Mike Badger & Tim Peacock
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												  Top 40 Singles Top 40 Albums10 May 1992 CHART #809 Top 40 Singles Top 40 Albums Tears In Heaven Viva Las Vegas Woodface We Can't Dance 1 Eric Clapton 21 ZZ Top 1 Crowded House 21 Genesis Last week - / 1 weeks WARNER Last week 18 / 2 weeks WARNER Last week 1 / 39 weeks Platinum / EMI Last week 24 / 22 weeks Platinum / VIRGIN On A Sunday Afternoon You Showed Me Zz Top Greatest Hits The Very Best Of 2 A Lighter Shade of Brown 22 Salt N Pepa 2 ZZ Top 22 Howard Keel & Harry Secombe Last week 1 / 7 weeks BG Last week 17 / 8 weeks POLYGRAM Last week 8 / 2 weeks WARNER Last week 39 / 2 weeks BMG Under The Bridge America: What Time Is Love? Wish A Trillion Shades Of Happy 3 Red Hot Chili Peppers 23 The KLF 3 The Cure 23 Push Push Last week 8 / 7 weeks WARNER Last week 31 / 3 weeks FESTIVAL Last week - / 1 weeks WARNER Last week 25 / 8 weeks Gold / FESTIVAL Come To Me Justified And Ancient The Commitments OST Nevermind 4 Diesel 24 The KLF 4 Various 24 Nirvana Last week 6 / 9 weeks EMI Last week 16 / 15 weeks Gold / FESTIVAL Last week 2 / 17 weeks Platinum / BMG Last week 17 / 22 weeks Platinum / UNIVERSAL Stay What My Baby Likes Blood Sugar Sex Majik Diamonds And Pearls 5 Shakespears Sister 25 Push Push 5 Red Hot Chili Peppers 25 Prince Last week 5 / 7 weeks POLYGRAM Last week 27 / 8 weeks FESTIVAL Last week 4 / 27 weeks Gold / WARNER Last week 29 / 28 weeks Gold / WARNER Remedy Smells Like Teen Spirit The Singles Lucky Town 6 The Black Crowes 26 Nirvana 6 The Clash 26 Bruce Springsteen Last week 2 / 12 weeks WARNER Last week 26 / 17 weeks Gold / BMG Last week 3 / 8 weeks
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												  Full ArticleDiggin’ For GOLD LABEL OF LOVE NEEDLE MYTHOLOGY Pete Paphides Q&A (founder) Interview: Jamie Atkins There’s plenty you can tell about the coming fortunes of a record label from the enthusiasm of those behind it. So, judging from the state of my wants list after an hour or so sat around the kitchen table of its founder – writer and broadcaster Pete Paphides – the future of Needle Mythology looks rosy. From waxing lyrical about Barry Booth’s 1968 album, Diversions (featuring lyrics by future Pythons Terry Jones and to take shape. With the first two Michael Palin) to praising the musical releases on Needle Mythology – comfort food of Eleanor Friedberger’s reissues of that Broudie album, plus third solo album, 2016’s New View, the original configuration of Stephen Paphides has the sort of zealot’s Duffy’s I Love My Friends (1998), enthusiasm for music that can cause each featuring fanbait bonuses – otherwise sane individuals to gaze imminent, RC was keen to find out longingly at the label logo and more, starting with the big question. catalogue number on a sleeve and think, “I could do that.” Why start a label? And now Paphides’ daydreams The short answer is that there were have become reality, with his first a bunch of records that I wanted to pair of releases about to hit the racks. have in my collection and I didn’t, They’ve been a while in the making. because they just didn’t exist on vinyl. A few years back, following his weekly So I had to put them out myself.
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												  Fanatics!: Power, Identity and Fandom in Football6 ‘FOOTBALL’S COMING HOME’ BUT WHOSE HOME? AND DO WE WANT IT? Nation, football and the politics of exclusion Ben Carrington Racism manifests itself in plural and complex forms. In this situation the logic of racism needs to be appraised in what we shall call metonymic elaborations. This means that racisms may be expressed through a variety of coded signifiers…. Contemporary racisms have evolved and adapted to new circumstances. The crucial property of these elaborations is that they can produce a racist effect while denying that this effect is the result of racism. (Solomos and Back 1996:27, emphasis added) Introduction This chapter argues that the dominant discourse that surrounded Euro 96 (the 1996 European Football Championships) drew on, and reinforced, a form of cultural racism that currently appears to be pervasive. It is argued that the national ‘imagined community’ (Anderson 1991) that was re- constructed was one that actively worked to exclude certain categories of people—being both gendered and racially exclusive. Seeking to understand the underlying cultural processes that generated this discourse, I show the connections between other cultural spheres, notably pop music, and argue that these cultural expressions are part of a wider reassertion of a narrow and closed white male English identity which has become coded as the so- called ‘New Lad’ phenomenon. The chapter surveys some of the contemporary characteristics of popular culture before locating the pivotal role of comedians David Baddiel and Frank Skinner in generating the Euro 96 anthem, ‘Three Lions’ with its ‘football’s coming home’ chorus, and outlines why this song and related themes became so popular within both the public and political imagination.
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												  2 to Be Somebody: Ambition and the Desire to Be Different2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.
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												  100 Years: a Century of Song 1990S100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo
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