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68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Stijl in Fargo
BACHELOR EINDWERKSTUK Jasper Koenen 3909700 Media- en Cultuurwetenschappen Docent: Hanna Surma Studiejaar 2015-2016, blok 2. Inleverdatum: 29 januari 2016 STIJL IN FARGO Stilistische analyse naar de functie van stijl op de vormgeving van het personage Gus Grimly. Deze pagina is welbewust wit gelaten. 1 Abstract In dit eindwerkstuk wordt er onderzoek gedaan naar de relatie tussen stijl en personage in dramaserie FARGO van FX. Het personage dat centraal zal staat is Gus Grimly. Er is gekozen voor dit personage vanwege de grote ontwikkeling die hij doormaakt. Met behulp van een stilistische analyse worden de stijlelementen mise-en-scène, geluid en montage nader bekeken. De opzet van de analyse is overgenomen van mediawetenschapper Jeremy Butler. In zijn boek TV Style werkt hij een methode uit voor onderzoek naar stijl in televisie. Uit de analyse die is uitgevoerd in dit eindwerkstuk blijkt stijl een belangrijke functie te hebben. Waar Gus zich na tien afleveringen ontpopt tot personage dat in staat is iemand te vermoorden, lijkt stijl juist iets anders te willen betogen. Gus wordt immer afgebeeld als de rustige en goedaardige man en zelfs na het doden van Lorne Malvo blijft de vormgeving onveranderd. Hiermee wordt aangegeven dat Gus als personage niet veranderd is, maar dat het doden van Lorne een actie was waar Gus dwangmatig aan toe moest geven. Stijl is dus in staat een boodschap uit te dragen die in eerste instantie niet lijkt te stroken met wat het narratief van een serie vertelt. Keywords: Television Style; stylistic analysis, complex tv, character development. 2 Inhoudsopgave Abstract ................................................................................................................................................... 2 1. Inleiding .......................................................................................................................................... -
“Waiting for Dutch” Episode #201 Script by Noah Hawley
Executive Producer: Noah Hawley EPISODE: #201 Executive Producer: Warren Littlefield SCRIPT: #201 Executive Producers: Joel & Ethan Coen PRODUCTION: #2001 Executive Producer: John Cameron “Waiting For Dutch” Episode #201 Script by Noah Hawley PINK PRODUCTION DRAFT – FULL – 9/26/14 26 Keys Productions The Littlefield Company Nomadic Pictures MGM Television FX Networks MGM Television Entertainment Inc. 245 North Beverly Drive Beverly Hills, CA 90210 © 2013 MGM Television Entertainment Inc. All Rights Reserved. Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 REVISION HISTORY PINK DRAFT 9/26/14 BLUE REVISION PAGES 9/11/14 PRODUCTION DRAFT 8/7/14 NOTES: PINK PINK DRAFT REVISIONS - Sc. 24 dialogue change - Sc. 39 description change - Sc. 40 has been ADDED PINK DRAFT REVISIONS – ADDITIONAL NOTES: All scenes have been renumbered for clarity Character JOE BULO has been added to this episode Character MIKE MILLIGAN has been added to this episode Character THE KITCHEN BROTHERS have been added to this episode BLUE REVISION PAGES - Sc. 1 description, dialogue change - Sc. 3 description, dialogue change - Sc. 6 has been OMITTED - Sc. 7 has been OMITTED - Sc. 8 has been OMITTED - Sc. 9 description change - Sc. 12 description change - Sc. 13 location name change - Sc. 15 location name, description, dialogue changes - Sc. 16 location name change - Sc. 18 description change - Sc. 20 description change - Sc. 22 dialogue change - Sc. 23 description change - Sc. 24 dialogue changes - Sc. 25 description, dialogue changes - Sc. 25A has been ADDED - Sc. 25B has been ADDED Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 - Sc. 26 location name, description, dialogue change - Sc. -
