Guide to Alice Marshall Women's History Collection

Total Page:16

File Type:pdf, Size:1020Kb

Guide to Alice Marshall Women's History Collection Guide to the Alice Marshall Women’s History Collection, ca. 1546-1997. The Pennsylvania State University Penn State Harrisburg Library Archives and Special Collections Contact Information: Heidi Abbey Moyer Archivist and Humanities Reference Librarian Coordinator of Archives and Special Collections Penn State Harrisburg Library Archives and Special Collections 351 Olmsted Drive, Room 303 Middletown, PA 17057-4850 Tel.: 717.948.6056 E-mail: [email protected] Web: https://libraries.psu.edu/about/libraries/ penn-state-harrisburg-library/alice-marshall-womens-history-collection Date Completed: August 2010; Last Revised: 25 May 2017 © 2007-2017 The Pennsylvania State University. All rights reserved. Descriptive Summary Creator: Marshall, Alice Kahler. Title: Alice Marshall Women’s History Collection. Dates: ca. 1546-1997, bulk 1840-1950. Accession No.: AKM 91/1 – AKM 91/95. Language: Bulk of materials in English; some French. Extent: 238 cubic feet. Repository: Archives and Special Collections, Penn State Harrisburg Library, University Libraries, Pennsylvania State University. Administrative Information Access This collection is open for research. There are no access restrictions on this collection. Permission is required to quote from or duplicate materials in this collection. Usage Restrictions Use of audiotapes may require reformatting and/or production of listening copies. Acquisitions Information Gift and purchase of Alice K. Marshall of Camp Hill, Pa., in 1991. Processing Information Processed by: Heidi Abbey Moyer, Archivist and Humanities Reference Librarian and Coordinator of Archives and Special Collections (2006-Present), and Martha Sachs, Former Curator of the Alice Marshall Collection; in collaboration with Katie Barrett, Public Services Assistant (2014-Present), Lynne Calamia, American Studies Graduate Student (2007-2008); Jessica Charlton, Humanities Graduate Student (2008); Danielle K. Pfeffer, Humanities Graduate Student (2008-2010); Jennifer Dutch, American Studies Ph.D. Candidate (2010), Katherine A. Gorrell, American Studies Graduate Student (2012) and Archives and Public Services Assistant (2013-Present); and Megan Bennett, American Studies Graduate Student (2013-2014), Ashlee Vandewater, American Studies Graduate Student (2014-2015). Edited by: Susan Hamburger, Manuscripts Cataloging Librarian, and Jackie R. Esposito, University Archivist, 2011, and by Heidi Abbey Moyer (2007-2016). Alice Marshall Women’s History Collection (May 2017) P a g e | 2 Preferred Citation Courtesy of the Alice Marshall Women’s History Collection, [Insert appropriate series number and/or accession number for the entire collection, i.e., AKM 91/1], Archives and Special Collections, Penn State Harrisburg Library, University Libraries, Pennsylvania State University. Arrangement The collection consists of 18 series, which are arranged by format. Within some series, the collection is further divided into subseries by genre and/or topic. I. Catalogued and Uncatalogued Books II. Catalogued and Uncatalogued Pamphlets III. Magazines and Serials IV. Newspapers V. Sheet Music VI. Ephemera and Artifacts VII. Postcards VIII. Posters IX. Photographs X. Valentines XI. Graphics XII. Family and Personal Papers XIII. Women’s Organization Records XIV. Business, Government, and School Records XV. Albums/Scrapbooks XVI. Historical Manuscripts and Printed Works XVII. Vertical Files XVIII. Alice K. Marshall Papers Biographical Note Alice Kahler Marshall (1923-1997) was a Harrisburg-area journalist, magazine editor, speechwriter, researcher, compiler, and avid collector who devoted more than fifty years to collecting materials related to all aspects of women's lives, ranging from family and health to law and politics. Born in Ithaca, New York, she attended George Washington University and worked briefly as a reporter for the Washington Post. During World War II, Mrs. Marshall served in the Women's Army Corps for one year. Following service with the Corps, she developed her initial fascination with the contradictions between the realities of women's lives and the stereotypes of women's behavior, Alice