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Paul Schoenfield's' Refractory'method of Composition: a Study Of
Paul Schoenfield's 'Refractory' Method of Composition: A Study of Refractions and Sha’atnez A document submitted to the Graduate School of The University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by DoYeon Kim B.M., College-Conservatory of Music of The University of Cincinnati, 2011 M.M., Eastman School of Music of The University of Rochester, 2013 Committee Chair: Professor Yehuda Hanani Abstract Paul Schoenfield (b.1947) is a contemporary American composer whose works draw on jazz, folk music, klezmer, and a deep knowledge of classical tradition. This document examines Schoenfield’s characteristic techniques of recasting and redirecting preexisting musical materials through diverse musical styles, genres, and influences as a coherent compositional method. I call this method ‘refraction’, taking the term from the first of the pieces I analyze here: Refractions, a trio for Clarinet, Cello and Piano written in 2006, which centers on melodies from Mozart’s Le nozze di Figaro (The Marriage of Figaro). I will also trace the ‘refraction’ method through Sha’atnez, a trio for Violin, Cello and Piano (2013), which is based on two well-known melodies: “Pria ch’io l’impegno” from Joseph Weigl’s opera L’amor marinaro, ossia il corsaro (also known as the “Weigl tune,” best known for its appearance in the third movement of Beethoven’s Trio for Piano, Clarinet, and Cello in B-flat Major, Op.11 (‘Gassenhauer’)); and the Russian-Ukrainian folk song “Dark Eyes (Очи чёрные).” By tracing the ‘refraction’ method as it is used to generate these two works, this study offers a unified approach to understanding Schoenfield’s compositional process; in doing so, the study both makes his music more accessible for scholarly examination and introduces enjoyable new works to the chamber music repertoire. -
Juillet State Choir, LATVIJA Jane Archibald 2019 Brazilian Guitar Quartet / Quatuor De Guitares Brésilien
JULY 4-17 juillet State Choir, LATVIJA Jane Archibald 2019 Brazilian Guitar Quartet / Quatuor de guitares brésilien Music and History / Cirque Fantastic Miloš Musique et histoire JULY 4-17 juillet 2019 th anniversary 10 ème anniversaire SOUVENIR 613.241.0777 www.musicandbeyond.ca SUNDAY dimanche JULY 7 juillet FRE Ent E E rée ve GRA n TUIT t E 10 am - 3 pm de 10 h à 15 h Grounds of the University of Ottawa Sur les terrains de l’Université d’Ottawa MUSIC AND HISTORY / MUSIQUE ET HISTOIRE July 12 juillet 6 pm – 11 pm / de 18 h à 23 h Welcome! Bienvenue! I am delighted to be welcoming you to the 10th anniversary season Je suis ravi de vous accueillir au Festival Musique et Autres of Music and Beyond! Thank you for joining us for this very special Mondes, qui célèbre cette année son dixième anniversaire. Merci landmark festival. de vous joindre à nous pour marquer ce jalon exceptionnel ! It has been such an exciting journey! I have enjoyed every minute Notre parcours a été vraiment passionnant. J’ai pris un plaisir of planning the many hundreds of different concerts and events constant à planifier les centaines de concerts et événements qui ont that link music with such a broad range of art forms and cultural noué des liens entre la musique et une vaste gamme d’arts et de explorations. formes culturelles. The next 15 days will be a celebration of 10 years of incredibly La quinzaine musicale qui commence illustrera les dix années hard work by so many people. -
Songs Without Words Troy1510
