December 3, 1981

Total Page:16

File Type:pdf, Size:1020Kb

December 3, 1981 Dec. 3, 1981 UNIVERSITY OF MISSOURI·SAINT LOUIS Issue 412 Parking fee expenditures to be studied The Student Assembly has income has averaged 52600, formed a committee to study according to the resolution. The parking fees, parking regulations resolution said that recent park­ and lighting facilities. The com­ ing expenditures are the result mittee was formed in response of the administration's of mis­ to recent university parking ex­ placed priorities. penditures that some members "It seems that rather than of the Assembly have termed have a definite project in mind, unjustified. At Sunday's Student they're looking for ways to Assembly meeting, Student As­ spend it," Swift said. IT'S AN HONOR: UMSL soccer coach Don Dallas [far left] receives the fourth place trophy In the NCAA sociation President Larry Wines Wines was critical of the Division II national men's soccer tournament from an NCAA representative. The UMSL players from left specifically noted the building of administration's reference to the to right are graduating seniors Tim Murphy, Pat McVey and Mike Bess [photo by Bill Lyons]. the J.C. Penney 'Building walk­ "Master Plan" when referring way and the purchase of a house to parking plans. He said that he on Natural Bridge Road as has spoken with Vice Chancellor expenditures that should be not- of Administrative Services John hantom penman causes rift ed by students, _ P. Perry many times about park­ The Assembly also passed a ing expenditures and that Perry the office by Wines, it contained of the Assembly. He said that he Lacey Burnette resolution condemning the con­ has justified the purchase of the the signature of Tony Colandro, was removed as an authorized struction of the Penney walkway house and the building of the a Student Assembly representa­ signature so that he could be "as befitting few individuals at walkway by saying that they A conflict between members tive and president of the Politi­ removed from the assembly. the expense of the overwhelming were part of the Master Plan. of a student organization has led cal Science Academy. Wines said that O'Driscoll was majority of university community But Wines added that when he to discord among some members Previously, Wines, Broerman, replaced on the authorized sig­ members." asked Perry about reparations to in the Student Assembly. and Tony O'Driscoll were the nature list because there is some the Marillac Parking lots he was doubt about whether he is The resolution, submitted by Virginia W. Bowie, special authorized signatures. The told that the administration had adequately representing ASUM. Roland Lettner and Earl Swift, projects senior clerk in the change replaced O'Driscoll with to wait until the Master Plan "The official decision is that we said that the walkway is intend­ Office of Student Life, said that Colandro. was completed. felt that, based on different ed for use of extension activities early last week Student Associa­ "I did not sign it and I asked "It seems they can pick and ' actions by O'Driscoll and his participants while extension tion President Larry Wines and that my name be removed," choose the projects they want to expressed viewpoints, he was parking has resulted in less Student Assembly representative Colandro said. do," Wines said. not representing the views of income than full-time student Matt Broerman obtained a form Wines said that he does not The members of the commit­ ASUM," Wines said. Wines and faculty/staff parking. Stu­ from the office to change the know how Colandro's signature tee to study parking are: Earl L add~d that he and Broerman dent and faculty/staff parking authorized signatures for the got on the form. Swift, Roland Lettner, Lary made the decision to remove income has averaged about Associated Students of the Uni­ O'Driscoll, who serves in the Wines, Terry Bruce, and Jim O'Driscoll. 5450,000 a year for the past five versity of Missouri (ASUM). Student Assembly as the ASUM See "Conflict," page 6 years while extension parking When the form was returned to representative, is the chairman See "Assembly," page 2 Pro-ERA group formed Danforth to speak at graduation Senator John C. Danforth National Historical Society's flea will speak at the UMSL winter market, the Arts and Education to seek UMSL support commencement exercises Dec. Council's Camelot Auction and 20. The exercises will be held in the St. Louis Symphony Orches­ Barb DePalma cards is to inform the legisla­ tors that they should vote for the Mark Twain Building at tra's Gypsy Caravan. A pro-ERA group has been ERA and that their vote has 3pm. About 600 students will be Eric Newman has published organized at UMSL to bring some consequences on the graduated during the exercises. books on numismatics and is ERA issues to campus and passage