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Stairway to Heaven? Geographies of the Space Elevator in Science Fiction
ISSN 2624-9081 • DOI 10.26034/roadsides-202000306 Stairway to Heaven? Geographies of the Space Elevator in Science Fiction Oliver Dunnett Outer space is often presented as a kind of universal global commons – a space for all humankind, against which the hopes and dreams of humanity have been projected. Yet, since the advent of spaceflight, it has become apparent that access to outer space has been limited, shaped and procured in certain ways. Geographical approaches to the study of outer space have started to interrogate the ways in which such inequalities have emerged and sustained themselves, across environmental, cultural and political registers. For example, recent studies have understood outer space as increasingly foreclosed by certain state and commercial actors (Beery 2012), have emphasised narratives of tropical difference in understanding geosynchronous equatorial satellite orbits (Dunnett 2019) and, more broadly, have conceptualised the Solar System as part of Earth’s environment (Degroot 2017). It is clear from this and related literature that various types of infrastructure have been a significant part of the uneven geographies of outer space, whether in terms of long-established spaceports (Redfield 2000), anticipatory infrastructures (Gorman 2009) or redundant space hardware orbiting Earth as debris (Klinger 2019). collection no. 003 • Infrastructure on/off Earth Roadsides Stairway to Heaven? 43 Having been the subject of speculation in both engineering and science-fictional discourses for many decades, the space elevator has more recently been promoted as a “revolutionary and efficient way to space for all humanity” (ISEC 2017). The concept involves a tether lowered from a position in geostationary orbit to a point on Earth’s equator, along which an elevator can ascend and arrive in orbit. -
ORIGIN 37 March 2021
ORIGIN 37 March 2021 Publication of the National Fantasy Fan Federation History and Research Bureau Published by the National Fantasy Fan Federation (N3F). To join or renew, use the membership form at http://n3f.org/join/membership-form/ to provide your name and whichever address you use to receive zines. Memberships with The National Fantasy Fan (TNFF) via paper mail are $18; memberships with TNFF via email are $6. Zines other than TNFF are email only. Additional memberships at the address of a current dues-paying member are $4. Public memberships are free. Send payments to Kevin Trainor, PO Box 143, Tonopah, Nevada 89049. Pay online at N3F.org . Our PayPal contact is [email protected] . Editor of Origin and Bureau Head of the History and Research Bureau is John Thiel. STAFF Judy Carroll, 975 East 120 S, Spanish Fork, Utah 84660, [email protected] Jeffrey Redmond, 1335 Beechwood NE, Grand Rapids, MI 49505-3830, [email protected] Jon Swartz, 12115 Missel Thrush Court, Austin, Texas 78750, [email protected] Origin is published monthly at the midmonth and is circulated to all members with email addresses. Cover by Alan White Contents: Editorial, “Why Feud? What’s the Matter?” by John Thiel, page three. Genre Paperbacks in the Armed Services editions, by Jon Swartz, page five. The Gunn Center for the Study of Science Fiction, by Jeffrey Redmond, page eleven. Getting Along by Judy Carroll, page seventeen. Personal Considerations on SF and Fantasy by Will Mayo, page nineteen. EDITORIAL Why Feud? What’s the Matter?—The Modern Fight Culture There’s a lot of reason to see an upturn in the science fiction culture, but there remains a lot of feuding going on here and there in fandom, now becoming more and more visible on Facebook. -
Other Worldly Words 2019
Other Worldly Words 2019 Thursday, January 31st at 6:45 pm What the Hell Did I Just Read: A Novel of Cosmic Horror by David Wong While investigating a fairly straightforward case of a shape-shifting interdimensional child predator, Dave, John and Amy realized there might actually be something weird going on. Thursday, February 28th at 6:45 pm The Collapsing Empire by John Scalzi An empire of star systems, connected by an extradimensional conduit called the Flow, is threatened by eventual extinction as it appears to be breaking down. Thursday, March 28th at 6:45 pm The City of Brass by S.A. Chakraborty On the streets of eighteenth-century Cairo, Nahri is a con woman of unsurpassed skill. She makes her living swindling Ottoman nobles, hoping to one day earn enough to change her fortunes. Thursday, April 25th at 6:45 pm Jade City by Fonda Lee Jade is the lifeblood of the island of Kekon. It has been mined, traded, stolen, and killed for -- and for centuries, honorable Green Bone warriors like the Kaul family have used it to enhance their magical abilities and defend the island from foreign invasion. Thursday, May 30th at 6:45 pm Foundryside by Robert Jackson Bennett In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself. Thursday, June 27th at 6:45 pm Tales of the Dying Earth by Jack Vance As a swollen red sun grows ever closer to annihilating the Earth, decadent magicians compete for the technology of an ancient age — a science now known as magic. