WINTER/SPRING SEASON ––––––––––––––––––––––––––––––––––––––––– Jan 19–22 Silencio Blanco Chiflón, El Silencio del Carbón ––––––––––––––––––––––––––––––––––––––––– Feb 11–12 MCA Cunningham Event ––––––––––––––––––––––––––––––––––––––––– Feb 18–19 CCN—Ballet de Lorraine Works by Merce Cunningham, and Petter Jacobsson and Thomas Caley ––––––––––––––––––––––––––––––––––––––––– Feb 25–26 Music for Merce ––––––––––––––––––––––––––––––––––––––––– Mar 11 Spektral Quartet, Morton Feldman String Quartet No. 2 ––––––––––––––––––––––––––––––––––––––––– Mar 23–25 Charles Atlas/ Rashaun Mitchell/ Silas Riener Tesseract ––––––––––––––––––––––––––––––––––––––––– Apr 5–8 and Marie-Hélène Estienne Battlefield ––––––––––––––––––––––––––––––––––––––––– Apr 23 Matthew Duvall + guests Whisper(s) MUSEUM OF CONTEMPORARY ART CHICAGO April 5–8, 2017 FROM THE ARTISTS

The Mahabharata is not simply a book, nor a great series of books; BATTLEFIELD it is an immense canvas covering all the aspects of human existence. In it we find all the questions of our lives, in a way that is at once contemporary and urgent. Over many thousands of years the Mahabharata has shown us, Peter Brook and always in unexpected ways, how to open our eyes to what reality demands. Marie-Hélène Estienne The Mahabharata speaks of a great war of extermination, which tears apart the Bharata family. On one side there are five brothers, ––––––––––––––––––––––––––––––––––––––––––––––––––––– the Pandavas, and on the other side their cousins, the Kauravas, Based on the Mahabharata and the eponymous play written by the hundred sons of the blind King Dritarashtra. Both sides use Jean-Claude Carrière terrible weapons of destruction. At the end the Pandavas win. Millions of dead bodies lie on the ground. And now the eldest of Adapted and directed by Peter Brook and Marie-Hélène Estienne the Pandavas—Yudishtira—is compelled to become King. The victory has the bitter taste of defeat. Both Yudishtira and Dritarashtra, MUSIC Toshi Tsuchitori the old King, feel deep distress and remorse, questioning their past COSTUMES Oria Puppo actions and trying to unravel their responsibility for the disaster. LIGHTING DESIGN Philippe Vialatte How, having to live with this terrible massacre, having lost their PERFORMERS Carole Karemera sons, their families, their allies, will the new and former Kings find Jared McNeill inner peace? Ery Nzaramba Sean O’Callaghan The richness of the language of this timeless epic and its astonishing Toshi Tsuchitori (musician) stories allow us to bring to the stage situations, which, belonging to the past, reflect at the same time the harsh conflicts of today. COMPANY STAGE Thomas Becelewski MANAGER Peter Brook ––––––––––––––––––––––––––––––––––––––––––––––––––––– Marie-Hélène Estienne PRODUCTION C.I.C.T. / Théâtre des Bouffes du Nord ABOUT THE WORK COPRODUCTION The Grotowski Institute; PARCO Co. Ltd, Tokyo; Les Théâtres de la Ville de Luxembourg; Young Vic Theatre, London; Singapore In Battlefield Peter Brook returns to the sacred poem of India the Repertory Theatre; Le Théâtre de Liège; C.I.R.T.; Attiki cultural Mahabharata thirty years after creating the nine-hour theater Society, Athens; and Cercle des partenaires des Bouffes du Nord version. Brook explains his decision to create Battlefield: ––––––––––––––––––––––––––––––––––––––––––––––––––––– [It was] not to make a revival or something nostalgic, but on Duration is seventy minutes without an intermission. the contrary, to create, in the spirit of today, a very essential, very intense piece that speaks about our concerns. If we have Copresented with Chicago Shakespeare Theater decided to come back to this work now, it is because there was the need to find something relevant for us today. Although parts of the two-thousand-year-old poem the Mahabharata have been used in Indian dance, song, and the ritual Kathakali Battlefield premiered on September 15, 2015, at Théâtre des Bouffes du Nord, Paris, France. drama, the version undertaken by Brook was the first to adapt the US tour produced by David Eden Productions, Ltd. whole epic for the theater. Brook observes, “The Indians say—and it could sound a little vain—that everything is contained in the Mahabharata and if it is Apr 23, 2017 not in the Mahabharata, then