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The 007Th Minute Ebook Edition
“What a load of crap. Next time, mate, keep your drug tripping private.” JACQUES A person on Facebook. STEWART “What utter drivel” Another person on Facebook. “I may be in the minority here, but I find these editorial pieces to be completely unreadable garbage.” Guess where that one came from. “No, you’re not. Honestly, I think of this the same Bond thinks of his obituary by M.” Chap above’s made a chum. This might be what Facebook is for. That’s rather lovely. Isn’t the internet super? “I don’t get it either and I don’t have the guts to say it because I fear their rhetoric or they’d might just ignore me. After reading one of these I feel like I’ve walked in on a Specter round table meeting of which I do not belong. I suppose I’m less a Bond fan because I haven’t read all the novels. I just figured these were for the fans who’ve read all the novels including the continuation ones, fan’s of literary Bond instead of the films. They leave me wondering if I can even read or if I even have a grasp of the language itself.” No comment. This ebook is not for sale but only available as a free download at Commanderbond.net. If you downloaded this ebook and want to give something in return, please make a donation to UNICEF, or any other cause of your personal choice. BOOK Trespassers will be masticated. Fnarr. BOOK a commanderbond.net ebook COMMANDERBOND.NET BROUGHT TO YOU BY COMMANDERBOND.NET a commanderbond.net book Jacques I. -
Finding Aid for the Steven Jay Rubin Papers Collection Processed
Finding Aid for the Steven Jay Rubin Papers Collection Processed by: Maya Peterpaul, 2.23.18 Revised, Emily Wittenberg, 7.11.18 Finding Aid Written by: Maya Peterpaul, 2.23.18 Revised, Emily Wittenberg, 7.11.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Rubin, Steven Jay Title of Collection: Steven Jay Rubin Papers Date of Collection: ca. 1980s-1990s Physical Description: 3 boxes; 0.834 feet Identification: Special Collection #11 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Steven Jay Rubin in 1983. BIOGRAPHICAL/HISTORY NOTE: Steven Jay Rubin was born in Chicago, Illinois, on September 9, 1951. Rubin is a film historian and the founder and president of the production company, Fast Carrier Pictures, Inc. He has worked as a publicist for over 150 films and television series. Rubin has also directed and produced various film projects, contributed to DVD commentaries (THE GREAT ESCAPE), and contributed writing to magazines (Cinefantastique, CinemaRetro). Rubin is considered to be an expert on James Bond films, and has written the following books: The James Bond Films (1981), The James Bond Films: A Behind the Scenes History (1981), and The Complete James Bond Movie Encyclopedia (1990). Other books by Rubin include: Combat Films: American Realism, 1945-70 (1981), Combat Films : American Realism, 1945-2010, Reel Exposure : How to Publicize and Promote Today's Motion Pictures (1991), and The Twilight Zone Encyclopedia (2017). -
Mr Bond, I’Ve Been Expecting You’ the Cinematic Inaugurations of a New James Bond
‘Mr Bond, I’ve been expecting you’ The Cinematic Inaugurations of a New James Bond STEPHANIE JONES James Bond films are a cinematic phenomenon unlike any other. The so-called official series made by Eon productions has been in existence for more than fifty years. Its cultural stayin po!er alone makes the cinematic Bond phenomenon an extremely fertile soil for examinations of continuity and chan e. "hile Bond scholarship should not be limited to diachronic analysis, the persistent popular- ity and cultural salience of the Bond phenomenon means that James Bond $tud- ies, as a field of in%uiry# !ill make a series of important inter&entions into broader scholarship. As (hristoph )indner notes, %uotin Octopussy * John +len# ,-./0# Bond has a 1nasty habit of sur&i&in 2 *344/# .0. Examinations of this sur- &i&al ha&e been# and !ill continue to be, of great si nificance to cultural scholar- ship. 5ne of the many means by !hich the Bond series has sur&i&ed o&er time is by recastin of the central actor. This article !ill analyse the inauguration of each ne! cinematic Bond in turn. Lea&in aside the gun barrel sequence 6 !hich is also a key part of the Bond formula and !orthy of an analysis all of its o!n 6 a ne! Bond7s first ap- pearance sets out a fresh landscape to be explored., These introductions to Bond balance the old and ne!. They address criticisms and concerns that ha&e, to dra! , 'ficionados of Bond trivia !ill kno! that Bob $immons is the first actor to play Bond on film# as he appears in the gun barrel se%uence to Dr. -
Goldfinger James Bond 007 – Goldfinger
