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Strindberg the M An
STRINDBERG THE M AN GUSTA F UD DGRE N Trans lated from the Swedish HA PP A h L O N U LL P . AXE J V , D Of th e Departm ent of R om ani c L anguages i and Li teratures , Uni ve rs ty of P enns ylvani a BOSTON TH E FOUR S EAS COM PAN Y 1920 INTRODUCTION There are two distinc t ways in which to deal with e ius works e ius : g n and the of g n The old and the new . The old method may be characterized as the descrip tive . It is , generally speaking, negative . It occupies itself mainly with the conscious motives and the external phases of the artist and his life and gives a more or less F literal interpretation of his creation . rom an historical point of view the descriptive method has its own peculiar — value ! from the psycho analytic viewpoint it is less o meritori us , since it adds but little, if anything, to the deeper understanding of the creative mind . The new or interpretative method is based on psychol ’ o . gy It i s positive . It deals exclusively with man s unconscious motivation as the source and main- spring of works of art of whatever kind and independent of time and locality . Thus while the descriptive method accepts u o at its face value the work of geni s , the new or psych analyt ic method penetrates into th e lower strata of the Unconscious in order to find the key to th e cryptic mes sage which is indelibly though always illegibly written r rt in large letters on eve y work of a . -
Domestication and Censorship As Guiding Forces in Strindberg's
Translation between Cultures: Domestication and Censorship as Guiding Forces in Strindberg’s Giftas into English Introduction This study will focus on Ellie Schleussner’s translation – Married (1913) – of August Strindberg’s collection of short stories, Giftas I, II, (1884, 1886). It will demonstrate that the original has undergone many changes – some because of the fact that Schleussner’s translation has in turn been based on another translation – Emil Schering’s Heiraten (1910) – rather than on the Swedish original, and some because Schleussner’s translation has been subjected to severe censorship (by whom remains to be seen, to date), which thoroughly undermines Strindberg’s argumentative force. For instance, this force, or power of persuasion, can be seen in the way Strindberg deals with a core concept in Giftas: his naturalist notions that man is an animal (Lagercrantz p. 147). He supports these both by directly stating this very fact in Giftas, but also by using quite explicit sexual descriptions as examples of man being steered by sexual desires, in this way proving his naturalist claims. When these parts are omitted or rewritten, the arguments that Strindberg puts forward to prove his thesis are removed or weakened. The study will also discuss the reasons for the book’s being censored, show how this censorship has been carried out and demonstrate how the German translation has influenced Schleussner’s translation. It will finally argue that although a translation showing the Swedish original much more fidelity was published in 1973 (Mary Sandbach: Getting Married), Schleussner’s translation is still given a platform from which it can exercise an influence on the way Strindberg’s authorship is regarded in the English-speaking world today. -
Claes-Göran Holmberg
fLaMMan claes-Göran holmberg Precursors swedish avant-garde groups were very late in founding their own magazines. in france and Germany, little magazines had been pub- lished continuously from the romantic era onwards. a magazine was an ideal platform for the consolidation of a new movement in its formative phase. it was a collective thrust at the heart of the enemy: the older generation, the academies, the traditionalists. By showing a united front (through programmatic declarations, manifestos, es- says etc.) you assured the public that you were to be reckoned with. almost every new artist group or current has tried to create a mag- azine to define and promote itself. the first swedish little magazine to embrace the symbolist and decadent movements of fin-de-siècle europe was Med pensel och penna (With paintbrush and pen, 1904-1905), published in Uppsala by the society of “Les quatres diables”, a group of young poets and students engaged in aestheticism and Baudelaire adulation. Mem- bers were the poet and student in slavic languages sigurd agrell (1881-1937), the student and later professor of art history harald Brising (1881-1918), the student of philosophy and later professor of psychology John Landquist (1881-1974), and the author sven Lidman (1882-1960); the poet sigfrid siwertz (1882-1970) also joined the group later. the magazine did not leave any great impact on swedish literature but it helped to spread the Jugend style of illu- stration, the contemporary love-hate relationship with the city and the celebration of the intoxicating powers of beauty and deca- dence. -
Diss2008kaipainen.Pdf (1.200Mb)
