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Ellen Glasgow's in This Our Life
69 Ellen Glasgow’s In This Our Life DOI: 10.2478/abcsj-2019-0016 American, British and Canadian Studies, Volume 33, December 2019 Ellen Glasgow’s In This Our Life: “The Betrayals of Life” in the Crumbling Aristocratic South IULIA ANDREEA MILICĂ Alexandru Ioan Cuza University of Iași, Romania Abstract Ellen Glasgow’s works have received, over time, a mixed interpretation, from sentimental and conventional, to rebellious and insightful. Her novel In This Our Life (1941) allows the reader to have a glimpse of the early twentieth-century South, changed by the industrial revolution, desperately clinging to dead codes, despairing and struggling to survive. The South is reflected through the problems of a family, its sentimentality and vulnerability, but also its cruelty, pretensions, masks and selfishness, trying to find happiness and meaning in a world of traditions and codes that seem powerless in the face of progress. The novel, apparently simple and reduced in scope, offers, in fact, a deep insight into various issues, from complicated family relationships, gender pressures, racial inequality to psychological dilemmas, frustration or utter despair. The article’s aim is to depict, through this novel, one facet of the American South, the “aristocratic” South of belles and cavaliers, an illusory representation indeed, but so deeply rooted in the world’s imagination. Ellen Glasgow is one of the best choices in this direction: an aristocratic woman but also a keen and profound writer, and, most of all, a writer who loved the South deeply, even if she exposed its flaws. Keywords : the South, aristocracy, cavalier, patriarchy, southern belle, women, race, illness The American South is an entity recognizable in the world imagination due to its various representations in fiction, movies, politics, entertainment, advertisements, etc.: white-columned houses, fields of cotton, belles and cavaliers served by benevolent slaves, or, on the contrary, poverty, violence and lynching. -
Fruitful Futility: Land, Body, and Fate in Ellen Glasgow's Barren Ground Katelin R
St. Cloud State University theRepository at St. Cloud State Culminating Projects in English Department of English 12-2014 Fruitful Futility: Land, Body, and Fate in Ellen Glasgow's Barren Ground Katelin R. Moquin St. Cloud State University Follow this and additional works at: https://repository.stcloudstate.edu/engl_etds Part of the American Literature Commons Recommended Citation Moquin, Katelin R., "Fruitful Futility: Land, Body, and Fate in Ellen Glasgow's Barren Ground" (2014). Culminating Projects in English. 2. https://repository.stcloudstate.edu/engl_etds/2 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in English by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Moquin 1 FRUITFUL FUTILITY: LAND, BODY, AND FATE IN ELLEN GLASGOW’S BARREN GROUND by Katelin Ruth Moquin B.A., Concordia University – Ann Arbor, 2009 A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree: Master of Arts St. Cloud, Minnesota December, 2014 Moquin 2 FRUITFUL FUTILITY: LAND, BODY, AND FATE IN ELLEN GLASGOW’S BARREN GROUND Katelin Ruth Moquin Through a Cultural Studies lens and with Formalist-inspired analysis, this thesis paper addresses the complexly interwoven elements of land, body, and fate in Ellen Glasgow’s Barren Ground . The introductory chapter is a survey of the critical attention, and lack thereof, Glasgow has received from various literary frameworks. Chapter II summarizes the historical foundations of the South into which Glasgow’s fictionalized South is rooted. -
Code De Conduite Pour Le Water Polo
HistoFINA SWIMMING MEDALLISTS AND STATISTICS AT OLYMPIC GAMES Last updated in November, 2016 (After the Rio 2016 Olympic Games) Fédération Internationale de Natation Ch. De Bellevue 24a/24b – 1005 Lausanne – Switzerland TEL: (41-21) 310 47 10 – FAX: (41-21) 312 66 10 – E-mail: [email protected] Website: www.fina.org Copyright FINA, Lausanne 2013 In memory of Jean-Louis Meuret CONTENTS OLYMPIC GAMES Swimming – 1896-2012 Introduction 3 Olympic Games dates, sites, number of victories by National Federations (NF) and on the podiums 4 1896 – 2016 – From Athens to Rio 6 Olympic Gold Medals & Olympic Champions by Country 21 MEN’S EVENTS – Podiums and statistics 22 WOMEN’S EVENTS – Podiums and statistics 82 FINA Members and Country Codes 136 2 Introduction In the following study you will find the statistics of the swimming events at the Olympic Games held since 1896 (under the umbrella of FINA since 1912) as well as the podiums and number of medals obtained by National Federation. You will also find the standings of the first three places in all events for men and women at the Olympic Games followed by several classifications which are listed either by the number of titles or medals by swimmer or National Federation. It should be noted that these standings only have an historical aim but no sport signification because the comparison between the achievements of swimmers of different generations is always unfair for several reasons: 1. The period of time. The Olympic Games were not organised in 1916, 1940 and 1944 2. The evolution of the programme. -
