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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
'Like an American, but Without a Gun'?: Canadian National Identity
. Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience. -
DESPITE the FEAR a Trans Woman’S Battle to Avenge Her APRIL 25, 2019 VOL
PRIDESOURCE.COM Federal Court Ruled Local Govts Can Exclude Foster Agencies That Discriminate Against LGBTQ People PAGE 13 MOLLY SHANNON, Queering a Literary Icon ‘SNL’ Alum Reflects on LGBTQ Following FIGHTING PAGE 14 DESPITE THE FEAR A Trans Woman’s Battle to Avenge Her APRIL 25, 2019 VOL. 2717 | FREE Friend’s Death Turns Toward Advocacy VOL. 2717 • APRIL 25, 2019 • ISSUE 1108 PRIDE SOURCE MEDIA GROUP 20222 Farmington Rd., Livonia, Michigan 48152 Phone 734.293.7200 PUBLISHERS Susan Horowitz & Jan Stevenson EDITORIAL Editor in Chief 26 Susan Horowitz, 734.293.7200 x 102 [email protected] Entertainment Editor Chris Azzopardi, 734.293.7200 x 106 [email protected] Feature News Editor Kate Opalewski, 734.293.7200 x 108 [email protected] Editorial Assistant Eve Kucharski, 734.293.7200 x 105 8 24 [email protected] News & Feature Writers Emell Derra Adolphus, Michelle Brown, Ellen Knoppow, Jason Michael, Drew Howard, Jonathan Thurston CREATIVE Webmaster & MIS Director Kevin Bryant, [email protected] Columnists Charles Alexander, Michelle E. Brown, Mikey Rox, D’Anne Witkowski, Gwendolyn Ann Smith Cartoonists Paul Berg Contributing Photographers 14 10 Andrew Potter, Andrew Cohen ADVERTISING & SALES Director of Sales Jan Stevenson, 734.293.7200 x 101 [email protected] NEWS Sales Representatives 4 History Wheel Ann Cox, 734.293.7200 x 103 LIFE [email protected] 6 Fighting Despite the Fear 14 Molly Shannon: Queering a Literary Icon National Advertising Representative Rivendell Media, 212.242.6863 8 From -
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Star Studies Today: From the Picture Personality to the Media Celebrity Virginia Luzón-Aguado Universidad de Zaragoza [email protected] Although the study of film was already well established, Star Studies did not become the focus of serious, sustained academic research until the 1970s thanks to the seminal work of Richard Dyer, in which it was firmly established that film stars contribute fundamentally to the creation of meaning in a film text. It is for this reason that Star Studies has had a comparatively shorter, although not less productive, history than other areas of research within Film Studies. This paper will therefore be discussing the role, significance and value of Hollywood film stars within both our present society and the contemporary Hollywood film industry. However, in order to fully appreciate the current state of the institution of Hollywood stardom, it will also be necessary to briefly discuss its foundations and development, as well as the various ways in which stardom has routinely been analysed within the academic field of Film Studies. In order to illustrate my theoretical arguments, I will be focusing on the particular case of Harrison Ford, one of the most influential contemporary Hollywood icons. Keywords: Film Studies; Star Studies; Hollywood Stars; Harrison Ford A pesar de que los estudios sobre cine ya estaban bien asentados, el estudio de las estrellas no se convirtió en objeto de investigación académica seria y continuada hasta los 70, gracias a la publicación del trabajo pionero de Richard Dyer, que estableció que las estrellas de cine contribuyen de forma notable en la creación del significado de un texto fílmico. -
The Dave Grusin Manuscripts an Inventory of Holdings at the American Music Research Center
The Dave Grusin manuscripts An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder The Dave Grusin manuscripts Descriptive summary Title Dave Grusin manuscripts ID COU-AMRC-39 Creator(s) Grusin, Dave Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 100 linear feet Scope and Contents Manuscript scores of Dave Grusin (b. 1934), composer, graduate of the University of Colorado (B.Mus., 1956), including manuscript scores and parts for film and television compositions, as well as sketches and published arrangements. Notable in the collection are manuscript and sketches of several award-winning and award-nominated film scores, including "The Milagro Beanfield War," "On Golden Pond," and "The Fabulous Baker Boys" Administrative Information Arrangement Arranged by production type (films, TV shows, concerts, commercials) and alphabetically by title. Access Open Publication Rights All requests for permission to publish or quote from manuscripts must be submitted in writing to the American Music Research Center. Preferred Citation [Identification of item], Dave Grusin manuscripts, University of Colorado, Boulder - Page 2 - The Dave Grusin manuscripts Index Terms Access points related to this collection: Personal names Grusin, Dave -- Archives Grusin, Dave Corporate names American Music Research Center Subject headings Composers -- United States -- Archives Popular music -- Scores and parts Biography of Dave Grusin Born in Littleton, Colorado on June 26, 1934, Dave Grusin has made a name for himself as a composer of film scores, record producer, and fusion keyboardist. After graduating from Littleton High School in Denver, Colorado, he attended the University of Colorado at Boulder where he received a bachelor of music in piano performance. -