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Mediakit with Links.Indd
Strange. Beautiful. Shocking. Surreal. “One of the trailblazing publishers of short-form science fiction, fantasy, and horror.” — Jason Heller, The A.V. Club Mission Statement Apex Magazine (http://www.apex-magazine.com) has been called all of these things since its inception. For more than ten years, Apex has been dazzling readers with its originality, fearlessness, and commitment to the very best. A three-time Hugo nominee, Apex Magazine is regarded as a trailblazer in the field of science fiction. A self-proclaimed mash-up of science fiction, fantasy, and horror, Apex delivers on the adage that a short story can take you to the end of the galaxy and back before dinner. The Magazine Apex has given a megaphone to some of the most unique and com- pelling voices of the past decade. Now one of the most recognizable names in the industry, Apex has become one of the standards that all others try to meet. From its hard-edged science fiction to magical realism, Apex has something to satisfy every fantastic taste. A two- time winner of the Nebula Award for Best Short Story (2014, 2015) and four-time nominee, the magazine continues to provide readers with some of the most thought-provoking and diverse fiction in the genre. Apex Magazine provides a monthly podcast for listeners to hear their favorite stories at a moment’s notice. The magazine also pub- lishes poetry, and it has had numerous pieces nominated for the Rhysling Award. Never one to play it safe, Apex’s stories blur the line between sci- ence fact and science fiction. -
The Other in Science Fiction As a Problem for Social Theory 1
doi: 10.17323/1728-192x-2020-4-61-81 The Other in Science Fiction as a Problem for Social Theory 1 Vladimir Bystrov Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] Vladimir Kamnev Doctor of Philosophical Sciences, Professor, Saint Petersburg University Address: Universitetskaya Nabereznaya, 7/9, Saint Petersburg, Russian Federation 199034 E-mail: [email protected] The paper discusses science fiction literature in its relation to some aspects of the socio- anthropological problem, such as the representation of the Other. Given the diversity of sci-fi genres, a researcher always deals either with the direct representation of the Other (a crea- ture different from an existing human being), or with its indirect, mediated form when the Other, in the original sense of this term, is revealed to the reader or viewer through the optics of some Other World. The article describes two modes of representing the Other by sci-fi literature, conventionally designated as scientist and anti-anthropic. Thescientist representa- tion constructs exclusively-rational premises for the relationship with the Other. Edmund Husserl’s concept of truth, which is the same for humans, non-humans, angels, and gods, can be considered as its historical and philosophical correlate. The anti-anthropic representa- tion, which is more attractive to sci-fi authors, has its origins in the experience of the “dis- enchantment” of the world characteristic of modern man, especially in the tragic feeling of incommensurability of a finite human existence and the infinity of the cosmic abysses. -
Catalogue 147: Science Fiction
And God said: DELETE lines One to Aleph. LOAD. RUN. And the Universe ceased to exist. Then he pondered for a few aeons, sighed, and added: ERASE. It never had existed. For David Catalogue 147: Science Fiction Bromer Booksellers 607 Boylston Street, at Copley Square Boston, MA 02116 P: 617-247-2818 F: 617-247-2975 E: [email protected] Visit our website at www.bromer.com n the Introduction to Catalogue 123, which contained the bulk of a In his fifty years as a bookman, David naturally recognized the signifi- science fiction collection he had assembled, David Bromer noted cance of the early rarities, the books that laid the groundwork for the that “science fiction is a robust genre of literature, not