a_f_JahrAnmeldeNr BERLINALE CLASSICS GOLDFINGER JAMES BOND 007 – GOLDFINGER Guy Hamilton Der englische Unternehmer Auric Goldfinger steht im Verdacht, erheb- Großbritannien/ USA 1964 Geboren 1922. Er begann als Regie-Assistent liche Mengen Goldes außer Landes geschmuggelt zu haben. James 112 Min. · DCP, 4K · Farbe unter anderem von Carol Reed und John Bond, Geheimagent Ihrer Majestät, wird auf ihn angesetzt, doch von Huston, sein Film MANUELA lief 1957 im Goldfinger durchschaut und in der Schweiz unschädlich gemacht. Er Regie Guy Hamilton IFB-Wettbewerb. Nach GOLDFINGER drehte lässt 007 von seiner Pilotin Pussy Galore auf seine Farm nach Kentucky Buch Richard Maibaum, Paul Dehn, nach dem Roman (1959) von Ian Fleming er 1971–74 drei weitere Bond-Abenteuer. ausfliegen, wo Bond von Goldfingers perfidem Plan erfährt, die Gold- Bekannt ist er zudem für das Spionage-Drama Kamera Ted Moore reserven der USA in Ford Knox radioaktiv zu verstrahlen, um den Wert Schnitt Peter Hunt FINALE IN BERLIN (1966) und den Kriegsfilm des eigenen Goldes zu verzehnfachen … Das extravagante Production LUFTSCHLACHT UM ENGLAND (1969). Musik John Barry Design von Ken Adam, zu dem auch das Innere von Ford Knox gehört, Ton Dudley Messenger, Gordon McCallum Born in 1922. He began as an assistant scheint die physikalischen Gesetze außer Kraft setzen zu können. Ken Production Design Ken Adam director with Carol Reed and John Huston, Adam, 2008: „Ich hatte mir das Innere der Goldtresore bei der Bank von Set Decoration Freda Pearson among others. His film MANUELA screened England angesehen und fand sie höchst uninteressant – in Wahrheit Art Director Peter Murton in competition at the 1957 Berlinale. -
Ts, Xl-James Bond Archives
All About James Bond! First XL-Edition Golden Edition Copies 001–500* *No. 007 not for sale; to be auctioned for charity Limited to 500 num- “We wanted to create a book that Features include: would be an appropriate tribute to this bered copies, signed incredible 50-year milestone. A book – Celebrating the 50th anniversary of the most by Daniel Craig that would show the familiar, but also things never seen before, treasures successful and longest-running film franchise in uncovered, moments long since cinema history! forgotten. A book that would look not – Made with unrestricted access to the Bond archives, just at the world of Bond films, but the world behind the films, at everything this XL tome recounts the entire history of James Bond it took to make this 50-year journey in words and pictures happen.” – Among the 1100 images are many previously unseen — Michael G. Wilson and Barbara Broccoli, EON Productions stills, on-set photos, memos, documents, storyboards, posters, and designs, plus unused concepts, and With an archival, museum- alternative designs quality pigment print THE JAMES BOND ARCHIVES – Behind-the-scenes stories from the people who were signed by legendary Bond LIMITED FIRST EDITION there: producers, directors, actors, screenwriters, set designer Sir Ken Adam Edited by Paul Duncan production designers, special effects technicians, Hardcover + film strip of Dr. No stuntmen, and other crew members 41.1 x 30 cm (16.2 x 11.8 in.), 600 pages – Chapters written by Ellen Cheshire, Danny Graydon, Howard Hughes, Colin Odell & Michelle Le Blanc, Editions: Jamie Russell, and Paul Duncan English: ISBN 978–3–8365–2105-5 – Includes every Bond film ever made, from Dr. -
Ils Ont Failli Jouer James Bond.Wps
1 Le tournage de Dr No commença le mardi 16 janvier 1962 à l'aéroport de Kingston dans une ambiance bonne enfant . L'équipe tourne les extérieurs à la Jamaïque ce qui permet à Ian Fleming , le créateur de James Bond de visiter le tournage . L'écrivain Britannique rencontre alors les deux vedettes du film : Sean Connery et Ursula Andress, alors qu'il est en pleine écriture du nouveau Bond littéraire : Au Service Secret de sa Majesté (1963). Malgré ses premières reserves sur le côté rustre de Connery, il est vite bluffé par 2 les deux acteurs et décide de donner au parents de James Bond qui sont mentionnés dans le livre la nationalité de Sean Connery et d'Ursula Andress : Ecossais et Suissesse. Ian Fleming est rassuré : les producteurs ont fait le bon choix, Sean Connery est bel et bien l'agent tueur et sophistiqué qu'il a crée . C'est Terence Young, le réalisateur qui transpose la recette Bond au grand écran : Action, exotisme, sexe, violence et luxe . Les cascades de Bob Simmons (1933-1988) sont excellentes et novatrices et feront la 3 réputation de James Bond . Sean Connery interprète à merveille l'agent 007 dangereux et charmeur. Ursula Andress livre une scène culte du cinéma : Celle ou elle sort de l'eau en bikini avec un couteau qui marquera les esprits . Le 21 février, l'équipe part de la Jamaïque et arrive à Pinewood pour les extérieurs . Ken Adam a crée des décors modernes et raffinés pour un budget modique . Le vendredi 30 mars 1962, le tournage est terminé . -