ELIOT FISK GUITAR | YEHUDA HANANI CELLO SONGSfrom BACH WITHOUT to BACHIANAS WORDS WWW.ALBANYRECORDS.COM TROY1510 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2014 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. THIS CD IS ABOUT SONG — a cornucopia of exquisite jewels from a multitude of cultures: Spanish, music in those heady early years. Little did I dream that half a lifetime later a series of coincidences Italian, German, Brazilian, Cuban, Jewish, Russian, Romanian-Gypsy, and the American heartland. would bring Yehuda and me together in music and in the brotherly affection reflected in the Like the miniaturized trees of bonsai, it is a universe in a nutshell, reduction to the very essentials. contents of this CD. The cello is a newcomer to the string family. It appeared on the musical scene in the early Over an arc that stretches from Bach-Guonod to Villa-Lobos’s famous Bachianas No. 5 1500’s. The guitar, however, is ancient. It is an incarnation of the kithara, the most popular (originally scored for the unthinkable combination of eight cellos and soprano!) we offer four gems instrument of classical Greece. Apollo played it and passed it on to Orpheus, the patron saint by Cui, Fauré, Lecuona and Monti; Bloch’s moving Prayer, then a set of eight Schubert songs, of all musicians. four of Robert Beaser’s Mountain Songs (originally for flute and guitar), and a two-movement Since this blending of sustained and plucked sounds makes for ideal pairing, it is surprising that Boccherini Sonata. -
The Complete Recitalist May 25- June 24, 2019
ROSEMARY RITTER Director THE COMPLETE RECITALIST MAY 25- JUNE 24, 2019 “Bright is the ring of words when the right man rings them.” –Robert Lewis Stevenson SongFest 2019 is lovingly dedicated to Janet Loranger and John Ritter. ©Jeanine Hill Photography “Tell me, what is it you plan to do with your one wild and precious life?” –Mary Oliver Welcome to SongFest 2019 “Whatever you can do, or dream you can do, you can. Boldness has a genius, magic and power to it.” – Goethe ©Jeanine Hill Photography Our SONGFEST mission, under the all-encompassing Californian skies, is to bring together the old and new where the study of masterpieces from the past enhances the vitality and relevance of contemporary music. Many of the singers and pianists have come here because they already sense that art song has brought depth and refinement to their lives, both as musicians and human beings. Younger performers at Colburn find themselves crossing a summer threshold that will lead to lifelong fealty. Teachers and students share a devotion to a genre that is too easily labelled “elitist” or simply “boring”. These golden weeks, shining with youthful energy, purpose and enthusiasm, demonstrate that art song is impossible to belittle or dismiss – old hands inspired by fresh and questing talent pass on a tradition rich in the articulation of many of civilisation’s most precious values. If art can make men see things in a different way, one should never underestimate the power of great poetry from many countries in tandem with great music to touch a hitherto unresponsive heart and make a difference. -
Contents Symbols Used in This Catalogue
CONTENTS Symbols used in this catalogue . 2 Foreword by Klaus Heymann . .3 Navigating Through naxos .com . 4 Alphabetical List of Works by Composer . .5 Collections . .131 Alphorn 131 Eternal Composers Series 141 Orchestral 149 American Classics 131 Film Music 141 Organ 151 American Jewish Music 131 Flute 141 Piano 152 Ballet 132 Funeral Music 142 Russian 154 Baroque 132 Glass Harmonica 142 Saxophone 154 Bassoon 133 Guitar 142 Timpani 154 Best Of series 133 Gypsy 145 Trombone 154 Brass 133 Harp 145 Trumpet 154 British Music 133 Harpsichord 145 Tuba 155 Cello 133 Horn 145 Very Best Of series 155 Chamber Music 134 Light Classics 145 Viennese 155 Chill With 134 Lute 146 Viola 156 Christmas 134 Mandolin 146 Violin 156 Cinema Classics 136 Music for Meditation 146 Vocal and Choral 156 Clarinet 136 Oboe 147 Wedding Music 158 Early Music 137 Ondes Martenot 147 Wind 159 Easter 140 Operatic 147 Easy Listening 140 Operetta 148 Naxos Historical . .160 Naxos Nostalgia . .178 Naxos Jazz Legends . .181 Naxos Musicals . 183 Naxos Blues Legends . 184 Naxos Folk Legends . .184 Naxos Gospel Legends . .184 Naxos Jazz . 