Why Netflix Isn't Worried About the Streaming Wars. P2-3

Total Page:16

File Type:pdf, Size:1020Kb

Why Netflix Isn't Worried About the Streaming Wars. P2-3 Community Community Millennials, Off icial gig economy opening of P4workers and P16 B-lounge corporate brings music, high-flyers are entertainment and all suff ering fusion cuisine for from burnout. people in Qatar. Friday, October 11, 2019 Safar 12, 1441 AH Doha today: 290 - 360 COVER STORY Net math Why Netflix isn’t worried about the streaming wars. P2-3 CUISINE SHOWBIZ Cakey pumpkin cookies, No heart attack can a must for fall baking. stop Kevin Smith. Page 6 Page 15 2 GULF TIMES Friday, October 11, 2019 COMMUNITY COVER STORY Netflix and the streaming wars PRAYER TIME Fajr 4.13am The company faces an existential challenge from a new Shorooq (sunrise) 5.32am Zuhr (noon) 11.22am Asr (afternoon) 2.43pm crop of rivals determined to beat it at its own game. Maghreb (sunset) 5.12pm Isha (night) 6.42pm Next month, Apple and Disney will launch their USEFUL NUMBERS streaming platforms, followed by WarnerMedia and NBCUniversal next year, writes Wendy Lee Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, 44845464 Primary Health Care Corporation 44593333 44593363 Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Offi ce ’ (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Life is really simple, but t a downtown coff ee shop in 1997, Netflix is in a much Marc Randolph and Reed Hastings we insist on making it more difficult wondered: Could you mail a DVD and complicated.” have it arrive unbroken? situation than it’s To test the idea, the friends Adropped off a disc at the post offi ce across the — Confucius ever been. It’s a lot street and mailed it to Reed’s home nearby. To their surprise, the disc arrived undamaged, an more competitive. It’s experiment that soon led to the birth of a scrappy start-up now known as Netfl ix. choppy waters. Netfl ix, a name that combines the Internet and movies, was once such an improbable idea that Randolph’s wife thought, “that will never work,” Community Editor — Brahm Eiley, inspiring the title of his recently released book. Kamran Rehmat The company not only worked, it worked president of the beyond their wildest dreams. It would eventually e-mail: [email protected] revolutionise TV, herald the era of binge-watching Telephone: 44466405 Convergence and upend Hollywood’s long-established order. Fax: 44350474 Netfl ix poured vast sums into original TV series Research Group and fi lms and became the undisputed king of ’ streaming, with more than 151 million subscribers Friday, October 11, 2019 GULF TIMES 3 COVER STORY COMMUNITY in nearly 200 countries. Now the Los Gatos company faces an existential challenge from a new crop of rivals who “I think the bigger are determined to beat it at its you are, the more own game. Next month, Apple and Disney will launch their distractions you have streaming platforms, followed by to your core business, WarnerMedia and NBCUniversal next year. the more likely you Investors have grown skittish can’t move as quickly about the looming competition. Netfl ix shares, which closed last as we’ve been able to Tuesday at $270.72, have fallen through our history. nearly 30% since the company reported that it lost 126,000 The new set of subscribers in the US during the competitors is second quarter, its biggest decline since 2011. While revenue rose 26% actually just the old to $4.9 billion the second quarter set of competitors” compared with a year ago, net income dropped 30% to $270.65 million during the same period, according to a fi ling. — Ted Sarandos, Netfl ix’s domestic business Netflix’s chief is slowing at a time when legacy media companies are determined to content officer seize control of lucrative shows that have helped fuel Netfl ix’s success and lure subscribers to their own services. “Netfl ix is in a much more diffi cult situation than it’s ever been,” said Brahm Eiley, president of the Convergence Research Group, a Victoria, BC, fi rm that watching to see how consumers Netfl ix’s basic plan). Disney+ will Jeff Wlodarczak, a principal and Major theatre chains have tracks the streaming industry. “It’s react when they realise shows and off er a basic plan for $6.99 a month senior analyst at Pivotal Research refused to screen The Irishman in a lot more competitive. It’s choppy movies they were used to seeing and a bundle package with ESPN+ Group. protest over Netfl ix’s strategy of waters.” on Netflix are no longer