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The Spanish Church of the Saints Ildephonsus and Thomas of Villanova in Rome1
RIHA Journal 0241 | 30 March 2020 National Religiosity and Visual Propaganda: the Spanish Church of the Saints Ildephonsus and Thomas of Villanova in Rome1 Pablo González Tornel Abstract The construction of the church of Sts Ildephonsus and Thomas of Villanova on the Via Sistina in Rome began in 1667. Headquarters of the Spanish Discalced Augustinians in Rome, the church was directly inspired by Francesco Borromini's Chapel of the Three Magi (Cappella dei Re Magi), and its artistic iconography featured a comprehensive program of Spanish political propaganda. The church was decorated as a monument to the Immaculate Conception, the favoured devotional cult of the Spanish monarchy, and its Marian content was reinforced by the paintings of the Virgins of Copacabana and Guadalupe, patrons of Peru and Mexico respectively. The entire ensemble, including the dedication of the church to the Spanish saints Ildephonsus and Thomas of Villanova, transformed the temple into a celebration of the Iberian monarchy. [1] The main headquarters of the Spanish Discalced Augustinians in Italy is located in the Via Sistina in Rome, on the slope of the Pincian hill. The complex includes a church dedicated to the Spanish Saints Ildephonsus and Thomas of Villanova, constructed between 1656 and 1672 with a design very similar to Francesco Borromini’s Chapel of the Three Magi at the college of Propaganda Fide (Fig. 1). 1 This text corresponds to the paper given at the Annual Meeting of the Renaissance Society of America in Berlin, March 26-28, 2015, and summarizes the article published in Spanish in Pablo González Tornel, "La iglesia de los Santos Ildefonso y Tomás de Villanueva en Roma: un monumento barroco a la pietas hispanica", in: Archivo Español de Arte 88 (2015), no. -
VESPASIAN. AD 68, Though Not a Particularly Constructive Year For
138 VESPASIAN. AD 68, though not a particularly constructive year for Nero, was to prove fertile ground for senators lion the make". Not that they were to have the time to build anything much other than to carve out a niche for themselves in the annals of history. It was not until the dust finally settled, leaving Vespasian as the last contender standing, that any major building projects were to be initiated under Imperial auspices. However, that does not mean that there is nothing in this period that is of interest to this study. Though Galba, Otho and Vitellius may have had little opportunity to indulge in any significant building activity, and probably given the length and nature of their reigns even less opportunity to consider the possibility of building for their future glory, they did however at the very least use the existing imperial buildings to their own ends, in their own ways continuing what were by now the deeply rooted traditions of the principate. Galba installed himself in what Suetonius terms the palatium (Suet. Galba. 18), which may not necessarily have been the Golden House of Nero, but was part at least of the by now agglomerated sprawl of Imperial residences in Rome that stretched from the summit of the Palatine hill across the valley where now stands the Colosseum to the slopes of the Oppian, and included the Golden House. Vitellius too is said to have used the palatium as his base in Rome (Suet. Vito 16), 139 and is shown by Suetonius to have actively allied himself with Nero's obviously still popular memory (Suet. -
January 2006 ********** February 2006 ********** March 2006
January 2006 Sunday, 1st January 2006 - 11.00 am Via della Conciliazione - St. Peter's Square - Rome NEW YEAR'S DAY PARADE With the participation of: University of Nebraska Marching Band Rioni di Cori Flag Throwers Banda del Comune di Recanati Banda della Aeronautica Militare Friday, 6th January 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Benedictine College Choir USA Program: sacred choir music Sunday, 22nd January 2006 – 5.00 pm Church S. Cipriano, Via di Torrevecchia 169 - Rome St. Cyprian Liturgical Choir - USA Iubilate Deo - Italy Program: sacred choir music ********** February 2006 Tuesday, 21st February 2006 - 9.00 pm Church S. Rufino, P. zza S. Rufino, Assisi Abbotts Bromley School Chapel Choir United