Blue Mitchell the Thing to Do Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Blue Mitchell the Thing to Do Mp3, Flac, Wma Blue Mitchell The Thing To Do mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Thing To Do Country: US Released: 1985 Style: Hard Bop MP3 version RAR size: 1134 mb FLAC version RAR size: 1527 mb WMA version RAR size: 1901 mb Rating: 4.6 Votes: 304 Other Formats: MP4 AC3 ADX VOX AU AHX MMF Tracklist Hide Credits Fungii Mama A1 Written-By – Blue Mitchell Mona's Mood A2 Written-By – Jimmy Heath The Thing To Do A3 Written-By – Jimmy Heath Step Lightly B1 Written-By – Joe Henderson Chick's Tune B2 Written-By – Chick Corea Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Credits Bass – Gene Taylor Design [Cover] – Reid Miles Drums – Aloysius Foster* Liner Notes – Ira Gitler Photography By [Cover Photo] – Francis Wolff Piano – Chick Corea Producer – Alfred Lion Recorded By – Rudy Van Gelder Tenor Saxophone – Junior Cook Trumpet – Blue Mitchell Notes Recorded on July 30, 1964. Manufactured by Toshiba EMI Ltd., Japan Made in Japan Includes Japanese liner notes. Barcode and Other Identifiers Price Code: ¥ 2,300 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year The Thing To Do (LP, BLP 4178 Blue Mitchell Blue Note BLP 4178 US 1965 Album, Mono) The Thing To Do (Cass, 4BN 84178 Blue Mitchell Blue Note 4BN 84178 US 1985 RE, RM) The Thing To Do (LP, BST 84178 Blue Mitchell Blue Note BST 84178 US 1985 Album, RE, RM) 7243 5 94320 2 The Thing To Do (CD, 7243 5 94320 2 Blue Mitchell Blue Note Europe 2004 1 Album, RE, RM) 1 The Thing To Do (LP, BST 84178 Blue Mitchell Blue Note BST 84178 France 1985 Album, RE, RM) Related Music albums to The Thing To Do by Blue Mitchell Jackie McLean - Capuchin Swing Chick Corea - The Best Of Chick Corea Dizzy Reece - Soundin' Off Chick Corea And Origin - Live At The Blue Note Blue Mitchell - Bring It Home To Me Horace Silver - Senõr Blues (Horace Silver Rare Tracks) Chick Corea - Eddie Gomez - Jack DeJohnette - From Miles Andrew Hill - Point Of Departure.
Recommended publications
  • Bright Moments!
    Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough .
    [Show full text]
  • 28958 Hon. Ike Skelton Hon. Edolphus Towns Hon. Gene
    28958 EXTENSIONS OF REMARKS, Vol. 155, Pt. 21 December 1, 2009 barriers in evaluating pathology, bilingualism, A TRIBUTE TO MRS. JENNETTE of our Nation’s defense as the commanding cross-cultural issues in mental health and EICHELBERGER WAITERS officer of a United States Navy destroyer. chemical dependency, language and psycho- Commander Sethi is a native of Reno, Ne- therapy, meaning of silence in psychotherapy, HON. EDOLPHUS TOWNS vada but was raised in Connecticut, New York, Oregon, and California. Her step-father elective mutism, cognitive restructuring, de- OF NEW YORK pression and suicide. is Hall of Fame drag racer Conrad ‘‘Connie’’ IN THE HOUSE OF REPRESENTATIVES Dr. Urcuyo is married to Sue Ellen Carney, Kalitta and she spent many of her formative Ph.D., and is the proud father of two children, Tuesday, December 1, 2009 years at the track honing her mechanical Dr. Sergio Urcuyo and Ms. Anya Elena Mr. TOWNS. Madam Speaker, I rise today skills. She graduated from Norwich University Urcuyo. in recognition of Jennette Eichelberger Waiters in 1993 with a degree in International Affairs Madam Speaker, I urge my colleagues to who was born in Columbia, South Carolina. and commissioned through the NROTC pro- join me in recognizing Dr. Leonel Urcuyo. Mrs. Waiters migrated to Brooklyn, NY to fur- gram. She holds a Masters Degree in Inter- f ther her education. national Policy and Practice from The George RECOGNIZING MAJOR GENERAL Mrs. Waiters worked at Kings County Hos- Washington University. At sea, Commander Sethi served on USS JOHN R. ALISON pital as a nurse’s aide and then attended Wyckoff Hospital School of Practical Nursing.
