Artist/ Critic, Parsons, The New School, Art and Design History and Theory, Fine Arts (MFA) 1/11-5/11 Visiting Assistant Professor, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 6/10 Artist/ Instructor, Norfolk Residency Program, Yale School of Art 8/18/08-5/15/09 Visiting Assistant Professor, University of Illinois at Chicago, School of Art and Art History, College of Architecture, Design and the Arts, Chicago, IL 1/08-5/08 Critic, Yale School of Art, Department of Painting and Printmaking, New Haven, CT 9/07 Visiting Artist/ Artist Talk, Parsons, The New School, Art and Design, Fine Art 1/07- 5/08 Visiting Assistant Professor, Pratt Institute, School of Art and Design, Brooklyn, NY 1/07-5/08 Adjunct Instructor, Stern College for Women, NY 8/05-5/15 Adjunct Assistant Professor, York College CUNY, Department of Performing and Fine Arts, Jamaica, Queens, NY 2/02-8/05 Artist/Educator, Whitney Museum of American Art, New York, NY Created and implemented art education programs for students (grades 3-12) based on exhibitions at the museum. -
Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand
Contents 2 The Frame & Arts 4 Samsung Collection 6 Curation Story Artist Profiles 8 Bohnchang Koo 10 Luisa Lambri 12 ruby onyinyechi amanze 14 Todd Eberle 16 Tommy Clarke 18 Wolf Ademeit 20 Yann Arthus-Bertrand 22 Samsung Collection at a Glance 29 Art Store Gallery Partners 30 ALBERTINA 32 Artspace 34 LUMAS 36 MAGNUM PHOTOS 38 Museo Del Prado Collection 40 Saatchi Art 42 Sedition 44 How to Use 46 My Collection 50 The Frame Specifications Tommy Clarke, Playa Shoreline (2015) 1 The Frame & ArtsArt The Frame. Art when it's off, TV when it's on. Introducing The Frame, a TV that elegantly enables you to make anye spac more welcoming, more entertaining and more inspiring. Turn on The Frame in TV mode and watch a beautiful 4K UHD Smart TV with outstanding detail and picture quality. Turn off and you seamlessly switch into Art Mode, transforming The Frame into a unique work of art that enriches your living space. The Frame with Walnut Customizable Frame Scott Ramsay, Mana Pools Bee-Eaters (2015) Curated art for your inspiration. Destined to expand your horizons, The Frame’s Art Mode showcases selections of museum-quality artwork professionally curated for you in the exclusive Samsung Collection and online Art Store. Or use My Collection Art Mode TV Mode to display cherished photos of special moments with family and friends. The perfect mode for any mood, Art Mode introduces TV with a sense of your own inimitable style and a knack for enhancing any décor. The Frame, Designed for your space. 2 The Frame 3 The Frame grants you exclusive access to 100 remarkable artworks across 10 categories from 37 renowned artists from the four corners of the world. -
Genealogías Del Arte, O La Historia Del Arte Como Arte Visual
GENEALOGÍAS DEL ARTE, O LA HISTORIA DEL ARTE COMO ARTE VISUAL GENEALOGIES OF ART, OR THE HISTORY OF ART AS VISUAL ART 26.02.2020 - 31.05.2020 Palacio de Buenavista C/ San Agustín, 8. 29015 Málaga Información general / General Information: (34) 902 44 33 77 Centralita / Switchboard: (34) 952 12 76 00 [email protected] www.museopicassomalaga.org /museopicassomalaga @mPICASSOm Vistas in situ de los paneles utilizados por Aby Warburg para ilustrar el ciclo de conferencias /museopicassomalaga Urworte leidenschaftlicher Gëbardensprache [Palabras primigenias del lenguaje gestual patético] pronunciadas en la Kunstwissenschaftliche Bibliothek Warburg de Hamburgo #genealogíasdelarte entre el 29 de enero y el 12 de febrero de 1927. Warburg Institute Archive, Londres. Si la historia del arte tradicionalmente nos habla de un tipo de que incluía obras de artistas tan significativos como Cézanne, Ma- artefactos que han sido hechos para ser mirados, ¿no debería estar tisse, Kandinsky, Brancusi, Mondrian, Juan Gris, Giacometti, Miró muy presente ese rasgo en el modo de historiar los objetos artísti- y Picasso, entre muchos otros. Con todo, Genealogías del arte, o la cos? Para poder leer mejor el mundo, además de utilizar los libros, historia del arte como arte visual está muy lejos de ser una muestra co- ¿por qué no recurrir también a las vinculaciones entre las cosas lectiva o temática. Es, más bien, el resultado de una investigación reales y las imágenes? De ello trata esta exposición —coorganizada en torno a cómo se conciben y elaboran modos de narrar y sobre con la Fundación Juan March— del hasta ahora insólito intento de la forma en que se ha pensado la historia en el sistema del arte explicar visualmente la historia de las artes plásticas exhibiendo usando a la vez palabras e imágenes. -
Matters of Life and Death, Museum of Fine Arts, Boston Hyman Bloo
