DOCSLIB.ORG

Annual Review2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annual Review2018 Annual Review 2018 annual review 2018 1 Annual Review 20182018 THE BOARD 2017/18 NOIRIN CARMODY IAN LIVINGSTONE CBE DAVE GOULD Ukie Chair. COO Ukie Vice Chair. Chairman Ukie Treasurer. Snr Director Revolution Software Playmob Take 2 Interactive SIMON BARRATT KATHERINE BIDWELL NEIL BOYD Director Co-Founder European Anti-Piracy Counsel Barog Game Labs State of Play Games Nintendo Europe SEAN BRENNAN HELEN BURNILL SHAUN CAMPBELL European Managing Director Commercial Director UK Country Manager ZeniMax Bethesda Mediatonic Electronic Arts JOHN CLARK ROB COOPER SPENCER CROSSLEY EVP MD UK Sales & Marketing Director SEGA Europe Ubisoft Warner Bros. Interactive ANDY DAVIS STUART DINSEY HARVEY EAGLE Commercial Director Chairman Director CE Europe Curve Digital Microsoft VERONIQUE LALLIER WARWICK LIGHT PHIL MANSELL MD VP CEO Hirez Studios Sony Interactive Entertainment Jagex ANDY PAYNE OBE KIRSTY RIGDEN ELLA ROMANOS CEO Operations Director Director AppyNation FuturLab Rocket Lolly Games ROY STACKHOUSE DR JO TWIST OBE TIM WOODLEY VP CEO SVP Global Brand & Marketing Activision Blizzard Ukie 505 Games MILES JACOBSON Studio Director Sports Interactive Cover design — Ben Blethyn @ nDreams 2 Annual Review 2018 Contents OUR INITIATIVES 4 ministerial foreword 6 chair’s report askaboutgames.com 8 ceo’s report 10 a year in Westminster and Brussels 14 research and data digitalschoolhouse.org.uk 16 UK games map 18 2018 in numbers 20 acting locally, thinking globally games.london 22 global trade 24 digital schoolhouse 26 inspiring talent Students 28 promoting positive games 30 intellectual property ukie.org.uk/student-membership 31 business support 32 what our members say 34 our groups gamesambassadors.org.uk 3 Annual Review 2018 The games industry is at the cutting edge of innovation, seamlessly combining some of the most creative and cultural elements of the creative industries with some of the most advanced digital technologies available MARGOT JAMES MP — MINISTER OF STATE FOR DIGITAL AND THE CREATIVE INDUSTRIES 4 Annual Review 2018 2018: foreword MARGOT JAMES MP — MINISTER OF STATE FOR DIGITAL AND THE CREATIVE INDUSTRIES consider myself incredibly privileged to have 2018 in fact hosted a record 85 games companies for helping with access to finance, entrepreneurial skills the UK games industry in my brief. It is one the UK, helping show the world that we have the most and IP creation in the trailblazing games sector. of the fastest growing parts of our economy, talented and creative games developers and that the To date it has helped more than 75 games business- employing nearly 30,000 people in highly UK is the best place to make games. es and supported more than 170 graduates on the skilled and highly productive jobs. And it is journey to becoming entrepreneurs. The extended UK hugely relevant to my other ministerial re- Earlier this year we published the Industrial Strategy Games Fund programme is expected to deliver GVA of Isponsibilities as a champion of the tech sector and Sector Deal for the Creative Industries. This ground- £22 million, with other measurable benefits including the creative industries, through to data protection and breaking deal, a contract between the creative indus- the creation of at least another 300 jobs, development internet safety. tries and government, is the blueprint for continued of new IP, enhanced skills and job progression and growth in the sector. It is far more than a document. It an estimated £2.5m leverage of private finance over As Ukie’s UK Games Map shows, it is a sector that is has established a partnership and a process through the next two years. Meanwhile, the Video Games Tax truly spread across the UK, helping deliver further which we will build on the UK’s leading position and Relief continues to make a huge impact, accounting prosperity in all regions of our country. With growth reputation as a creative powerhouse. The games for over £1 billion UK expenditure by games companies in mind I am also fascinated to see the emergence of industry plays a central role in this process. It is at since it was introduced in 2014. esports in the UK. This rapidly developing part of the the cutting edge of innovation, seamlessly combining industry is already worth over $1bn globally. some of the most creative and cultural elements of the So we are absolutely committed in Government to creative industries with some of the most advanced helping secure the future successes of what is a fasci- The video games industry is very important to our digital technologies available. I look forward to working nating and thriving industry, including through Brexit ambitions for export growth. So I am delighted that closely with the sector to deliver on our sector and