DOCSLIB.ORG

Major Australian Festivals Commissioning Site 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MAJOR AUSTRALIAN FESTIVALS COMMISSIONING SITE 2020 Brisbane Festival is an initiative of the Queensland Government and Brisbane City Council 1/ 2/ WELCOME On behalf of the Confederation of Australian The Confederation has had the privilege of CAIAF acknowledges the traditional International Arts Festivals, welcome to the Major administering the MFI fund since 1995 resulting owners of the land on which we gather, the Australian Festivals Commissioning Site. in the development of hundreds of new Turrbul and Yuggera people. We recognise Australian works. and respect their cultural and creative As we are all acutely aware, 2020 has been heritage and acknowledge their ongoing deeply challenging for the global cultural sector. Over the next two days we are delighted to be contribution to our shared future. When the pandemic hit earlier this year, the able to share with you projects in varying states Confederation met to consider how best to of development. The work of the selected artists The 2020 Major Australian Festivals respond within available resources and the scope is seen to be ready for further development and Commissioning Site is produced by of the Australian Government’s Major Festivals presentation, and we commend them to you for Brisbane Festival for the Confederation Initiative (MFI) fund. Simultaneously, many of your consideration. of Australian International Arts Festivals, our Festival members were recalibrating their funded by the Australian government’s I thank the Brisbane Festival for hosting this traditional festival formats and offerings against Major Festivals Initiative (MFI) through event in the midst of delivering a newly designed a backdrop of a constantly changing horizon of Australia Council for the Arts. Festival. To those joining around Australia and health and border restrictions, artist and audience abroad, I am delighted that you have joined us expectations; each of us are now looking towards in commissioning the next crop of exciting new MFI COMMISSIONING a very different 2021. Australian work. SITE 2020 The $1.5 million annual MFI fund supports the commissioning of new Australian works RICHARD EVANS PRODUCTION TEAM by the seven major multi-artform capital city CHAIR Melinda (Min) Collie-Holmes international arts festivals. The Confederation Producer/MC member Festivals, co-commissioners and Jess Audsley production partners collectively contribute Associate Producer 50% of their own funds towards seeding, developing and producing new work, resulting Craig Wilkinson/optikal bloc in approximately $3 million worth of work being Vision Mixer supported each year. Once commissioned, Chelsea Chua member Festivals and other presenters go on to Programming Intern fund the presentation of these works, all of which are presented nationally and some of which go on to tour internationally over many years. 3/ DELEGATES CAIAF RISING ASSOCIATE MEMBERS Richard Evans Gideon Obarzanek AUCKLAND ARTS FESTIVAL Chair Co-Artistic Director Shona McCullagh Julia Herne Hannah Fox Artistic Director Secretariat Co-Artistic Director David Inns Chief Executive ADELAIDE FESTIVAL Kath Mainland Neil Armfield AO Executive Director NEW ZEALAND FESTIVAL/ TAWHIRI FESTIVAL AND EXPERIENCES Co-Artistic Director Mark Burlace Meg Williams Rachel Healy Deputy Executive Director Executive Director Co-Artistic Director Rose Harriman Marnie Karmelita Elaine Chia Curatorial Manager Creative Director Executive Director Lucy Forge Angela Green Lesley Newton Executive Producer Head of Programming Head of Programming Ally Harvey Tess Appleby Deputy Executive Producer FUNDING PARTNER Program Manager PERTH FESTIVAL AUSTRALIA COUNCIL FOR THE ARTS Kate Hillgrove Iain Grandage Alice Nash Program Manager Artistic Director Executive Director Arts Investment Andrew Donovan BRISBANE FESTIVAL Nathan Bennett Director Multi-Year Investment, Arts Investment Charlie Cush Executive Director Chief Executive Officer Anna Reece Jade Lillie Head of Sector Development Louise Bezzina Executive Producer Artistic Director Norman Armour SYDNEY FESTIVAL North American Representative Kate Fell Wesley Enoch Program Director Festival Director DARWIN FESTIVAL Olivia Ansell Felix Preval Incoming Festival Director Artistic Director Christopher Tooher (CAIAF Treasurer) James Gough Executive Director Acting CEO Vivia Hickman Vanessa Wright Executive Producer Program Producer TEN DAYS ON THE ISLAND Lindy Hume Artistic Director Jane Haley Chief Executive Officer Vernon Guest Executive Producer 4/ NATIONAL DELEGATES ADELAIDE FESTIVAL CENTRE BRISBANE POWERHOUSE NORPA Liz Hawkins Kris Stewart Julian Louis Director or Programming, Development and Artistic Director Artistic Director Venue Sales Katherine Hoepper PACA APAM Programming Director