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Star Studies Today: From the Picture Personality to the Media Celebrity Virginia Luzón-Aguado Universidad de Zaragoza [email protected] Although the study of film was already well established, Star Studies did not become the focus of serious, sustained academic research until the 1970s thanks to the seminal work of Richard Dyer, in which it was firmly established that film stars contribute fundamentally to the creation of meaning in a film text. It is for this reason that Star Studies has had a comparatively shorter, although not less productive, history than other areas of research within Film Studies. This paper will therefore be discussing the role, significance and value of Hollywood film stars within both our present society and the contemporary Hollywood film industry. However, in order to fully appreciate the current state of the institution of Hollywood stardom, it will also be necessary to briefly discuss its foundations and development, as well as the various ways in which stardom has routinely been analysed within the academic field of Film Studies. In order to illustrate my theoretical arguments, I will be focusing on the particular case of Harrison Ford, one of the most influential contemporary Hollywood icons. Keywords: Film Studies; Star Studies; Hollywood Stars; Harrison Ford A pesar de que los estudios sobre cine ya estaban bien asentados, el estudio de las estrellas no se convirtió en objeto de investigación académica seria y continuada hasta los 70, gracias a la publicación del trabajo pionero de Richard Dyer, que estableció que las estrellas de cine contribuyen de forma notable en la creación del significado de un texto fílmico. -
The Dave Grusin Manuscripts an Inventory of Holdings at the American Music Research Center
The Dave Grusin manuscripts An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The Dave Grusin manuscripts Descriptive summary Title Dave Grusin manuscripts ID COU-AMRC-39 Creator(s) Grusin, Dave Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 100 linear feet Scope and Contents Manuscript scores of Dave Grusin (b. 1934), composer, graduate of the University of Colorado (B.Mus., 1956), including manuscript scores and parts for film and television compositions, as well as sketches and published arrangements. Notable in the collection are manuscript and sketches of several award-winning and award-nominated film scores, including "The Milagro Beanfield War," "On Golden Pond," and "The Fabulous Baker Boys" Administrative Information Arrangement Arranged by production type (films, TV shows, concerts, commercials) and alphabetically by title. Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], Dave Grusin manuscripts, University of Colorado, Boulder - Page 2 - The Dave Grusin manuscripts Index Terms Access points related to this collection: Personal names Grusin, Dave -- Archives Grusin, Dave Corporate names American Music Research Center Subject headings Composers -- United States -- Archives Popular music -- Scores and parts Biography of Dave Grusin Born in Littleton, Colorado on June 26, 1934, Dave Grusin has made a name for himself as a composer of film scores, record producer, and fusion keyboardist. After graduating from Littleton High School in Denver, Colorado, he attended the University of Colorado at Boulder where he received a bachelor of music in piano performance. -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter, -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
William Steinkamp, Ace Editor
WILLIAM STEINKAMP, ACE EDITOR FEATURES THE SHACK Stuart Hazeldine Summit / Lionsgate A FIGHTING MAN Damian Lee Sony Pictures A DARK TRUTH Damian Lee Sony Pictures THE COURIER Hany Abu-Assad Films In Motion CASINO JACK George Hickenlooper Triggar Street Prods. / ATO Official Selection, Toronto Film Festival (2010) THE EXPRESS Gary Fleder Universal Pictures AUGUST RUSH Kirsten Sheridan Warner Bros. THE INTERPRETER Sydney Pollack Working Title / Universal th THE RUNAWAY JURY Gary Fleder New Regency / 20 Century Fox th DON’T SAY A WORD Gary Fleder New Regency / 20 Century Fox HEARTBREAKERS David Mirkin Davis Ent. / MGM RANDOM HEARTS Sydney