Mike Badger & Tim Peacock

Total Page：16

File Type：pdf, Size：1020Kb

LIVERPOOL Liverpool in the 1980s. With prospects for the city’s youth bleak, an ill-fated scheme for unemployed musicians commenced, inadvertently shaping the MIKE BADGER & TIM PEACOCK future for members of Space, Cast and The Lightning Seeds, thus giving fresh impetus to the idea of song as a saviour for the city. Spearheading this was The La’s, first they conquered their home town, and then on the brink of hitting the big time (and eventually inspiring what would become Britpop) Badger quit to form Americana pioneers The Onset and find international recognition as a sculptor, before eventually co-founding Liverpool’s Viper record label (which has recently released its 100th album). As well as featuring a host of Mersey Musicians and characters there are chance meetings with Captain Beefheart, Jonathan Richman and Frank Sidebottom to name a few but above all new insights are revealed into the great lost Liverpool band The La’s. From the emergence of Punk and New-Wave in the 1970’s and on through to the acknowledgment of Liverpool as Cultural Capital some thirty years on. The Rhythm and the Tide is Mike Badger’s personal story as a restlessly creative individual, and a reflection on the ebb and flow of the music scene in the city that he loves. “Had the La’s been able “Badger makes sculpture from to accommodate Badger a hybrid collection of exotic tins and Mavers, could world and cheese graters, convincing domination have been as a collection of survivalist far away?” junkyard fetishism” AND EVER AFTER LIVERPOOL, THE LA’S MOJO Magazine The Guardian “We kind of want to finish “The Onset: The most what The La’s started.” arresting group in captivity” Noel Gallagher Pete Frame (oasis) (Rock Family Trees) Mike Badger is a singer, songwriter, artist and co-founder of Liverpool’s Viper record label. Tim Peacock is a music journalist, writing for Record Collector. He is also the General Editor of the music website Whisperin’ & Hollerin’. Front cover photo: Jeanette Badger 1985 LIVERPOOL, THE LA’S AND EVER AFTER DESIGN BY NONCONFORM.CO.UK.

Copy Link

Recommended publications

Top 40 Singles Top 40 Albums
10 May 1992 CHART #809 Top 40 Singles Top 40 Albums Tears In Heaven Viva Las Vegas Woodface We Can't Dance 1 Eric Clapton 21 ZZ Top 1 Crowded House 21 Genesis Last week - / 1 weeks WARNER Last week 18 / 2 weeks WARNER Last week 1 / 39 weeks Platinum / EMI Last week 24 / 22 weeks Platinum / VIRGIN On A Sunday Afternoon You Showed Me Zz Top Greatest Hits The Very Best Of 2 A Lighter Shade of Brown 22 Salt N Pepa 2 ZZ Top 22 Howard Keel & Harry Secombe Last week 1 / 7 weeks BG Last week 17 / 8 weeks POLYGRAM Last week 8 / 2 weeks WARNER Last week 39 / 2 weeks BMG Under The Bridge America: What Time Is Love? Wish A Trillion Shades Of Happy 3 Red Hot Chili Peppers 23 The KLF 3 The Cure 23 Push Push Last week 8 / 7 weeks WARNER Last week 31 / 3 weeks FESTIVAL Last week - / 1 weeks WARNER Last week 25 / 8 weeks Gold / FESTIVAL Come To Me Justified And Ancient The Commitments OST Nevermind 4 Diesel 24 The KLF 4 Various 24 Nirvana Last week 6 / 9 weeks EMI Last week 16 / 15 weeks Gold / FESTIVAL Last week 2 / 17 weeks Platinum / BMG Last week 17 / 22 weeks Platinum / UNIVERSAL Stay What My Baby Likes Blood Sugar Sex Majik Diamonds And Pearls 5 Shakespears Sister 25 Push Push 5 Red Hot Chili Peppers 25 Prince Last week 5 / 7 weeks POLYGRAM Last week 27 / 8 weeks FESTIVAL Last week 4 / 27 weeks Gold / WARNER Last week 29 / 28 weeks Gold / WARNER Remedy Smells Like Teen Spirit The Singles Lucky Town 6 The Black Crowes 26 Nirvana 6 The Clash 26 Bruce Springsteen Last week 2 / 12 weeks WARNER Last week 26 / 17 weeks Gold / BMG Last week 3 / 8 weeks
