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AND. MTIONAL Lmj)Ef JOURNAL
¦ "' ¦ ¦ ¦ ¦ s ' ¦ - - "" -' - - " . '.-' ; .r *"-. -' -' ¦ '--. - -- ..- ¦.- .. ...,.:_.. .. ' '" ' •- - ' ' — - * ' <.' >-j- -i- .i- .; . v; f i. tr _ il. i. 3Enmwnc«> MURDER. AND SUICIDE IN -jFomstf DREADFUL " ' finsburt. ,•;: FRANCE, Shortly after the opening of the Worship-street Friday morning, -an official communi- IfaBKBr^rUpon Friday, JL Gustavo de police-court on "rrr m cation was made to Mr. Bingham, the sitting magis- 1 ^nnnt's amendment although, compared with division, ol a ^ttounwu^ de Garni) of ^e most miik-aaci.Tratcr trate, bv Inspector Jervis, of the G which had been enacted in the J *Jl was rejected without even the ceremony frio-htfuf tragedv e e ter the court, ill the course oi tho pre- f T Sl-the <ihambiu'thusraiafyin*ithe act4)fthe neighbourhood of nHit, The inspector stated that about ten ¦P day. On Saturday the anti-indenmity cedin"- rions clock that morning information arrived at the po- Richard amendment was discussed and rejected. pi^ifii- o' was on - lice station in Featherstone-street, where he address was passed. The numbers Mondav the h Barry, surgical m- **' , 216 ; against, H^ duty, that a man, named Josep a- ftr {he address 33; majority, Mm 6 No. 4 . greater part of the left abstained fr om AND. strument iiialcer, residing at Lukof^, * ?*£ The . MTIONAL lMj)Ef iiight, murdered JOURNAL. duringthe precedmg ¦ Finsburv, had, »ti)tii>S- . T his wife, Marv Priscilla Barry, and afterwards de- ViV&sBSiAtios ov ihe Address.—LotJisPja-ruppE s • ' his throat with a razor. WrarasDiTNight TOL. VIIL NO. 377. - - ¦ stroved lihnsolf-. bv cutting «4it:--*--Pabis was of 2H, Tex O'CMGK.of — LOl^fc S^^ immediately proceeded to tne ya meeting' held Deputies ^JSZ^S^S^ He (thc inspector) i^da the ^ house, and, from inquiries, ascertained the following servative party, to express their confidence in, and crowds :—It appeared Lim of the people assembled in the public , g particulars of this dreadful occurrence „TT their determination to support the present plaees. -
Writing the Nation: a Concise Introduction to American Literature
Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation A CONCISE INTRODUCTION TO AMERIcaN LITERATURE 1 8 6 5 TO P RESENT Amy Berke, PhD Robert R. Bleil, PhD Jordan Cofer, PhD Doug Davis, PhD Writing the Nation: A Concise Introduction to American Literature—1865 to Present is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorporated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a reasonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. -
Leaves of Grass
Leaves of Grass by Walt Whitman AN ELECTRONIC CLASSICS SERIES PUBLICATION Leaves of Grass by Walt Whitman is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any pur- pose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. Leaves of Grass by Walt Whitman, The Electronic Clas- sics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Depart- ment of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image: Walt Whitman, age 37, frontispiece to Leaves of Grass, Fulton St., Brooklyn, N.Y., steel engraving by Samuel Hollyer from a lost da- guerreotype by Gabriel Harrison. Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Walt Whitman Contents LEAVES OF GRASS ............................................................... 13 BOOK I. INSCRIPTIONS..................................................... 14 One’s-Self I Sing .......................................................................................... 14 As I Ponder’d in Silence............................................................................... -
Don't Network. the Avant Garde After Networks
Minor Compositions Open Access Statement – Please Read This book is open access. This work is not simply an electronic book; it is the open access version of a work that exists in a number of forms, the traditional printed form being one of them. All Minor Compositions publications are placed for free, in their entirety, on the web. This is because the free and autonomous sharing of knowledges and experiences is important, especially at a time when the restructuring and increased centralization of book distribution makes it difficult (and expensive) to distribute radical texts effectively. The free posting of these texts does not mean that the necessary energy and labor to produce them is no longer there. One can think of buying physical copies not as the purchase of commodities, but as a form of support or solidarity for an approach to knowledge production and engaged research (particularly when purchasing directly from the publisher). The open access nature of this publication means that you can: • read and store this document free of charge • distribute it for personal use free of charge • print sections of the work for personal use • read or perform parts of the work in a context where no financial transactions take place However, it is against the purposes of Minor Compositions open access approach to: • gain financially from the work • sell the work or seek monies in relation to the distribution of the work • use the work in any commercial activity of any kind • profit a third party indirectly via use or distribution of the work • distribute in or through a commercial body (with the exception of academic usage within educational institutions) The intent of Minor Compositions as a project is that any surpluses generated from the use of collectively produced literature are intended to return to further the development and production of further publications and writing: that which comes from the commons will be used to keep cultivating those commons.