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NYSTA January-February 2013.Pmd
1 VOICEPrints JOURNAL OF THE NEW YORK SINGING TEACHERS’ ASSOCIATION January-- February 2013 TABLE OF CONTENTS: FEATURED EVENT and COURSE............................................................................................................. .........Page 1 Message from President David Sabella-Mills....................................................................................................Page 2 Message from Editor Matthew Hoch.............................................................................................................. Page 2 NYSTA 2013 Calendar of Events................................................................................................................. .Page 3 FEATURE ARTICLE: Getting to Know Marni Nixon by NYSTA Member Sarah Adams Hoover, DMA..........Pages 4--5 FEATURE ARTICLE: VOCEVISTA: Using Visual Real-Time Feedback by NYSTA Member Deborah Popham, DMA............................................................................Pages 6--7 NYSTA New Member..................................................................................................................................... .Page 8 Dean Williamson Master Class: October 25, 2012............................................................................................Page 8 NYSTA Board of Directors ...............................................................................................................................Page 8 OREN LATHROP BROWN PROFESSIONAL DEVELOPMENT PROGRAM FEATURED EVENT: FEATURED COURSE: WINTER 2013 ONLINE -
Widescreen Weekend 2007 Brochure
The Widescreen Weekend welcomes all those fans of large format and widescreen films – CinemaScope, VistaVision, 70mm, Cinerama and Imax – and presents an array of past classics from the vaults of the National Media Museum. A weekend to wallow in the best of cinema. HOW THE WEST WAS WON NEW TODD-AO PRINT MAYERLING (70mm) BLACK TIGHTS (70mm) Saturday 17 March THOSE MAGNIFICENT MEN IN THEIR Monday 19 March Sunday 18 March Pictureville Cinema Pictureville Cinema FLYING MACHINES Pictureville Cinema Dir. Terence Young France 1960 130 mins (PG) Dirs. Henry Hathaway, John Ford, George Marshall USA 1962 Dir. Terence Young France/GB 1968 140 mins (PG) Zizi Jeanmaire, Cyd Charisse, Roland Petit, Moira Shearer, 162 mins (U) or How I Flew from London to Paris in 25 hours 11 minutes Omar Sharif, Catherine Deneuve, James Mason, Ava Gardner, Maurice Chevalier Debbie Reynolds, Henry Fonda, James Stewart, Gregory Peck, (70mm) James Robertson Justice, Geneviève Page Carroll Baker, John Wayne, Richard Widmark, George Peppard Sunday 18 March A very rare screening of this 70mm title from 1960. Before Pictureville Cinema It is the last days of the Austro-Hungarian Empire. The world is going on to direct Bond films (see our UK premiere of the There are westerns and then there are WESTERNS. How the Dir. Ken Annakin GB 1965 133 mins (U) changing, and Archduke Rudolph (Sharif), the young son of new digital print of From Russia with Love), Terence Young West was Won is something very special on the deep curved Stuart Whitman, Sarah Miles, James Fox, Alberto Sordi, Robert Emperor Franz-Josef (Mason) finds himself desperately looking delivered this French ballet film. -
Belita ORIGINAL LIST $119.50 Slays a SENSATION! Hollywood THOUSANDS CHEER OPENING OF
AMUSEMENTS. AMUSEMENTS. listener of many delightful and Two Young Artists eatchy, truly Viennese tunes, not two Anti-Nazi Drama Orson Welles’ Statues % of which are alike either Please in Concert in mood "Underground," a drama of the or tempo. Because of a certain Carter Carburetors imimiiinmnniTi hmhtti secret anti-Nazi radio system oper- By ELENA DE SAYN. sameness with which Miss Finna- FOR ALL CARS com treated the ating in Germany, will go into pro- Give Him Trouble Now Two young and attractive artists, arrangement only Liberal Trade Allowance for roar Carolyn Schulte, coloratura soprano, the last of that particular collec- duction at Warner Bros. Studio old carburetor in Hercules Not Be Unadorned; and Helene Finnacom, pianist, were tion, performed keeping with the February 14. Vincent Sherman,! May given a cordial reception at the composer's intentions, reached the whose handling of "Flight From Club auditorium last audience. The artist was rewarded MIUER-DUDHYfi Washington Destiny” brought him critical com- ■ I7lfi NODTH9300 ■ Henie Would Like to Be the She Sonja night. A friendly audience filled by generous applause. displayed mendation, will direct the picture. to with the overflow her brilliant technique in this and Her Own Producer hall capacity, Two brothers, one a Nazi, the other Associate taken care of In the room. in Liszt’s "Gnomenreigen,” which °' Theft ten Having Met in tea. adjoining anti-Nazi, and a girl with whom in a she in a ACADEMY Pe&c‘a?uSd riEot‘,D,‘’ Miss Schulte, becoming gown presented masterly fashion. both brothers are in be E. Uwrencf Theatre By SHE1LAH GRAHAM. -
