DOCSLIB.ORG

Fargo Cast List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Fargo Cast List FARGO CAST LIST CHARACTER CAST Lorne Malvo Billy Bob Thornton Lester Nygaard Martin Freeman Gus Grimly Colin Hanks Molly Solverson Allison Tolman Vern Thurman Shawn Doyle Bill Oswalt Bob Odenkirk Stavros Milos Oliver Platt Don Chumph Glenn Howerton Gina Hess Kate Walsh Lou Solverson Keith Carradine Mr. Numbers Adam Goldberg Mr. Wrench Russell Harvard Greta Joey King Chazz Nygaard Josh Close Nitty Nygaard Rachel Blanchard Moe Hess Liam Green Mickey Hess Atticus Mitchell Ida Thurman Julie Ann Emery Pearl Nygaard Kelly Holden Bashar Max Gold Brian Markinson Sam Hess Kevin O’Grady Wally Semenchko Barry Flatman Gordo Nygaard Pencer Drever Bo Munk Tom Musgrave Mr. Rundle Brian Jensen Rachel Ziskind Leah Cairns Ari Ziskind Byron Noble Lieutenant Schmidt Peter Breitmayer Sue Roundtree Michelle Thrush Dmitri Milos Gordon S. Miller Naked Man (Phil) David Trimble Paprika Lori Ravensborg Joe Creech James Dugan Broker #1 – Matt Wasakowski Darrell Orydzuk Teen Samuel Duke Woman/Motel Owner Karen Johnson-Diamond -- Dennis Corrie Young Man Andrew McKenzie Young Woman Amanda Guenther FARGO CASTING SCENE SELECTION FOR BLUE RIBBON PANEL/ RACHEL TENNER CD 1 EPISODE 101 3) Insurance Scene with the Couple 5:27- 6:10 Starts with: “So, that’s uh,…like I said” Ends with “I work at the library MARTIN FREEMAN/ ANDREW NEIL MCKENZIE (Young Man) / AMANDA GUETHNER (Young woman) 4) Sam Threatening Martin 9:14- 10:15 Starts With: “18 years, huh?” ends with Lester hitting the window and a little laugh from Sam MARTIN FREEMAN/ KEVIN O’GRADY (Sam HEss) / ATTICUS MITCHELL (MickEy HEss) LIAM GREEN (MoE HEss) 5) Malvo and Lester in the Hospital- 11:40- 16:41 Starts with “what happened to your nose?” Ends with Lester leaving him BILLY BOB THORNTON/ MARTIN FREEMAN 7) Chaz takes Lester out to the garage- 27:01 - 28:30 Starts with the guys giggling and Chaz asks Lester if he wants to hold the gun Ends with “Heck Lester your 40 years old when are you gonna get your act together” MARTIN FREEMAN/ JOSH CLOSE 9) Molly/ Vern Diner scene 36:35-37:52 Starts with “Chief I’ve been thinking” Ends with Molly chuckling about being chief. ALLISON TOLMAN (Molly)/ SHAWN DOYLE (Vern Thurman) 10) Bo Munk- Scene 41:43-42:32 Starts with “Hey Lester” Ends with Lester saying “Sure” MARTIN FREEMAN/ TOM MUSGRAVE 11) Martin & Malvo Diner Scene after the murder 43:00- 45:00 Starts with Lester walking into the diner Ends with “You’re just gonna get washed away” Shot of Lester’s face MARTIN FREEMAN/ BILLY BOB THORNTON 12) Martin Killing scene 48:55 -50:14 Starts with “I was standing up to the….I was being a man” Ends with Lester hitting Pearl and saying “Oh Geez”. Cut before poster MARTIN FREEMAN/ KELLY BASHAR 13) Gus pulling over Malvo 64:08- 65:20 FARGO CASTING SCENE SELECTION FOR BLUE RIBBON PANEL/ RACHEL TENNER CD 2 Starts: Gus’s daughter over the walkie- then Malvo saying “How old is your kid” Ends: Malvo rolling up his window and driving away COLIN HANKS/ BILLY BOB THORNTON EPISODE 103 17) Lester Meeting Gina Hess 17:11- 18:13 Starts with: “you should get back out there” Ends with: “Hi” with her leg over him MARTIN FREEMAN/ KATE WALSH 19) Gus Grimly & Molly 40:43- 42:14 When Gus talks to