Katherine Connor Catherine Jones Executive Director BRITISH COUNCIL Director Helen Salmon QUEENSLAND PERFORMING ARTS Naomi Velaphi Director CENTRE Program Producer John Glenn CANBERRA THEATRE CENTRE Director, Programming ARTS CENTRE MELBOURNE Alex Budd Edwina Lunn Director Rebecca Lamoin Director of Programming Director, Public Engagement and Learning Gill Hugonnet David Anderson Deputy Director – Programming RIVERSIDE THEATRE Head of Contemporary Performance Robert Love AM COUNTRY ARTS SA Director Daniel Clarke Anthony Peluso Creative Producer, Theatre and Contemporary Chief Executive Catherine Swallow Performance Program Manager Mary Harvey DEPARTMENT OF INFRASTRUCTURE, TRANSPORT, SYDNEY OPERA HOUSE Creative Producer, Families and Children REGIONAL DEVELOPMENT AND Fiona Winning COMMUNICATIONS Angharad Wynne-Jones Director, Programming Alison Todd Head of Creative Engagement Director, Arts Policy and Development SYDNEY THEATRE COMPANY ARTS HOUSE Kip Williams HOTA, HOME OF THE ARTS Emily Sexton Artistic Director Virginia Hyam Artistic Director Head of Programming Ben White Sophie Travers Senior Producer General Manager ILLUMINATE ADELAIDE Skye Kunstelj Rachael Azzopardi Olivia Anderson Associate Producer Co-Founder and Creative Director Producer THE ARTHOUSE WYONG MELBOURNE FRINGE ARTS PROJECTS AUSTRALIA Anne-Marie Heath Simon Abrahams Ian Scobie Executive Director Creative Director and CEO Director Lee Cumberlidge MERRIGONG THEATRE COMPANY/ ILLAWARRA PERFORMING ARTS Director CENTRE Simon Hinton AUSPICIOUS ARTS PROJECTS Artistic Director/CEO John Paxinos Executive Director Leland Kean Acting Artistic Director BLAKDANCE Merindah Donnelly NATIONAL THEATRE OF PARRAMATTA Executive Producer Joanne Kee Executive Producer BLEACH FESTIVAL/ PLACEMAKERS GOLD COAST Rosie Dennis Artistic Director/ CEO 5/ INTERNATIONAL DELEGATES AUCKLAND LIVE MANCHESTER INTERNATIONAL Bernie Haldane FESTIVAL Director and General Manager of Programming Paul Clay and Presenter Services International Director AURORA NOVA NEW THEATRE INSTITUTE OF LATVIA Wolfgang Hoffman Bek Berger Director Artistic Director BAM NOORDERZON FESTIVAL OF David Binder PERFORMING ARTS & SOCIETY Artistic Director Mark Yeoman Artistic Director BARBICAN CENTRE Toni Racklin SINGAPORE INTERNATIONAL FESTIVAL OF THE ARTS Head of Theatre and Dance Natalie Hennedige BRIGHTON FESTIVAL Festival Director Sally Cowling STANFORD LIVE Artistic Associate and International Programmer Chris Lorway DAVID LIEBERMAN/ARTISTS Executive Director REPRESENTATIVES David Lieberman THEATER DER WELT President Stefan Schmidtke Artistic Director Allen Moon Director of Touring and Artist Management WALES MILLENNIUM CENTRE Pádraig Cusack FIERY ANGEL ENTERTAINMENT Executive Producer Michael Stevens Head of Concerts and Special Events WEST KOWLOON CULTURAL DISTRICT AUTHORITY HARBOURFRONT CENTRE Kee Hong Low Iris Nemani Head of Theatre Chief Programming Officer Nathalie Bonjour Director, Performing Arts Laura McLeod Director, Cultural Engagement KYOTO EXPERIMENT Juliet Knapp Director LIFT FESTIVAL Kris Nelson Artistic Director and CEO 6/ PITCHING ARTISTS AUSTRALIAN DANCE THEATRE GRAVITY AND OTHER MYTHS TANDEM Garry Stewart Jascha Boyce Fenn Gordon Artistic Director Company Director/Marketing/Acrobat Executive Producer Nick Hays Darcy Grant TERRAPIN PUPPET THEATRE Executive Director Creative Lead Sam Routledge Artistic Director BARKING GECKO THEATRE COMPANY Christie Anderson Artistic Director, Young Adelaide Voices Luke Kerridge THE FARM Artistic Director Torben Brookman Gavin Webber Helen Hristofski Co-Owner GWB Entertainment Co-Artistic Director CEO & Executive Producer GUTS DANCE Chloe Ogilvie Core Artist BRINK PRODUCTIONS Frankie Snowdon Co-Artistic Director Chris Drummond THE LAST GREAT HUNT Artistic Director Madeleine Krenek Sian Roberts Karen Wilson Co-Artistic Director Executive Producer General Manager ILBIJERRI THEATRE COMPANY THE NEW ZEALAND DANCE COMPANY CASUS CIRCUS Rachael Maza James O’Hara Natano Fa’anana Artistic Director Co-Artistic Director Co-Founder & Creative Director Nina Bonacci Tor Columbus Senior Producer Co-Artistic Director CIRCA Yaron Lifschitz Daniel Riley Caroline Bindon Artistic Director Associate Producer Artistic Manager Shaun Comerford INSITE ARTS INTERNATIONAL Janine Dijkmeijer Executive Director Penelope Leishman Creative Executive Director Danielle Kellie Kate Hancock JP Bolton Senior Producer Creative Producer LEGS ON THE WALL Lauren Eisinger Joshua Thomson Ross McCormack International Development Manager Artistic Director Choreographer and Set Designer Ho-Yin Ng Cecily Hardy VITALSTATISTIX Board Director, Amanda Levete Architects Senior Creative Producer Emma Webb Director DANCENORTH METRO ARTS Kyle Page Jo Thomas INDEPENDENT ARTISTS Artistic Director CEO and Creative Director Emma Beech Anna Breckon
Recommended publications
  • Final-Brochure-2020.Pdf

