DOCSLIB.ORG

Alleries CONTEMPORARY GLASS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

f^"^' 4iiKZ^ *i • , 1 • • 1 •A * "'^^fc-^w^ '1 !iC 2' i»f 1 { Li'^Va-i f^- --^ ^^ ' ,i.jba..j»ii^- - 1 . , ^1^ '^ -r L IpgC- . ;^ ' -^^isu^^i^^^^lHB^^ ^iv-i^ .^'^^^^*;.;'^--^si^^lS " ,. '^**r\jj 11^ -*ir ' -J " 5 - - '-^krm--.g-^ '^ ^^ l>.7 ^fc^ _^ ' -.JSidW" J^^^ '^ Ip^ -^'^r3m Bm^ ^ ^^^ 1 '2 '" ?* Tanglewood SUMMER 2010 Dale Chihuly ScHANTZ Galleries CONTEMPORARY GLASS 3 ELM STREET STOCKBRIDGE, MA 01262 413- 298 -3044 [email protected] Bright Green and Pink Seaform Set 8 x 15 x 9' photo: Scott Mitchell Leen NAGEMENT We/LL m^Jce^ it easy to m^t/e^yourpovtfoUo. © Copyngtit 2009 Ned Davis Research. Inc. Further distribution prohibited without prior permission All Rigtits Reserved. See NDR Disclaimer at www, ndr.com/copyright.html. For data vendor disclaimers refer to wv/w.ndr,com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary does it feel like a recession? We don't again, the prudent investor will not hold position in cash." think it feels as bad as 1990-1991, but it out for another relief rally...the NASDAQ The stock market fell 48.9% after is bad enougli." is setting up for a retest of the September that sell signal. [2007] lows of the 1400S." The stock market fell 16.5% until our next buy signal. June (sell) October 11, 2002 (buy) 9, 2008 September 28, 2001 (buy) "It will make sense to reduce equity "The VIX broke 50 [on October loth], "Equity valuations are better than they exposure." and that is my buy signal this time." have been in years." The stock market rose 80% until our March 6, 2009 (buy) The stock market rose 10.4% until our next sell signal. next sell signal. "Expect a bottom for the S&P 500 at 660 points." January 1, 2002 (sell) BERKSHIRE The stock market rose 63.2% from that buy signal to the of "I've had my three months of bullishness, end 2009. but now I must adhere, once again, to a more bearish sentiment." MONEY June 15, 2009 (buy) The stock market fell 30% until our next MANAGEMENT "The S&P 500 rose to 1100-1200 points buy signal. over the next eighteen months." The Knowledge & Experience to BuHd Your Wealth VISIT US AT WWW.BERKSHIREMM.COM OR CALL 888.232.6072 The S&P 500 Index (S&P) has been used as a comparative benchmark because the goal of the abovf strategy was to provide equity-like returns. The S&P is one of the world's most recognized indexes by investors the investment and industry for the eguity market. The S&R hov/eve , IS not a managed portfolio and Is not subject to advisory fees or trading costs, Investors cannot invest directly in the S&P 500 Index. The S&P returns also reflect the reinvestment of dividends. Berkshire Money Management is av/are of the benchmark comparison guidelines set forward in the SEC Clover No-Action Letter (1986) and compares clients' performance esults to a benchmark or a combination of benchmarks most closely resembling clients' actual portfolio holdings. Hov/ever. investors should be aware that the referenced benchmark fun Is may have a different composition, volatility, risk, investment philosophy, holding times, and/or other investment-related factors that may affect the benchmark funds' ultimate performa ice results. Therefore, an investor's individual results may vary significantly from the benchmark's performance. All indicated stock market calls and associated commentary are that of Al len Harris & Berkshire Money Management and have no relationship to NDR/MDR, KjfColelaaey iSc xyftoClellaml Precious Handmade & Estate Jewelry • Engagement Rings • Custom Design & Fabrication Appraisers and Buyers of Gold, Diamonds & Estate Jewelry "Jewlery designers Walter McTeigue and Tim McClellend are changing the look of high endjewelry" The San Francisco Chronicle 597 South Main Street. 