Molly in the precinct - specifically when he cops to not arresting him- before they have dinner together Starts with: “One thing I’m not quite clear on” Ends with: Gus saying “ 10 years now” and cutting to Molly’s face COLIN HANKS/ ALLISON TOLMAN/ JOEY KING (grEta) EPISODE 104 21) When Gus confronts Malvo 33:00- 34:10 (down the hallway) Starts with: Gus walking down the hall and asking him how he can just do that Ends with: Malvo walking out the door and cutting to Colin’s face COLIN HANKS/ BILLY BOB THORNTON EPISODE 105 23) Scene in the jail with Lester and the hit men 5:57- 7:45 Starts with: A moment to establish and then Lester saying “Look I’m sorry” Ends with: Lester yelling “MALVO! MALVO!” ADAM GOLDBERG (Mr. NumbErs)/ RUSSELL HARVARD (Mr. WrEnch)/ MARTIN FREEMAN 24) Scene with Stavros on the phone with Malvo and Malvo telling Don it worked 17:57- 19:28 Start with: Stavros- “where were you” End with: Don Chumph saying “Oh my god, a million dollars” OLIVER PLATT (StaVros) / BARRY FLATMAN (SEmEnchko)/ BILLY BOB THORNTON/ GLENN HOWERTON (Don Chumph) 25) Scene with Don Chumph being drilled in the closet FARGO CASTING SCENE SELECTION FOR BLUE RIBBON PANEL/ RACHEL TENNER CD 3 20:00- 20:56 Starts with: Malvo saying “Do you have screws?” Ends with: Don Chumph saying “Did you mean to lock me in here?” BILLY BOB THORNTON/ GLENN HOWERTON 26) Molly Talking to the doctor 33:14-33:42 Starts with: “Can I talk to him” Ends with: Molly having a little laugh after he says It’s a girl and she agrees Right before the Dr. Gets paged ALLISON TOLMAN/ DAVID BROWN (dr.) EPISODE 108 27) Scene with Bill and Deputy Knutsen 7:05- 7:31 Starts with: “Chief are ya busy?” Ends with: Deputy Nodding about keeping the omelette warm BOB ODENKIRK (Bill)/ GARY VALENTINE (DEp. Knutsen) 28) Scene with Bill & Molly where she has her board and he tells her about the cake 8:23-11:13 Starts with Molly saying: “That’s the thing” Ends with: Bill walking away and holding on Molly’s face for a beat BOB ODENKIRK/ ALLISON TOLMAN/ GARY VALENTINE 29) Gina/ Lester Confrontation 12:10-14:10 Starts with Linda talking about Chili and Gina yelling “Where is he!!!” Ends with: On Gina’s face after Martin says “Are we calm? Are we calm?” MARTIN FREEMAN/ SUSAN PARK (Linda Park) / KATE WALSH / ATTICUS MITCHELL/ LIAM GREEN EPISODE 109 31) Lester/ Malvo confrontation in Vegas Starts: 10:01- 10:42 Starts with: “ah, mick mike are you going to introduce us to your friend there?” Ends with: Lester’s face CUT OUT 10:43- 11:01 (Talking at thE ElEVators) Start again: 11:01-12:30 FARGO CASTING SCENE SELECTION FOR BLUE RIBBON PANEL/ RACHEL TENNER CD 4 Starts with Lester putting his hand in the elevator door Ends with Malvo saying “That’s on You” with a smirk and Lester’s shocked face BILLY BOB THORNTON/ MARTIN FREEMAN/ STEPHEN ROOT (Burt Canton) HELENA MATTSSON (JEmma StalonE)/ JENNIFER COPPING (Louise Canton) 32) Budge & Pepper talking the riddle 15:51-16:43 Starts with: A man Ends with : And he eats the whole thing KEEGAN MICHAEL KEY/ JORDAN PEELE (Budge & PEppEr) EPISODE 110 33) Molly sitting with Gus and Greta Starts with a second of watching TV and Gus says” I gotta call today” Ends with the scene fading to white with the music 60:43-61:45 ALLISON TOLMAN/ COLIN HANKS/ JOEY KING .