Pollack Columbia / Sony GOODBYE LOVER Roland Joffé Lightmotive / Warner Bros. KISS THE GIRLS Gary Fleder Paramount A TIME TO KILL Joel Schumacher New Regency / Warner Bros. HEAVEN’S PRISONERS Phil Joanou New Line Cinema THE FIRM Sydney Pollack Paramout SCENT OF A WOMAN Martin Brest City Light Films / Universal Nominated, Best Picture, Academy Awards (1992) Nominated, Best Edited Feature Film, ACE (1992) th MAN TROUBLE Bob Rafelson 20 Century Fox HAVANA Sydney Pollack Mirage / Universal th THE FABULOUS BAKER BOYS Steven Kloves 20 Century Fox Nominated, Best Editing, Academy Awards (1990) SCROOGED Richard Donner Paramount ADVENTURES IN BABYSITTING Chris Columbus Buena Vista Pictures WHITE KNIGHTS Taylor Hackford Columbia Picture OUT OF AFRICA Sydney Pollack Mirage Ent. / Universal Nominated, Best Editing, Academy Awards (1985) Nominated, Best Edited Feature Film, ACE (1985) AGAINST ALL ODDS Taylor Hackford Columbia / New Visions TOOTSIE Sydney Pollack Columbia Pictures Nominated, Best Editing, Academy Awards (1983) Nominated, Best Edited Feature Film, ACE (1983) TELEVISION UNTITLED RICHARD LAGRAVENESE (Pilot) Taylor Hackford ABC 800 South Robertson Blvd. -
Jackie Lipton
JACKIE LIPTON Solo Exhibitions AMP Gallery Provincetown MA 2017 Schoolhouse Gallery Provincetown MA July 2014 Corinne Robbins Gallery Paintings Brooklyn April-June 2009 Boreas Gallery Brooklyn New York 2004 Art Resources Transfer Gallery NYC Paintings 2002 Art Resources Transfer Gallery NYC Blindsight 2001 RamScale Art Associates/Danette Koke Fine Art NYC 1995 RamScale Art Associates/Danette Koke Fine Art NYC 1992 Condeso/Lawler Gallery, NYC January 1987 WARM Gallery Minneapolis February 1985 Condeso/Lawler Gallery NYC January 1985 Condeso/Lawler Gallery NYC January 1984 Whitney Museum of American Art, The Art Resources Center Gallery curated by Richard Armstrong at ARC 185 Cherry Street, a project of the Whitney Museum JL Paintings and Drawings NYC 1974 Selected Group Exhibitions AMP Gallery Provincetown MA 2017 Life Size ll, Anthony Philip Fine Art, Brooklyn 2017 Through the Rabbit Hole 2, Sideshow Gallery, Brooklyn 2017 Schoolhouse Gallery, Gallery Artists, Provincetown MA 2013-2017 Postcards From the Edge, Metro Pictures, NYC 2017 West Chelsea Open Studios, New York City 2017 Through the Rabbit Hole, Sideshow Gallery, Brooklyn NY 2016 High Line Open Studios. New York City 2016 Sikkema Jenkins Postcards From the Edge NY 2016 Visible, Invisible Westbeth Gallery NYC November 2015 Figuring Abstraction Westbeth Gallery NYC October 2015 Postcards From the Edge Luhring-Augustine NYC 2015 Life on Mars Gallery, Summer Invitational, 2014 Luhring Augustine Visual Aids NYC January 2014 Westbeth Printmakers NYC October 2013 No Regrets 6 Women -
Febrero 2009
F I L M O T E C A E S P A Ñ O L A Sede: C/ Magdalena nº 10 28012 Madrid Cine Doré Telf.: 91 4672600 c/ Santa Isabel, 3 Fax: 91 4672611 28012 Madrid [email protected] Telf.: 91 3691125 http://www.mcu.es/cine/MC/FE/index.html (taquilla) 91 369 2118 NIPO (publicación electrónica): 554-09-003-5 (gerencia) Fax: 91 3691250 MINISTERIO DE CULTURA Precio: Normal: 2,50€ por sesión y sala 20,00€ abono de 10 PROGRAMACIÓN sesiones. Estudiante: 2,00€ por sesión y sala febrero 15,00€ abono de 10 sesiones. 2009 Horario de taquilla: 16.15 h. hasta 15 minutos después del comienzo de la última sesión. Venta anticipada: 21.00 h. hasta cierre de la taquilla para las sesiones del día siguiente hasta un tercio del aforo. Horario de cafetería: 16.00 – 00.30 h. Tel.: 91 369 49 23 Horario de librería: 17.30 - 22.00 h. Tel.: 91 369 46 73 Lunes cerrado (*) Subtitulaje electrónico FEBRERO 2009 Recuerdo de Rafael Azcona (I) José Francisco Aranda. La fabulación de la pantalla Recuerdo de Sydney Pollack Recuerdo de Alain Robbe Grillet Recuerdo de... (II) Muestra de cortometrajes de la PNR Las sesiones anunciadas pueden sufrir cambios debido a la diversidad de la procedencia de las películas programadas. Las co pias que se e xhiben son l as de m ejor cal idad disponibles. Las d uraciones q ue figuran e n el programa son aproximadas. Los títu los originales d e las películas y lo s d e su distribución en Esp aña fig uran en neg rita. -
Terra Abroms Terra Abroms