Resonare 1, No. 1
A Study in Violin Pedagogy: Teaching Techniques from Selected Works by Rachmaninoff, Prokofiev, Bartók, and Delerue Layne Vanderbeek This article is an outline and analysis of a few specific methods of composition used by the composers Sergei Rachmaninoff, Sergei Prokofiev, Béla Bartók, and Georges Delerue for the purpose of reproducing the styles and techniques for an intermediate level violinist. This will be accomplished by gathering information concerning each composer and their style and then reproducing that style in an original composition at the intermediate level. Each composer will be dealt with in a section divided into several parts: relevant biographical and historical information, stylistic analysis, and methods employed to incorporate these stylistic characteristics into the intermediate level composition. The biographical and historical information will consist of pertinent historic, social, and political events that influenced compositional style and growth of each composer. Stylistic analysis will be based upon general historical information and analysis of the specific composition in consideration. Scalar resources, chord and harmony use, texture and rhythm will be discussed and illustrated. The incorporation of these stylistic elements into an intermediate level composition will be a direct conclusion to the previous section. The information gained in the stylistic analysis will be utilized in original intermediate compositions, and it will be illustrated how this is accomplished and how these twentieth-century techniques are being employed and incorporated. Within the section titled “Methods of Stylistic Incorporation,” portions of the intermediate compositions will be used to demonstrate aspects of the composers' styles that were included. Each complete intermediate composition will be placed at the end of each section to demonstrate the results of the analysis. -
Pioneer Concierge Celebrates 25 Years
Pioneer concierge celebrates 25 years October 17, 2007 By SANDY THORN CLARK Back in the ‘70s when Olga Pierce was fulfilling the ego-driven requests of celebrities including Pavarotti, Sophia Loren, Rex Harrison, Paul Newman, Robert De Niro, Robert Redford and Patrick Swayze, she didn’t envision turning her skills as a concierge at the now-defunct Whitehall Hotel & Club into a successful business. Now, the founder of Concierge Unlimited International, with offices in the Opera House in the West Loop, is celebrating her 25th year as president of the 50-employee firm that provides independent concierge services in the private, corporate and residential sectors. Fostering unique relationships and performing good deeds are key elements to CUI’s success, says Pierce, enjoying a breakfast of poached eggs and an English muffin in Zest, the second-floor restaurant in the Mag Mile’s Intercontinental Hotel. A pioneer in the concierge industry, Pierce launched her concept - the first in the world - following the 1982 closing of the exclusive, members-only Whitehall. At the insistence of her faithful clients, she continued her role as problem-solver extraordinaire with a private client base that included executives from USG, Storck USA, Standard Oil (now BP America), Donahue & Associates, Frain, Camins & Schwartzchild, John Phipps & Associates, and Smith Barney. Olga Pierce Corporate real estate accounts with Fifield Companies and Bennett & Kahnweiler followed. By 1989, Pierce placed the world’s first corporate concierge at the Time-Life Building, with Time, Life, People and American Hydrotech among the clients. CUI’s corporate client roster has grown to include AT&T, Baker & McKenzie, Boeing, Citicorp, Citadel, Clifford Law Offices, Energy BBDO, General Electric, JF McKinney & Associates, J.P. -
American Music Research Center Journal
AMERICAN MUSIC RESEARCH CENTER JOURNAL Volume 19 2010 Paul Laird, Guest Co-editor Graham Wood, Guest Co-editor Thomas L. Riis, Editor-in-Chief American Music Research Center College of Music University of Colorado Boulder THE AMERICAN MUSIC RESEARCH CENTER Thomas L. Riis, Director Laurie J. Sampsel, Curator Eric J. Harbeson, Archivist Sister Mary Dominic Ray, O.P. (1913–1994), Founder Karl Kroeger, Archivist Emeritus William Kearns, Senior Fellow Daniel Sher, Dean, College of Music William S. Farley, Research Assistant, 2009–2010 K. Dawn Grapes, Research Assistant, 2009–2011 EDITORIAL BOARD C. F. Alan Cass Kip Lornell Susan Cook Portia Maultsby Robert R. Fink Tom C. Owens William Kearns Katherine Preston Karl Kroeger