Marshall Women’s History Collection (May 2017) P a g e | 3 particularly as revealed in popular culture. This led Mrs. Marshall to extensively collect materials on women's history for the rest of her life. She married in 1944 and raised four children. The Marshall family moved in 1948 to the Harrisburg area where Mrs. Marshall spent 20 years working in various capacities for the Commonwealth of Pennsylvania. She served as the first public relations officer for the Department of State. Her other positions included that of deputy press secretary, chief speechwriter for the Department of Commerce, and senior research analyst for the House of Representatives. She retired from the Commonwealth in 1981, at which time she increased her collecting efforts. When illness caused her to be housebound in her later years, she became an avid computer user, cataloging her enormous collection on her home computer, and enthusiastically browsing the Internet. Mrs. Marshall is the author of the reference book Pen Names of Women Writers from 1600 to the Present: A Compendium of the Literary Identities of 2650 Women Novelists, Playwrights, Poets, Diarists, Journalists and Miscellaneous Writers (1985). She also wrote numerous articles on women’s history. In 1987, she won Pennsylvania’s Award for Service to Women. Scope and Content The Alice Marshall Women’s History Collection (AMC) is the most extensive collection in Penn State Harrisburg’s Archives and Special Collections, and is considered by several scholars to be one of the largest, privately-compiled research collections on women’s history in the United States. Acquired by the Pennsylvania State University Libraries in 1991, the AMC was collected by Alice Kahler Marshall (1923-1997) over a period of 50 years. Items in this collection are an extremely eclectic compilation of approximately 11,000 visual, literary, and manuscript materials that reflect more than 300 years of women's history from the mid-sixteenth century through the mid-twentieth century. Represented in the AMC are advertising trade cards, broadsides, hand-colored fashion plates, journals, letters, manuscripts, newspapers, photographs, valentines, 105 posters, over 7,000 pieces of sheet music, more than 6,000 early 20th-century picture postcards, and 7,000 books and pamphlets. A detailed description of the collection’s components is as follows: Books and Pamphlets: This portion of the AMC includes rare works by English and American authors from the eighteenth to the mid-twentieth centuries. The work of early women printers is well-represented, as are early Quaker and abolitionist tracts, accounts of criminal and divorce trials, works by 19th-century women travel writers, propaganda on both sides of the suffrage issue, including Women's Rights Convention programs, and materials on women as both victims and perpetrators of crime. While the collection is currently being cataloged according to the Library of Congress’ classification system for improved accessibility, the books were originally collected by Alice Marshall according to the following broad categories: abolition, artists, biographies (individual and collective), bigotry, birth control, bloomer, Mary Elizabeth Braddon, captivity, Civil War, crime, Dorothy Dix, divorce, doctors, education, expositions, fashion, Charlotte Perkins Gilman, health, hoboes, homemakers, housewives, Indian schools, journalism, law, Lowell, medicine, Mormons, novels and novelists, old women, pacifists, Pennsylvania, playwrights, poetry, politics, Queen Caroline, radicals, reform, religion, Salvation Army, Sanitary Commission, science, service Alice Marshall Women’s History Collection (May 2017) P a g e | 4 organizations, servants, sexual harassment, sexuality, social work, sports, spouse abuse, suffrage, temperance, travel, vice, war, women in the American West, woman, Victoria Woodhull, Women's Movement, Virginia Woolf, workers, and working women. Buttons, Badges, and Pins: The collection includes a wide variety of pins and buttons, many of which are related to social issues like abortion, birth control, war, political campaigns, and suffrage. Graphics: This segment of the AMC is composed of engravings, aquatints, lithographs, hand- colored fashion plates, cartoons, and