    Final-Brochure-2020.Pdf

    Ngadlu tampinthi Kaurna We acknowledge the Kaurna miyurna yaitya yarta-mathanya people as the traditional custodians Wama Tarntanyaku. of the Adelaide Plains. Parnaku yailtya, parnaku tapa We recognise and respect their purruna, parnaku yarta ngadlu cultural heritage, beliefs and tampinthi. Yalaka Kaurna Miyurna relationship with the land. itu yailtya, tapa purruna, yarta kuma We acknowledge that they are puru martinthi, puru warri-apinthi, of continuing importance to the puru tangka martulayinthi. Ngadlu Kaurna people living today and tampinthi purkarna pukinangku, pay respects to Elders past, yalaka, tarrkarritya. present and future. 2 2 A MESSAGE FROM MITCHELL So, shall we have some fun together? New Australian works of great heart, wit and humanity. New international works of great Shall we lift the curtain, open the door, enter daring and dazzling originality from and with into worlds strange, familiar or new? diverse voices. Classics reinvented to connect history to the here and now. Shall we get set for some of the greatest times that we will ever have in a theatre? There’s a lot of comedy coming your way this year - some satirical, some black and some Sound good? Well, come on in. deeply twisted. Plus works that will break apart the very notions of what you think theatre is. But I’m thrilled to be joining State Theatre all of our works will engage your mind and heart Company South Australia as its new Artistic as fulsomely as your funny bones are tickled. Director. I’ve loved working for this company in the past and I have loved witnessing so many You will leave many of our shows this of the brilliant works it has produced.
  • 1X 86Min Feature Documentary Press Kit

