R O B E R T O S C A N D I U Z Z I –

One of the last representative of the Italian school of great artists such as Ezio Pinza and Cesare Siepi, Roberto Scandiuzzi is considered today one of the world’s most appreciated basses. He was only 24 when he made his company debut at Teatro alla Scala, in Le nozze di Figaro conducted by . After his acclaimed performance as Jacopo Fiesco in at Royal House , under the baton of Sir , he started a shining international career that led him to such theatres as Metropolitan Opera of New York, Opéra National de Paris, Wiener Staatsoper, Bayerische Staatsoper in Munich, San Francisco Opera, working with such renowned conductors as , Sir , Valerij Gergeev, , , Lorin Maazel, , Riccardo Muti, Seiji Ozawa, Sir Antonio Pappano, Georges Prêtre, , Sir Georg Solti and Marcello Viotti. His vast repertory ranges from Verdi bass roles to the French and Russian repertoire, as well as from “Scapigliatura” (Boito's Mefistofele) to Verism (Ponchielli's La Gioconda). Also active on concert field, he has worked with such renowned orchestras as Royal Philharmonic Orchestra of London, London Philharmonic Orchestra, Chicago Symphony Orchestra, Orchestra Filarmonica della Scala, Orchestra del Maggio Musicale Fiorentino, Orchestra dell’Accademia Nazionale di Santa Cecilia di Roma, Orchestre de Paris, Orchestre National de France, Berliner Philharmoniker, Symphonieorchester des Bayerischen Rundfunks and Die Münchner Philharmoniker. Among his greatest successes in recent years, it can be reported: Pelléas et Mélisande (Arkel) at Opera di Firenze conducted by , Faust (Méphistophélès) at Staatsoper Berlin, (Ramfis) at Opéra National de Paris and at Seoul Arts Center, Norma (Oroveso) at NCPA Beijing, Il barbiere di Siviglia (Basilio) at of Muscat, Teatro San Carlo di Napoli and Grand Théâtre de Genève, Don Pasquale (title role) at Teatro di Venezia, La Gioconda (Alvise) at Teatro dell’Opera di Roma, (conte Walter) at New Israeli Opera Tel Aviv, Don Carlo (Filippo II) at Théâtre du Capitole de Toulouse. His wide discography includes Simon Boccanegra (dvd Decca), Don Carlo, Jerusalem and by Verdi (Philips), da and Gioconda (EMI), Cristoforo Colombo (Koch), by Rossini, and Stabat Mater by Dvorák (DGG), La Sonnambula (Nightingale), La bohème (Erato), (Sine Qua Non – dvd TDK) , two recordings of (Decca and Nuova Era), and the only one recording of Verdi’s Messa da Requiem with Giuseppe Sinopoli and Staatskapelle Dresden. LATEST PERFORMANCES: Simon Boccanegra at Teatro Petruzzelli in Bari; Verdi’s Requiem at Opéra Royal de Wallonie in Liège; Aida at Opera Australia in Sydney and at Teatro Colon de Buenos Aires; Macbeth and (Grande Inquisitore) at Opéra de Lyon; La ciociara by Tutino at Teatro Lirico di Cagliari; Turandot at Shhanxi Grand Theatre of Xi’an; Verdi’s Requiem at Opera Australia in Sydney; La Sonnambula and Il barbiere di Siviglia at Teatro La Fenice di Venezia; Don Pasquale at di Salerno; Jérusalem in Liège; La grotta di Trofonio (Trofonio) at Teatro San Carlo di Napoli and at Festival della Valle d’Itria in Martina franca. FORTHCOMING PROJECTS: Il pirata (Goffredo) at Grand Théatre de Genève; Il barbiere di Siviglia at Semperoper Dresden; Rigoletto (Sparafucile) at Opera Australia in Melbourne; Don Carlos at De Vlaamse Opera in Antwerp, in Liège and at Wiener Staatsoper; Don Pasquale at New National Theatre Tokyo; in Melbourne; Aida and La Juive (Brogny) in Sydney.

Last update: February 2019, please do not use any previous version.

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