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' , We -Property of the a Comparative Analysis of The
' , WE-PROPERTY OF THE ~~,%RSITYOF DELAWARE A COMPARATIVE ANALYSIS OF THE COMMUNICATION FLOW BETWEEN THE U.S.I.A. AND THE ADMINISTRATION DURING THE ADMINISTRATIONS OF KENNEDY AND JOHNSON 4- MAUREEN LYNN WYLLIE A thesis submitted to the Faculty of the University of Delaware in ~artialfulfillment of the requirements for of Master of Arts in Speech-Communication. June, 1976 A COMPARATIVE ANALYSIS OF THE COMMUNICATION FLOW BETWEEN THE U.S.I.A. AND THE ADMINISTRATION DURING THE ADMINISTRATIONS OF KENNEDY AND JOHNSON MAUREEN LYNN WYLLIE Approved: Advisory Committee \ Approved: Approved: Dean of the College o TABLE OF CONTENTS CHAPTER I . INTRODUCTION .............. Purpose of Study ................ Scope of Study ................ Type of Study ................ Related Research ................ Footnotes .................... CHAPTER I1 . HISTORY AND DEVELOPMENT OF THE U .S .I .A . EarlyHistory .................. Private International Broadcasting ........ Government Operated International Broadcasting . Functioning of U.S.I.A. ............. Organizational Chart ............... Summary ..................... Footnotes .................... CHAPTER I11 . THE KENNEDY ADMINISTRATION The Role of Edward R . Murrow ........... The Role of John F. Kennedy ........... The Kennedy Charisma ............... The Relationship Between Kennedy and Murrow ... International Factors .............. Conclusion .................... Footnotes .................... iii CHAPTER IV. THE JOHNSON ADMINISTRATION ....... 98 Appointment of a New Director .......... 104 ~ohnson'sView -
A Selective Study of Negro Worksongs in the United States Margaret E
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1976 A Selective Study of Negro Worksongs in the United States Margaret E. Hilton Eastern Illinois University This research is a product of the graduate program in Music at Eastern Illinois University. Find out more about the program. Recommended Citation Hilton, Margaret E., "A Selective Study of Negro Worksongs in the United States" (1976). Masters Theses. 3429. https://thekeep.eiu.edu/theses/3429 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. A SELECTIVE STUDY OF NEGRO WORKSONGS IN THE UNITED STATES (TITLE) BY MARGARET E. HILTON THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENlS FOR THE DEGREE OF MASTER OF ARTS IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 1976 YEAR I HEREBY RECOMMEND THIS THESIS BE ACCEPTED AS FULFILLING THIS PART OF THE GRADUATE DEGREE CITED ABOVE 5'/t.. g�,.i� 1 ADVISER �t9/t '"(' •err 8'4r: DEPARTMENT HEAD I PAPER CERTIFICATE #2 TO: Graduate Degree Candidates who have written formal theses. SUBJECT: Permission to reproduce theses. ' The University Library is receiving a number of requests from other institutions asking permission to reproduce dissertations for inclusion in their library holding s . Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow theses to be copied. Please sign one of the following statements: Booth Library of Eastern Illinois University has my permission to lend my thesis to a. -
The Connectors of Two Worlds: Chano Pozo, Dizzy Gillespie, and the Continuity of Myth Through Afro-Cuban Jazz
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2005 The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz Dwight Paul Sweeney Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Music Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Recommended Citation Sweeney, Dwight Paul, "The connectors of two worlds: Chano Pozo, Dizzy Gillespie, and the continuity of myth through Afro-Cuban jazz" (2005). Theses Digitization Project. 2823. https://scholarworks.lib.csusb.edu/etd-project/2823 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, AND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Interdisciplinary Studies by Dwight Paul Sweeney, Jr. March 2005 ■3 THE CONNECTORS OF TWO WORLDS: CHANO POZO, DIZZY GILLESPIE, ZYND THE CONTINUITY OF MYTH THROUGH AFRO-CUBAN JAZZ A Thesis Presented to the Faculty of California State University, San Bernardino by Dwight Paul Sweeney, Jr. March 2005 Approved by: 3-2- Chair, History Date Russell Barber, Anthropology ABSTRACT The histories of Cuba and the United States ran a parallel course until the late nineteenth century, and musical cultural exchanges are a legacy of this interaction. -
Fernando Ortiz on Music