Jessica Sternfeld Paul Laird Joanne Swenson-Eldridge Victoria Lindsay Levine Graham Wood The American Music Research Center Journal is published annually. Subscription rate is $25.00 per issue ($28.00 outside the U.S. and Canada). Please address all inquiries to Lisa Bailey, American Music Research Center, 288 UCB, University of Colorado, Boulder, CO 80309-0288. E-mail: [email protected] The American Music Research Center website address is www.amrccolorado.org ISSN 1058-3572 © 2010 by the Board of Regents of the University of Colorado INFORMATION FOR AUTHORS The American Music Research Center Journal is dedicated to publishing articles of general interest about American music, particularly in subject areas relevant to its collections. We welcome submission of articles and pro- posals from the scholarly community, ranging from 3,000 to 10,000 words (excluding notes). All articles should be addressed to Thomas L. Riis, College of Music, University of Colorado Boulder, 301 UCB, Boulder, CO 80309-0301. -
To Revel in God's Sunshine
To Revel in God’s Sunshine The Story of RSM J C Lord MVO MBE Compiled by Richard Alford and Colleagues of RSM J C Lord © R ALFORD 1981 First Edition Published in 1981 Second Edition Published Electronically in 2013 Cover Pictures Front - Regimental Sergeant Major J C Lord in front of the Grand Entrance to the Old Building, Royal Military Academy Sandhurst. Rear - Army Core Values To Revel in God’s Sunshine The Story of the Army Career of the late Academy Sergeant Major J.C. Lord MVO MBE As related by former Recruits, Cadets, Comrades and Friends Compiled by Richard Alford (2nd Edition - Edited by Maj P.E. Fensome R IRISH and Lt Col (Retd) A.M.F. Jelf) John Lord firmly believed the words of Emerson: “Trust men and they will be true to you. Treat them greatly and they will show themselves great.” Dedicated to SOLDIERS SOLDIERS WHO TRAIN SOLDIERS SOLDIERS WHO LEAD SOLDIERS The circumstances of many contributors to this book will have changed during the course of research and publication, and apologies are extended for any out of date information given in relation to rank and appointment. i John Lord when Regimental Sergeant Major The Parachute Regiment Infantry Training Centre ii CONTENTS 2ND EDITION Introduction General Sir Peter Wall KCB CBE ADC Gen – CGS v Foreword WO1 A.J. Stokes COLDM GDS – AcSM R M A Sandhurst vi Editor’s Note Major P.E Fensome R IRISH vii To Revel in God’s Sunshine Introduction The Royal British Legion Annual Parade at R.M.A Sandhurst viii Chapter 1 The Grenadier Guards, Brighton Police Force 1 Chapter 2 Royal Military College, Sandhurst. -
Critchon's the Lavender Hill
1 The Lavender Hill Mob Directed by Charles Critchon. Produced by Michael Balcon. Screenplay and story by T.E. “Tebby” Clarke. Cinematography by Douglas Slocombe. Art Direction by William Kellner. Original Music by Georges Auric. Edited by Seth Holt. Costumes by Anthony Mendleson. Cinematic length: 81 minutes. Companies: Ealing Studos and the Rank Organisation. Cinematic release: June 1951. DVD release: 2002 DVD/Blue Ray 60th Anniversary Release 2011. Check for ratings. Rating 90%. All images are taken from the Public Domain and Wiki derivatives with permission. Written Without Prejudice Cast Alec Guinness as Henry Holland Stanley Holloway as Alfred Pendlebury Sid James as Lackery Wood Alfie Bass as Shorty Fisher John Gregson as Detective Farrow 2 Marjorie Fielding as Mrs. Chalk Edie Martin as Miss Evesham Audrey Hepburn as Chiquita John Salew as Parkin Ronald Adam as Turner Arthur Hambling as Wallis Gibb McLaughlin as Godwin Clive Morton as the Station Sergeant Sydney Tafler as Clayton Marie Burke as Senora Gallardo William Fox as Gregory Michael Trubshawe as the British Ambassador Jacques B. Brunius, Paul Demel, Eugene Deckers and Andreas Malandrinos as Customs Officials David Davies and Meredith Edwards as city policemen Cyril Chamberlain as Commander Moultrie Kelsall as a Detective Superintendent Christopher Hewett as Inspector Talbot Patrick Barr as a Divisional Detective Inspector Ann Heffernan as the kiosk attendant Robert Shaw as a lab technician Patricia Garwood as a schoolgirl Peter Bull as Joe the Gab Review Although Ealing Studios started making comedies in the later 1930s, the decade between 1947 and 1957, after which the studio was sold to the BBC and changed direction, was their classic period. -
Shakespeare, William Shakespeare
Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir. -
A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo
