Beginning Programs for Week Feb. 15
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Before TV, a Funny Thing Called Radio
01 January 2012 | MP3 at voaspecialenglish.com Before TV, a Funny Thing Called Radio AP Comedian Bob Hope visits U.S. troops in South Vietnam in 1964 STEVE EMBER: Welcome to THIS IS AMERICA in VOA Special English. I'm Steve Ember. SHIRLEY GRIFFITH: And I'm Shirley Griffith. This week on our program, we bring you some laughs from old-time American radio shows. LOU COSTELLO: "What I want to find out." BUD ABBOTT: "I say Who's on first, What's on second, I Don't Know's on third." STEVE EMBER: Bud Abbott and Lou Costello were two of America's funniest funnymen. Abbott and Costello appeared in theater, movies and television. But they owed much of their fame to radio, and a routine called "Who's On First?" SHIRLEY GRIFFITH: Abbott plays a manager of a baseball team. Costello has trouble understanding that the players have funny nicknames, like Who. COSTELLO: "You gonna be the coach, too?" ABBOTT: "Yes." COSTELLO: "And you don't know the fellows' names?" 2 ABBOTT: " Well, I should." COSTELLO: "Well, then, who's on first?" ABBOTT: "Yes." COSTELLO: "I mean the fellow's name." ABBOTT: "Who." COSTELLO: "The guy on first." ABBOTT: "Who." COSTELLO: "The first baseman." ABBOTT: "Who." COSTELLO: "The first baseman." ABBOTT: "Who." ABBOTT: "Who is on first!" COSTELLO: "I'm asking you who's on first." ABBOTT: "That's the man's name." COSTELLO: "That's who's name?" ABBOTT: "Yes." COSTELLO: "Well, go ahead and tell me." ABBOTT: "That's it." COSTELLO: "That's who?" ABBOTT: "Yes." STEVE EMBER: Another of America's great comedians was Fred Allen. -
WIN F Crash Near Parkade
< . > Average Daily Ne^ P t m ^ ^ (T u S a Y, NOVEMSSai 11, I960 Tho Waathar »AOlB BidHTBBN For the Week niOea Fewcaat at D. >. W m Gm $ «r a lb Nev. 6. leee fU ir Mril 4 i^CitHn. la pefine older and milder Low ik sea I Uoyd Bemis o f Boston wUl speak the rear bf a car being driven by 1 3 ,2 7 0 Watkins Delegate Robert A. Miil^ 19, of 84 MIU 8t„ dlabetle^ tncantly developed oral a t l a n t i o mgk iB bbr on "A Dynamic "New England,” AlUdycees com pw m ia appear ‘to have been Mtnfeer «t the Anatt About Town discussing what New England has which in turn waa pushed Into a| FURNACE OIL Banan of dradatiOB. At UConli Rites ^ e d u v e in reducing blood' augur Mancheater~-~4 City of VUlago Charm • 1 to offer new Industry and business, car being driven by Leon G. kah> Automatic DeHvery at a meeting of the kiwanls Club ' A pamd discuaslon on "Enjoying lot, 59, of 86 Park St. To Distribute The Manchester Junior Chamber L T . W OOD C O . Dm H bl* at Home” wUl be held of Manchester next Tuesday noon For Jorgensen (Claarifled AfivortUiag on Pago S) pRicB invt cB im Davis was a passenger in o f Commerce is distributing the Phone MI 8>I12» (TEN PAGES—TV SECTION) MANCHESTER CONN., SATURDAY, NOVEMBER 12, 1960 tjjfinorrow at 8 p.m. at SuaM n^ at the Manchester Country Club. kits aa Its part in National Di VOL. -
Un Tour Du Monde Pour Fêter 2000 Tème