it does not exist.” at MCA Stage To create the play the Mahabharata, Brook visited India several times and studied Hindu scripture, costume, art, and music with a team of close colleagues, including the writer Jean-Claude MATTHEW DUVALL Carrière and the composer Toshi Tsuchitori. Brook’s play featured twenty-one actors from sixteen countries, + GUESTS plus five musicians under the direction of Tsuchitori, who is reunited with Brook and plays dozens of Oriental and African instruments in Battlefield. Describing the Mahabharata, Brook added this: This great epic from thousands of years ago has grown over the years, assimilating the most important cosmic and metaphysical ideas alongside the simplest things from everyday life. The poem describes the war that tears apart a family. In the end, one side of the family wins, but the poem mentions “ten million dead bodies,” an extraordinary figure for that time. It is a terrifying description—it could be Hiroshima or Syria today. We wanted to speak about what happens after the battle. How will the old blind king, who has lost all his sons and all his allies, be able to cope and assume their responsibility with his victorious nephew? On both sides, the leaders go through a moment of profound questioning: the ones who won say “victory is a defeat” and the ones who lost admit that “they could have prevented that war.” In the Mahabharata they at least have the strength to ask these questions. Our real audience is Obama, Hollande, Putin, and all the presidents. The question is how do they see their opponents in this day and age? When one watches the news one is angry, disgusted, furious. But in the theatre one can live through all that and leave more confident, braver, believing that one can face up to life. Matthew Duvall, Whisper(s) Photo: Elliot Mandel For me, theatre is the possibility to live, for an hour or two, in a space of concentration with the audience, a shared experience so that each may leave nourished by his own thoughts. WHISPER(S)

Tickets at mcachicago.org Olympians, Salomé, and Le of Sizwe Bansi est mort, by as an actor, musician, choreo- ABOUT THE Nozze de Figaro at Covent authors Athol Fugard, John Kani, grapher, and director and has a ARTISTS Garden; Faust and Eugene and Winston Ntshona. In 2003, degree in dramatic arts and Onegin at the Metropolitan she wrote French and English jazz from the Royal Music PETER BROOK Opera House, New York; La adaptations of Le Grand Conservatory in Mons, Belgium. was born in London in 1925. Tragédie de Carmen and inquisiteur (The Grand Inquisitor) Her stage and film acting Throughout his career, he has Impressions of Pelleas at the based on Dostoievsky’s Brothers credits include the productions distinguished himself in various Théâtre des Bouffes du Nord, Karamazov. She authored Tierno Sometimes in April, Bogus genres, including theater, opera, Paris; and Don Giovanni for the Bokar in 2005, and completed Woman, If the wind moves the cinema, and writing. He Festival d’Aix-en-Provence. the English adaptation of Eleven sand, Scratching the Innerfields, directed his first play in London and Twelve by Amadou Hampaté Rwanda 94, and Jazz. in 1943. He then went on to Brook’s autobiography, Threads Ba in 2009. With Peter Brook, direct more than seventy of Time, was published in 1998 she codirected Fragments, five In 2005 she decided to settle in productions in London, Paris, and joins other titles, including short pieces by Samuel Beckett, Rwanda, and in 2007 created and New York. His works with The Empty Space (1968)—trans- the Royal Shakespeare lated into more than fifteen Company are Love’s Labour’s languages—The Shifting Point Lost (1946), Measure for (1987), There Are No Secrets Measure (1950), Titus Andronicus (1993), Evoking (and Forgetting) (1955), King Lear (1962), Marat/ Shakespeare (1999), and The Sade (1964), US (1966), A Quality of Mercy (2014). His Midsummer Night’s Dream (1970) films include Moderato Cantabile and Antony and Cleopatra (1978). (1959), Lord of the Flies (1963), Marat/Sade (1967), Tell me Lies In 1971, he and Micheline Rozan (1967), King Lear (1969), Meetings founded the International with Remarkable Men (1976), Centre for Theatre Research in The Mahabharata (1989), and Paris and in 1974, opened