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 Minutes)
November 11, 2014 (Series 29:12) Sydney Pollack, TOOTSIE (1982, 119 minutes) Tootsie won the 1983 Academy Award for Best Actress in a Supporting Role, Jessica Lange Directed by Sydney Pollack Written by Larry Gelbart, Murray Schisgal, Don McGuire, Larry Gelbart, Barry Levinson, Robert Garland, and Elaine May Produced by Sydney Pollack, Dick Richards, and Ronald L. Schwary Music by Dave Grusin Cinematography by Owen Roizman Film Editing by Fredric Steinkamp and William Steinkamp Dustin Hoffman ... Michael Dorsey / Dorothy Michaels Jessica Lange ... Julie Teri Garr ... Sandy Dabney Coleman ... Ron Charles Durning ... Les Bill Murray ... Jeff Sydney Pollack ... George Fields Geena Davis ... April Gene Shalit ... Himself Andy Warhol ... Himself “Breaking Point” (TV Series), 1962-1963 “Ben Casey” (TV Series, 12 episodes), 1962-1963 “The Alfred Hitchcock Hour” Sydney Pollack (director, producer, George Fields) (b. (TV Series), 1963 “Wagon Train” (TV Series), 1963 “The Sydney Irwin Pollack, July 1, 1934 in Lafayette, Indiana—d. Defenders” (TV Series), and 1961 “Shotgun Slade” (TV Series). May 26, 2008 (age 73) in Pacific Palisades, Los Angeles, He also has 48 producer or executive producer, and he appeared California) won 2 1986Academy Awards for Out of Africa as an actor in 40 films and TV episodes, among them 2008 Made (1985), one for Best Picture and one for Best Director. He of Honor, 2007 Michael Clayton, 2007 “Entourage” (TV Series), directed 37 films and television shows, which are 2005 2007 “The Sopranos” (TV Series), 2005 The Interpreter, -
Carol Raskin
Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia -
Kids in the Hall S2 DVD SS
“…some of the most subversive material every performed on network TV…” —Spin Populating their realm with such uniquely bizarre creations as the Chicken Lady, Cabbage Head, and Mr. Heavyfoot, THE KIDS IN THE HALL took aim at everything from corporate culture to drug culture and sexism to suburban angst, crafting one of sketch comedy’s most innovative and influential shows. Smartly twisting the conventions of mainstream comedy,the complete, acclaimed second season of THE KIDS IN THE HALL crackles with farcical brilliance—collected here on DVD by overwhelming demand. • The complete second season now on DVD—by popular demand! • Executive produced by Lorne Michaels of Saturday Night Live fame. • Season One is a DVD success—a VideoScan® Top 50 TV Seller. • Starring Mark McKinney (Saturday Night Live), Bruce McCulloch (Stealing Harvard), Dave Foley (NewsRadio), Kevin McDonald (That 70’s Show), and Scott Thompson (Dharma & Greg). • Jam-packed with Bonus Features—including never before seen footage. NOTE SPECIAL DATES: DVD PREORDER RELEASE special features: An Oral History—15 minutes with the Kids, October 12, 2004 November 16, 2004 Paul Bellini and Lorne Michaels a New Audio Commentary by the Kids a Two Season 2 Best-of Compilations Featuring Fan-Favorite Sketches a 30 More Minutes of Never-Before-Seen-On-TV Performances from the Rivoli Theater a Original KiTH Performance Poster Gallery a Cast Biographies a Interactive Menus a Scene Selection $59.95 srp U.S. Color, 4 discs, catalog no. AAE-71392 $79.95 srp Canada Approx. 8 hrs., upc 7-33961-71392-3 20 mins. + extras, isbn 0-7670-6592-1 Comedy For more information on how to order, please contact your New Video sales representative. -
William Steinkamp, Ace Editor
WILLIAM STEINKAMP, ACE EDITOR FEATURES THE SHACK Stuart Hazeldine Summit / Lionsgate A FIGHTING MAN Damian Lee Sony Pictures A DARK TRUTH Damian Lee Sony Pictures THE COURIER Hany Abu-Assad Films In Motion CASINO JACK George Hickenlooper Triggar Street Prods. / ATO Official Selection, Toronto Film Festival (2010) THE EXPRESS Gary Fleder Universal Pictures AUGUST RUSH Kirsten Sheridan Warner Bros. THE INTERPRETER Sydney Pollack Working Title / Universal th THE RUNAWAY JURY Gary Fleder New Regency / 20 Century Fox th DON’T SAY A WORD Gary Fleder New Regency / 20 Century Fox HEARTBREAKERS David Mirkin Davis Ent. / MGM RANDOM HEARTS Sydney Pollack Columbia / Sony GOODBYE LOVER Roland Joffé Lightmotive / Warner Bros. KISS THE