Kingdom Program: Schubert, Elgar, Kodaly ********** March 2006 Sunday, 12th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Curé of Ars Church Choir USA 1 Program: sacred choir music Tuesday, 14th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Holy Trinity Church Choir USA Program: sacred choir music Sunday, 19th March 2006 - 9.00 pm Church S. Ignazio, Piazza S. Ignazio - Rome Cathedral of St. James’s Choir USA Program: sacred choir music Saturday, 25th March 2006 - 9.00 pm Auditorium Parco della Musica - Petrassi Hall Viale Pietro De Coubertin - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. nr. 0039 329 2395598 Sunday, 26th March 2006 - 5.00 pm Church Sant'Andrea al Quirinale - Via del Quirinale - Rome Sant'Ignazio di Loyola an Eighteenth Century chamber music piece by Domenico Zipoli S.J., Martin Schmid S.J., Anonymous Ensemble Abendmusik Interpreters: Randall Wong, Robin Blaze, Patricia Vaccari, Nicola Pascoli, Marco Andriolo, Mira Andriolo Conductor: John Finney Reservation required - Tel. -
The Bishop, the Coach & the Mayor
Saint Mary's College of California Saint Mary's Digital Commons Scholarship, Research, Creative Activities, and Interdisciplinary Works Community Engagement Spring 2014 The Bishop, The Coach & The Mayor: Three Characters in College History L. Raphael Patton FSC Saint Mary's College of California, [email protected] Follow this and additional works at: https://digitalcommons.stmarys-ca.edu/collaborative-works Repository Citation Patton, L. Raphael FSC. The Bishop, The Coach & The Mayor: Three Characters in College History (2014). [article]. https://digitalcommons.stmarys-ca.edu/collaborative-works/49 This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. This Article is brought to you for free and open access by the Scholarship, Research, Creative Activities, and Community Engagement at Saint Mary's Digital Commons. It has been accepted for inclusion in Interdisciplinary Works by an authorized administrator of Saint Mary's Digital Commons. For more information, please contact [email protected]. 1 The Bishop, The Coach & The Mayor Three characters in College history Saint Mary’s College 2 3 The Bishop: Alemany and his college Preface 5 Introduction 7 1 California 9 2 Spain 17 3 Church 21 4 San Francisco 27 5 The Vicar General 33 6 Italy 41 7 Later Years 45 8 The end 49 Appendices 55 Saint Mary’s College 4 5 Preface The history of the Church in California, the history of Saint Mary’s College and the story of the Dominicans on the West Coast have each been written and rewritten, supported by impressive scholarship. Archives, newspaper morgues and libraries have been mined for material. -
“I TRUST in YOU” VADEMECUM English
2012 ANNUS FIDEI 2013 PONTIFICIUM CONSILIUM DE NOVA EVANGELIZATIONE PROMOVENDA “I TRUST IN YOU” VADEMECUM English PILGRIMAGE TO THE TOMB OF PETER 4-7 OF SEMINARIANS, NOVICES JUL AND THOSE ON A VOCATIONAL JOURNEY Creed I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. For us men and for our salvation he came down from heaven, and by the Holy Spirit was incarnate of the Virgin Mary, and became man. For our sake he was cruci!ed under Pontius Pilate, he su"ered death and was buried, and rose again on the third day in accordance with the Scriptures. He ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead and his kingdom will have no end. I believe in the Holy Spirit, the Lord, the giver of life, who proceeds from the Father and the Son, who with the Father and the Son is adored and glori!ed, who has spoken through the prophets. I believe in one, holy, catholic and apostolic Church. I confess one Baptism for the forgiveness of sins and I look forward to the resurrection of the dead and the life of the world to come. -
Frank I + II Bilder