its The Tragedy of Hamlet (2002, TV). permanent base in the Théâtre des Bouffes du Nord. There, he MARIE-HÉLÈNE ESTIENNE directed Timon of Athens, The began working with Peter Iks, Ubu aux Bouffes, Conference Brook in 1974 on the casting for of the Birds, L’Os, The Cherry Timon of Athens, and Orchard, The Mahabharata, consequently joined the Centre Woza Albert!, The Tempest, The International de Créations Man Who, Qui est là, Happy Théâtrales (CICT) for the Days, Je suis un Phénomène, creation of Ubu aux Bouffes in Carole Karemera Le Costume, The Tragedy of 1977. She was Peter Brook’s Photo: Simon Annand Hamlet, Far Away, La Mort de assistant on La tragédie de Krishna, Ta Mayn dans la Mienne, Carmen and Le Mahabharata, and again with Peter Brook as the Ishyo Arts Centre, the cultural The Grand Inquisitor, Tierno and collaborated on the staging well as composer Franck hub of the town of Kigali, Bokar, Sizwe Banzi, Fragments, of The Tempest, Impressions de Krawczyk, she freely adapted which offers residencies and Warum Warum, Love Is my Sin, Pelléas, Woza Albert!, and La Wolfgang Amadeus Mozart professional coaching to local 11 and 12, Une Flûte Enchantée tragédie d’Hamlet (2000). She and Emanuel Schikaneder’s Die artists and a varied and inno- (opera), and more recently The worked on the dramaturgy of Zauberflöte into Une flûte enchantée. vative program to the public. Suit (2012) and The Valley of Qui est là. With Peter Brook she She shares in the creation of She has directed several theater Astonishment (2014)—many of co-authored L’homme qui and The Suit in 2012 and The Valley and music performances that which were performed both in Je suis un phénomène shown at of Astonishment in 2013. toured through Africa and Europe, French and English. the Théâtre des Bouffes du including My little hill, Kura, Nord. She wrote the French CAROLE KAREMERA Umuvunyi, and Mboka, and has In opera, he directed La adaptation of the Can was born in Brussels and is of coproduced the Kina Festival, bohème, Boris Godounov, The Themba’s play Le costume, and Rwandese origins. She is active Kigali Up Music Festival, and Centre x Centre International Hutchinson’s She Like Girls at the musical numbers on the 2011) and The Blues Lover Theater Festival. Lark Theatre, Larkspur, trombone and harpsichord. He (Portobello Film Festival 2014). California. He has played was on the recent tour with He cowrote Flora & Dambudzo Karemera was successively various roles in Peter Brook’s 11 The Suit, directed by Peter Brook. (2015), the feature film based Director of the Pan African and 12 and the role of on the life and work of cult Dance Festival and then the Maphikela in Brook’s The Suit. ERY NZARAMBA Zimbabwean author Dambudzo Deputy Secretary General of He has also performed in trained as an actor at the Marechera and in which he Arterial Network and is August Wilson’s Fences at the Conservatoire Royal de plays the role of Dambudzo. presently a member of the Geva Theater Center, and in Bruxelles in Belgium and at the Rwandan Academy of various chapters of Tarell Birmingham School of Acting in Nzaramba’s stage credits Languages and Culture and of Mccraney’s Brothers/Sisters the United Kingdom. Battlefield include The Suit (Théâtre des the National Institute of Trilogy at Pittsburgh’s City is his second production with Bouffes du Nord, world tour); Rwandan Museums. Since 2014 Theatre, as well as San the Théâtre des Bouffes du The Bacchae and Blood Wedding she has been working on a Francisco’s Marin Theatre Nord, following two world (Royal & Derngate); As You Like

Jared McNeill Ery Nzaramba Photo: Simon Annand Photo: Simon Annand multidisciplinary triptych on the Company and American tours of The Suit. Nzaramba has It (Curve Theatre); The Epic theme of memory. She is an Conservatory Theater. twice been awarded a Grant Adventure of Nhamo the activist for the freedom of Most recently, McNeill completed for the Arts by Arts Council Manyika Warrior (Tricycle expression and of creation in work as an understudy in the England in 2012 and 2015 to Theatre/Tiata Fahodzi); Split/ Africa. Roundabout Theatre Company’s write his play Dream of a Mixed (United Solo Theatre production of Stephen Karam’s Nation, of which a public Festival in New York); The