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'Ex-Lexes' Cherished Time on Hawaiian Room's Stage POSTED: 01:30 A.M
http://www.staradvertiser.com/businesspremium/20120622__ExLexes_cherished_time_on_Hawaiian_Rooms_stage.html?id=159968985 'Ex-Lexes' cherished time on Hawaiian Room's stage POSTED: 01:30 a.m. HST, Jun 22, 2012 StarAdvertiser.com Last week, we looked at the Hawaiian Room at the Lexington Hotel in New York City, which opened 75 years ago this week in 1937. The room was lush with palm trees, bamboo, tapa, coconuts and even sported a periodic tropical rainstorm, said Greg Traynor, who visited with his family in 1940. The Hawaiian entertainers were the best in the world. The Hawaiian Room was so successful it created a wave of South Seas bars and restaurants that swept the country after World War II. In this column, we'll hear from some of the women who sang and danced there. They call themselves Ex-Lexes. courtesy Mona Joy Lum, Hula Preservation Society / 1957Some of the singers and dancers at the Hawaiian Room in the Lexington Hotel. The women relished the opportunity to "Singing at the Hawaiian Room was the high point of my life," perform on such a marquee stage. said soprano Mona Joy Lum. "I told my mother, if I could sing on a big stage in New York, I would be happy. And I got to do that." Lum said the Hawaiian Room was filled every night. "It could hold about 150 patrons. There were two shows a night and the club was open until 2 a.m. I worked an hour a day and was paid $150 a week (about $1,200 a week today). It was wonderful. -
Sunday Morning Grid 4/12/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/12/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding Remembers 2015 Masters Tournament Final Round. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Luna! Poppy Cat Tree Fu Figure Skating 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Explore Incredible Dog Challenge 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program Red Lights ›› (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News TBA Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki Ad Dive, Olly Dive, Olly E.T. the Extra-Terrestrial 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Atlas República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Best Praise Super Kelinda Jesse 46 KFTR Paid Program Hocus Pocus ›› (1993) Bette Midler. -
A ADVENTURE C COMEDY Z CRIME O DOCUMENTARY D DRAMA E
MOVIES A TO Z MARCH 2021 Ho u The 39 Steps (1935) 3/5 c Blondie of the Follies (1932) 3/2 Czechoslovakia on Parade (1938) 3/27 a ADVENTURE u 6,000 Enemies (1939) 3/5 u Blood Simple (1984) 3/19 z Bonnie and Clyde (1967) 3/30, 3/31 –––––––––––––––––––––– D ––––––––––––––––––––––– –––––––––––––––––––––– ––––––––––––––––––––––– c COMEDY A D Born to Love (1931) 3/16 m Dancing Lady (1933) 3/23 a Adventure (1945) 3/4 D Bottles (1936) 3/13 D Dancing Sweeties (1930) 3/24 z CRIME a The Adventures of Huckleberry Finn (1960) 3/23 P c The Bowery Boys Meet the Monsters (1954) 3/26 m The Daughter of Rosie O’Grady (1950) 3/17 a The Adventures of Robin Hood (1938) 3/9 c Boy Meets Girl (1938) 3/4 w The Dawn Patrol (1938) 3/1 o DOCUMENTARY R The Age of Consent (1932) 3/10 h Brainstorm (1983) 3/30 P D Death’s Fireworks (1935) 3/20 D All Fall Down (1962) 3/30 c Breakfast at Tiffany’s (1961) 3/18 m The Desert Song (1943) 3/3 D DRAMA D Anatomy of a Murder (1959) 3/20 e The Bridge on the River Kwai (1957) 3/27 R Devotion (1946) 3/9 m Anchors Aweigh (1945) 3/9 P R Brief Encounter (1945) 3/25 D Diary of a Country Priest (1951) 3/14 e EPIC D Andy Hardy Comes Home (1958) 3/3 P Hc Bring on the Girls (1937) 3/6 e Doctor Zhivago (1965) 3/18 c Andy Hardy Gets Spring Fever (1939) 3/20 m Broadway to Hollywood (1933) 3/24 D Doom’s Brink (1935) 3/6 HORROR/SCIENCE-FICTION R The Angel Wore Red (1960) 3/21 z Brute Force (1947) 3/5 D Downstairs (1932) 3/6 D Anna Christie (1930) 3/29 z Bugsy Malone (1976) 3/23 P u The Dragon Murder Case (1934) 3/13 m MUSICAL c April In Paris -