Unsung Heroes? A Cross-Cultural Analysis of Lip-Syncing in American and Indian Film Lucie Alaimo Who are these unsung heroes? They are the voice-dubbers in Hollywood film. Throughout the history of Hollywood, actors and actresses have resorted to voice-dubbing in films in which they have had singing numbers. However, in American music performance practices, especially in the popular music and film industries, lip-syncing is often criticized, leading to debate over the technique. In comparison, Bollywood films also feature voice- dubbing, and although there is hostility towards this technique in Hollywood, it is perfectly acceptable in the Indian film industry. The majority of Bollywood films feature singing, and in all, it is the role of the voice-dubbers, also known as playback singers, to provide voices for the film stars. In addition, many of Bollywood’s playback singers have become as popular as, if not more than, the actors and actresses for whom they sing. Much of the reason for this stark difference in acceptance of voice-dubbers is found in the different ideologies of authenticity surrounding the use of lip-syncing. In North America, listeners expect perfection in the performances, yet are disappointed when discovering that there are elements of inauthenticity in them. Yet in India, both film producers and audiences have accepted the need for the talents of multiple people to become involved in the film production. In this paper, I will first discuss ideologies surrounding musical authenticity, then compare how these discourses have shaped and influenced the acceptance or rejection of voice-dubbers in Hollywood and Bollywood films. -
Municipal Auditorium New Orleans, La
MUNICIPAL AUDITORIUM NEW ORLEANS, LA. DECEMBER 14th 26th, 1959 (Matinees, 16th, 19th, 20th, 23rd and 26th) Cameras and flash bulbs not allowed in Theatre. Photographing any part of this production is prohibited by law. ® "Columbia" ® <t? Marc8s ReR'. A dlvialoD DC Columbia Broadcasting System. inc. PROUDLY OFFERS IN BOTH REGULAR HI - FI AND STEREO THE ALL TIME BEST SELLING ORIGINAL CAST RECORDING OF MY FAIR LADY STARRING REX HARRISON, JULIE ANDREWS AND STANLEY HOLLOWAY Also available on Columbia are the original cast albums from Gypsy, Porgy and Bess, Flower Drum Song, Lil' Abner, West Side Story, South Pacific, The Most Happy Pella, Kismet, and many others AND NOW JUST IN TIME FOR HOLIDAY ENJOYMENT COLUMBIA PROUDLY PRESENTS THE NEW ROGERS AND HAMMERSTEIN SHOW THE SOUND OF MUSIC STARRING MARY MARTIN All of these albums are available at a discount of $1.00 off the regular list prices (Monaural or Stereo) at the store that brought low record prices to New Orleans . • SMITH'S RECORD CENTER 2019 ST. CHARLES AVE. Open Weekdays 10 to 9 Sundays 1-5 p.M. -2- Who~ Who in the Cast Buy Me a Bow-wow." Because she sr, a flair for singing and dancing, she d MICHAEL EVANS (HENRY HIGGINS) was reputation at the local theatres. born in Kent, England, and educated at Win- Miss Todd has a large TV following in chester College in Hampshire and also at the London and has many of the best programmes Sorbonne in Paris. His first brush with the to her credit, including: "Dixon of Dock theatre was at a dramatic school, the London Green" and "O.S.S." Others are "Tonight," Theatre Studio, which was run by Michel Saint "Tele-Club," 'Whirligig," and "In Town To- Denis. -
My Fair Lady – Pp
SEASON Book and Lyrics by ALAN JAY LERNER Music by FREDERICK LOEWE Adapted from George Bernard Shaw’s play and Gabriel Pascal’s motion picture Pygmalion LYRIC OPERA OF CHICAGO Table of Contents MARIE-NOËLLE ROBERT / THÉÂTRE DU CHÂTELET IN THIS ISSUE My Fair Lady – pp. 23-43 6 From the General Director 12 2017/18 – Season of Delight, 32 Musical Notes and Chairman Season of Discovery 35 Director’s Note 8 17 Board of Directors Tonight’s Performance 36 After the Curtain Falls 9 19 Women’s Board/Guild Board/Chapters’ Cast 38 Aria Society Executive Board/Young Professionals/ 20 Synopsis Ryan Opera Center Board 47 Breaking New Ground 21 Musical Numbers/Orchestra 10 Administration/Administrative Staff/ 48 Look to the Future 22 Production and Technical Staff Artist Profiles 49 Major Contributors – Special Events and Project Support ALL ABOUT LYRIC’S 2017-18 SEASON pp. 14-20 51 Lyric Unlimited Contributors 53 Ryan Opera Center Contributors 54 Planned Giving: The Overture Society 55 Commemorative Gifts 56 Corporate Partnerships 57 Matching Gifts, Special Thanks and Acknowledgements REED HUMMEL/NASHVILLE OPERA 58 Annual Individual and Foundation Support 64 Facilities and Services/Theater Staff 2 | April - May, 2017 LYRIC OPERA OF CHICAGO www.performancemedia.us | 847-770-4620 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A. J. Levin Director of Operations Executive Editor Account Managers Lisa Middleton Rand Brichta - Arnie Hoffman - Greg Pigott Southeast Michael Hedge 847-770-4643 Editor Southwest Betsy Gugick & Associates 972-387-1347 Roger Pines East Coast Manzo Media Group 610-527-7047 Associate Editor Marketing and Sales Consultant David L.