part of its and Hulu for $12.99 a month. “There are few companies in the showing fi lms on its platform on Though few think Netfl ix will library. Netfl ix’s standard plan is $12.99 a world that are going to be able to the same day — or shortly after — relinquish its dominance, its market Sarandos said Netfl ix originals month. spend at these levels long term,” they appear in cinemas. share is expected to decline sharply are more popular than licensed “There has been pressure on Wlodarczak said. “For less than the cost of the in the US. Last year, Netfl ix took shows when examined per season Netfl ix and its fi nancial model for Known for the creative freedom movie ticket, you get a month of in 47% of subscription revenues and that Netfl ix will continue its years,” Eiley said. “New players it off ers, Netfl ix continues to lure Netfl ix,” Sarandos said. “At the end for streaming platforms in the diverse programming strategy, in the market only increase that big-name talent, signing lucrative of the day fi lmmakers want their US, according to the Convergence which includes unscripted feel- pressure.” production deals with writers fi lms to be seen, their work to be Research Group. In 2022, Netfl ix’s good programmes like Queer Eye, Sarandos said that the company’s including Ryan Murphy, Shonda out there in the culture and that market share will decline to 34%, sitcoms such as The Ranch and spending on content is sustainable Rhimes, as well as DB Weiss and happens on Netfl ix better than Convergence said. acclaimed miniseries such as given its revenue growth and that David Benioff , the showrunners anywhere in the world.” To be sure, Netfl ix has faced Unbelievable. Netfl ix will remain competitive by behind HBO fantasy series Game of As the race for consumers challenges before, fi rst with the “Basically our goal is we’re trying off ering something for everyone. Thrones. intensifi es, Netfl ix will look to grow transition from mail-order- to make your favourite show,” “The test is, ‘are you getting The streaming giant also has its subscribers abroad in Brazil, delivery to streaming in 2007, Sarandos said. “For some people, enough value for the money?’” landed projects with critically India and South Korea and other and later its successful foray into it’s that high pedigree, Emmy- Sarandos said. “That’s a question acclaimed fi lmmakers such as international markets. original programming with such winning, well-reviewed show and that consumers have to answer.” Alfonso Cuarón, (whose fi lm Roma One area Netfl ix is investing in is hits as Orange Is the New Black and other people just want to relax and Netfl ix also has an advantage won three Academy Awards), animation, which can be easier to House of Cards. watch something.” in the bidding war because video Guillermo del Toro and Martin dub into diff erent languages such “We have to continue to do what But as studios reclaim shows streaming is its core business, Scorsese, whose much-anticipated as Hindi. Netfl ix launched its fi rst we’ve been doing, which is make for their own services, Netfl ix will unlike rivals such as Apple and gangster fi lm The Irishman debuts original animated kids shows in the best content and deliver it have to spend even more money on Amazon. Some of Netfl ix’s in November. It’s one of some eight India in April called Mighty Little seamlessly,” Ted Sarandos, Netfl ix’s original programmes like Ozark and competitors could back down if Netfl ix movies that will debut later Bheem as part of an expansion chief content offi cer, said in an Stranger Things to fi ll the gap — and shows become too expensive, said this year. in the vast market. In India, the interview from the company’s keep subscribers coming. company recently launched a Los Angeles offi ces. Speaking of Netfl ix’s spending on content cheaper $3 monthly plan for people all the coming rivals, he said: “I is projected to climb to $35 billion who only watch Netfl ix on their think the bigger you are, the more in 2025, up from an estimated mobile devices. distractions you have to your core $16 billion this year, according Then there is the push into business, the more likely you can’t to Pivotal Research Group. The interactive series that can track move as quickly as we’ve been able additional spending on new and subscriber choices on shows. Last to through our history. The new set licensed programming could add to year, Netfl ix distributed a Black of competitors is actually just the the company’s debt load.