beyond. And I look forward to working with Ukie on the partnership between Government and Ukie has deal’s ambitions. the continued growth and prosperity for the interac- delivered another year of successful trade and invest- tive entertainment sector. ment missions and events, with a great UK presence I was pleased through the sector deal that we were at shows including GDC, China Joy and Gamescom. able to increase the support we are providing through Ukie’s fantastic funfair-themed stand at Gamescom the UK Games Fund, a highly successful programme 5 Annual Review 2018 2018: chair’s report NOIRIN CARMODY — COO REVOLUTION SOFTWARE t’s been yet another exciting year for the the sector and our growing Student Membership, foot with informing the media about games. games sector. More games being made and helping to nurture and inspire the talented more players enjoying them show that the workforce of the future. Whilst this investment has seen direct costs industry in the UK remains strong creatively increase by 14% to £1,193,857, from £1,051,807 in and economically. But with continued growth This still fast-growing membership enables us to 2017, due to strong commercial focus the team has comes increased scrutiny from the public, truly represent the diverse scale of the UK games yet again generated a profit of £74,000 that gives Ipoliticians and regulators and Ukie continues to be sector but with so many members we recognise the Ukie both operational security in uncertain times at the absolute heart of the debates and issues that importance of being able to better engage with you and that can be reinvested in projects that benefit the industry is facing at the moment. all. So we have been looking at ways of improving Ukie’s members and the wider sector. member engagement – including investing in a new The good news is that your trade body is in the very website that will be revealed soon, that has been There were also some one-off costs to note best shape to represent your voice, to promote designed to help you get the best out of this year, including the costs of the office move. games in all their positive and diverse forms, to your membership. However, the overall costs of the move and the rent present the responsible approach that the sector on the new office were negotiated to make sure that takes to consumers and to help support the We are also looking at other ways that we can make they were less than Ukie would have paid if we had continued growth of the UK games industry. sure we give members as many opportunities as stayed in the old office. possible to engage with the work that we do on your We have had yet another strong year financially as behalf – from influencing our strategic thinking What this adds up to is that Ukie continues to have turnover has increased by 14% to £1,836,047, from and lobbying to developing new initiatives that will a strong foundation to represent you and offer £1,611,333 in 2017. This performance was partly as a benefit UK games sector. valuable services that will help your businesses. result of yet more solid membership growth. Ukie only exists because of you, our members, so A strong financial result has enabled us to invest thank you all for your ongoing support. The team Ukie now has over 410 members (up from 360 more in projects like our global trade and investment here is committed to championing the confident this time last year), ranging from multinational events which have helped UK games businesses voice of the UK sector and to working tirelessly on publishers, platform holders, esports businesses generate £113m in business wins over the last twelve your behalf. As the sector grows and its cultural and globally recognised studios to super-talented months. These results have also ensured that reach expands ever further, we will see more indie teams. We also have our incredibly strong Ukie has people in key positions such as PR and scrutiny and more challenges but Ukie is well Partner Membership whose services underpin Communication, to help the sector get on the front prepared to face these positively and openly and we will continue to do everything we can to help make the UK the best place in the world to make, sell and play games. 6 Annual Review 2018 your trade body is in the very best shape to represent your voice and to help support the continued growth of the UK games industry NOIRIN CARMODY — COO REVOLUTION SOFTWARE 7 Annual Review 2018 We are committed to making a difference to how modern creative work places are shaped to recruit and retain the right people, making even better games. DR JO TWIST OBE — CEO UKIE 8 Annual Review 2018 2018: ceo’s report DR JO TWIST OBE — CEO UKIE t’s been a typical year of the unexpected in global colleagues at what is the most critical time in important to improve home-grown skills.