    1X 86Min Feature Documentary Press Kit

    ELLA 1x 86min Feature Documentary Press Kit INDEX ! CONTACT DETAILS AND TECHNICAL INFORMATION………………………… P3 ! PROGRAM DESCRIPTIONS.…………………………………..…………………… P4-6 ! KEY CAST BIOGRAPHIES………………………………………..………………… P7-9 ! DIRECTOR’S STATEMENT………………………………………..………………… P10 ! PRODUCER’S STATEMENT………………………………………..………………. P11 ! KEY CREATIVES CREDITS………………………………..………………………… P12 ! DIRECTOR AND PRODUCER BIOGRAPHIES……………………………………. P13 ! PRODUCTION CREDITS…………….……………………..……………………….. P14-22 2 CONTACT DETAILS AND TECHNICAL INFORMATION Production Company WildBear Entertainment Pty Ltd Address PO Box 6160, Woolloongabba, QLD 4102 AUSTRALIA Phone: +61 (0)7 3891 7779 Email [email protected] Distributors and Sales Agents Ronin Films Address: Unit 8/29 Buckland Street, Mitchell ACT 2911 AUSTRALIA Phone: + 61 (0)2 6248 0851 Web: http://www.roninfilms.com.au Technical Information Production Format: 2K DCI Scope Frame Rate: 24fps Release Format: DCP Sound Configuration: 5.1 Audio and Stereo Mix Duration: 86’ Production Format: 2K DCI Scope Frame Rate: 25fps Release Formats: ProResQT Sound Configuration: 5.1 Audio and Stereo Mix Duration: 83’ Date of Production: 2015 Release Date: 2016 ISAN: ISAN 0000-0004-34BF-0000-L-0000-0000-B 3 PROGRAM DESCRIPTIONS Logline: An intimate and inspirational journey of the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history Short Synopsis: In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella’s inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere.
  • Marketing Communications Approval Report - February 2019

    Marketing Communications Approval Report - February 2019

    MARKETING COMMUNICATIONS APPROVAL REPORT - FEBRUARY 2019 CAMPAIGNS Proposed Budget ID Campaign Title Department Start Date End Date Approval Date Synopsis exGST ($) 18-176 Regional Driver Safety Motor Accident Commission 3/02/2019 2/03/2019 9/01/2019 $190,590 Public education campaign to arrest road trauma experienced in regional South Australia. 18-177 Drug Driving Motor Accident Commission 17/02/2019 27/04/2019 23/01/2019 $259,598 Public education campaign targeting drug driving on South Australian roads. EVALUATIONS Proposed Evaluation Actual Expenditure ID Campaign Title Department Start Date End Date Expenditure Approval Date exGST ($) exGST ($) 18-108 Sydney Roosters (2018) South Australian Tourism Commission 15/05/2018 29/06/2018 25/02/2019 $135,000 $92,775 18-90 Hybrid World Adelaide 2018 Adelaide Film Festival 30/04/2018 27/07/2018 13/02/2019 $349,500 $348,664 18-106 Food and Wine South Australian Tourism Commission 1/07/2018 31/08/2018 21/02/2019 $799,048 $764,278 18-104 2018 Adelaide Fashion Festival Events South Australia 7/08/2018 21/10/2018 10/02/2019 Redacted - Commercial in Confidence 18-129 2018 Credit Union Christmas Pageant South Australian Tourism Commission 14/10/2018 9/11/2018 21/02/2019 $88,000 $75,791 18-118 Short Courses for Anyone and Everyone TAFE SA 1/07/2018 31/12/2018 19/02/2019 Redacted - Commercial in Confidence BRANDING EXEMPTIONS Ministerial Approval ID Entity Department Approval Date Exemption Type Date Nil Sensitive: SA Cabinet - I2 - A1 CAMPAIGN EVALUATION REPORT Campaign: 2018 Adelaide Fashion Festival Department: Events South Australia Campaign Start Date: 07 August 2018 Campaign Completion Date: 21 October 2018 Campaign Total Spend: Redacted - Commercial in Confidence Campaign Approval Date: 30 July 2018 Evaluation Approval Date: 11 February 2019 Evaluation Summary: The campaign was successful, meeting ticket sales (86%) and website visitation (73,450) targets .
  • Belvoir Annual Report 2019

