Public Enemy

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Public Enemy Film Study Guide Director: Jens Meurer 1999 | Documentary | 88 Minutes | France, Germany, Belgium, Finland | English | Unrated http://icarusfilms.com/if-pub Synopsis: The film is a documentary of The Black Panther Party as told by four former Party members: founding Party member Bobby Seale, now an author on the lecture circuit; Kathleen Cleaver, a Party organizer, now a professor of Law at Sarah Lawrence College; Jamal Joseph, an organizer in the Party’s Harlem office, now poet, founder of Impact Repertory Theater; award-winning director, producer and assistant professor of film at Columbia University; and Nile Rogers, Party member, founder of the musical group Chic, producer and musician. The stories they tell are personal ones. Public Enemy is not an in-depth look at Party history, but it is all the more effective when one realizes through film what these people saw, what they accomplished, how it affected them and how it failed. Ultimately, it is the telling of the story that is the success of the Panther’s legacy. Post-Screening Discussion Questions 1. What do you know about The Black Panther Party? 2. What do you know about Fred Hampton, Sr. and the Chicago Panthers? 3. Do you feel that the Panthers played a major role in African American history? 4. What is the legacy of the Black Panther Party? 5. Why were government officials and the FBI so worried about the Black Panthers? 6. What do you know about CONTELPRO, and who do you think was its’ purpose? 7. In what ways do you think the Party succeeded? In what ways do you think it failed? 8. Could there be organizations like The Black Panther Party in America today? If so, how would if differ from the Panthers of the 60s? If not, why do you think such an organization couldn’t exist today? 9. Do you think the goals of the Party were achievable, why or why not? .

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The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements.
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Rapoport Center Human R Working Paper 7/2019 Rapoport Center Human Rights Working Paper Series 6/2019 “The Only Panthers Left”: An Intellectual History of the Angola 3 Holly Genovese Creative Commons license Attribution Non-Commercial No Derivatives. This text may be downloaded for per- sonal research purposes only. Any additional reproduction for other purposes, whether in hard copy or electron- ically, requires the consent of the Rapoport Center Human Rights Working Paper Series and the author. For the full terms of the Creative Commons License, please visit www.creativecommons.org. Dedicated to interdisciplinary and critical dialogue on international human rights law and discourse, the Rapoport Cen- ter’s Working Paper Series (WPS) publishes innovative papers by established and early-career researchers as well as practitioners. The goal is to provide a productive environment for debate about human rights among academics, policy- makers, activists, practitioners, and the wider public. ISSN 2158-3161 Published in the United States of America The Bernard and Audre Rapoport Center for Human Rights and Justice at The University of Texas School of Law 727 E. Dean Keeton St. Austin, TX 78705 https://law.utexas.edu/humanrights/ https://law.utexas.edu/humanrights/project-type/working-paper-series/ ABSTRACT Albert Woodfox, Herman Wallace, and Robert Hillary King, colloquially known as the Angola 3, spent most of their adult lives in solitary confinement, Wallace and Woodfox for the murder of Louisiana State Penitentiary Prison Guard Brent Miller, and King for a separate false murder accusation. They were Black Panther Party members, activists, art- ists, and writers who used their artwork and intellectual production to protest the unjust systems of incarceration and solitary confinement that they faced as political prisoners.
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