Newsletter 14/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 14/12 DIGITAL EDITION Nr. 318 - August 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 14/12 (Nr. 318) August 2012 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Mit ein paar Impressionen von der Premiere des Kinofilms DIE KIR- CHE BLEIBT IM DORF, zu der wir am vergangenen Mittwoch ein- geladen waren, möchten wir uns in den Sommerurlaub verabschieden. S ist wie fast jedes Jahr: erst wenn alle Anderen ihren Urlaub schon absolviert haben, sind wir dran. Aber so ein richtiger Urlaub ist das eigentlich gar nicht. Nichts von we- gen faul am Strand liegen und sich Filme in HD auf dem Smartphone reinziehen! Das Fantasy Filmfest Fotos (c) 2012 by Wolfram Hannemann steht bereits vor der Tür und wird uns wieder eine ganze Woche lang von morgens bis spät in die Nacht hinein mit aktueller Filmware ver- sorgen. Wie immer werden wir be- müht sein, möglichst viele der prä- sentierten Filme auch tatsächlich zu sehen. Schließlich wird eine Groß- zahl der Produktionen bereits kurze Zeit nach Ende des Festivals auf DVD und BD verfügbar sein. Und da möchte man natürlich schon vor- her wissen, ob sich ein Kauf lohnen wird. Nach unserer Sommerpause werden wir in einem der Newsletter wieder ein Resümee des Festivals ziehen. Es wird sich also lohnen weiter am Ball zu blei- ben. Ab Montag, den 17. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
TV Review: Fargo Season 1 Episode 1: 'The Crocodile's
Nouse Web Archives TV Review: Fargo Season 1 Episode 1: ‘The Crocodile’s Dilema’ Page 1 of 3 News Comment MUSE. Politics Business Science Sport Roses Freshers Muse › Film & TV › Features Film Reviews TV Reviews Festivals TV Review: Fargo Season 1 Episode 1: ‘The Crocodile’s Dilema’ The opening episode of this crime thriller manages to capture the mood of the original while delivering a new and nail-biting story. Kate Barlow reviews Wednesday 23 April 2014 Rating: ★★★★★ Adapting an Oscar-winning well-loved cult film into a TV show only 18 years after its original release is a risky business. Especially given the fact that said film is directed by no other than the Coen brothers. However, in this grimly compelling crime thriller the high-risk strategy has paid off. Perhaps one of the first things that has to be said about the TV adaptation of Fargo is that it is in no way a remake. Despite the fact that the episode opens in the same way as the film, with a message claiming (falsely) that this is a true story, from here on the entire storyline of the first episode is different. While versions of characters from the film version remain (although their names have been changed) – we see Martin Freeman deliver a version of Jerry Lundegaard to perfection, along with Allison Tolman as an ambitious police detective not dissimilar to Marge Gunderson, truly giving Frances McDormand a run for her money – new characters are also introduced, giving the story a burst of originality. Billy Bob Thornton as the devilish do-what-you-want Lorne Malvo opens the episode, setting the dark broody atmosphere for the rest of the 68 minute runtime (and, hopefully, the rest of the series). -
Nicknames, Television, Pot Luck, Where in the World, True Or False, in the Pub, Languages and Words, and Compass Points. Extra R
FREE SAMPLE QUIZ (FreePubQuiz.co.uk) Nicknames, Television, Pot Luck, Where in the World, True or False, In the Pub, Languages and Words, and Compass Points. Extra Rounds: Christmas Trivia, Colours, and tiebreaker questions. Nicknames (Round 1) 1) Stefani Germanotta is better known by what stage name? ANSWER: Lady Gaga 2) People from which English county are sometimes known as ‘Clangers’? ANSWER: Bedfordshire 3) What is the nickname of professional quizzer Mark Labbett in television’s The Chase? ANSWER: The Beast 4) What is the last name of the character called ‘Fatboy’ in Eastenders? ANSWER: Chubb 5) Which sportswoman’s nicknames include ‘The Arm Collector’ and the ‘Baddest Woman on the Planet’? ANSWER: Ronda Rousey 6) Which number is called ‘Dancing Queen’ in bingo? ANSWER: 17 7) Which former English rugby union player is known as ‘The Fun Bus’? ANSWER: Jason Leonard 8) By what name is Manfred von Richthofen better known? ANSWER: The Red Baron 9) During the Napoleonic wars the citizens of which town allegedly hanged a monkey believing it to be a French spy resulting in their modern day football club being known as ‘Monkey Hangers’? ANSWER: Hartlepool 10) Which American city has been called ‘The City on a Hill’, ‘The Athens of America’ and ’America's Walking City’? ANSWER: Boston Television (Round 2) 1) What is the UK's second longest running television soap opera after Coronation Street? ANSWER: Emmerdale 2) Actress Edie Falco plays the title character in which American satirical comedy-drama series? ANSWER: Nurse Jackie 3) Which actor is ‘made to look so fine’ in the theme song lyrics of the 1980s TV hit The Fall Guy? ANSWER: Clint Eastwood 4) In Dad’s Army, name the local widow whom Lance-Corporal Jones finally marries in the last episode? ANSWER: Mrs. -