    Belvoir Annual Report 2019

    BELVOIR CONTENTS 2019: At A Glance 04 Chair’s Report 08 Artistic Director’s Report 10 Executive Director’s Report 12 2019 Season 14 Belvoir 2019 in Review 32 Corporate Governance Statement 50 Board & Staff 54 Supporters, Trusts & Foundations, and Partners 55 Donors 56 In the Rehearsal Room 58 Tom Hobbs. Photo by Brett Boardman. BELVOIR 2019 AT A GLANCE 98,575 44% NEW SINGLE TICKET FEMALE 9,692 BUYERS IN 2019 ATTENDEES WRITERS AT BELVOIR PRODUCTIONS 6 AUSTRALIAN PLAYS PLUS ONE NEW AUSTRALIAN TRANSLATION $4,626,583 & 3 WORLD PREMIERS BOX OFFICE REVENUE OF A BELVOIR PRODUCTION 59% CALD ARTISTS ON STAGE WORKSHOPS HOSTED IN 3,240 IN A WORKSHOP PARTICATED STUDENTS 40 REGIONAL SCHOOLS WRITERS 56% FEMALE UNDER COMMISSION STUDENT WORKSHOPS DIRECTORS 21 175 6,701 ATTENDEES AT ATTENDEES 5,069 STUDENTS & TEACHERS TO UNWAGED who attended a schools 25A or evening performance PERFORMANCES 1,667 PERFORMANCE SUDENTS ATTENDED A SCHOOLS PERFORMANCE 6,374 APPLICATIONS 62,391 646 FOR FREE SUBSCRIPTIONS SOLD 163 FOR 25A SOCIAL PERFORMANCES BELVOIR’S POPULAR PRODUCTION CHALLENGE MEDIA INDIVIDUAL NATIONAL (OPEN TO ALL INDEPENDENT 247 COMPANIES & EMERGING ARTISTS) PROPS FOR ARTISTS 1,979,616 PAGE VIEWS FOLLOWERS COUNTING & CRACKING OVER 250 EMPLOYED 80 ARTISTS ENGAGED THROUGH 25A ACROSS 8 PRODUCTIONS 561 WESTERN SYDNEY STUDENTS IN WORKSHOPS AT THEIR SCHOOLS 104 4 5 HELPMANN AWARDS MATILDA AWARDS BEST WRITING / ADAPTATION FOR THE AUSTRALIAN STAGE (THEATRE BEST PRODUCTION OF A PLAY BEST MUSICAL OR CABARET COMPANIES) Counting and Cracking Fangirls Belvoir / Co-Curious Belvoir, Queensland Theatre and Brisbane Alana Valentine and Ursula Yovich, Festival, in association with Australian Barbara and the Camp Dogs, BEST NEW AUSTRALIAN WORK Theatre for Young People Belvoir in association with Vicki Gordon S.
  • Annual Report 2015 LETTER to MINISTER