Excerpt • Temple University Press Introduction Fernando Ortiz Ideology and Praxis of the Founder of Afro-Cuban Studies Robin D. Moore ernando Ortiz Fernández (1881–1969) is recognized today as one of the most influential Latin American authors of the twentieth century. FAmazingly prolific, his roughly one dozen books and 600 total publica- tions appearing between 1900 and the mid-1950s address a vast array of sub- jects and intersect with disciplines such as law, political science, history, ethnography, linguistics, sociology, folklore, geography, and musicology.1 Poet and essayist Juan Marinello described Ortiz as the “third discoverer of Cuba” (after Columbus and the Prussian geographer Alexander Humboldt), a phrase that has been widely repeated (Coronil 1995, ix). He single-handedly founded the journals Surco, Ultra, Revista bimestre cubana, Estudios afrocu- banos, and Archivos del folklore cubano, and contributed extensively to many others. He edited book collections on Cuban history and founded multiple societies dedicated to studying local culture. Ortiz corresponded with prom- inent anthropologists, folklorists, and other intellectuals throughout the Americas and beyond (Mário de Andrade, Roger Bastide, Ruth Benedict, Franz Boas, Melville Herskovits, Bronislaw Malinowski, Jean-Price Mars, Alfred Métraux, etc.). He mentored prominent international artists and aca- demics (such as Katherine Dunham and Robert Farris Thompson in the 1. Many of these have been cataloged in García-Carranza 1970. See also the Appendix to this volume with a list of publications by year that focus specifically on black Cuban music and/or culture. 2 Introduction Excerpt • Temple University Press United States), read widely in at least five languages, and maintained an active academic exchange with regional Latin American intellectuals and international institutions.2 His honorary doctorate from Columbia University in 1954 attests to this legacy and its recognition abroad (anon. -
Resound a Quarterly of the Archives of Traditional Music Some New
deposited, and lessen or remove restrictions when you wish. Resound While we are on the subject of giving, I would also like to ask if you have thought of including the Archives of A Quarterly of the Traditional Music in your will. Bequests to the Archives, Archives of Traditional Music whether in money, property, stock, or recordings are wonderful tributes that will continue to give for many Marilyn B. Graf, Editor years. If you are so inclined, we will gladly speak with Resound is issued in January, April, July, and October. you about just how to make such a bequest. Comments, letters, and items of interest are welcome and We have launched a number of new initiatives at the may be addressed to the editor. Archives this fall that I would like to share with you. ZIMBABWE COLLEGE OF MUSIC-The Archives of Archives of Traditional Music Traditional Music is working with the African Studies Morrison Hall Program and the Ethnomusicology Program at Indiana Indiana University University to establish a center for the study of Bloomington, IN 47405 Zimbabwean music at the Zimbabwe College of Music in (812) 335-8632 Harare. Mitchel Strumf, who will become the interim director, was at the Archives at the beginning of the fall Ruth M. Stone, Director term to become better acquainted with our facilities. The Dorothy S. Lee, Associate Director Minister of Primary and Secondary Education, Fay Mary E. Russell, Librarian Chung, and three of her assistants visited the Archives in late September to explore our facilities. ISSN 0749-2472 We anticipate the arrival this year of Zimbabwean trainees who will become the director and archivist for the program. -
Margaret Bourke-White: a Fearless News Photographer
Margaret Bourke-White: A Fearless News Photographer Download MP3 (Right-click or option-click the link.) I'm Barbara Klein. And I'm Steve Ember with PEOPLE IN AMERICA in VOA Special English. Today we tell about photographer Margaret Bourke-White, one of the leading news reporters of the twentieth century. A young woman is sitting on her knees on top of a large metal statue. She is not in a park. She is outside an office building high above New York City. The young woman reached the statue by climbing through a window on the sixty-first floor. She wanted to get a better picture of the city below. The woman is Margaret Bourke-White. She was one of the leading news reporters of the twentieth century. But she did not write the news. She told her stories with a camera. She was a fearless woman of great energy and skill. Her work took her from America's Midwest to the Soviet Union. From Europe during World War Two to India, South Africa and Korea. Through her work, she helped create the modern art of photojournalism. In some ways, Bourke-White was a woman ahead of her time. She often did things long before they became accepted in society. She was divorced. She worked in a world of influential men, and earned their praise and support. She wore trousers and colored her hair. Yet, in more important ways, she was a woman of and for her times. She became involved in the world around her and recorded it in pictures for the future. -
Nomination Form International Memory of the World Register