[Show full text]
Full Article
Diggin’ For GOLD LABEL OF LOVE NEEDLE MYTHOLOGY Pete Paphides Q&A (founder) Interview: Jamie Atkins There’s plenty you can tell about the coming fortunes of a record label from the enthusiasm of those behind it. So, judging from the state of my wants list after an hour or so sat around the kitchen table of its founder – writer and broadcaster Pete Paphides – the future of Needle Mythology looks rosy. From waxing lyrical about Barry Booth’s 1968 album, Diversions (featuring lyrics by future Pythons Terry Jones and to take shape. With the first two Michael Palin) to praising the musical releases on Needle Mythology – comfort food of Eleanor Friedberger’s reissues of that Broudie album, plus third solo album, 2016’s New View, the original configuration of Stephen Paphides has the sort of zealot’s Duffy’s I Love My Friends (1998), enthusiasm for music that can cause each featuring fanbait bonuses – otherwise sane individuals to gaze imminent, RC was keen to find out longingly at the label logo and more, starting with the big question. catalogue number on a sleeve and think, “I could do that.” Why start a label? And now Paphides’ daydreams The short answer is that there were have become reality, with his first a bunch of records that I wanted to pair of releases about to hit the racks. have in my collection and I didn’t, They’ve been a while in the making. because they just didn’t exist on vinyl. A few years back, following his weekly So I had to put them out myself.
[Show full text]
Fanatics!: Power, Identity and Fandom in Football
6 ‘FOOTBALL’S COMING HOME’ BUT WHOSE HOME? AND DO WE WANT IT? Nation, football and the politics of exclusion Ben Carrington Racism manifests itself in plural and complex forms. In this situation the logic of racism needs to be appraised in what we shall call metonymic elaborations. This means that racisms may be expressed through a variety of coded signifiers…. Contemporary racisms have evolved and adapted to new circumstances. The crucial property of these elaborations is that they can produce a racist effect while denying that this effect is the result of racism. (Solomos and Back 1996:27, emphasis added) Introduction This chapter argues that the dominant discourse that surrounded Euro 96 (the 1996 European Football Championships) drew on, and reinforced, a form of cultural racism that currently appears to be pervasive. It is argued that the national ‘imagined community’ (Anderson 1991) that was re- constructed was one that actively worked to exclude certain categories of people—being both gendered and racially exclusive. Seeking to understand the underlying cultural processes that generated this discourse, I show the connections between other cultural spheres, notably pop music, and argue that these cultural expressions are part of a wider reassertion of a narrow and closed white male English identity which has become coded as the so- called ‘New Lad’ phenomenon. The chapter surveys some of the contemporary characteristics of popular culture before locating the pivotal role of comedians David Baddiel and Frank Skinner in generating the Euro 96 anthem, ‘Three Lions’ with its ‘football’s coming home’ chorus, and outlines why this song and related themes became so popular within both the public and political imagination.
[Show full text]
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.