Kodak Movie News; Vol. 3, No. 1; Jan
VOLUME 3, NUMBER 1 JANUARY-FEBRUARY 1955 lntroducing in HERE's a new program on TV Peepers ... a nd Jamie. He also has to his T whichyou willwant to see! Forwethink credit the first Alan Young Show, Operation you will not only delight in "Norb.y" as a Airlift, October Story, and others. Before show, but will also welcome the Iast-minute these TV successes, his unusual talent was news of photo products and developments apparent in Walt Disney's Pinocchio, Peter which the program will bring you-in full Pan, Snow White, and many other films. TV color, if you're equipped to receive it Dave Swift has a deft and sure tauch audi- or in regular black-and-white, as most ences recognize and appreciate. folks will see it. He thinks "Norby" will be the best thing "Norby" is Kodak's first venture jnto he has dorre. So do we. TV. For years we've sought the right ve- "Norby" hicle. Here's why we think you'll like the The story result : The play is named after its leading.character, "Norby" is created, directed, a:nd pro- Pearson Norby, who, in the first show, becomes duced by David Swift. There are two other vice-president in charge of smail loans of the current TV hits, born of his active and per- ceptive mind, you probably know. Mr. Every week on NBC-TV Your family will Iove the NORBY family! Evan Elliot, as Hank Norby, , , Joan Lorring, as Helen Norby . .. Susan Halloran, as Dianne . and David Wayne, as Pearson Norhy First National Bank of Pearl River. -
A Propósito De La Filosofía Del Cine Como Educación De Adultos: La Lógica Del Matrimonio Frente Al Absurdo En La Filmografía De Gregory La Cava Hasta 1933
A PROPÓSITO DE LA FILOSOFÍA DEL CINE COMO EDUCACIÓN DE ADULTOS: LA LÓGICA DEL MATRIMONIO FRENTE AL ABSURDO EN LA FILMOGRAFÍA DE GREGORY LA CAVA HASTA 1933 José Alfredo Peris Cancioa Fechas de recepción y aceptación: 2 de junio de 2015, 8 de julio de 2015 Resumen: Desde una concepción de la filosofía del cine como educación de adultos, se puede proponer que la aportación más genuina de la filmografía de La Cava a la expresión de la interrelación entre matrimonio y crisis económica se encuentra en la figura de los antihéroes. Con estos personajes, La Cava plantea tanto la necesidad que experimenta el ser humano de las sociedades industriales de remediar la angustia que le produce su propia debilidad y vulnerabilidad, como la necesidad de entablar relaciones de ayuda. Desde su participación en el cine de animación, así como en sus películas de cine mudo y en sus películas habladas, los protagonistas superan sus propias limitaciones gracias a relaciones de confianza con los demás, de las que el matrimonio igualitario y de mutua ayuda entre el varón y la mujer es el modelo más pleno. Palabras clave: matrimonio, confianza, antihéroes, vulnerabilidad, igualdad y com- plementariedad entre varón y mujer, ayuda, filosofía del cine, educación de adultos. Abstract: From a conception of philosophy of films education of grownups, it can be proposed that the most genuine contribution of the films of La Cava to the expression of the interrelation between marriage and economic crisis is found in the figure of the anti-heroes. With these characters La Cava presents both the need experienced by peo- ple in industrial societies to remedy the distress caused by his own weakness and vulner- a Facultad de Filosofía, Antropología y Trabajo Social, Universidad Católica de Valencia San Vicente Mártir. -
Eastman Business Park Site Newsletter