Load more

Recommended publications
  • March 6– 9, 2002 @ the Historic Fargo Theatre
    F A R G O T h e F i l m F e s t i v a l March 6– 9, 2002 @ The Historic Fargo Theatre www.fargofilmfestival.com SCHEDULE @ a g l a n c e ... Wednesday Evening, March 6th 5:00-9:00 p.m. Early Bird Registration 6:00 p.m. The Farm 58 min. USA (Emmy-award documentary) Directed by Liz Garbus. Introduced by Filmmaker Liz Garbus. 7:30 p.m. Do It For Uncle Manny USA 2001 (Best Feature Comedy) Directed by Adam Baratta, Director Present. After Glow: Juano’s Restaurant Thursday, March 7th A celebration of the art of documentary filmmaking Thursday Morning 8:00 a.m. Registration, Fargo Theatre Lobby 9:00 a.m. Opening Press Conference, Fargo Theatre. An introduction to the festival’s featured filmmakers and honored guests. 9:45 a.m. Eugene McCarthy: I’m Sorry I Was Right 29 min., USA 2001 (Best Short Documentary) Directed/Produced by Mike Hazard, Director Present 10:30 a.m. Nocturne 6 min. Canada 1996 (Short Documentary) Directed/Produced by Michael Crochetiere 10:45 a.m. Subterranean Passage 32 min. Canada 1999 (Short Feature), Directed/Produced by Michael Crochetiere 11:20 a.m. The Terms 11 min. Ireland 2001 (Short Feature), Directed by Johnny O’Reilly, Produced by Lemon Cut Ltd./Niall McLoughlin Thursday Afternoon 12 Noon Luncheon/Panel Discussion on Documentary filmmaking/filmmakers- Avalon Event Center- Matt Olien, moderator. Panelists Mike Hazard, Jilann Spitzmiller, Hank Rogerson, and our own Bill Snyder. 1:45 p.m. Homeland 58 min. USA 1999 (Best Feature Documentary) Directed by Jilann Spitzmiller and Hank Rogerson, Produced by Philomath Films, Director Present 3:15 p.m.
    [Show full text]
  • Reminder List of Productions Eligible for the 90Th Academy Awards Alien
    REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
    [Show full text]
  • 2015 Program
    Table of Contents 13 41 47 52 7 Festival Team and Special Thanks 9 Festival Details 10 Founder’s Note 13 About UNICEF: 2015 Charity Partner 14 Rachel Winter: Women in Production Panelist, Writer and Producer 17 Programmer’s Note 18 2015 Narrative and Documentary Feature Films 30 2015 Narrative and Documentary Short Films 36 Festival Village Map 40 VIP Lounge and Celebrity Gifting Suites 41 Colin Hanks: Panelist, Executive Board Member and Director 43 Panels and Workshops 51 Opening Night Party 52 Changemaker Honoree Gala 54 Alysia Reiner: Social Impact Juror, Panelist, Actress and Director 62 2015 Sponsors 63 Festival Partners 66 Special Thanks to Supporters Official Program content as of May 15, 2015 | Please visit website for Festival Updates | 5 | 7 8 | Festival details Passes and Tickets