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Use of Wood Residue in Making Reconstituted Board Products
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1959 Use of wood residue in making reconstituted board products Suthi Harnsongkram The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Harnsongkram, Suthi, "Use of wood residue in making reconstituted board products" (1959). Graduate Student Theses, Dissertations, & Professional Papers. 3981. https://scholarworks.umt.edu/etd/3981 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE USE OF WOOD RESIDUE IN MAKING RECONSTITUTED BOMD HiODUCTS SUTHI HARNSOMJKRAM B.S.F., Unlveinsity of the Philippines, 1952 Presented in partial fulfillment of the requirements for the degree of Master of Forestry MONTANA STATE UNIVERSITY 1959 Approved Dean, Graduate School I 3 I960 Date UMI Number: EP34193 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT " DlM«litionP«ibWfca ^ UMI EP34193 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Builders Choice Moulding & Millwork Profile Guide
Moulding & Millwork profile guide OUR HISTORY OrePac is a family-owned and operated business, founded by the Hart family in 1976. Through strong leadership and a commitment to success, the company has grown into one of the premier distributors in the building industry. Trust, integrity and a dedication to excellence are the values most important to OrePac. That commitment can be found in the services we offer, the quality of the products we provide, and the way we treat our employees and customers. This dedication to our markets has enabled us to make a positive impact on the shelter industry and the communities we serve. DOMESTIC SOLUTIONS Located in the heart of Oregon’s Willamette Valley, OrePac Manufacturing (previously known as Dallas Planing Mill, Inc.) has been in operation since 1883. OrePac produces millwork products including Hemlock, Ponderosa Pine, Knotty Alder and many other hardwoods. CUSTOM PRODUCTS With the ability to produce custom patterns through CAD drawings, templates, and knives, we can meet all of your moulding needs in one facility. This makes OrePac Manufacturing a valuable resource to OrePac and its customers. DISTRIBUTION CENTERS Boise, ID Bozeman, MT CORPORATE Denver, CO Wilsonville, OR Ontario, CA MANUFACTURING Phoenix, AZ Dallas, OR Sacramento, CA DISTRIBUTION CENTERS Salt Lake City, UT Spokane, WA Tacoma, WA Wilsonville, OR TABLE OF CONTENTS MOULDING 101 5 Handling of Millwork 6 Common Moulding Applications 8 Species Types PROFILES 10 Base 18 Casing 26 Crown 30 Chair Rail, Hand Rail 32 Rounds 33 Stop 34 Stop, Square, Parting Strip, Screen Mould, Brickmould 35 Outside Corner, Lattice 36 Cove 37 Miscellaneous 40 Boards 45 Jambs, Frames 46 Mullion, Astragal 47 Particle Board Shelving, MDF Sheet Stock Moulding images5500 are S Federal not to scale Way | Boise, ID 83716 | T: 208-345-0562 | F: 208-343-4808 | www.orepac.comwww.orepac.com 3 4 Moulding images are not to scale HANDLING OF MILLWORK Unfinished Woodwork is Vulnerable! • Apply finish as soon as possible following the manufacturer’s finishing instructions. -
In 2017, the Château of Chambord Is Replanting Its 18Th-Century French Formal Gardens
TABLE OF CONTENTS INTRODUCTION ................................................................................................................................ 3 I - HISTORY .......................................................................................................................................... 4 1 - The Château’s Surroundings in the 16th Century ........................................................................ 4 2 - The Major Projects of the 17th Century ........................................................................................ 4 3 - Completion of the Parterre in the 18th Century ........................................................................... 5 4 - The Steady Disappearance of the Garden .................................................................................. 7 II – SCIENTIFIC APPROACH ........................................................................................................... 8 1 - A Methodical and Scientific Investigation .................................................................................. 8 2 - Historical Research (2003–2014) .................................................................................................. 8 3 - Archaeological and Geophysical Surface Surveys (2013–2014) .................................................. 8 4 - Planned Archaeological Digs (2016) ............................................................................................ 9 III – COMPOSITION OF FRENCH FORMAL GARDENS ........................................................ -
