Lester B. Dent Collection (CA5569)
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell M
The Empowering Squirrel Girl Jayme Horne Submitted for History of Art 390 Feminism and History of Art Professor Ellen Shortell Massachusetts College of Art and Design All the strength of a squirrel multiplied to the size of a girl? That must be the Unbeatable Squirrel Girl (fig. 1)! This paper will explore Marvel’s Squirrel Girl character, from her introduction as a joke character to her 2015 The Unbeatable Squirrel Girl comic series which is being harold as being extremely empowering. This paper aims to understand why a hero like Squirrel Girl would be harold and celebrated by fans, while other female heroes with feminist qualities like Captain Marvel or the New Almighty Thor might be receiving not as much praise. Squirrel Girl was created by Will Murray and artist Steve Ditko. Despite both of them having both worked for Marvel and DC, and having written stories about fan favorites like Spider-Man, Wonder Woman, Iron Man, and others, they are most known for creating Squirrel Girl, also known as Doreen Green. Her powers include superhuman strength, a furry, prehensile tail (roughly 3-4 feet long), squirrel-like buck teeth, squirrel-like retractable knuckle claws, as well as being able to communicate with squirrels and summon a squirrel army. She was first introduced in 1991, where she ambushed Iron Man in attempt to impress him and convince him to make her an Avenger. That’s when they were attacked one of Marvel’s most infamous and deadly villains, Doctor Doom. After Doctor Doom has defeated Iron Man, Squirrel Girl jumps in with her squirrel army and saves Iron Man1 (fig. -
The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France
names, Vol. 58 No. 3, September, 2010, 127–38 Teratonymy: The Weird and Monstrous Names of HP Lovecraft Christopher L Robinson HEC-Paris, France Lovecraft’s teratonyms are monstrous inventions that estrange the sound patterns of English and obscure the kinds of meaning traditionally associ- ated with literary onomastics. J.R.R. Tolkien’s notion of linguistic style pro- vides a useful concept to examine how these names play upon a distance from and proximity to English, so as to give rise to specific historical and cultural connotations. Some imitate the sounds and forms of foreign nomen- clatures that hold “weird” connotations due to being linked in the popular imagination with kabbalism and decadent antiquity. Others introduce sounds-patterns that lie outside English phonetics or run contrary to the phonotactics of the language to result in anti-aesthetic constructions that are awkward to pronounce. In terms of sense, teratonyms invite comparison with the “esoteric” words discussed by Jean-Jacques Lecercle, as they dimi- nish or obscure semantic content, while augmenting affective values and heightening the reader’s awareness of the bodily production of speech. keywords literary onomastics, linguistic invention, HP Lovecraft, twentieth- century literature, American literature, weird fiction, horror fiction, teratology Text Cult author H.P. Lovecraft is best known as the creator of an original mythology often referred to as the “Cthulhu Mythos.” Named after his most popular creature, this mythos is elaborated throughout Lovecraft’s poetry and fiction with the help of three “devices.” The first is an outlandish array of monsters of extraterrestrial origin, such as Cthulhu itself, described as “vaguely anthropoid [in] outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind” (1963: 134). -
Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had. -
Please Read These Instructions Carefully Please Return Ballot To
Please Read These Instructions Carefully Please return ballot to: CONZEALAND HUGO ADMINISTRATION c/o TAMMY COXEN 508 LITTLE LAKE DR ANN ARBOR MI 48103 USA This ballot must be received by: Wednesday 15 July 2020 at 11:59pm PDT (GMT-7) Thank you for participating in the 1945 Retrospective Hugo Awards and the 2020 Hugo, Astounding and Lodestar Awards. To vote online, visit the members area on the CoNZealand website and login. Once online voting opens your ballot will be available under “My Memberships.” If you need assistance contact [email protected]. Reproduction Reproduction and distribution of this ballot is permitted and encouraged, provided that it is reproduced verbatim (including voting instructions), with no additional materials other than the name of the person or publication responsible for the reproduction. For more information about the 2020 Hugo Awards and 1945 Retro Hugo Awards, please visit our web page at conzealand.nz/about/explore-worldcon/world-science-fiction-society-about/hugo-awards "World Science Fiction Society", "WSFS", "World Science Fiction Convention", "Worldcon", "NASFiC", "Hugo Award", the Hugo Award Logo, and the distinctive design of the Hugo Award Trophy Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Eligibility to Vote You may vote for the 2020 Hugo Awards, the Astounding Award for Best New Writer and the Lodestar Award for Best YA Book, and the 1945 Retro Hugo Awards, if you are an Adult Attending or Supporting member of CoNZealand. Please complete the eligibility section, and remember to sign your ballot. How to vote: ● This ballot uses a modified version of the Single Transferable Vote for a single winner, sometimes known as the Alternative Vote or Instant Runoff Ballot. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