Please visit www.greenwichfilm.org for ticket information and a current schedule of events. Purchase passes and event tickets online or from our Box Office. To Purchase Website: www.greenwichfilm.org Box Office: 340 Greenwich Avenue, Greenwich, CT 06830 Monday-Friday 9-6PM Saturday-Sunday: 12-4PM Box Office Telephone: (203) 340-2735 Admission for Passholder vs. Ticket Holders Passholders are required to wear their badge at the entrance of all Festival events. Ticket holders must present their printed tickets at the entrance to Festival events. Films, Parties and Panels Film Screening Locations Cole Auditorium, Greenwich Library: 101 West Putnam Avenue, Greenwich, CT 06831 Bow Tie Cinemas, Theaters 1 -3: 2 Railroad Avenue, Greenwich, CT 06830 Panel
    [Show full text]
  • DOUGLAS S. JONES Line Producer/UPM
    DOUGLAS S. JONES Line Producer/UPM THE WATSONS GO TO BIRMINGHAM ; Bryce Jenkins Exec. In Charge of Prod./UPM Dir: Kenny Leon. Producers: Nikki Silver, Tonya Lewis Lee Walden Media Location: Atlanta, Georgia DEAR DUMB DIARY ; Emily Alyn Lind Exec. In Charge of Prod. Dir: Kristin Hanggi. Producers: Janet Zucker, Jerry Zucker Walden Media Location: Salt Lake City, Utah PARENTAL GUIDANCE; Billy Crystal, Bette Midler Exec. In Charge of Prod. Dir: Andy Fickman. Producers: Peter Chernin, Billy Crystal Walden Media Location: Atlanta, Georgia WON’T BACK DOWN ; Viola Davis, Maggie Gyllenhaal Exec. In Charge of Prod. Dir: Daniel Barnz. Producer: Mark Johnson. Walden Media Location: Pittsburgh, Pennsylvania CHASING MAVERICKS; Gerard Butler, Elisabeth Shue Exec. In Charge of Prod. Dir: Curtis Hanson, Michael Apted. Walden Media Producers: Mark Johnson, Jim Meenaghan Location: Northern California THE CHRONICLES OF NARNIA: Exec. In Charge of Prod. VOYAGE OF THE DAWN TREADER; Walden Media Ben Barnes, Skandar Keynes, Georgie Henley. Dir: Michael Apted. Producers: Mark Johnson, Phil Steuer Location: Gold Coast, Australia. BAND SLAM ; Vanessa Hudgens, Aly Michalka Exec. In Charge of Prod. Dir: Todd Graff. Producer: Elaine Goldsmith Thomas Walden Media Location: Austin, Texas JOURNEY TO THE CENTER OF THE EARTH; Exec. In Charge of Prod. Brendan Fraser, Josh Hutcherson Walden Media Dir: Eric Brevig. Producer: Beau Flynn Location: Montreal, Canada CITY OF EMBER ; Saoirse Ronan, Bill Murray Exec. In Charge of Prod. Dir: Gil Kenan. Producers: Gary Goetzman, Tom Hanks Walden Media Location: Belfast, Ireland T Exec. In Charge of Prod. 6399 Wilshire Blvd., Ste. 415 Los Angeles, CA 90048 ph 323.782.1854 fx 323.345.5690 [email protected] HE CHRONICLES OF NARNIA: PRINCE CASPIAN; Walden Media Ben Barnes, Skandar Keynes, Georgia Henley Dir: Andrew Adamson.
