11-755— Spring 2021 Large Scale Multimedia Processing
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Free Lossless Image Format
FREE LOSSLESS IMAGE FORMAT Jon Sneyers and Pieter Wuille [email protected] [email protected] Cloudinary Blockstream ICIP 2016, September 26th DON’T WE HAVE ENOUGH IMAGE FORMATS ALREADY? • JPEG, PNG, GIF, WebP, JPEG 2000, JPEG XR, JPEG-LS, JBIG(2), APNG, MNG, BPG, TIFF, BMP, TGA, PCX, PBM/PGM/PPM, PAM, … • Obligatory XKCD comic: YES, BUT… • There are many kinds of images: photographs, medical images, diagrams, plots, maps, line art, paintings, comics, logos, game graphics, textures, rendered scenes, scanned documents, screenshots, … EVERYTHING SUCKS AT SOMETHING • None of the existing formats works well on all kinds of images. • JPEG / JP2 / JXR is great for photographs, but… • PNG / GIF is great for line art, but… • WebP: basically two totally different formats • Lossy WebP: somewhat better than (moz)JPEG • Lossless WebP: somewhat better than PNG • They are both .webp, but you still have to pick the format GOAL: ONE FORMAT THAT COMPRESSES ALL IMAGES WELL EXPERIMENTAL RESULTS Corpus Lossless formats JPEG* (bit depth) FLIF FLIF* WebP BPG PNG PNG* JP2* JXR JLS 100% 90% interlaced PNGs, we used OptiPNG [21]. For BPG we used [4] 8 1.002 1.000 1.234 1.318 1.480 2.108 1.253 1.676 1.242 1.054 0.302 the options -m 9 -e jctvc; for WebP we used -m 6 -q [4] 16 1.017 1.000 / / 1.414 1.502 1.012 2.011 1.111 / / 100. For the other formats we used default lossless options. [5] 8 1.032 1.000 1.099 1.163 1.429 1.664 1.097 1.248 1.500 1.017 0.302� [6] 8 1.003 1.000 1.040 1.081 1.282 1.441 1.074 1.168 1.225 0.980 0.263 Figure 4 shows the results; see [22] for more details. -
Supported Formats (August 2020)
Oracle Outside In Technology 8.5.5 Supported Formats (August 2020) Archive Version Multimedia Version 7z split archives not supported) AVI (Metadata only) 7z Self Extracting exe (split archives not DICOM (File ID only) supported) LZA Self Extracting Compres Flash (text extraction only) 6.x, 7.x, Lite LZH Compress Flash (File ID only) 9,10 Microsoft Office Binder Real Media (File ID only) Microsoft Cabinet (CAB) 95 – 97 MP3 (ID3 metadata only) RAR 1.5, 2.0, 2.9, MPEG-1 Audio layer 3 V ID3 v1 5.0 (Metadata only) Self-extracting .exe MPEG-1 Audio layer 3 V ID3 v2 (Metadata only) UNIX Compress MPEG-1 Video V 2 (File ID only) UNIX GZip MPEG-1 Video V 3 (File ID only) UNIX tar MPEG-2 Audio (File ID only) Uuencode MPEG-4 (Metadata only) ZIP PKZip MPEG-7 (Metadata only) ZIP WinZip QuickTime (Metadata only) ZIP ZIP64 Windows Media ASF (Metadata only) Database Version Windows Media DVR-MS (Metadata only) DataEase 4.x Windows Media Audio WMA (Metadata only) DBase III, IV, V, X, X1 Windows Media Playlist (File ID only) First Choice DB Through 3.0 Windows Media Video WMV (Metadata only) Framework DB 3.0 WAV (Metadata only) Microsoft Access (text only) 1.0, 2.0, 95 … Other Version 2019 Microsoft Access Report Snapshot (File ID 2000 – 2003 AOL Messenger (File ID only) 7.3 only) Microsoft Works DB for DOS 2.0 Microsoft InfoPath (File ID only) 2007 Microsoft Works DB for Macintosh 2.0 Microsoft Live Messenger (via XML filter) 10.0 Microsoft Works DB for Windows 3.0, 4.0 Microsoft Office Theme files (File ID only) 2007 … 2019 Microsoft Works DB for DOS -
Encapsulated Postscript File Format Specification
® Encapsulated PostScript File Format Specification ®® Adobe Developer Support Version 3.0 1 May 1992 Adobe Systems Incorporated Adobe Developer Technologies 345 Park Avenue San Jose, CA 95110 http://partners.adobe.com/ PN LPS5002 Copyright 1985–1988, 1990, 1992 by Adobe Systems Incorporated. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written consent of the publisher. Any software referred to herein is furnished under license and may only be used or copied in accordance with the terms of such license. PostScript is a registered trademark of Adobe Systems Incorporated. All instances of the name PostScript in the text are references to the PostScript language as defined by Adobe Systems Incorpo- rated unless otherwise stated. The name PostScript also is used as a product trademark for Adobe Sys- tems’ implementation of the PostScript language interpreter. Any references to a “PostScript printer,” a “PostScript file,” or a “PostScript driver” refer to printers, files, and driver programs (respectively) which are written in or support the PostScript language. The sentences in this book that use “PostScript language” as an adjective phrase are so constructed to rein- force that the name refers to the standard language definition as set forth by Adobe Systems Incorpo- rated. PostScript, the PostScript logo, Display PostScript, Adobe, the Adobe logo, Adobe Illustrator, Tran- Script, Carta, and Sonata are trademarks of Adobe Systems Incorporated registered in the U.S.A. and other countries. Adobe Garamond and Lithos are trademarks of Adobe Systems Incorporated. -