    [Show full text]
  • Swinging Around Golf (Continued from Page 20) Owner-Builder, Dewey Davis, Has Open- Ed His Oak Grove GC, 9-Holes
    Gene Sarazen did a champion's job for U.S. foreign relations on a four-day good- will mission for the U.S. State depart- ment to Rangoon, Burma, recently . Burma's government, headed by Gen. Ne Win, has numerous officials who are golf enthusiasts and they have a pretty good course . The General himself is a good businessman golfer, Gene says . There was a reception for Gene,, given by the American ambassador and 300 attended . Gene's visit, first to Rangoon by an American golf champion, made page one of the communist-slanted Rangoon press. Sarazen, the Germantown Globe-trotter, says the new course near the Athens air- port is an excellent "layout and bound to be a tourist attraction in Greece . He SWINGING adds that Athens is the cleanest city in the world — and that includes German- town . * . When the Squire boosts he AROUND boosts all the way . Gene was in Athens for the filming of Shell's Wonderful World GOLF of Golf contest between Tony Lema and Roberto De Vincenzo . Tony and Ro- berto played for $10,000, plus all ex- News of the Golf penses . Gene says that in the old days World in Brief in exhibitions he and Walter Hagen play- ed two months to make that much. HERB GRAFFIS Bert Purvis, upstate New York pro By salesman, writes from his home office at Mattydale, N.Y., of some changes in pro jobs on liis beat: . Bed LaVergne now is at the Lyndon GG, Fayetteville, N.Y., where John Murray runs the club . John Johnson now at Lake Shore Golf FRONT COVER Genter, Rochester .
    [Show full text]
  • JTM1711 Insidecombo 170920.Indd
    On May 31, drummer Louis Hayes celebrated his 80th birthday and a new album at Dizzy’s Club Coca-Cola in New York, surrounded by friends, collaborators and acolytes, including drummers Michael Carvin, Nasheet Waits and Eric McPherson, and trumpeters Jimmy Owens and Jeremy Pelt, the latter of whom sat in. Another presence loomed large: pianist-composer Horace Silver, the subject of Hayes’ recent Blue Note debut, Serenade for Horace, a heartfelt tribute to the man who gave Hayes his start in 1956 with “Señor Blues.” It was the beginning of a three-year col- laboration that helped codify both hard bop and the Rudy Van Gelder sound over five albums. Hayes left Silver in 1959 to join the Cannonball Adderley Quintet, but the two re- mained close until the hard-bop progenitor’s passing in 2014. Stints followed with Oscar Peterson, the Louis Hayes-Woody Shaw Quintet, Stan Getz, McCoy Tyner and the Can- nonball Legacy Band, which Hayes leads. Throughout his career he’s solidified a place as one of jazz’s most soulfully swinging drummers, and become a cornerstone of the legacy of Detroit-born percussionists that includes Elvin Jones, Roy Brooks, Frank Gant and Oliver Jackson, and extends forward to Gerald Cleaver. At Dizzy’s, Hayes used his hyper-responsive left hand to goose the soloists in his sextet while keeping the fugitive spirit alive with his right on the ride cymbal. His approach seemed to declare the ensemble’s m.o., which balanced rhythmic ferocity and harmonic adventurousness with a reverence for the Silver sprezzatura.