    [Show full text]
  • Remembering World War Ii in the Late 1990S
    REMEMBERING WORLD WAR II IN THE LATE 1990S: A CASE OF PROSTHETIC MEMORY By JONATHAN MONROE BULLINGER A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Communication, Information, and Library Studies Written under the direction of Dr. Susan Keith and approved by Dr. Melissa Aronczyk ________________________________________ Dr. Jack Bratich _____________________________________________ Dr. Susan Keith ______________________________________________ Dr. Yael Zerubavel ___________________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Remembering World War II in the Late 1990s: A Case of Prosthetic Memory JONATHAN MONROE BULLINGER Dissertation Director: Dr. Susan Keith This dissertation analyzes the late 1990s US remembrance of World War II utilizing Alison Landsberg’s (2004) concept of prosthetic memory. Building upon previous scholarship regarding World War II and memory (Beidler, 1998; Wood, 2006; Bodnar, 2010; Ramsay, 2015), this dissertation analyzes key works including Saving Private Ryan (1998), The Greatest Generation (1998), The Thin Red Line (1998), Medal of Honor (1999), Band of Brothers (2001), Call of Duty (2003), and The Pacific (2010) in order to better understand the version of World War II promulgated by Stephen E. Ambrose, Tom Brokaw, Steven Spielberg, and Tom Hanks. Arguing that this time period and its World War II representations
    [Show full text]
  • Stijl in Fargo
    BACHELOR EINDWERKSTUK Jasper Koenen 3909700 Media- en Cultuurwetenschappen Docent: Hanna Surma Studiejaar 2015-2016, blok 2. Inleverdatum: 29 januari 2016 STIJL IN FARGO Stilistische analyse naar de functie van stijl op de vormgeving van het personage Gus Grimly. Deze pagina is welbewust wit gelaten. 1 Abstract In dit eindwerkstuk wordt er onderzoek gedaan naar de relatie tussen stijl en personage in dramaserie FARGO van FX. Het personage dat centraal zal staat is Gus Grimly. Er is gekozen voor dit personage vanwege de grote ontwikkeling die hij doormaakt. Met behulp van een stilistische analyse worden de stijlelementen mise-en-scène, geluid en montage nader bekeken. De opzet van de analyse is overgenomen van mediawetenschapper Jeremy Butler. In zijn boek TV Style werkt hij een methode uit voor onderzoek naar stijl in televisie. Uit de analyse die is uitgevoerd in dit eindwerkstuk blijkt stijl een belangrijke functie te hebben. Waar Gus zich na tien afleveringen ontpopt tot personage dat in staat is iemand te vermoorden, lijkt stijl juist iets anders te willen betogen. Gus wordt immer afgebeeld als de rustige en goedaardige man en zelfs na het doden van Lorne Malvo blijft de vormgeving onveranderd. Hiermee wordt aangegeven dat Gus als personage niet veranderd is, maar dat het doden van Lorne een actie was waar Gus dwangmatig aan toe moest geven. Stijl is dus in staat een boodschap uit te dragen die in eerste instantie niet lijkt te stroken met wat het narratief van een serie vertelt. Keywords: Television Style; stylistic analysis, complex tv, character development. 2 Inhoudsopgave Abstract ................................................................................................................................................... 2 1. Inleiding ..........................................................................................................................................
    [Show full text]
  • S:\Civil\Clark Class Cert.Wpd
    UNITED STATES DISTRICT COURT MIDDLE DISTRICT OF NORTH CAROLINA SABRINA CLARK, on behalf of ) herself and a class of those ) similarly situated, ) ) Plaintiffs, ) v. ) ) MEMORANDUM OPINION ) AND RECOMMENDATION WELLS FARGO FINANCIAL, INC., ) WELLS FARGO FINANCIAL ) 1:08CV343 NORTH CAROLINA, INC., ) d/b/a WELLS FARGO FINANCIAL ) and WELLS FARGO FINANCIAL ) ACCEPTANCE, and DOES 1-50, ) ) Defendants. ) This matter is before the court on a motion to dismiss Plaintiffs’ collective action and class action claims or, alternatively, for summary adjudication by Defendants Wells Fargo Financial, Inc. and Wells Fargo Financial North Carolina, Inc. (collectively “Wells Fargo” or “Defendants”) (docket no. 11), and on Plaintiffs’ motion to stay the deadline for filing a motion for class certification (docket no. 19). The parties have responded in opposition to the respective motions, and the matter is ripe for disposition. Furthermore, the parties have not consented to the jurisdiction of the magistrate judge. The motions must, therefore, be dealt with by way of recommendation. For the following reasons, it will be recommended that the court deny Defendants’ motion to dismiss and grant Plaintiffs’ motion to stay. Case 1:08-cv-00343-NCT-WWD Document 28 Filed 10/30/08 Page 1 of 20 Background Plaintiff Sabrina Clark filed this purported class action on behalf of herself and others similarly situated, based on Wells Fargo’s alleged failure to pay overtime to Plaintiffs in accordance with the Fair Labor Standards Act (“FLSA”), 29 U.S.C. § 210 et seq.1 Plaintiffs seek to have this court grant a motion for a conditional collective class action under section 216(b) of the FLSA.