Lumber / Veneer Match
Lumber Veneer Type of Cut Alder (Select) Alder Plain Sliced Face Alder (Knotty) Knotty Alder (Dark Putty in open knots) Plain Sliced Face Ash (Eastern White) Ash (Eastern White) Rotary Multi Piece Face Ash (Western) Ash (Eastern White) Rotary Multi Piece Face Beech (European Steamed) Beech (European Steamed) Plain Sliced Face Birch (Eastern Red) N/A N/A Birch (Eastern White) Birch (Eastern White) Rotary Multi Piece Face Birch (Western) N/A Cherry (Select) Cherry (Select) Plain Sliced Face Cherry (Rustic) Fir (CVG) Fir (CVG) Plain Sliced Face Hickory (Brown Heart) Hickory (Brown Heart) Plain Sliced Face Hickory (Calico) Hickory (Calico) Plain Sliced Face Hickory (Rustic Brown Heart) Hickory (Rustic Brown Heart) Plain Sliced Face Hickory (Rustic Calico) Hickory (Rustic Calico) Plain Sliced Face Lyptus Lyptus Plain Sliced Face Mahogany (African Khaya) Mahogany (African Khaya) Plain Sliced Face Mahogany (Edinam) Mahogany (African Khaya) Plain Sliced Face Maple (Eastern Hard White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Eastern Soft Rustic) Maple (Eastern Hard Rustic) Plain Sliced Face Maple (Eastern Soft White) Maple (Eastern Hard White) Rotary Whole Piece Face Maple (Western) Alder Plain Sliced Face Paint Grade (Lumber Panel) DCD's Choice Rotary Whole Piece Face Paint Grade (MDF Panel) MDF N/A Pine (Eastern Clear) Pine (Eastern Clear) Plain Sliced Face Pine (Eastern Knotty) Pine (Eastern Knotty) Plain Sliced Face Poplar N/A N/A Red Oak (Natural) Red Oak (Natural) Plain Sliced Face Red Oak (Qtr Sawn) Red Oak (Qtr Sawn) Quarter Sawn Face Red Oak (Rift) Red Oak (Rift) Rift Sawn Face Red Oak (Select) Red Oak (Select) Plain Sliced Face Sapele (Flat Sawn) Sapele (Flat Sawn) Plain Sliced Face Sapele (Qtr Sawn) Sapele (Qtr Sawn) Quarter Sawn Face Walnut Walnut Plain Sliced Face White Oak (Select) White Oak (Select) Plain Sliced Face White Oak (Qtr Sawn) White Oak (Qtr Sawn) Quarter Sawn Face White Oak (Rift) White Oak (Rift) Rift Sawn Face. -
Development of Particleboard from Waste Styrofoam and Sawdust
18 ABDULKAREEM et al: DEVELOPMENT OF PARTICLEBOARD FROM WASTE STYROFOAM AND SAWDUST Development of Particleboard from Waste Styrofoam and Sawdust S. A. Abdulkareem1, S. A. Raji2, A. G. Adeniyi1* 1Chemical Engineering Department, University of Ilorin, Ilorin, Nigeria. 2 Civil Engineering Department, University of Ilorin, Ilorin, Nigeria. ABSTRACT: The use of Plastic Based Resin (PBR) synthesised from waste Styrofoam as binder in the production of particleboard was the focus of this investigation. This study explored the properties of particleboard produced from sawdust wastes and PBR resin synthesized from waste Styrofoam. Three particleboard panels namely C1, C2 and C3 were prepared with 20%, 30%, and 40%, (v/v), respectively. PBR was synthesised via solvolysis of waste Styrofoam in a chosen solvent, and properly mixed with sawdust by simple mechanical stirring, using hand lay-up process in cold pressing to obtain the desired shapes. ASTM D-1037 standard was used to evaluate the physical and mechanical properties of the manufactured particleboards. Density, moisture content (MC), water absorption (WA), thickness swelling (TS), and mechanical properties i.e. modulus of elasticity (MOE) and modulus of rupture (MOR) of C2 and C3 were better than that of C1 particleboard and met the LD-1 requirement of ANSI A208.1. PBR from Styrofoam waste is confirmed as a good substitute for Urea or formaldehyde based resin presently used industrially. The properties of C2 and C3 synthesised are in tandem with the requirements of the ANSI A208.1 standards. KEYWORDS: styrofoam waste, plastic-based resin, particleboard, sawdust waste, curing. [Received December 16 2016; Revised March 27 2017; Accepted June 1 2017] I. -