Microsoft Powerpoint
Development of Multimedia WebApp on Tizen Platform 1. HTML Multimedia 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video (2) HTML5 Audio (3) HTML Pulg-ins (4) HTML YouTube (5) Accessing Media Streams and Playing (6) Multimedia Contents Mgmt (7) Capturing Images 3. Multimedia Processing Web Device API Multimedia WepApp on Tizen - 1 - 1. HTML Multimedia • What is Multimedia ? − Multimedia comes in many different formats. It can be almost anything you can hear or see. − Examples : Pictures, music, sound, videos, records, films, animations, and more. − Web pages often contain multimedia elements of different types and formats. • Multimedia Formats − Multimedia elements (like sounds or videos) are stored in media files. − The most common way to discover the type of a file, is to look at the file extension. ⇔ When a browser sees the file extension .htm or .html, it will treat the file as an HTML file. ⇔ The .xml extension indicates an XML file, and the .css extension indicates a style sheet file. ⇔ Pictures are recognized by extensions like .gif, .png and .jpg. − Multimedia files also have their own formats and different extensions like: .swf, .wav, .mp3, .mp4, .mpg, .wmv, and .avi. Multimedia WepApp on Tizen - 2 - 2. Multimedia Playing with HTML5 Tags (1) HTML5 Video • Some of the popular video container formats include the following: Audio Video Interleave (.avi) Flash Video (.flv) MPEG 4 (.mp4) Matroska (.mkv) Ogg (.ogv) • Browser Support Multimedia WepApp on Tizen - 3 - • Common Video Format Format File Description .mpg MPEG. Developed by the Moving Pictures Expert Group. The first popular video format on the MPEG .mpeg web. -
Pre-Roll & Mid-Roll Video
Pre-roll & Mid-roll Video 1/2 THIRD PARTY ALL ASSETS BELOW ARE REQUIRED VAST SPECIFICATIONS TO BE PRESENT IN THE VAST TAG Not available for live stream sponsorships or feature sponsorships. All assets for sponsored Bit rate Codecs accepted Min dimensions Max file size Use cases content must use the "Network 10 Hosted Video In-Stream Ad with Companion" specifications. Mezzanine File 15–30 Mbps H.264 1920x1080 1.7 GB Required for SSAI Aspect ratio Format (High profile) Environments 16:9 Video will auto-scale correctly Frame Rate: 24 :15 – 4.5MB High Codec Constant frame rate only 2,100 kbps H.264 Mezzanine File - .mov +/- 50 kbps (High profile) 1024x576 :30 – 9MB bandwidth (H.264 High Profile) No de-interlacing with :18 – 18MB users no frame blending mp4 (high profile) :15 – 3.5MB Standard asset Remove any pull-down 1,500 kbps H.264 +/- 50 kbps (High profile) 960x540 :30 – 7MB for most users webm (VP8 or VP9) added for broadcast :18 – 14MB and pre roll Duration Audio :15 – 1MB Low 750 kbps H.264 768x432 :30 – 2MB bandwidth Network 10 accepts a variety of length Mezzanine file: 2 Channels only, AAC +/- 50 kbps (High profile) :18 – 4MB users creatives, standards include :6*, :15, :30, Codec, 192 KBPS minimum, 16 or 24 bit Available on :60*, :90*. only, 48 kHz Sample Rate. :15 – 4.5MB High 375 kbps H.264 Any tag submitted must contain creative mp4 assets: 2 Channels only, AAC Codec, +/- 50 kbps (High profile) 640x360 :30 – 9MB bandwidth of all the same length. 192 KBPS minimum, 16 or 24 bit only, 48 :18 – 18MB users kHz Sample Rate. -
42PF5421/10 Philips Widescreen Flat TV
Philips widescreen flat TV 107cm (42") LCD HD Ready 42PF5421 Turn up your viewing experience with Digital Crystal Clear Experience the superior picture quality of this excellent Flat TV with the latest LCD technology. It's packed into a stunning design that will complement your interior. Vivid, natural and razor sharp images • HD LCD WXGA display, with a 1366 x 768p resolution • HD Ready for the highest quality display of HD signals • Digital Crystal Clear provides vivid cinema-like images • Progressive Scan component video for optimized image quality • Active Control with Light Sensor optimizes picture quality Superb sound reproduction • Virtual Dolby Surround for a cinema-like audio experience Slim, stylish design to complement your interior • Matching stand with elegant design included For advanced performance • HDMI input for full digital HD connection in one cable Widescreen flat TV 