Nomination form International Memory of the World Register MOSES AND FRANCES ASCH COLLECTION Center for Folklife and Cultural Heritage, Smithsonian Institution ID Code [2014-66] 1.0 Summary With the mission of representing an “encyclopedia of sound,” the Moses and Frances Asch Collection (1926-1987) serves as a unique testament to the breadth and depth of the twentieth-century human experience. The collection features material of both famous and lesser known writers, poets, documentarians, ethnographers, and grass roots musicians from around the world. The series Folkways Records includes a diversity of documentary, audio, visual, and business materials from Folkways Records, one of the most influential record labels of the twentieth century. American folk icon Woody Guthrie recorded on Folkways, and the collection includes selections of his correspondence, lyrics, drawings, and writings in the series The Woody Guthrie Papers. The collection notably contains correspondence with numerous influential individuals of the twentieth century, such as John Cage, Langston Hughes, Margaret Walker, Lead Belly, Pete Seeger, Peggy Seeger, Ewan MacColl, Alan Lomax, Kenneth Patchen, and others. It also includes ethnographic field notes and field photographs by Béla Bartók, Henry Cowell, Sidney Robertson Cowell, Harold Courlander, and Sam Charters. Moses Asch’s business papers from his various record labels, including but not limited to Folkways Records, offers insight to the history of the recording industry and music business. The collection prominently features audio recordings of rare and extinct documentary sounds, both man-made and natural, such as steam engines, extinct and endangered animal species, minority languages, and occupational soundscapes of years past. Moses Asch hired prominent artists and graphic designers to create album cover art for commercial recordings. -
An Exploration of African Folktales Among the Gullah Community of the South Carolina Sea Islands : History, Culture, and Identity
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2012 An exploration of African folktales among the Gullah community of the South Carolina Sea Islands : history, culture, and identity. Tytianna Nikia Maria Wells Smith 1987- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Smith, Tytianna Nikia Maria Wells 1987-, "An exploration of African folktales among the Gullah community of the South Carolina Sea Islands : history, culture, and identity." (2012). Electronic Theses and Dissertations. Paper 1352. https://doi.org/10.18297/etd/1352 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. AN EXPLORATION OF AFRICAN FOLKTALES AMONG THE GULLAH COMMUNITY OF THE SOUTH CAROLINA SEA ISLANDS: HISTORY, CULTURE, AND IDENTITY By Tytianna Nikia Maria Wells Smith B.A., English, 2009 B.A., Pan-African Studies, 2009 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of Pan-African Studies University of Louisville Louisville, Kentucky August 2012 Copyright 2012 by Tytianna Nikia Maria Wells Smith All rights reserved AN EXPLORATION OF AFRICAN FOLKTALES AMONG THE GULLAH COMMUNITY OF THE SOUTH CAROLINA SEA ISLANDS: HISTORY, CULTURE, AND IDENTITY By Tytianna Nikia Maria Wells Smith B.A., English, 2009 B.A., Pan-African Studies, 2009 A Thesis Approved on August 7, 2012 by the following Thesis Committee: Yvonne V. -
Tributaries on the Name of the Journal: “Alabama’S Waterways Intersect Its Folk- Ways at Every Level
Tributaries On the name of the journal: “Alabama’s waterways intersect its folk- ways at every level. Early settlement and cultural diffusion conformed to drainage patterns. The Coastal Plain, the Black Belt, the Foothills, and the Tennessee Valley re- main distinct traditional as well as economic regions today. The state’s cultural landscape, like its physical one, features a network of “tributaries” rather than a single dominant mainstream.” —Jim Carnes, from the Premiere Issue JournalTributaries of the Alabama Folklife Association Joey Brackner Editor 2002 Copyright 2002 by the Alabama Folklife Association. All Rights Reserved. Issue No. 5 in this Series. ISBN 0-9672672-4-2 Published for the Alabama Folklife Association by NewSouth Books, Montgomery, Alabama, with support from the Folklife Program of the Alabama State Council on the Arts. The Alabama Folklife Association c/o The Alabama Center for Traditional Culture 410 N. Hull Street Montgomery, AL 36104 Kern Jackson Al Thomas President Treasurer Joyce Cauthen Executive Director Contents Editor’s Note ................................................................................... 7 The Life and Death of Pioneer Bluesman Butler “String Beans” May: “Been Here, Made His Quick Duck, And Got Away” .......... Doug Seroff and Lynn Abbott 9 Butler County Blues ................................................... Kevin Nutt 49 Tracking Down a Legend: The “Jaybird” Coleman Story ................James Patrick Cather 62 A Life of the Blues .............................................. Willie Earl King 69 Livingston, Alabama, Blues:The Significance of Vera Ward Hall ................................. Jerrilyn McGregory 72 A Blues Photo Essay ................................................. Axel Küstner Insert A Vera Hall Discography ...... Steve Grauberger and Kevin Nutt 82 Chasing John Henry in Alabama and Mississippi: A Personal Memoir of Work in Progress .................John Garst 92 Recording Review ........................................................ -
Download the African American History Readings List