Bellmont 1900 Series
MATISSE | Paint | Alabaster, Silvermist & Pepper Front Cover: PENTA | Legno Collection | Aspen • PASADENA | Paint | Pepper 02 | BellmontCabinets.com BellmontCabinets.com | 03 THE FRAMELESS ADVANTAGE ___________________________________________________________________________________________ Unlike traditional face frame cabinets, frameless cabinets combine the clean look of modern, full-overlay, flush-fitting doors and drawers. The unobstructed, full-access interiors create more storage and an organized space, while providing superior strength and trendsetting style. STRONG FULL-ACCESS MORE SPACE 3/4-in cabinet box and solid Greater accessibility, Wider, taller drawers with a full-top construction provide unobstructed by a frame, 75-lb load capacity feature superior strength, structural creates more usable space in the greater interior storage, more precision, and additional support same box size and provides easy clearance and the luxury touch of for solid surface countertops. access to your items inside. full-extension soft-close hardware. • • • PICTURED: Satino Drawer 04 | BellmontCabinets.com FIRMA | Ares Collection | Concrete BellmontCabinets.com | 05 CLASSIC AMERICAN STYLE for a natural elegance that will stand the test of time. MONTICELLO | Heirloom Collection | Lace BellmontCabinets.com | 07 PHOTO: Savvy Cabinetry by Design (Seattle, WA) COMBINE SIMPLICITY & TEXTURE for a tasteful blend of old & new. SHAKER | Paint | White • FIRMA | Synchro Collection | Lodge BellmontCabinets.com | 09 PHOTO: Cabinets & Beyond Design Studio (San Francisco, CA) CLEAN, STRAIGHT LINES uniting form & function with harmonious materials. COVE | Paint | Pepper • MADRID | Walnut | Bourbon BellmontCabinets.com | 11 TRADITIONAL P P P P A A A A WHAT’S RA RA RA RA C C C C RO RO RO RO RWO RWO RWO RWO YOUR STYLE? M M M M S S S S ___________________________________________________________________________________________ W W W W Bellmont’s 1900 Series offers a unique collection of door styles, available in a variety of materials and finish options. -
2020 Price List
2020 US PRICE LIST & SPECIFICATIONS Effective January 6, 2020 | taylorguitars.com Brennley Brown Contents Models by Series / Pricing 4 Custom Program 8 Dimensions by Shape 9 Standard Model Options 10 Specifications 11 Most Taylor acoustic models are organized by series, featuring the numerical 100 through 900 Series, A Guide to Taylor along with our Baby, GS Mini, Academy, Koa (K) and Presentation (PS) Series. Here’s how our model numbering system works: Acoustic Model Numbers The first digit (or letter) identifies the series (e.g., 800 Series). Each series is distinguished by the type of back and side woods and other material/aesthetic appointments used, such as inlays and binding. The second digit designates two things: first, whether the guitar is a 6-string or a 12-string, and second, whether the top features a softwood like spruce or cedar or a hardwood like mahogany or koa. 6-string Models: • If the middle digit is 1, it has a softwood top (e.g., 514ce) • If the middle digit is 2, it has a hardwood top (e.g., 524ce) 12-string Models: 814ce • If the middle digit is 5, it has a softwood top (e.g., 352ce) • If the middle digit is 6, it has a hardwood top (e.g., 362ce) Taylor nylon-string models are integrated into various series and are designated by the letter “N” at the end of the model name. For example, a nylon-string Grand Concert with a cutaway and electronics within the 500 Series is a 512ce-N. The third digit identifies the body shape according to this numbering system: Other Model Name Indicators 0 = Dreadnought (e.g., 210ce) Some Taylor models include additional letters. -
PC18 Doc. 11.6