42PF5421/10 107cm (42") LCD HD Ready Highlights LCD WXGA display, 1366 x 768p Digital Crystal Clear Virtual Dolby Surround This WXGA display with state-of-the-art LCD Digital Crystal Clear is a package of picture Virtual Dolby Surround is a processing screen technology gives you widescreen HD innovations that digitally adjusts and optimizes technology for enhancing surround sound resolution of 1366 x 768p pixels. It produces picture quality to optimal contrast, color and effects. It will create the sensation of Dolby brilliant flicker-free progressive scan pictures sharpness levels. It's like watching vivid cinema- Pro Logic without the necessity of additional with optimum brightness and superb colors. like images. rear speakers. You become totally immersed This vibrant and sharp image will provide you in your television experience. -
(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format. -
Understanding Image Formats and When to Use Them
Understanding Image Formats And When to Use Them Are you familiar with the extensions after your images? There are so many image formats that it’s so easy to get confused! File extensions like .jpeg, .bmp, .gif, and more can be seen after an image’s file name. Most of us disregard it, thinking there is no significance regarding these image formats. These are all different and not cross‐ compatible. These image formats have their own pros and cons. They were created for specific, yet different purposes. What’s the difference, and when is each format appropriate to use? Every graphic you see online is an image file. Most everything you see printed on paper, plastic or a t‐shirt came from an image file. These files come in a variety of formats, and each is optimized for a specific use. Using the right type for the right job means your design will come out picture perfect and just how you intended. The wrong format could mean a bad print or a poor web image, a giant download or a missing graphic in an email Most image files fit into one of two general categories—raster files and vector files—and each category has its own specific uses. This breakdown isn’t perfect. For example, certain formats can actually contain elements of both types. But this is a good place to start when thinking about which format to use for your projects. Raster Images Raster images are made up of a set grid of dots called pixels where each pixel is assigned a color. -
Openimageio 1.7 Programmer Documentation (In Progress)
OpenImageIO 1.7 Programmer Documentation (in progress) Editor: Larry Gritz [email protected] Date: 31 Mar 2016 ii The OpenImageIO source code and documentation are: Copyright (c) 2008-2016 Larry Gritz, et al. All Rights Reserved. The code that implements OpenImageIO is licensed under the BSD 3-clause (also some- times known as “new BSD” or “modified BSD”) license: Redistribution and use in source and binary forms, with or without modification, are per- mitted provided that the following conditions are met: • Redistributions of source code must retain the above copyright notice, this list of condi- tions and the following disclaimer. • Redistributions in binary form must reproduce the above copyright notice, this list of con- ditions and the following disclaimer in the documentation and/or other materials provided with the distribution. • Neither the name of the software’s owners nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission. THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIB- UTORS ”AS IS” AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FIT- NESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED. IN NO EVENT SHALL THE COPYRIGHT OWNER OR CONTRIBUTORS BE LIABLE FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUD- ING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABIL- ITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE. -
JPEG and JPEG 2000
JPEG and JPEG 2000 Past, present, and future Richard Clark Elysium Ltd, Crowborough, UK [email protected] Planned presentation Brief introduction JPEG – 25 years of standards… Shortfalls and issues Why JPEG 2000? JPEG 2000 – imaging architecture JPEG 2000 – what it is (should be!) Current activities New and continuing work… +44 1892 667411 - [email protected] Introductions Richard Clark – Working in technical standardisation since early 70’s – Fax, email, character coding (8859-1 is basis of HTML), image coding, multimedia – Elysium, set up in ’91 as SME innovator on the Web – Currently looks after JPEG web site, historical archive, some PR, some standards as editor (extensions to