Load more

Recommended publications
  • SKILLS for IMMERSIVE EXPERIENCE CREATION Barriers to Growth in the UK’S Immersive Economy by Prof
    SKILLS FOR IMMERSIVE EXPERIENCE CREATION Barriers to Growth in the UK’s Immersive Economy By Prof. James Bennett and Amanda Murphy SKILLS FOR IMMERSIVE EXPERIENCE CREATION © The Authors, StoryFutures Academy, copyright 2020. This project has received funding from the AHRC-UKRI Audience of the Future Programme. Grant Reference AH/S003622/1 The text of this document (this excludes, where present, logos, production stills and screen grabs) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as The Authors’ (Bennett and Murphy) copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Front cover photography Jude Middleton ISBNs for Print version - ISBN 10: 1-905846-89-4. ISBN 13: 978-1-905846-894 ISBNs For Electronic version - ISBN 10 - 1-905846-90-8 ISBN - 978-1-905846-90-0 CONTENTS ABOUT 04 FOREWORD 05 INTRODUCTION 06 Scope and definitions 07 Aims 07 Methodology 08 EXECUTIVE SUMMARY AND RECOMMENDATIONS 09 CHAPTER ONE: NEW SECTOR, NEW SKILLS, NEW GAPS 11 Key roles and key skills gaps 14 Experience matters 18 CHAPTER TWO: THE VR/AR/MR/XR SOUP 22 Workflows: A shift in mindset and skillset 23 Language: Lost in translation 26 CHAPTER THREE: BUILDING CREATIVE TEAMS 30 Team building: Emergent models 31 The hybrid 33 The hub and spoke model 34 Future models 35 CHAPTER FOUR: REAL TIME GAME ENGINES: ‘THE TOOL OF THE FUTURE’ 36 What’s the fuss? 38 The great games industry raid 40 Cross sector knowledge and talent sharing 42 CHAPTER FIVE: TRAINING, FRAGILITY AND THE FUTURE 46 Professional training 47 The skills pipeline: Higher education and fused skills 48 Published January 2020 3 ABOUT This report was written by StoryFutures Authors: Academy: The National Centre for James Bennett is Director of StoryFutures Creative Cluster and Co-Director of StoryFutures Academy.
    [Show full text]
  • UPC Platform Publisher Title Price Available 730865001347
    UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435
    [Show full text]
  • Dr. Priyanka Sees Her 'Mymedwall' As Way to Engage Community
    Brevard Business BBN News Vol. 31 No. 49 December 9, 2013 $1.00 A Weekly Space Coast Business Magazine printed in Brevard County, Florida since 1984 Dr. Priyanka sees her ‘MyMedWall’ as way to engage community By Ken Datzman Social media, which started slowly, has invaded most business sectors over the past few years. Now it is growing as a force in health care, and consumers are driving the activity in that arena. Companies and organizations are following the lead of consumers, in what looks to be a new movement in a huge business segment that hasn’t changed much over the decades. Online platforms, mobile technologies, and their associated applications seem poised to shake up the multitrillion–dollar health–care industry in the years ahead. In a recent survey by hospital market research firm YouGov Healthcare, 57 percent of users revealed that their social–media connections with a hospital strongly affected their decision to use a particular facility for treatment. Health care in general is starting to move into the consumer– engagement era. The American Diabetes Association has tens of thousands of people following its updates on Facebook, and the American Cancer Society page has throngs of followers as well. Those are just two of many examples. There is an emerging consensus in health–policy circles that informed and engaged consumers are uniquely positioned to play an important role in improving the quality of care that the U.S. delivers to patients. “Engagement is the key and it has to be on the local commu- nity level,” said board–certified internist and businesswoman Geetha Priyanka.