ALLISON TOLMAN Height: 5’6” Eyes: Blue Hair: Brown
ALLISON TOLMAN Height: 5’6” Eyes: Blue Hair: Brown TELEVISION Fargo (Series) Molly Solverson (Series Regular) FX Sordid Lives; The Series LOGO Del Shores Prison Break FOX Brian Spicer Get Lost (Pilot) N/A David Ahern COMMERCIAL Walmart: The Martin Agency Hungry Man Brian Billow AE Dairy N20 Productions Michael Ciancio Opti-Free Wolf Agency Gray Smith Veria TMN Productions Brad Osborne Superpages Synthetic Pictures Scott Rice Smug Mug Stuart Cohen Productions Stuart Cohen Denny’s: Publicis Hungry Man David Levin Wal-Mart; Bernstein Stone Core Films Norry Niven Texas Lottery: DDB Stone Core Films Brendan Gibbon INDUSTRIAL American Heart Association, JC Penny, MacAffee, Four Day Weekend THEATRE (select) 33 Variations Clare (US) TimeLine Theatre The City Life Supplement Ensemble Bootstraps Comedy Theatre Trogg, The Musical Francine Hell and a Handbag Productions Second Day Party Hair Ensemble deMatt Theatre Unattended Packages Ensemble Second City Showcase Valise Ida Chemically Imbalanced Hello Human Female Tamela Gorilla Tango Collected Stories Lisa Second Thought Theatre Almost, Maine Various Water Tower Theatre Jesus Hates Me Lizzie Kitchen Dog Theatre The Full Monty Georgie Theatre Three Debbie Does Dallas Lisa Kitchen Dog Theatre Wonder of the World Lois Second Thought Theatre PROFESSIONAL HOSTING Leon Rabin Awards, Broadway Ourway IMPROVISATION Queertown, The STD’s, This Side of Witty TRAINING Bachelor of Fine Arts Baylor University 2003 Conservatory Student Dorset Theatre Festival, Vermont Improvisation for Actors I and II/ Conservatory Second City Chicago Awarded Theatrical Scholarship Baylor University, Named one of the best actresses of 2004 by the Dallas-Fort Worth Theater Critics Forum, Executive Ensemble member Second Thought Theatre, Dallas Observer’s Best of Dallas 2005 Best Local Actress, 2006 Leon Rabin Nominee, 2007 Column Award Nominee SPECIAL INTERESTS Dance (jazz, burlesque, beginner tap), Singing (alto), American Sign Language, Directing, Production, Theatre Marketing and Public Relations, Dialects (Irish, British, Southern, East Texas). -
Regionalismos
EL LITORAL www.ellitoral.com VIERNES, 23 DE OCTUBRE DE 2015 PRODUCCIÓN EL LITORAL ARGENTINO ® Patrick Wilson como la versión joven de Lou Solverson, personaje secundario en la primera temporada. FOTO: GENTILEZA FX SEÑAL DE AJUSTE regionales propias de la mise- ria humana, como la estupi- dez, el egoísmo, la insensatez y la avaricia, se levanta una Regionalismos roca de racionalidad en la per- sona del sherif Lou Solverson (Patrick Wilson), del mismo ROBERTO MAURER franquicia, sino que como pro- con Jimmy Carter en la pantalla cando una sangrienta masacre modo que en la primera tem- ductores ejecutivos garantizaron de televisión hablando sobre “la por pura torpeza y atolondra- porada el sentido común esta- quienes no han aún una explotación iel a su poética crisis de conianza en el futuro”, miento. ba representado por la policía traspasado el umbral policial, donde criaturas senci- y un curioso prefacio en blanco Su cuerpo malherido es Molly Solverson, de la comi- A que nos conduce al llas impulsadas por la codicia y la y negro de la filmación de una atropellado y arrastrado en saría de Bemidji, hija de Lou, maravilloso mundo de las idiotez se involucran en tramas película. Es un plano ijo de un la ruta por un auto con una que en esta segunda tempora- series, tan adictivo como el criminales horrendas que son tra- jefe indio, solo en un campo de inestable esposa new age al da tiene seis años. maní y las opiáceas, debería tadas con sarcástico humor negro. cadáveres después de la batalla volante que, una vez en casa, Su padre, hay que recordar, serles aclarado que “Fargo” no Nadie creía en la fórmula de una inal de los sioux, y un asisten- nada dice al marido y quien, tenía un barcito, estaba rengo fue una adaptación del ilm del versión “igual pero diferente” te que le pide paciencia porque finalmente, al descubrir al y jubilado, y con su experien- mismo nombre realizado por del desconocido Noah Crawley, todavía están preparando al herido, termina matándolo cia ofrecía consejos valiosos. -