JPEG, JPEG-LS, MIME type RFC and software reference for JPEG 2000), HD Photo in JPEG, and the UK MPEG and JPEG committees – Plus some work that is actually funded……. +44 1892 667411 - [email protected] Elysium in Europe ACTS project – SPEAR – advanced JPEG tools ESPRIT project – Eurostill – consensus building on JPEG 2000 IST – Migrator 2000 – tool migration and feature exploitation of JPEG 2000 – 2KAN – JPEG 2000 advanced networking Plus some other involvement through CEN in cultural heritage and medical imaging, Interreg and others +44 1892 667411 - [email protected] 25 years of standards JPEG – Joint Photographic Experts Group, joint venture between ISO and CCITT (now ITU-T) Evolved from photo-videotex, character coding First meeting March 83 – JPEG proper started in July 86. 42nd meeting in Lausanne, next week… Attendance through national -
Efficient Multi-Codec Support for OTT Services: HEVC/H.265 And/Or AV1?
Efficient Multi-Codec Support for OTT Services: HEVC/H.265 and/or AV1? Christian Timmerer†,‡, Martin Smole‡, and Christopher Mueller‡ ‡Bitmovin Inc., †Alpen-Adria-Universität San Francisco, CA, USA and Klagenfurt, Austria, EU ‡{firstname.lastname}@bitmovin.com, †{firstname.lastname}@itec.aau.at Abstract – The success of HTTP adaptive streaming is un- multiple versions (e.g., different resolutions and bitrates) and disputed and technical standards begin to converge to com- each version is divided into predefined pieces of a few sec- mon formats reducing market fragmentation. However, other onds (typically 2-10s). A client first receives a manifest de- obstacles appear in form of multiple video codecs to be sup- scribing the available content on a server, and then, the client ported in the future, which calls for an efficient multi-codec requests pieces based on its context (e.g., observed available support for over-the-top services. In this paper, we review the bandwidth, buffer status, decoding capabilities). Thus, it is state of the art of HTTP adaptive streaming formats with re- able to adapt the media presentation in a dynamic, adaptive spect to new services and video codecs from a deployment way. perspective. Our findings reveal that multi-codec support is The existing different formats use slightly different ter- inevitable for a successful deployment of today's and future minology. Adopting DASH terminology, the versions are re- services and applications. ferred to as representations and pieces are called segments, which we will use henceforth. The major differences between INTRODUCTION these formats are shown in Table 1. We note a strong differ- entiation in the manifest format and it is expected that both Today's over-the-top (OTT) services account for more than MPEG's media presentation description (MPD) and HLS's 70 percent of the internet traffic and this number is expected playlist (m3u8) will coexist at least for some time. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE Optimized AV1 Inter Prediction using Binary classification techniques A graduate project submitted in partial fulfillment of the requirements for the degree of Master of Science in Software Engineering by Alex Kit Romero May 2020 The graduate project of Alex Kit Romero is approved: ____________________________________ ____________ Dr. Katya Mkrtchyan Date ____________________________________ ____________ Dr. Kyle Dewey Date ____________________________________ ____________ Dr. John J. Noga, Chair Date California State University, Northridge ii Dedication This project is dedicated to all of the Computer Science professors that I have come in contact with other the years who have inspired and encouraged me to pursue a career in computer science. The words and wisdom of these professors are what pushed me to try harder and accomplish more than I ever thought possible. I would like to give a big thanks to the open source community and my fellow cohort of computer science co-workers for always being there with answers to my numerous questions and inquiries. Without their guidance and expertise, I could not have been successful. Lastly, I would like to thank my friends and family who have supported and uplifted me throughout the years. Thank you for believing in me and always telling me to never give up. iii Table of Contents Signature Page ................................................................................................................................ ii Dedication .....................................................................................................................................