Movie Trivia
------------------------------------------------------------------------------- MOVIE TRIVIA Frequently Asked Questions Copyright (C) 1992-5 Murray Chapman ------------------------------------------------------------------------------- Compiled by Murray Chapman ([email protected]), from sources too numerous too mention. Thank-you one and all. INTRODUCTION ------------ This is a list of interesting trivia, ``did you notice’’-type things for movies. This list is part of The Internet Movie Database. See the notes at the end for more information. This, and MANY other FAQs are available for anonymous FTP wherever news.answers is archived, for example: rtfm.mit.edu:/pub/usenet/news.answers/movies/trivia-faq The followup field is set to rec.arts.movies. Additions and suggestions welcome: if you can confirm any rumors, or dispute any ``facts’’, then please do so! PLEASE read the notes at end before you submit anything. This is becoming increasingly important. Thanks! DISCLAIMER ---------- The data contained in this file has been supplied by numerous sources, many of which are anonymous and second- or third-hand. By its very nature, the data contained herein is particularly susceptible to innuendo and rumor. While I have exercised considerable editorial control by: a) attempting to eliminate scandal, sensationalism, and/or slander, b) seeking confirmatin of rumours, and c) expressing a willingness to debate the validity of included data, I will not (and could not possibly be expected to) accept responsibility or liability for any views/claims/rumours/errors that appears herein. The views expressed in this file do not necessarily agree with my own. I have attempted to present information in a professional and non-sensationalist manner, but as far as the information itself goes, I am obviously at the mercy of those who supply the data. -
GOLDFINGER O»
JAMES BONO contra GOLDFINGER o», De IAN FLEMING Techn/co/or reparto: James Bond SEAN CONNERY Goldfinger GERT FROBE Pussy Calore HONOR BLACKMAN Jill Masterson SHIRLEY EATON TMIy Masterson TAÑÍA MALLET Oddjob HAROLD SAKATA M BERNARD LEE Solo MARTIN BENSON Félix Leiter CEC LINDER Simmons AUSTIN WILLIS Miss Moneypenny LOIS MAXWELL Midnight BILL NAGY Capungo ALF JOINT Vieja dama VARLEY THOMAS Bonita NADJA REGIN Sierra RAYMOND YOUNG Smithers RICHARD VERNON Brunskill DENIS COWLES Kisch MICHAEL MELLINGER Mr. Ling BERT KWOUK Strap HAL GALILI Henchirían LENNY RABIN ficha técnica: Productores HARRY SALTZMAN y ALBERT R. BROCCOL! Director CUY HAMILTON Guión cinematográfico RICHARD MAIBAUM y PAUL DEHN Director de fotografía TED MOORE, BSC Montaje PETER HUNT Director de producción L. C. RYDKIN Dirección artística PETER MURTÓN Canción «Goldfinger», cantada por SHIRLEY BASSEY Letra de la canción LESLIE BRICUSSE y ANTHONY NEWLEY Música, compuesta y dirigida por JOHN BARRY Ayudante de dirección FRANK ERNST Secuencias de acción BOB SIMMONS Efectos especiales JOHN STEARS, asistido por FRANK GEORGE Títulos diseñados por ROBERT BROWNJOHN EON PRODUCTIONS, LTD. UNITED ARTISTS wsp *%.iL< _— Auric Golfinger es uno de los hombres más ricos del mundo, cuya ambición por el oro sólo es superada por su desprecio a la vida humana. Cuando el Servicio Secreto Británico averigua que Goldfinger es probablemente el responsable de que las reservas de oro de Inglaterra se estén esfumando a través de un contrabando, se le asigna al Agente 007 la misión de investigar en el Imperio Secreto de este enigmático personaje. James Bond tiene el primer encuentro con Goldfinger al borde de una piscina, en un hotel de Miami Beach, donde el millonario se encuentra con su atractiva secretaria, Jill Masterson. -
Interview with Martin Grace (Roger Moore Stunt Double) - 2009/2010
INTERVIEW WITH MARTIN GRACE (ROGER MOORE STUNT DOUBLE) - 2009/2010 Interview by Anders Frejdh, Founder of From Sweden with Love, and Marie-France Vienne, webmaster for Roger Moore’s official website. First of all, could you tell us a little bit about yourself? I was born in Kilkenny, Ireland on September 12, 1942. I attended National School at a little place called Lisdowney. The village master in the town thought his little school were the best. He was a sincere man and stern to view. That was from the age of 6 to 14. Then, I attended the college in Kilkenny City. It was during this time that I experienced the excitement of watching my first action movies by a travelling film show in a tent. It was sheer magic. I