PC18 Doc. 11.6 CONVENTION ON INTERNATIONAL TRADE IN ENDANGERED SPECIES OF WILD FAUNA AND FLORA ____________ Eighteenth meeting of the Plants Committee Buenos Aires (Argentina), 17-21 March 2009 Annotations TREE SPECIES: ANNOTATIONS FOR SPECIES INCLUDED IN APPENDICES II AND III 1. This document has been submitted by the regional representative of North America as Chair of the working group on Tree species: annotations for species included in Appendices II and III (PC17 WG3)*. 2. The Conference of the Parties adopted Decision 14.148 directed to the Plants Committee as follows: a) The Plants Committee shall review and, if appropriate, draft amendments to the annotations to the tree species listed in Appendices II and III and/or shall prepare clear definitions for the terms used in those annotations in order to facilitate their use and understanding by CITES authorities, enforcement officers, exporters and importers. b) The amended annotations shall focus on the articles that initially appear in international trade as exports from the range States and on those which dominate the trade in and demand for the wild resource. c) The Plants Committee shall draft, if necessary, proposals to amend Resolution Conf. 10.13 (Rev. CoP14) and/or to amend the Appendices accordingly so that the Depositary Government may submit them on its behalf for consideration at the 15th meeting of the Conference of the Parties. 3. A working group (WG3) was established at the 17th meeting of the Plants Committee (PC17) to undertake a review of tree annotations. The mandate -
Lumber and Related Products; a Base Syllabus on Wood Technology. Eastern Kentucky Univ., Richmond
4-f,r ' DOCUMENT RESUME ED 031 558 VT 007 859 Lumber and Related Products; A Base Syllabus on Wood Technology. Eastern Kentucky Univ., Richmond. Pub Date Aug 68 Note-108p.; From NDEA Inst. on Wood Technology (Eastern Kentucky UM, June 10-Aug. 2, 1968). EDRS Price MF-$0.50 HC-$5.50 Descriptors-*Building Materials, Curriculum Development, *Curriculum Guides, *Industrial Arts, Instructional Improvement, Lumber Industry, *Resource Materials, Summer Institutes, Teacher Developed Materials, Teacher Education, *Woodworking Identifiers-*National Defense Education Act Title XI Institute, NDEA Title XI Institute Prepared by participants in the 1%8 National Defense Education Act Institute on Wood Technology, this syllabus is one of a seriesof basic outlines designed to aid college level industrial arts instructors in improving and broadening the scope and .content of their programs. The primary objective of this course outhne is to point out the importance and the many uses of wood and wood products. Topics covered are: (1 )Lumber Grades and Sizes,(2)Plywood,(3)Veneer,(4)Fiberboard,(5) Particleboard,(6)Sheetboard,(7)InsulationBoard,(8)StructuralSandwich Construction,(9)Shingles,(10)Pulp and Paper,(11) Wood Flour,and (12) Cellulose-DerivedProducts.Mostunitscontain 'informationonmanufacturing processes, properties,types and grades, and uses of the products. Selected bibliographies are listed for each unit. The final section provides instructional aids, suggested projects and student activities, and materials and equipment needed for specific prolects. The document is &strafed with drawings, charts, and photographs. Related documents are available as VT 007 857, VT 007 858, and VT 007 861: (AW) ft; LUMBER BAS YLLABUS ON WOOD CHNOLOGY .:'Pre,pare4 by INSTITUTE. -
The Difference
Products that deliver the difference MIDWEST DIVISION Decorative Surfaces TFL Uniboard® TFL offers a luxurious collection of cool, neutral woodgrains, exotics and linear designs. The strength of Uniboard® TFL goes beyond quality to capture the perfect balance between commercial and residen- Arauco’s largest TFL collection ever offers nearly 100 of the most tial design. These TFL designs will rejuvenate and bring life to all types of contemporary solid colors, prints and woodgrains. Prism is a colorful TFL building projects. brand that has real character with a designer-friendly focus. Available on TSCA VI, NAF and FSC® certified compliant cores The spectrum of styles and textures will open your eyes to a bright new world of laminates. Authentic to the touch, with the benefits of sustainability, value and durability, it is a smart surface that you can love. HPL Available on TSCA VI, ULEF and FSC® certified compliant cores Thickness: 1/4” to 1 1/8” ® VelourTouchTM captures today’s trends of extreme matte finishes and Available in 78 abstracts and 43 solid colors, Pionite High Pressure painted cabinet looks. Quality, beautiful, worry-free and affordable Laminate is the ideal surface for almost any horizontal or vertical materials are manufactured by Olon just for your building needs. The application. The Pionite family of products have been developed to VelourTouchTM surface is silky to the touch, anti-fingerprint and scratch withstand the friction, impact and the ever-changing conditions of life. resistant. Olon provides a complete collection of materials so it’s easy to Available on GREENGUARD and FSC® certified compliant cores build beautiful furniture in just one stop. -