    Annual Report 2015 LETTER to MINISTER

    Annual Report 2015 LETTER TO MINISTER 23 February 2016 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2015 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: > the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and > the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this Annual Report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely Cover photographs, Top – Bottom: 1. Boston Marriage, Amanda Muggleton, Rachel Gordon. Photography by Rob Maccoll. Emeritus Professor Richard Fotheringham FAHA 2. Ladies in Black, Kate Cole, Christen O’Leary, Naomi Price, Lucy Maunder, Deidre Rubenstein. Photography by Rob Maccall. Chair, Queensland Theatre Company 3. Happy Days, Carol Burns. Photography by Aaron Tait. 4. Oedipus Doesn’t Live Here Anymore, Ellen Bailey. Photography by Stephen Henry. 5. Rumour Has It, Naomi Price. Photography by Dylan Evans. 6. Grounded, Libby Munro. Photography by Stephen Henry. 7. Argus, Lauren Hayne, Nathan Booth, Matthew Seery, Anna Straker. 8. Oedipus Doesn’t Live Here Anymore, Emily Burton, Toby Martin, Ellen Bailey. 9. Brisbane, Lucy Coleby, Dash Kruck. 10. Home, Margi Brown-Ash. Photography by Aaron Tait. 11. The Odd Couple, Jason Klarwein. Photography by Rob Maccoll. 12. The 7 Stages of Grieving, Chenoa Deemal. Photography by Justin Harrison.
  • THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You

    THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You

    GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both.
  • Canada and Australia

    Canada and Australia

    CANADA AND AUSTRALIA: PROMOTING COLLABORATION IN CREATIVE INDUSTRIES Prepared by the Consulate General of Canada in Sydney 1 TABLE OF CONTENTS 3 Welcome & Introduction 4 Film & Television 11 Music 16 Literature 21 Performing Arts 25 Visual Arts 28 Digital Arts 30 Promoting Canadian Creators Globally 2 WELCOME & INTRODUCTION The creative industries represent an important part of In Australia, the demand in the creative industries Canada’s economy and exports however these times sector was booming pre-coronavirus and represented are unprecedented and present challenges never 6.2% of total Australian employment and employment. before seen for the sector. In light of current events, The creative industries were growing 40% faster than particularly the recent cancellations of cultural events, the Australian economy as a whole. Australia also the Consulate General of Sydney would like to reaffirm recognises the important role and positive impact of the government’s support for all the people affected, the arts in regional, rural and remote areas. This has directly or indirectly, by the coronavirus. We know that led to a growth in festivals, arts markets, concerts, 4 Film & Television times like these can be particularly difficult for self- performances and galleries expanding into these areas employed creative workers, community organizations, due to the positive impact on the community as well as and cultural organizations, among many others. the daily lives of Australians. 11 Music This report, written pre-coronavirus, may be a useful resource as the creative industries move from crisis to Canada and Australia share similar histories and values recovery and seek out new business opportunities.
  • THE COMMITTEE MINUTES for the Meeting