Suurten ajattelijoiden elämäkerrat ja elämänpolut Suurten ajattelijoiden elämäkerrat ja elämänpolut Bertrand Russellin, Ludwig Wittgensteinin ja Georg Henrik von Wrightin elämäkerrat bourdieulais-pragmatististen ja latourilaisten näkökulmien vertailussa Päivi Kaipainen KOULUTUSSOSIOLOGIAN TUTKIMUSKESKUS, RUSE RESEARCH UNIT FOR THE SOCIOLOGY OF EDUCATION, RUSE Koulutussosiologian tutkimuskeskuksen raportti 74 Kansi: Minna Rauhala ISSN 1235-9114 ISBN 951-29-3729-5 UNIPRINT, Turku 2008 Kiitokset Haluan aivan ensiksi kiittää esimiestäni ja ohjaajaani professori Osmo Kivistä mahdollisuudesta tehdä väitöskirjatyötä varsinaisen työni ohella Koulutussosiologian tutkimuskeskuksen koordinaattorina. Haluan myös kiittää häntä sekä kannustuksesta että rakentavasta kritiikistä, molemmat ovat olleet yhtä tarpeellisia. Työni esitarkastajina toimivat professori Risto Heiskala Tampereen yliopistosta ja dosentti Keijo Rahkonen Helsingin yliopistosta. Kiitän heitä käsikirjoitukseni läpikäymiseen uhraamastaan ajasta ja monista hyvistä korjausehdotuksista. Heidän kommenttinsa herättivät uusia ajatuksia ja auttoivat toivon mukaan parantamaan työni lopullista versiota. Kiitokset kuuluvat myös työtovereille, ystäville ja sukulaisille, jotka vahvistivat uskoani siihen, että työ vielä jonakin päivänä valmistuu ja on uurastuksen arvoinen. Turussa, 23. lokakuuta 2008 Päivi Kaipainen SISÄLLYSLUETTELO 1. JOHDANTO…………………………………………………….. 9 Tutkimuksen viitekehys………………………………………………….. 11 Elämäkertatutkimuksesta……………………………………............. 19 Bourdieulais–pragmatistinen lähestymistapa -
Ilkka Niiniluoto PHILOSOPHY in FINLAND
Ilkka Niiniluoto PHILOSOPHY IN FINLAND: INTERNATIONAL CURRENTS AND NATIONAL CULTURAL DEBATES Philosophy is originally a product of Greek higher culture, which has been practised in Finland primarily as an academic discipline. According to a tradition starting from J. V. Snellman, Finnish philosophers have, besides their own research work, participated in public cultural debates and political life. In a small nation many leading thinkers have become generally well-known public figures. From 1313 onwards Finnish students attended the medieval University of Paris, where they had a chance to learn the scholastic way of integrating Christian theology and Aristotelian philosophy. In the sixteenth century the Finns studied the humanism of German reformation and the Renaissance philosophy of nature. In the Academy of Turku, founded in 1640, philosophy had a significant position in the basic studies, which included conceptual distinctions and the art of thinking (theoretical philosophy) as well as moral virtues and political principles (practical philosophy). During the Turku period, which ended when the university moved to Helsinki in 1828, Finnish philosophers did not gain notable original achievements, but their role was primarily to support learning and transmit new academic currents to the academic community. Among them one can mention Cartesianism based on the ideas René Descartes and Francis Bacon´s experimental research method at the end of the seventeenth century, and along the eighteenth century Christian Wolff’s rationalism, John Locke’s empiricism, Samuel Pufendorf’s doctrine of natural rights, and Immanuel Kant’s transcendental idealism. Snellman: from Hegel to national awakening It was eventually the breakthrough of G. W. F. -
J Artikel Egil Törnqvist [Artikel]
Egil Törnqvist STRINDBERG THE EUROPEAN ...the intention of this essay is to show that the Swede is a European, with European rights and obligations. In this connection I wish to point out that the Swede, if he wants to grow into a world citizen and tellurian, must give up his petty views concerning the great advantage of being a Swede, which does not mean that he should let another nation eat him up.... (SS 16:143)1 This statement is not, as one might think, a drastic pleading for Sweden's joining of the European Union - before the referendum in November 1994. It is a statement by August Strindberg, made in his essay 'Nationality and Swedishness' more than a hundred years ago. In September 1994 there was a big cultural manifestation in Stockholm called Svenskt Festspel, roughly Swedish Festival. At this event, lasting about ten days, the main theme was "Strindberg and Stockholm". Strindberg was not only celebrated as 'the Swede of the Year', an honour bestowed annually on a prominent Swede living abroad. He was the Stockholmer of the Year. In view of this, it is good to remember that in his own lifetime - except, perhaps, for the very last years - Strindberg was widely regarded as an enemy of his own people and a seducer of Swedish youth. As for Strindberg himself, we should recall that although he always loved Swedish nature - especially the Stockholm archipelago - he frequently attacked the Swedish nation and Swedish mentality. However, Strindberg had not always been critical of his fellow coun- trymen. In the beginning of his career he was, in fact, rather nationalistic. -
Between Human Capital and Human Worth