Edith Wharton: Vision and Perception in Her Short Stories Jill Sneider Washington University in St
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 5-24-2012 Edith Wharton: Vision and Perception in Her Short Stories Jill Sneider Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Sneider, Jill, "Edith Wharton: Vision and Perception in Her Short Stories" (2012). All Theses and Dissertations (ETDs). 728. https://openscholarship.wustl.edu/etd/728 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of English Dissertation Examination Committee: Wayne Fields, Chair Naomi Lebowitz Robert Milder George Pepe Richard Ruland Lynne Tatlock Edith Wharton: Vision and Perception in Her Short Stories By Jill Frank Sneider A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2012 St. Louis, Missouri Copyright by Jill Frank Sneider 2012 Acknowledgments I would like to thank Washington University and the Department of English and American Literature for their flexibility during my graduate education. Their approval of my part-time program made it possible for me to earn a master’s degree and a doctorate. I appreciate the time, advice, and encouragement given to me by Wayne Fields, the Director of my dissertation. He helped me discover new facets to explore every time we met and challenged me to analyze and write far beyond my own expectations. -
Muse-2020-SINGLES1-1.Pdf
TWENTY TWENTY Self Portrait Heidi Hughes contents Poetry clarity Jillian Oliver ................................................................... 2 I Know You Rayleigh Caldwell .................................................. 2 strawberry Bailey Stuart ........................................................... 3 The Girl Behind the Mirror Erin Gonzalez .............................. 4 exile from neverland Jillian Oliver ........................................... 7 I Once… Erin Gonzalez .............................................................. 7 if ever there should come a time Jillian Oliver ........................ 8 Hello Friend Julia Shelton The Trend Fernanda Carbajal Rodriguez .................................. 9 Love Sonnet Number 666 ½ Jake C. Woodlee .........................11 the end of romance Jillian Oliver ............................................11 What Kindergarten Taught Me Morgan Bryson ..................... 43 Facing Fear Melissa Brown ....................................................... 44 Sharing the Love with Calhoun’s Community ........................... 44 ESSAY Dr. Leigh Ann Rhea J.K. Rowling: The Modern Hero Melissa Brown ................... 12 In the Spotlight: Tatayana Rice Jillian Oliver ......................... 45 Corn Flakes Lance Voorhees .................................................... 15 Student Success Symposium Jillian Oliver .............................. 46 Heroism in The Outcasts of Poker Flat Molly Snoddy .......... 15 In the Spotlight: Chad Kelsoe Amelia Chey Slaton ............... -
THE JUNGLE by VICTORIA ALLEN, M.Ed
A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF UPTON SINCLAIR’S THE JUNGLE By VICTORIA ALLEN, M.Ed. SERIES EDITORS: W. GEIGER ELLIS, ED.D., UNIVERSITY OF GEORGIA, EMERITUS and ARTHEA J. S. REED, PH.D., UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of Upton Sinclair’s The Jungle 2 INTRODUCTION The Jungle by Upton Sinclair was written at the turn of the twentieth century. This period is often painted as one of advancement of the human condition. Sinclair refutes this by unveiling the horrible injustices of Chicago’s meat packing industry as Jurgis Rudkus, his protagonist, discovers the truth about opportunity and prosperity in America. This book is a good choice for eleventh and twelfth grade, junior college, or college students mature enough to understand the purpose of its content. The “hooks” for most students are the human-interest storyline and the graphic descriptions of the meat industry and the realities of immigrant life in America. The teacher’s main role while reading this book with students is to help them understand Sinclair’s purpose. Coordinating the reading of The Jungle with a United States history study of the beginning of the 1900s will illustrate that this novel was not intended as mere entertainment but written in the cause of social reform. As students read, they should be encouraged to develop and express their own ideas about the many political, ethical, and personal issues addressed by Sinclair. This guide includes an overview, which identifies the main characters and summarizes each chapter. -