608 Fifth Ave. Great Barrington, MA 01230 New York, NY 10020 Tuesday-Saturday 10am-5pm by appointment (Mfn) 800-956-2826 www.mc2jewels.com 1895 James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 129th season, 2009-2010 ^==^^ Trustees of the Boston Symphony Orchestra, Inc. Stephen B. Kay and Robert P. O'Block, Co-Chairmen • Edmund Kelly, Chairman-Elect • Diddy Cullinane, Vice-Chairman • Roger T. Servison, Vice-Chairman • Vincent M. O'Reilly, Treasurer George D. Behrakis • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D. Collins • Cynthia Curme • AlanJ. Dworsky • William R. Elfers • • Judy Moss Feingold, ex-offido • Nancy J. Fitzpatrick • Thelma E. Goldberg • Michael Gordon Brent L. Henry • Charles H. Jenkins, Jr. • John M. Loder • Carmine A. Martignetti • • R. • P. • • Robert J. Mayer, M.D. Nathan Miller Richard Morse Aaron J. Nurick, ex-offido Susan W. Paine • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weber • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson David B. Arnold, Jr. • J.P Barger • Leo L. Beranek Deborah Davis Berman • Peter A. Brooke Helene R. Cahners • James F. Cleary • • John F. Cogan,Jr • Mrs. Edith L. Dabney Nelson J. Darling, Jr • Nina L. Doggett Mrs. John H. Fitzpatrick • Dean W. Freed Edna S. Kalman • George Krupp • • Mrs. August R. Meyer • Mrs. Robert B. Newman • William J. Poorvu • Irving W.Rabb Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • WilmerJ. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, ChiefFinandal Officer Suzanne Page, Clerk of the Board Board of Overseers of the Boston Synnphony Orchestra, Inc. Judy Moss Feingold, Chairman • William F. Achtmeyer • Noubar Afeyan • David Altshuler • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J. L. Becker • George W. Berry • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty • Carol Feinberg Cohen • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Charles L. Cooney Ranny Cooper • James C. Curvey • Gene D. Dahmen • Mrs. Miguel de Bragan^a • Paul F. Deninger • Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Ursula Ehret-Dichter • John P. Eustis II • Joseph F. Fallon • Thomas E. Faust, Jr. • Steven S. Fischman • John F. Fish • Myrna H. Freedman • Carol Fulp • Robert Gallery • Robert P. Gittens • Carol Henderson • Susan Hockfield • Roger Hunt • William W. Hunt • • • • • Valerie Hyman Ernest Jacquet Everett L. Jassy Stephen J. Jerome Darlene Luccio Jordan, Esq. • Paul L. Joskow • Stephen R. Karp • Douglas A. Kingsley • Robert Kleinberg • Farla H. Krentzman • Peter E. Lacaillade • Charles Larkin • Robert J. Lepofsky • Christopher J. Lindop • Nancy K Lubin • Jay Marks • Jeffrey E. Marshall • Joseph B. Martin, M.D. • C. Ann Merrifield • Dr. Martin C. Mihm, Jr. • Programs copyright ©2010 Boston Symphony Orchestra Cover photo by Michael J. Lutch Maureen Miskovic • Robert Mnookin • Paul M. Montrone • Sandra O. Moose • • T. O'Connell • Peter Palandjian • Vincent Panetta, • Robert J. Morrissey Robert Jr. Diane Patrick • Joseph Patton • Ann M. Philbin • May H. Pierce • Claudio Pincus • Joyce L. Plotkin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • WiUiam F. Pounds • Dr. Tina Young Poussaint • Claire Pryor • Patrick J. Purcell • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Gilda Slifka • Christopher Smallhorn • Margery Steinberg • Theresa Stone • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Christoph Westphal • James Westra • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Disque Deane • Betsy P. Demirjian • JoAnne Walton Dickinson • Phyllis Dohanian • Goetz B. Eaton • Harriett Eckstein • • • George Elvin • Pamela D. Everhart J. Richard Fennell • Lawrence K. Fish Peter H.B. Frelinghuysen • Mrs. Thomas Galligan, Jr. • Mrs. James Garivaltis • Dr. Arthur Gelb Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Mrs. Richard D. Hill • Marilyn Brachman Hoffman • Lolajaffe • Michael Joyce • Martin S. Kaplan • Mrs. S. Charles Kasdon • Mrs. Gordon F. Kingsley • Da\id L Kosowsky • Robert K Kraft • Benjamin H. Lacy • Mrs. William D. Larkin • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Charles P. Lyman • Mrs. Harry L. Marks • Joseph C. McNay • Albert Merck • John A. Perkins • Daphne Brooks Prout • Robert E. Remis • John Ex Rodgers • Roger A. Saunders • Lynda Anne Schubert • Mrs. Carl Shapiro • L. Scott Singleton • Charles A. Stakely • Patricia Hansen Strang • Samuel Thorne • Paul M. Verrochi • Robert A. Wells • • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Mrs. John J. Wilson Richard Wurtman, M.D. Established 1974 Berkshire Record Outlet classical CD Deletions & Overruns: Top quality CDs, videos, musical scores, books, cassettes and LPs. Prices starting at ^1.99. Over 1 3,000 classical music titles at a fraction of their original retail cost. We also offer dozens of photographic reproductions of BSO tour posters and historic musicians at work and i -H^K^ play, all of which are on display
Recommended publications
  • Lynn Harrell 59 Olivier Latry