    [Show full text]
  • Mediate Aftermath of a Date Rape
    PRESS KIT LOG LINE A young professional struggles to process what’s happened to her in the immediate aftermath of a date rape. Her trauma is compounded when she reports the assault and discovers that the cops and even her own family don’t believe her. Based on true survivor stories. SYNOPSIS Believe Her is a 13 minute narrative short film that explores why we are inclined not to believe victims of sexual assault. The story, built from true experiences from sexual assault survivors, follows MONICA (Allison Tolman) from the time she is assaulted through her decision not to file a report. As she's interviewed by the police, we see, though a series of flashbacks, that Monica was violently raped at the end of what she thought was a good first date. But as she's questioned, seeds of doubt are sewn: she was wearing something sexy, she'd had a lot to drink, she has a reputation for sleeping around. And as she processes the assault, details are fuzzy. While good intentioned, the cops, her brother, even her best friend call her story into question, forcing her to decide not to prosecute, and instead, internalize her trauma and suffer in secrecy. Believe Her was shot in Brooklyn with an all female crew in October 2017, coincidentally, just two weeks after the Weinstein story broke and launched the #MeToo movement. Filmmaking Team ERIN DOYLE COOPER Director/Writer/EP Erin Doyle Cooper is a writer, director, and creative director, who focuses on telling character-driven stories that foster diversity of thought.
    [Show full text]
  • “Waiting for Dutch” Episode #201 Script by Noah Hawley
    Executive Producer: Noah Hawley EPISODE: #201 Executive Producer: Warren Littlefield SCRIPT: #201 Executive Producers: Joel & Ethan Coen PRODUCTION: #2001 Executive Producer: John Cameron “Waiting For Dutch” Episode #201 Script by Noah Hawley PINK PRODUCTION DRAFT – FULL – 9/26/14 26 Keys Productions The Littlefield Company Nomadic Pictures MGM Television FX Networks MGM Television Entertainment Inc. 245 North Beverly Drive Beverly Hills, CA 90210 © 2013 MGM Television Entertainment Inc. All Rights Reserved. Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 REVISION HISTORY PINK DRAFT 9/26/14 BLUE REVISION PAGES 9/11/14 PRODUCTION DRAFT 8/7/14 NOTES: PINK PINK DRAFT REVISIONS - Sc. 24 dialogue change - Sc. 39 description change - Sc. 40 has been ADDED PINK DRAFT REVISIONS – ADDITIONAL NOTES: All scenes have been renumbered for clarity Character JOE BULO has been added to this episode Character MIKE MILLIGAN has been added to this episode Character THE KITCHEN BROTHERS have been added to this episode BLUE REVISION PAGES - Sc. 1 description, dialogue change - Sc. 3 description, dialogue change - Sc. 6 has been OMITTED - Sc. 7 has been OMITTED - Sc. 8 has been OMITTED - Sc. 9 description change - Sc. 12 description change - Sc. 13 location name change - Sc. 15 location name, description, dialogue changes - Sc. 16 location name change - Sc. 18 description change - Sc. 20 description change - Sc. 22 dialogue change - Sc. 23 description change - Sc. 24 dialogue changes - Sc. 25 description, dialogue changes - Sc. 25A has been ADDED - Sc. 25B has been ADDED Episode #201 “Waiting For Dutch” PINK DRAFT – 9.26.14 - Sc. 26 location name, description, dialogue change - Sc.