HYMAN BLOOM Born Brunoviski, Latvia, 1913 Died 2009 SELECTED SOLO EXHIBITIONS 2019 Hyman Bloom: Matters of Life and Death, Museum of Fine Arts, Boston Hyman Bloom American Master, Alexandre Gallery, New York 2013 Alpha Gallery, Boston Massachusetts Hyman Bloom Paintings: 1940 – 2005, White Box, New York 2006 Hyman Bloom: A Spiritual Embrace, The Danforth Museum, Framingham, Massachusetts. Travels to Yeshiva University, New York in 2009. 2002 Color & Ecstasy: The Art of Hyman Bloom, The National Academy of Design, New York 2001 Hyman Bloom: The Lubec Woods, Bates College, Museum of Art. Traveled to Olin Arts Center, Lewiston Maine. 1996 The Spirits of Hyman Bloom: Sixty Years of Painting and Drawing, Fuller Museum, Brockton, Massachusetts 1992 Hyman Bloom: Paintings and Drawings, The Art Gallery, University of New Hampshire, Durham 1990 Hyman Bloom: “Overview” 1940-1990, Terry Dintenfass Gallery, New York 1989 Hyman Bloom Paintings, St. Botolph Club, Boston 1983 Hyman Bloom: Recent Paintings, Terry Dintenfass Gallery, New York 1975 Hyman Bloom: Recent Paintings, Terry Dintenfass Gallery, New York 1972 Hyman Bloom Drawings, Terry Dintenfass Gallery, New York 1971 Hyman Bloom Drawings, Terry Dintenfass Gallery, New York 1968 The Drawings of Hyman Bloom, University of Connecticut of Museum of Art, Storrs. Travels to the San Francisco Museum of Art, San Francisco; the Whitney Museum of American Art, New York; and the Boston University School of Fine and Applied Arts Gallery, Boston. 1965 Hyman Bloom Landscape Drawings 1962-1964, Swetzoff Gallery, Boston 1957 Drawings by Hyman Bloom, Currier Museum of Art, Manchester, NH. Travels to The Museum of Art, Rhode Island School of Design; and the Wadsworth Atheneum, Hartford, CT Hyman Bloom Drawings, Swetzoff Gallery, Boston 1954 Hyman Bloom, Institute of Contemporary Art, Boston. -
Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd. -
Mondrian and De Stijl
Exhibition November 11, 2020 – March 1, 2021 Sabatini Building, Floor 1 Mondrian and De Stijl Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture no. III), 1938 Fondation Beyeler, Riehen/Basel, Beyeler Collection. © Mondrian/Holtzman, 2020 The work of the Dutch artist Piet Mondrian within the context of the movement De Stijl [The Style] set the course of geometric abstract art from the Netherlands and contributed to the drastic change in visual culture after the First World War. His concept of beauty based on the surface, on the structure and composition of color and lines, shaped a novel and innovative style that aimed at breaking down the frontiers between disciplines and surpassing the traditional limits of pictorial space. De Stijl, the magazine of the same name founded in 1917 by the painter and critic Theo van Doesburg, was the platform for spreading the ideas of this new art and overcoming traditional Dutch provincialism. Contrary to what has often been said, the members of De Stijl did not pursue a utopia but a world where collaboration between all disciplines would make it possible to abolish hierarchies among the arts. These would thus be freed to merge together and give rise to something new, a reality better adapted to the world of modernity that was just starting to be glimpsed. Piet Mondrian (Amersfoort, Netherlands, 1872-New York, 1944) is considered one of the founders of this new art. His progressive ideas about the relationship between art and society grew from the deep- rooted Dutch realist tradition inherited from the seventeenth century. -
Theredgaze.Pdf
1 1 Edited by A.S. Bruckstein Çoruh together with / zusammen mit Lotte Laub Istanbul: Istiklal Cad. Mısır Apt. No:163, K. 2 & 3 D. 5 & 10 34433 Beyoglu/Istanbul, Turkey t: +90 212 251 1214 f: +90 212 251 4288 Berlin: Goethestraße 82, 10623 Berlin/Germany t: +49 (0) 30 31809900 f: +49 (0) 30 31809901 zilbermangallery.com 4 5 5 CONTENTS / INHALT For Beral Madra 04 Prefaces: Lotte Laub, A.S. Bruckstein Çoruh and the 5th International Çanakkale Biennial 2016 which has been cancelled due to political pressure three weeks 18 The rats may feast where they want / Die Ratten sie mögen before the opening schmausen wo sie wollen (Pablo Picasso) Für Beral Madra Artists: Sarkis, Memed Erdener a.k.a. Extramücadele, Imran Qureshi, Rebecca Raue, Erkan Özgen With texts by Uwe Fleckner, Tobias Nöbauer & Işın Önol, Erkan Özgen der 5. Internationalen Çanakkale Biennale 2016 gewid- met, die im September 2016 unter politischem Druck abgesagt wurde 44 If at all the word martyr means anything today / Wenn der Begriff des Märtyrers heute eine Bedeutung habe (Navid Kermani) Artists: Arnold Schoenberg, Ali Kaaf, Memed Erdener a.k.a. Extramücadele, With a text by Sarkis 53 As long as wars are still being waged in the name of religion / Solange im Namen der Religion noch Kriege geführt werden (Şükran Moral) Artists: Memed Erdener a.k.a. Extramücadele, Şükran Moral, Aisha Khalid 57 I am just one protest, I am just one artist / Ich bin nur ein Protest, ich bin nur ein Künstler (Erdem Gündüz) Artists: Aisha Khalid, unknown Flemish artist, Ahmet Elhan, Eşref Yıldırım With texts by Daniel Boyarin, Naz Cuguoğlu 72 Appendix 6 7 LOTTE LAUB Being Witness Zeuge-Sein On June 18, 2013, Erdem Gündüz stood motionless for were, a closely woven carpet of relations intertwining in Am 18. -