MAHOGANY TYPES South American Mahogany. ( Swietenia
MAHOGANY TYPES South American Mahogany. ( Swietenia Macrophylla) the 'top of the range' of all the Mahoganies( both as to be qualities and price). The classic characteristics of this timber are its stability and durability along with its world renowned beauty and versatility. One well recognised feature is the way in which this timber gradually darkens in colour on exposure from a red / brown colour to a rich dark red . Density : 540 kg/m3 or 34 pounds / cubic foot. African Mahogany (Khaya Ivorensis) is considered by some to be more attractive in grain structure to South American Mahogany. This is because the grain patterns of African Mahogany can vary so widely, particularly in the backsawn face. Some people prefer the startling ribbon grain appearance of quarter sawn Mahogany. The colour of this timber varies from gold through brown to red / brown. African Mahogany is more available and less expensive than South American Mahogany. Density : 540kg / m3 or 34 pounds / cubic foot. Plantation Mahogany ( Grown in Fiji) (Swietenia Macrophylla) this timber is the product of commercial plantations of the South American tree grown in Fiji. Because the timber is grown in managed plantations, branch trimmings cause a birdseye like effect on the face of the boards. Generally speaking, the characteristics are similar to the South American species described above. However the plantations lack the maturity of the South American product. One outcome is a recognisable difference in stability. Density : 540 kg / m3 or 34 pounds / cubic foot. Eastern Mahogany (Chukrassia Tabularis) this member of Mahogany family originates from Malaysia. In its colouring it more closely resembles a Walnut. -
Patching Old Floorboards
Patching Old Floorboards SPAB Technical Advice Note Philip Hughes BSc, MRICS (Chartered Building Surveyor) and SPAB Scholar The Society for the Protection of Ancient Buildings 37 Spital Square London E1 6DY 020 7377 1644 [email protected] www.spab.org.uk Contents An old floor of wide boards – scrubbed or polished for generations and uneven from wear – adds considerable richness to any room in an old building. A floor is one of the principal surfaces of a room, yet ancient boards are often badly abused. Bodged attempts to replace boards are common. Even when replacement is completed satisfactorily, the result will not always be visually acceptable. In addition, replacement of floors in their entirety often takes place unnecessarily. This Technical Advice Note aims to alleviate the problem by suggesting a number of methods by which old boards may be patched or repaired. 1 Introduction ....................... 3 2 Deterioration ....................... 3 3 Lifting floorboards ....................... 3 4 Undulations and gaps ....................... 5 5 Reducing unevenness ....................... 6 6 Repairing a split board ....................... 6 7 Repairing a broken edge ....................... 7 8 Strengthening a weak board ....................... 8 9 Splicing a broken end ....................... 8 10 Relaying old boards ....................... 8 11 Surface treatment ....................... 9 12 Conclusion ....................... 9 13 References ....................... 9 14 Other advice ....................... 9 Cover image: Warmth and richness of a well-repaired old floor. Photo: Philip Hughes 2 SPAB Patching Old Floorboards 1 Introduction 3 Lifting This Technical Advice Note explains common reasons why floorboards deteriorate (section 2) floorboards and a range of methods by which they can be repaired (sections 4 to 9). It also discusses It is extremely easy to cause serious damage techniques for successfully lifting floorboards, to floorboards by attempting to lift them – where it is necessary to take them up, and offers particularly when the board is decayed.