1 Verzeichnis der Abbildunen in Josef Frank, Band I und II Vinzenz Pallotti. Von Leo Samberger. Namenszug des Seligen ................................. I, 0 Sankt Peter und die Engelsburg. Nuova Raccolta di principali Vedute di Roma. Roma 1842 (abgekürzt: Nuov. Racc.) .................................................................. I, 16 Das Kapitol. Nuov. Racc. ............................................................................................ I, 16 Elternhaus Pallottis. Zeichnung von Ludwig Barth ...................................................... I, 17 Peter Paul Pallotti, der Vater des Seligen. Gemälde in San Salvatore in Onda. Foto Pino, Roma................................................................................................... I, 32 Kardinal Alois Pallotti, Sohn eines Vetters des Seligen .............................................. I, 33 Haus der Pallotti in San Giorgio. Foto Josef Frank SAC ............................................. I, 33 Papst Pius Vl. Denkmal an der Confessio Petri in der Peterskirche von A. Canova. Foto Alinari ........................................................................................................... I, 48 Papst Pius VII. Grabdenkmal in der Peterskirche von Thorwaldsen. Foto Alinari ....... I, 49 Der päpstliche Kanzleipalast. Foto Anderson ............................................................. I, 64 San Pantaleo. Foto Marconi, Genua ........................................................................... I, 64 San Pantaleo. Inneres der Kirche. Foto Marconi, -
Building in Early Medieval Rome, 500-1000 AD
BUILDING IN EARLY MEDIEVAL ROME, 500 - 1000 AD Robert Coates-Stephens PhD, Archaeology Institute of Archaeology, University College London ProQuest Number: 10017236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10017236 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis concerns the organisation and typology of building construction in Rome during the period 500 - 1000 AD. Part 1 - the organisation - contains three chapters on: ( 1) the finance and administration of building; ( 2 ) the materials of construction; and (3) the workforce (including here architects and architectural tracts). Part 2 - the typology - again contains three chapters on: ( 1) ecclesiastical architecture; ( 2 ) fortifications and aqueducts; and (3) domestic architecture. Using textual sources from the period (papal registers, property deeds, technical tracts and historical works), archaeological data from the Renaissance to the present day, and much new archaeological survey-work carried out in Rome and the surrounding country, I have outlined a new model for the development of architecture in the period. This emphasises the periods directly preceding and succeeding the age of the so-called "Carolingian Renaissance", pointing out new evidence for the architectural activity in these supposed dark ages. -
Marble, Memory, and Meaning in the Four Pompeian Styles of Wall Painting
MARBLE, MEMORY, AND MEANING IN THE FOUR POMPEIAN STYLES OF WALL PAINTING by Lynley J. McAlpine A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Classical Art and Archaeology) in the University of Michigan 2014 Doctoral Committee: Professor Elaine K. Gazda, Chair Professor Lisa Nevett Professor David Potter Professor Nicola Terrenato Emeritus Professor Norman Yoffee The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant. Salvador Dalí, The Secret Life of Salvador Dalí © Lynley McAlpine All Rights Reserved 2013 Acknowledgements This project would have been impossible without the guidance of my advisor and dissertation chair, Elaine Gazda, who has provided unflagging support for all aspects of my work. I am grateful to have been able to work under the supervision of someone who I consider a model for the kind of scholar I hope to become: one who has a keen critical eye and who values collaboration and innovation. I have also benefited greatly from the sensible advice of Lisa Nevett, who has always helped me to recognize the possibilities and limitations of my approaches and evidence. David Potter’s perspective has been indispensable in determining how literary and historical sources could be employed responsibly in a study that focuses mainly on material culture. Nicola Terrenato has encouraged me to develop a critical and rigorous approach, and his scholarship has been an important model for my own. Finally, Norman Yoffee has been a continual source of advice and guidance, while opening my eyes to the ways my research can reach across disciplinary boundaries. -
Reassessing the Capacities of Entertainment Structures in the Roman Empire J.W