Recommended publications
  • C03 Backstage Kevin Smith
    Ω BACKSTAGE REGISSEUR KEVIN SMITH SPIEL KIND PORTRÄT Vor zwei Jahren wäre er fast gestorben, nun erscheint Kevin Smiths neuer Film „Jay and Silent Bob Reboot“. Nur zwei Gründe, auf das künst lerische Schaffen des „Clerks“-Machers und Independent-Filmers zu blicken und mit ihm über das Leben zu reden Text: Sven Wiebeck 68 CINEMA CINEMA 69 Ω BACKSTAGE Kevin Smiths Tochter. Seit „Jay und Silent Die Leidenschaft für Comicbücher wurde JASON MEWES JASON LEE Bob schlagen zurück“ war sie in sieben Filmen in der Kindheit geweckt und im Teenageralter Wie Kevin Smith wuchs Seine Premiere in einem Kevin-Smith-Film feierte und Serien unter der Regie ihres Vaters dabei, vertieft. Smith liebt die Storys, in denen, wie Jason Mewes (45) in New Jason Lee (49) 1995 als Brodie Bruce in „Mallrats“. hat unter anderem neben Lily-Rose Depp, er beschreibt, die Leute vor dem Schlimmsten WALTER FLANAGAN Jersey auf. Neben zahl- Es folgten sieben weitere Auftritte. In „Chasing Amy“ Johnny Depps Tochter, die zweite Hauptrolle weglaufen, was ihnen je widerfahren ist, wäh- reichen Filmprojekten, in spielte er erstmals Banky Edwards, einen der beiden in der grotesken Horrorkomödie „Yoga Ho- rend eine andere Person darauf zuläuft, um es Neben Smith und Mewes be- denen er als unablässig Zeichner, die den Comic „Bluntman and Chronic“ sers“ (2016) gespielt. Smith erinnert sich an die zu verhindern. „Sie sind sehr einfach, sehr suchte auch Walter Flanagan (52) plappernder Jay zu sehen kreiert haben – inspiriert von Silent Bob und Jay. die Henry Hudson Regional High Dreharbeiten zu „Clerks 2“ (2006), als Harley biblisch, gleichzeitig gehen sie aber auch da- ist, verbindet die beiden School in New Jersey.
    [Show full text]
  • Jay & Silent Bob Reboot
    Presents JAY & SILENT BOB REBOOT A film by Kevin Smith 105 mins, USA, 2019 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com JAY AND SILENT BOB REBOOT SYNOPSIS: The stoner icons who first hit the screen 25 years ago in CLERKS are back! When Jay and Silent Bob discover that Hollywood is rebooting an old movie based on them, the clueless duo embark on another cross-country mission to stop it all over again! 1 CAST & CREW BIOGRAPHIES: KEVIN SMITH (Silent Bob, Director / Writer) Kevin Smith has been saying silly cinematic shit since his first film Clerks, released way back in 1994. He had a heart attack and almost died last year but survived solely so he could direct his magnum opus, Jay and Silent Bob Reboot. A polygamist, he’s married to both his wife Jen and podcasting. JASON MEWES (Jay) Jason Mewes most recently made his directorial debut on MADNESS IN THE METHOD, which was released in August 2019. With cult-fans following his controversial antics, Mewes has captured audiences with his rebellious banter against his unspoken other half and longtime friend, Kevin Smith. Since the beginning of the duo’s offbeat work together, Mewes and Smith have continued to build on their beloved character-driven roles from the Jay and Silent Bob series. It’s been over a decade since fans last saw the duo in live- action, but they’re back along with a star-studded cast in the upcoming comedy film, JAY AND SILENT BOB REBOOT.