of the amendment. Also at the ceremonies, Eric curator of the new Mercantile get students and faculty in­ P. Newman and his wife Evelyn Money Museum. He serves on volved in the passage of the The pro-ERA forces have a Edison Newman will be awarded the boards of the Missouri amendment. membership ranging from honorary doctor of humane let­ Historical Society, the Commun­ two to eight members and ters degrees. The Newmans ity School, the Jefferson Nation­ The group has held only consists of UMSL students, have made many philanthropic al Expansion Museum, and the one meeting, but has set up a faculty and staff. The forces contributions in the St. Louis Mark Twain Summer Institute. table in the lobby of the also have two male members. area. The Newmans have also con­ University Center several Fletcher said that studies Danforth was elected to the tributed a Human Mechanics times to allow people to sign have shown that a female U.S. Senate in 1976. In the and Rehabilitation Laboratory to petitions. the group has also with a four-year college de­ Senate, Danforth serves on the the Massachusetts Institute of set up petition drives at the gree makes less than a male Finance, Commerce and Govern­ Technology (MIT). He was grad­ weekend movies, evening Senator John C. Danforth with an eighth grade educa­ mental Affairs Committees. He uated from MIT in 1931. Koffee Klatch and the Anne tion and that, in 1979, fe­ is Chairman of the Subcommit­ Baxter performance. males earned 59 cents to tee on International Trade, the "The group was formed every one dollar made by a Subcommittee on Surface Trans­ because we wanted to see male. portation and the Subcommittee ERA passed," said Nancy "This is what made me the on Federal Spending Practices. inside Fletcher, UMSL team leader. most eager to start a group at Danforth has also served as "The purpose of the group at UMSL," she said. "The re­ the Missouri Attorney General UMSL is to get people in­ sponse has been overwhelm­ and as Chairman of the Missouri Showtime Law Enforcement Council. He volved in things that are ingly positive. We did not The UMSL showglrls and pep happening across the nation has received the Distinguished expect UMSL to be that band provide entertainment at concerning ERA." positive. All we need to do is Service Award of the St. Louis all UMSL horne men's basketball Along with petition drives, organize. I think the positive Jaycees (1969), and was a recip­ games ........................ page 7 the pro-ERA forces at UMSL response is why many people ient of the Missouri Jaycees -Outstaiiillng Yoiuig Man Award', are involved in a message are getting involved at such a brigade. The brigade consists late date. (1968). He was graduated from Applause! of ERA supporters who send "We are not trying to Princeton University in 1958 two dollars to Washington, change people's minds. We with a Bachelor of Arts degree, Applause! D.C. to be put on a mailing are just trying to get people and he recieved a Bachelor of list. These supporters are who are for ERA to show it," Divinity Degree from r ale Divin- , Reporter Shawn Foppe gives an then asked to send postcards she added. ity School and A Bachelor of account of his personal Interview to legislators to seven target­ The ERA has a deadline of Laws degree from Yale Law with actress Anne Baxter, star of ed states that have not yet June 30, 1982 to pass in three . Schooi, bOth'1n 1963. .. Applause. " ............... page 10 Evelyn Newman has contri­ approved the amendment. states before it can be ratified editorials ......... , .. .4-5 as an amendment to the U.S. buted fundraising ideas to local The states are: Florida, Geor­ features/arts .. .... 7-12 gia, lllinois, Missouri, North Constitution. Through peti­ cultural and educational organi­ A pair of fours tion drives and the messager zations. She is president of the classifieds ..... .. .... .... 8 Carolina, Oklahoma and Vir­ Both the UMSL men and women ginia. brigade, the pro-ERA forces Nursery Foundation, St. Louis" around UMSL ........ 1 3 hope to persuade legislators first inter-racial nursery school. kickers finished fourth in recent The purpose of the post- to pass the amendment. She has organized many fund­ national tournarnents ..... page 14 sports ............ 14-19 raising projects including the ...... page 2 CURRENT Dec. 3, 1981 newsbriefs Auction to be held Monday An auction will be held next Monday in the University Center Lounge to benefit the women's basketball scholarship program. The auction will begin at 11am. Henry C. McKenna, the athletic equipment supervisor, will serve as auctioneer. Several area merchants have donated goods or services to be auctioned off. Some of the items to be auctioned include: weekends for two at local hotels, dinners for two at area restaurants, gift certificates for products, jewelry, and sports equipment.