went to London in the early 1960’s and attended Mountview Academy of Theatre Arts. I took a job with Butlins Holiday Camp in 1963, organising sport and playing in their theatre to gain experience. I won a Charlton Heston talent contest in 1974 that took me to Hollywood for the first time. I was already preparing my skills with boxing, wrestling, fencing, swimming, trampoline and gym work out, special motorcar and motorcycling driving skills, parachuting and various other sports in view of becoming an action stunt man in films. I attended stunt classes to learn the basics and joined a stunt agency for films and commercials. It was for commercials that I got my first stunt jobs. The white knight in Supersoft hairspray and the action man on Cadburys milk tray chocolates stunts. -
University of Birmingham License to Assemble
University of Birmingham License to assemble Preece, Chloe; Kerrigan, Finola; O'reilly, Daragh DOI: 10.1093/jcr/ucy076 License: Creative Commons: Attribution-NonCommercial (CC BY-NC) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Preece, C, Kerrigan, F & O'reilly, D 2019, 'License to assemble: theorizing brand longevity', Journal of Consumer Research, vol. 46, no. 2, pp. 330–350. https://doi.org/10.1093/jcr/ucy076 Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
Masculinity of James Bond As Seen in from Russia with Love Film
PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI MASCULINITY OF JAMES BOND AS SEEN IN FROM RUSSIA WITH LOVE FILM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of Requirements for the Degree of Sarjana Sastra in English Letters By NICHOLAS JAVIER SATRIA ADYNUGRAHA Student Number: 144214017 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ii MASCULINITY OF JAMES BOND AS SEEN IN FROM RUSSIA WITH LOVE FILM AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of Requirements for the Degree of Sarjana Sastra in English Letters By NICHOLAS JAVIER SATRIA ADYNUGRAHA Student Number: 144214017 DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS UNIVERSITAS SANATA DHARMA YOGYAKARTA 2019 ii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI vii Freedom of the press is not just important to democracy, it is democracy. Walter Cronkite vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI viii viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ix ACKNOWLEDGEMENTS First, I would like to thank Lord Jesus Christ for his blessing and guidance that makes me possible to finish my thesis and pass my study. Second, I would like to thank my parents, especially for my dad wherever he is, for raising and supporting me. Next, I would like to express my gratitude to my thesis advisors A. B. Sri Mulyani, Ph. D. as my advisor and Drs. Hirmawan Wijanarka, M. Hum. as my co- advisor for their guidances, advices, and encouragement throughout my undergraduate thesis process. My appreciation also goes to Ni Luh Putu Rosiandani, S.S., M.Hum. -
Agente 007 Contra El Dr. No: La Carrera Espacial Amenazada Desde El Caribe
Agente 007 contra el Dr. No: la carrera espacial amenazada desde el Caribe ALEJANDRO ACOSTA LÓPEZ Universitat de Barcelona Resumen Este artículo trata de detectar los elementos argumentales que reflejan el contexto de la Guerra Fría a principios de la década de 1960 y la aparición de un nuevo foco de tensión internacional centrado en el área caribeña aparecidos en la primera película de la saga cinematográfica del espía inglés James Bond: Agente 007 contra el Dr. No (1962). El film, que camufla la trascendencia geoestratégica representada por el triunfo de la Revolución cubana con el uso de una isla ficticia de invención literaria, parece preconizar la crisis de los mísiles cubanos que tuvo lugar el mismo mes de su estreno. Palabras clave: James Bond; espionaje; Guerra Fría; Caribe; isla enemiga; misiles. Abstract This article tries to detect the plot elements that reflect the context of the Cold War in the early 1960s and the emergence of a new focus of international tension centered in the Caribbean area appeared in the first film of the British film spy film James Bond: Dr. No (1962). The film, which camouflages the geostrategic transcendence represented by the triumph of the Cuban Revolution with the use of a fictional island of literary invention, seems to advocate the crisis of the Cuban missiles that took place the same month of its premiere. Keywords: James Bond; espionage; Cold War; Caribbean; Enemy Island; missiles. Introducción Con el estreno en octubre de 1962 del film Agente 007 contra el Dr. No daría comienzo la saga más longeva del séptimo arte y todo un fenómeno cultural que se inseriría con profundo arraigo en la cultura pop de la segunda mitad del siglo XX.