    [Show full text]
  • “He [Foster] Knocked Me out Because He Had Such a Groove and He Would Just Lay It Right in There. That Was the Kind of Thing I Was Looking For
    Al Foster, master drummer, has been a major innovator in the world of jazz for five decades. A member of Miles Davis’ band for 13 years, Foster’s contribution to the music is articulated by Davis himself in his 1989 autobiography, Miles, where Davis describes the first time he heard Foster play live in 1972 at the Cellar Club on 95th Street in Manhattan: “He [Foster] knocked me out because he had such a groove and he would just lay it right in there. That was the kind of thing I was looking for. Al could set it up for everybody else to play off and just keep the groove going forever.” Aloysius Tyrone Foster was born in Richmond, Virginia on His first big break in the business came in 1964 when he January 18, 1943. joined Blue Mitchell’s group on the classic recording The Thing To Do for Blue Note records. Recorded at Rudy Van His family moved to Harlem, New York when he was a Gelder’s studio, with Alfred Lion producing, this record has child. This presented him with the opportunity to live near become a classic. It features Blue Mitchell, trumpet, Junior and study the masters who lived in his neighborhood. Jazz Cook, Tenor, Chick Corea, Piano, and Gene Taylor, bass. drummer Art Taylor lived in the same building as Al’s aunt, and Art’s mother took a special interest in Al, sensing his Al quickly became a working musician on the Jazz scene in love of the music her son was playing. New York.
    [Show full text]
  • Silver,Let'sgettonitty
    ROTH FAMILY FOUNDATION Music in America Imprint Michael P. Roth and Sukey Garcetti have endowed this imprint to honor the memory of their parents, Julia and Harry Roth, whose deep love of music they wish to share with others. The publisher gratefully acknowledges the generous contribution to this book provided by the Music in America Endowment Fund of the University of California Press Foundation, which is supported by a major gift from Sukey and Gil Garcetti, Michael Roth, and the Roth Family Foundation. LET’S GET TO THE NITTY GRITTY LET’S GET TO THE NITTY GRITTY THE AUTOBIOGRAPHY OF HORACE SILVER HORACE SILVER Edited, with Afterword, by Phil Pastras Foreword by Joe Zawinul University of California Press Berkeley Los Angeles London University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2006 by The Regents of the University of California Excerpts from “How Calmly Does the Orange Branch,” by Tennessee Williams, from The Collected Poems of Tennessee Williams, copyright © 1925, 1926, 1932, 1933, 1935, 1936, 1937, 1938, 1942, 1944, 1947, 1948, 1949, 1950, 1952, 1956, 1960, 1961, 1963, 1964, 1971, 1975, 1977, 1978, 1979, 1981, 1982, 1983, 1991, 1995, 2002 by The University of the South. Reprinted by permission of New Directions Publishing Corp.
    [Show full text]
  • October 2006 SMART Transportation Newsletter
    Volume 38 October 2006 Number 10 www.utuia.org www.utu.org The Official Publication of the United Transportation Union THE VOICE OF TRANSPORTATION LABOR “If we are to walk a common path to a bright future, we must exercise our power at the ballot box and help to elect labor-friendly members to Congress.” – UTU International President Paul Thompson Your job + your family + your future = YOUR VOTE. Support the candidates who support you! NEGOTIATIONS UPDATE Help yourselves: Support The national-agreement negotiating teams from the UTU and the Brotherhood of Locomotive Engineers and Trainmen labor-friendly candidates met jointly last month with the National Car- riers’ Conference Committee, which repre- Congressional elections have direct conse- •Export of jobs; sents most of the major railroads and many quences for each of us and our families. •Weakening of laws that protect workers’ smaller ones. This Election Day, Nov. 7, is going to be a rights to organize. test for labor. Those who control the new Con- “This was an unprecedented show of In the centerspread of this issue of UTU gress seated in 2007 will have a direct influ- operating-craft solidarity,” said UTU Inter- News is a listing of labor-friendly candidates as ence on our job security, our health care, our national President Paul Thompson, who sat determined by UTU state legislative directors pensions and our workplace safety. beside BLET President Don Hahs, while and our national legislative office. The list is other members of the UTU and BLET nego- If working families unite to vote for labor- bi-partisan.