JB's Extensive Listing of Pulp-Related Gaming Resources
- LASTJB UPDATED:’s Extensive 6/8/2012 8:09:07 PM Listing of Pulp Related Gaming Resources I was one of the original co-authors for what would eventually become The Ravaged Earth Society (a Savage Worlds sourcebook). Although I had nothing to do with the final version Pulpof the product Gaming I did do a huge Resources amount of research on the genre while working on the original draft -- my original list of resources is 12 typewritten pages long). Whether you’re looking for adventure seeds, information to use in expanding your campaign or simply inspiration while creating your next intrepid hero, the information that follows will prove both useful and insightful. In compiling this resource, I have deviated from the standard definition of “Classic Pulp”, instead adopting a much broader interpretation in which camp and over-the-top actions are the defining factors. Ultimately, the deciding factor as to whether to include a reference or not was the answer to the following question: “Does this reference contain information that could easily be used in a pulp adventure or campaign?” If the answer was yes, it was included; otherwise, it got the boot! ROLEPLAYING GAMES Some of these games are out of print, while others are available only as electronic files, so getting your hands on them may require a trip to an online vendor such as RPGNow or perhaps even eBay. When attempting to locate these games, we suggest making the Pen & Paper website your first stop. Adventure! (White Wolf) The Adventures of Indiana Jones (TSR) Barbarians of Lemuria - with the Dicey Tales Companion (BBG) Blood Shadows (West End Games) Boomtown Planet (Timeless Games) Buck Rogers: High Adventure Cliffhangers (TSR) Call of Cthulhu (Chaosium) Castle Falkenstein (R. -
The Following Is a Transcript of a Presentation I Made at the in Your Write Mind Conference at Seton Hill University on 22 June 2018
The following is a transcript of a presentation I made at the In Your Write Mind Conference at Seton Hill University on 22 June 2018. The audience comprised largely graduates of the University's MFA program for novelists. - FAJr. WRITING FOR THE NEW PULP FICTION MARKET Ever hear of The Purple Scar? Lady Domino? The Black Bat? How about the Shadow? Doc Savage? Conan the Barbarian? Ah, I see recognition lighting up a few faces. The aforementioned heroes and heroine are members of the pantheon of pulp fiction characters popular in the magazines of the 1930s and 40s. Literary types are fond of tagging Pulp Fiction as "escapist literature named after the cheap pulp paper on which the magazines were printed." I prefer to think that Pulp Fiction is named after the state in which the villains are left after the hero is finished beating the living snot out of them. Hundreds of pulp magazines graced the newsstands and magazine racks of America, some monthly and some weekly in the 1930s and 40s. And they kept authors like H.P. Lovecraft, Fritz Leiber, Ray Bradbury, Robert E. Howard, Robert Bloch, Kenneth Robeson, Dashiell Hammett, Raymond Chandler and a host of others from starving to death in the hard times of the Great Depression. As a matter of fact, during the Depression, the prolific Robert E. Howard had a greater income than the President of the bank in his hometown of Cross Plains, Texas. The magazines had titles like Spicy Detective Stories, Weird Tales, Astounding Science Fiction, THRILLING ADVENTURE, THRILLING DETECTIVE, THRILLING MYSTERY, THRILLING RANCH, THRILLING SPORTS, THRILLING WESTERN, and THRILLING WONDER STORIES. -
The Imperial Superhero
............................................................................................................................................................................................................................................... SYMPOSIUM ............................................................................................................................................................................................................................................... The Imperial Superhero Chris Gavaler, Washington and Lee University ............................................................................................................................................................................................................................................... et in 1978, the year Edward Said published Orien- THE FIRST SUPERHERO talism, Salman Rushdie’s Midnight’s Children The superhero’s constituent genres—fantasy, adventure, sci- depicts “magic children” born in the first hour of ence fiction, and detective fiction—originated and developed August 15, 1947, “within the frontiers of the infant in direct relationship to nineteenth-century British colonial- sovereign state of India” (1981, 226, 224). Through ism, and by absorbing their elements, the superhero consoli- Ssome “freak of biology” or “preternatural power,” the children dates a myriad of imperial attitudes into a single character receive “miraculous” abilities, including such superhero sta- type. The earliest manifestation is Spring-Heeled Jack who, ples -