    [Show full text]
  • Microsoft Xbox One
    Microsoft Xbox One Last Updated on September 26, 2021 Title Publisher Qty Box Man Comments #IDARB Other Ocean 8 To Glory: Official Game of the PBR THQ Nordic 8-Bit Armies Soedesco Abzû 505 Games Ace Combat 7: Skies Unknown Bandai Namco Entertainment Aces of the Luftwaffe: Squadron - Extended Edition THQ Nordic Adventure Time: Finn & Jake Investigations Little Orbit Aer: Memories of Old Daedalic Entertainment GmbH Agatha Christie: The ABC Murders Kalypso Age of Wonders: Planetfall Koch Media / Deep Silver Agony Ravenscourt Alekhine's Gun Maximum Games Alien: Isolation: Nostromo Edition Sega Among the Sleep: Enhanced Edition Soedesco Angry Birds: Star Wars Activision Anthem EA Anthem: Legion of Dawn Edition EA AO Tennis 2 BigBen Interactive Arslan: The Warriors of Legend Tecmo Koei Assassin's Creed Chronicles Ubisoft Assassin's Creed III: Remastered Ubisoft Assassin's Creed IV: Black Flag Ubisoft Assassin's Creed IV: Black Flag: Walmart Edition Ubisoft Assassin's Creed IV: Black Flag: Target Edition Ubisoft Assassin's Creed IV: Black Flag: GameStop Edition Ubisoft Assassin's Creed Syndicate Ubisoft Assassin's Creed Syndicate: Gold Edition Ubisoft Assassin's Creed Syndicate: Limited Edition Ubisoft Assassin's Creed: Odyssey: Gold Edition Ubisoft Assassin's Creed: Odyssey: Deluxe Edition Ubisoft Assassin's Creed: Odyssey Ubisoft Assassin's Creed: Origins: Steelbook Gold Edition Ubisoft Assassin's Creed: The Ezio Collection Ubisoft Assassin's Creed: Unity Ubisoft Assassin's Creed: Unity: Collector's Edition Ubisoft Assassin's Creed: Unity: Walmart Edition Ubisoft Assassin's Creed: Unity: Limited Edition Ubisoft Assetto Corsa 505 Games Atari Flashback Classics Vol. 3 AtGames Digital Media Inc.
    [Show full text]
  • Brace Yourself for Lightspeed Arcade Multiplayer Mayhem in Laser League
    BRACE YOURSELF FOR LIGHTSPEED ARCADE MULTIPLAYER MAYHEM IN LASER LEAGUE 505 Games and Roll7 Team Up to Redefine the Arcade Genre with Fast-Paced, Exhilarating Online Competition for Everyone CALABASAS, Calif. – June 9, 2017 – 505 Games announced today a partnership with BAFTA- winning indie dev magicians Roll7 on Laser League , a fast, fun, multiplayer arcade-style action game. Known for the award-winning OlliOlli series and NOT A HERO , Roll7 bring their trademark addictive gameplay to an original vision of near-future competition. With up to 4 v. 4 intense online or local multiplayer mode with friends, Laser League ’s frenetic yet intuitive matches are easy to play but difficult to master, in a throwback to the heyday of gaming’s more approachable arcade action. Witness the exhilarating action in the first trailer. [INSERT ESRB or PEGI embed code ] “We have admired and enjoyed Roll7’s work from afar ever since the first OlliOlli game,” said Tim Woodley, senior vice president of brand and marketing, 505 Games. “When we saw the first prototype for Laser League , we could already feel that all-too-rare ‘just one more go’ impulse. We jumped at the chance to help Roll7 take their proven studio to the next level and realize their ambitions for Laser League. ” In Laser League , the exhilarating, high-octane contact sport of 2150, players battle against the opposition for control of nodes that bathe the arena in deadly light. Evading rival colored beams, teams attempt to fry their opponents with speed, strength and strategy. Special offensive and defensive abilities, as well as game-changing power-ups on the arena floor, provide an edge at the crucial moment.