LeMonde Job: WMQ0201--0001-0 WAS LMQ0201-1 Op.: XX Rev.: 01-01-00 T.: 11:09 S.: 111,06-Cmp.:01,11, Base : LMQPAG 15Fap: 100 No: 0277 Lcp: 700 CMYK LE MONDE TÉLÉVISION SEMAINE DU 3 AU 9 JANVIER 2000 MADELEINE MAKUMABANO PETITE CONVERSATION LA DOLCE VITA LE DAKAR Cette FAMILIALE Un film de Fellini, La 22e édition du rallye journaliste Hélène avec Marcello traversera l’Afrique d’ouest à la forte Lapiower Mastroianni en est. A partir du 6 janvier personnalité a filmé et Anita Ekberg. sur France 2 et France 3. a Le grand retour anime sur RFI sa famille, Palme d’or à Page 38 « Le Débat africain », une émission d’origine juive polonaise. Cannes en 1960. politique très populaire Un « judéo-home-movie » Sur France 2. de l’investigation sur le continent. Page 6 irrésistible. Sur Arte. Page 7 Page 13 a Portrait : la dame de RFI La caméra enquête Plusieurs émissions renouent avec l’investigation journalistique à la télévision. Dernière en date : « 90 minutes » sur Canal+. Pages 4-5 www.lemonde.fr 56e ANNÉE – No 17087 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE DIMANCHE 2 - LUNDI 3 JANVIER 2000 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI aaaaaaaaaaaSUPPLEMENT Les années Eltsine PPARATCHIK du parti devenu le viennes, banni le vieux PC, libéré les prix pouvoir, à l’intérieur comme à l’extérieur, premier président de la Russie sinon l’économie, fait admettre la Russie malgré la sinistre démonstration de force indépendante élu au suffrage dans les organisations internationales où organisée depuis l’automne contre la Tché- A les Occidentaux se retrouvaient naguère tchénie. -
THE WHISTLER: Notes on Murder Simpson, Tom Brown, Britt Wood, Jeanne Bates, Lawrence Dobkin
Project1:8 Page Booklet 4/30/08 2:24 PM Page 1 Julie from the plan but his actions set his plan spinning out of control. With Bill Forman, Lamont Johnson, Gloria Ann THE WHISTLER: Notes on Murder Simpson, Tom Brown, Britt Wood, Jeanne Bates, Lawrence Dobkin. Program Guide by Jim Widner CD 10A - “Final Papers” – 8/24/1952 – Anna Craig, a European immigrant with a shady past, has gotten the news On May 16th, 1942 a new mystery that she will soon become a citizen. Immigration lawyer, program called The Whistler aired over Stanley Craig is Anna’s husband and knows nothing of her the Columbia Broadcasting System’s past. Lisa Felder, another immigrant with a shady past, West Coast network. The stories for the threatens to reveal Anna’s past unless she convinces her husband to take on her case. Fearful, Anna poisons Lisa rather series were anthologized morality plays than succumb to the threat. When Stanley tells Anna he has to about everyday individuals caught in a go to Europe to investigate Lisa’s past, Anna decides to kill her web of their own making, and tripped up husband to avoid his discovering her own past but her methods by a twist of fate in the end. Heard soon reveal her crimes. With Bill Forman, Gail Bonney, throughout each radio play, as the events William Conrad Gladys Holland, Joseph Kearns, John Stevenson. became a tangled web of crime, was a shadowy voice-of-fate. Dripping with CD 10B - “The Secret of Chalk Point” – 9/7/1952 – Kay Fowler, staying at the Yaeger House at sarcasm, it preached to listeners about the Chalk Point meets a young man on the beach during a heavy fog who says he is the husband of old futility of the criminal act they’d just Mrs. -
Treadmill to Oblivion Treadmill to Oblivion
(Download free pdf) Treadmill to Oblivion Treadmill to Oblivion BzmL6Zk0c cGBZRl76t g16rN43Kw Cgu2GBHxn 7KRYLiuDz GWG8GUL0n sLz1TC8ls Treadmill to Oblivion ZlQG7AG6o AC-59554 h5t7J244L US/Data/Humor-Entertainment VHLcJIJEv 3.5/5 From 635 Reviews o3t8yVLCQ FRED LlEN pE1gShMeV *Download PDF | ePub | DOC | audiobook | ebooks Wt71ZntRc 3QbFqfkYh CTNhslyrl 7iDwcft8D rSUJ5D6Cj Cos145oHb 9 of 9 people found the following review helpful. Broadcast Radio before 1HHytgbZF Television.By F.HoffmanI have been watching reruns of the TV show "Whats My RwP7RI7hU Line", in which Fred Allen was a panelist for a number of years. I had mixed 