Sister Sledge Love Somebody Today Mp3, Flac, Wma

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Sister Sledge Love Somebody Today mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Love Somebody Today Country: Italy Released: 1980 Style: Disco MP3 version RAR size: 1829 mb FLAC version RAR size: 1403 mb WMA version RAR size: 1201 mb Rating: 4.9 Votes: 684 Other Formats: DTS FLAC AUD WAV ADX DXD MP4 Tracklist Hide Credits Got To Love Somebody A1 6:53 Backing Vocals – Alfa Anderson, Fonzi Thornton, Luci Martin, Michelle Cobbs A2 You Fooled Around 4:28 A3 I'm A Good Girl 4:11 A4 Easy Street 4:34 B1 Reach Your Peak 4:55 B2 Pretty Baby 4:03 B3 How To Love 4:32 B4 Let's Go On Vacation 5:08 Companies, etc. Made By – WEA Italiana S.P.A. Distributed By – WEA Italiana S.P.A. Credits Art Direction – Bob Defrin Bass – Bernard Edwards Concertmaster – Gene Orloff Drums – Tony Thompson Engineer – Bill Scheniman, Bob Clearmountain, Larry Alexander Engineer [Assistant] – Garry Rindfuss, Jeff Hendrickson, Peter Robbins, Ray Willard* Guitar – Nile Rodgers Keyboards – Andy Schwartz, Raymond Jones Mastered By – Joe Gastwirt Photography – Bill King Producer, Arranged By, Conductor, Written-By – Bernard Edwards & Nile Rodgers Saxophone – Eddie Daniels Strings – Cheryl Hong, Karen Milne, Valerie Heywood* Tenor Saxophone – Meco Monardo Trombone – Bob Milliken* Vocals – Sister Sledge Notes Produced for The Chic Organization Ltd. All songs published by Chic Music/BMI All songs recorded & mixed at Power Station Studios, New York Barcode and Other Identifiers Matrix / Runout (A Side Label): 16012/1 Matrix / Runout (B Side Label): 16012/2 Matrix / Runout (A Side Runout Groove): W-50693-A Matrix / Runout (B Side Runout Groove): W-50693-B Other (Rights Society): S.I.A.E. Other versions Category Artist Title (Format) Label Category Country Year Sister Love Somebody SD 16012 Cotillion SD 16012 US 1980 Sledge Today (LP, Album) GM-200.2683, Sister Love Somebody Cotillion, GM-200.2683, Venezuela 1980 Lps. 200.2683 Sledge Today (LP, Album) Cotillion Lps. 200.2683 Love Somebody Sister SD 16012 Today (LP, Album, Cotillion SD 16012 US 1980 Sledge TP) Love Somebody Sister K 450 693 Today (Cass, Album, Cotillion K 450 693 Germany 1980 Sledge Dol) Sister Love Somebody 50693 Cotillion 50693 Greece 1980 Sledge Today (LP, Album) Related Music albums to Love Somebody Today by Sister Sledge Michael Gregory - Situation X Sister Sledge - Easy Street Sister Sledge - We Are Family / He's The Greatest Dancer Chic And Sister Sledge - The Very Best Of Chic And Sister Sledge Nile Rodgers - Adventures In The Land Of The Good Groove Chic - C'est Chic Diana Ross - Diana Chic - Tongue In Chic Chic - Chic Kashif - Kashif Sister Sledge - He's The Greatest Dancer / We Are Family Norma Jean - Norma Jean.