REVIEW Volume 60 Z No
REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A. -
05 061-081 GORMAN(Net).Indd
The Japanese Journal of American Studies, No. 28 (2017) Copyright © 2017 Michael Gorman. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Rural Cosmopolitanism and Cultural Imperialism in Willa Cather’s One of Ours Michael GORMAN* INTRODUCTION Among Americans familiar with the novelist Willa Cather (1873–1947), she is best remembered for her depictions of the Great Plains and the pioneers who settled that vast expanse of territory between the Mississippi River and the Rocky Mountains in the nineteenth century. Accordingly, her writing has been both celebrated and dismissed as local color. Even a laudatory biographical sketch from the Willa Cather Archive describes Cather as bringing “American regions to life through her loving portrayals of individuals within local cultures.”1 Yet it is a mistake to view her writing in isolation from global concerns. Cather is a modern writer whose fi ction, even when set in the past, addresses pressing international affairs such as World War I (1914–18) and the events leading up to America’s delayed entrance into that struggle. Unlike Ernest Hemingway and John Dos Passos, whose writing careers were spawned by World War I, Willa Cather came to maturity as a writer in the decades preceding it, at the crest of America’s colonial ambitions. She began her career as a journalist in 1893—the same year that Frederick Jackson Turner announced his “frontier thesis” and American plantation interests illegally enlisted US Marines to depose the Hawaiian monarch, Queen Liliuokalani. -
A Novel Idea: Fiction for Labor Activists | Labor Notes
A Novel Idea: Fiction for Labor Activists | Labor Notes http://www.labornotes.org/2013/01/novel-idea-fiction-labor-activists search » A Novel Idea: Fiction for Labor Follow @labornotes 8,126 followers Activists Like 8.4k January 31, 2013 / Laura McClure enlarge or shrink text login or register to comment Labor news from labor's point of view. $30 for 12 issues. » SEIU Wins Again at Kaiser, But Militant Minority Grows » Adjunct Faculty, Cartoon by Bill Yund. Now in The Majority, Organize Citywide » When we're not reading Labor Notes, many activists rely on fiction for UPS: Largest Private- inspiration, new perspectives, and, of course, entertainment. For some Sector Contract, Profitable Employer, of us, novels even helped start us down our paths of activism. Flat Beer » But—which novels? A survey of a handful of labor activists and Detroit Fast Food educators revealed their favorite class-conscious novels. Workers Join Strike Wave » Strikes! Since fiction is built on conflict, it makes sense that some powerful novels center on strikes. Longtime CWA organizer Steve Early recommends The Ink Truck, by Labor Notes is a media ex-journalist William Kennedy, a “comic novel about a flailing and and organizing project failing newspaper strike. It's a must-read for any strike organizers that has been the voice of union activists who want sitting around fantasizing about what might rescue them from to put the movement back impending defeat.” in the labor movement since 1979. » John Steinbeck’s In Dubious Battle, about a strike by fruit pickers in California and the difficulties of organizing, is controversial, says labor educator and author Stanley Aronowitz, because it “does not glorify the decisions the organizer makes to win.” » God’s Bits of Wood by Ousmane Sembene, nominated by UE organizer Erin Stalnaker, tells the story of a strike by Senegalese railworkers against their French employers in 1947-48. -
Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection
Catalog Records April 7, 2021 6:03 PM Object Id Object Name Author Title Date Collection 1839.6.681 Book John Marshall The Writings of Chief Justice Marshall on the Federal 1839 GCM-KTM Constitution 1845.6.878 Book Unknown The Proverbs and other Remarkable Sayings of Solomon 1845 GCM-KTM 1850.6.407 Book Ik Marvel Reveries of A Bachelor or a Book of the Heart 1850 GCM-KTM The Analogy of Religion Natural and Revealed, to the 1857.6.920 Book Joseph Butler 1857 GCM-KTM Constitution and Course of Nature 1859.6.1083 Book George Eliot Adam Bede 1859 GCM-KTM 1867.6.159.1 Book Charles Dickens The Old Curiosity Shop: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.159.2 Book Charles Dickens The Old Curiosity Shop: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.160.1 Book Charles Dickens Nicholas Nickleby: Volume I Charles Dickens's Works 1867 GCM-KTM 1867.6.160.2 Book Charles Dickens Nicholas Nickleby: Volume II Charles Dickens's Works 1867 GCM-KTM 1867.6.162 Book Charles Dickens Great Expectations: Charles Dickens's Works 1867 GCM-KTM 1867.6.163 Book Charles Dickens Christmas Books: Charles Dickens's Works 1867 GCM-KTM 1868.6.161.1 Book Charles Dickens David Copperfield: Volume I Charles Dickens's Works 1868 GCM-KTM 1868.6.161.2 Book Charles Dickens David Copperfield: Volume II Charles Dickens's Works 1868 GCM-KTM 1871.6.359 Book James Russell Lowell Literary Essays 1871 GCM-KTM 1876.6. -
A Rip in the Social Fabric: Revolution, Industrial Workers of the World, and the Paterson Silk Strike of 1913 in American Literature, 1908-1927
i A RIP IN THE SOCIAL FABRIC: REVOLUTION, INDUSTRIAL WORKERS OF THE WORLD, AND THE PATERSON SILK STRIKE OF 1913 IN AMERICAN LITERATURE, 1908-1927 ___________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ___________________________________________________________________________ by Nicholas L. Peterson August, 2011 Examining Committee Members: Daniel T. O’Hara, Advisory Chair, English Philip R. Yannella, English Susan Wells, English David Waldstreicher, History ii ABSTRACT In 1913, the Industrial Workers of the World (IWW) led a strike of silk workers in Paterson, New Jersey. Several New York intellectuals took advantage of Paterson’s proximity to New York to witness and participate in the strike, eventually organizing the Paterson Pageant as a fundraiser to support the strikers. Directed by John Reed, the strikers told their own story in the dramatic form of the Pageant. The IWW and the Paterson Silk Strike inspired several writers to relate their experience of the strike and their participation in the Pageant in fictional works. Since labor and working-class experience is rarely a literary subject, the assertiveness of workers during a strike is portrayed as a catastrophic event that is difficult for middle-class writers to describe. The IWW’s goal was a revolutionary restructuring of society into a worker-run co- operative and the strike was its chief weapon in achieving this end. Inspired by such a drastic challenge to the social order, writers use traditional social organizations—religion, nationality, and family—to structure their characters’ or narrators’ experience of the strike; but the strike also forces characters and narrators to re-examine these traditional institutions in regard to the class struggle. -
2020 U.S. Olympic Team Trials - Swimming 1 Media Guidelines & Information Usaswimming.Org/Trials L @Usaswimming L @Usaswimmingnews L #Swimtrials21
2020 U.S. Olympic Team Trials - Swimming 1 Media Guidelines & Information usaswimming.org/trials l @USASwimming l @USASwimmingNews l #SwimTrials21 Facility Address Media Seating CHI Health Center Omaha USA Swimming will provide seating charts for tabled media in the competition 455 N. 10th Street venue. Overflow (non-tabled) media seating is available in section 102 and 103. Omaha, NE 68102 Seating in the media work room will not be assigned. COVID-19 Guidelines Internet Getty Images All credentialed, on-site media must adhere to the COVID-19 health and safety Wireless internet access will be available throughout the various media work areas. protocols listed at www.usaswimming.org/trials. Media members must receive a Ethernet connections will be available in the Media Seating Area (tables only), 2020 U.S. Olympic Team Trials - Swimming Media Guide COVID-19 PCR test 3-6 days before picking up their credentials in Omaha. select photographer locations and the Media Work Room. usaswimming.org/trials l @USASwimming l @USASwimmingNews l #SwimTrials21 Credentials Photographer Guidelines Competition Details Media credential pick-up will be located at the media entrance of the CHI Health Steven Currie will again serve as the photo chief for the U.S. Olympic Team Trials - Center Omaha. The entrance is located at the back of the building (east side of the Swimming. He will assist and coordinate locations for all photographers in Omaha. Wave I Dates: June 4-7, 2021 building), adjacent to Parking Lot A. This will be the media entrance throughout the Complete guidelines will be distributed to all credentialed photographers prior to Wave II Dates: June 13-20, 2021 me11-1et.