    Lynn Harrell 59 Olivier Latry

    Table of Contents | Week 19 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 completing the circle: wagner’s brave new world in the concert hall by thomas may 25 this week’s program Notes on the Program 26 The Program in Brief… 27 Wolfgang Amadè Mozart 35 Augusta Read Thomas 43 Camille Saint-Saëns 51 To Read and Hear More… Guest Artists 55 Christoph Eschenbach 57 Lynn Harrell 59 Olivier Latry 62 sponsors and donors 72 future programs 74 symphony hall exit plan 75 symphony hall information program copyright ©2013 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photo of BSO cellist Alexandre Lecarme by Stu Rosner BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 132nd season, 2012–2013 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W.
  • 2017-2018 Senior Recital-Elizabeth Lee (Cello)

    2017-2018 Senior Recital-Elizabeth Lee (Cello)

    Welcome to the 2017-2018 season. The talented students and Elizabeth Lee, Cello extraordinary faculty of the Lynn Conservatory of Music take this Bachelor of Music Recital Program opportunity to share with you the Sheng-Yuan Kuan beautiful world of music. Your ongoing support ensures our place Tuesday, April 24, 2018 at 5:30 p.m. among the premier conservatories of the world and a staple of our Amarnick-Goldstein Concert Hall community. Boca Raton, Florida - Jon Robertson, dean There are a number of ways by which you can help us fulfill our mission: Chant du Ménestrel Op. 71 Alexander Glazunov Friends of the Conservatory of Music (1865-1936) Lynn University’s Friends of the Conservatory of Music is a volunteer organization that supports high-quality music education through fundraising and community outreach. Raising more than $2 million since 2003, the Friends support Lynn’s effort to provide free tuition scholarships and room and board to all Conservatory of Music students. The group also raises money for the Dean’s Discretionary Fund, which supports the immediate needs of the Suite Italienne for Cello and Piano Igor Stravinsky university’s music performance students. This is accomplished (arr. Gregor Piatigorsky) (1882-1971) through annual gifts and special events, such as outreach concerts and the annual Gingerbread Holiday Concert. I. Introduzione To learn more about joining the Friends and its many benefits, II. Serenata such as complimentary concert admission, visit III. Aria Give.lynn.edu/support-music. IV.Tarantella The Leadership Society of Lynn University V. Minuetto e Finale The Leadership Society is the premier annual giving society for donors who are committed to ensuring a standard of excellence at Lynn for all students.
  • Paul Schoenfield's' Refractory'method of Composition: a Study Of

    Paul Schoenfield's' Refractory'method of Composition: a Study Of

    Paul Schoenfield's 'Refractory' Method of Composition: A Study of Refractions and Sha’atnez A document submitted to the Graduate School of The University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by DoYeon Kim B.M., College-Conservatory of Music of The University of Cincinnati, 2011 M.M., Eastman School of Music of The University of Rochester, 2013 Committee Chair: Professor Yehuda Hanani Abstract Paul Schoenfield (b.1947) is a contemporary American composer whose works draw on jazz, folk music, klezmer, and a deep knowledge of classical tradition. This document examines Schoenfield’s characteristic techniques of recasting and redirecting preexisting musical materials through diverse musical styles, genres, and influences as a coherent compositional method. I call this method ‘refraction’, taking the term from the first of the pieces I analyze here: Refractions, a trio for Clarinet, Cello and Piano written in 2006, which centers on melodies from Mozart’s Le nozze di Figaro (The Marriage of Figaro). I will also trace the ‘refraction’ method through Sha’atnez, a trio for Violin, Cello and Piano (2013), which is based on two well-known melodies: “Pria ch’io l’impegno” from Joseph Weigl’s opera L’amor marinaro, ossia il corsaro (also known as the “Weigl tune,” best known for its appearance in the third movement of Beethoven’s Trio for Piano, Clarinet, and Cello in B-flat Major, Op.11 (‘Gassenhauer’)); and the Russian-Ukrainian folk song “Dark Eyes (Очи чёрные).” By tracing the ‘refraction’ method as it is used to generate these two works, this study offers a unified approach to understanding Schoenfield’s compositional process; in doing so, the study both makes his music more accessible for scholarly examination and introduces enjoyable new works to the chamber music repertoire.
  • Nov 23 to 29.Txt