[Show full text]
100 Years: a Century of Song 1990S
100 Years: A Century of Song 1990s Page 174 | 100 Years: A Century of song 1990 A Little Time Fantasy I Can’t Stand It The Beautiful South Black Box Twenty4Seven featuring Captain Hollywood All I Wanna Do is Fascinating Rhythm Make Love To You Bass-O-Matic I Don’t Know Anybody Else Heart Black Box Fog On The Tyne (Revisited) All Together Now Gazza & Lindisfarne I Still Haven’t Found The Farm What I’m Looking For Four Bacharach The Chimes Better The Devil And David Songs (EP) You Know Deacon Blue I Wish It Would Rain Down Kylie Minogue Phil Collins Get A Life Birdhouse In Your Soul Soul II Soul I’ll Be Loving You (Forever) They Might Be Giants New Kids On The Block Get Up (Before Black Velvet The Night Is Over) I’ll Be Your Baby Tonight Alannah Myles Technotronic featuring Robert Palmer & UB40 Ya Kid K Blue Savannah I’m Free Erasure Ghetto Heaven Soup Dragons The Family Stand featuring Junior Reid Blue Velvet Bobby Vinton Got To Get I’m Your Baby Tonight Rob ‘N’ Raz featuring Leila K Whitney Houston Close To You Maxi Priest Got To Have Your Love I’ve Been Thinking Mantronix featuring About You Could Have Told You So Wondress Londonbeat Halo James Groove Is In The Heart / Ice Ice Baby Cover Girl What Is Love Vanilla Ice New Kids On The Block Deee-Lite Infinity (1990’s Time Dirty Cash Groovy Train For The Guru) The Adventures Of Stevie V The Farm Guru Josh Do They Know Hangin’ Tough It Must Have Been Love It’s Christmas? New Kids On The Block Roxette Band Aid II Hanky Panky Itsy Bitsy Teeny Doin’ The Do Madonna Weeny Yellow Polka Betty Boo
[Show full text]
Leeds Student Friday, May 12 2000 Volume 30: Issue No.22
leeds Student Friday, May 12 2000 Volume 30: Issue No.22 I / .P1pri J 0 ywoo superstars Neve Camp e and fredor Wes Craven talk exclusively about shooting the final 1 art of the Scream trilogy ju e pages 12-13 Disconnection proposal to LMUSU computer network UNION RESIST CUT OFF T EAT A MANAGEMENT computer blunder coulI d By CATHERINE BURT we could be (king sr Nnething !AMY 0111SMICii vv." leave the LMUSU Executive without their A spokesperson for Leeds Metropolitan telephone and Email systems. telephone network which would result in more University said: "The University has been The proposals have met with angry respiimes casts for LMUSU as they seek out new commas conducting a review of its provision of IT front the Excattivecommiacc. Rob Southwood, for these vital services. services to a range of linked organisations to VP Administration and Development said: Kcrk Lawley. LMUSU President stormed: ensure that we are protected legally in regard "Apparently we area mutual organisation and "We would he the only students union in the to licences. not part of the University. mainly because we country to be isolated in this way. The issue "Our discussions have included the Student are financially separate. Howeva, no-one seems is not done and dusted. but it would have Union and following recent conversations with to have noticed we share all the same students." been if we hadn't resisted." the national networking body we ate coati dent Only six months ago LMUSU Exec paid Southwood add d: "This is another classic that the Student Union will remain connected the University to install new telephone and data botch-up from the University.
[Show full text]
Convertible Bus No. 8
I came, I saw, I got on The Convertible Bus The quiet one recorded for but left off the ‘White’ album – hearing it now, it sounds like something from the mid-70s rather than 1968). Then there’s a quartet of songs he wrote for The Beatles, though only three got recorded by them. ‘Old Brown Shoe’: a fine rocker, that ended up as a B-side (but then Beatle B-sides weren’t like other people’s). ‘All Things Must Pass’: There’s not much to justify the existence of the Anthol- ogy albums, but his beautiful demo of this track is one of the gems amongst the iffy live performances, songs wisely dropped and ar- rangements sensibly changed. It’s almost in- All things must pass. conceivable that instead of this, The Beatles I’m writing this on the day I found out that chose to stick with ‘For You Blue’ and ‘I Me George Harrison had died, and listening to his Mine’ for Let It Be, but bootlegs from the Get music. The Beatles was the first band I really Back sessions (which turned into Let It Be) got into (in 1976 – late as ever), and they al- show John and Paul ruining the song with ways have and always will mean a very great their cack-handed contributions – they obvi- deal to me – they are the sound of every sum- ously hated it. ‘Here Comes The Sun’: Ian mer I’ve ever had. I still remember vividly ex- Macdonald in his masterly Revolution In The actly where I was when I heard that John Head rather dismisses this as “a little too faux- Lennon had died.