In the Age of Social Media and national chaos, almost everyone holds and shares passionate opinions on race and politics in America. However, as technology-driven platforms routinely encourage sound bites and abridged nuggets of communication as standard forms of information sharing, people often accept and pass along headlines and briefs as the primary informants to their perspectives and miss out on deep reading. This does not mean people do not want or have an interest in more comprehensive insight. In fact, this list was compiled in response to common requests for reading recommendations in Black history. The nation is transforming and all kinds of people are seeking to make sense of the world in which they find themselves. There is also an ever-growing movement to build a new one. But, how? The first step medical doctors usually take in determining a route toward healing and general wellness is to reference an individual’s medical history. Perhaps, then, a serious, honest and deep study of Africans in United States and world history will be one of our society’s most decisive steps toward general wellness. So much of this list is comprised of writings from Ancestors, activists, historians, scholars, creatives and others who, with time-consuming effort and minimal compensation, recorded major epochs, events and issues within the Black experience. To ignore their work is to ensure our demise. Semi-understanding race and the making of America will lead to futile opinions without solutions and more cycles of the same. Remember, a valuable doctor is an intensely informed one, and we must all serve as surgeons operating for a new day with a new heartbeat. -
Olavo Alén Rodríguez
Cuba Olavo Alén Rodríguez The Indigenous Heritage The European Heritage The African Heritage The Emergence of Cuban Music Musical Genres and Contexts Vocal and Instrumental Ensembles European-derived Art Music and Music Education Administrative Structures and Institutions of Music e Republic of Cuba is a nation of more than sixteen hundred keys and islands located in the northwestern Antilles. e main island, Cuba, with a surface area of 105,007 square kilometers, is the largest of the Antilles. Most of the national population is descended from Spaniards (mostly from Andalucía and the Canary Islands) and Africans (mostly Bantu and Yoruba). Small populations derive from Caribbean people from other islands, French, and Chinese. Spanish is the offi cial language, but some Cubans still speak several African- derived languages. Local religions include several derived from African religions, but the largest in membership is Roman Catholicism. THE INDIGENOUS HERITAGE Before Europeans arrived, aboriginal groups occupied the archipelago known today as the Greater Antilles, calling the largest island “Cuba.” Economically and socially, the most de- veloped Amerindians were an Arawak people, known to later scholars as Taíno. According to accounts by early European chroniclers and travelers, the most important cultural activ- ity of the Taíno was the feast known as areito (also areyto ), the main social event for the practice of music and dance. We know only a few specifi cs about Taíno music, including the fact that performers used idiophonic soundmakers like jingles and maracas and an 105 aerophone they called guamo , made from a snail shell opened at its pointed end. Little to none of the artistic elements of Taíno culture became a part of what centuries later was to be known as Cuban music, though some other cultural traits (such as foods and domestic architecture) survived in latter-day Cuban culture. -
ETHNOGRAPHY of RESISTANCE POETICS Power and Authority in Salale Oromo Folklore and Resistance Culture, Ethiopia, Northeast Africa
ETHNOGRAPHY OF RESISTANCE POETICS POWER AND AUTHORITY IN SALALE OROMO FOLKLORE AND RESISTANCE CULTURE Ethiopia, Northeast Africa Assefa Tefera Dibaba Submitted to the faculty of the Graduate School in partial fulfillment of the requirements of the degree Doctor of Philosophy in the Department of Folklore and Ethnomusicology Indiana University June 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee: _____________________________________ John McDowell, Ph.D, Chair _____________________________________ Gregory Schrempp, Ph.D _____________________________________ Beverly Stoeltje, Ph.D _____________________________________ Marvin Sterling, Ph.D Dissertation Defense: May 6, 2015 ii Copyright © 2015 Assefa Tefera Dibaba iii Yaa Badhoo kiyya maal katamaa maashoon boba’u? Yaa Badhoo kiyya! ajjeeftanii nurra hin deeminaa, damiin carqii miti hin moofa’uu! * * * Oh, Badhoo, what is up in the town, lamp is lit? your dream that I knit! Let them never step over our dead, not worn out; it clots—our blood that they shed! iv For My father, the late Tefera Dibaba Jini, and My mother, Aragash Sambata Tokkon who sparked my future in their narratives of perseverance and aptness: Gadaa dabre hin fiigan, biiftuu jirtu sussukan, meaning, Time was, time never is. v Acknowledgments I owe gratitude to many people and institutions who encouraged me to be where I am and who contributed a great deal into the completion of this study. First, I am most grateful to my father, the late Tefera Dibaba, and my mother, Aragash Sambata, who kindled my future in their words of perseverance and diligence and shouldered the unbearable burden of educating me from the time I was a herd-boy.