It Reveals Who I Really Am”: New Metaphors, Symbols, and Motifs in Representations of Autism Spectrum Disorders in Popular Culture
“IT REVEALS WHO I REALLY AM”: NEW METAPHORS, SYMBOLS, AND MOTIFS IN REPRESENTATIONS OF AUTISM SPECTRUM DISORDERS IN POPULAR CULTURE By Summer Joy O’Neal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English Middle Tennessee State University 2013 Dissertation Committee: Dr. Angela Hague, Chair Dr. David Lavery Dr. Robert Petersen Copyright © 2013 Summer Joy O’Neal ii ACKNOWLEDGEMENTS There simply is not enough thanks to thank my family, my faithful parents, T. Brian and Pamela O’Neal, and my understanding sisters, Auburn and Taffeta, for their lifelong support; without their love, belief in my strengths, patience with my struggles, and encouragement, I would not be in this position today. I am forever grateful to my wonderful director, Dr. Angela Hague, whose commitment to this project went above and beyond what I deserved to expect. To the rest of my committee, Dr. David Lavery and Dr. Robert Petersen, for their seasoned advice and willingness to participate, I am also indebted. Beyond these, I would like to recognize some “unofficial” members of my committee, including Dr. Elyce Helford, Dr. Alicia Broderick, Ari Ne’eman, Chris Foss, and Melanie Yergau, who graciously offered me necessary guidance and insightful advice for this project, particularly in the field of Disability Studies. Yet most of all, Ephesians 3.20-21. iii ABSTRACT Autism has been sensationalized by the media because of the disorder’s purported prevalence: Diagnoses of this condition that was traditionally considered to be quite rare have radically increased in recent years, and an analogous fascination with autism has emerged in the field of popular culture. -
Product Guide
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver -
Birdman, Mad Max: Na Drodze Gniewu, Ex Machina, Dzikie Historie, Sicario, Body/Ciało, Whiplash, Turysta, Młodość, Co Robimy W Ukryciu Nakład: 200 Egz
PRZEZROCZE PODSUMOWANIE ROKU 2015 W ŚWIATOWYM KINIE PRZEZROCZE Wydawca: PODSUMOWANIE ROKU 2015 W ŚWIATOWYM KINIE Akademickie Centrum Kultury r GDAŃSK N 5, WRZESIEŃ 2016 UG „ALTERNATOR” SPIS TREŚCI Rozmowa z Mariuszem Grzegorzkiem......................................... 4 © by Uniwersytet Gdański 2016 NAJLEPSZE FILMY ROKU................................................... 9 Birdman, Mad Max: Na drodze gniewu, Ex Machina, Dzikie historie, Sicario, Body/Ciało, Whiplash, Turysta, Młodość, Co robimy w ukryciu nakład: 200 egz. DOKUMENT I ANIMACJA................................................. 30 Sól ziemi, W głowie się nie mieści zespół redakcyjny: Paweł Sitkiewicz (redaktor naczelny), Krystyna Weiher (sekretarz SERIAL.............................................................................. 34 redakcji), Paweł Biliński, Marta Fargo, sezon 2 Maciejewska, Grzegorz Fortuna Jr, Paulina Pohl DO POCZYTANIA.............................................................. 36 rada naukowa: prof. dr hab. Kolaboracja Bena Urwanda Mirosław Przylipiak, prof. dr hab. Jerzy Szyłak, prof. UG ROZCZAROWANIA........................................................... 38 dr hab. Krzysztof Kornacki, Spectre, 11 minut, Chappie dr Sebastian Jakub Konefał, dr Bożena Kudrycka, dr Piotr Kurpiewski SYNTEZY........................................................................... 44 redakcja i korekta tekstów: Kaja Łuczyńska / Sztywne reguły płynnego podziału. Film polifoniczny Małgorzata Groth, Katarzyna w ujęciu Johna Brunsa Warska, Grzegorz Fortuna Jr, Paweł Biliński