    [Show full text]
  • NYC Jazz Record Gazette
    Illusionist” and “The Divine Comedy”. In between GLOBE UNITY:SCOTLAND were sandwiched four shorter pieces. Thus the parameters of the group’s style were established quickly and authoritatively. Medeski’s organ was the primary driver of the music, surging and squealing, at times dropping down to a near murmur and at others roaring with all the intensity of early ’70s rock acts like Atomic Rooster or Deep Purple. Simulacrum has recently released two more Isotropes Sensaround (hellosQuare) Plays Tadd Dameron albums. The True Discoveries Of Witches And Demons is GIOsevens Barry Harris (Xanadu-Elemental Music) almost defiantly metallic and the core trio is joined by Glasgow Improvisers Orchestra (Tob) guitarist Marc Ribot and bassist Trevor Dunn. Awakening of a Capital by Alex Henderson Free Nelson Mandoomjazz (RareNoise) Hollenberg and Ribot solo in turn, with the latter by Tom Greenland Tadd Dameron (who was only 48 when he died of seizing most of the spotlight, releasing one searing cancer in 1965) was known less for his piano playing blast of noise after another as Medeski strives to wedge Though a member of the U.K., Scotland has always than for his composing and skillful arranging and was himself between them. Dunn and Grohowski become a maintained a fiercely independent cultural identity, one of the first to bring a Duke Ellington-influenced powerful rhythm section, the drummer suddenly so it’s no surprise that its jazz is equally distinctive. bandleader/arranger aesthetic into bop. Plays Tadd locked down in a way he wasn’t before, half of a team Isotropes is a project by Scottish saxophonist Dameron finds pianist Barry Harris performing eight of rather than a co-leader.
    [Show full text]
  • 1976/07/12 HR9771 Airport and Airway Development Act Amendment of 1976 (2)” of the White House Records Office: Legislation Case Files at the Gerald R
    The original documents are located in Box 50, folder “1976/07/12 HR9771 Airport and Airway Development Act Amendment of 1976 (2)” of the White House Records Office: Legislation Case Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Exact duplicates within this folder were not digitized. Digitized from Box 50 of the White House Records Office Legislation Case Files at the Gerald R. Ford Presidential Library Union Calendar No. 287 94th Congress, 1st Session House Report No. 94--594 AIRPORT AND AIRWAY DEVELOPMENT ACT AMENDMENTS OF 1975 REPORT TOGETHER WITH ADDITIONAL AND SUPPLEMENTAL VIEWS OF THE COMMITTEE ON PUBLIC WORKS AND TRANSPORTATION HOUSE OF REPRESENTATIVES TO ACCOMPANY H.R. 9771 A BILL TO AMEND THE AIRPORT AND AIRWAY DEVELOP­ MENT ACT OF 1970 < OcTOBER 29, 1975.-Committed to the Committee of the Whole House pn the State of the Union and ordered to be printed U.S. GOVERNMENT PRINTING OFFICE 60-360 0 WASHINGTON : 1975 COMMITTEE ON PUBLIC WORKS AND TRANSPORTATION ROBERT E • .JONES, Alabama, Ohafrmatt SUBCOMMITTEE ON AVIATION 11M WRIGHT, Teu.s WILLIAM H.
    [Show full text]
  • Herman Cook “Junior”
    1 The TENORSAX of HERMAN COOK “JUNIOR” Solographer: Jan Evensmo Last update: Oct. 9, 2019 2 Born: Pensacola, Florida, July 22, 1934 Died: NYC. Feb. 3, 1992 Introduction: Oslo Jazz Circle in the old days was very interested in the exciting art of the famous Horace Silver, and thus we also became familiar with Junior Cook. Unfortunately they never visited our backward country although they came pretty close. For me personally though, I solved the problem by visiting New York! History: Played alto saxophone while he was in high school but soon took up the tenor instrument instead. Played with Dizzy Gillespie in early 1958 and joined the Horace Silver Quintet in May; also in that year he recorded with Kenny Burrell. After leaving Silver in 1964 he played until 1969 with Blue Mitchell, who had also been one of Silver’s sidedmen, and recorded with Barry Harris (1967) and organists John Patton and John Patterson (both 1968). Taught at the Berklee College of Music before working with Freddie Hubbard (1973-75). Played in a quintet with with Louis Hayes (from 1975) (ref. The New Grove Dictionary of Jazz). 3 JUNIOR COOK SOLOGRAPHY KENNY BURRELL SEPTET NYC. May 14, 1958 Louis Smith (tp), Tina Brooks, Junior Cook (ts), Duke Jordan (p-items 1,2,3), Bobby Timmons (p-items 4,5,6,7), Kenny Burrell (g), Sam Jones (b), Art Blakey (dm). Nine titles were recorded for Blue Note, issued as ”Blue Lights”, no tenorsax on tk4 “The Man I Love” and tk11 ”Autumn In New York” but: tk1 I Never Knew Solo 7 choruses of 32 bars (last tenorsax solo).