6rOHnY0Oi feelings about how he acted during the show and found myself wondering who Wt2GcZKQG this man was. This book was inexpensive, so I bought it. He writes about the m0WySWPmi medium of broadcast radio before the advent of television. I not only gained a mioYZBG5z better understanding of why Fred Allen was highly thought of in the entertainment Vv3MCKJ0p world, but how TV changed Radio, just as the Internet is changing TV. Much of it wypBwOmAm is quite humorous, and it is very much worth a read.7 of 7 people found the 24cwU3SRB following review helpful. Great First-Hand Account of the Golden Days of 53mCKriIh RadioBy Pen NameFred Allen was a great wit during the Golden Days of Radio. His program, along with The Jack Benny Show and The Phil Harris and Alice Faye Show are just a few of the old programs that have aged well. Most if the other comedy shows if this era seem quaint, naive and even tedious.Fred Allen's influence was evident in the 1970s with the advent of Johnny Carson's "Mighty Carson Art Players" and Garrison Keillor's "News from Lake Wobegon." Both Carson and Keillor creations were direct ancestors of Allen's Alley, a weekly feature of Allen's show. -
CBS, Rural Sitcoms, and the Image of the South, 1957-1971 Sara K
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2013 Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971 Sara K. Eskridge Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Eskridge, Sara K., "Rube tube : CBS, rural sitcoms, and the image of the south, 1957-1971" (2013). LSU Doctoral Dissertations. 3154. https://digitalcommons.lsu.edu/gradschool_dissertations/3154 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. RUBE TUBE: CBS, RURAL SITCOMS, AND THE IMAGE OF THE SOUTH, 1957-1971 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Sara K. Eskridge B.A., Mary Washington College, 2003 M.A., Virginia Commonwealth University, 2006 May 2013 Acknowledgements Many thanks to all of those who helped me envision, research, and complete this project. First of all, a thank you to the Middleton Library at Louisiana State University, where I found most of the secondary source materials for this dissertation, as well as some of the primary sources. I especially thank Joseph Nicholson, the LSU history subject librarian, who helped me with a number of specific inquiries. -
Lambchops by Ron Hutchinson
Lambchops By Ron Hutchinson “Who the hell wants to hear actors talk?” --- Harry Warner, 1927 In 1925, when the brothers Warner decided to part- ner with Bell Laboratories to use the Vitaphone disk system to present movies with synchronized sound, talking wasn’t part of the plan. The brothers envi- sioned marketing their features with full orchestral scores and limited sound effects. Actors that talked from the screen were an afterthought. But a quick one. When they premiered “Don Juan” in 1926, it boasted a synchronized symphonic score with sound effects that enhanced the John Barrymore swashbuckler. There was no dialog in this otherwise silent film. The sound was on 16-inch shellac disks, turning at 33 1/3 rpm and synched to the picture. As long as the film didn’t break or the needle didn’t skip, everything matched. Audiences applauded, but were more impressed with the short subjects which preceded the feature. These WERE talking pictures, with opera stars, a ukulele player and Will Hays of the Motion Picture Producers Association actually speaking and singing in perfect synchronicity. The audience’s reaction to the shorts was not lost on the Warner Brothers. They Gracie