Scandinavian Journal of History ISSN: 0346-8755 (Print) 1502-7716 (Online) Journal homepage: https://www.tandfonline.com/loi/shis20 BETWEEN HUMAN CAPITAL AND HUMAN WORTH Orsi Husz & Nikolas Glover To cite this article: Orsi Husz & Nikolas Glover (2019): BETWEEN HUMAN CAPITAL AND HUMAN WORTH, Scandinavian Journal of History, DOI: 10.1080/03468755.2019.1578687 To link to this article: https://doi.org/10.1080/03468755.2019.1578687 © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. Published online: 13 Feb 2019. Submit your article to this journal Article views: 32 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=shis20 Scandinavian Journal of History, 2019 https://doi.org/10.1080/03468755.2019.1578687 Orsi Husz Nikolas Glover BETWEEN HUMAN CAPITAL AND HUMAN WORTH Popular valuations of knowledge in 20th-century Sweden This study concerns the history of Swedish public everyday discourse about knowledge and its benefits for the individual, c. 1920–1974. We examine the value(s) ascribed to knowledge – in economic and/or idealistic terms – using private correspondence institutes as our point of departure. These were immensely popular, yet have hitherto been overlooked by historians. First, we argue that commercially driven correspon- dence education, which was a mass phenomenon in early and mid-20th-century Sweden, blurred the demarcation lines between general and vocational education, and more importantly between formal and so-called popular education (folkbildn- ing). Second, we examine how knowledge and education were promoted and justified in the widely circulated advertisements for Hermods Korrespondensinstitut, the largest of the Swedish correspondence schools. -
Egil Törnqvist
Egil Törnqvist TRANSLATING DOCUDRAMA PER OLOV ENQUIST'S TRIBADERNAS NATT IN ENGLISH AND FRENCH Documentary drama or, for short, docudrama differs from `ordinary' drama in its heavy reliance on authentic material. As in the case of historical drama, this means that the recipients — readers and spectators — fall into two categories: those who know the facts underlying the drama and those who do not. The difference between the source text and the target text recipients is merely gradual. The difference between recipients within both groups may, in fact, be greater than the difference between them. In extreme cases, recipients may not even realize that they are confronted with a docudrama. For the readers, ignorance about the underlying authentic reality can easily be resolved by means of an illuminating introduction and/or informative notes. Since this kind of material appears more often in target texts than in source texts, the readers of translations are surprisingly enough frequently in a more favorable position than the readers of the source text. For the spectators the situation is the opposite. Here the source text recipients are definitely in a better position to separate facts from fiction. This means that in the theatre, the authenticity of a docudrama can only be grasped by those spectators who have the necessary pre-knowledge, a pre-knowledge that is usually secured via the theatre program. As in the case of historical drama, this pre-knowledge is especially important when it comes to productions abroad. Scandinavian drama — except for Holberg, Ibsen, Strindberg and, lately, Lars Norén — has rarely been successful outside the Nordic area. -
EPSA Newsletter 2013
EPSA Newsletter Vol. II, Issue 1 August 2013 Editor: Friedrich Stadler | Assistant Editor: Daniel Kuby SPECIAL EPSA13 HELSINKI EDITION Editorial TABLE OF CONTENTS Friedrich Stadler Editorial Friedrich Stadler 1 Dear members and colleagues, The Finnish Tradition of Philosophy of Science Ilkka Niiniluoto 3 On the occasion of the 4th Conference of the European Philosophy of Science Association in Helsinki, August 28-31, 2013, we are pleased to publicize the Welcome Address already third issue of our electronic EPSA Newsletter. Given the venue of the Uskali Mäki 8 conference it is mainly dealing with philosophy of science in Finland, which is a remarkable success story since the pioneering Eino Kaila for a smaller coun- EPSA Women’s Caucus: A Report try at the margins of Europe. In this regard we are pleased that Jaakko Hin- Kristina Rolin 10 tikka will also take part as a speaker in this event. Report on One of the contemporary prominent proponents of philosophy of science, GWP.2013 Ilkka Niiniluoto, the former Rector and Chancellor of the University of Hel- Holger Lyre 11 sinki in the last decade, provided a report on the origins and development of Report on Activities philosophy of science in Finland, where in 2015 also the 15th Congress of the of the Dutch Society International Union in History and Philosophy of Science/Division of Logic, for the Philosophy of Methodology and Philosophy of Science (IUHPS/DLMPS) will be organised. A Science report by Uskali Mäki, the chair of the Local Organising Committee on behalf F. A . M u l l e r 13 of the University of Helsinki and the Centre of Excellence in the Philosophy of the Social Sciences (TINT) complements this focus appropriately. -