advertisements, largely dating from the mid-1800s through the 1930s. Manuscripts: Among the manuscripts in the AMC are letters (including those of notable nineteenth-century literary women), autograph books, travel journals, and legal documents. Newspapers: The AMC includes limited runs and single issues of a wide variety of eighteenth- through early twentieth-century American titles (including numerous Pennsylvania titles), as well as some English publications. Magazines and Serials: Among the many journals in the AMC are The Free Enquirer, The Lowell Offering, The Women's Journal, The Revolution, The Forerunner, The Woman Citizen, The Anglo-Saxon Review, Mother Earth, The Suffragist, Godey's, and a complete run of Joanna Brome's The Observator (1681-1684). On the lighter side are early twentieth-century comic books, including a set of Arietta and the Cowgirls, and also a series of assorted romance comic books from the mid-twentieth century. Postcards: This very large collection of 6,131 postcards illustrates Mrs. Marshall's interests in the stereotyping of women. Posters: The AMC includes approximately 105 varied posters, such as large recruiting and
Recommended publications
  • And Type the TITLE of YOUR WORK in All Caps
    THAT LIBERTY SHALL NOT PERISH: AMERICAN PROPAGANDA AND THE POLITICS OF FEAR, 1914-1919 by ZACHARY CHARLES SMITH (Under the Direction of John H. Morrow, Jr.) ABSTRACT This dissertation attempts to provide an understanding of the widespread anxiety, vigilantism, suppression of dissent, and violation of civil liberties that took place in the United States from 1917 to 1919 and argues that it can be found in some Americans‟ understanding of and reaction to racially-charged propaganda. As the United States inched toward war with Germany in 1915 and after declaring war in April 1917, many propagandists began referencing the allegedly inherent characteristics of Germans as evidence of German American disloyalty and the existence of a vast “Pan-German” plot to undercut or even destroy American democracy. The imagined conspiracy grew to encompass most of the fears that had plagued the Anglo Saxon middle-class since the 1870s – immigrant radicalism, race suicide, the capability of “racially inferior” immigrants to assimilate and self-govern, and the continued deference of African Americans. To many anxious Americans, Germany and German Americans became a very real entity to which these long-held fears could be transferred. American propaganda produced during the First World War, though, was not a cynical ploy to fool the American people into supporting intervention on the side of the Allies. Leading Americans – politicians, editors, and social elites – were convinced that a global German conspiracy threatened the security of the United States and hoped to enlist the American people in staving off the existential threat they believed racially degenerate Germany allegedly posed.
    [Show full text]
  • World War I Poster and Ephemera Collection: Finding Aid
    http://oac.cdlib.org/findaid/ark:/13030/c86h4kqh Online items available World War I Poster and Ephemera Collection: Finding Aid Finding aid prepared by Diann Benti. The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2014 The Huntington Library. All rights reserved. World War I Poster and Ephemera priWWI 1 Collection: Finding Aid Overview of the Collection Title: World War I Poster and Ephemera Collection Dates (inclusive): approximately 1914-1919 Collection Number: priWWI Extent: approximately 700 items Repository: The Huntington Library, Art Collections, and Botanical Gardens. Prints and Ephemera 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains approximately 700 World War I propaganda posters and related ephemera dating from approximately 1914 to 1919. The posters were created primarily for government and military agencies, as well as private charities such as the American Committee for Relief in the Near East. While the majority of the collection is American, it also includes British and French posters, and a few Austro-Hungarian/German, Canadian, Belgian, Dutch, Italian, Polish, and Russian items. Language: English. Note: Finding aid last updated on July 24, 2020. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities.