    [Show full text]
  • REGAIN CONTROL, in the SUPERNATURAL ACTION-ADVENTURE GAME from REMEDY ENTERTAINMENT and 505 GAMES, COMING in 2019 World Premiere
    REGAIN CONTROL, IN THE SUPERNATURAL ACTION-ADVENTURE GAME FROM REMEDY ENTERTAINMENT AND 505 GAMES, COMING IN 2019 World Premiere Trailer for Remedy’s “Most Ambitious Game Yet” Revealed at Sony E3 Conference Showcases Complex Sandbox-Style World CALABASAS, Calif. – June 11, 2018 – Internationally renowned developer Remedy Entertainment, Plc., along with its publishing partner 505 Games, have unveiled their highly anticipated game, previously known only by its codename, “P7.” From the creators of Max Payne and Alan Wake comes Control, a third-person action-adventure game combining Remedy’s trademark gunplay with supernatural abilities. Revealed for the first time at the official Sony PlayStation E3 media briefing in the worldwide exclusive debut of the first trailer, Control is set in a unique and ever-changing world that juxtaposes our familiar reality with the strange and unexplainable. Welcome to the Federal Bureau of Control: https://youtu.be/8ZrV2n9oHb4 After a secretive agency in New York is invaded by an otherworldly threat, players will take on the role of Jesse Faden, the new Director struggling to regain Control. This sandbox-style, gameplay- driven experience built on the proprietary Northlight engine challenges players to master a combination of supernatural abilities, modifiable loadouts and reactive environments while fighting through the deep and mysterious worlds Remedy is known and loved for. “Control represents a new exciting chapter for us, it redefines what a Remedy game is. It shows off our unique ability to build compelling worlds while providing a new player-driven way to experience them,” said Mikael Kasurinen, game director of Control. “A key focus for Remedy has been to provide more agency through gameplay and allow our audience to experience the story of the world at their own pace” “From our first meetings with Remedy we’ve been inspired by the vision and scope of Control, and we are proud to help them bring this game to life and get it into the hands of players,” said Neil Ralley, president of 505 Games.
    [Show full text]
  • A Vision for the Industry in 2020
    A VISION FOR THE INDUSTRY IN 2020 tiga.org 20/20 VISION TIGA’S MANIFESTO FOR THE UK VIDEO GAMES DEVELOPMENT INDUSTRY 03 ‘Total War: SHOGUN 2’, developed by Realtime UK P.4 Forewords P.10 Introduction P.12 TIGA and the games industry P.16 Summary of proposals P.20 Power up small firms P.23 Build world winning games businesses P.32 Promote games clusters to boost regional growth P.36 Enhance skills and education, promote measured migration P.42 Footnotes ‘Split Second’, developed by Realtime UK 20/20 VISION TIGA’S MANIFESTO FOR THE UK VIDEO GAMES DEVELOPMENT INDUSTRY 05 FOREWORDs THE UK VIDEO GAME INDUSTRY DAMIAN COLLINS MP “In my role as an MP I come across many “Representing numerous small businesses trade associations. TIGA is distinctive in its and comprising an industry of the future, focus, professionalism, and tenacity. TIGA TIGA’s is a voice which deserves to be IS IMPORTANT has campaigned relentlessly for Games heard. I welcome the publication of this Tax Relief over many years and played manifesto as one which I believe will shape a critical role in convincing first the UK the debate about how to sustain growth in ECONOMICALLY, Government to adopt this measure and the video games and creative industries in then enabling the Government to make the years to come.” CULTURALLY AND a successful case for Games Tax Relief to the EU Commission. TIGA’s successful campaign for Games Tax Relief will benefit INCREASINGLY both the games industry and the wider economy and I am glad to have been able EDUCATIONALLY.