    Nov 23 to 29.Txt

    CLASSIC CHOICES PLAYLIST Nov. 23 - Nov. 29, 2020 PLAY DATE: Mon, 11/23/2020 6:02 AM Antonio Vivaldi Concerto for Viola d'amore, lute & orch. 6:15 AM Wolfgang Amadeus Mozart Divertimento for Winds 6:29 AM Georg Muffat Sonata No.1 6:42 AM Marianne Martinez Sinfonia 7:02 AM Georg Philipp Telemann Concerto for 2 violas 7:09 AM Ludwig Van Beethoven Eleven Dances 7:29 AM Henry Purcell Chacony a 4 7:37 AM Robert Schumann Waldszenen 8:02 AM Johann David Heinichen Concerto for 2 flutes, oboes, vn, string 8:15 AM Antonin Reicha Commemoration Symphony 8:36 AM Ernst von Dohnányi Serenade for Strings 9:05 AM Hector Berlioz Harold in Italy 9:46 AM Franz Schubert Moments Musicaux No. 6 9:53 AM Ernesto de Curtis Torna a Surriento 10:00 AM Wolfgang Amadeus Mozart Rondo for horn & orch 10:07 AM Wolfgang Amadeus Mozart Divertimento No. 3 10:21 AM Wolfgang Amadeus Mozart Piano Sonata 10:39 AM Wolfgang Amadeus Mozart Allegro for Clarinet & String Quartet 10:49 AM Wolfgang Amadeus Mozart Divertimento No. 8 11:01 AM Aaron Copland Appalachian Spring (Ballet for Martha) 11:29 AM Johann Sebastian Bach Violin Partita No. 2 12:01 PM Bedrich Smetana Ma Vlast: The Moldau ("Vltava") 12:16 PM Astor Piazzolla Tangazo 12:31 PM Johann Strauss, Jr. Artist's Life 12:43 PM Luigi Boccherini Flute Quintet No. 3 12:53 PM John Williams (Comp./Cond.) Summon the Heroes 1:01 PM Ludwig Van Beethoven Piano Trio No. 1 1:36 PM Margaret Griebling-Haigh Romans des Rois 2:00 PM Johann Sebastian Bach Konzertsatz (Sinfonia) for vln,3 trpts.

  • Ofmusic I PROGRAM

    FACULTY RECITAL CHO-LIANG LIN, violin LYNN HARRELL, cello WILLIAM VERMEULEN, horn JON KIMURA PARKER, piano Wednesday, February 25, 2009 8:00 p.m. Lillian H. Duncan Recital Hall the RICE UNIVERSITY ~ ofMusic I PROGRAM Sonata for Violin and Cello Maurice Ravel Allegro (1875-1937) Tres vif Lent Vif, avec entrain Cho-Liang Lin, violin Lynn Harrell, cello Horn Trio in E-jlat Major, Op. 40 Johannes Brahms Andante (1833-1897) Scherzo. Allegro Adagio mesto Finale. Allegro con brio William VerMeulen, horn Cho-Liang Lin, violin Jon Kimura Parker, piano INTERMISSION Piano Trio in A Minor, Op. 50 Piotr Ilyich Tchaikovsky Pezzo Elegiaco (1840-1893) Terna con Variazioni - Variazioni, Finale e coda Cho-Liang Lin, violin Lynn Harrell, cello Jon Kimura Parker, piano The reverberative acoustics of Duncan Recital Hall magnify the slightest sound made by the audience. Your care and courtesy will be appreciated. The taking ofphotographs and use of recording equipment are prohibited. BIOGRAPHIES CHO-LIANG LIN is a violinist whose career has spanned the globe for twenty-five years. Since his debut at Lincoln Center's Mostly Mozart Fes­ tival with David Zinman at the age ofnineteen, he has appeared with vir­ tually every major orchestra in the world including the Boston Symphony, Cleveland Orchestra, Royal Concertgebouw Orchestra, London Symphony, Philadelphia Orchestra, and New York Philharmonic. He has over twenty recordings to his credit ranging from the concertos ofMozart, Mendels­ sohn, Bruch, and Sibelius to Prokofiev and Stravinsky, as well as chamber music works ofSchubert, Brahms, Tchaikovsky, and Ravel on Sony Clas­ sical. His recording partners include Yo-Yo Ma, Wynton Marsalis, Esa­ Pekka Salonen, Leonard Slatkin, Michael Tilson Thom(ls, and Isaac Stern.
  • The Cello in Motion