Allen examines George Burns’ tie in a scene from “Lambchops.” quickly expanded Vitaphoning plans to begin pro- Courtesy Ron Hutchinson. duction of a series of talking and singing shorts with vaudeville, opera and Broadway stars. With their the first successful one after decades of technically second synchronized silent feature, “The Better ‘Ole” failed attempts. That year the studio ramped up pro- starring Charlie Chaplin’s half-brother Syd, the ac- duction of its short subjects, sometimes making companying synchronized shorts boasted top stars three a week to meet the increasing demand. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A. -
Mae West and the Limits of Radio Censorship in the 1930S
Colby Quarterly Volume 36 Issue 4 December Article 4 December 2000 Mae West and the Limits of Radio Censorship in the 1930s Matthew Murray Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 36, no.4, December 2000, p. 261-272 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Murray: Mae West and the Limits of Radio Censorship in the 1930s Mae West and the Limits ofRadio Censorship in the 19305 by MATTHEW MURRAY N DECEMBER 12, 1937, Mae West appeared on network radio and the pat O terns of broadcast censorship were never the same again. In the space of thirty minutes, during what was West's only major radio performance, invio lable taboos concerning sacred texts were breached and heterosexual female desire was accorded unprecedented license over the airwaves. The program produced a vitriolic reaction from religious and reformist organizations, which criticized the National Broadcasting Company (NBC) for failing to apply appropriate editorial oversight. By orchestrating an organized campaign to rid radio of similar moral improprieties in the future, these groups managed to extend their social influence into the realm of broadcasting regulation. However, this campaign provoked a backlash in the popular press and from members of the general public, who advocated a more relaxed policy regarding the aural representation of sex, sexuality, and gendered display. The fierce discursive exchanges that took place in the aftermath of West's appearance attested to a wider divergence over what constituted normative gendered sexuality and the limits of acceptable female public deportment in the U.S. -
Your Radio Today Kern
KAGH .1300 KFSG ..1150KIEV.... 870 KPPC 0240 KECA 790 Kr/0 KLAC 570 KRKD "1150. YOUR RADIO TODAY KERN. .1410 KFWB ... 980 KMPC 710 KVOE ...1480 KFAC ..1330KGER....1390KNX ....1070KWIK. ..1490 (The Information contained inthis scheduleIs furnished by the station broadcasting the programs. KFI 640- KG91 1230JOWL.. .1580KWkli...1430 may be made without notice.) Owingtopresentconditionschanges Inthe Programslisted KFOX 1280 KHJ .... 930KPMC ...1560 KXLA..1110 KNX-Helen Hayes. KPWBForest Home. SUNDAY HIGH LIGHTS 3 P.M. Tel Mr, XTRMIC K Lis1Pure trAt.;-Iage KNX-Sam Spade. DRAMA 7:30 KHJ-Can You Top This? ECA.Calif. Caravan. <FAC-Masterworks, 3:00 KNXFamily Hr. of Stars. 8:00 KH.J.20 Questions. NX-Farnily Hr. <FWB-On the Beat. KECA-Orcliestra. 3:00 KECA-California- Caravan. MYSTERY- HJ-Rov Rogers. KECA.-W alter Winehe11 9:15 3:30 KECA-Greatest Story. 2:00 KHJ.The Shadow. LAC-Harmony Hse. KRKD-Mus. Travelog.KLAC-Open "Fdrum. .5:30 NFI-Theater. 3:30 ICI-U.-Nick Carter. FWB-Chamber Mus. 6:15 P.M. 6:00 KNX-Helen Hayes. 6:00 KHJ.Under Arrest. MPC.Footlite Favor.KLAC-Par. of Bands. -9:30 ._ ' 6:30 KECA-Theater 'Guild. 8:00 KNX-Rocky Jordan. KMPC-Your City. KHJ.Chicago Thea. 7:00 NAJ.Mayor of Town. 8:30 ICKX.Whistler, 3:30 P.M. KECA-Louella ParsonsKNX-Jack -Benny, . PI.Close Harmony. KECA-Amak, Malone. COMEDY . 9:00 KNX.SaM Spade. 6:30 P.M. 4:00 ,KNX-Jack Benny. -9:30 KECA.Amazing Malone. HJ-Nick Carter. KFLAmer. Album. KFAC.Gatew'y to Music 4:30 KNX-Amos & Andy. -