Recommended publications
  • Nick Milo and Mike Finnigan Keyboards for Joe Cocker
    MUSIC PRODUCTION GUIDE THE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS Edition December 2010 Contents On tour with Cocker: Nick Milo & Mike Finnigan 3 MOTIF XF product video with Thomas Berlin 8 New MOTIF Soundlibrary „Xtasyn“ 9 MM6 Video Release and Art & Science of Sound Recording 10 The MOTIF XF Editor - Getting Started 12 MOTIF XF / XS / S90 XS: Song production with arpeggios 17 New: Free Drum Kits for the DTX-MULTI 12 21 Nick Milo Sounds & Goodies 22 and Mike Finnigan Imprint 34 keyboards for Joe Cocker MUSIC PRODUCTION GUIDE December 2010 2 MUSIC PRODUCTION GUIDE December 2010 On tour with Joe Cocker: Nick Milo and Mike Finnigan This issue offers a true highlight: An inter- Hi Nick, Hi Mike! You are touring with Joe Cocker view with the two keyboardists of Joe Cocker, since some time. Can you tell us something about Nick Milo and Mike Finnigan, made during the the tour like your impressions or special experien- „Hard Knocks Tour 2010“ in Europe. ces, funny things, breakdowns…? Nick Milo is the musical director of the Joe Cocker Nick: This is the fourth time I‘ve come to Europe Band. He has been working for almost 10 years with with Joe to tour in support of an album release. Each Joe Cocker. Nick‘s main instrument is the piano. time, there are new songs to learn. In tours past, we would get together to rehearse for a week or ten days Alongside Joe Cocker Nick has worked with artists and get the new material up to the level hopefully that like the Tower of Power, Bonnie Hayes, Maria the classic hits are at.
    [Show full text]
  • Young Americans to Emotional Rescue: Selected Meetings
    YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
    [Show full text]
  • Kathy Sledge Press
    Web Sites Website: www.kathysledge.com Website: http: www.brightersideofday.com Social Media Outlets Facebook: www.facebook.com/pages/Kathy-Sledge/134363149719 Twitter: www.twitter.com/KathySledge Contact Info Theo London, Management Team Email: [email protected] Kathy Sledge is a Renaissance woman — a singer, songwriter, author, producer, manager, and Grammy-nominated music icon whose boundless creativity and passion has garnered praise from critics and a legion of fans from all over the world. Her artistic triumphs encompass chart-topping hits, platinum albums, and successful forays into several genres of popular music. Through her multi-faceted solo career and her legacy as an original vocalist in the group Sister Sledge, which included her lead vocals on worldwide anthems like "We Are Family" and "He's the Greatest Dancer," she's inspired millions of listeners across all generations. Kathy is currently traversing new terrain with her critically acclaimed show The Brighter Side of Day: A Tribute to Billie Holiday plus studio projects that span elements of R&B, rock, and EDM. Indeed, Kathy's reached a fascinating juncture in her journey. That journey began in Philadelphia. The youngest of five daughters born to Edwin and Florez Sledge, Kathy possessed a prodigious musical talent. Her grandmother was an opera singer who taught her harmonies while her father was one-half of Fred & Sledge, the tapping duo who broke racial barriers on Broadway. "I learned the art of music from my father and my grandmother. The business part of music was instilled through my mother," she says. Schooled on an eclectic array of artists like Nancy Wilson and Mongo Santamaría, Kathy and her sisters honed their act around Philadelphia and signed a recording contract with Atco Records.
    [Show full text]
  • TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
    Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world.
    [Show full text]
  • May • June 2013 Jazz Issue 348
    may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher.