    THE COMMITTEE MINUTES for the Meeting

    THE COMMITTEE MINUTES for the meeting Tuesday 18 June 2019 in the Colonel Light Room, Adelaide Town Hall 1 The Committee Meeting Minutes, Tuesday 18 June 2019, at 5.54pm Present - The Right Honourable the Lord Mayor [Sandy Verschoor]; Councillor Martin (Chair) Councillors Abiad (Deputy Lord Mayor), Abrahimzadeh, Couros, Hou, Hyde, Knoll Moran (Deputy Chair) and Simms. Acknowledgement of Country At the opening of the Committee Meeting, the Chair stated: ‘Council acknowledges that we are meeting on traditional Country of the Kaurna people of the Adelaide Plains and pays respect to Elders past and present. We recognise and respect their cultural heritage, beliefs and relationship with the land. We acknowledge that they are of continuing importance to the Kaurna people living today. And we also extend that respect to other Aboriginal Language Groups and other First Nations who are present today.’ Apologies and Leave of Absence Apologies – Councillors Donovan and Khera. Confirmation of Minutes - 4/6/2019 That the Minutes of the meeting of The Committee held on 4 June 2019, be taken as read and be confirmed as an accurate record of proceedings. Items for Consideration and Recommendation to Council 1. Item 4.1 - Unowned and Semi Owned Cat Management [2009/00929] [TC] THAT THE COMMITTEE RECOMMENDS TO COUNCIL That Council: 1. Notes that a city-wide unowned and semi-owned cat colony audit has been undertaken and one colony has been located. 2. Notes the discussion paper, Attachment A to Item 4.1 on the Agenda for the meeting of The Committee held on 18 June 2019 and actions listed in the paper for implementation through existing Council service delivery and the 2019-2024 Dog and Cat Management Plan.
  • First Contact 2 PRESS KIT with Images FINAL 071116

    First Contact 2 PRESS KIT with Images FINAL 071116

    7 November 2016 SERIES 2 PRESS KIT PRODUCTION CONTACT Blackfella Films Darren Dale & Jacob Hickey Tel: +61 2 9380 4000 Email: [email protected] www.blackfellafilms.com.au © 2016 Blackfella Films Pty Ltd, Special Broadcasting Service, Screen Australia 1 PRODUCTION NOTES Producer Darren Dale Series Producer & Writer Jacob Hickey Location Directors David Grusovin & Bruce Permezel Production Company Blackfella Films Pty Ltd Genre Documentary Series Language English Aspect Ratio 16 x 9 Durations EP 1 00:51:01:00 EP 2 00:53:53:17 EP 3 00:51:57:04 Sound Stereo Shooting Gauges C300 and 5D LOGLINE Six out of ten who call Australia home have had little or no contact with Indigenous people. 28 days. Six well-known Aussies. One life-changing journey. SYNOPSIS – Short The provocative, controversial and dramatic television event First Contact returns to SBS with Ray Martin as host. The 3 x 1 hour constructed documentary series takes a group of six well-known Australians, with strong opinions on a unique journey into Aboriginal Australia. 2 SYNOPSIS – Long * Six out of ten who call Australia home have had little or no contact with Indigenous people. The provocative, controversial and dramatic television event First Contact returns to SBS with Ray Martin as host. The 3 x 1 hour constructed documentary series takes a group of six well-known Australians, with strong opinions on a unique journey into Aboriginal Australia. The six are….singer songwriter Natalie Imbruglia, television personality Ian ‘Dicko’ Dickson, former Miss Universe Australia Renae Ayris, actress Nicki Wendt, comedian Tom Ballard and former One Nation politician, David Oldfield.
  • NAIDOC Returns to NITV and Across the SBS Network in 2021

    NAIDOC Returns to NITV and Across the SBS Network in 2021

    Heal Country!: NAIDOC returns to NITV and across the SBS network in 2021 • For the third year running, SBS is the official National NAIDOC Principal Media Partner and official Education Partner • Australian television premiere of docu-comedy History Bites Back • The National NAIDOC Awards return in 2021, live on NITV and SBS VICELAND • Australia’s only Indigenous television breakfast program, Big Mob Brekky, returns to NITV and SBS • SBS Radio to share the Uluru Statement from the Heart in-language for Australia’s diverse communities • NAIDOC educational resources available through SBS Learn • NAIDOC will be celebrated across all SBS channels and platforms, including an exclusive NAIDOC collection available to stream on SBS On Demand **INTERVIEWS AVAILABLE** **TRAILER HERE** All Australians are invited to celebrate NAIDOC 2021 with a week-long dedicated schedule on National Indigenous Television (NITV), and a range of programming and content across the SBS network, celebrating and reflecting on the history, cultures and achievements of Aboriginal and Torres Strait Islander peoples. Inspired by the 2021 NAIDOC theme, Heal Country!, the slate focuses on the strength and survival of the oldest continuing cultures on the planet, from Saturday 3 July to Sunday 11 July. This year’s multiplatform offering includes the exclusive broadcast of the 2021 National NAIDOC Awards, the return of Australia’s only all-Indigenous breakfast television program, the premiere of docu-comedy History Bites Back, as well as a range of documentaries, movies, news and current affairs programs and features across the network. Educational resources through SBS Learn will also be made available to schools nationally to encourage students to learn more about Aboriginal and Torres Strait Islander cultures and history.
  • The 61 Sydney Film Festival & Adelaide Film Festival