Snow JARED MCNEILL Sons of the Prophet as well as rehearsed reading took place at Queen (Trestle Theatre/British trained at Fordham University adopting the role of Desmond the Theatre Royal Stratford Council, India tour); The Jew of at Lincoln Center in New York in Young Jean Lee’s The East, London, in July 2015. He Malta (Hall for Cornwall); The City, where he graduated in Shipment. He also played in a also wrote the one-man play Three Musketeers and The theater and visual arts in 2008. recent New York production of Split/Mixed and wrote and Tempest (Unicorn Theatre). His The same year he made his Bertolt Brecht’s Life of Galileo, directed the short films To the film and television work professional debut in Chisa during which he performed Naked Eye (Legacy Film Festival includes The Gates of Vanity (feature film, Future Focus new Globe Theatre with Brian Friel’s Faith Healer. He has Brecht (National Theatre Films) and The Bill (television, Augustine’s Oak, and Abi won awards and received of Mannheim, Germany). For ITV), and his radio credits Morgan’s new play Tender at nominations from The Irish the Théâtre des Bouffes du include 43:59: Yara, The the Hampstead Theatre, Times Theatre Awards and The Nord she serves as technical Torturers’ Tales, Ball & Chains, London. He is an associate artist Scottish Critics Awards. His director for works by Peter When I Lived in Peru (radio, with Howard Barker’s theater credits in television and film Brook and Marie-Hélène Estienne, BBC Radio Drama). company, the Wrestling School, include the Canadian series X Tierno Bokar, based on the and has worked with them Company; Maria Graham, novel by Amadou Ampathé Bâ, SEAN O’CALLAGHAN over a sixteen-year period, directed by Valeria Sarmiento; and Mozart’s A Magic Flute is from Cork, Ireland, and touring throughout Europe and Bigga Than Ben, directed by (cocreated with Franck trained at the Royal Academy Australia. He spent the early Suzie Halewoo; and Shaftesbury Krawzcyk), and as costume of Dramatic Art under Hugh part of his career working with Players, codirected by Cornelia codesigner for The Suit, Cruttwell. He worked with Peter Cheeseman at the New Hayes O’Herlihy and John Hayes based on the novel by Can Alexander Zeldin at London’s Vic Theatre in Stoke-on-Trent, and for which O’Callaghan Themba. Recently, she did won a Best Actor Award at the the decor for George Frideric 2010 Granada Film Festival. Handel’s Resurrection, directed by Lilo Baur at the Paris ORIA PUPPO opera Atelier Lyrique I La Voca, is a stage and costume designer and sets and costumes for and works in Buenos Aires and Jean Genet’s Mayds, directed Paris. In Argentina, she has by Ciro Zorzoli with Marilú created sets and costumes for Marini in Buenos Aires. directors Diego Kogan (Martha Stutz by Javier Daulte), Rafael TOSHI TSUCHITORI Spregelburd (Modesty by Rafael was born in Kagawa, a Spregelburd), Roberto prefecture of Japan, in 1950 Villanueva (Queen of the Night and began performing with by Thomas Bernhard and The Japanese traditional drums at Goldberg Variations by George an early age. Since the 1970s, Tabori), Ciro Zorzoli (State of he has performed internationally Wrath after Henrik Ibsen’s with specialists in free improv- Hedda Gabler), and Alejandro isation, such as Milford Graves, Tantanian (Travellers that die by Steve Lacy, and Derek Baily. He Daniel Veronese, Knives in Hens began working with Peter by David Harrower, and Los Brook’s theatre group in 1976, mansos by Alejandro Tantanian and has since created the music Sean O’Callaghan after Dostoievsky’s ). for productions including Ubu, Photo: Simon Annand She also worked as technical The Conference of the Birds, director for the Buenos Aires L’Os, The Mahabharata, The National Theatre in Beyond where he continues to work. He International Festival from 1999 Tempest, The Tragedy of Hamlet, Caring, and with the Royal is now based in Stoke-on-Trent. to 2007. Eleven and Twelve, Tierno Bokar, Shakespeare Company with and The Valley of Astonishment. directors such as Terry Hands, O’Callaghan has been in In Europe, Puppo has taken part Michael Bogdanov, Michael productions throughout the in Alejandro Tantanian’s He has studied traditional music Attenborough, and Mathew United Kingdom, including