184 Naxos World . 185 Naxos Educational . .186 Naxos Super Audio CD . 187 Naxos DVD Audio . .188 Naxos DVD . 188 Marco Polo . .190 List of Naxos Distributors . 202 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2009 Catalogue $ Recording scheduled to be released before the end of Dec . 2010 Η Historical Recording (Not available in the USA – some titles may also not be available in Australia and Singapore and other countries with copyright protection terms other than the international standard of 50 years) † Please note that not all titles are available in all territories . -
JOHANSEN International Competition for Young String Players (Ages 13–17)
The Friday Morning Music Club Foundation, Inc. Leslie Luxemburg, Director Presents the Eighth Triennial JOHANSEN International Competition for Young String Players (Ages 13–17) JUDGES Chee-Yun Timothy Deighton Peter Stumpf OFFICIAL PIANISTS Akira Eguchi and Eri Kang SEMI-FINALS Thursday, March 15 and Friday, March 16, 2018 9:00 A.M. – 5:00 P.M. FINALS Saturday, March 17, 2018 9:00 A.M. – 5:00 P.M. Calvary Baptist Church 755 8th Street, NW,I Washington, DC JIC Comp Program_2018.indd 1 3/1/18 4:10 PM Anna Storch Johansen Founder (1908—1998) JIC Comp Program_2018.indd 2 3/1/18 4:10 PM JOHANSEN International Competition for Young String Players (Ages 13–17) The Johansen International Competition (JIC) for Young String Players was founded through the generosity of Anna Storch Johansen of Falls Church, VA, a Life Member of the Friday Morning Music Club (FMMC). Held every three years, the competition was established in 1997. In keeping with Mrs. Johansen’s wishes, the competition rewards exceptionally talented young musicians with significant prize awards at a time when they need it most— when they must make decisions about continuing with their dedication to music. Recalling a New York City gold medal she won when she was just 17 years old, Mrs. Johansen credited that experience with helping her decide to make music her life-long effort. By establishing the JIC, she hoped to pass that encouragement on to new generations of string players. Mrs. Johansen expressed these sentiments during an interview about her decision to fund the competition and put it under the guidance of the FMMC Foundation. -
Alleries CONTEMPORARY GLASS
f^"^' 4iiKZ^ *i • , 1 • • 1 •A * "'^^fc-^w^ '1 !iC 2' i»f 1 { Li'^Va-i f^- --^ ^^ ' ,i.jba..j»ii^- - 1 . , ^1^ '^ -r L IpgC- . ;^ ' -^^isu^^i^^^^lHB^^ ^iv-i^ .^'^^^^*;.;'^--^si^^lS " ,. '^**r\jj 11^ -*ir ' -J " 5 - - '-^krm--.g-^ '^ ^^ l>.7 ^fc^ _^ ' -.JSidW" J^^^ '^ Ip^ -^'^r3m Bm^ ^ ^^^ 1 '2 '" ?* Tanglewood SUMMER 2010 Dale Chihuly ScHANTZ Galleries CONTEMPORARY GLASS 3 ELM STREET STOCKBRIDGE, MA 01262 413- 298 -3044 [email protected] Bright Green and Pink Seaform Set 8 x 15 x 9' photo: Scott Mitchell Leen NAGEMENT We/LL m^Jce^ it easy to m^t/e^yourpovtfoUo. © Copyngtit 2009 Ned Davis Research. Inc. Further distribution prohibited without prior permission All Rigtits Reserved. See NDR Disclaimer at www, ndr.com/copyright.html. For data vendor disclaimers refer to wv/w.ndr,com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary does it feel like a recession? We don't again, the prudent investor will not hold position in cash." think it feels as bad as 1990-1991, but it out for another relief rally...the NASDAQ The stock market fell 48.9% after is bad enougli." is setting up for a retest of the September that sell signal. [2007] lows of the 1400S." The stock market fell 16.5% until our next buy signal. June (sell) October 11, 2002 (buy) 9, 2008 September 28, 2001 (buy) "It will make sense to reduce equity "The VIX broke 50 [on October loth], "Equity valuations are better than they exposure." and that is my buy signal this time." have been in years." The stock market rose 80% until our March 6, 2009 (buy) The stock market rose 10.4% until our next sell signal.