T e r r a A b r o m s Project Manager – Supervisor - Coordinator 818-426-0019 C.; [email protected]) Prior Occupations: Post Production Exec. – Intermedia Films; Story Editor – Alphaville Member: Producers Guild (former board member), MPEG Local 700 (Assistant Editor) Skills: Day/Date U.S./International deliveries; VFX, Unrated & t.v. versions, Film Festivals, FCP, Avid, film, Budgets & Accounting. Features, Animation t.v. series, Documentaries. Resourceful. Selected Credits (Post Production Supervisor unless noted): Brooklyn to Manhattan • Director Jessy Terrero (finishing) – Post Supervisor Disaster Movie • Lionsgate/Alliance/Summit • Directors Jason Friedberg & Aaron Seltzer Elegy • Samuel Goldwyn Company • Director Isabel Coixet Henry Poole Is Here • Overture Films • Director Mark Pellington No Place for A Child • MSNBC (documentary) • Producer Karen Grau; Producer Four Brothers • Paramount • Director John Singleton Hustle & Flow • Paramount Vantage • Director Craig Brewer The Cutting Edge: The Magic of Movie Editing • Starz Encore Ent. • Director Wendy Apple Suspect Zero • Paramount/Lakeshore/Sony • Director E. Elias Merhige, Basic • Sony Pictures/20th Century Fox • Director John McTiernan A Walk to Remember • Warner Bros • Director Adam Shankman The Wedding Planner • Columbia Pictures/20th Century Fox • Director Adam Shankman Random Hearts • Columbia Pictures • Director Sydney Pollack Rugrats/Wild Thornberries • Klasky Csupo (t.v. series) • Various Mallrats • Universal Pictures • Director Kevin Smith Dazed and Confused • Gramercy Pictures • Director Richard Linklater T e r r a A b r o m s Project Manager – Supervisor - Coordinator 818-426-0019 C.; [email protected]) STAFF POSITIONS INTERMEDIA FILMS (2003-2005) As an in-house post consultant, created budgets, workflows and problem-solved for various international productions such as IF ONLY, MINDHUNTER. -
Witness Studyg Uide
WITNESS STUDYGUIDE Alicia McGivern EDUCATION IFI SECTION TITLES 1. Introduction 2. Background 3. The World of the Film 4. The Vision of the Film 5. How does the film tells its story? 6. Sequences for study 7. Key moments 8. Useful references IFI EDUCATION 1 WITNESS INTRODUCTION Witness (1985) was directed by Australian filmmaker Peter carpentry skills at a barnraising. That night he Weir, and stars Harrison Ford and Kelly McGillis. A observes Rachel bathing and although their mutual attraction is evident, he decides not to considerable box office success on its release, the film persue it. received eight Academy Award nominations, winning two for On a visit to town, Book phones Philadelphia from the screenwriters and editor. Witness combines the genre of a call box and finds out that Carter has been the thriller, western and melodrama, and brings together the killed. He calls Schaeffer to tell him that he knows. When a gang of youths taunt the Amish two very different worlds of the rural Amish and the city police. and Book goes to their defence, he gives himself It is an excellent choice for Leaving Certificate Comparative away. That night Rachel goes to him, aware that study and offers many possibilities for analysis of theme, he is preparing to leave. Next morning Schaeffer and his men arrive at the farm. In the final shoot setting and cultural context, literary genre and relationships. out, the two cops are killed and Schaeffer is forced to surrender. Book then decides to return SYNOPSIS to the city and leave Rachel, who is now free to develop a relationship with Daniel. -
Solo Exhibitions Corinne Robbins Gallery, Paintings, Brooklyn, New
Solo Exhibitions Corinne Robbins Gallery, Paintings, Brooklyn, New York, April-June, 2009 Boreas Gallery, 2-Person Show, Brooklyn, New York, 2004 Art Resources Transfer, NYC, Paintings and Drawings, 2002 Art Resources Transfer, NYC, Blindsight, 2001 RamScale Art Associates/Danette Koke Fine Art, NYC, 1995 RamScale Art Associates/Danette Koke Fine Art, NYC, 1992 Condeso/Lawler Gallery, NYC, January 1987 WARM Gallery, Minneapolis, February 1985 Condeso/Lawler Gallery, NYC, January 1985 Condeso/Lawler Gallery, NYC, January 1984 Art Resources Center Gallery, My Paintings and Drawings at Cherry Street Gallery, a project space of the Whitney Museum