GIRLS Gary Fleder Paramount A TIME TO KILL Joel Schumacher New Regency / Warner Bros. HEAVEN’S PRISONERS Phil Joanou New Line Cinema THE FIRM Sydney Pollack Paramout SCENT OF A WOMAN Martin Brest City Light Films / Universal Nominated, Best Picture, Academy Awards (1992) Nominated, Best Edited Feature Film, ACE (1992) th MAN TROUBLE Bob Rafelson 20 Century Fox HAVANA Sydney Pollack Mirage / Universal th THE FABULOUS BAKER BOYS Steven Kloves 20 Century Fox Nominated, Best Editing, Academy Awards (1990) SCROOGED Richard Donner Paramount ADVENTURES IN BABYSITTING Chris Columbus Buena Vista Pictures WHITE KNIGHTS Taylor Hackford Columbia Picture OUT OF AFRICA Sydney Pollack Mirage Ent. / Universal Nominated, Best Editing, Academy Awards (1985) Nominated, Best Edited Feature Film, ACE (1985) AGAINST ALL ODDS Taylor Hackford Columbia / New Visions TOOTSIE Sydney Pollack Columbia Pictures Nominated, Best Editing, Academy Awards (1983) Nominated, Best Edited Feature Film, ACE (1983) TELEVISION UNTITLED RICHARD LAGRAVENESE (Pilot) Taylor Hackford ABC 800 South Robertson Blvd. -
President's Column
THE AMPLIFIER SPRING 2006 PRESIDENT’S COLUMN Looking Back and Moving Forward Charles D. Spielberger, PhD, ABPP As this is being written in mid-January, it is pleasing to note that our Division Board is again scheduled to meet immediately prior to Division has made substantial progress during 2005 under the strong the February 2006 Council meeting in Washington, and will also and capable leadership of President Peter Sheras. Documentation for meet during the APA Convention in New Orleans. Input from our this was reported by Peter in his President’s Column published in members regarding programs and activities that are of special the Winter 2005 The Amplifier in which he noted, in detail, the many interest will be greatly appreciated. Members are also cordially accomplishments of our Division and the specific contributions of invited to join us at future Board meetings. individual members. We also received a very high rating from APA in 2005 for our compliance with Division guidelines, record keeping, Turning now to 2006, I am very pleased to report that Mary and budget obligations. Gregerson, as Chair of our Program Committee has done an outstanding job in organizing our program for the APA Convention Perhaps the most arduous task that was undertaken last year involved that will be held in New Orleans this August. I would like to call the work of our entire Board on completing the revision of our Bylaws, special attention to the invited addresses that will be presented the first major revision since 1993. We are, indeed, very grateful by Professor Jamie Pennebaker on “Computerized Text Analysis: to Secretary Pauline Wallin who coordinated these Understanding the Media, the Message, the revisions, which were sent to our members for final Culture” and by Secretary Daniel Glickman, CEO approval in the Winter 2005 issue of The Amplifier. -
Production Information
HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES Production Information Welcome to the Hotel Transylvania, Dracula’s lavish five-stake resort, where monsters and their families can live it up, free to be the monsters they are without humans to bother them. On one special weekend, Dracula has invited some of the world’s most famous monsters — Frankenstein and his wife, the Mummy, the Invisible Man, a family of werewolves, and more — to celebrate his daughter Mavis’ 118th birthday. For Drac, catering to these infamous friends is no problem — but his world could come crashing down when a human stumbles on the hotel for the first time and befriends Mavis. Columbia Pictures presents a Sony Pictures Animation film, Hotel Transylvania. The film features the voices of Adam Sandler, Andy Samberg, Selena Gomez, Kevin James, Fran Drescher, Steve Buscemi, Molly Shannon, David Spade, and CeeLo Green. Directed by Genndy Tartakovsky. Produced by Michelle Murdocca. Screenplay by Peter Baynham and Robert Smigel. Story by Todd Durham and Dan Hageman & Kevin Hageman. Executive producers are Adam Sandler, Robert Smigel and Allen Covert. Music by Mark Mothersbaugh. Music Supervision by Liza Richardson. Imagery and Animation by Sony Pictures Imageworks Inc. Hotel Transylvania is rated PG by the Motion Picture Association of America for Some Rude Humor, Action and Scary Images. The computer-animated monster comedy will be released in 3D and traditional theaters nationwide on September 28, 2012. © 2012 Sony Pictures Animation 1 HOTEL TRANSYLVANIA (2012) PRODUCTION NOTES MONSTERS: THEY’RE JUST LIKE US! “Hotel Transylvania is a story about a father and a daughter – it’s just that the father happens to be Dracula,” says Genndy Tartakovsky, director of the Sony Pictures Animation film, Hotel Transylvania.