    [Show full text]
  • Kevin Smith Press Release Update
    CSFINEARTSCENTER.ORG Contact: Amanda Weston, Media Relations and Outreach Manager 719-477-4316; [email protected] FOR IMMEDIATE RELEASE Jay & Silent Bob Get Old COLORADO SPRINGS (Oct 13, 2015) — The Colorado Springs Fine Arts Center (FAC) presents Jay and Silent Bob Get Old. The hilarious duo Jay & Silent Bob are back. Film icons Kevin Smith and Jason Mewes made history and fans all over the world with the characters Jay & Silent Bob from the movies Clerks, Mallrats, Chasing Amy, Dogma, Jay and Silent Bob Strike Back and Clerks 2. Now you can see them live at the FAC recording their comedy podcast Jay & Silent Bob Get Old. Smith, playing to a sold out show at 7:30p, will be joined by Mewes for a second and completely different performance at 9:45p. This is what fans everywhere have been waiting for – a rare opportunity to see their heroes on stage doing what they love, telling stories! Ranked #1 on ITunes Comedy podcasts, this is a sometimes touching, always hilarious, look at what happens when two people grow up in Hollywood’s gaze. These limited engagements will be recorded as the stories evolve live in front of the audience, and released for free on www.smodcast.com. Jay & Silent Bob Get Old When: December 16, 2015 9:45p Where: Colorado Springs Fine Arts Center, 30 W. Dale St. Tickets: Starting at $36 Something else: This performance is following the SOLD OUT performance – An Evening with Kevin Smith: Q&A Session at 7:30p Kevin Smith @ThatKevinSmith is the fat guy who got thrown off the plane.
    [Show full text]
  • Masaryk University Brno Faculty Of
    MASARYK UNIVERSITY BRNO FACULTY OF EDUCATION DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE Podcasts and their use in education Bachelor thesis Brno 2018 Supervisor: Author: Mgr. Pavla Buchtová Oliver Koštejn Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. 121/2000 Sb., o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. Brno, 30. března 2018 ……………………….. Oliver Koštejn Aknowledgements I would like to thank my supervisor, Mgr. Pavla Buchtová, for her helpful advice and the right amount of scepticism and encouragement. Additionally, many thanks to my family and friends, for moral support, patience and love, especially during the trying times of my studies. Thank you, Oliver Annotation The focus of this thesis is on the medium of podcasting. The thesis analyses podcasts in terms of the evolution of the medium, describes the variations in form and content while providing examples, acknowledges its advantages and disadvantages and maps the current state of its popularity and general awareness. The last chapter aims to provide proof of the potential podcasts present as a supplementary teaching material and its value in use as input for language acquisition. Keywords: podcasting, podcast, media, audio drama, language acquisition, spoken word, audio Anotace Tato práce se zabývá médiem podcastingu. Práce analyzuje podcasty z hlediska evoluce media, popisuje rozdíly ve formě i v obsahu za pomoci příkladů, věnuje pozornost výhodám i nevýhodám média a vykresluje nynější stav jeho popularity a místa v obecném povědomí.
    [Show full text]
  • 10FEATURE Proposal to Build Downtown Arts Campus Picks Up
    www.unews.com NIVERSITY UMKC’s independent student newspaper since 1933 NEWS Vol. 80 // Issue 3 // Sept. 4, 2012 Photos by Sai Srikar Kadiyam FEATURE Illustration by Nathan Zoschke Proposal to build downtown arts 10campus picks up momentum NEWS SPORTS A&E Students team up with Men’s soccer starts the Bartender’s Corner: Photo by Sai Srikar Kadiyam 3 Occupy protesters for 8 season with disappointing 13 Enticing happy hour KC99 rally on the Plaza 0-3 skid specials on Southwest Boulevard 2 News Sept. 4, 2012 Vol. 80, Issue 3 News 3 NIVERSITY Enhancing the undergraduate experience Occupy revisited NEWS University College offers home for undeclared students UMKC’s Independent Student Newspaper Meredith Shea www.unews.com Staff Writer he University College is neither a university 5327 Holmes St. Kansas City, MO 64110 nor a college. Editor’s desk: 816-235-5402 TIt’s actually a new Advertising: 816-235-1386 program added this semester, Fax 816-235-6514 designed to boost retention (re-enrollment) rates for freshmen and transfer U-News Senior Staff students with undeclared majors by helping them find Editor-in-Chief Senior Staff Writer a field of study. Nathan Zoschke Kate Baxendale Currently, 209 studentsSept. are 4, 2012 Roze Brooks enrolled in the U-College. Advertising Manager Kharissa Forte Associate Vice Provost The second floor of the Student Success Center houses the U-College. Luis Ruiz Riley Mortensen Photo by Meredith Shea Kynslie Otte Kim McNeley described Business Manager the program as a “portal” Xuan Cai Staff Photographer for undeclared students to literary interests.