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Chic & Nile Rodgers – Ett Rockband För
Lördagspremium: Chic & Nile Rodgers – ett rockband för discorörelsen Att kalla discomusiken för en fluga är att göra det alldeles för lätt för sig. Precis som med alla genrer som har så tydliga attribut och förtecken – hårdrock, punk, new romantic – är det lätt att göra narr av och underskatta discons inverkan på musikhistorien och populärkulturen i stort. Faktum är att alla vet hur discomusik låter och vad som kännetecknar den korta period den regerade på listorna. Och med tiden har dess simpla budskap om att dansa och ha roligt gång på gång omfamnats av det hårda, moderna samhället, lika mycket som dess musikaliska attribut gång på gång återanvänts i alla typer av dansmusik. Om man skrattar åt disco idag gör man det mer på grund av de hårresande utstyrslarna och de fåniga, om än stilbildande dansrörelserna än de de facto grymt svängiga låtarna och extremt detaljerade – och minst lika stilbildande produktionerna. Tiden har på många sätt gett discon rätt, åtminstone ur ett musikaliskt perspektiv. ”Tiden har på många sätt gett discon rätt” Precis som så många andra hårt arbetande svarta musiker i New York var Nile Rodgers, född 1952, uppvuxen med R&B, soul och jazz. Hans första betalda gig var dock någonting helt annat – som musiker i The Sesame Street Band, som gjorde musiken till barnprogrammet med samma namn. Efter att ha backat bland andra Screamin Jay Hawkins på legendariska Apollo Theatre träffade han 1970 basisten Bernard Edwards – som han för all framtid skulle komma att kalla ”min partner” – och tillsammans kompade de ett stort antal mer eller mindre kända artister innan de bildade sitt eget Big Apple Band, som hade några mindre lokala hits i början av 70-talet.
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Bollywood stars shine at Zee37 Cine Awards MONDAY, MARCH 13, 2017 The Chicago River is dyed a bright green color kicking off St Patrick’s Day weekend festivities on Saturday in Chicago. Thousands of people were expected to attend the South Side Irish Parade yesterday. — AP Indian magician fights archaic law Star abroad, pest at home Joni Sledge of ‘We Are Family’ or a brief moment Ishamuddin Khan home tucked away down an alley reeking of had the world at his feet: A pioneer of sewage. “If you don’t have enough money or group dies at 60 Fthe “Great Indian Rope Trick” - an illu- a godfather with you, or (sponsorship) from sion of such legend it was long believed to the government or a businessman that is a be impossible - he thought fame and for- big problem. And that makes me cry, some- tune were assured. But some 22 years after times I feel very bad.” he first dazzled crowds with his ability to conjure a length of coiled rope out of a bas- Pursuing the impossible ket and up 20 feet into the air for an assis- Back in 1995, Khan became the first to tant to climb, he is still battling for recogni- perform the rope trick for the public in an tion - for himself, and his art. outside space - considered a huge feat in Angered by India’s lack of support for his the world of magic as it gives little option industry he is taking on archaic laws that for props, lighting trickery or hidden aids.
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Ile is one of those rare human beings to excel in more II than one direction. He is a great musician, an inspired writer and a brilliant producer. I've had the pleasure of work- 90Prr'" ing with him on a number of occasions over the years, and Il 1 Yli he has always been a true gentleman, a good friend and 25d a il V2td most definitely a winner in all he turns his hand to. -STEVE WINWOOD One of the quirky, ironic moves of the '7os -and the least expected on my part-was the overwhelming influence of the look of glam -rock and its development on Afro -American bands of the time. From Labelle to the Jackson 5, Funkadelic to Earth, Wind & Fire, the idea of creating a different identity to that of the "normal" visual vocabulary of rock seemed almost second nature to these artists. As the variety of cos- N(111,9 Nfleih'e98 tume widened through the '7os, the band who seemed to it/ catch the idea of "visual language" in the most urbane man- ner was, undoubtedly, Chic. c-: tkiTheQbaNe Buying into the image of "buppiedom" 100%, they struck me as no less than the natural inheritors of the Modern Jazz BY KEITH CAULFIELD Quartet. Suits, champagne and shimmer, living large. With a Nile is monstrous backbeat. Live, they were phenomenal. Rodgers an artist's best friend. Through writing, Sugarhill Gang's "Rapper's Delight," which in turn bor- producing, an occasional guest performance and, late- rowed from the Chic hit "Good Times." Indeed, it's a sam- As I got to know Nile, this struck me as more than a little ly, sampling, nearly everything associated with ple of a sample.
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