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Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
Brevard Live January 2016
Brevard Live January 2016 - 1 2 - Brevard Live January 2016 Brevard Live January 2016 - 3 4 - Brevard Live January 2016 Brevard Live January 2016 - 5 6 - Brevard Live January 2016 Contents January 2016 FEATURES DAVE MASON Columns CARROT TOP COMES HOME Meet Dave Mason for an evening of If you ever have the chance to see Car- rock music history as he retraces the ear- Charles Van Riper rot Top’s show, either on the road or in liest days of his career with Traffic and 20 Political Satire Vegas - make sure you do. It’s a laugh a later the classic recordings that launched minute riot from beginning to end, and his solo career. Calendars he never pumps the breaks once. Page 17 25 Live Entertainment, Page 11 Concerts, Festivals ATLANTA RHYTHM SECTION TRAVIS TRITT With 15 albums of outstanding song- Local Download He has received two Grammys and four writing and entertaining live perfor- 33 by Andy Harrington CMA Awards. Tritt has also charted mances, Atlanta Rhythm Section em- Local Music Scene more than 40 times on the Hot Coun- bodies all that the phrase “classic rock” try Songs charts, including five number implies - despite of being labeled as a Behind The Scene ones: “Help Me Hold On,” “Anymore,” southern rock band. MIFF Scenes by “Can I Trust You with My Heart,” “Fool- 34 Page 18 Charles & Lissa ish Pride”, and “Best of Intentions.” Page 12 JOHN MASSUNG Flori-duh! The work of John Massung takes the 36 by Charles Knight ABBA MANIA viewer, quite literally, above and beyond Billed as the world’s number one tour- the standard perception of our local par- The Dope Doctor ing ABBA tribute concert, Abba Mania adise. -
Kompleksowe Rozwiązania Dla Twojej Łazienki
Naturalna elegancja Katalog 2011/2012 Kompleksowe rozwiązania dla Twojej łazienki > atrakcyjne wzornictwo > przemyślane rozwiązania > najwyższa jakość Alterna w naturalny sposób łączy funkcjonalność i estetykę, stanowiąc tym samym alternatywę dla wymagających. Jakość, elegancja i atrakcyjna cena to największe zalety Alterny. Spis treści 1. Baterie jednouchwytowe serii IRIS .........................................................................2 2. Baterie jednouchwytowe serii TaLIS PuRo ........................................................6 3. Baterie jednouchwytowe serii MeTRIS PuRo ...................................................8 4. Baterie dwuuchwytowe serii IRIS ..........................................................................10 5. Panele termostatyczne serii IRIS ..........................................................................12 6. Natryski przesuwne serii IRIS, BeLLIS, GLaDIuS i rączki natrysków ...........13 7. Węże natryskowe serii IRIS .................................................................................15 8. Akcesoria łazienkowe serii IRIS 105 i 118 .......................................................16 9. Wanny akrylowe serii IRIS ....................................................................................18 10. Kabiny natryskowe, narożne, półokrągłe serii IRIS ...........................................19 11. Zawory pisuarowe serii IRIS ..............................................................................20 12. Grzejniki łazienkowe serii IRIS, BeLLIS1, GLaDIuS1, GLaDIuS -
Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
The Monthly Magazine of the Saint Louis Blues Society
THE MONTHLY MAGAZINE OF THE SAINT LOUIS BLUES SOCIETY January 2013 Number 55 Charles Hunt The St. Louis BluesLetter Blues Society The Monthly Magazine of the St. Louis Blues Society Officers Chairman Number 55 John May The St. Louis Blues Society is dedicated to preserving and perpetuating Vice President blues music in and from St. Louis, while fostering its growth and Open appreciation. The St. Louis Blues Society provides blues artists the opportunity for public performance and individual improvement in their Treasurer field, all for the educational and artistic benefit of the general public. Jerry Minchey The St. Louis Blues Society is a 501(c)(3) Legal Counsel not-for-profit Missouri corporation. R Charley Taylor Memberships to the Blues Society are tax E Secretary deductible to the extent allowed by law. Lynn Barlar jETT Board of Directors TO MEMBERS Bernie Hayes Glenn Howard L Rich Hughes Contents Greg Hunt Letter to Members 3 Eric McSpadden On The Cover Jeremy Segel-Moss Mary Kaye Tönnies Charles Hunt 4 Johnny Willis cover photo by Madison Thorn National Blues Museum Update 8 BluesLetter CD Review 10 Editor Mary Kaye Tönnies From the Crowd 10 Creative Direction Jeremy Segel-Moss Staff Photographer and From the Crowd Sourcer Madison Thorn Contact Us St. Louis Blues Society Staff Writer P. O. Box 78894 Bruce Olson St. Louis MO 63178 www.stlouisbluessociety.org [email protected] us at facebook.com/pages/St-Louis-Blues-Society 2 Happy New Year! We hope you and your friends and families have enjoyed your holidays and got out to see a few local shows during the season. -