    The Cello in Motion

    The Cello in Motion Co-presented by The Temple Emanu-El Streicker Center and Orchestra of St. Luke’s Monday, November 30th, 2020 at 6:30pm Streamed live from The Temple Emanu-El Streicker Center piano. In 1970, she won the biennial Royal Schools of Music Scholarship for the West Indies which Performers allowed her to study piano and singing at the Royal Academy of Music in London. In 1974, she was one Ilmar Gavilan, Mitsuru Tsubota, violin of three finalists in the International Piano Concerto Kaya Bryla-Weiss, viola Competition in Dudley, United Kingdom. While a Daire FitzGerald, Hamilton Berry, cellos rehearsal pianist for The London Contemporary Dance Theatre, Alberga began composing works conceived for dance, including her celebrated piano quintet Clouds (1984); she would later become the Program company’s musical director. ELEANOR ALBERGA Ride Through Alberga’s orchestral works, Sun Warrior (1990) written for the inaugural Women in Music Festival and her FRANZ SCHUBERT dramatic adaptation of Roald Dahl’s Snow White and the Seven Dwarves (1994) for large symphony String Quintet in C Major, D. 956 orchestra and narrators, were premiered at the Allegro ma non troppo Royal Festival Hall in 1994 with Franz Welser-Möst Adagio conducting the LPO. In 2009, the premiere of her Scherzo opera Letters of a Love Betrayed at the Royal Opera Allegretto House drew comparisons to Berg’s Wozzeck and Debussy’s Pelleas et Melisande. Program Notes In 2001, she was awarded a NESTA Fellowship for composition and premiered her first violin concerto, Ride Through by Eleanor Alberga written for Thomas Bowes and commissioned by The Scottish Chamber Orchestra under Joseph Swensen.
  • Serafin Ensemble 2019-2020 Roster Artists Kate Ransom, Artistic Director

    Serafin Ensemble 2019-2020 Roster Artists Kate Ransom, Artistic Director

    Kate Ransom, violin & artistic director Hailed in The New York Times for "impassioned" playing and "clear articulation and unity of purpose," violinist Kate Ransom is a distinguished chamber musician, recitalist, and teacher who has presented hundreds of concerts in major chamber music concert halls in North America and Europe. Ms. Ransom is artistic director of Serafin Ensemble and Serafin Summer Music, an outgrowth of Serafin String Quartet, which has been lauded by Gramophone and Fanfare Magazine for the 2013 Naxos release of early works by Pulitzer Prize–winning composer Jennifer Higdon and by The Strad Magazine and American Record Guide for their 2010 Centaur debut release. As founding and six-year member of the Alexander String Quartet, she received first prize and audience prize at the London String Quartet Competition and toured internationally. She is a frequent collaborator with other artists and ensembles and has concertized with David Coucheron, Charles Abramovic, Steven Tenenbom, Sadao Harada, Eliot Fisk, and members of the Cleveland and Philadelphia Orchestras, Atlanta Symphony, Eroica Trio, Empire Brass Quintet and Orion, Attacca, and Vega String Quartets. Ms. Ransom’s recital and solo performances include the Bach Concerto for Two Violins; complete Brahms violin sonatas in Pennsylvania, Texas, and Delaware; complete violin Beethoven sonatas in Delaware, Florida, Pennsylvania, and Vermont; and the Mozart Symphonie Concertante in Delaware. She has recorded for Gallo, CRI, Centaur, Klavier and Naxos. Ms. Ransom has been an adjunct violin instructor at University of Delaware and she has held visiting artist positions at Brevard College and Lehigh University. She has also held Ensemble-in-Residence positions at University of Delaware, St.
  • Vladimir Ashkenazy Pianist