AMERICAN JOURNAL OF ARCHAEOLOGY 44 Beacon Street, 2nd Floor, Boston, MA 02108 • Tel.: 857-305-9361 • www.ajaonline.org This article is © The Archaeological Institute of America and was originally published in AJA 124(3):417–40. This e-print is supplied to the author for noncommercial use only, following the terms outlined in the accompanying cover letter. The definitive electronic version of the article can be found at: www.jstor.org/stable/10.3764/aja.124.3.0417. Volume 124, Number 3 July 2020 AMERICAN JOURNAL OF ARCHAEOLOGY The Journal of the Archaeological Institute of America www.ajaonline.org article Reassessing the Capacities of Entertainment Structures in the Roman Empire J.W. Hanson and S.G. Ortman Supplementary Appendix at www.ajaonline.org In recent years, scholars have become increasingly skeptical of the idea that there is any relationship between the capacities of entertainment structures such as theaters and amphitheaters and the populations of Graeco-Roman cities. In this article, we begin by offering a model of information percolation in cities grounded in settlement scaling theory. We then show that there is a systematic relationship between the capacities of both theaters and amphitheaters and the populations of cities in the Roman empire, but this relationship is far from linear, indicating that a decreasing fraction of the population attended events in entertainment structures. In addition, although there is a great deal of variation in the extent to which sites conform to the underlying relationships, there is a relationship between the sizes of these deviations and the overall standing of sites as reflected in their civic statuses. -
Aicher, PJ, Guide to the Aqueducts of Ancient Rome., Wauconda, Amici, C
352 List of Works Cited. ! . Aicher, P. J., Guide to the Aqueducts of Ancient Rome., Wauconda, 1995. Alfoldy, G., "Eine Bauinschrift aus dem Colosseum.", ZPE 109, 1995, pp. 195-226. Amici, c., II Foro di Traiano; Basilica Ulpia e Biblioteche, Rome, 1982. Amici, C. M., II foro di Cesare., Florence, 1991. Ammerman, A. J., IOn the Origins of the Forum Romanum', AlA 94, 1990, pp. 627-45. Anderson Jr., J. c. 1 IDomitian/s Building Programme. Forum Julium and markets of Trajan.', ArchN 10, 1981, pp. 41-8. Anderson Jr., J. c., I A Topographical tradition in Fourth Century Chronicles: Domitian' Building Program/, Historia 32, 1983, pp. 93-105. Anderson, Jr., J. c., Historical Topography of the Imperial Fora, Brussels, 1984. Anderson Jr., J. c., 'The Date of the Thermae Traianae and the Topography of the Oppius Mons/,AlA 89, 1985, pp. 499-509. Anderson Jr., J. c., IIDomitian, the Argiletum and the Temple of Peace/, AlA 86, 1992, pp. 101-18. Anderson Jr, J. c., Roman Architecture and Society, Baltimore, 1997. Ashby, T., The Aqueducts of Ancient Rome., Oxford, 1935. I j 353 Ball, L. F., I A reappraisal of Nero's Domus Aurea., JRA Supp. 11, Ann Arbor, 1994, pp. 183-254. Balland, A., 'La casa Romuli au Palatin et au Capitole!, REL 62, 1984, pp.57-80. Balsdon, J. P. V. D., The Emperor Gaius (Caligula)., Oxford, 1934. Barattolo, A., 'Nuove ricerche sull' architettura del Tempio di Venere 11 e di Roma in eta Adriana.', MDAI 80, 1973, pp. 243-69. Barattolo, A., 'II Tempio di Venere e Roma: un tempio 'greco' nell' Urbe.', MDAI 85,1978, pp. -
WRAP Theses Heathcote Vol2
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/148341 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Damnatio Memoriae and Exemplarity in Imperial Rome: From the Julio-Claudians to the Severans Volume 2 of 2. Nigel James Heathcote In Fulfilment of the Requirements for the Degree of Doctor of Philosophy in Classics and Ancient History The University of Warwick Department of Classics and Ancient History July 2020 Table of Contents Volume 2: Illustrations ......................................................................................................................................... 2 Illustrations for Chapter 1 ............................................................................................................... 2 Illustrations for Chapter 2 ............................................................................................................. 13 Illustrations for Chapter 3 ............................................................................................................. 17 Illustrations for Chapter 4 ............................................................................................................ -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research.