Passmore, J. (1967). Logical Positivism. in P. Edwards (Ed.). the Encyclopedia of Philosophy (Vol. 5, 52- 57). New York: Macmillan
Passmore, J. (1967). Logical Positivism. In P. Edwards (Ed.). The Encyclopedia of Philosophy (Vol. 5, 52- 57). New York: Macmillan. LOGICAL POSITIVISM is the name given in 1931 by A. E. Blumberg and Herbert Feigl to a set of philosophical ideas put forward by the Vienna circle. Synonymous expressions include "consistent empiricism," "logical empiricism," "scientific empiricism," and "logical neo-positivism." The name logical positivism is often, but misleadingly, used more broadly to include the "analytical" or "ordinary language philosophies developed at Cambridge and Oxford. HISTORICAL BACKGROUND The logical positivists thought of themselves as continuing a nineteenth-century Viennese empirical tradition, closely linked with British empiricism and culminating in the antimetaphysical, scientifically oriented teaching of Ernst Mach. In 1907 the mathematician Hans Hahn, the economist Otto Neurath, and the physicist Philipp Frank, all of whom were later to be prominent members of the Vienna circle, came together as an informal group to discuss the philosophy of science. They hoped to give an account of science which would do justice -as, they thought, Mach did not- to the central importance of mathematics, logic, and theoretical physics, without abandoning Mach's general doctrine that science is, fundamentally, the description of experience. As a solution to their problems, they looked to the "new positivism" of Poincare; in attempting to reconcile Mach and Poincare; they anticipated the main themes of logical positivism. In 1922, at the instigation of members of the "Vienna group," Moritz Schlick was invited to Vienna as professor, like Mach before him (1895-1901), in the philosophy of the inductive sciences. Schlick had been trained as a scientist under Max Planck and had won a name for himself as an interpreter of Einstein's theory of relativity. -
The Cambridge Companion to August Strindberg Edited by Michael Robinson Frontmatter More Information
Cambridge University Press 978-0-521-60852-7 - The Cambridge Companion to August Strindberg Edited by Michael Robinson Frontmatter More information the cambridge companion to august strindberg August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognized novelist, autobiographer and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg’s highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the naturalist dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on later twentieth-century drama. His plays are contextualized for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics and the visual arts. michael robinson is Professor Emeritus of Drama and Scandinavian Studies at the University of East Anglia, Norwich. He is the author of Strindberg and Autobiography (1986) and Studies in Strindberg (1998), and has translated a two-volume selection of Strindberg’s letters (1992), a collection of his essays (1996) and five of the plays (1998). He has edited five volumes of essays on Strindberg and Ibsen, and is also the General Editor of the Cambridge Plays in Production series. His three-volume International Annotated Bibliography of Strindberg Studies was published by the MHRA in 2008. -
This Volume on the Vienna Circle's Influence in the Nordic Countries
Vol. 8, no. 1 (2013) Category: Review essay Written by Carlo Penco This volume on the Vienna Circle’s influence in the Nordic countries gives a very interesting presentation of an almost forgotten landmark. In the years preceding the Second World War, European philosophy was at the high point of its intellectual vitality. Everywhere philosophical societies promoted a dense network of connections among scholars, with international meetings and strong links among individuals and associations. In this context, the Vienna Circle emerges as one of the many, also if probably the most well-known, centres of diffusion of a new style of philosophy, closely linked to the new logic and with a strongly empiricist attitude. At the same time, empiricism, formal logic and psychology constituted (and still constitute) the common background of most of the Nordic philosophers, a background which permitted them to develop connections with Vienna’s cultural environment (well known also for the work of psychologists such as Sigmund Freud, but also Charlotte and Karl Bühler). This piece of history, although limited to the connection between Nordic philosophy and Vienna Circle, helps to clarify the history of European philosophy, and the sharp difference of Nordic philosophy in respect of the development of philosophy in Southern and Central Europe in the half a century following the Second World War. The editors say in the introduction: . one of the least known networks of the Vienna Circle is the “Nordic connection”. This connection had a continuing influence for many of the coming decades, beginning with the earliest phase of the Vienna Circle and continuing with a number of adaptations and innovations well into contemporary times.