The J. T. Oliver Photo Collection
The J. T. Oliver Photo Collection The J. T. Oliver Photo Collection, May 2013, is a one-shot published by Bill Plott, 190 Crestview Circle, Montevallo, AL 35115 for SFPA Mailing 293. Other contact information: 205- 665-5538; [email protected]. Editing assistance by Lillian Plott. This is Banshee Press publication No. 34. J.T. Oliver’s house at 315 27th Street, Columbus, Ga. The J. T. Oliver Photo Collection In my teenage years when Southern fans were few and far between I picked up the nickname of “The Traveling Fan” for a while, largely due to my quest to find kindred spirits. I made trips to meet Al Andrews in Birmingham, Dave Hulan in Huntsville, James ayers in Attalla, AL, Shelby and Suzy Vick and Norm Metcalfe in Panama City, James Ayers in Attalla, Ala., and Emile Greenleaf in New Orleans. I also visited J.T. Oliver in Columbus, Ga. J.T. was among a small group of active fans in the 1950s in Georgia. Others included Lee Hoffman in Savannah, Roger D. Aycock in Rome, and the coterie of fans that formed that Atlanta Science Fiction Organization. Aycock, by the way, was also a pro who wrote under the name of Roger Dee. Since Columbus was only 30 miles from Opelika, I made several trips to visit J.T. I thought nothing of it at the time but realized later that he lived in one of the mill villages and probably worked in one of the mills. I remember him explaining that the Columbus high schools were culturally dispersed. -
Doc Savage: #000A - "The Doc Savage Authors" Archived at [.Pdf]
Doc Savage: #000A - "the Doc Savage Authors" archived at http://www.stealthskater.com/DocSavage/DS000_Authors.doc [.pdf] to read more Doc Savage novels, go to http://www.stealthskater.com/DocSavage.htm Background and History of the Publishing of "Doc Savage" last updated December 10, 2010 Introduction Authors the Bantam Book paperback series Bantam Cover Artists some Doc Savage-related Websites the history of "Kenneth Robeson" (the "author" of the Doc Savage series) an interview with contemporary "Doc Savage" author Will Murray the "Maturing" of the Doc Savage character a Summary of the 3 Decades of Lester Dent's writings "Why 'Kenneth Robeson' Doesn't Write Anymore" the 1975 "Doc Savage" movie Doc Savage: Arch Enemy of Evil (history and interviews) Doc's high-adventure Dictionary List of all Doc Savage Books Theme & Characters of each adventure 1 archived at http://www.stealthskater.com/DocSavage.htm Doc Savage: #000A - "the Doc Savage Authors" Introduction Just under 2 years after "The Shadow" appeared on magazine racks, Doc Savage became the 3rd pulp character to get his own magazine. The World met the 'Man of Bronze' in a novel titled The Man of Bronze (#001), March 1933. "Doc Savage" was created by Street&Smith’s Henry W. Ralston -- with help from editor John L. Nanovic -- in order to capitalize on the surprise success of "The Shadow" magazine. It was Lester Dent, though, who crafted the character into the superman that he became. Dent -- who wrote most of the adventures -- described his hero Clark “Doc” Savage Jr. as a cross between “Sherlock Holmes with his deducting ability, Tarzan of the Apes with his towering physique and muscular ability, Craig Kennedy with his scientific knowledge, and Abraham Lincoln with his Christ-liness.” Through 181 novels, the fight against Evil was on. -
Gothic Genesis 6.5 MB
Mythos #3 Winter, 2019 In the beginning…Bob created the Batman. But, Batman was battle against the evil forces of society…his identity remains un- unformed and unfinished. And so, Bob brought his new creation known.” 2 This was a basic detective murder mystery thriller, in to his writer-friend Bill, who looked upon Batman and pondered which Batman tracked down a corporate criminal named Alfred the potential and possibilities of what could be. Bill suggested Stryker, who schemed to murder his two partners in the Apex Majestic and grandiose are the two terms by which I would Batman truly was. Like the Dark Knight, his influential and some adjustments and alterations inspired by the bat motif, Chemical Corporation before he would have to buy them out. personally describe the remarkable talent of maestro scribe, inspiring work has been mantled in the mists of mystery and which Bob incorporated into Batman’s unique and uncanny In the climatic scene, Batman punched Stryker so powerfully Gardner Francis Fox. For the most part, his life, his vast myth since the genesis of the character. For Gardner was image. Bob and Bill looked upon their collaborative effort and that the blow caused him to break through the protective railing mind-boggling body of work, and perhaps most importantly right there, front and center from nearly the very beginning, behold, Batman was very good! Bob presented Batman to and fall into a tank of acid. Finger’s second effort in Detec- of all, his immeasurable influence upon the wild and wacky taking over the script writing duties from Bill Finger as early as DC Comics’ senior editor Vincent A.