Nick Milo and Mike Finnigan Keyboards for Joe Cocker
MUSIC PRODUCTION GUIDE THE OFFICIAL NEWS GUIDE FROM YAMAHA & EASY SOUNDS FOR YAMAHA MUSIC PRODUCTION INSTRUMENTS Edition December 2010 Contents On tour with Cocker: Nick Milo & Mike Finnigan 3 MOTIF XF product video with Thomas Berlin 8 New MOTIF Soundlibrary „Xtasyn“ 9 MM6 Video Release and Art & Science of Sound Recording 10 The MOTIF XF Editor - Getting Started 12 MOTIF XF / XS / S90 XS: Song production with arpeggios 17 New: Free Drum Kits for the DTX-MULTI 12 21 Nick Milo Sounds & Goodies 22 and Mike Finnigan Imprint 34 keyboards for Joe Cocker MUSIC PRODUCTION GUIDE December 2010 2 MUSIC PRODUCTION GUIDE December 2010 On tour with Joe Cocker: Nick Milo and Mike Finnigan This issue offers a true highlight: An inter- Hi Nick, Hi Mike! You are touring with Joe Cocker view with the two keyboardists of Joe Cocker, since some time. Can you tell us something about Nick Milo and Mike Finnigan, made during the the tour like your impressions or special experien- „Hard Knocks Tour 2010“ in Europe. ces, funny things, breakdowns…? Nick Milo is the musical director of the Joe Cocker Nick: This is the fourth time I‘ve come to Europe Band. He has been working for almost 10 years with with Joe to tour in support of an album release. Each Joe Cocker. Nick‘s main instrument is the piano. time, there are new songs to learn. In tours past, we would get together to rehearse for a week or ten days Alongside Joe Cocker Nick has worked with artists and get the new material up to the level hopefully that like the Tower of Power, Bonnie Hayes, Maria the classic hits are at. -
April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
Performance Commentary
PERFORMANCE COMMENTARY . It seems, however, far more likely that Chopin Notes on the musical text 3 The variants marked as ossia were given this label by Chopin or were intended a different grouping for this figure, e.g.: 7 added in his hand to pupils' copies; variants without this designation or . See the Source Commentary. are the result of discrepancies in the texts of authentic versions or an 3 inability to establish an unambiguous reading of the text. Minor authentic alternatives (single notes, ornaments, slurs, accents, Bar 84 A gentle change of pedal is indicated on the final crotchet pedal indications, etc.) that can be regarded as variants are enclosed in order to avoid the clash of g -f. in round brackets ( ), whilst editorial additions are written in square brackets [ ]. Pianists who are not interested in editorial questions, and want to base their performance on a single text, unhampered by variants, are recom- mended to use the music printed in the principal staves, including all the markings in brackets. 2a & 2b. Nocturne in E flat major, Op. 9 No. 2 Chopin's original fingering is indicated in large bold-type numerals, (versions with variants) 1 2 3 4 5, in contrast to the editors' fingering which is written in small italic numerals , 1 2 3 4 5 . Wherever authentic fingering is enclosed in The sources indicate that while both performing the Nocturne parentheses this means that it was not present in the primary sources, and working on it with pupils, Chopin was introducing more or but added by Chopin to his pupils' copies. -
Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
Golden Gate Grooves
THE GOLDEN GATE BLUES SOCIETY NEWSLETTER Issue 6, July 2010 GOLDEN GATE GROOVES FROM THE EDITOR Deb Lubin The period since the last newsletter was published was very busy, with planning for upcoming blues society events, going out to hear our favorite local blues bands, and our annual pilgrimage to Memphis in May for the Blues Music Awards. The BMAs are a wonderful event that all blues lovers should attend at least once. This year in Memphis, we got to see many of our favorite musicians from the Bay Area, among them Rick Estrin and the Nightcats, including Kid Andersen; the entire Tommy Castro Band, which took home several awards; Laura Chavez and Kennan Shaw from Candye Kane's band; Maria Muldaur, and others with Bay Area ties. I had so much fun reconnecting with old friends both on and off the stage. Meanwhile, the GGBS is rolling. We're getting ready for several big events that we're either sponsoring, partnering with, or supporting, including the 5th annual Redwood City Blues Festival in July, the first U.S. events of the European-based charity United by Music , the San Jose Jazz Festival in August, and events to select a member band to compete in the Blues Foundation's International Blues Challenge (IBC) in Memphis in February 2011, among others. Please look for information about all of these events in this issue of the newsletter. In addition, East Bay musician/cat lover/pre-war blues specialist Joel Fritz reviews four CDs by local bands. SF-based singer Cathy Lemons reviews E.C.