KT 16-11-2016 .Qxp Layout 1
SUBSCRIPTION WEDNESDAY, NOVEMBER 16, 2016 SAFAR 16, 1438 AH www.kuwaittimes.net Former MP US Muslim Berlin’s wild Saudi fury Nisef welcomes lawmaker, charms make it as Japan boycotters’ Sanders ally vies first choice for boost World return to3 polls to lead 7Dems Syrian40 artists Cup20 hopes Amir reiterates commitment Max 32º to combat climate change Min 13º High Tide 13:37 Ban calls for ‘elimination’ of fossil fuel subsidies Low Tide 07:08 & 19:10 40 PAGES NO: 17052 150 FILS MARRAKECH: HH the Amir Sheikh Sabah Al-Ahmad Al- Barred candidate Jaber Al-Sabah yesterday reiterated Kuwait’s commit- ment to supporting the efforts exerted by the UN to claims election combat the phenomenon of climate change. Addressing the 22nd Conference of the Parties to the United Nations could be delayed Framework Convention on Climate Change, also known as COP 22 in Marrakech, the Amir said Kuwait has partici- Campaigning intensifies pated effectively and constantly in the negotiations aimed to limit the negative impact of By B Izzak this phenomenon, based upon the prin- ciples and provisions and the implemen- KUWAIT: Lawyer Hani Hussein, whose candidacy for tation of the UN Framework Convention the parliamentary polls was rejected by the appeals on Climate Change, and the subsequent court yesterday, said a “big surprise” could delay the provisions until the Paris Agreement, Nov 26 election. Writing on his Twitter account, since they constitute the legally binding Hussein declined to reveal the nature of the surprise, instruments and the basis of joint coop- but said it relates to a provision in the election law, eration. -
IFA Alumni Newsletter 2017
Number 52 – Fall 2017 NEWSLETTERAlumni Published by the Alumni Association of Contents From the Director ...............3 The Institute of Fine Arts Alumni Updates ...............20 in the Aftermath of the A Wistful ‘So Long’ to our Beloved May 4, 1970 Kent State Killings ....8 Doctors of Philosophy Conferred and Admired Director Pat Rubin ....4 in 2016-2017 .................30 Thinking out of the Box: You Never From Warburg to Duke: Know Where it Will Lead .........12 Masters Degrees Conferred Living at the Institute ............6 in 2016-2017 .................30 The Year in Pictures ............14 Institute Donors ...............32 Faculty Updates ...............16 Institute of Fine Arts Alumni Association Officers: Advisory Council Members: Committees: President William Ambler Walter S. Cook Lecture Jennifer Eskin [email protected] Jay Levenson, Chair [email protected] Susan Galassi [email protected] [email protected] Yvonne Elet Vice President and Kathryn Calley Galitz Jennifer Eskin Acting Treasurer [email protected] Susan Galassi Jennifer Perry Matthew Israel Debra Pincus [email protected] [email protected] Katherine Schwab Lynda Klich Secretary [email protected] Newsletter Johanna Levy Anne Hrychuk Kontokosta Martha Dunkelman [email protected] [email protected] [email protected] Debra Pincus Connor Hamm, student assistant [email protected] History of the Institute of Fine Arts Rebecca Rushfield, Chair [email protected] Alumni Reunion Alicia Lubowski-Jahn, Chair [email protected] William Ambler 2 From the Director Christine Poggi, Judy and Michael Steinhardt Director Metropolitan Museum of Art, the Frick varied program. It will include occasional Collection, Museum of Modern Art, and a collaboration and co-sponsorship of exhibitions, diverse range of other museums. -
ART HK 12 by Jing Daily Published: May 17, 2012