Eastman Business Park Site Newsletter Issue 3 Letter from Mike Alt Letter from Arline Liberti Director, Manager, Kodak Fall 2010 Eastman Business Park Rochester Facilities I’ve now been the Director of Eastman Amid all the change and challenge that Business Park (EBP) for five months and surrounds us today in our business world, during this time have had the opportu- the Kodak Rochester Facilities (KRF) mis- nity to meet most of our tenants. sion of creating value in the delivery and Shortly, with the arrival of our three quality of service to our tenants remains Cody Gate Companies, there will be 30 at the core of everything we do. We are tenants at EBP. excited about the new prospects resulting I have spent most of my time networking from Mike’s efforts to attract new tenants externally, focusing on understanding to the site, and are also pleased to share what we need to do to attract new busi- with you a number of improvement initia- nesses and tenants. I’ve attended over tives that will create greater sustainability 10 events, spoke at a NYS Economic De- in support of your business operations on velopment Conference, and hosted at EBP site. more than 20 tours. My learning’s from networking were applied to the develop- 43 Boiler Tube Replacement – On Sep- ment of a strategy for our future busi- tember 12, 2009, the site experienced a ness development. major steam and electric shutdown due to a tube failure on 43 boiler and subsequent Here are the key elements: www.eastmanbusinesspark.com shutdown of other operating boilers. -
LEADING LADIES GALA Commemorative Book
Cover 1 WELCOME TO THE LEADING LADIES GALA Bryn Mawr Film Institute Greetings all – Board of Directors Past & Present Tonight, we celebrate Juliet Goodfriend, a Renaissance person in the truest sense of the word: a lover of the arts, an astute Rev. Eugene Bay Charlie Bloom businessperson, a community leader, and a leader amongst Sabina Bokhari her peers. I mention peers because Juliet’s leadership is David Brind recognized within the ranks of the Art House Convergence Anmiryam Budner* (AHC), a national organization devoted to community-based, Alice Bullitt* mission-driven theaters like BMFI. Through the years, the AHC Elizabeth H. Gemmill has recognized Juliet for establishing and running one of the Juliet J. Goodfriend* Doris Greenblatt most successful member-supported motion picture theater Harry Groome* and film education centers in the country. Not only has Juliet Joanne Harmelin* moved BMFI forward, she has moved the entire art house John H. Hersker* movement forward. Tigre Hill* Francie Ingersoll* Working closely with Juliet over the last 12 years has Sandra Kenton allowed me to participate in a truly phenomenal process. Sir Ben Kingsley † She saw a need in our community for thoughtful films to be Paul Kistler presented, enjoyed, and studied, in a beautiful, state-of-the- Sidney Lazard art environment, with friends and family. Though a very small Daylin Leach ‡ Francis J. Leto* component of the film industry as a whole, so-called ‘art films’ Lonnie Levin are the lifeblood of Bryn Mawr Film Institute and continue to Stephanie Naidoff be a vital part of world cinema. Juliet has ensured that the Amy Nislow best of these films—the ones people end up talking about—are Robert Osborne† exhibited for BMFI audiences. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
A Reappraisal of Three Character Actors from Hollywood’S Golden Age
University of the Incarnate Word The Athenaeum Theses & Dissertations 12-2015 Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age Candace M. Graham University of the Incarnate Word, [email protected] Follow this and additional works at: https://athenaeum.uiw.edu/uiw_etds Part of the Communication Commons, and the Film and Media Studies Commons Recommended Citation Graham, Candace M., "Second-Billed but not Second-Rate: A Reappraisal of Three Character Actors From Hollywood’s Golden Age" (2015). Theses & Dissertations. 70. https://athenaeum.uiw.edu/uiw_etds/70 This Thesis is brought to you for free and open access by The Athenaeum. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of The Athenaeum. For more information, please contact [email protected]. SECOND-BILLED BUT NOT SECOND-RATE: A REAPPRAISAL OF THREE CHARACTER ACTORS FROM HOLLYWOOD’S GOLDEN AGE by Candace M. Graham A Thesis Presented to the Faculty of the University of the Incarnate Word in partial fulfillment of the requirements for the degree of MASTER OF ARTS University of the Incarnate Word December 2015 ii Copyright 2015 by Candace M. Graham iii ACKNOWLEDGEMENTS I wish to thank Dr. Hsin-I (Steve) Liu for challenging me to produce a quality thesis worthy of contribution to scholarly literature. In addition, thank you for the encouragement to enjoy writing. To Robert Darden, Baylor University communications professor, friend, and mentor whose example in humility, good spirit, and devotion to one’s passion continues to guide my pursuit as a classic film scholar. -