    [Show full text]
  • PROJECT TITLE: Civil Rights Exhibition
    Application PDF Maryland Historical Society Civil Rights Exhibition Request: $50,000.00 Baltimore National Total Match: $50,000.00 Baltimore City PROJECT TITLE: Civil Rights Exhibition PROJECT SUMMARY: The Maryland Historical Society (MdHS) seeks support for the design and fabrication of its major FY21 exhibition focused on African American Civil Rights. The following collections and smaller initiatives that MdHS has presented since 2013 will culminate in this exhibit to tell the larger story about the African American Civil Rights Movement that extends from the Reconstruction Era to the present day: (i) MdHS stewards 6,000 photographs by Paul Henderson, a prominent Afro-American Newspaper photographer. Henderson documented many integral Civil Rights moments from the 1940s to 60s that captured important events, groups, and people, such as the protest at segregated Ford's Theatre in Baltimore, NAACP membership campaign meetings at Sharp Street Church, the Baltimore Elite Giants Negro League baseball team, Morgan State College, Dr. Lillie May Carroll Jackson (head of the NAACP, 1935-1970) and family, Thurgood Marshall with Dr. Carl Murphy (editor-publisher of the Afro-American newspaper), Henderson's photography equipment, and ephemera from his manuscript collection. (ii) Preserve the Baltimore Uprising 2015 Archive Project (PBU) is a digital repository that preserves digital media, including photographs, videos, oral histories, and city documents, created by participants and witnesses to the protests and unrest that followed the death of Freddie Gray on April 19, 2015. MdHS produced a free online resource presenting this media and ensuring that the historical record includes diverse perspectives from people whose lives have been directly impacted by these complex events.
    [Show full text]
  • Fargo Tannery
    /THE SOME ECCENTRIC FuNu .al What is Womanfs < An enormous crowd gathered « ..Chester, England, a few months ap -to witness the funeral of an electrics Beauty but Health? engineer, who w bb carried to the cen, etery in a coffin that had been labon And the Basis of Her Health and ou.sly constructed by himself out ol Vigor Lies in the Careful Reg­ To the Merit o f Lydia E. Pink­ 4,000 match boxes. These, with their ulation of the Bowels. ham’s Vegetable Com­ tops visible and advertising their re­ I f woman’s beauty depended upon spective makers, were varnished over cosmetics, every woman would be a pound during Change and strengthened Inside with wood. * ✓ picture of loveliness. But beauty lies o f Life. On the coffin was placed an electric deeper than that It lies in health. In •battery. the majority of cases the basis of Ancient Lindisfarne Castle Some years ago a maiden lady died health, and the cause of sickness, can Streator, H .—" I Bhallalways praise at Calemis-sur-Lys, in France, who be traced to the action of the bowels. Lydia E. Pinkham’s Vegetable Com­ was reported to have been a champi(#t The headaches, the lassitude, the pound wherever I snuff taker. She enjoyed singularly sallow akin and the luBterless eyes are go. It baa done me good health, retained all her mental usually due to constipation. So many so much good at faculties, and died at a ripe old age. things that women do habitually con­ Change o f Life, and Her funeral was most extraordinary.
    [Show full text]
  • Masterarbeit / Master's Thesis
    MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master‘s Thesis „Eat the Rude. Serielle Verfahren und die Ästhetisierung kannibalistischer Gewalt in der TV-Serie Hannibal“ verfasst von / submitted by Kristina Höch, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2016 / Vienna 2016 Studienkennzahl lt. Studienblatt / A 066 582 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Theater-, Film- und Medientheorie degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. habil. Ramón Reichert 1 Für meine Eltern. Ihr habt es erst möglich gemacht. Danke für absolut alles! Ihr seid die Besten! Danke Dani, dass du all die Jahre immer für mich da warst. Für all die Zeit, die du in wirre Schachtelsätze investiert hast, für deine aufmunternden Worte und die vielen Care Pakete mit Nervenfutter. Danke Andre, dass du meine Launen ertragen hast und immer an meiner Seite warst, vor allem dann, wenn mich Laptop und Drucker fast in den Wahnsinn getrieben hätten. Danke Johnny, dass du mir bei vielen Kinobesuchen und guten Gesprächen neue Perspektiven eröffnet hast. Ein großer Dank gilt auch Herrn Mag. Dr. habil. Ramón Reichert, der mich durch den Schreibprozess begleitet und mit hilfreichen Tipps und konstruktiver Kritik unterstützt hat. 2 3 Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht.
    [Show full text]