[Show full text]
Bare Facts by Samantha Birmingham, Andy Gale, Sophie Rocks, Alex Cass, and Rob Dorey Should Industry Share the Financial Burden for Higher Education?
ED971031Issue 918.qxd 07/05/98 14:58 Page 1 (1,1) Issue 918 - Weekly Friday 31st October 1997 What made them see eye to eye? Matt Pannell Editor he Conservative MP for Guildford and the President of the National Union of TStudents spoke out together on Monday night against the Government’s proposed uni- versity tuition fees, at a public meeting held in the University Hall. For years, the two organisations have been in dispute over funding for Higher Education, yet the two men turned out to have plenty of common ground in opposing the cur- rent plans. Nick St Aubyn, who has represent- ed Guildford since the general election in May, said that the funding crisis in higher education “will get even worse....we can’t carry on like that.” Douglas Trainer, President of the National Union of Students attacked the Conservatives for having caused the cash shortage in the first place, but had some fierce criticism for the Labour Party, too, branding the Government “dead stupid” for introducing the proposals. Asked what realistic chance he stood of getting the proposals overturned by lobbying MP’s, he admitted that “our ability to get a revolt with a government majority of 170 is very limited.” Nick St.Aubyn,, Conservative MP for Guildford (above) Douglas Trainer , NUS President, Other speakers included a repreenta- And does anybody care? tive from the local Liberal Democrat Party, John Vincent, who in turn claimed that his party, too, was “100 % united against the Meningitis hits imposition of fees.” He said that the new scheme “will discourage students
[Show full text]
THE IMPENETRABLE LIONS of ROME by Chris Nee
THE IMPENETRABLE LIONS OF ROME by Chris Nee ome football moments zip by in a flash The remaining results left Hoddle's team in appeared to be upended by Adams just and others seem to make time stand the driving seat but there was still plenty of inside Seaman's penalty area. S still. room for traditional English pessimism, for the job was not quite finished. Italy had kept Referee Mario van der Ende was prompted When Glenn Hoddle's England played Italy in Alan Shearer at bay at Wembley and had into action not to point to the penalty spot, but Rome in their final FIFA World Cup 1998 frightening firepower of their own. to caution the legendary Juventus forward for qualifier they provided both in quick succes- diving. It was a marginal decision and Eng- sion right at the bitter end. Italy's line-up on October 11th 1997 was land had escaped a nervous moment that fearsome and England needed to thwart could easily have gone the other way. Needing only a draw to qualify, David Sea- them in order to guarantee their place in the man got England moving after gathering World Cup the following summer. Del Piero was in the thick of the action again Christian Vieri's attempted bicycle kick and three minutes later. Producing his trademark his Arsenal team-mate Ian Wright skipped Without the injured Shearer, Hoddle played trickery on the left wing, he foxed Campbell past Italian goalkeeper Angelo Peruzzi to Wright up front with Sheringham. David more than once before the England defender bear down on an empty net.