UAW Ends Long Strike with Big Gains at GM
I r n S? TUP W FFK PULLOUT SECTION INSIDE ^hjk H w 1® H 1^1 S te ffi H 11 H I i Has* 11 m % ( S T % JULY 20-26, 1997 THE DETROIT VOL. 2 NO. 36 75 CENTS S unday To u r n a l CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ INSIDE UAW ends long strike with big gains at GM By Martha Hindes Journal Automotive Writer In a mass meeting at the Pontiac Silverdome on Friday, members of UAW Local 594 claimed a major victory as they overwhelmingly ratified a strike- ending contract with General Motors Corp. The new contract, approved by 93.5 percent of UAW members, included major victories for the union. It brings back to GM’s Pontiac truck complex more than 550 production and skilled trades jobs to replace many that Re m e m b e r in g had been lost in the past decade. It include substantial holiday pay and financial penalties for t h e r io t s By Christopher M. Singer grievances that will cost the A d Journal Staff Writer company almost $10 million. It A n entire generation has passed since the also eliminates subcontracting / % events that began for Detroit early on and offers production workers / % Sunday morning, July 23, 1967 - time the chance to move up to higher- JL enough to gain some perspective on whatpaying skilled trades jobs. was then the costliest urban uprising in U.S. history.And it sends back to work more than 6,100 workers who Forty-three people died. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Mazzaschi/Sponaugle DVD Inventory February 3, 2018
Mazzaschi/Sponaugle DVD Inventory February 3, 2018 Number Box/ Title Series Actor/Director Portfolio 1 Portfolio 1 Last of Sheila Sondheim 2 Portfolio 1 West Side Story Sondheim 3 Portfolio 1 Original Cast Album - Company Sondheim 4 Portfolio 1 Company – Concert NY Philharmonic Sondheim 5 Portfolio 1 Sondheim Celebration Sondheim 6 Portfolio 1 Sunday in the Park with George Sondheim 7 Portfolio 1 Dick Tracy Sondheim 8 Portfolio 1 Evening Primrose Sondheim 9 Portfolio 1 Sweeney Todd – Disc One Sondheim Depp 10 Portfolio 1 Sweeney Todd – Disc Two Sondheim Depp 11 Portfolio 1 Sweeney Todd Sondheim 12 Portfolio 1 Mostly Sondheim Sondheim Cook 13 Portfolio 1 Reds – Disc One Sondheim 14 Portfolio 1 Reds – Disc Two Sondheim 15 Portfolio 1 Horse Soldiers Gemmel 16 Portfolio 1 Eagles – Capital Center 17 Portfolio 1 History of the Eagles – Part One 18 Portfolio 1 History of the Eagles – Part Two 19 Portfolio 1 The King of Masks 20 Portfolio 1 Four Little Girls 21 Portfolio 1 Autumn Sonata Bergman 22 Portfolio 1 For Whom the Bell Tolls Bergman 23 Portfolio 1 Anastasia Bergman 24 Portfolio 1 Gaslight Bergman 25 Portfolio 1 Casablanca Bergman, Bogart 26 Portfolio 1 Casablanca – Disc One Bergman, Bogart 27 Portfolio 1 Casablanca – Disc Two Bergman,Bogart 28 Portfolio 1 Putting It Together Sondheim 29 Portfolio 1 Shall We Dance Astaire 30 Portfolio 1 Follow the Fleet Astaire 31 Portfolio 1 Singing in the Rain – Disc One Kelley 32 Portfolio 1 Singing in the Rain – Disc Two Kelley 33 Portfolio 1 Dames 34 Portfolio 1 Swingtime Astaire 35 Portfolio 1 The Barkleys of Broadway Astaire 36 Portfolio 1 Top Hat Astaire 37 Portfolio 1 Footlight Parade 38 Portfolio 1 Gold Diggers of 1933 39 Portfolio 1 The Busby Berkley Disc 40 Portfolio 1 42nd Street 41 Portfolio 1 Gold Diggers of 1935 42 Portfolio 1 Brigadoon Kelley Number Box/ Title Series Actor/Director Portfolio 43 Portfolio 1 Meet Me in St.