    [Show full text]
  • Work, Rest & Play
    1 WORK, REST & PLAY A REPORT ON HOW VIRTUAL REALITY WILL IMPACT EVERYDAY LIVES 2 Invest Bristol & Bath is the award Author: Marc Ambasna-Jones wining investment promotion agency Marc Ambasna-Jones is a UK-based freelance writer and media consultant for the Bristol and Bath region, and has been writing about business part of the West of England Local and technology since 1989. Enterprise Partnership. It supports foreign direct investment, UK national companies and those companies already in the region as they grow and expand with hands on advice and intelligence. Having burst onto the world stage as a rapidly growing digital tech cluster, Bristol & Bath is gaining serious momentum in attracting innovative new businesses and brilliant people. Invest Bristol & Bath is playing a crucial role in bringing innovative new business into the region and has already attracted over 75 companies, creating over 2,200 new jobs contributing almost £170m to the region’s economy. 3 CONTENTS Foreword 4 Introduction - The Perfect Storm 6 Consumer perception and penetration 8 The hardware 12 Cybersickness and psychology 16 Video games 18 Social VR 22 Verticals 23 • Property and construction 23 • Education 24 • Healthcare 26 • Aerospace and defence 26 • Travel 28 • Entertainment 29 • Retail 32 The UK opportunity 33 Conclusion 35 4 FOREWORD This report discusses the rapidly- I have been working in the educational developing field of virtual reality (VR) application of virtual technologies for and also demonstrates how Bristol around 10 years now, and it is a field that & Bath is one of the leading regions fascinates me. VR is a term that has been of the UK for VR development and used for over 30 years, although its meaning education, so I am delighted to have has changed over that time as devices and been asked to write this foreword.
    [Show full text]
  • Sony Computer Entertainment Inc
    FOR IMMEDIATE RELEASE SONY COMPUTER ENTERTAINMENT INC. INTRODUCES PLAYSTATION®4 (PS4™) PS4’s Powerful System Architecture, Social Integration and Intelligent Personalization, Combined with PlayStation Network with Cloud Technology, Delivers Breakthrough Gaming Experiences and Completely New Ways to Play New York City, New York, February 20, 2013 –Sony Computer Entertainment Inc. (SCEI) today introduced PlayStation®4 (PS4™), its next generation computer entertainment system that redefines rich and immersive gameplay with powerful graphics and speed, intelligent personalization, deeply integrated social capabilities, and innovative second-screen features. Combined with PlayStation®Network with cloud technology, PS4 offers an expansive gaming ecosystem that is centered on gamers, enabling them to play when, where and how they want. PS4 will be available this holiday season. Gamer Focused, Developer Inspired PS4 was designed from the ground up to ensure that the very best games and the most immersive experiences reach PlayStation gamers. PS4 accomplishes this by enabling the greatest game developers in the world to unlock their creativity and push the boundaries of play through a system that is tuned specifically to their needs. PS4 also fluidly connects players to the larger world of experiences offered by PlayStation, across the console and mobile spaces, and PlayStation® Network (PSN). The PS4 system architecture is distinguished by its high performance and ease of development. PS4 is centered around a powerful custom chip that contains eight x86-64 cores and a state of the art graphics processor. The Graphics Processing Unit (GPU) has been enhanced in a number of ways, principally to allow for easier use of the GPU for general purpose computing (GPGPU) such as physics simulation.