[Show full text]
Jukebox Decades
JUKEBOX DECADES – 100 HITS Rock Jukebox D1 Disc One - Title Artist Disc Two - Title Artist 01 Don’t Stop Believin’ Journey 01 The Final Countdown Europe 02 More Than A Feeling Boston 02 Bat Out Of Hell Meat Loaf 03 Eye Of The Tiger Survivor 03 Breaking The Law Judas Priest 04 (Don’t Fear) The Reaper Blue Oyster Cult 04 Danger Zone Kenny Loggins 05 Piece Of My Heart Big Brother 05 Message In A Bottle Gillian 06 Walk On The Wild Side Lou Reed 06 Poison Alice Cooper 07 All The Young Dudes Mott The Hoople 07 Mighty Wings Cheap Trick 08 God Gave Rock & Roll To You Argent 08 Take It On The Run REO Speedwagon 09 Dogs Of War Saxon 09 Beginning Of The End Status Quo 10 Because The Night Patti Smith 10 The Battle Rages On Deep Purple 11 Leave A Light On Belinda Carlisle 11 Burnin’ For You Blue Oyster Cult 12 Walk This Way RUN – DMC & Aerosmith 12 You’re The Voice John Farnham 13 Broken Wings Mr Mister 13 Kyrie Mr Mister 14 Summer In The City The Lovin’ Spoonful 14 Hold On Baby J J Cale 15 Africa Toto 15 Rock ‘N Me The Steve Miller Band 16 Making Love Out Of Nothing At Air Supply 16 Call On Me Captain Beefheart All 17 Dust In The Wind Kansas 17 No Time The Guess Who 18 Fantasy Aldo Nova 18 Jessie’s Girl Rick Springfield 19 Soul Sacrifice Santana 19 Johnny B Goode Johnny Winter 20 Albatross Fleetwood Mac 20 I Think I Love You Too Much Jeff Healey Disc Three - Title Artist Disc Four - Title Artist 01 Black Magic Woman Fleetwood Mac 01 King Of Dreams Deep Purple 02 Little Wing Stevie Ray Vaughan 02 Rock The Night Europe 03 She’s Not There Santana 03 Wasted In America Love/Hate 04 Turtle Blues Big Brother 04 Search & Destroy Iggy & The Stooges 05 Cause We’ve Ended As Lovers Jeff Beck 05 Living After Midnight Judas Priest 06 Nantucket Sleighride Mountain 06 Solid Ball Of Rock Saxon 07 Eight Miles High Byrds 07 Black Betty Ram Jam 08 American Woman The Guess Who 08 You Took The Words Right Out.
[Show full text]
Songs in the Key of Z  
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.
[Show full text]
Shadow Chancellor Ed Balls Visits Basecamp3
CABLE #8 THIS ISSUE: CONTRIBUTE: Basecamp 3 New Elevator Cafe Send your news stories to: Arena Giant Shop [email protected] Payper Tiger Ian Broudie Follow us on: moves Festival www.twitter.com/elevatorstudios The Loud or www.facebook.com/elevatorstudios Baltic Artists SHADOW CHANCELLOR ED BALLS VISITS BASECAMP3 Elevator based ‘business incubators’ Basecamp3 “The reason why there was support from the council Home to a wide range of businesses including digi- were paid a visit by members of the shadow cabinet for this type of business incubation was that the big tal artists, animators, games developers, iphone earlier this month (March 3), as the band of politi- employers of five year’s time will start out as indi- application developers, web developers, digital cians launched ‘Liverpool Business Day’. viduals or small companies”, said Mr Balls. “Liver- marketing specialists, graphic designers, motion pool is a city known for its creativity and flair and its graphics and video production, and a record label, Visitors to the award-winning enterprise hub in- design skills, and that’s what this industry is about.” the hub is supported by Pacificstream. cluded Shadow Chancellor Ed Balls, Shadow Sec- retary of State for Work and Pensions Liam Byrne, Basecamp3, who were applauded by the politicians For more information, go to: http://www.basecamp3.co.uk Shadow Secretary of State for Business, Innovation for their success and support for the local economy and Skills John Denham, Shadow Chief Secretary via their support systems, were awarded a Global to the Treasury Angela Eagle, Local MP Louise Ell- Incubation Award for “combining Entrepreneurship man and Liverpool City Council Cabinet Member with creativity & culture” at the 9th Annual Incuba- for Employment and Skills Councillor Nick Small.
[Show full text]