    [Show full text]
  • Melissa Walker Costume Designer
    MELISSA WALKER COSTUME DESIGNER www.melissaseawalker.com FEATURES JAY AND SILENT BOB REBOOT • Director: Kevin Smith • Producers: Liz Destro, Jordan Monsanto Cast: Kevin Smith, Jason Mewes UNTITLED NOAH BAUMBACH • Director: Noah Baumbach • Costume Supervisor Cast: Adam Driver, Laura Dern, Scarlett Johansson THE PEANUT BUTTER FALCON • Director: Mike Schwartz • Executive Producers: Manu Gargi, Matthew J. Malek Cast: Dakota Johnson, Jon Bernthal, Shia LaBeouf, John Hawks, Bruce Dern, Thomas Haden Church YOGA HOSERS • Director: Kevin Smith • Executive Producers: Thomas Ashley, Nate Bolotin, Joshua Bachover, Cast: Lily-Rose Depp, Harely Quinn Smith, Adam Brody, Austin Butler CAPTIVE STATE • Director: Rupert Wyatt • Assistant Costume Designer Cast: Vera Farminga, John Goodman, Madeline Brewer KEANU • Director: Peter Atencio • Costume Supervisor Cast: Jordan Peele, Keegan Michael Key, Method Man, Tiffany Haddish THE NEON DEMON • Director: Nicolas Winding Refn • Costume Supervisor Cast: Elle Fanning, Keanu Reeves, Christina Hendrix THE RUNNER • Director: Austin Stark • Costume Supervisor Cast: Nicholas Cage, Sarah Paulson, Peter Fonda THE VEIL • Director: Brent Ryan Green • Costume Supervisor Cast: William Levy, William Moseley EPISODIC TELEVISION FLORIDA GIRLS • POP • Jax Media/3 Arts Entertainment • Executive Producers: Lilly Burns, Laura Chinn, Tony Hernandez Cast: Laura Chinn, Laci Mosley, Melanie Field, Pattty Guggenheim PEN15 • Season 1 -2 • HULU • Awesomeness TV • Executive Producers: Jeremy Reitz, Maya Erskine, Anna Konkle Cast: Maya Erskine,
    [Show full text]
  • ONLINE COMMUNITY, CULTURE, and KEVIN SMITH FANDOM Tom
    FANDOM AND BEYOND: ONLINE COMMUNITY, CULTURE, AND KEVIN SMITH FANDOM Tom Phillips Submitted for the degree of Doctor of Philosophy University of East Anglia School of Film, Television and Media Studies 2013 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. Abstract Fan studies literature has frequently been pervaded by the prevailing assumptions of what constitutes “fans” and their associated activities: fan art or fantext, cosplay, conjecture, activism – the things that fans supposedly do by definition – are those to which scholarly attention has most been paid. Yet the assumption that fandom can be defined by such explicit practices can be dangerous because of the subjective nature of respective fan cultures. Presenting a fan culture that questions the “assumed” nature of fandom and fan practices, this thesis is an examination of the fans of filmmaker and comedian Kevin Smith, investigating the ways in which community members negotiate and categorise their fandom and relationships with both each other and a communicative, media-literate producer. Since 1995, the View Askew Message Board has provided a dialogical, communicative platform for fans of Kevin Smith to define themselves as a collective group – or more frequently – a community. Through autoethnographic discussion, as well as qualitative research conducted both online and in person, this examination of users of the Board considers the nature of audience-producer relations, the intersection between on- and offline fannish and communal practices, and the extent to which the identity of “Kevin Smith fan” can be attributed within alternate contexts of fan productivity and (non) communal practice.