    [Show full text]
  • Violet Oakley: Pennsylvania’S Premiere Muralist
    1 VIOLET OAKLEY: PENNSYLVANIA’S PREMIERE MURALIST Susan Hamburger Paper and slide presentation Pennsylvania Historical Association October 14, 1995 [SLIDE 1] Violet Oakley--a versatile portraitist, illustrator, stained glass artisan, and muralist--earned a reputation as the first American woman artist to succeed in the predominantly-male architectural field of mural decoration. Her strong commitment to her religion and world peace influenced her art as well as her life. [SLIDE 2] Oakley was born in Bergen Heights, New Jersey, to the artistic family of Arthur Edmund Oakley and Cornelia Swain Oakley. Both of her grandfathers, George Oakley and William Swain, belonged to the National Academy of Design and two of her aunts studied painting in Munich with Frank Duveneck. She believed that her compulsion to draw was “hereditary and chronic.” She once commented that she must have been “a monk in some earlier state of existence....The abbesses and sisters were too busy nursing the sick and doing fine needleworks. I never heard of them illuminating manuscripts. I am quite sure I was a monk.” 1 The youngest of three children, Violet followed her sisters Cornelia and Hester in learning the acceptable feminine skills of poetry writing, piano playing, 2 and sketching. While Hester attended Vassar College, Violet’s asthma prevented her from obtaining a college education which her parents thought too rigorous for her physical condition. She never let the asthma impede her artistic education or career. In 1892, at the age of eighteen, Oakley commuted to New York City to study at the Art Students’ League with Irving R.
    [Show full text]
  • World War I Posters from the Newark Public Library
    World War I Posters from the Newark Public Library 1 For Home and Country: World War I Posters from the Newark Public Library September 11 – December 13, 2017 University Galleries William Paterson University Inside front cover Clockwise from top left Exhibition checklist 1, 2, 3, 6, 9, 10 2 polished publication. He was patient and diligent while Introduction offering fresh perspectives on these historical prints. Special thanks go to William Paterson University Kristen Evangelista Director, University Galleries President Dr. Kathleen Waldron, Provost and Senior Vice President of Academic Affairs Dr. Warren Sandmann, Associate Provost for Academic Affairs Dr. Sandra Hill, former Associate Provost for Academic Affairs Dr. Stephen Hahn, Dean of the College of the Arts and Communication Daryl J. Moore, Associate Dean of the College of the Arts ome of our nation’s most iconic First and foremost, I would like to thank WP Professor of and Communication Loretta McLaughlin Vignier, and Chair images were created as propaganda History George Robb for his unwavering cooperation, vision, of the Art Department Professor Lauren Razzore. during World War I. From 1917-1918, and dedication to realizing this exhibition and publication. I would like to especially thank the entire gallery staff S several hundred artists worked This significant undertaking reflects his astute judgment, for their hard work and commitment to all that we do. diligently in concert with government focused scholarship, and curatorial expertise. Emily Johnsen adeptly coordinated numerous aspects agencies to design posters that supported the nation, We received indispensable guidance from Professor of the exhibition and publication with a constant eye for upheld values of liberty, and promoted participation in Alejandro Anreus and Professor Thomas Uhlein in the re- detail.
    [Show full text]
  • Art and the Greatwar
    PRE FACE HE purpose of this book has been to chronicle the part played in the Great War b a nt rs llustrators etch rs l tho ra hers and scul r y p i e , i , e , i g p p The r serv s w r o r at valu nd cer tors act n in th se ca ac t s . c a f , i g e p i ie i i e e e f g e e h s h r , tainly deserved to be recorded . Speaking of t e ervice rendered by t e a t ists the Honorabl Cart r Glass S cr tar o the Tr asur has sa d : , e e , e e y f e y, i r w s h n s t h rt sts Futur The whole civiliz ed wo ld o e t a k o t e a i of America . e history would be incomplete without adequate recognition of the mighty concrete values which the artists of the war wrung from thefabrics of their dreams and devoted to the rescue of humanity from further bloodshed and sacrifice. I hav ndeavor d to show what the art sts o the Un t d Stat s Gr at e e e i f i e e , e Br ta n anada and Franc hav don both in de ct n sc nes at the i i , C e e e, pi i g e actual ront and beh nd the l n s in r cord n the wor o the nav s and f i i e , e i g k f ie the av at on cor s as well as de ct n scen s in the sh ards mun t on i i p , pi i g e ipy , i i t r s n u tr l l nts an w r n n I hav too tr d to ac o d s a a d o o the la d .