Lbjsoys US and Russia Will Talk on Mutual Nuclear Arms Limitations
• • L()..I TIDE 7-2-68 ;) AT 0?42 AOURGlAS'S 6 AT 1530 K\ AJALEIN HARSHA L ISLMJDS JULY I 168 PARIS (UPI}--fRANCE IGNORED THE SIGN~ Curlew Enforced a' U of C LBJSOys US and Russia Will Talk HlG Of THE UNITED :-.lATIONS-BACKED NUCU:'AR! NONPROLIfERATION TRtATY TODAY AND RUSHED COMPLETION Of PLANS fOR HER fiRST HYDRO_ Aim To Head.. ff furtlrer On Mutual Nuclear Arms Limitations GEN BOMB TE~TS 1'1 THE PACifiC. , "frenelr S,yle" Demons'ra,ions n" I"CTu'l (IF'I J--I}R[~ID(rn JOI<N';ON A'lN()U~ICEO TODAY AGREEf.4£NT HAS 8££N Ru,eHED GAULLIST SOURCES REITERATED TilE PR(S_ BERKtl£Y, CALIF (UPI )--l:ITY OffiCIALS S~T' [(, TIE ~'1ITE[) :::TAT(? AND THE SOVltT UNION TO BEGIN TALKS "IN THE NEAREST !OENT'S CONTENTION THAT TliE TREATY WAS fJTL,[" O~ '1UT\IAl LIMITArI0f.! or "UCLEIIR WEAPONS NOT A TRUE MEASURE OF DISARMAMENT, AND ORDERED A 7 PM CURFEW ON A 56-BLOCK AREA ADJACENT TO THE UNIVERSITY OF ~J"\.SOj, IN II CEREMONY PREPARED FOR A I,,'HITE HOUSE CEREMONY FOR SIGNING Of THE ..'AS MERELY DESIGNED TO STRENGTHEN THE CALlfORN~A CAMPUS TODAY 1" Afl EFFORT TO HEAD Ot~ ju~LrA, '1;}NPIHlLlr[ldHI0" TREATY, SAID "AT THIS MOMENT or ACHJ(V£M[NT AND HOPE NVCLEAR SUPREMACY OF THE BIG THRE( I A ::; .o.TIFIEO T'l J: AGLE TO REPORT AND ANNOU"ICE TO TilE WORLO A 31GNlfiCANT ATOMI C POI<IERS FURTH[R 'FIlENC" STYLE" DE'10N5TRAT I ON~ AG"~~I:U'T I CI/,V( ACTIVELY SOUG'iT A.ND \\ORKEO fOR SINCE JANUARY, 1964 AN A.GREE- SIGNING OF THE PACT, APPROVED BY THE FOR H'E SECOND CONSECUTIVE NIGHT SAT I~ENT '"'AS BEE.,. -
The Thesis Committee for Steven Vern Reddicliffe
The Thesis committee for Steven Vern Reddicliffe Certifies that this is the approved version of the following thesis Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows APPROVED BY SUPERVISING COMMITTEE: Supervisor: ________________________________________ Janet Staiger __________________________________________ Michael Kackman Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, B.S.J. Thesis Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Voices of Comedy: Conversations With Writers of Television’s Most Enduring Shows by Steven Vern Reddicliffe, MA The University of Texas at Austin, 2010 SUPERVISOR: Janet Staiger An oral history of television comedy from the early 1950s through the mid 1970s as told by the writers Sydney Zelinka, Larry Rhine, Milt Josefsberg, and the team of Seaman Jacobs and Fred S. Fox. The shows they wrote for included “The Honeymooners,” ‘The Phil Silvers Show,” “The Red Skelton Hour,” Bob Hope specials, “Here’s Lucy,” “All in the Family,” and “Maude.” These five writers were working in the earliest days of the medium and spent years writing for the personalities—from performers to producers—who pioneered and defined it. Most of them also wrote scripts during one of broadcast television’s greatest periods of transformation, when comedy took a decidedly topical turn that continued to have a significant impact on television comedy in the decades that followed. iii Table of Contents Introduction ……………………………..….……………….……..……1 Chapter One: Sydney Zelinka ……………………………....…..….…..15 Chapter Two: Larry Rhine ……………………………………......……32 Chapter Three: Milt Josefsberg ……………………...…….…...…....…58 Chapter Four: Seaman Jacobs and Fred S.