    [Show full text]
  • Music News Down Beat January 7, 1959 Vol
    music news Down Beat January 7, 1959 Vol. 27, No. 1 i ex- a to lired Payola Probe—Continued i are mes. A lull came just before Christmas. ipor- But if the activity of payola probers had oists. simmered down, it was by no means ) ap- over. Rep. Oren Harris, head of the jined House Subcommittee on Legislative non- Oversights, announced that public payola hearings would be held late in January. If things were quiet on the surface, the rumblings went on underneath. Two more disc jockeys were fired by their station—Cleveland's KYW, Westing­ house-owned AM-FM station. Cleveland is known as a pattern-setting or hit­ making city. The two canned jockeys— Joe Finan and Wes Hopkins—denied being involved in payola. All the shakeups were not confined to small-fry anc radio. As an aftermath city’s of the 1 V probe into rigged quiz shows, Jazz Louis Cowan, president of CBS tele­ SILVER FOR SILVER FROM BLUE NOTE toked vision. turned in his resignation. At least one company has decided to see that jazz artists get something similar to the recognition .ched- Meantime, the Federal Communica­ given pops artists in the form of golden records. Although jazz records don't sell in the million-disc tions ( ommission had ordered every category, Alfred Lion, owner cf Blue Note Records, decided that a silver record of recognition i jazz was in order. The first winner: Horace Silver. Celebrating the event are, left to right, standing. >iano, broadcasting company in the country to Lion and Joe Termini, owner of the Five Spot, (who gave the party for the event); and seated.
    [Show full text]
  • Airwaves (1981-01)
    AIRW\VES A Service of Continuing Education and Extension l5il University of Minnesota, Duluth VOL. 2 NUMBER 7 JANUARY 1981 calendar> of ~vents Tweed Museum Cla11lc FIim Festival Music at UMD Marahall Performing Arts Center Jan. 24 Mixed Company presents two at noon and 7 p.m. in the museum. plays for children, 2 & 4 p.m. Jan. 11 Senior Recital: Claudia Lund, Jan. 22, 23, 24 Evening of Opera Jan. 13 "Rembrandt" (1936 England) vocal, Boh 90, 3 p.m. Scenes, Donna Pegors, director, 8 p.m. Jan. 25 Mixed Company presents two Jan. 27 "Top Hat" (1935 USA) plays for children, 2 p.m. Jan. 15 Concert: Jazz Ensemble III Jan. 29-Feb. 8 UMD Theatre presents Combo, Marshall Center 8 p.m. " Born Yesterday," 8 p.m. Tweed Museum of Art Jan . 18 Senior Recital: Carla Duluth Superior Symphony Dec. 14-Jan.18 "History of Print- Christopherson, piano, Boh 90, 3 p.m. Kirby FIims making" by Warrington Colescott Jan. I 7 Daniel Adni, Pianist. Ravel, Jan. 25 Guest Recital: Carolyn Britton, Jan. 9 & 11 " Main Event" Boh 90, 7 & MaMere L'Oye; Mozart, Concerto No. Dec. 21 • Jan. 18 "Thirty Years of piano, Boh 90, 3 p.m. 9:15 p.m. 23, K 488; Bartok, Concerto for Photography for Fun and Pleasure" by Orchestra. Ken Moran Jan. 31 Scholarship Benefit Concert: Jan. 16 & 18 " Brubaker" Boh 90, 7 & Hungry Five Society, Normandy Inn, 9:15 p.m. - Dec. 23-Jan. 20 Selections from the 7:30 p.m. permanent collection Jan.23&25 "UpinSmoke"Boh90, 7& Pioneer Cratt1 9:15 p.m.
    [Show full text]