    Vladimir Ashkenazy Pianist

    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Vladimir Ashkenazy Pianist TUESDAY EVENING, JANUARY 15, 1985, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Variations on a Theme by Corelli, Op. 42 ................... RACHMANINOFF Six Etudes-Tableaux, Op. 39 ............................... RACHMANINOFF No. 1 in C minor No. 2 in A minor No. 3 in F-sharp minor No. 4 in B minor No. 5 in E-flat minor No. 9 in D major INTERMISSION Ballade No. 4 in F minor, Op. 52 ................................. CHOPIN Two Nocturnes ................................................. CHOPIN C minor, Op. 48, No. 1 F-sharp minor, Op. 48, No. 2 Impromptu No. 3 in G-flat major, Op. 51 .......................... CHOPIN Scherzo No. 3 in C-sharp minor, Op. 39 ........................... CHOPIN London/Decca, Monitor, and Quintessence Records. The Frieze Memorial Organ is undergoing extensive renovation at the present time. Plans call for the facade to be restored to its original look at the time ofinstallation in 1894 in old University Hall, and afier 1913 in the new Hill Auditorium. It is expected to be fully operational again in January 1986. Forty-sixth Concert of the 106th Season 106th Annual Choral Union Series About the Artist Vladimir Ashkenazy's life already encompasses several careers. As a pianist he has been known around the globe since winning First Prize in the 1962 Tchaikovsky Competition in Moscow. He appears each season in the great music capitals of the world, offering a wide range of works from his enormous repertoire. In recent years, Mr. Ashkenazy has devoted an important part of his season to conducting. He has worked most closely with the Philharmonia Orchestra in innumerable concerts in London and elsewhere in England, and he has also undertaken many international tours with that orchestra in Europe, Japan, North America, and Australia.
  • 2 0 1 9 – 2 0 2 0 S E a S

    2 0 1 9 – 2 0 2 0 S E a S

    IGNITE PASSION. EMBRACE JOY. 2019–2020 SEASON CELEBRATIONCELEBRATION He rouses our spirits, moves us to tears, and inspires our most profound thoughts. Revolutionary, seminal, colossal—he is without challenge the face of Western classical music. To mark the 250th anniversary of Beethoven’s birth, Carnegie Hall presents one of the largest explorations of the great master’s music in our time. Sir John Eliot Gardiner with the Orchestre Révolutionnaire et Romantique Ludwig van Beethoven—studied from the death mask [i.e., life mask] Hugo Hagen (ca. 1892), based on life mask by Franz Klein (1812), loc.gov/item/2001700485. Ludwig van Beethoven—studied from the death mask [i.e., life mask] Hugo Hagen (ca. 1892), based on life mask by Franz Klein (1812), loc.gov/item/2001700485. Yannick Nézet-Séguin with The Philadelphia Orchestra | Quatuor Ébène Emanuel Ax | Leonidas Kavakos | Yo-Yo Ma | Anne-Sophie Mutter Kristian Bezuidenhout | Yefim Bronfman | Evgeny Kissin | Maurizio Pollini Sir András Schiff | Mitsuko Uchida | and more , photograph of bust statue by , photograph of bust statue by George Bernard Shaw called Beethoven “a temple of the most turbulent spirit that ever found expression in sound.” carnegiehall.org/carnegiehall.org/beethovenbeethoven Come marvel at the temple and be swept away. 2019–2020 Season Highlights Photos: DiDonato by Simon Pauly; Gadriner by Sim-Canetty Clarke; Kidjo by Sofia Sanchez and Mauro Mongiello; Nézet-Séguin by Hans van der Woerd; Widmann by Marco Borggreve; Stern by Henry Grossman, courtesy of the Carnegie Hall Archives. PERSPECTIVES Photos: DiDonato by Simon Pauly; Gadriner by Sim-Canetty Clarke; Kidjo by Sofia Sanchez and Mauro Mongiello; Nézet-Séguin by Hans van der Woerd; Widmann by Marco Borggreve; Stern by Henry Grossman, courtesy of the Carnegie Hall Archives.
  • Elg2 1920.Pdf