    [Show full text]
  • THE STATE of the EUROPEAN VR INDUSTRY INTRODUCTION a New World of VR Ventures
    THE STATE OF THE EUROPEAN VR INDUSTRY INTRODUCTION A new world of VR ventures Virtual reality (VR) has enjoyed an unexpected comeback since Facebook Our findings show that gaming remains an important market, proven by the bought Oculus in July 2014. Amid high expectations, high-end, tethered large number of companies receiving funding, from across the region. head mounted displays (HMDs) such as Oculus Rift and HTC Vive, and Content creators in Europe also started experimenting with the relatively mobile HMDs like Samsung Gear VR and Daydream, finally came to new format, learning to capture with a 360° camera and sharing immersive market in 2015 and 2016. stories. The logical result was a sharp increase in the number and size of VR But, as with attempts at VR in the past, this resurgence has struggled to funding rounds in 2016. The sector has had a strong start in 2017, with captivate mainstream audiences and is seemingly relying on early adopters Improbable’s staggering €443.7 million funding round in Q2, the largest and gamers. Many startups specialising in infrastructure and tools have ever venture financing round for a private British company. emerged to tackle poor market penetration and have successfully secured funding. Other more mature VR companies in the fields of user input, 3D For this report, we partnered with virtual reality (VR) experts LucidWeb tools and reality capture have been acquired. to dive into funding and exits numbers on VR companies from Europe, Israel and Turkey. We focused on the period of Q1 2015 to Q2 2017. To keep the report focused, companies specialising only in augmented reality (AR) were not included, but considering the growing importance of AR and These numbers were gleaned from Tech.eu’s comprehensive database of mixed reality (MR) for VR companies, they are likely to be included in the funding rounds and exits across the European region.
    [Show full text]
  • Conference Booklet
    30th Oct - 1st Nov CONFERENCE BOOKLET 1 2 3 INTRO REBOOT DEVELOP RED | 2019 y Always Outnumbered, Never Outgunned Warmest welcome to first ever Reboot Develop it! And we are here to stay. Our ambition through Red conference. Welcome to breathtaking Banff the next few years is to turn Reboot Develop National Park and welcome to iconic Fairmont Red not just in one the best and biggest annual Banff Springs. It all feels a bit like history repeating games industry and game developers conferences to me. When we were starting our European older in Canada and North America, but in the world! sister, Reboot Develop Blue conference, everybody We are committed to stay at this beautiful venue was full of doubts on why somebody would ever and in this incredible nature and astonishing choose a beautiful yet a bit remote place to host surroundings for the next few forthcoming years one of the biggest worldwide gatherings of the and make it THE annual key gathering spot of the international games industry. In the end, it turned international games industry. We will need all of into one of the biggest and highest-rated games your help and support on the way! industry conferences in the world. And here we are yet again at the beginning, in one of the most Thank you from the bottom of the heart for all beautiful and serene places on Earth, at one of the the support shown so far, and even more for the most unique and luxurious venues as well, and in forthcoming one! the company of some of the greatest minds that the games industry has to offer! _Damir Durovic
    [Show full text]
  • Annual Review
    annual review 2017 our board Ukie Annual Review 2016/17 contents 02 foreword 04 Noirin Carmody - Chair Harvey Eagle chair’s report Owner and COO Xbox UK Marketing Director Our initiatives Revolution Software Microsoft 06 ceo’s report Ian Livingstone CBE - Vice Chair Miles Jacobson OBE Chairman Studio Director Playmob Sports Interactive 08 a year in westminster and brussels askaboutgames Dave Gould - Treasurer Veronique Lallier askaboutgames.com Snr Director of Sales UK & Export European Managing Director 12 Take 2 Interactive Hi-Rez Studios research and analysis Without house background Simon Barratt Warwick Light 16 Director UK Managing Director and Vice President ukie’s year in numbers Sony Interactive Entertainment Barog Game Labs INSPIRATIONAL COMPUTING 18 Katherine Bidwell Phil Mansell Digital Schoolhouse acting locally thinking globally Co-Founder CEO digitalschoolhouse.org.ukWith house background State of Play Games Jagex 20 ukie’s global trade programme Neil Boyd Andy Payne OBE INSPIRATIONAL COMPUTING European Anti-Piracy Counsel CEO Nintendo Europe AppyNation 22 the digital schoolhouse Shaun Campbell Kirsty Rigden Games London UK Country Manager Operations Director games.london 24 Electronic Arts FuturLab inspiring talent John Clark Ella Romanos 26 Senior Vice President, Commercial Director promoting a positive image Publishing Rocket Lolly Games SEGA Europe Students 27 Rob Cooper Roy Stackhouse making the most of your IP Managing Director Northern Europe and Vice President - UK, Ireland & Benelux Ukie Students Export Territories
    [Show full text]