    [Show full text]
  • Kevin Smith and Jason Mewes Resurrect a More Seasoned Jay & Silent Bob by Brett Callwood
    ® SEPTEMBER 6-12, 2019 VOL.41 / NO. 42 LAWEEKLY.COM Your guide to the Fall Arts Season Kick-off • Redd kross is in Rare Form With Latest Album • Interview with Wu-Tang Clan Series Star Kevin Smith and Jason Mewes resurrect a more seasoned Jay & Silent Bob By Brett Callwood 2 WWW.LAWEEKLY.COM LA WEEKLY | S - , | WE NOW DELIVER!! WE NOWDELIVER!! 3 LA WEEKLY WEEKLY BD WONG | S - , WWW.LAWEEKLY.COM A lecture on race relations in the creative industries by the star of Jurassic Park, Oz, & Law & Order The evening will conclude with a Q&A SATURDAY, SEPTEMBER 21, 2019 at 8:00 PM LUCKMANARTS.ORG 323-343-6600 4 L September 6-12 // Vol. 41 // No. 42 // laweekly.com WEEKLY WEEKLY LA Contents GO LA...7 ARTS...14 A storytelling sisterhood, art all night on a L.A. Weekly breaks down the gallery world’s weekend of gallery show openings, the Long Saturday night fever as the fall arts season Beach Lobster Festival, and more to do and kicks off. BY SHANA NYS DAMBROT. see in L.A. this week. | S - , FILM...17 FEATURE...9 Linda Ronstadt: The Sound of My Voice 9 One heart attack and several years of sobriety illuminates the career of one of music’s most and fatherhood later, Kevin Smith and Jason talented and culturally versatile singers Mewes are resurrecting a more mature and highlights her support of fellow female EMPLOYMENT...26-27 Jay and Silent Bob on the big screen after artists. BY CHUCK WILSON Also, NATHANIEL MUSIC...21 REAL ESTATE...27 more than a decade-long hiatus.
    [Show full text]
  • Chemesis International Inc. Signs Exclusive Licensing Deal
    Chemesis International Inc. Signs Exclusive Licensing Deal Chemesis Signs Exclusive Licensing Deal with Kevin Smith and Jason Mewes for Cannabis Product Development and Promotion November 14, 2018 – Vancouver, BC – Chemesis International Inc. (CSE: CSI) (OTC: CADMF) (FRA: CWAA) (the “Company” or “Chemesis”), is pleased to announce it has entered into a multiyear licensing deal with Kevin Smith and Jason Mewes (a/k/a Jay and Silent Bob) for the development and promotion of cannabis products in the U.S., including flower, oils, extracts, pre-rolls, cones, edibles, and other consumer products having recreational adult and medicinal uses. “Kevin Smith is many things to many people,” said Edgar Montero, CEO of Chemesis. “To us, he is one of the most prolific content creators of our generation and the foremost authority on all things comedy, comics, and superfandom. His fans respect him because he views the world with a critical eye for excellence and authenticity, but he also is able to sit back and enjoy the moment. What better way to enjoy the moment than with our products, and what better critics to assure their quality than Kevin and Jay.” Kevin Smith is a filmmaker, actor, comic book writer, author and podcaster well known for his comedy film Clerks, which he also starred in as the character Silent Bob. Jason Mewes is also an actor known for his work in Clerks as the character Jay. Both Jay and Silent Bob have since appeared in Smith’s follow-up films Mallrats, Chasing Amy, Dogma, Clerks 2 and Jay and Silent Bob Strike Back.