creation of Romeo and Juliet by from all over the world, and for Warchus, as well as performing Liverpool, Manchester, Belfast, William Shakespeare (Théâtre more than a decade he has in various productions of Cardiff, Birmingham, and de Lucerne, Switzerland), been researching the earliest Shakespeare at the RSC. He has Plymouth, and he recently Tiziano Manca’s opera La strata of Japanese music and appeared in new plays by David worked with Director Rachel gabbia (Stuttgart Theater, presenting the results as musical Edgar, Anne Devlin, and Nick O’Riordan on Conor Germany) and for Amerika, performances. He has released Dear. O’Callaghan was in the McPherson’s The Seafarer and after Franz Kafka’s, and a series of three recordings of first new play produced at the with John Dove in Edinburgh in Threepenny Opera by Bertolt prehistoric Japanese sounds entitled Dotaku, Sanukaito, and on the light design of Woza to producing international work Jomonko. Recently he researched Albert and La Tempête, also in the United States for more ABOUT OUR and played ancient music in the directed by Peter Brook. Since than thirty years. Most recently, PARTNER prehistoric painted cave of the creation of The Man Who in DEP has produced tours for Cougnac, France. Paris in 1993, he has designed Druid Theatre, Bouffes du Nord, the lights for Brook’s plays at Maly Drama Theatre, Théâtre Tsuchitori has also collaborated the Theatre des Bouffes du de la Ville, Ensemble Basiani with the traditional master Nord: Qui est là, Je suis un from Republic of Georgia, Gate musician Harue Momoyama phénomène, Le Costume, The Theatre Dublin, and Batsheva since they built a studio together Tragedy of Hamlet, Far Away, La Dance Company. in 1988, working both with mort de Krishna, La Tragédie local villagers and international d’Hamlet, Ta Mayn dans la DEP has produced tours for The artists. He has released many mienne, Tierno Bokar, Le Grand Public Theatre, Martha Clarke, –––––––––––––––––––––––––– CD recordings and written three Inquisiteur, Sizwe Banzi est mort, Declan Donnellan, Propeller, Rezo Gabriadze, Piccolo Teatro CHICAGO SHAKESPEARE di Milano, London’s Royal Court THEATER (CST) Theatre, Russian Patriarchate is a leading international Choir of Moscow, State Ballet theater company and a recipient of Georgia, plus Bolshoi and of the Regional Theatre Tony worked on special projects with Award®. Under the leadership John F Kennedy Center for the of Artistic Director Barbara Arts, Lincoln Center, American Gaines and Executive Director Dance Festival, and Jacob’s Pillow. Criss Henderson, CST is dedicated to creating extraordinary –––––––––––––––––––––––––– production of classics, new works, For David Eden Productions and family programming; to unlocking Shakespeare’s work GENERAL MANAGER for educators and students; and Pat Kirby to serving as Chicago’s cultural ambassador through its World’s PRODUCTION CONSULTANT Stage Series. Through a year- Chris Buckley—P&PFC,Inc round season encompassing more than 650 performances, VISA COORDINATOR CST attracts 225,000 audience Elise-Ann Konstantin members annually. One in four of its audience members is Battlefield TRAVEL AGENT under eighteen years old, and Pictured: Tosh Tsuchitori Lori Harrison, Atlas Travel today its education programs Photo: Caroline Moreau have impacted the learning of more than one million students. books: Spiral Arms, an auto- Fragments, 11 and 12, and Throughout 2016, CST spear- biography; The Sounds of Jomon, recently A Magic Flute, The Suit, headed the international arts a study of the music of prehistoric and the Valley of Astonishment. and culture festival Shakespeare Japan; and The Sound of Painted He is responsible for lighting 400 Chicago, a yearlong, Cave, about the origins of music. and travels with all the touring citywide celebration of the productions. playwright’s 400-year legacy. PHILIPPE VIALATTE started his career at the DAVID EDEN Théâtre des Bouffes du Nord in PRODUCTIONS, LTD. 1985 as a light operator on Le (US tour producer) Mahabharata, directed by Peter has been one of the leading Brook. He assisted Jean Kalman American organizations devoted The MCA’s newest ENACT MEMBERS THANK YOU affinity group,Enact , Dr. Bruce and Sally Bauer Leigh and Henry Bienen Lead support for