    [Show full text]
  • Howard Pyle: Imagining an American School of Art. by JILL P. MAY and ROBERT E. MAY. (Champaign: University of Illinois Press, 20
    2012 BOOK REVIEWS 317 Howard Pyle: Imagining an American School of Art. By JILL P. M AY and ROBERT E. MAY. (Champaign: University of Illinois Press, 2011. 288 pp. Illustrations, notes, index. $45.) Once upon a time, the latest book illustrated by Howard Pyle (1853–1910) was on every American child’s wish list. In the meantime, youngsters could enjoy his vivid portrayals of history and legend in the pages of St. Nicholas, Everybody’s, Collier’s, Century, Scribner’s, and Harper’s magazines. Though not a household name today, Pyle was the preeminent illustrator of the Gilded Age, and his visual interpretations of the American Revolution, Robin Hood and his Merry Men, the Knights of the Round Table, and a motley crew of pirates were indelibly printed on the imaginations of several generations. Now a new book published in conjunction with the centenary of Howard Pyle’s death has redis- covered this forgotten icon of the popular culture. The subject is custom-made for authors Jill P. May, professor of literacy and language, and Robert E. May, professor of history (both at Purdue University), who bring to this work their expertise in fields beyond the history of art. This is not a coffee-table book but the first extensively documented biography of Howard Pyle. The authors combed through numerous archives and museum collections and wove their findings into a fluent narrative that documents Pyle’s personal life and his career as an illus- trator, author, and teacher. The frequent use of quotations from letters re-creates the intimate conversations between Pyle and his wide circle of colleagues and students, revealing the artist’s exuberant personality and manic energy.
    [Show full text]
  • Papers/Records /Collection
    A Guide to the Papers/Records /Collection Collection Summary Collection Title: World War I Poster and Graphic Collection Call Number: HW 81-20 Creator: Cuyler Reynolds (1866-1934) Inclusive Dates: 1914-1918 Bulk Dates: Abstract: Quantity: 774 Administrative Information Custodial History: Preferred Citation: Gift of Cuyler Reynolds, Albany Institute of History & Art, HW 81-20. Acquisition Information: Accession #: Accession Date: Processing Information: Processed by Vicary Thomas and Linda Simkin, January 2016 Restrictions Restrictions on Access: 1 Restrictions on Use: Permission to publish material must be obtained in writing prior to publication from the Chief Librarian & Archivist, Albany Institute of History & Art, 125 Washington Avenue, Albany, NY 12210. Index Term Artists and illustrators Anderson, Karl Forkum, R.L. & E. D. Anderson, Victor C. Funk, Wilhelm Armstrong, Rolf Gaul, Gilbert Aylward, W. J. Giles, Howard Baldridge, C. LeRoy Gotsdanker, Cozzy Baldridge, C. LeRoy Grant, Gordon Baldwin, Pvt. E.E. Greenleaf, Ray Beckman, Rienecke Gribble, Bernard Benda, W.T. Halsted, Frances Adams Beneker, Gerritt A. Harris, Laurence Blushfield, E.H. Harrison, Lloyd Bracker, M. Leone Hazleton, I.B. Brett, Harold Hedrick, L.H. Brown, Clinton Henry, E.L. Brunner, F.S. Herter, Albert Buck, G.V. Hoskin, Gayle Porter Bull, Charles Livingston Hukari, Pvt. George Buyck, Ed Hull, Arthur Cady, Harrison Irving, Rea Chapin, Hubert Jack. Richard Chapman, Charles Jaynes, W. Christy, Howard Chandler Keller, Arthur I. Coffin, Haskell Kidder Copplestone, Bennett King, W.B. Cushing, Capt. Otho Kline, Hibberd V.B Daughterty, James Leftwich-Dodge, William DeLand, Clyde O. Lewis, M. Dick, Albert Lipscombe, Guy Dickey, Robert L. Low, Will H. Dodoe, William de L.