ART HK 12 By Jing Daily Published: May 17, 2012 5th annual Hong Kong International Art Fair The global art world descends upon Hong Kong for the opening of ART HK 12, running from 17 to 20 May, 2012 at the Hong Kong Convention and Exhibition Centre (HKCEC). The 2012 edition, once again sponsored by Deutsche Bank, presents 266 galleries from 38 countries – and is set to top all previous attendance records. Now in its fifth year, ART HK 12 has achieved global significance in the international art scene attracting a rich mix of audience from both the West and East, and has cemented itself as a firm fixture on the global art circuit. Hong Kong is unparalleled as a location for a major destination art fair in the region, and ART HK has built a solid reputation for its outstanding quality and extraordinary variety showcasing the best international galleries alongside emerging artists and galleries from across Asia and the globe. Speaking at the opening, Magnus Renfrew, Fair Director said, “We are delighted once again to welcome such a high calibre of art from around the world to ART HK 12. It’s extremely exciting to see the Fair progress with the support of Deutsche Bank and it’s hugely promising that in its fifth year it continues to attract new participating galleries. Asia is now clearly center stage”. Friedhelm Hütte, Global Head of Art, Corporate Citizenship for Deutsche Bank commented, “The arts are a key cornerstone of Deutsche Bank’s social responsibility program. We look forward to http://www.jingdaily.com/art-hk-12/18268/ seeing the very best in both Eastern and Western contemporary art come together at this year’s ART HK, and building on our ongoing partnership with Asia’s leading art fair”. -
View Exhibition Brochure
1 Renée Cox (Jamaica, 1960; lives & works in New York) “Redcoat,” from Queen Nanny of the Maroons series, 2004 Color digital inket print on watercolor paper, AP 1, 76 x 44 in. (193 x 111.8 cm) Courtesy of the artist Caribbean: Crossroads of the World, organized This exhibition is organized into six themes by El Museo del Barrio in collaboration with the that consider the objects from various cultural, Queens Museum of Art and The Studio Museum in geographic, historical and visual standpoints: Harlem, explores the complexity of the Caribbean Shades of History, Land of the Outlaw, Patriot region, from the Haitian Revolution (1791–1804) to Acts, Counterpoints, Kingdoms of this World and the present. The culmination of nearly a decade Fluid Motions. of collaborative research and scholarship, this exhibition gathers objects that highlight more than At The Studio Museum in Harlem, Shades of two hundred years of history, art and visual culture History explores how artists have perceived from the Caribbean basin and its diaspora. the significance of race and its relevance to the social development, history and culture of the Caribbean: Crossroads engages the rich history of Caribbean, beginning with the pivotal Haitian the Caribbean and its transatlantic cultures. The Revolution. Land of the Outlaw features works broad range of themes examined in this multi- of art that examine dual perceptions of the venue project draws attention to diverse views Caribbean—as both a utopic place of pleasure and of the contemporary Caribbean, and sheds new a land of lawlessness—and investigate historical light on the encounters and exchanges among and contemporary interpretations of the “outlaw.” the countries and territories comprising the New World. -
Leading Culture Destinations Awards, Which Recognises Those Institutions and Activations at the Cutting-Edge of the Cultural Zeitgeist
LT U C U R E G D I N E D S T A I E N L A T I O N S L O N D O N 001 002 LEADING CULTURE DESTINATIONS The Leading Culture Destinations journey started five years ago in London driven by a passion to find unique cultural experiences outside of the mainstream travel market. We turned to our close friends, asking them for cultural travel recommendations in places such as Paris, New York or Beijing, but we were also very curious in emerging and, as yet, less discovered gems, such as Quebec City, Belo Horizonte, Malta, Mexico City or Marfa, Texas, to name but a few. Today, Leading Culture Destinations is an opinion-led platform bringing global nomads together with cultural destinations. Our community not only travels with us, but also share their insights and experiences on our platform, and throughout their networks. This creates unique opportunities for destinations to reach new audiences, transforming places into destinations of cultural desire. Over the coming pages, you will be introduced to some of the key players in The Leading Culture Destinations network, and gain personal insights into those destinations at the forefront of a new cultural movement–namely, the winners of this year’s Leading Culture Destinations Awards, which recognises those institutions and activations at the cutting-edge of the cultural zeitgeist. We also bring you thought-leadership from our Select Jury, Ambassadors, and extended friends and family, on everything from artifial intelligence, to the slow places movement and the emergence of restaraunts that allow you to taste history, by resurrecting dishes from a distant past for a modern audience.