    The 61 Sydney Film Festival & Adelaide Film Festival

    MEDIA RELEASE EMBARGOED UNTIL MIDNIGHT MONDAY 9TH JUNE THE 61ST SYDNEY FILM FESTIVAL & ADELAIDE FILM FESTIVAL ANNOUNCE VOD (VIDEO-ON-DEMAND) STREAMING OF WORLD PREMIERE FILM: FELL The 61st Sydney Film Festival and Adelaide Film Festival announce a video-on-demand stream of the Australian feature film Fell direct from its World Premiere at Sydney Film Festival on Friday 13 June. Sydney Film Festival and Adelaide Film Festival will break with tradition and stream online the World Premiere Australian film Fell over the same weekend that it premieres in Official Competition at the State Theatre in Sydney. “Sydney Film Festival is pleased to offer audiences across Australia the chance to have their own virtual festival premiere screening,” said Sydney Film Festival Director Nashen Moodley. “Fell will be available online from the Sydney Film Festival website on the day of the premiere, giving audiences beyond Sydney’s State Theatre access to the World Premiere of this stunning debut feature.” Fell will screen in high definition to any Internet-enabled device: Smart TV, digital TV, touchscreen tablet, PC, laptop, game console or smartphone. It will be available on streaming for 50 hours from 8pm Friday 13 June EST until 10pm Sunday 15 June AEST for $9.99. The film will be available to everyone in New South Wales, Queensland, Australian Capital Territory South Australia and Northern Territory. “This is a really exciting way to explore the virtual film festival experience with a great new Australian film. We would love to hear about the midnight screening party in Alice Springs through to the matinee session in a living room in Goolwa.
  • View Latest Version Here. Darlo Podcast No8 (Completed 07/09/21)

    View Latest Version Here. Darlo Podcast No8 (Completed 07/09/21)

    This transcript was exported on Jul 09, 2021 - view latest version here. Host: Welcome to The Luminary Series by Darlinghurst Theatre Company, a podcast exploring creativity and resilience in life and theatre. Before we begin, we would like to acknowledge the Gadigal people of the Eora Nation, and pay our respects to elders past, present and emerging. Sovereignty was never ceded. This land always was and always will be Aboriginal land. And now, let's get into the episode. Wendy Mocke: Hello, thank you for joining us on another episode of The Luminary Podcast. My name is Wendy Mocke. I am a Papua New Guinean woman. My tribes are the Naur-Gorr and Karisokra tribes of Madang and Chimbu Province. I'm Zooming in from Meanjin on the unceded lands of the Turrbal and Jagera people. Always was, always will be Aboriginal land. I'm super excited and not going to lie, low key going to vomit on myself because I will be talking to the one and only Elaine Crombie. Wendy Mocke: Elaine is an actor, singer, songwriter and writer with a career that spans over 20 years with extensive theater and on-screen work. So basically, what I have with me is an absolute weapon of a woman who might I add is currently on stage with Sydney Theatre Company starring in The 7 stages of grieving. Elaine Crombie, welcome. How are you? Elaine Crombie: Yay! Thank you, Wendy. Hi. Wendy Mocke: How you doing? I know it's a two-show day for you today, and we're catching you on your break.