    [Show full text]
  • N(111,9 It/ Nfleih'e98
    Ile is one of those rare human beings to excel in more II than one direction. He is a great musician, an inspired writer and a brilliant producer. I've had the pleasure of work- 90Prr'" ing with him on a number of occasions over the years, and Il 1 Yli he has always been a true gentleman, a good friend and 25d a il V2td most definitely a winner in all he turns his hand to. -STEVE WINWOOD One of the quirky, ironic moves of the '7os -and the least expected on my part-was the overwhelming influence of the look of glam -rock and its development on Afro -American bands of the time. From Labelle to the Jackson 5, Funkadelic to Earth, Wind & Fire, the idea of creating a different identity to that of the "normal" visual vocabulary of rock seemed almost second nature to these artists. As the variety of cos- N(111,9 Nfleih'e98 tume widened through the '7os, the band who seemed to it/ catch the idea of "visual language" in the most urbane man- ner was, undoubtedly, Chic. c-: tkiTheQbaNe Buying into the image of "buppiedom" 100%, they struck me as no less than the natural inheritors of the Modern Jazz BY KEITH CAULFIELD Quartet. Suits, champagne and shimmer, living large. With a Nile is monstrous backbeat. Live, they were phenomenal. Rodgers an artist's best friend. Through writing, Sugarhill Gang's "Rapper's Delight," which in turn bor- producing, an occasional guest performance and, late- rowed from the Chic hit "Good Times." Indeed, it's a sam- As I got to know Nile, this struck me as more than a little ly, sampling, nearly everything associated with ple of a sample.
    [Show full text]
  • Nile Rodgers in New York City, 1991
    Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.
    [Show full text]
  • “Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (Guest Post)*
    “Rapper's Delight”-- Sugarhill Gang (1979) Added to the National Registry: 2011 Essay by Eric Reese (guest post)* Sugarhill Gang Original disc Sylvia Robinson Introduction To those who were alive in the late 1970s, the song “Rapper’s Delight” was, upon its release, a sensational, soul-gripping, well-celebrated and well-applauded song. “Rapper's Delight” by the Sugarhill Gang, like every other great song, has enjoyed its fair share of appreciation, recognition and criticisms and indured a few scandals and lawsuits and other disputes typical of many hit songs of that era. The 1970s was an age of continual development in rap music which had begun no less than seven years before. Rap artists struggled to find voice, or even producers, to support their talents or provide a covering for their gifts. That era sank more rap ships than any in history and few nascent rappers had the guts to keep on living through the genre which was slowly coming to be known as hip-hop. The song “Rapper's Delight” itself was termed the pioneer upon which the wide-scale influx of hip-hop to the larger market was built. Not that it was the first rap song released, but it was one of a kind, considering the overall reception to hip-hop music back in the day. Upon its release in 1979, the Sugarhill Gang’s song, produced by Sylvia Robinson, brought the never-heard before freshness of rap with the oddity of blending different rap styles and content into one big blend: hip-hop. Components of “Rapper’s Delight” included dance, sexuality, charisma, buoyance and other themes which went as far as including the spirit and obsessive nature of such singers as James Brown.
    [Show full text]
  • NILE RODGERS: Biography
    NILE RODGERS: biography There is nothing you can say about Nile Rodgers that hasn't already been heard by billions of people, via millions of radio airwaves, in thousands of cities, in hundreds of countries. The career of Nile Rodgers is one of the most enduring and prolific in music. Nile's signature is scrawled across an amazing array of music - from Madonna to Diana Ross, from David Bowie to Eric Clapton. Nile first picked up a guitar while still in school and there was no stopping the evident talent that quickly emerged. At the age of 19, Nile not only worked for Sesame Street, but was performing nightly as part of the house band for the world renowned Apollo Theatre in Harlem, playing with luminaries such as Aretha Franklin, Parliament Funkadelic, Ben E. King, and The Cadillacs. Pretty amazing for a skinny kid with glasses from New York City, but he wanted more. Nile Rodgers wanted a band of his own. Once the decision was made, Nile searched for a partner in crime. He soon found him in local boy Bernard Edwards, whose perfectly meticulous bass seamlessly complemented Nile's precise guitar. The two were confident enough of their synergy to introduce the world to CHIC in 1977. "Dance, Dance, Dance", the first single off CHIC's eponymous début, hit the Top 10 and they never looked back. 1978 yielded their second hit, "Everybody Dance", while a third single, "Le Freak", hit No. 1 and became Warner Brothers' biggest selling single of all time. The dynamic duo of Edwards and Rodgers finished off the year by releasing their second album, C'est Chic, which went directly into the Top 5.