    Elg2 1920.Pdf

    Message from the Music Director | II Message from the Board Chair | III Orchestra Personnel | V Corporate Sponsors | VII Patron Services | XI Conductor | XII Program Page | XVII Education and Community Engagement | XXIV Friends of the Orchestra | XXVII Memorial & Honor Gifts | XXX Elgin Symphony League | XXXI ADVERTISING Onstage Publications 937-424-0529 | 866-503-1966 e-mail: [email protected] www.onstagepublications.com This program is published in association with Onstage Publications, 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the publisher. JBI Publishing is a division of Onstage Publications, Inc. Contents © 2019. All rights reserved. Printed in the U.S.A. message from the MUSIC DIRECTOR elcome to the Elgin Symphony We welcome our exciting guest artists, as well Orchestra’s 70th season! I hope all of as a few new members to our orchestra! Erik Wyou had a wonderful summer break Andrusyak (Principal Oboe), Gregory Heintz and are as excited as I am to get back to the live (Section Double Bass), Rebecca Swan (Section music-making our ESO musicians provide. Viola), all played impressive auditions and we are so proud to swell our already artistically This is my seventh season as your music strong ranks with their talents. director and I’m excited to continue to share with you some of the best symphonic music. Thank you for joining us in our 70th season and Highlights this season include familiar titles I hope you enjoy every concert! such as Ravel’s Bolero, Mozart’s Symphony No.
  • Juillet State Choir, LATVIJA Jane Archibald 2019 Brazilian Guitar Quartet / Quatuor De Guitares Brésilien

    Juillet State Choir, LATVIJA Jane Archibald 2019 Brazilian Guitar Quartet / Quatuor De Guitares Brésilien

    JULY 4-17 juillet State Choir, LATVIJA Jane Archibald 2019 Brazilian Guitar Quartet / Quatuor de guitares brésilien Music and History / Cirque Fantastic Miloš Musique et histoire JULY 4-17 juillet 2019 th anniversary 10 ème anniversaire SOUVENIR 613.241.0777 www.musicandbeyond.ca SUNDAY dimanche JULY 7 juillet FRE Ent E E rée ve GRA n TUIT t E 10 am - 3 pm de 10 h à 15 h Grounds of the University of Ottawa Sur les terrains de l’Université d’Ottawa MUSIC AND HISTORY / MUSIQUE ET HISTOIRE July 12 juillet 6 pm – 11 pm / de 18 h à 23 h Welcome! Bienvenue! I am delighted to be welcoming you to the 10th anniversary season Je suis ravi de vous accueillir au Festival Musique et Autres of Music and Beyond! Thank you for joining us for this very special Mondes, qui célèbre cette année son dixième anniversaire. Merci landmark festival. de vous joindre à nous pour marquer ce jalon exceptionnel ! It has been such an exciting journey! I have enjoyed every minute Notre parcours a été vraiment passionnant. J’ai pris un plaisir of planning the many hundreds of different concerts and events constant à planifier les centaines de concerts et événements qui ont that link music with such a broad range of art forms and cultural noué des liens entre la musique et une vaste gamme d’arts et de explorations. formes culturelles. The next 15 days will be a celebration of 10 years of incredibly La quinzaine musicale qui commence illustrera les dix années hard work by so many people.
  • Songs Without Words Troy1510

    Songs Without Words Troy1510

    ELIOT FISK GUITAR | YEHUDA HANANI CELLO SONGSfrom BACH WITHOUT to BACHIANAS WORDS WWW.ALBANYRECORDS.COM TROY1510 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2014 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. THIS CD IS ABOUT SONG — a cornucopia of exquisite jewels from a multitude of cultures: Spanish, music in those heady early years. Little did I dream that half a lifetime later a series of coincidences Italian, German, Brazilian, Cuban, Jewish, Russian, Romanian-Gypsy, and the American heartland. would bring Yehuda and me together in music and in the brotherly affection reflected in the Like the miniaturized trees of bonsai, it is a universe in a nutshell, reduction to the very essentials. contents of this CD. The cello is a newcomer to the string family. It appeared on the musical scene in the early Over an arc that stretches from Bach-Guonod to Villa-Lobos’s famous Bachianas No. 5 1500’s. The guitar, however, is ancient. It is an incarnation of the kithara, the most popular (originally scored for the unthinkable combination of eight cellos and soprano!) we offer four gems instrument of classical Greece. Apollo played it and passed it on to Orpheus, the patron saint by Cui, Fauré, Lecuona and Monti; Bloch’s moving Prayer, then a set of eight Schubert songs, of all musicians. four of Robert Beaser’s Mountain Songs (originally for flute and guitar), and a two-movement Since this blending of sustained and plucked sounds makes for ideal pairing, it is surprising that Boccherini Sonata.