the 2016–17 season of MCA Stage is provided by is a group of MCA Ms. Shawn M. Donnelley* Elizabeth A. Liebman. Circle Donors dedicated and Dr. Christopher M. Kelly Lois and Steve Eisen and Generous support for MCA Dance is provided by David Herro and to supporting the The Eisen Family Foundation Jay Franke. renowned programs Ginger Farley and Bob Shapiro David Herro and Jay Franke Additional generous support is provided by Caryn and King Harris, Ms. of MCA Stage. Join Cynthia Hunt and Philip Rudolph Shawn M. Donnelley and Dr. Christopher M. Kelly, Lois and Steve Eisen and today for opportunities Anne L. Kaplan The Eisen Family Foundation, Ginger Farley and Bob Shapiro, the Martha Anne and John Kern Struthers Farley and Donald C. Farley Jr. Family Foundation, Mary E. Ittelson, to meet artists, Elizabeth A. Liebman Sharon and Lee Oberlander, Maya Polsky, Carol Prins and John Hart/The gain behind-the-scenes Abby McCormick O’Neil and Jessica Fund, Ellen Stone Belic, Amphion Foundation, Inc., Leigh and Henry D. Carroll Joynes Bienen, Melynda Lopin, D. Elizabeth Price and Lou Yecies. access, and discuss Sharon* and Lee Oberlander groundbreaking Karen Peters and Charles Frank The MCA is a proud member of the Museums in the Park and receives Elizabeth Price and Lou Yecies major support from the Chicago Park District. directions with leading Carol Prins and John Hart/ curators—all while The Jessica Fund Mr. and Mrs. John Seder providing vital support. Ellen Stone Belic Linda and Michael Welsh BENEFITS OF ENACT MEMBERSHIP INCLUDE:

� Members-only programming throughout the MCA Stage season � Pre and post-performance discussions with artists Foundation � Behind-the-scenes access Season Sponsor to select rehearsals � Invitation to Season Reveal, an annual preview of the upcoming season � Opportunities for complimentary Preferred Hotel drinks and tickets Partner

Circle Donor membership is required to join Enact. Enact dues are an additional $1,000 annually.

Museum of Contemporary Art Chicago

For more information, contact 220 E Chicago Ave us at [email protected]. *Enact Cochair Chicago, IL 60611 As of April 2017 As an internationally renowned institution Anne L. Kaplan, Chair devoted to contemporary culture, the Museum of the Board of of Contemporary Art Chicago presents the Trustees most thought-provoking visual art and Madeleine Grynsztejn, performing arts of our time. MCA Stage is a Pritzker Director vibrant series presenting theater, dance, and Teresa Samala music by leading artists from the US and de Guzman, Deputy around the world in the MCA’s three-hundred- Director seat Edlis Neeson Theater. Michael Darling, James W. Alsdorf MCA Stage’s groundbreaking performances Chief Curator are an integral part of MCA Chicago’s artist-activated, audience-engaged program- PERFORMANCE ming. Along with the museum’s exhibitions Yolanda Cesta Cursach, and educational initiatives, they encourage a Curator broad and diverse community to experience John Rich, Manager and discuss the work and ideas of living artists. Richard Norwood, Theater Production PARKING Manager Validate your ticket at coat check for $12 Phill Cabeen, Curatorial parking in the MCA garage (220 East Chicago Assistant Avenue) and the Bernardin garage (747 North Yingci Wei, Intern Wabash). The $12 parking is limited to six hours on the date of performance. HOUSE MANAGEMENT Kevin Brown, Associate LOST AND FOUND Megan Cline, Associate To inquire about a lost item, call the museum Quinlan Kirchner, at 312-280-2660. Unclaimed articles are held Associate for thirty days. BOX OFFICE SEATING Matti Allison, Manager Please switch off all noise-making devices Phongtorn Phongluantum, while you are in the theater. Assistant Manager Molly Laemle, Patrons are seated at the management’s Coordinator discretion. Food and open beverage containers Lucas Baisch, Associate are not allowed in the seating area. Arion Davis, Associate Wright Gatewood, REPRODUCTION Associate Unauthorized recording and reproduction of Peyton Lynch, Associate a performance are prohibited. Program notes compiled GENERAL INFORMATION by Yolanda Cesta Cursach 312-280-2660 BOX OFFICE 312-397-4010 VOLUNTEER FOR PERFORMANCES 312-397-4072 [email protected]

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