of American Art NYC, 1974 Selected Group Exhibitions Sound and Light, Schoolhouse Gallery, Provincetown, MA, 2012 Cheim and Read, Visual Aids Benefit, NYC, 2012 Westbeth Printmakers, NYC, October, 2011 High Line Open Studios, New York City, October, 2011 NYFA Show on Gouvenir's Island, NY, 2011 Fine Arts Work Center Gallery, Prints, Provincetown, MA, 2011 CRG Gallery, Postcards From the Edge, Visual Aids, NYC, 2011 High Line Open Studios, New York City, October, 2010 High Line Open Studios, New York City, March, 2010 artStrand Gallery, Invitational Painting Show, Provincetown, Mass. 2010 Provincetown Art Association, Generations, 2009 Zieher Smith Gallery, Postcards From the Edge, Visual Aids, NYC, 2010 artStrand Gallery, paperJam Drawing Show, Provincetown, Mass. 2009 A Gathering of the Tribes,"Back Wall Exhibition" 2009 Highline Open Studios, New York City, 2009 Metro Pictures, Postcards From the -
NY Producers Working on the Safe and Strategic Relaunch of Production in New York State in the Wake of the COVID-19 VIRUS
NY Producers working on the safe and strategic relaunch of production in New York State in the wake of the COVID-19 VIRUS. NYPCRA mission statement We are a coalition of highly experienced film and television producers committed to the safe and strategic relaunch of production in New York State in the wake of the COVID-19 VIRUS. Our goal is to liaise with our industry partners in government, labor and studio operations to help design uniform guidelines to ensure the safe return to work for all NY film and television employees. We think it is critical: ● to apply these agreed upon guidelines uniformly to all productions; ● to guide creative solutions that will help manage these safety standards; ● to inform the community and confirm to the industry that when NY production resumes work, we will be prepared, well informed and working within a cohesive process. As producers, we believe we are uniquely positioned to organize and bring together the many moving parts needed to accomplish the above. With this in mind, we hope to invite insight, share feedback and create consensus on the timely relaunch of production in New York State. Finally, we believe that the health of the film and television industry is integral to the growth of many other industries in our region, from restaurants to lumber yards to office supply companies and more. Our success in achieving these goals will serve as a support to individuals and entities throughout the region. our stories. The New York Film and Television communities have always been a close-knit family. -
Sketches of Frank Gehry
Mongrel Media Presents SKETCHES OF FRANK GEHRY DIRECTED BY SYDNEY POLLACK “I prefer the sketch quality, the tentativeness, the messiness, the appearance of in-progress rather than the assumption of total resolution and finality..” Running time: 82 mins Distribution 1028 Queen Street West Toronto, Ontario, Canada, M6J 1H6 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] High res stills may be downloaded from http://www.mongrelmedia.com/press.html Synopsis “Sketches of Frank Gehry" is director Sydney Pollack's first feature length documentary on the acclaimed architect, Frank O. Gehry. The two men have been friends for many years, and Pollack completed the film over a period of five years, starting in 2000. Frank Gehry loves to sketch; it is the beginning of his architectural process. And it is his love of the sketch that gave Pollack his first clues to the style of this documentary film. Beginning with Gehry’s own original sketches for each major project, the film explores Gehry’s process of turning these abstract drawings, first into tangible, three-dimensional models, often made simply of cardboard and scotch tape, then into finished buildings of titanium and glass, concrete and steel, wood and stone. To capture the sketch quality in the documentary, Pollack uses a combination of film and Mini DV (digital video) as his media. Spending countless hours in Gehry’s studio, on building sites, and in his home, this unobtrusive and quiet shooting style has captured, for the first time, the essence of Gehry’s unique architectural process, and his shy and elusive personality.