    [Show full text]
  • How Audiences Engage with Narrative Across Multiple Story Modes
    Consuming Transmedia: how audiences engage with narrative across multiple story modes. By Emma Beddows A thesis submitted in fulfilment of the requirement for the Degree of Doctor of Philosophy (PhD) Faculty of Life and Social Sciences, Swinburne University of Technology, Australia 2012 i Student Declaration I, Emma Beddows, declare that the examinable outcome: Contains no material which has been accepted for the award to the candidate of any other degree or diploma, except where due reference is made in the text of the examinable outcome. To the best of my knowledge contains no material previously published or written by another person except where due reference is made in the text of the examinable outcome; and Where the work is based on joint research or publications, discloses the relative contributions of the respective workers or authors. Signed: 2012 i ii Abstract Research in the field of transmedia storytelling, variously known as ‘cross-media’ (Dena 2004a, 2004b), ‘distributed narration’ (Walker 2004) and ‘transmedia practice’ (Dena 2009) has grown steadily over the past ten years. As new content distribution models emerge from the creative industries it is essential that we consider how users engage with these new frameworks. Whilst many scholars acknowledge the consumption of transmedia texts, few studies detail reception of these texts using practical or qualitative measures. This thesis aims to address this issue via a synthesis of theoretical concerns and practical analysis. Commercial transmedia storytelling presents significant opportunities for audience research because it seeks to exploit the migratory consumption patterns of media users by replicating user-led traversals in a highly structured commercial environment.
    [Show full text]
  • Consuming Transmedia: How Audiences Engage with Narrative Across Multiple Story
    Consuming Transmedia: how audiences engage with narrative across multiple story modes. By Emma Beddows A thesis submitted in fulfilment of the requirement for the Degree of Doctor of Philosophy (PhD) Faculty of Life and Social Sciences, Swinburne University of Technology, Australia 2012 i Student Declaration I, Emma Beddows, declare that the examinable outcome: Contains no material which has been accepted for the award to the candidate of any other degree or diploma, except where due reference is made in the text of the examinable outcome. To the best of my knowledge contains no material previously published or written by another person except where due reference is made in the text of the examinable outcome; and Where the work is based on joint research or publications, discloses the relative contributions of the respective workers or authors. Signed: 2012 i ii Abstract Research in the field of transmedia storytelling, variously known as ‗cross-media‘ (Dena 2004a, 2004b), ‗distributed narration‘ (Walker 2004) and ‗transmedia practice‘ (Dena 2009) has grown steadily over the past ten years. As new content distribution models emerge from the creative industries it is essential that we consider how users engage with these new frameworks. Whilst many scholars acknowledge the consumption of transmedia texts, few studies detail reception of these texts using practical or qualitative measures. This thesis aims to address this issue via a synthesis of theoretical concerns and practical analysis. Commercial transmedia storytelling presents significant opportunities for audience research because it seeks to exploit the migratory consumption patterns of media users by replicating user-led traversals in a highly structured commercial environment.
    [Show full text]
  • Seasons of ''Degrassi: the Next Generation''
    Seasons of ''Degrassi: The Next Generation'' PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 24 Oct 2010 12:03:53 UTC Contents Articles Degrassi: The Next Generation episodes 1 Season 1 11 Season 2 18 Season 3 25 Season 4 33 Season 5 41 Season 6 47 Season 7 54 Season 8 63 Season 9 73 Season 10 80 References Article Sources and Contributors 87 Image Sources, Licenses and Contributors 88 Article Licenses License 89 ''Degrassi: The Next Generation'' episodes 1 Degrassi: The Next Generation episodes Degrassi: The Next Generation is a Canadian teen drama television series created by Linda Schuyler and Yan Moore. It premiered on CTV, a terrestrial television network, on 14 October 2001 with the pilot episode "Mother and Child Reunion". It is the fourth series set in the fictional Degrassi universe created by Schuyler and Kit Hood in 1979. Like its predecessors, Degrassi: The Next Generation follows a group of students from Degrassi Community School, a fictional school in Toronto, Ontario, and depicts some of the typical issues and challenges common to a teenager's life such as intoxication, rape, pregnancy, abortion, bullying, family problems, sex, homosexuality and death. In the United States, the series is broadcast on TeenNick, a digital cable network aimed at teenagers and young adults. As of 22 October 2010, 202 individual episodes have premiered, however because of differing episode lengths, and all syndicated episodes being half-hour long, 216 produced episodes have aired. The tenth season premiered on 19 July 2010, with the name of the series shortened simply to Degrassi.
    [Show full text]