    [Show full text]
  • The German Corpse Factory the Master Hoax of British Propaganda in the First World War Joachim Neander
    t.g theologie.geschichte herausgegeben von der Universität des Saarlandes Beiheft 6: The German Corpse Factory The Master Hoax of British Propaganda in the First World War Joachim Neander The German Corpse Factory The Master Hoax of British Propaganda in the First World War universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre © 2013 universaar Universitätsverlag des Saarlandes Saarland University Press Presses Universitaires de la Sarre Postfach 151150, 66041 Saarbrücken ISSN 2191-1592 gedruckte Ausgabe ISSN 2191-4745 Online-Ausgabe ISBN 978-3-86223-117-1 gedruckte Ausgabe ISBN 978-3-86223-118-8 Online-Ausgabe URN urn:nbn:de:bsz:291-universaar-t.g.beihefte.v60 Gestaltung und Satz: Dr. August Leugers-Scherzberg, Julian Wichert Projektbetreuung universaar: Müller, Alt Gedruckt auf säurefreiem Papier von Monsenstein & Vannerdat Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen National bibliografie; detaillierte bibliografische Daten sind im Internet über <http://dnb.d-nb.de> abrufbar. TABLE OF CONTENTS INTRODUCTION ................................................................. 7 I. ATROCITIES, DENIAL, AND ANTI-DENIAL ............. 25 II. THE ROOTS OF THE LEGEND ............................... 43 III. A PROPAGANDA BLITZ: THE “CORPSE FACTORY” CONQUERS THE WORLD ...................................... 131 IV. “KEEP THE HOME FIRES BURNING” .................... 179 V. THE “CORPSE FACTORY” GOES GLOBAL
    [Show full text]
  • Contact: Gabrielle Turgoose Director of Communications Email: [email protected] Phone: 215-247-0476 January 17, 2
    Contact: Gabrielle Turgoose Director of Communications Email: [email protected] Phone: 215-247-0476 January 17, 2017 Woodmere Art Museum Winter Exhibition Celebrates “The Storybook Magic of Jerry Pinkney” January 21-March 26, 2017 PHILADELPHIA, PA--- Philadelphia born watercolorist and renowned illustrator Jerry Pinkney is one of the most beloved artists in children’s literature. He has illustrated more than 100 children’s books, as well as a number of adult novels, and is the recipient of numerous book awards. Last July 19 was proclaimed Jerry Pinkney Day in Philadelphia in recognition of his remarkable, five- decade career. At heart, Pinckney considers himself a storyteller. Woodmere’s exhibition explores the different ways Pinkney combines words and art to tell stories. Color, line and composition are considered in the numerous sketches and preparatory painting for the two books featured in this exhibit. The elegant paintings of Black Cowboy, Wild Horses—a story from the life of former slave Bob Lemons—immerse viewers in action by capturing the sweep of the American West. Pinkney added collage to his paintings for the first time in Sweethearts of Rhythm, resulting in kinetic images that express the syncopation and energy of the music of the late 1930s and 1940s as played by the country’s first female interracial band. “Illustration has been an important aspect of Philadelphia’s unique artistic climate,” says William Valerio, PhD., executive director of Woodmere Museum.“ Jerry Pinkney is part of a direct line that leads to Violet Oakley, N.C. Wyeth and the many great Philadelphia artists who worked as illustrators.
    [Show full text]
  • ECL Style Guide August ‘07
    1 ECL Style Guide August ‘07 Eighteenth-Century Life first adheres to the rules in this style guide. For issues not covered in the style guide, refer to the fifteenth edition of The Chicago Manual of Style (hereinafter, CMS17) for guidance. This is available online at https://www.chicagomanualofstyle.org/home.html Eighteenth-Century Life prefers to receive submissions by e-mail, either in Microsoft Word or in WordPerfect. If that is not possible, sending in 3 ½” disks is preferable to submitting mss. If mss. are submitted, please send three copies. ABBREVIATIONS Corporate, municipal, national, and supranational abbreviations and acronyms appear in full caps. Most initialisms (abbreviations pronounced as strings of letters) are preceded by the. Latin abbreviations, such as e.g. and i.e., are usually restricted to parenthetical text and set in Roman type, not italics, except for sic, which is italicized for visibility’s sake. Pace, Latin for “contrary to,” is italicized to avoid confusion with “pace.” We’ll allow e.g. and i.e. to appear in the text of the notes. According to Chicago Manual, if used in running text, abbreviations should be confined to parenthetical expressions. Personal initials have periods and are spaced. W. E. B. DuBois; C. D. Wright BYLINE AND AFFILIATION The author’s name and affiliation appear on the opening page of each article. No abbreviations are used within the affiliation. If more than one author appears, an ampersand separates the authors. James Smith University of Arizona John Abrams University of Florida & Maureen O’Brien University of Virginia AMPERSANDS The use of ampersands is limited to “The College of William & Mary” on the cover, on the title page, and in copyright slugs, and to separating multiple authors in the byline on article-opening pages.