allowing authors of the modern era. He was pleased to discover, when cata- one to ever complete a collection.” The progressive nature of sci- loguing Cyrano de Bergerac’s The Comical History of the States and enceI and the social fabric that it impacts means that the genre itself Empires of the Worlds of the Moon and the Sun, that its author de- has to be fluid, never quite getting pinned down like a specimen under scribed a personal music player–anticipating in the year 1687 the cre- glass. ation of the Walkman and iPod three centuries later. In this regard, it is entirely fitting that David has been drawn to science Ultimately, science fiction primed the human imagination to accom- fiction as a reader, and as a collector. He is a scientist by training, hav- plish what is perhaps its greatest achievement: the exploration of ing earned a PhD in Metallurgy from MIT and worked in research fields space and the mission to the moon in 1969. -
Lucky Sevens Nov 2005.PUB
The Lucky Sevens The Official Newsletter of the 7th Brigade Starfleet Marine Corps A Division of STARFLEET The International Star Trek Fan Association Volume 3 Issue 6 Page 1 November 2005 The Lucky Sevens The Official Newsletter of the 7th Brigade, SFMC In This Issue: 7th Brigade Command Staff • Brigade Command Staff Reports 7th Brigade OIC BGen Larry Niegut • Brigade Support Staff Reports [email protected] • Battalion OIC Reports • Awards Issued 7th Brigade DOIC Major Rey Cordero • Brigade Activities during the past [email protected] 60 days • Doohan’s Ashes to be sent into 7th Brigade Aide de Camp Brigadier James Pepe Space • Air Force testing new transparent armor 7th Brigade Sergeant Major Vacant • Conventions of the Seventh Bri- gade 7th Brigade Support Staff 7th Brigade Communications Director Brigadier Joseph C Dorffner Jr [email protected] 7th Brigade Electronic Services Officer Colonel Sean Neimeyer [email protected] Assistant Editor - “The Lucky Sevens” Lt Colonel Keith J Keppley [email protected] The Lucky Sevens is published electronically six 7th Brigade Quartermaster (6) times per calendar year, during odd-numbered BGen Martin Lessem months. All submissions regarding the 7th Brigade are [email protected] welcome, and may be submitted to the 7th Brigade Com- munications Director electronically at [email protected] (please put “Newsletter Sub- mission” in the subject line of your e-mail). Deadlines are normally the 20th of even-numbered months. Opinion articles do not necessarily represent the Battalion OICs views of The Lucky Sevens or the 7th Brigade Com- OIC 1st Battalion (DE) OIC 2nd Battalion (DC) mand Staff. -
The Drink Tank - the Hugo for Best Novel 2013 the Drink Tank 347 - the Hugo for Best Novel 2013
The Drink Tank - The Hugo for Best Novel 2013 The Drink Tank 347 - The Hugo for Best Novel 2013 Contents Cover by Bryan Little! “Hugo not bound by Space and Time” Page 2 - Table of Contents / Art Credits / This Stuff Captain Vorpatril’s Alliance “Contents” by Lois McMasters Bujold Page 3 On The Shortlist Page 19 - A Very Loosely Related Article by Steve Diamond (of Elitist Book Reviews) By Christopher J Garcia Art from Kurt Erichsen “Yeah, I’ve got nothing.” “I’ve read a lot of books...” Page 20 - A Review by Sara Dickinson “Insofar as suspense goes...” The Throne of the Crescent Moon Page 22 - 2 Reviews - by Saladin Ahmed By Liz Lichtfield Page 5 - A Very Loosely Related Article “This was entirely too funny for words.” by Christopher J Garcia By Kate “...some are hugely important symbols, while “Oh, this was funny...” others are just over-hyped chairs.” Page 6 - A Review by Juan Sanmiguel 2312 “It will be interesting to see were Ahmed will by Kim Stanley Robinson take us next.” Page 23 - A Very Loosely Related Article Page 7 - A Review by Mihir Wanchoo By Christopher J Garcia “The book’s size is definitely on the thinner “In 300 years, I will be 338.” side and this might be going against the norm...” Page 24 - A Review by Anne Charnock Page 10 - A Review by Nadine G. “...Robinson has written a humungous book...” “...just putting things in the desert doesn’t make Page 25 - A Review by Maria Tomchick a great book either.” “...the author could use a good editor...” Page 26 - A Review of Beth Zuckerman Blackout “I recommend this book even though it’s about by Mira Grant terrorism...” Page 11 - A Very Loosely Related Article By Christopher J Garcia Redshirts “...and over the radio system came a name - by John Scalzi Sunil Tripathi. -
Popular Fiction 1814-1939: Selections from the Anthony Tino Collection