    [Show full text]
  • Goldmine Magazine
    SPIN CYCLE: OUR PICKS FOR THE BEST NEW VINYL RECORD RELEASES The Music Collector’s Magazine March Issue 2016 U.S. $4.95 PLUS! NILS LOFGREN SAM PHILLIPS EVERCLEAR SAXON THE YOUNGBLOODS GARY NUMAN RECORD STORE RECON SCOTT FAG A N RAITT Bonnie Raitt delivers the right stuff with new album, GTR “Dig In Deep” REISSUED ON! www.goldminemag.com US $4.95 Guitarist Steve CAN $6.95 Hackett on 03 supergroup’s special appeal 0 FnL1 04 0120 01 JUYrVyBQdWJsaWNhdGlvbnMsIEluYyAo 02 SW9sYSBkaXZpc2lvbikPR3JlZ29yeSBL 03 cnVlZ2VyAFaOf7AEMTAuNAI4MAExBVVQ Qy1BDDA3NDQ3MDUwMjYyMwA= 74470 50262 3 Display until March 1, 2016 8865Cover.indd65Cover.indd 1 11/13/16/13/16 99:01:01 AAMM As Bonnie Raitt digs in deep with a new album, she has not forgotten her roots and is forever grate- ful to those who've helped her get to the very top. By Carol Anne Szel BONNNIE RAITT SAYS what I can’t say, yet tour a lot of the time when a record comes out. You know, feels the way I feel. She’s like the friend you were telling between the press and the videos, all the different cable all your secrets to, and she kept them, then sang about channels and all the different countries in the world that her feelings that paralleled yours. She’s won 10 Grammys carry it at the same time, two or three morning network and got inducted into the Rock and Roll Hall of Fame shows and a couple of nighttime shows ... and now it’s doing the “dirty work” of spilling out her emotions in her endless terrestrial and satellite radio.
    [Show full text]
  • PLANNER PROJECT 2016... the 90S!
    1 PLANNER PROJECT 2016... THE 90s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting the years 1991 and 1996 in Planner Project 2016! 1991! 1991 / FEATURED AREA MUSICAL VENUES FROM 1991 / (31) Agora Theatre (Cleveland) (25 years) / Around the Corner / Babylon A Go-Go / Biggie’s Crooked River Saloon / Blossom Music Center / Brothers Lounge / Cheers Outback Tavern / City Blues / CSU Convocation Center (1st metal concert) / Cuyahoga Falls High School / Derby & Flask / The Empire on E. 9th / Euclid Tavern / Front Row Theater / Lake County’s Summerfest ’91 / Nautica Stage in the Flats / Music Hall / Oriole Café / Palace Theatre / Peabody’s DownUnder / Phantasy Theater in Lakewood / Public Hall / 19th Annual Rib Burn Off on Mall C / Richfield Coliseum / Richie’s River Tavern (formerly D’Poo’s) / Rick’s Cafe / Riverwood Tavern / Rockin’ Richie’s on Detroit / Sahara Club / Splash / State Theatre / The Symposium / Tri-C Metro Auditorium / Tri-C JazzFest / Wing Ding at the Berea Fairgrounds 1991 / FEATURED ARTISTS / MUSICAL GROUPS PERFORMING HERE IN 1991 / [(-) NO. OF TIMES LISTED] FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1991 / [Individuals: (55) / Groups: (48)] 13 Engines / 14th Floor / American Front / Armstrong-Bearcat (w/Alan Greene) / Atomic Punks / Beatnik Termites / Bluto’s Revenge / Miles Boozer / Becky Boyd & Dan Hrdlicka / Bop Kats reunite / Calabash with Bob Gatewood / Carton Freeze Tag / the Clarks / Cleveland Interfaith Choir / Cleveland
    [Show full text]
  • Billy Drummond U
    Ravi Coltrane I EXCLUSIVE Marian McPartland Book Excerpt DOWNBEAT JACK DEJOHNETTE JACK // RAVI RAVI C OLT R ANE // Jack MA R IAN MCPA IAN DeJohnette’s R TLAN D BIG SOUND // JOEL JOEL Joel Harrison H A rr Endless Guitar ISON // BILLY D BILLY Drum School » Billy Drummond R U mm BLINDFOLD TEST ON D » Bill Stewart TRANSCRIPTION » Tommy Igoe MASTER CLASS » Dan Weiss PRO SESSION NOVEMBER 2012 U.K. £3.50 NOVE M B E R 2012 DOWNBEAT.COM NOVEMBER 2012 VOLUME 79 – NuMBER 11 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]