    [Show full text]
  • Newspaper Distribution List
    Newspaper Distribution List The following is a list of the key newspaper distribution points covering our Integrated Media Pro and Mass Media Visibility distribution package. Abbeville Herald Little Elm Journal Abbeville Meridional Little Falls Evening Times Aberdeen Times Littleton Courier Abilene Reflector Chronicle Littleton Observer Abilene Reporter News Livermore Independent Abingdon Argus-Sentinel Livingston County Daily Press & Argus Abington Mariner Livingston Parish News Ackley World Journal Livonia Observer Action Detroit Llano County Journal Acton Beacon Llano News Ada Herald Lock Haven Express Adair News Locust Weekly Post Adair Progress Lodi News Sentinel Adams County Free Press Logan Banner Adams County Record Logan Daily News Addison County Independent Logan Herald Journal Adelante Valle Logan Herald-Observer Adirondack Daily Enterprise Logan Republican Adrian Daily Telegram London Sentinel Echo Adrian Journal Lone Peak Lookout Advance of Bucks County Lone Tree Reporter Advance Yeoman Long Island Business News Advertiser News Long Island Press African American News and Issues Long Prairie Leader Afton Star Enterprise Longmont Daily Times Call Ahora News Reno Longview News Journal Ahwatukee Foothills News Lonoke Democrat Aiken Standard Loomis News Aim Jefferson Lorain Morning Journal Aim Sussex County Los Alamos Monitor Ajo Copper News Los Altos Town Crier Akron Beacon Journal Los Angeles Business Journal Akron Bugle Los Angeles Downtown News Akron News Reporter Los Angeles Loyolan Page | 1 Al Dia de Dallas Los Angeles Times
    [Show full text]
  • Elliott, Elizabeth Shippen Green Files
    Elizabeth Shippen Green Elliott Files A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum Acquisition Information Material collected by the Library; some material donated by Mr. and Mrs. Benjamin Eisenstat Extent 3 linear feet Abstract The Elizabeth Shippen Green Elliott Files contain book and magazine illustrations, Christmas cards, correspondence, and audio recordings. Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation Elizabeth Shippen Green Elliott Files, Helen Farr Sloan Library & Archives, Delaware Art Museum Related Materials Elizabeth Shippen Green Elliott Photographs; Students of Howard Pyle Files; Huger Elliott Papers 1 Biography of Elizabeth Shippen Green Elliott Elizabeth Shippen Green Elliott is known through her work for Harper's Magazine. In 1901 she began an exclusive contract that lasted for the next twenty-three years, to October 1924. She was born Elizabeth Shippen Green, to Jasper Green and Elizabeth Shippen Boucle Green on September 1, 1871. She began serious art study at the Pennsylvania Academy of the Fine Arts night classes. She spent one year in antique class, drawing from plaster casts, and two years in life class, studying live models; her teachers included Thomas Anshutz, Thomas Eakins, and Robert Vonnoh. Upon graduation from the Academy, Elizabeth began illustrating articles for several of the Philadelphia newspapers. She worked for the Philadelphia Times and The Public Ledger. Within a year after commencing this work she was doing advertising illustration for Strawbridge and Clothier. From 1895 to 1901 she illustrated articles, stories, and children's pages in many of the leading magazines of the day.
    [Show full text]