POPULAR FICTION, 1814-1939 SELECTIONS FROM THE ANTHONY TINO COLLECTION L.W. Currey, Inc. John W. Knott, Jr., Bookseller POPULAR FICTION, 1814-1939 SELECTIONS FROM THE THE ANTHONY TINO COLLECTION WINTER - SPRING 2017 TERMS OF SALE & PAYMENT: ALL ITEMS subject to prior sale, reservations accepted, items held seven days pending payment or credit card details. Prices are net to all with the exception of booksellers with have previous reciprocal arrangements or are members of the ABAA/ILAB. (1). Checks and money orders drawn on U.S. banks in U.S. dollars. (2). Paypal (3). Credit Card: Mastercard, VISA and American Express. For credit cards please provide: (1) the name of the cardholder exactly as it appears on your card, (2) the billing address of your card, (3) your card number, (4) the expiration date of your card and (5) for MC and Visa the three digit code on the rear, for Amex the for digit code on the front. SALES TAX: Appropriate sales tax for NY and MD added. SHIPPING: Shipment cost additional on all orders. All shipments via U.S. Postal service. UNITED STATES: Priority mail, $12.00 first item, $8.00 each additional or Media mail (book rate) at $4.00 for the first item, $2.00 each additional. (Heavy or oversized books may incur additional charges). CANADA: (1) Priority Mail International (boxed) $36.00, each additional item $8.00 (Rates based on a books approximately 2 lb., heavier books will be price adjusted) or (2) First Class International $16.00, each additional item $10.00. (This rate is good up to 4 lb., over that amount must be shipped Priority Mail International). -
Ray Bradbury Has Inspired Generations of Readers to Dream, BUBONICON FRIEND AMONG Think and Create," the Statement Said
ASFACTS 2012 JULY “S UMMER RAINS , S TUPID DRAINS ” I SSUE ROGERS & D ENNING HOSTING PRE -CON PARTY Patricia Rogers and Scott Denning will uphold a local fannish tradition when they host the Bubonicon 44 Pre-Con Party 7:30-10:30 pm Thursday, August 23, at their home in Bernalillo – located at 909 Highway 313. The easiest way to reach the house is north on I-25 to exit 242 east (Rio Rancho’s backdoor and the road to Cuba). At Highway 313, turn right to head north. Look Martian Chronicles and Something Wicked This Way for the Country Store, the John Deere sign and Mile Comes , died June 5 after a lengthy illness. He was 91 Marker 9. Their house is on the west side of the road, with years old. plenty of parking on the shoulder. Bradbury "died peacefully [in the] night, in Los An- In addition to socializing, attendees can help assem- geles, after a lengthy illness," his publisher, Harper- ble the membership packets, and check out the 2012 con t Collins, said in a written statement. -shirt with artwork by Ursula Vernon. Bradbury's books and 600 short stories predicted a Please bring snacks and drinks to share, plus plates, variety of things, including the emergence of ATMs and napkins, cups and some ice. As with any hosted party, live broadcasts of fugitive car chases. please help keep the house clean and in good shape! "In a career spanning more than 70 years, Ray Bradbury has inspired generations of readers to dream, BUBONICON FRIEND AMONG think and create," the statement said. -
Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(S): Michael Rogin Source: Representations, No
Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(s): Michael Rogin Source: Representations, No. 6 (Spring, 1984), pp. 1-36 Published by: University of California Press Stable URL: http://www.jstor.org/stable/2928536 Accessed: 04-03-2015 22:18 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Representations. http://www.jstor.org This content downloaded from 169.234.53.127 on Wed, 04 Mar 2015 22:18:06 UTC All use subject to JSTOR Terms and Conditions MICHAEL ROGIN Kiss Me Deadly: Communism,Motherhood, and Cold War Movies* I THE HISTORY of demonologyin Americanpolitics comprises three major moments.The firstis racial. "Historybegins for us withmurder and enslavement,not with discovery," wrote William Carlos Williams.' He wascalling attentionto thehistorical origins of theUnited States in violenceagainst peoples of color.The expropriationof Indianland and exploitationof blacklabor lie at theroot not only of America's economic development, but of its political conflicts and culturalidentity as well.A distinctiveAmerican political tradition, fearful of primitivism,disorder, and conspiracy,developed in responseto peoplesof color. That traditiondraws its energy from alien threatsto the Americanway of life, and sanctionsviolent and exclusionaryresponses to them.2 Classand ethnicconflict define the second demonological moment.